October 30, 2017 | Author: Anonymous | Category: N/A
A Good Man Is Hard To Find .. 2. Afghanistan . .. 3. After The Ball Is Over 6. After You've a good man is hard to ...
Fake Book 1 pre 1923
‡ Bass
The Creole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline’s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at: www.madelinekoeberling.ca
This Fake Book has been assembled with tunes that have all been written prior to 1923. Therefore these are all out of copyright in the USA. I hope you enjoy the tunes. This fakebook has been produced in the following versions: C Treble Bb Treble Eb Treble Bass Clef Tuba (bass clef one octave lower) If you want versions in other keys or want more tunes added, feel free to contact me. Kevin Yeates The Creole Jazz Band
[email protected]
12th Street Rag ................................................. 1 A Good Man Is Hard To Find ............................. 2 Afghanistan .................................................................. 3 After The Ball Is Over .......................................... 6 After You’ve Gone ................................................... 4 Aggravatin’ Papa ......................................................... 8 A’int We Got Fun ....................................................... 7 Alabama Jubilee .........................................................18 Alcoholic Blues ....................................................... 10 Alexander’s Ragtime Band …….......................... 12 Alice Blue Gown ................................................. 16 All The Girls Go Crazy ….......................….……. 14 Amazing Grace .......................................................... 17 American Patrol ……………….............................…. 20 And They Called It Dixieland ......................... 19 Any Time ..…………………………........................……… 21 April Showers ………………….......................…….…. 22 At a Georgia Camp Meeting .......…................,,,. 23 At The Devil’s Ball ................................................ 24 At The Jazz Band Ball ........................................ 26 Aunt Hagar’s Blues ……….......................….……… 27 Avalon …………………………………….......................… 29 Baby Won’t You Please Come Home ............... 32 Back To Storyville …............................…….…….. 30 Ballin’ The Jack ……………............................…… 34 Beale Street Blues ….………......................……... 36 Blue and Broken Hearted ………......................... 33 Blues My Naughty Sweetie Gives to Me . 40 Bluin’ The Blues …………….....................…..…...… 38 By The Light of the Silvery Moon …..…...... 42 Careless Love ……………………………….....……… 44 Chicago ….…………………………………..................…… 45 China Boy …………………………………………....…….. 48 Chinatown, My Chinatown …………….............… 46 Cleopatra Had a Jazz Band ............................... 50 Creole Belles .………………………………….....……. 52 Curse of An Aching Heart .................................. 49
Dardanella …………………………….......…….....……. 54 Darktown Strutter’s Ball ................................ 56 Dear Old Southland ............................................... 58 Dixieland Jazz Band One Step ........................ 59 Down Among The Sheltering Palms .............. 60 Down By the Riverside ......................................... 61 Down Home Rag ........................................................ 64 Down In Borneo Isle ............................................. 62 Down IN Honky Tonk Town ................................ 66 Down in Jungle Town .......................................... 65 Down Yonder ............................................................. 68 Easy Rider’s Gone ................................................... 70 Eccentric ..................................................................... 72 Eh La Bas ..................................................................... 71 Fidgety Feet .............................................................. 74 Flee AS A Bird .......................................................... 80 Floatin’ Down That Old Green River ........... 76 Floatin’ Down TO Cotton Town ..................... 82 Foolish Questions ................................................... 84 Frankie And Johnnie ............................................... 81 Grizzly Bear Rag ..................................................... 86 He May Be Your Man ............................................ 88 Hesitating Blues ..................................................... 90 High Society ............................................................... 92 Hindustan .................................................................... 95 Hot Lips ........................................................................ 96 I Ain’t Gonna Give Nobody None of My Jelly Roll.... 98 I Can’t Let ‘Em Suffer ...................................... 100 I Never Knew I could Love Anybody .......... 102 I want to do the Bear Cat Dance .............. 103 I Wish I Could Shimmy Like My Sister Kate ..... 104 Ida, Sweet As Apple Cider .............................. 106 If You Were The Only Girl IN The World 110 Indiana ........................................................................ 108 Ja Da ......................................................................... 111 Japanese Sandman ............................................... 118
Jazz Baby ................................................................. 112 Jazz Me Blues ...................................................... 114 Jelly Roll Blues ................................................. 116 Just a Little While to Stay Here ............. 119 King Chanticleer..................................................... 120 Lasses Candy ......................................................... 122 Lassus Trombone .................................................. 123 Lazy Daddy .............................................................. 124 Limehouse Blues .................................................... 126 Livery Stable Blues (Vocal) .......................... 128 Livery Stable Blues ............................................ 130 Long Gone ................................................................. 132 Love Nest .................................................................. 136 Lovin’ Sam .................................................................. 134 Ma, He’s Making Eyes At Me ........................... 137 Mama Don’t Allow ................................................. 138 Mandy .......................................................................... 139 Margie ......................................................................... 140 Memphis Blues ........................................................ 142 Midnight in Moscow ............................................ 143 Missouri Waltz ..................................................... 144 My Bucket's Got a Hole In It ....................... 150 My Daddy Rocks Me ........................................... 146 My Honey’s Lovin’ Arms ..................................... 148 Oh ................................................................................... 153 Oh By Jingo .............................................................. 152 Oh Didn’t He Ramble ............................................. 151 Old Rugged Cross ................................................ 156 Ole Miss ..................................................................... 154 On The Alamo ........................................................... 157 Ory’s Creole Trombone ...................................... 158 Ostrich Walk ........................................................... 160 Over The Waves ..................................................... 162 Panama ......................................................................... 164 Pearls .......................................................................... 166 Poor Butterfly ...................................................... 163 Pretty Baby ............................................................. 168
Riverside Blues....................................................... 169 Rock A Bye Your Baby ........................................ 170 Rose of Picardy ..................................................... 172 Rose OF Washington Square ........................... 174 Rose Room ................................................................. 173 Royal Garden Blues ............................................ 180 Rufe Johnsons’ Harmony Band ....................... 176 Runnin' Wild ............................................................. 178 Sailing Down Chesapeke Bay .......................... 182 San ............................................................................... 184 Satanic Blues ......................................................... 181 Second Hand Rose ............................................... 186 Sensation .................................................................. 191 Shake It and Break It ......................................... 188 Sheik of Araby ......................................................... 192 Singin' The Blues .................................................. 190 Sister Kate .............................................................. 104 Skeleton Jangle ................................................... 194 Sobbin' Blues ........................................................... 196 Some of These Days ........................................... 198 Some Sweet Day ................................................... 199 Somebody Stole My Gal .................................. 202 Someday Sweetheart .......................................... 200 St. James Infirmary ............................................ 203 St. Louis Blues ..................................................... 207 Stockyard Strut ................................................. 204 Storyville Blues .................................................. 212 Strut Miss Lizzie ................................................ 208 Stumbling ................................................................. 211 Suez ........................................................................... 212 Swanee ....................................................................... 214 T'aint Nobody's Business If I Do ................. 216 Tain’t Nothin Else But Jazz .......................... 215 Take Me TO The Land Of Jazz ..................... 218 That Da Da Strain ............................................... 225 That Dixie Jazz .................................................... 220 That’s A Plenty .................................................... 222
There'll Be Some Changes Made .................. 228 Tiger Rag ................................................................... 226 Til we Meet Again ................................................ 229 Tishomingo Blues .................................................. 230 Toot, Toot, Tootsie ............................................. 232 Tuck me to Sleep................................................... 233 Under The Bamboo Tree ..................................... 234 Wabash Blues .......................................................... 236 Waitin’ For The Robert E Lee ......................... 238 Walkin' the Dog ..................................................... 235 Washington and Lee Swing ............................ 242 Way Down Yonder in New Orleans ........... 240 When Ragtime Rosie Ragged The Rosary... 244 When The Midnight Choo Choo Leaves ...... 246 When The Saints ................................................... 243 When You Wore A Tulip ................................... 248 When You’re A Million Miles From Nowhere .... 249 Where Did Robinson Crusoe Go .................... 250 WhiffenPoof Song ................................................. 252 Whispering ................................................................ 253 Wild Cherries Rag ................................................ 254 World IS Waiting For The Sunrise ............. 256 Yama Yama Man ....................................................... 257 Yellow Dog Blues ................................................ 258 You‘ve Got TO See Your Mama Ev’ry Night ...... 260
1
12th Street Rag
BASS CLEF
Euday L. Bowman - 1914
B¨7 B¨7 B¨7 B¨7 B7 5
9
A E¨
B¨7
E¨
E¨
B¨7
13
B¨7
17
F7
21
25
B E¨
B¨7
B¨7
B¨7
E¨
E¨
E¨7
29
A¨
E¨ F7 B¨7 E¨ 33 Standard Doo Wack-a-doo chorus
A E¨
B7
A¨7
E¨
Back to top with INtro
B¨7 Etc
37
q = 100
A Good Man is Hard to Find
BASS CLEF
A Bb
C9
My heart's sad and I am
5
Bb
Bbm
F
all a - lone
I re
C7
9
- gret the day that I was born,
and
oh
that man I ev - er seen
F7
G7
C7
B
good man
17
F7
is hard to find
you al - ways
F7
when you think that
he's your
Bb
C7
see
then you
C7
him in his grave
Bb
the oth - er kind
just
you
look to find him fool - in' "round
G7
with some oth - er gal
27
pal,
Lord a
C7
get
G7
23
20
my heart is broke and that is why I say.
13
mean.
F
my hap - pi - ness is less to- day,
me
C
G7
C7
F
Bb Bdim F7
my man treats
Bdim
F7
rave
and you all
F7
Bb
crave
Bbm
so if your man
Bb
is
nice take
Bb
you wan - na
Bb F#7
F7
my
F#7
ad - vice
and
F7 Bb
hug him in the morn - in' kiss him ev' ry night
31
C7
good
man now
F7
- a - days is
give him plen - ty lov in' treat him right cuz a
Bb
hard to
find,
F7
Bb
so
hard to
find.
F7
Afghanistan BASS CLEF
William Wilander & Harry Donelly - 1920
A F‹
Fº
In the land of Af- ghan- is-
B¨‹/F
tan,
There's a Hin- du maid and a
F7
B¨‹
5
She swore by the stars up a - bove
9
F‹
her
day,
B¨‹ E¨Œ„Š7
In
21
B¨‹ by
Af-
'Cross
29
B¨‹
ghan- is-
the
o-
a-
E¨Œ„Š7
the
des -ert
sis,
C7
a-
A¨
to
a
car- a-
Bº
Wait- ing
E¨7 sand,
for
you,
A¨
we
will
day for you,my i-
dol,
in
way.
E¨7
There's
love her.
F‹
F‹
her.
A¨/C A¨‹/C van
Break - Unison 1 bar
And for you on-
ly.
G7/B find a
E¨7 C7/E F‹ B¨7
There will be a bri- dal
to
A¨
tan,
fair
one
his dreams he's call- ing
B¨‹7 E¨7
25
E¨7
In
E¨7
was the
stole his Hin- du maid-en
C7/E
Hin- du man is lone- ly and blue.
B E¨7
F7
17
man.
B¨‹/F
But there came an- oth- er one
that he
C7 Break
Break
Fº
13
F‹
F‹
Af- ghan- is-
tem-
ple,
A¨
tan.
BASS CLEF
After You've Gone
q = 110 - 120
1916
Bb
Bb
F7 A
Now won't you list - en hon- ey while I say
How could you tell methat you're
F7 D7 Gm7
F7
4
3
goin' a
way?
Don't say that
we
must part,
Bb
You know thatI'veloved you for these ma
12
Eb7
Day
-
ny years,
Bb7
Gm7 Cm F7 Ohhon- ey ba by can't you see my
Bb7 Cm7
Don't you break your
F7
9
G7
F7
ba by's heart.
Dm
G7
Loved you both night
Cm7
F7
tears? List - en
while I
and
Bb
say.
BASS CLEF
B Eb Ebm6 Ab9 Bb
17
and left me cry - in'
Af -ter you've gone,
C
21
F9
You'll feel blue
Eb
25
G7
Some
day
32
Gm7
you'll miss the dear - est pal you've ev - er had.
You'll feel sad
Edim7
Ebm6 Ab9
When
you grow lone
-
F
Bb6
Cm7
you'll want me on - ly
now don't for - get it,There'll come a time,
Cm7
there's no de - ny - in'
Ebm6 Ab9 Bb
Cm7
G7
Bb7
There'll come a time
29
Af -ter you've gone,
Dm7
G7
Af ter you've gone
ly
Dm7
G9
when you'll re - gret it.
Bb
Am7 D7 Your heart will break like mine and
F7
Bb6
Af ter you've gone A - way.
Bb7
Solos at "B"
BASS CLEF
After The Ball
q = 100
Charles K Harris - 1891
E¨7
Ab
E¨7
9
17
A
A¨
25
Db
33
Fm
B Db
51
Ab
C7
Dº
65 C A¨ E¨7 73 A¨ 81 D E¨7 89
A¨
C7
Fm
B¨7
E¨7
Ab
Db
E¨7
E¨7
F7
Ab
B¨7
A¨
58
Ddim
Ddim7
41
A¨ F7
E¨º7
C7
A¨
E¨7
Ab
D¨
F7
Ab
E¨7
F‹
B¨7
Ab
B¨7
E¨7
A¨
E¨7
A¨
B¨7 A¨
BASS CLEF
Ain't We Got Fun
Kahn & Egan Whiting 1921
q = 185
F
E
Ev - 'ry
morn - ing,
Ev - 'ry
B7 C7
much
mon - ey,
5
Not
Bb
9
F
Am E7 Am But
F
Tax
25
if
F we
gro - cer
B7 C7
A7
There's noth - ing
F E
29
In the
sur - er,
F
mean - time
got
fun!
car,
Don't
Dm Gm
F7
have'nt
stay as we
clos - er
fun!
We'll
F
got
C7
C7
E
F
the
get - ting
We
E
col - lec - tor's
Ain't we
dear,
owe
B7 C7
F
F
B7
Ain't we
hon - ey
dear.
C7
B7 C7
way,
Bb
F
eve - ning,
Oh, but
E7
an - y
E
E - ven
21
The rent's un - paid,
13
17
E
Still
a
Am
C7
are,
B7
C7
we
fun?
have
E we
have
F
F7 fun!
Bb C7
the rich get rich and the poor get poor - er
G7
in be - tween time
C7
F Am
Ain't We Got Fun!
Aggravatin' Papa BASS CLEF
Roy Turk & Russell Robinson - 1922
A E¨
I know a trif-
5
They call him "Trif-
E¨
He lives in Birm-
B¨7
oth- er
E¨
lin' man,
9
A¨
night,
ing- ham,
lin' Sam".
E¨ Eº
B¨7
'Way down in Al-
a-
F7 B¨ C7
He
had a
fight
with a
Now the
bam'.
gal named Man- dy
F7 Brymm,
F7 C‹7 F7 B¨7
13
And she
B¨
plain- ly sta-
ted she was
ag-
gra- va-
ted, An she shout- ed
out to
him:
Aggravatin' Papa BASS CLEF
2
B E¨
17
C7 F7 B¨7 E¨
"Ag- gra- va- tin' pa- pa,
Don't you try to two- time
me,
I said don't two- time me.
E¨
C7 F7 B¨7 E¨
21
Ag- gra- va- tin' pa- pa,
25
29
A¨
Treat me kind or let me
I
33
C E¨
by,
A¨
I'll smack you down and I
say,
But when you go strut- tin',
roll.
If
I'll do an- y- thing you
jel- ly
Break 2 bars
C7 F7 B¨7 E¨
Ag- gra- va- tin' pa- pa,
37
B¨7
be.
E¨ C7
Stop mess- in' 'round, sweet
get you told,
high brown ba-
I mean just let me
E7
you step out with a
be,
A¨
E¨ E¨7
List- en while
E¨7
Do your strut- tin' round my
don't mean may- be!
E¨7 G
yes, an- y- thing you say.
D7
B¨7
way.
So
pa-
pa,
Now
pa-
pa,
Now
pa-
pa,
Stop Time - Play beats 1 & 4 as marked
E¨
Aº Aº E¨7 E¨7 E¨7 A¨ A¨
41
Just treat me
pret- ty,
You best be care-ful,Once you were stead-y
45
E¨
C7
Ag- gra- va- tin' pa- pa,
Be nice and sweet,'Cause
I pos-sess
As yon can
I can beat you
be, 'Cause
Once you were true,
F7
But
a
do - in' what you're doin to me,
pa- pa, now sweet ma- ma can't de- pend on you,
E¨E¨7 A¨A¨‹ E¨
B¨7
Don't you try to two- time
-2-
fort - y four that don't re- peat!
me!
B¨7
1
Alcoholic Blues
BASS CLEF
A F
Bbm
F7
6
F
C7
9
Albert Von Tilzer 1919
Bb
F
Db7 C7
F
Vamp
13
B
17
C F
F C7
Pro - hi - bi- tion,
21
Gm
24
C7
I'm so thirs - ty
just
27
run
F
30
C
dry.
pro - a - bi- tion
I'll
did - n't hes
I'm
die,
sim - ply gon - na 'vap
When Mis - ter Hoo- ver said to cut my
I
drives me in - sane.
F C7
- i - tate I
cut my coal,
G7
did
din
- o - rate or
- ner down,
G7
- n't frown.
C7
G7
soon
G7
that's the name,
C7
I
F C7
but now they've cut deep in
C7
I
- side
cut my sug - ar
my soul. I've got the
Alcoholic Blues
11
BASS CLEF
33
D
37
F
blues,
I've got the Blues,
blues,
I've got the
Bb
no Bars
Blues,
closed
al
- co - hol - ic - pu - ta - ted
F
more beer
the
since they am
Bbm
are
I've got
my
heart
and
night
to
cheer,
clubs too,
C7
40
used to make me fris what
to
- ky.
do,
F7
blues.
There's
booze.
good
- bye
whis - key
lord
- y
lord
So
long
hi - ball,
good
- bye gin,
So
long
hi - ball,
good
- bye gin,
Solos at "D" 43
F
tell
me
when you're
com
- in'
back
a
- gain.
tell
me
when you're
com
- in'
back
a
- gain.
Db7
C7
- y
F
BASS CLEF
1
Alexander's Ragtime Band
VERSE C
C7
Irving Berlin, 1911
F
G7 Oh,ma hon - ey,
Oh,ma hon - ey,
Oh, ma hon - ey,
Oh, ma hon - ey,
Bet - ter hur - ry
Ain't
you go
- in',
G7
Ain't you
Oh,
- terman?
band
-
ex
an
-
what's
ma hon - ey,
Oh,ma
Come and lis - ten,
peach
grand
- es,
you
- ter
And
the
clar i - net
-
hur
-
- ry
Let me take you to
Come and lis - ten,
To a class - i - cal
stand,
brass
band,
now,
some
come
com
hon - ey,
G7
Bet
- er man,
F
C
Ain't
the lead
C7
- der's
C
To
C
- in'
F
G7
Al
go
Like a chick - en,
is a col - ored pet,
15
- an - der,
C
rag- gedme
Like a chick - en,
12
me
D7
8
and let's
There's a fid - dle with notes that screech - es,
C
5
in' a
-
long?
a
-
long.
C0
-
how,
C7
Come on
and
Alexander's Ragtime Band
1
BASS CLEF
2
F
17
F
hear,
Come on and
Bb
21
Come
Bb
24
land.
So
na
41
-
al
best - est
F
Bb
Bb
man.
Up to the
F7
F
hear,
hear
the
It's
gle
man!
you
you
band
best
band
F
ne
to
go
am,
ho
nee
F hear,
you
by
Ri
Bb
Al -
- ver played
- der
in
C7
ney lamb.
Come on a
F
the hand.
Bb Who's the lea
war.
C
me take
the
to
C7
Let
in
C what
- ver heardbe - fore.
want
Come on and
Bb
F
Come on and
call like
F7
Swa
the
time Band.
hear!
long.
Come on a
der's Rag
-
that
the
care to
45
just
long.
F
Al ex an -
can play a bu
G7
37
tur
Bb
F
That's
33
F
-
G
29
on and
They
F
27
hear,
hear,
C7
of the
Bb
band.
rag -
time.
ex an- der's Rag - time
Up
to
the
Fdim
And if
Come on
F
Band,
you
and
C Bass
1
All The Girls Go Crazy Stop Time-2 Bars:................................
Kid Ory
h = 100
Eb Eb Eb Bb Eb
1916
F7
A
Stop Time-2 Bars:.........................................
Bb
Bb7 Eb Eb Eb Eb Bb
6
F7
Bb
12
Bb7
All the
Solos Begin Here
17
Eb Bb B
girls
go
craz
on
their
knees
- y 'bout the way thatI walk say - in'
22
Bb
"Ba
-
The
by,"
Hon - ey'bout the way I
walk
Yes,
Craz - y 'bout the way I
walk.
Yes, they fall
Bb craz knees
-
y 'bout the way that plead - in'
"Ba
30
-
walk,
Hon - ey 'bout the way
I
walk
Craz - y 'bout the way
I
walk
all
by,"
-
Eb
girls
go
on
their
F7 Say
Bb
the
-
'Bout the way that I walk,
by,"
way thatI walk
Sayin' "Ba
Bb7
26
F7
-
in' "Ba - by,"
Bb7
They fall
On to "C" after last solo:
Chorus: 1st Time Soft:
33
C
Eb
1
The Grils go Crazy "bout the Way I Walk C Bass
Bb
F7 Bb Bb7
37
Bb
42
Eb
F7 Bb Bb7
45
Climax Chorus: ad lib:
Eb
49
D
Bb
55
Bb7
Bb
Eb
F7
60
F7
Bb
Bb
Eb7 Bb
Alice Blue Gown (4/4)
1 McCarthy/Tierney - 1919
BASS CLEF
A
C In
D7
5
9
sweet
wan- dered
G7
both
13 D7
ev-
17 B
C
man-
world
25 D‹
wilt-
sweet
A
in-
to town,
As
I
felt
G7
C7
B7
ner
of
fash-
ion
seemed to
ed
I
smile
all
a-
wore
it,
lit-
tle
A-
I'll
lice
by;
F©‹7
Gº
round.
C/E
pass- ing
E7
D7/F©
I'd frown,
G7
B¨7 A7
D©º
ev- 'ry eye,
primp,
G7
Fº
A7
I
C
I'd
E‹7
win- dow
When I
D7
down
'ry
- lice Blue Gown,
A7
shop
B7 B¨7
29 D‹
lit- tle
proud and shy,
D‹
C7
first
21
my
B¨9
al-
Blue Gown.
ways
C F‹
a-
A7
dore
was
But
in
Then
in
And
the
E7/G©
'Til
it
it,
My
C
1
Amazing Grace
F
F7
A - ma Twas grace Through ma
3
grace, taught dang
zing that ny
-
Bb
-
how my ers
sweet heart toils
the to and
sound, fear, snares,
That And we
F
5
saved grace have
9
F once pre grace
13
a my al
3
-
blind hour grace
wretch fears rea
like re dy
-
but that us
3
I How T'was
F
now grace safe
C
but I will
me. lieved. come.
-
lost did brought
Dm
C7
Bb
was cious that
F
am ap thus
-
found, pear, far,
was the and
F
now first lead
I be us
-
see. lieved. home.
BASS CLEF q = 160
Alabama Jubilee Gb7
A Bb Man- do
5
Bb
don't de
15
C7
feet.
nights down
Bb
Goes right to you head and trick - les
treat,
It's a
re
mind
in
old
Al
-
F7
C7
to your
Bet- ter hur - ry hon- ey dear,or you'll be miss in'
lay,
rag time
12
-
er
a
F F7
mem - o
a
B G7 G7
Jones when he rat- tles them
20
C7
F7
23
Bb
'round like
a
Aunt Jem - i
Bb
26
G7 round on his toe,
29
Bb
D7
Hail,
Hail,
ry
-
find
er
of
3
bam:
You
ought
to
C7
bones,
Old Par son
Brown danc in'
F7
clown,
Shout - in'"I'm full
-
F7
17
see Dea con
F7
Mu - sic sweet,
F7
F
Gb7
Bb
C7
Com ethis way,
Bb
Ev-'ry - bod - y tun - in' up,the fun be - gins,
Gm
F7
vi - o- lins,
Bb
9
Bb
lins,
1 George CObb - 1915
- ma
who is
past eight - y three
G7
o' pep! Watch yo' step,
watch yo' step!" One leg ged Joe
Cmin
Cmin C7
Threw a - way his cane and hol lered,"Let her
C7 F7 Bb Eb Bb the gang's all here for an
danced a -
Al - a - bam a Jub - i
-
lee.
go!"
Oh Hon ey
And They Called It Dixieland
BASS CLEF
1
Raymond Egan & Richard Whiting - 1916
A
A B¨ They built a
5
F7
B¨ D7 G7 C7
lit- tle gar-den
B¨
sum- mer breeze to
keep the snows
9
G7 fin-
for the rose, And they called it Dix- ie-
C‹
est place I've
known,
When they built
A¨
land.
G‹7
land. They built a
far a- way from Dix- ie-
They built the
C7
my home sweet home,
13
C7 F C7 F7 was for-got- ten in the land of cot- ton, from the clo- verto the hon- ey
17
B B¨
took an
B¨ D7 G7 C7 an- gel
21
F7 bit
of heav- en
from the skies,
And they gave her heart to
D7
in her eyes,
G7
Just as blue as blue can
C7
25
29
Noth-ing
comb, And then they
me.
She had a
be.
They put some
fine spring chick - ens
in the land, Andtaught my Mam - my how to use a fry-ing pan. They made it
F7
B¨
twice as
nice
as
D7 G7 C7 F7
Par- a- dise,
And they called it
Dix- ie-
B¨
land.
American Patrol BASS CLEF
F.W. Meacham - 1891
A
F 5
C7
C7 F G7
F7
9
F
13
B¨
C7 G‹7
17 B
C7
21 C7
F
F
F
29 B¨
F C7
25 B¨
F
C©º
F7
D‹
F
1
Any Time
Herbert Lawson ? in 1921
BASS CLEF
D7 An - y
8
G7
time
Bb
blue,
14
20
time
A7
1.
F
you.
So
want me back
32
An - y
F#0
That's the
you,
G7
me,
a - gain,
C7
D7
an - y
that's the
An - y
Thatwill
D7
time
C7
'bout
28
G7
you'refeel ing
youfeeldownheart -ed,
your lovefor me is true.
24
An - y
time
F
C7
prove
An - y
Bbm
G7
you'refeel ing lone - ly,
F
C7
time
you'rethink ing 3
I'll bethink ing of
D7
time
you
say
C7 time
F 2.
you.
I'll
Bb
you
come back home to
F
April Showers Louis Silvers & Bud DeSylva 1921
BASS CLEF
D7
G
Tho' A - pril Show - ers 7
that bloom in 13
May.
They bring the flo - wers
Am
So if its rain - ing
have no re - grets,
is - n't rain ing rain you know,it's rain ing vi - o - lets. And where you G
see
clouds
Am
D7
18
24
D7
A7
Be causeit
29
E7
may come your way,
G
up - on the
E7
hills, C
you soon will see
Cm
dils,
So keep on look ing for a
E7
A7
D7
song,
when ev - er
blue bird,
crowds G
of daf- fo -
and list 'ning for his
G
A - pril Sho wers come a - long.
At a Georgia camp Meeting 2 bars unison w/ Clarinet trill
BASS CLEF
Bb
Bb
5
F7
Bb
A
Eb
Bb7
11
C7
F7
Bb F7
Bb
Bb
Bb7
Eb
Bb
2 bars unison
F7
Bb
Bb
17
Fine
Bb
21
B
27
Gdim
33
Eb
F7
F7
Bb
Bb
Edim
F7
Bb
G7
C7
F7
Bb
Bb7
Bb
Back to "B" for solos, after last solo play "A" once
At The Devil's Ball BASS CLEF
A
I had a
4
A‹
Irving Berlin - 1913
A‹
dream last night, - That filledme full
G7
Dev - il
be - low.
In
7
C Dev- il was giv-
10 A‹
gaz- ing
13 D7
ing
a
at
the mer-ry
must con- fess
to
you,
great
his
E7
Ball.
crowd
of fright: - I dreamt that I
big
fier-
y
I checked my
that came to
G7
There were ma-
Where the
coat and
hat and
start-ed-
wit-ness the show.
ny there
hall,
A‹
was with the
I
knew.
And I
At
the
At The Devil's Ball BASS CLEF
2
17
B C
D7
Dev-il's Ball,
At
the Dev-il's Ball,
I saw the
21
G7 C C©º G7 C C©º cute Mrs. Dev-
25 D7
il, so pret-ty- and fat,
Dressed in a lit-
G7
Eph- re-ham,thelead-er man,wha led the band last
29 C
C Dev-il's
Ball,
In
G7 C il that
I ev-er saw,
theDev-il's-
fire- man's hat.
He played the mu-sic at the
D7
33
fun-ni-est dev-
Fall,
tle red
Hall.
I saw the
G7
C C7
Tak-ing the tick- ets from folks at the door,
E7 A‹ D7 D7 G7 D7 G7
37
F
I caught a glimpse of mymoth-er in- law,
41 D7
G7 C
Danc-ing- at the Dev-il's-Ball.
At the
Danc-ing with the Dev-il,
Oh! the lit tle Dev - il,
BASS CLEF
At The Jazz Band Ball q = 180
Original Dixieland Jazz band - 1918
A Gm
5
F7
Bb G7 C7 F7
9
Gm
13
C7
17
B G7
23
Bb
28
33
G7
Eb
Bb
G7
C7
F7 Bb
G7
F7
Bb G7 Eb Edim
43
C7
C7
Bb C7
Edim
F7
G7
38
F7
C7
C7
F7 Bb
Aunt Hagar's Blues
BASS CLEF
W.C. HANDY 1921
A Eb
Bb+ Eb Bb+ Eb Eb7 Old dea - con Spliv - in,
5
Ab7
His flock was giv - in'
Fm
Bb7
Said he"No swing - in',
9
Fm7
the way of liv - in' right.
Eb
Eº
No rag - time sing - in' to- night".
Bb7
Eb EbEb7AbAbm
Up jumped Aunt Ha gar
Bb7
and shout - ed out with all her might:
Eb7
13
B Eb
"Why all this razz - in',
17
Ab7
a- bout the jazz - in'?
Eb
Bb7
With la - test mu - sic,
21
Ab7
Oh my, just lis - ten!"
My boys have just come home,
They play it on the sax - o phone".
Bb7
Eb Ab7 the dea - con shout - ed with a
moan.
Eb
BASS CLEF
25
C Eb Eb7 Ab Aº
HearAunt Ha gar's
29
Bb7 Eb B7
Eb
chil - dren har - mo - niz - ing.Hear thatsweet mel
Eb7
Ebm
like a
choir
B7
from on
high
o
- dy,
It's
broke loose.
If the
Ebm
sent
it
right
down
Aº Eb Bb7 Eb B7
- ga - tion join
D Eb
while I sing those lov - in' Aunt Ha
to me.
Eb Eb7 Ab
con - gre
41
Bb7
dev - il brought it, the good Lawd
37
Eb
-
B7 Bb7 Eb7
33
Bb7
Let the
Bb7
Eb
- gar's Blues.
Eb7
Ab7
Oh, 'taint no use you preach - in', Oh, 'tain't no use o'teach - in'
Such jazz - a - pa- tion
46
C7 F7 Eb G7 such mod - u - la - tion,
50
Bb7
Whenmy feet say dance,I just can't re - fuse,
that mel - o
Eb
- dy they call the blues,
Bb7
WhenI hear
Eb
Aunt Ha gar's Child - ren Blues.
BASS CLEF
Avalon A
C7
I
found
F
5
AL Jolson
my
love
in
A - va - lon,
C7
F
side
the
bay,
left
my
love
in
F
I
B D7 dream
21
a
of
her
and
so
I
think
Gm7
I'll
-
va
from
dawn.
D7
Eb7
And
on,
to
F
-
trav - el
C7
29
A
E7
I
E7 Eb7
and
Bbm6
'til
F
A - va - lon
dusk 25
D7
way.
-
Gm
C+7
F
sailed
A - va - lon,
C+7
13
17
-
-
lon.
-
9
C7
Be
1920
Back To Storyville
BASS CLEF
A E¨7
B¨‹7
3
Go- in' back to Sto- ry-ville, that's
3
3
be,
3
Ev-'ry-thing'bout Sto- ry-ville
E¨ B¨7
just a part of me,
E¨7
to
E¨
B
A¨7
to ask me why.
6
9
where I long
E¨7
Ain't notime
Louis Armstrong
E7
Since
I was just
B¨‹7
is
B¨7
this high.
Go- in'
E¨7
3
back to ol' De- sire,
12
3
street
in' changes on De-
B¨7 where
I'll take
shake my hand.
A¨7
Noth-
a- round, Friends I knowwill
A¨7
15
3
I know my way
sire,
that street of my home town,
E¨
my
stand.
B¨7
the
There's
a
Back To Storyville
1
BASS CLEF
2 17
C
A¨
ca-fe-
19
F‹7
drop
A¨
21
23
25
D
called
"The
a - round
la-
dy
CØ7
G7
C
Pup"that's
nev-er-
B¨7 most
tailored-
up
shut,
an-y-time
G7
E¨
so
you
can
E¨7
you
choose.
C‹
in
some-thin' cut
There's a
low,
she
F7 B¨7
rolls the
ol'
pi-
an- o
E¨7
with the"Jel-ly-
B¨‹7
Roll
Blues".
Goin'
E¨7
3
backto Sto- ry- ville,
28
E¨
my horn,
A¨7
31
I'm gon- na'take
3
Oh I just can't wait un - til
My
B¨7 Sto - ry - ville,
3
my
nif-ty suit,
my brush and comb.
I'm back where I was born,
E¨
my
home.
B¨7
Baby Won't You Please Come Home
BASS CLEF
Dbº
Bb
I've got the blues,
C7
I
feel so
F7 Bb D7 D7b5
4
C7
I could on
F7 lone
Bb
-
Dbº
ly,
I'd give the world
Gm D+ Gm7 C7
- ly make you un - der - stand.
Itsure - ly would be
Dbº C7 F7 Bb7
9
Bb
I'm goin'to tel - e - graph you ba
13
Gm7
C7
when you're gone
I'm
20
lone.
I have tried
in
vain,
- ry
grand.
all day
Gm7
Gb9
3
a
-
F7
nev - er no more to call your name.
Bb
When you left you broke my
29
long.
Cm7 Eb D7 D7 G7
25
"Cause
'cause your mam - ma's all
C7
F7
home,
F#º Gm
F7
C7
C7
F7
wor
G7
- by won't you please come
C7
I
if
Eb
- lorn,
A
Ba
Gm7
As you won't you please come home,
F#º
Bb D7
17
by,
F7
all for
Clarence Williams and CHarles Warfield - 1919
Eb
Eº
heart,
Bb Ab7b5 G7
hour in the day,
you will hear me say,
Be causeI nev - er thought we'd part.
C7
F7
Ev -'ry
Bb
Ba - by won't you please come
home.
Blue (And Broken Hearted) BASS CLEF Lou Handman - 1922
A B¨
Blue,
5
D7
9
be-
cause
Blue,
There
17 B
bro-
ken
heart-
ed.
E¨‹
a
time
I
was
You
know
the
rea-
F7
son
I'm
mel-
an-
and
oh!
F©&
chol-
so
lone-
ly,
y.
G7
I
want
you
on-
ly.
C‹
E¨‹
B¨ G‹
blun- der
and
a
ly,
Gº
We made
F7
jol-
C7
Blue,
you're
G7
was
True,
ed,
B¨
29 E¨‹
part-
we're
25
D7
21
B¨
13
and
C‹
Gº
lots
F7
B¨
blue
too.
of
E¨‹
time
I
E¨
won- der
if
B¨
Ballin' The Jack BASS CLEF
Chris Smith - 1913
G
A
A7
Folks
in
It's
4
C7
all
F7
down in Geor- gia came;
I'm
the
on-
ly
now has got the craze,
It's
the
the
par-
ty
in-
is
why
I
rave
I'm That
me
cre-
dit
Play some good
Rag
C7
tro- duced a-
bout
F©º
to know
all
E¨7
try
to
do
there,
it
so!
thing or
you prance;
the dance, Join right in
now
D
When
I
do you'll
say
that
it's
a
bear!
Once
a - gain
steps
to
you
I'll
show:
the
mod- ern days,
so!
E¨7
two,
will show this
I
- ty
cie
D7
Give
me
cre-
dit
Old
G¨7
F7
new dance
so-
done in
it
a
per- son who's to blame,
D
that will make
All
D7
for spring- ing some- thing new;
15
Since that
best dance
A7
B G
12
Give
in- sane
9
go
E¨7
the ca- bar- ets,
G7
7
'bout to
at
F©º
E¨7
Geor- gia's
being done
D7
folks, young folks,
lit- tle danceto
you,
while you got the chance,
F7
Ballin' The Jack BASS CLEF
2
G7
17
C
C7
First you put your two knees close up tight,
20
C7
F7
sway'em to the right,
B¨
23
Twist
25
D7
Stretch
a- round with
le
and grace
Swing your foot
C‹
that's
what
I
31
E¨‹ call
all
G7
your might,
C7
lov - in'armsstraight out in space,
28
Then you
D7
nice and light,
E¨7
G7
Step a-round thefloor kind of
a- round and twist
D G7
Then you sway 'em to the left then you
Then you
way 'round then
F7 "Ball-
in
do the Ea- gle Rock with sty-
B¨
D7
Jack".
G7
G‹
bring it
Solos at "C" B¨ the
back,
Now
Beale St. Blues BASS CLEF
Bb F7 Bb F7
Bb F7 Bb
You'll
A
Bb
3
see
pret
see
Hog
- ty
5
Eb tail
Could
talk,
-
or
- mades and
that
tell
hand by
of
men_would have_to pack their
Eb
skilled,
Now just
sham,
ful
and
Chit
- lin
Ca
If
Beale Street
a
- me - downs. walk.
Ex
and
And the
- y hets killed. New Je - ru - sa - lem.
You'll If
- fe's,
You'll see
talk,
Mar - ried
-cept one or
- er
Gold - en balls on
e
And
men,
plac - es, once plac
bus' ness nev blind man
You'll see
Bb7 Bb
Bb
You'll see
- er drink booze,
could
gowns,
You'll meet hon est And
You'll find that
1.
bod
- ti -
- gone days.
bags
F7 Bb
10
beau
Ebm
pick- pock - ets nev
in
F7 Bb Cm Bb F C7
Jugs
8
Browns
- Nose rest - 'rants
Beale Street
-
two,
es, Who
clos
- es
- nough
to
'til pave
some the
the corner who sings these
2.
F7 Bb Bb7 Beale
Street Blues..
Well I'd
Beale St. Blues BASS CLEF
2
12
B Eb
Bb7
rath - er be
Than an
there,
Abm
Ab goin' to the river, rath - er be there,
Bb7 take riv
-
York
22
Eb
the
ser
er's
wet
may
be
Eb7
I said I'm I said I'd
- y place I know
Eb
Than an - y place I know. And there's a rea - son why: Than an - y place I know
rath - er be here,
20
I'd
- y place I know. May - be bye and bye.
goin' to the river,
16
Eb7
Than an
here,
rath - er be
Eb
Ab
It's gon - na Be - cause the New
For
to
make
me
go.
and
Beale
Street's
done
gone
dry.
all right,but
Beale
Street's paved
with
gold.
-
geant
Abm
Eb
E7 F7 íf going back to "A"
Well
I'm I'd
BASS CLEF
Bluin' The Blues q = 120
Henry Ragas 1918
Bb7
Eb F7 Bb
pp
5
f
A Bb
Bb7
Bb Eb7 Gb7
A7
9
F7
C7
13
17
B Bb
Ab7
G7
Bb
F
Bb
Gb7 Bb Bb7
pp 21
25
f
Eb7
C7
Gb7
F7
Bb
A7 Ab7
G7
Bb
F7
Bb
2
BASS CLEF
Gb7
Solos Bb Bb7
C Bb
29
pp
Eb7
Gb7
Bb7
C7
F7
33
37
41
f
D Bb
Eb7
45
C7
Bb
F7
Bb
Bb
G7
Bb7
Bb
A7 Ab7
G7
F7 Bb
49
F7
Gb7
A7 Ab7
F7
G¨7 B¨ F7 B¨
53
E
B¨
pp
f
BASS CLEF h = 100
Blues My Naughty Sweetie Gives To Me D7
Gm
Ebdim
There are
6
Blues Blues Blues
when you're lone when you're lone when your hon
-
ly, ly, ey,
The Blues The Blues And Blues
you can you can when she
sort kind kind
of of of
er ex er ex you a
-
Cm
ing ing ried
G7 Are the But the But the
-
G7
Gm
that you get from long that you get from long that you get when mar -
nev nev tells
Blues that's Blues that Blues that's
But the To hold Wish - ing
blu some that
-
mind, stabs, blue,
F7 Bb C7 F9
28
mean - est tax - i wine for
kind, cabs, two,
The Blues my naught - y sweet - ie The Blues my naught - y sweet - ie The kind of Blues my sweet - ie
gives gives gives
to to to
For For spends
There are There are There are
plain; plain; lie;
D7
on my al - way good and
ly ly ey
-
Blues Blues phones
D7
Blues Blues Blues
on on mon
Ebdim
Gm
Blues Blues Blues
Cm
There are There are When she
A7
24
And there are And there are And there are
pain, pain, guy,
Gm
your one and your one and all of your
17
Eb7 D7
Cm Abdim
that you get from wor - ry that you get when sin gle that you get from sweet - ie
that you get from that will give you to an - th - er
11
G7
Gm
1919
me. me. me.
est Blues that one on your you could be
C7
be knee, free,
They're the Come from Comes from
(D7)
ve - ry hi - ring hav - ing
There are There are There are
1
This page has been intentionally left blank. You have not been ripped off. This had to be done in order to avoid page turns in the middle of a tune. You might think this would be a good to place to make jokes or witty observations such, “Did you ever notice that Peter O’Toole is the only Hollywood actor to have a first and last name with a phallic reference?” But I won’t be doing any such thing. So stop reading this. It is a waste of your time. I won’t waste your time with other foolish jokes. It is just a blank page. So why are you reading this? I told you earlier to stop. You are wasting your time. Well since you can’t just turn the page, then I will take advantage of your reading interest to see if you might be interested in buying my time machine. It is 100% operational and fully functioning. Everything works just fine and it runs very smoothly. The unit has a minor design flaw in that it plugs into the wall to operate. As a result, when the time travel starts the machine immediately loses its power source and you land back in the present. I have been developing this time traveling machine for years and am now too tired to do the work involved in converting it to run off batteries. It should be an easy fix for a home handyman.
BASS CLEF
By the Light of the Silvery Moon A
C
Cdim
A
5
C
C
is shin - ing thru
the trees,
Place
park
scene
dark,
Sil - v'ry moon
Act
two,
scene
new,
Ros - es bloom - ing all
Dmin
E7
A7
Dmin
G7
Dm7
of kiss - es
9
Cast
two,
me,
you,
Sound
Cast
three,
you,
me
Preach - er with a
C
Cdim
G7
C
C
Act
one,
be
Choir
sings,
bell
13
Cdim
D7
gun
-
a - round the place.
G7
Dm7
C
float - ing
on
the
breeze.
sol - emn look - ing
G7
face.
Cm6
G
Di
rings
G
Gus Edwards & Edward Madden 1909 Dmin
G7
- a logue, "where woud you like to spoon?" Preach - er, "You are wed for e - ver more."
Em
My
cue,
with
you,
Act
two,
all
through,
Am7 D7
G7
Am
Un - der - neath the Ev
- r'y
sil - v'ry
night the same en
moon.
- core.
By
the
By the Light of the Silvery Moon BASS CLEF
2
C
17 B
Light
of
the
sil - ve
- ry
G7
21
spoon,
to my ho- ney I'll
C
25
moon,
C
29
beams
31
E7
soon,
Keep
a shin
C7
D7
will
bring
love's
A7
D7
C#0
G7
croon
love's
F
A7
dreams,
we'll
G7
C
the sil
A7
June,
By
- ve - ry
Ho
Your
sil
Moon.
be
to
Dm
want
tune;
Am
C
I
C
- in' in
Fm
E7
Moon,
D7
cud
-
Dm
- v'ry
dl
- ney
- ing
Careless Love BASS CLEF
A F
C7
Love,
oh
love
oh
D7
6
thru
11
Bb
B F
If
24
Bbm
a
I
were a
-
lit - tle
F7
build
my
nest
C7
boys
could
not
both
F
I
wear my a- pron
C7
F
F -
ly
broke this heart of
way
up
in
the
wear
my
er,
nev
- er
Now
I
pass
to
G7
tree.
Bbm
air
where the
C7
me.
F
Now
F
- er
tree
from
Bb
high,
C7
D7
fly
C7
mine.
F7
of
45
heart
the
C7
You've broke
F
F
I'd
right
F7
bird,
fly
C7
bad
nev
F
F
and you near
F
F
40
You
F
29
Now
I'd
gal,
C7
C F
C7
F
love.
G7
C7
33
care- less
my head like wine.
ma - ny
17
F
Bb a
F
- es
by.
G7 D7 I wear my a - pron high,
pron
Bbm
high,
and
C7
he
Chicago
BASS CLEF
Fred Fisher - 1922
A E¨ Chi
5
- ca - go,
F‹7
F‹7 B¨7 F‹7 B¨7 G¨º
Chi-
ca-
B¨7
ca-
go,
Chi-
go,
That tod- dl'-in' town,
tod dl'- in' town,
E¨
ca-
go,
I'll
Chi-
B¨7
show you a- round,
I
love it,
9
F7 E¨ Bet your bot-tom dol- lar you lose the blues
F‹7
13
B¨7
E¨ B
Bil- ly
State Street,
D‹7(b5)
do
things
Sun- day
could not
G¨º
that great street,
21
B¨7
town that
17
F‹7
in Chi- ca-
I
go,
Chi-
E¨/G Eº/G¨
shut
F‹7
B¨7
F‹7
just want to say,
G7
they
don't
do
on
Broad-
29
F‹7
ca
B¨7
-
go
F‹7 Chi
B¨7
- ca - go
my
home
B¨7
just want to say,
C‹
E¨ E¨º town!
They
C7
way,
I saw a man, he danced
B¨7
A¨‹ E¨ of their life,
The
On
They have the time the time
go,
down!
F‹
25
ca-
F‹7
Say,
Gº
with his wife, In Chi-
F‹7
B¨7
Chinatown, My Chinatown BASS CLEF
Jean Schwartz & William Jerome - 1906
C
When
E‹
the
town
is
fast
a-
sleep,
C
5
And
E‹ it's
mid- night
in
the
sky,
9
C That's
13
D‹7 Starts
17 D‹
the
time
the
A‹
G7
to
wink
his
Starts
21
to
wink
zi-
ly
fes- tive
La-
G7
Chink,
C
oth-
er
eye.
his dream- y
you'll hear
eye,
G7
E‹
D7
him
sigh:
G7 G&7
Chinatown, My Chinatown BASS CLEF
2
C
G&7
na
town,
my
Chi-
na
town,
25 A
Chi-
C
29
C Where
the
lights
are
33
G7
Hearts
that
37 D7
know
Drift-
C
ing
G7
low,
A‹
no
oth-
er
land
to
and
G&7
Dream-
y,
dream-
y,
Chi-
C
45
C
C7
F
eyes
of
brown,
mond
F
F‹6
Hearts
seem
light
and
G7
C
na-
town.
53 D7
dream-
y
Chi-
C
na- town,
C&7
Al-
49
G&7
fro.
G7
41 B
E7
A7/E
G‹6/B¨
life seems
D‹
A7
bright,
In
C©º
D‹7
G7
BASS CLEF
China Boy
q = 160
A F
Chi
-
F
5
Close
G7
9
Sand
-
Bbm
13
While
17 B Ab
21
Bud
Ab
Moon
25
-
Ab
na
boy
go
sleep,
F
E7 Eb7
D7
your
eyes
don't
peep,
man
soon
will
come,
F
Eb7
I
soft
ly
hum.
dha
man
-
F
their
F
while
Chi
29
-
Winfree/Boutelje - 1922
na
-
Eb7
Ab
smiles
on
Eb7
loves
you
Eb7
watch
C7
they
you,
Ab
too.
So,
Ab
C7
keep,
F
boy
go
sleep.
The Curse of An Aching Heart BASS CLEF
Al Piantadosi - 1913
E¨
E¨‹
B¨
B¨º
F7
You
5
A
B¨ made
9
B¨º
me
what
I
E¨
B¨
you're
F7
sat-
is-
me
17
C7
down
soul
with-
and
down
in
me
B¨º
shat-
tered
each
and
A7
the
start.
E¨
fooled
me
from
E¨
though
C7
curse
Eº
B¨
ev-
'ry
D7
E‹
you're not
true
I
still
love
an
F7
ach-
ing
B¨ heart.
dream,
Fº
You
D7/F©
And
D7
of
the
B¨7
B¨/F
til
You
died.
25
B¨
un-
F7
You
B B¨
I
F7
day,
fied.
B¨
dragged
33
to-
13
29
am
B¨
hope
21
E¨‹
B¨7
G7
you,
That's the
Cleopatra Had A Jazz Band BASS CLEF Jack Coogan & Jimmy Morgan - 1917
A G E7 A7 His-
5
G
9
to-
ry
re-
B‹
peats it-
G
E7
A7
a
it
dream
takes me
A7 E‹6 ly
goes
So the wise
self,
cause last night
13 E‹6
on-
men
A7
be-
In
B¨ A‹
lieve they're right
D7
to
prove that
I
heard pe- cu- liar mus- ic
D7
back
A7 E-
two
G
say.
a-
I
be -
D7 Dº D7 D&
play.
E¨º E‹
thou- sand years
go.
F©º
Which
E‹6 A7 D7 B‹ B¨ gyp- tians were not
slow. Cle- o- pa- tra had a
Cleopatra Had A Jazz Band BASS CLEF
2
B A7
17
jazz
21
D7
G
band,
A7
In her cas- tle on the
D7
jazz
In
An- to-
played,
C A7
pyr- a-
A7/E
She
swayed.
45 A‹6
style.
She
G7
his-
ic
tor-
Marc
B‹/F© E‹7
ny.
And while they
E
gyp- tian moon,
A
Sphinx was
C7 B7 B Bº B7 F©7(b5)
said: "There'll be
A7
a wed - ding soon".
D7
dal,
was
Cle-
D7
o
A‹6
E-
gyp- tian
jazz
But
G
D7
scan-
danced to the strains of the
B¨º
G 'Neath the old
and
har- mo-
G
won
She knew she had him all the while. In the sha- dow of the
mids,
on
E& E7
B‹ B¨ D7
D7
look- ing
real
Ev- 'ry night she gave a
A7
D7
-gyp- tian
With her syn- co- pa- ted
Fº
37 A‹7
Nile.
G/B A‹
ny,
29 D7
E7
her queer E
B¨
E‹6 E¨7 D7
41
B‹
G7
dance,
25 A7
33
1
band
lost
her
san-
the
B‹
B¨
dal
as
she
G
tune.
Creole Belles
BASS CLEF
Bb
5
F
C7
F
Bb
9
G7
13
A
Bb
17
F7 C7
26
C7 F7 1.
C7
F7
C7
Bb
F7
Bb
Bb Bb G7 C.
Bb
Bb
E7
F
F7
G7
D7
C7
C#7
F
22
31
1900
C7 F7 2.
Bb
Creole Belles BASS CLEF
2 Interlude F7 35
Fº
F7
Bb7 NC
My Cre - ole When stars
39
Bb
B Eb
Belle shine
I love her well I'll call her mine,
B¨
46
My
F7
51
ba dar
-
61
cre - ole belle When stars shine
by lin'
Bb
66
C
F7
My lit - tle dar my dar - lin' ba
Eb
Bb C7
55
Bb
F7
I love her I'll call her
my my
Cre Cre
- ole - ole
Belle. Belle.
F7 Bb
Bb
Bb
- lin' - by
my Cre- ole Belle my Cre - ole Belle.
Bb
well mine,
Bb
C. G7
my my
dar - lin' lit - tle
Bb F7
C7
F7 C7
F7 Bb
Solos at "C"; Out Chorus use Melody from "A."
Dardanella
BASS CLEF
Felix Bernard & Johnny Black - 1919
C C C C
5 A C
Down
be-side the Dar-da- nel- la
Bay,
9
G7
play,
C
sighs,
25
I
I
She looks a- cross the seas and
C
re-
3
E¨7 A¨
shall re - turn to Turk- e-
D7
will
ask for her heart
and
stan.
G
ni- an.
B¨7(b5)
A7(b5)
ni - an
And weaves her love spell so si-
G
3
the Dar- da-nelles with glow-ing- eyes,
17 G7
Soon
C
By
Where Or- i- en- tal breez-es
There lives a lone-some maid Ar- me-
13
21 B A¨
hand.
G7
Break Bass
Dardanella BASS CLEF
2
C C
29
Oh,
I'm
41 D7
nel-
To cap-ture-such a prize.
G7
oh
hear my
Oh Al-lah
in my
ha-
A7
girl
tent
just
sigh,
Oh,
My Or- i- en- tal,
C
D7
the chil-dren-
sweet Dar- da- nel- la,
of
There'll
F©‹7 Gº
We'll build
the
Or- i-
be
E7/G©
rem when you're mine.
like
Pre-parethe wed-ding wine,
C
E7
one
Dar-da-
Break 1 bar
F
to be true,
G7
sweet Dar- da- nel- la,
57
A7
C
Oh,
53
And he tells you
la,
49
I love your ha-rem eyes.
C
knows my love for you,
C
a luck- y fel-low
45 D
G7
F
37
C
sweet Dar-da- nel- la,
C
33
G7
a
E¨º
ent.
G7
C My star of love di- vine.
BASS CLEF
Darktown Strutter's Ball
A B¨
B¨º
I've
got
F7
7
good
our
news
It's
"ba
Dolls",
And each
- by
C7
hon
- class
a
ver
- ey,
- y
one
do
there.
I'll
- vi - ta - tion to the
An
ex
- hi - bi - tion of the
wear your Par - is gown
F7 E¨7 D7
fair,
-
their
All the
best,
B¨º
Just to
F7
wear my high silk hat and a frock tail
coat,
You
And there'll be danc - ersfrom ev-'ry for eign
land,
The
G‹
and your
new silk
F7
bout it
babe,
We'll be
the
dol - lar
prize
When we step
G‹
F
clas - sic, buck and wing, and the wood - en
in
af
B¨
D7
D‹
An
all the rest.
swell
will
F7
"high - browns" will be
14
B¨º
Ball.
out
B¨
high- toned neigh - bors,
Dark town
G‹
F7
F7
11
some
We'll meet
4
C‹7
Sheldon Brooks - 1917
F&7
a
shawl,
There
ain't
no
doubt
clog.
We'll
win
that
fif
C7
best dressed
in
out
"Walk the
and
the
-
- ty
F7
hall. Dog".
I'll
be
Darktown Strutters' Ball BASS CLEF
2
17
B
G7 C7 Bb
down to get you in a tax - i hon - ey, You'd bet ter be read -
F7
21
Bb/D Bbº Cm7 F7
Now dear - ie
25
don't be
C Bb
G7
mem - ber when we
Eb
late
I want to
be there when the
band starts play- ing, Re -
C7
29
y a bout half past eight.
get there hon - ey, The two steps I'm goin'to have 'em
all.
Goin' to
Eº Bb A7 G7
dance out both my shoes,
When they play the"Jel -
ly Roll Blues"
To
C7
-
F7 Bb B¨dim Cm7 F7
33
mor- row
night
at
the Dar town Strut ter's Ball.
I'll be
Dear Old Southland Henry Creamer & Turner Layton - 1921
BASS CLEF
F‹
E&
A¨/E¨
C7/E
I want to stray
D¨
5
B¨‹
I want
9
A¨/E¨
born,
My home town,
My lit- tle home town.
E& A¨/E¨ C7/E C7 F‹ in the cot- ton and
E&
A¨/E¨
A¨7
to hear
corn,
dear old Moth-er- each
To feel
it,
I used to steal
D¨
morn,
Tuba
F‹ F‹ A¨º B¨‹7 C7 say-
ing
"Go long,
17 A F
go long,
F&
go long,
go long
to
C7
school".
B¨
Bº
Dear,
Dear
Old
Sputh
land,
I
Dear,
Dear
Old
South-
land,
for
B¨
F
F
C7
G7
D7
hear
you
call-
ing
to
me.
And
I
you
my
heart
is
yearn-
ing.
And
I
25
F
29
it.
Dº
13
21
C7/E
B¨‹7
I want
E&
to the town I was
to play
F‹
F‹
F&
B¨
Bº
long,
how
I
long
to
roam
back
long
just
to
see
once
more
the
F
A¨º
C7/G
F
C7
to
my
old
Ken-
tuck-
y
home.
land
I
love
that
Swan-
ee
shore.
B¨7
F
BASS CLEF
Dixieland Jazz Band one Step q = 200
A Bb
Bb
F7 C7 F7 Bb Bb Bb
Bb7 F F7 F7 C7 F7 Bb Bb7 F 11 Bb Eb Cm7 Fm7 16 B Bb Bb Eb Eb Bb Eb 22 6
28
Bb
F7
Cm
C7
Fm F#dim
Eb
Bb7
Eb7
33 C Ab Ab C7 C7 F7 F7 39 Bb Eb Eb Ab Bb7 Cm G7 Cm F7 Eb7 45 49 D Ab Ab C7 C7 F7 F7 55
Bb
59
Ab
F7
Bb7
Bb7
Db
Eb
Ddim
Ab
Ab
3
Down Among The Sheltering Palms
BASS CLEF
5
wait
9
F7
Meet
B¨
13
Out
17
a- mong the
for
me;
me
where
hon- ey
wait
my heart
Down
the
is
for
me;
a- bout eight.
F7
burn- ing,
F7
Gº
be
B¨7
A7 A¨7 G7
Shel- ter- ing Palms,
F9
B¨
wait
for
me.
to
C9
29
yearn-ing, yearn-ing, yearn- ing
A - mong the
Oh hon- ey
burn- ing, burn- ing,
C7
C9 E¨
is
old Gold- en Gate,
B¨
my love
How
25
the sun goes down
How
down by
B B¨7
Oh
shel- ter- ing palms,
G7
21
Down
C7
A7 A¨7 G7
B¨7
A B¨
Abe Olman - 1914
Oh hon- ey
BASS CLEF q = 180
F Gon- na
5
F
lay down
my
down by
F
the
lay down
C7 riv
riv - er
er
war no
Ain't
gon - na
F
ain't gon - na
28
F
more
you know I'll
stu - dy
C7
I ain't gon - na
stu
- dy
stu
C7 stu
-
-
dy
war no
that
war
Bb
C7
more
dy
war
no
down by
the
more I ain't gon - na
F
no
I ain't gon -na
C7
more
F
Gon - na
side.
Bb
war no
C7
F
I
riv - er
the riv - er side
down by
Bb
24
the
A Bb
more
riv - er - side,
F
F
side.
F
Down by
my sword and shield
19
stu - dy
F
the
F F
F -
down by
side,
F
9
F F
sword and shield
C7 C7
14
1
Down By The Riverside
F more.
2. Gonna stick my sword in the golden sand 3. Gonna put on my long white robe 4. Gonna put on my starry crown 5. Gonna shake hands around the world
stu
-
dy
war
no
Down In Borneo Isle BASS CLEF
Herny Creamer & J. Turner Layton - 1917
A
C‹
Far
a-
way
in
Jun- gle
land,
Tuba- Toms- etc.
5
F‹
G7
Jun- gle,
C‹
Jun- gle,
Jun- gle land,
Tuba-
C‹
9
Where
they
play
up-
on
the
sand,
Toms
Tuba- Toms- etc
B¨7
13
17
B
B¨7 In
E¨
C‹
29
B¨
the
eve-
And
they
Tum- bles,
ning
y
say
that
F7
B¨7
Jun- gle sand.
bod-
F‹7
Jun- gle,
ev- 'ry-
25
Jun- gle,
21
when the
day
does the
B¨&
mon- key band,
B¨7
Stum- bles,
As
is
Boo-
they bun- gle
cool- er
la
Boo-
la.
thru the
jun- gle.
Down In Borneo Isle BASS CLEF
2
33
C
B¨7
Down
37
41
Down
in
Bor-
ne-
o
B¨7/D
And
those
56
C7
62
in
Oh, Oh, Oh,
To
Bor- ne-
I
danc-
ing
wo-
Oh,
Oh,
Oh, Oh, Oh!
the mus- ic slow,
Down
a-
men
in
E¨
to
B¨7
round,
swim- min'!
they wear is a smile,
lights
are
B¨7
How
B¨7
in
love
C7 Cº All
eve-ning when the
o,
Eº
E¨
Where I want to go,
F7
in
Isle.
Down
And ev-'ry
67
wild
Bor- ne- o,
F‹
E¨
real
men
D7
B7/F
wild
B¨7
Down
Eº
those
E¨
D
E¨
o,
see
49
Bor- ne-
in
B¨7/F
45
E¨
Bor- ne- o
C‹
low,
Oh,
Oh,
they toad- al-
o,
E¨ A¨7 E¨
Isle.
BASS CLEF
Down Home Rag B¨7
F7
Wilbur C. Sweatman - 1911
A¨‹6/F E¨ C‹7 F7 B¨7 F‹7 E¨/G E¨ F‹7 E¨/G A‹6/F E¨ C‹7 F7 B¨7 E¨ 9 5
A
13
B
E¨
E¨6
F7
B¨7
E¨6
E¨7 D6 F©º G¨7 E¨7
E¨7
E¨ 18 F7 B¨7 E¨ 21
E¨7
G¨7
B¨‹
G¨7
A¨ A¨7 D¨ D¨‹ A¨ A¨ B¨7 E¨7 25 C A¨ A¨7 D¨ A¨ B¨7 E¨7 A¨ A¨ A¨7 29 D¨ D¨‹ A¨ 33
D A¨
D¨‹ A¨ A¨ D¨‹ B¨7 E¨7
A¨ D¨‹ A¨ A¨ D¨‹ B¨7 E¨7
37
A¨
Play "A" Once and end
BASS CLEF
A Gm
9
F7
17
D
25
A7
in jun - gle
Down
Bb
31
-
ty
mon
When
F7
A hon - ey - moon
Bbº
a
F7
ser
- en -
ade,
Bb
Bº
To
D7
F7
F7
- zee
up
Bb
mon key doo- dle
- doo way Down In
in
I'll
C7 Jun
F7
-
gle
the
be
true
- o - dy.
B¨
a
maid,
that chim - pan
Cm7
Sings that mel
- key
is com - ing
C7
51
town,
F7+
C Bb
46
F7
F7
Then you'll hear
F7 pret
soon.
37
F C7
C7
Bb
A7
Chorus B Bb
41
D
A7 A7b5 D7
Edward Madden and Theodore Morse - 1908
Down in Jungle Town
Verse
Bb
Town.
tree,
to
my
Down in Honky-Tonk Town Chris Smith & Charles McCarron - 1915
BASS CLEF A E¨
D7
E¨
Bill John-son said one day,
E¨
5
A¨
To his E - li- za May,
E¨
D7
"We've been to
near-ly
ev'-
G7
17
We both will
B
go and do
C‹
It's Hon- ky Ton-
D7
29
That's
where the
D7(b5) mu-
sic
brown!"
D7
who brings the
ky Town,
E¨ D7
C‹
there is this place I hear,
I got it straight from Mose,
25
A¨ G7
D7
G7
nov- el- ty,
E¨
E¨
town.
the thing up
His sweet-tie said, "My Dear,
21
place in
D7
ry
some oth -er
G7
G‹
If you sug- gest to me,
A¨
D7
A¨
9
13
D7
grows.
clothes.
down where the gals
G7
G‹
are brown.
Down in Honky-Tonk Town BASS CLEF
2
C C
33
Come, Hon- ey, let's go down
37
D7
to Hon- ky
Ton-ky Town,
where all the
it's un- der-neath the ground,
41
G7
There'l! be
45 D7
danc - cin'
sing- ing
to
pi-
a-
no played by
Mis- ter
a- no queer,
53
D7
You want to
ev-
61
D7
Down
en start
in
a
Hon - key
G7
pa- ters,
G7 Brown.
He on- ly
plays by ear,
The mu- sic that you hear, would
mon- key,
stay a year,
fun is found.
syn- co-
He plays pi-
sing- ing
C
G7
wait- ers,
49 D
57
danc- ing with
a
don- key,
C
Ton - ky
Town.
Down Yonder BASS CLEF
L. Wolfe Gilbert - 1921
A E¨
5
Rail- road train,
F7
a
lit-
tle
tle
on,
Yearn- ing
for
my
er
if
you
Hus-
E¨
B¨7
Rail- road train,
Put
9
F7
steam on
just
like
F7
Bus-
tle
on,
Hur-
ry
nev-
er
B¨7
I've
got
13
F7
17
F‹
Broth-
21
F7
You'd want
to
hur-
Swan-
ee
E¨
some more.
B¨7
E¨
be- fore.
E¨
the blues.
B¨7
shore,
on-
ly
ry
up
knew,
B¨7 too.
Down Yonder BASS CLEF
2
E¨
25
B¨
E¨7
B
Down
A¨
31
E¨
yon-der some- one beck- ons to me,
Down
I seem to
reck-ons on me.
F7
Be-tween theNatch-ez and the Rob-ert E. Lee.
more
49
and more,
Ev- 'ry day, my mam-
E¨
E¨7
Down
Yon- der when the folks getthe news,
E¨
There's dad- dy
C7
and mam-
my,
B¨7
Wait- in' down yon-
der or
I miss you
my land, You're
A¨
E¨7
sim-
ply grand.
A¨
won- der at the Hul- la- ba- loos.
my,
F7
BReak 2Bars
Don't
ry,
Swan- ee shore
B¨7
56
60
B¨7
C E¨
yon-der some- one
see a race in mem- o-
E¨
43
B¨7 E¨ Eº B7/F
B¨7 E¨
37
E¨7
E¨
A¨
There's Eph- raim and Sam-
E¨
me.
B¨7
Easy Rider's Gone
BASS CLEF
Shelton Brooks
q = 120
Bb7 won - der
I
5
Eb7
ne
9
- ver
told
where my
me
he
Ea- sy Ri- der's gone to
was
F7
he was here he'd win the
race
a
our tick - ets for a
17
Bb7 los- ing
21
Eb7
win
25
all
If not first he'd get
a
a
he
race
put all
my junk in
C7
knows just what
place.
Cash
- way
I'm
blue.
pawn
F7
to bet on
1.
Bb
do.
Ea - sy Ri- der's gone.
I'd
an - y horse that Jock ey's
To
to
Bb
D7 Gmin
won - der where my
a
mon - ey that is why I'm
F7
29
jol - ly joy ride right
Gm
F7
my
If
D7
F
in
way.
-
He
C7
13
- day
Bb
goin'
2. Bb
I
gone
on,
Oh I
Eh Las Bas
BASS CLEF
Traditional
A Ab Eh la
bas, (band sings echo)
Ab
7
Eh la
Eb7
Bas,
la
la
Ab -
Bah
on
y
sang
that
a
pinch
so
Ca - jun French
in a
real good, like I knew it ly
-
Ca
-
jun
I
would,
can say
like
I don't know what it means. fine ol'
is Lais
down in
-
New
sez les bon
Cre
Or
-
temps
leans,
clari - net
burn
and hear them
trom bone
let the
good
times
roll
friends,
and
mus
my
Eb7
But
it
but the
I So
nev
-
er
let the
-
ic
gliss
- es
I'd
play,
To -
E¨7
Ab
sing French when I take my turn
mor - row may
la
Eb7 that
to
Eh
rou - lez!.
hear
like
ole way,
Ab
love to
Well I
in
Aº
la bas
E¨7
sounds
Sis Boom
Eh
Or
29
A¨
Ab
can't speak French, not
Eh la bas,
bas,
Solos here after Vocal
B
25
Eb7 E¨7
Eh la
bas,
13
21
Aº
Ab
Tra
17
1
come to
be,
but that ain't the kinda band that this is
Eh la
so let's
Eh la
love
it
up
to
-
day
Vocal Back to Top
Eccentric
BASS CLEF
F Fº
F
G7
J. Russell Robinson - 1921
C7
F
F7
5 A B¨ C7 3
9
F7
B¨
F7
C7 B¨
13
17
F7
21
B E¨
B¨ F7
B¨7
E¨
B¨7
25
29
B¨7
E¨
F7
G7
E¨
B¨7
E¨
33
F7 B¨ B¨7
3
B¨
E¨
B¨7
C‹
E¨
B¨7
B¨
E¨
Solos: F7
Eccentric BASS CLEF
2
Solos Begin Here first time
37
C
B¨
F7
41
C7
F7
C7 B¨ F7
53
57
B¨
61
D7
3
After last solo play "C" as written then on to "D"
F7 B¨º B¨ C7 B¨ B¨º
C7 F7
B¨
B¨ B¨ B¨ F7 F7
D B¨
3
B¨
45
49
65
F7 B¨ B¨º B¨ C7 B¨
Tag B¨ B¨ 69 C7 F7 B¨ B¨º pp
f
Fidgety Feet
BASS CLEF
F7
5
B¨
A
The Original Dixieland Jazz Band - 1918
B¨7
E¨
Eº
B¨
F7
B¨
C7 F7 B¨
9
B¨
B¨
13
B¨7
E¨
Eº
B¨
17
2 Bar break Bº
1. B¨ C7 F7
Stop time - 4 bars G7 22 B E¨
A¨
E¨
B¨7 E¨
28
F7
3
E¨
B¨7
E¨
33
C7
F7
2.
B¨ B¨7 3
B¨7
E¨
C7
G7
A¨
B¨7 E¨ E¨7
Fidgety Feet BASS CLEF
2
38
C A¨
E¨7
42
E¨7
D¨
46
50
B¨7
54
A¨
58
D¨
62
D¨
E¨7
66
B¨7
A¨
A¨7
D¨‹
A¨
F‹7
E¨
A¨7
C7
A¨
F7
1.
A¨
A¨
E¨7
D¨7
A¨
E¨7
2.
Floatin' Down That Old Green River
BASS CLEF
Concert pitch
Cooper - 1915
A F
I've been
5
C7
wad
13
float
in'
-
there
17
F7
21
D7
ship
"Rock
and
too
had
a
The
ship
got
got
Wish
wrecked with
stuck
on
- ly
one
G7
get
back
drink
that
on
a
was
home.
Bb
the
cap
and
crew,
thing
I
could
do;
F7 E7 Eb7 whole
C7
home
to
you!
But
I
I
was
C7
I
G7
the
bar
that
- tain
on
- in'
- er
- lone,
to
Riv
Green
I
all
old
Rye,"
far,
D7
F
29
that
And there was
25
down
- ed
F
good
9
G7
F7 E7 Eb7
F
Green
F
I
D7
Riv
- er
dry
to
No Repeat First Time - On To Vocal
Solos at "A"
Floatin' Down That Old Green River BASS CLEF
2 Verse Interlude:
F
F#º
C7
F
F#º
C7
F
F#º
C7
F
F#º
C7
past
four,
Dan
Mc
33
Verse - Vocal:
B 37
Half
41
F
45
He
came
a'
creep
She
had
been
waitin'
up
C7
49
G7
Dan
G7
to
wif
- in'
to
come
home
his
-
Graw,
-
ey's
door.
F F7 E7 Eb7 half
and
go
to
the
D7
night
For
C7
bed.
F
F#º
C7
F
F#º
C7
-
ny
smiled,
like
a
child,
But
then
his
you
been
all
53
Dan
57
F
61
C7
"Where have
65
G7
this
wife's eyes
is
what
Dan
- ny
G7
grew
ve
F night?"
C7
re - plied:
-
ry
wild!
she
cried,
D7
And
D.S. to "A"
I've been Back to "A" for Vocal and Solos
Floatin' Down To Cotton Town BASS CLEF
F. Henri Klickman - 1919
A B¨
5
I
C7/G
17
to-
day,
to
see
F
C7/G
F
ie-
I
came
to
when
I
F©º
C7
shake you
won't
that
CØ7/G¨
land,
by
the
hand.
just
hur-
gal
of
mine:
ie
Line,
be
fine?
F7
F
F&
Dix-
B¨
me,
F©º
F&
D¨º F7
F7
cross that
pine,
that
way.
Dix-
To
my
ny
The min- ute
on
sun-
That's why
I'm
I
to
in'
Cap- tain, don't fail
29
B¨
back
go-
say,
I'm
and
more I'll
25
all
21
F7
you
D¨º
B¨‹
C7
B B¨
just dropped in
B¨
9
D¨º F7
F&
F7
leave
13
D¨º No
D¨º
Mis- ter
C7
ry
and
sail
me,
Floatin' Down To Cotton Town BASS CLEF
2
C B¨
33
C
Float- in'
37
F7
on
C©º
41
53
F7/A
B¨
riv-
er down to
Cot- ton
tle
toot!
toot!
C7
Cº
C7
ies
sing-
in',
Hon-
ey
lamb,
F7
F©º
C7/G
I'll
come back
to
you
fields
of
sug-
ar
cane
C7
61
Float-
in'
Down
To
G¨7 Cot-
Town.
B¨
toot-
in'
a-
way,
ban- jos
lit-
F7/A and
hon-
ey
a-
seem
to
F7
ton
G7
And
those
B¨7
bam;
While
G7
wel- come
B¨ Town.
day.
B¨
lamb,
B¨
Al-
ring-in''til the break of
C7
tle
Just hear that
G¨7
down,
F7 Break 2 bars
my
float- in'
G7
E¨
57
C7/G
whis-
D B¨
ey,
dark-
C7
hon-
49
the
my
45
down,
F©º
Float- in'
G7
me
a-
gain,
F7
Flee As A Bird BASS CLEF Mary S.B. Dana - 1857
A D‹
A7 Flee
as
He
a bird
to your
moun-
will pro-tect thee for- ev-
5
D‹ A7
9
tain,
Go
to
the clear flow- ing foun-
He
will for- sake thee oh
B F
er,
tain,
nev-
Haste then, The hours are
near
thee,
fly-
ing,
13 C D‹
A7 He
on
his bos- om will bear
Cease from your sor- row and cry-
17
D‹
A7
thou who art wea- ry- of
Thou who art wea- ry Wipe
ev- 'ry
thee, ing,
D‹
fall- ing
Shel- tered so
F
Sav- iour will wipe- ev- 'ry tear.
sin. tear.
ten- der- ly there.
D‹
Call and the SavSpend not the mo-
be clean.
G‹6
iour will hear ment in
sigh-
A7
thee. ing.
D‹
A7 D‹ G‹
Thou who art wea- ry The Sav- iour will wipe
A7 D‹ A7 D‹
sin.
of
Where you may wash and
er.
C7
for the aven - ger is
G‹7 B¨7 A7
D‹ A7 D‹
Fly
D‹
of
sin.
ev- 'ry tear,
A7
D‹
Oh The
BASS CLEF
1
Frankie And Johnnie
Traditional
F
C7
F
C7
Frank-ie and John- nie were lov- ers. Frank-ie went down to the cor-ner,
5
B¨
swore to be true
to each
said to the fat
bar-
8
F G‹7
B¨7
F
C7
Oh, Lord-y how they could love!
They
Just for a buck- et
B¨
oth- er,
Just as
true
ten- der,
"Has my
lov-
C7
F F7
F
of beer.
Bº as the stars
She
a- bove.
in- est man been here?
B¨7
He was her
man,
But he done her
wrong.
He was my
man,
Buthe'sdone me
wrong".
F
C7
Floatin' Down To Cotton Town TUBA
F. Henri Klickman - 1919
A B¨
D¨º
I
5
just dropped in
to
leave
to-
I'm
C7/G
day,
go-
in'
back
to
I
came
to
The min- ute
more I'll
F
when
I
sun-
ny
C7/G
To
I
my
way.
F©º
Dix-
ie-
land,
shake you
D¨º
F7
by
the
B¨
won't
that
ie
me,
just
CØ7/G¨
Line,
No
D¨º
be
hand.
F
D¨º
Dix-
F&
F&
C7
Cap- tain, don't fail
29
F
cross that
pine,
say,
on
F©º
F7
21
25
and
I'm
B¨
B B¨
F7
all
C7 That's why
you
B¨‹
17
B¨
13
see
D¨º
F&
F7
9
F7
hur-
fine?
Mis- ter
C7
ry
and
sail
me,
F7
that
gal
of
mine:
Floatin' Down To Cotton Town TUBA
2
33
C
C B¨
G7
Float- in'
37
F7
45
on
the
riv-
whis-
tle
toot!
toot!
C7
Cº
ies
sing-
in',
Hon-
ey
53
F7
I'll
F©º
come back
fields
61
of
sug-
Float-
toot-
in'
a-
way,
in'
Down
And
those
lit-
tle
hon-
F7/A
ey
to
you
and
Al-
a-
bam;
lamb,
ar
cane
seem
to
Cot-
ton
G7
wel- come
B¨
Town.
While
B¨
day.
B¨7
B¨
F7
C7
To
ring-in''til the break of
Just hear that
my
G¨7
G7
ban- jos
C7/G
C7
Town.
G¨7
down,
Cot- ton
lamb,
57
E¨
G7
F7 Break 2 bars
C7
float- in'
B¨
D B¨
er down to
ey,
B¨
hon-
F7/A
dark-
49
C©º
my
C7/G
down,
F©º
Float- in'
41
C7
me
a-
gain,
F7
BASS CLEF
Foolish Questions q = 152
F
D7
G7 C7
1915
F
Now
you've
Now Now
let's
A 5
F all heard fool then say
-
B¨
per
-
son
who's
ele - vator
per
-
son
should for - get
9
one
will
he
watch
ask you
-
a
es you take hap
pen
ques - tion
fool - ish your shav
-
but
you
as
give your
when
you
17
B¨
first thing she'll do know fool
that will
fool
is will
stick his stick
hit
hanging
why
der
Some -
place
And
the
door,
And
close
ex- pect
B¨
ar
-
y
wave
You
ert
Some
tom and
you
-
in
-
you're lying there
and
down the shaft and
F The
bot
her nose and
And
tea
prelim
F D7
floors.
ter
its
to
ven
And
-
zor
up
se
face.
af
ra
wrin - kle up
up your
Like
just
-
sen - si ble re - ply
a
Say
come
-
'around the
to
can - dy
the
his
won
let's say for - ty
down
13
when you take your girl some
doubt
F
brush and start to lath - er
ing
to tumble
F
G C7
you should
al - ways
there's that the
no
you
and
ques - tions
ish
in
G7
C7
ask "Is ask "Are ask,
it
for
-
F me?"
you gonna shave? "Are
you
hurt?"
Foolish Questions BASS CLEF
2
21 B
F Foo
lish
-
B¨
ques - tion
your
Pa
or
it's
pared
for
shav - ing
I
just love
he'd an
have the fu ne aw
ful
hurry
30
you re - ply
No it's for
your
your
reply
is
No I'm not
pre
I hope
that
you re - ply
No, he just
though
You
utter your
dy - ing
No,
it
ing brush gi
-
of
35
nal
for the
take it
now
I'll
and
paint
my - self up this
like
to
on.
Ned
was
al - ways so
slow.
It
down
die
la - ter too
to
take my shav-
usual - ly
ori -
saves a
lot
F B¨ F D7 -
way.
A
no - ther fool - ish
-
ques - tion
You'll
way.
it that this
way. way.
D‹
hear them ev' ry day.
way,
And
just
re
D‹ Ned
I
you
3.
D‹
47
a
1.2.
D‹
44
soap.
ele vator's just
G7 C7 F
40
-
in
taste of
and
com - ing
was
just want - ed
then
And
time
I
I
and
have want - ed
moan
guy
he would
hope
some oth - er
ral - now this
I
C7 F
B¨
see
-
doubt
G or
no
26
Ma
F
he
Then
asks
you
turn - ing
from the
And
as you're
fu
there's this
fel
-
why you're
-
G‹
all dressed up
-
ner
-
and
ral
of
ring - ing
out your hank - ie
he'll ask
low
who meets you on your
A7
this is what you
G‹ dear
A7
"Is
old
Ned
say.
You're
bro
-
ther
dead?"
Back To "B"
BASS CLEF
Grizzly Bear Rag F
D7
G7
George Botsford - 1910
C7
F
Bass A F
5
C7 F
C D7 G7 C7 Break
9
F
13
F C7 F F
D7
G7
C7
F
17
21
B C7
F
25
29
C7
F
33
C7
B¨
Bº
F
C7
F
Fine
Grizzly Bear Rag BASS CLEF
2
37 C F
C7 F F
C D7 G7 C7
41
45
F C7 F F
D7
G7
C7
F
49
B¨ B¨7 G7
53
D
57
F7
Fº
B¨ 61
B¨7
F7
Stop time as Marked B¨ B¨
C7
B¨ Break
G7
C7
E¨
1. B¨ F7 F7 B¨ E¨ B¨ C7
65
G¨7
2.
B¨
Break
Back to "B" - Play to Fine
He May Be Your Man
BASS CLEF
(But HE Comes To See Me Sometimes) Lemuel Fowler - 1922
Eb
F7
Bb7
Eb Ab7
Eb
Bb7 Eb
Miss Miss
A Eb
5
Eb
Cº
Min - nie Lu
9
- dy
Lee
from Ten- nes
Green
Eb
- where
out at
night
17
at the
ball,
she had
at Moon - shine
F7
as
could
beau Hall,
be.
Bb7
stuff.
Now
Down
- a - gree.
Eb
Eb7
she loved him night where ev
- 'ry - bod-
and
day.
y'd
go,
Bb7
Un
- til Min - nie Was Miss Min - nie,
21
a
and jeal- ous
They would al ways dis
B7
Snow,
quite rough.
She would al - ways strut her
Eb
Sa die
be
Cº
13
Eb
went
an - y
was known to
F7
- y - time and man
queen,
C7
Eb7
- see
was some l'il
When her
Eb
Ab
An
B7
F7 Bb7 shook a shim - my and stole his heart a drink - in'plen - ty
Poor Sa die
Lu - dy was
Bb7
near - ly dies, but Min - nie on mad as well, Min - nie said"I
- way.
and hug- gin' Lu - dy's beau.
Bb7
Gº
ly sighed,then I heard her will tell
Bb7
say:
He
you now so you'll know"
He May Be Your Man BASS CLEF
2
F7 Bb7 Eb B
25
may
be your man but he comes to see me
Ab7 Bb7 And when he's with you he's
G7
33
vam - pire
thatis
Bb7
37
My wick - ed smile,
41
C Eb
no
need of cry
ture,
But
I don't mean,
Ain't no need
Eb
53
may
Eb
his mind.
I can cert' nly take you
I
man from you.
Eb Bb7 Eb
My wick - ed walk, I've got the kind of eyes that seem to talk, It's
F7
Bb7
- in' and it's no use to weep and
I love you man and I'm gon - na take him for my
C7
Ab7
49
Eb
al ways got me on
Ab
45
Cm
ain't no
Eb7
some- times.
Ab
29
Eb
to be so
bold,
of get tin' rough,
Eb7
G7
own,
my
own.
I just want,
'cause I'm just right
Eb
some- times.
Bb+
but
mourn.
F7
F7 Bb7 be your man but he comes to see me
Eb
Ab7
to get you told, He to do my stuff
Eb
Bb7
Hesitating Blues
BASS CLEF
W.C. Handy - 1915
F
Fº A
Hel
- lo Sun - day If
3
Fº
Cen
I
my
was
whis
beau
pro
- key,
and
want to talk
line?
Dm
mine.
Brown
to the bot - tom
and
nev
- er come up,
High
me. a
cup,I'd
Bb
Tell
me
how
long
Said
he, "How
long
Oh, How
long
F
I
have
to
wait?
will
I
have
to
wait?
Come
be
do
I
have
to
wait?
Can
I
it
C7 F Bb7
Kate, now,
Why do you hes or
F
What you
say
can't
I
de - clined him
I
had
wo - man,
Please give me
G7
Why do you hes
this
will
wife my
with
- ie I'd be
- 9 - 8
B Bb
F
were
wif
13
you
if his
C7
get
to
py
2
- posed
that
6
9
- ter
to
Said she'd be hap dive
mat
C#º
F/C F
I
- tral what's the
night
Fº
do
I have to hes -
Bb
F
talk to
my
just for
a
She
F7
i
- tate? i - tate?
-
i
- tate?
Bb
Brown?
A
storm
stall,
He
left
was tall.
F
my
She
F
make
last night
blowed the
that
night
on
the
me
think
'bout
my
Hesitating Blues
2
16
C#º
F/C
Dm
BASS CLEF
Bb
wires
all down.
Can
- non Ball.
par
- a - sol.
1
Tell me how
long
Hon - ey how
long
F
Oh, How long
will
I have to wait?
Oh, won't you
will
I have to wait?
WIll
he
do
I have to wait?
Can
I
C7 F Bb7 G7
21
C7
tell
me
Why do you hes -
i - tate?
hes
- i - tate?
do I have to hes -
i - tate?
now,
come back now, get
25
it
C Bb
now,
na - tion is
the thief of time,
may save nine",
off,
D Bb
be his,
42
F7
left
Bb7
"one stitch in time
Bb
- day.
And if you
F7
He'd be mine,
me
lose.
Bb7
The Hes - i
- ta - ting
Bb
Blues.
Left
a - lone
Bb7
My best friend's gone a
Eb
And I'd be feel - ing gay.
Pro - cras - ti -
Eb
Some - bod - y's bound to
to grieve and pine,
45
Bb
put
I'd
To - mor - row's not to
F7
37
F7
So all the wise owls say,
F
Pick-up to Chorus
30
33
will he
or
-
Eb7
way,
He's gone and
Bb
BASS CLEF
High Society F7
Bb
5
A F7
Bb
Bb
D7 Gm
11
Gm
16
21
1901
B F7
Gm
C7
F7
F7 C7
Bb7
Edim C7 F7 Bb 3 35 Bb7 Bb 29
Bb
Gm
Bb
D7
F7
D7
C Eb
41
49
Solos Here
D7
65
Ab
Bb7
58
Eb
Eb
Adim
Eb
Bb7
C7
F7
Ab Bb7
Bb+7 Eb
Eb
Bb7
Eb
F7
Ab
Eb
Eb7
Eb
High Society BASS CLEF
2
73
D Cm
80
Fm
3 Bb7
94
102
Eb
Ab
Eb
Bb7
110
115
Cm
G7
Cm
Tuba
G7 87
G7
E Eb
Bb7
Bb+7
Ab
Eb
C7
D7
Eb7
F7
Bb7
Eb
Eb
Ab7
Bb7
Ab
Adim
Eb
F7
Eb
High Society BASS CLEF
3
Bb Clarinet Solo as played By Alphonse Picou
121 C
125
129
F
C7 3
3
F
Bb
C7
3
G7 133
3
3
F
F
C7
3
F
C7 C7 F F 138 Bb
F
Bb
142
146
149
Bº F D7 3
G7
3
F C7
BASS CLEF
Hindustan Oliver Wallace & Harold Weeks 1918
q = 185
Bb
Hin
5
Bb
-
stopped to
9
-
rest
our
tir
F7
Hin
F7
paint
- ed
pea
- cock
Bb
Bb7
21
pur
25
- ple
C7
29
sun
- bird
met
-
her
-
- a -
F7 Bb
- ly spreads his
fan
flahsed
a
stan,
Eb
- cross
the
F7
and
the
world
be
Ebm Bb
-
where
the
F7
where
the
Eb
stan
-
we
sand,
Ebm
du
Bb
where
Bb
Bb
van,
F+7
-
F7
stan,
-
Bb7
-
F7
F7
du
C9
car
F+
-
C9 Hin
proud
Bb -
- ed
F7
17
Hin
Fdim
du
Bb
stan,
-
-
Bb
du
-
F7
13
F+
gan.
where
I
Hot Lips
BASS CLEF q = 180
A
1922
Db7
There's a
5
boy that's
C7
in our
Fin - est since you're
9
13
call
G7
ev' ry bo - dy
17
B
him
steps,
for
He
C
on thefloor just
Ab
how
F
one
gone.
Cº
notes,
And
Ab
has.
say:He's got hot
Eb7 jazz,
no
Eb7
he plays
Eb+7
when
like
blows real red hot
Eb+7
horn,
F
he blows that
floats that's what they
Dº
When he starts you're
Hot lips
Eb7
lips,
21
And
born,
Db7
They all
band,
F
He
draws out
Eb+7
You're
on your
Hot Lips BASS CLEF
2
Ab
25
Abm6
toes
Eb
Bb+
and shakes your
Eb7
shoes,
Ebº Boy
how he
Solo Break
Bb7
29
33
Bb+7
goes,
WHen he plays
Ab
C
Eb+7
Blues .
I watch the
Dº
crowd,
un
Eb7
37
Eb7
til he's
through,
Eb+7
D Ab
THey're cu- ckoo
too.
45
rare
Ab
C7
you
must
C7 Fm de - clare
Eb7
boy
is there,
with two hot
lips.
can
be
his
mus- ic's
Time: Fm Dº
Ab
He
Eb+7
Stop Time 41
Ab7
proud,
-
Eb7
you know the
Solos at "B" Eb+7
I Ain't Gonna Give Nobody None of My Jelly Roll Clarence Williams & Spencer Williams - 1919
BASS CLEF
Lit
B¨
tle
His sister
5
C©º F7 B¨ B¨ F7
Wil ly
Green
from New Or leans, a greed y
boy
was he.
Til ly
Green
was real ly mean, and ver
stin
gy, too.
F
D‹ He al - ways
She al - ways
9
F7
day
want ed lots of
want
E¨º
F
Toot
When the kids would ask her for
17
A B¨
21
F7
bite,
roll,
to hide it she would try.
C‹7(b5)/F© F7
lit
tle Wil ly said:
C7/G
you'd hear Til ly
C7 G7
ain't gon na' give no
bod y
ain't gon na' give no
bod y
round,
a
none
B¨
sie Roll, the best can - dy that was made.
jel ly
gan to hang a
One
to you.
C©º F7
D‹ F©º be
com pan - y.
B¨
his mom bought him a
When the kids
F
ed some of what you had but gave she noth - ing
C7 just to keep him
kids
When her mom bought her a
13
-y
of my
none of my
Toot sie
Roll,
ly
roll.
jel
B¨
would - n't give you a piece of my sweet, not to save your soul!
I I
cry:
(Toot sic (jel
ly
Rol!)
I
roll)
I
(save your soul!)
I Ain't Gonna Give Nobody None of My Jelly Roll BASS CLEF
2
25
G7
29
C7
Dad dy told me to
day,
Just be fore he went a
way,
Mom ma told me to
day,
Just be fore she went a
way;
C7
If I'd
B¨
be
a
good lit tle girl,
F7
know you
want it,
but
E¨
41
45
E¨
I'm- a
gon- na' turn
Eº
put
and joy!
my hair
in curls! You
(hang- -in'- a- round)
D7 you
down.
My
G7
And you know it
B¨/F
Interlude to Second Verse B¨ D¨º C‹7
I
can't
be beat!
I
ly roll is sweet!
Eº
You
B¨
G7
C7
know you want it, but you can't have it!
49
might
in your just hang- in' a- round,
Toot sic Roll is sweet! jel
She
And I'm my Dad - dy's pride
G7 C7
know there ain't no need
37
toy;
If I'd
Break F7 Two Bar
be a good boy, He'd bring me a
33
F7
F7
B¨
I ain't a gon -na' give you none!
B¨
D¨º
C‹7
Back TO "A"
F7
1
I Can't Let 'Em Suffer
BASS CLEF
Henry Creamer & Turner Layton - 1918
A E¨
I
love
to
F‹7
B¨7
see
the
B¨7
5
F‹
Love to
9
E¨
13
fel - lows
E¨
I
love
G‹
It's cru- el,
see
hap- py
all
G¨º
B¨& the
E¨ while.
B7/F 'ry- thing.
That shows they're jol- ly and ev-
F‹7 to
see them smile.
E¨
B¨7
the
fel- lows
E¨
hap- py
all
B¨& the
D7
G‹ Eº B¨/F So
cru- el,
To
let them
plead.
E¨ while.
B¨7
Oh, I
I Can't Let 'Em Suffer
1 1
BASS CLEF
2
B¨7
17
E¨ B¨7 E¨
B
can't let'em suf-fer
for the want of love.
It's a shame to let'em plead.
B¨7
E¨ B¨7 E¨
21
shan't let'em suf-fer
E¨7
25
29
no
F7
for the want of love,
use tryin'to stall,
cry:
C B¨7
C7/G
just can't save them all!
B¨7
But when they
D¨7 B¨7/D F‹/C I'mbound to
fall.
Then I've
be my tur-tle dove,
F‹
Lov- in' kiss- es
F7
I'll pro- vide,
can't let 'em suf- fer,
My hon-ey
For the want of
love!
love.
E¨/G
C‹7
Un- til they're sat- is- fied.
E¨
Then I've
G‹/B¨ B¨7/A¨
Got to keep'em out of harm.
E¨7
B¨7
45
in my lov - in' arms,
just got to make'em
A¨
41
E¨ B¨7 E¨
just got to take'em
A¨
"Oh, Come and kiss me, Sweet- ie",
37
I
No I
When I know just what theyneed. Now there's
B¨7
33
E¨7
'Cause I
BASS CLEF 1
I Never Knew I Could Love Anybody
h = 84
1920
A G
G+
5
A7
9
Cm
G7 17
C
D
C
A7
E7
D7
D7
Cm
G7
F6
E7
G
Cm
D7
G6
F7
G+
G
E7
G7
G7
G
C
21
A7
G
F6
D7
29
A7
13
25
C
B
G6
BASS CLEF
I Want To Do the Bear Cat Dance
Shelton Brooks (1913)
q = 164
A D7
G
Miss
Sa - die Hall
went
C7
6
in the
hall
to a
ball
one
balm - y
F
they
played a
rag
-
time
tune.
schol ars
G7
how
to
Cat Dance.
F
thought she'd take a
chance.
B F
C7
F
I want to do
it
D7
bear, its' a bear, but
Db
C
all
C7
F
I want to do it
G7
Dm
for
a
while
G7
I
then she be- gan to
I want to do
it
now!
C G7 want to
do
it
an
-
y
It makes you hap py
or keep it up, keep it
up, keep it up, 'cause I
It's a
how.
You feel you want to
want to do the Bear Cat
C7
D7 C7 G7 -
roar,
F7
33
fess
then
C7
F
That tune is snap py
the
D7
C7 F C7 F7 C7 F
29
tered
F/C
Sa- die watched them
walked out on the floor,
care
as she en
I don't
Just
They were teach - ing
G7
So she
June.
Dm
Miss
C
25
do the Bear
C7
21
C7
D7
G7
D7
night in
F
10
G7
15
1
dance!
Oh pro-
F
dance.
1
I Wish I Could Shimmy Like My Sister Kate BASS CLEF
A.J. PIRON - 1919
A¨
F7 B¨7 C7 Aº E¨/B¨ A B¨7
5
E¨
Went to a dance with my sis-ter Kate,
E¨
I re- al -ized-
a
B¨7
B¨
C7
All the boys are
21
B B¨7
F7
go -ing wild
wish I could shim my like my sis -ter
25
B¨7
B¨&7
E¨
Eº
then I got wise to some- thing new,
thing or two,
E¨
Looked at Kate, she was in a trance,
17
F7(“4) B¨7
13
ev- 'ry- one there said she danced so great.
G‹7 F‹7 G¨º
9
E¨
and then I knew it was in her dance.
B7
B¨7
o- ver Ka- tie's
E¨
Eº
danc-ing- style.
I
E¨
Kate, she shiv -ers like the jel- ly
break: E¨Two bar
My mam -ma want -ed to know last night,
on a plate.
why all the boys treat sis-ter Kate so nice.
I Wish I Could Shimmy Like My Sister Kate BASS CLEF
2
29
B¨7
Ev
-'ry boy
in our
neigh -bor
hood,
knows that she can shim -my and it's
I know I'm late,
but I'll
B¨7 E¨ C7
be up to date,
when I can
F7
B7
shim -my like my sis- -ter-
35
B¨7
C
43
Aº E¨/B¨ C7
un- der- stood.
39
E¨
A¨
E¨7
32
1
Kate, I mean,
B¨7
Shim -my like my sis - ter Kate.
solos here: Play as Written for out-chorus
E¨ 2 bar break E¨ Trombone All
B¨7
B¨7
sfz sfz sfz
E¨
E¨7
47
51
A¨
55
F7
E¨
Aº E¨/B¨ C7 F7 B¨7 E¨ C7 B¨7
1.
2. E¨
E¨
1
Ida, Sweet As Apple Cider
BASS CLEF
Eddie Munson & Eddie Leonard - 1903
A E¨
In
F‹7
5
the
Breath-ing
E¨
9
Lives
a
C7
13
17
For
B E¨
21
B¨7
I
When the
Lit- tle
E¨
25
Then
I
C7
29
Ev-
'ry
G¨º
re- gion where the
B¨7
out
B¨7
E¨
on
the
maid
I
long
to
F7
her
will
nev- er
G¨º
B¨7
sun
is
Rob- in
sneak down
ev'n- ing
to
call
E¨
to
seek their nests.
there
a-
lone
gold- en West,
B¨7
B¨7
die;
F7
own,
that
that place
B¨7
in
my
B¨
Red Breast gone
B¨7 G¨º
sink- in'
air their sweet per- fume,
love for
al- ways bloom,
up-
ros- es
know my
F‹7
dus- ky
B¨7
I
B¨7
love the best,
B¨7 I
sigh:
B¨&7
Ida, Sweet As Apple Cider BASS CLEF
2
E¨
33
C
I-
37
B¨7
Sweet-
er
C7
Come
out,
41
45
53
E¨
than
all
I
know.
Seems
tho',
B¨7
so
moon-
light,
Lis-
ten
C7
I-
and
da,
out
E¨
Oh,
Hon-
ey
do!
I
i-
dol-
love we'll
you,
of
low.
B¨7
can't live with-
B¨7
G7
soft
F7
per,
der,
in the silv- 'ry
61
ci-
D E¨
57
ple
whis-
Sweet as ap-
F7
49
B¨7
da,
1
G7
F7
ize
ya,
E¨
E¨º
F‹7
B¨7
E¨
love
you
I-
da,
'deed
I
do.
I
B¨7
Solos at "C"
1
BASS CLEF
Indiana
q = 200
AF
Bb
I
5
Bb
have
al
ver
-
F
Yet
a
G7
17
21
Gm vis
-
ion
F
gain
F
a
wand
F
land
and
sea
moon - beam
F
on
the
wa
G7
Casts
Bb
9
13
- ways been
Bbm
O
a
spell
o'er
me
I
Fº
Gm
I
seem
to
ter
A
C7
see
Gm7
-
F
fair
F
C7
'rer
Bbm6
-
F#º
F7
be,
A
-
C7
Back home
a
-
Indiana
1
BASS CLEF
2
F
25 B
E7
Eb7
D7
gain
29
C7
seems
that
Bb
33
- dle
- di
can
see
D7
hay
fields
I
F
still
shin
dream
a
- bout the
F
sends
all
its
fra
used
to
moon- light
C7
for
my
In
- ing
thru
the
The
G7
new - mown
G7
grance
-
Dm
roam.
Dm7
on
the
Wa
When
I
Dº7
-
bash,
then
F
(C7)
home.
From the
Dm
- di - an - a
it
gleam
me.
And
the
bright
C7
C7
D7
- ing
A7
A7
49
for
F7
F
na
-
I
- a - mores
A7
a
-
F
45
E7 E¨7
G7
long
in
light
F
in
G7
G7
syc
53
C7
G7
41 C
Bb
can
37
I
BASS CLEF
Clifford & Nat Ayer - 1916
A C
If
7
C
A7
you were the
on-
G7 We
17 B
C A7 E
D‹7 G7
A‹
There
you
37
F&/C©
would
I
could go
would
G7/D
be
were
the
D7
And
on
lov- ing
I
in
F‹ on-
in
were
the
on-
the
to-
day.
same
old
way.
A
C E¨º
noth- ing to mar
our joy.
E‹
such
won-
C/E
such
won-
With
der- ful
G‹6
ly
der -ful
things to you,
things to
do,
If
C
A&
A7
girl
in
the
world,
and
C E¨º
boy.
A7
ly
world
ly
G&7/E
the
on-
G7
were the
G7
G7
say
D‹7
33 C D‹
in the world,
- den just made for two,
I
F
girl
G7
G&7 C
D7
gar- den of
Noth- ing else would mat- ter
12
29
ly
C
boy,
D7
D‹7 G7
E¨º
24
11
If You Were The Only Girl In The World
D‹7
G7
111
BASS CLEF
Ja Da Bob Carlton - 1918
q = 132
G7
F E7 Eb7 D7 Ja - da
5
Ja - da
F E7 Eb7 D7 Ja - da
F
9
That's a
11
13
Dº
fun - ny
F
It's
so
F
Dº
F
Jing,
Oh
sooth - ing
E7 Eb7
Ja - da
16
lit - tle
and
D7
Ja - da Ja - da Jing,Jing
Jing.
Ja - da Ja - da Jing,Jing,
Jing.
C7
bit
of
mel - o -
dy,
C7
ap - peal - ling
Ja - da
D7
F
G7
Ja - da
C7
to
me,
G7
It
goes
C7
Ja - da
G7
C7
yeah!
Ja - da
Ja - da Jing, Jing,
Ja - da Jing, Jing,
F
Jing!
Jazz Baby BASS CLEF
11
M.K. Jerome & Blanche Merrill - 1918
C
G7 Cº My dad- dy was a rag- time
C Cº G7
trom- bone play-er,
My mam- my was a rag- time cab- a- ret- er.
C
Eº A‹ D7 G7 E7
5
They met one day at
9
C7
tan- go tea, There was a
syn- co- pa- ted wed- ding and then came me.
D7 G7 F F7
Folks think
13
a
the way I walk is a fad,
C
A
But it's a hirth- day pres- ent from my mam- my and dad.
C C G7
Jazz
Ba- by,
I
want to be jazz-
I'm a
Cº
ing all the time.
There's
some- thing
17 G7
C D7 G7 G& in
21
the tone of a
B
C
28 C
Ba- by,
F
"Walkthe
that makes me do a lit- tle wig- gle
all my own. Cause I'm a
C7
Jazz
25
sax- o- phone,
Dog" and "Ball
G7
F
Full
of jazz- bo
har- mo-
ny.
That
D‹7 C Cº theJack" that caused all the talk,
G&
C
nat- 'ral- ly walk! 'Cause I'm a Jazz
Ba- by,
is
D7
just a
cop- y
of the way I
G7 C
Lit- tle Jazz Ba-
by that's me!
Jazz Baby
11
BASS CLEF
2
C
F F©º C A7
33
Rocked to sleep while the cra- dle went to
37 D7
and fro,
To and fro
to the tune of the "Tic-
kle Toe".
G7
C Cº D7 Ev- er since I start- ed in
F
41
Jazz, jazz, jazz, that's
45 D7
Jazz, jazz, jazz, That's
C
C
all
All
I
ev-
I want
56 C
long
C
Cº G7
Play
me
I
nev-
to do,
Ba- by,
Dog" and "Ball
er would
C
a
lit- tle
Full of jazz- bo har- mo-
get thru.
G7
G&
jazz!
C7
F
"Walkthe
day
all
A7
er knew,
D
Jazz
53
F©º
G7
49
to grow, I'd love to hear the mu- sic play- in', See my dear old mam- my sway- in'.
F
'Cause I'm a
ny.
That
D‹7 C Cº theJack" that caused all the talk,
G7 G&
C
nat- 'ral- ly walk! 'Cause I'm a Jazz
Ba- by,
is
D7
just a
cop-y
of the way I
Solos at "D"
G7 C
Lit- tle Jazz Ba-
by that's me!
After last solo play "C" to end
11
The Jazz Me Blues
BASS CLEF
Tom Delaney 1921
Eb
Down in Louis - i
F7 Bb7
hear that
- They play a class of mu - sic that is
- And it makes no dif -fer- ence if its
Break 1 Bar Eb
7
fine
clime
Eb
4
su - per
- an - a in that sun - ny
jazz band
mu
- sic
play
- ing
all
sounds so pe - cu - liar 'cause the mu - sic's queer
F7
Bb
fill
the
air
Eb Then
to
the
A
12
rain or
Bb7
Eb
9
shine
- You can
Eb
time
it
How its sweet vi - bra - tion seems to
you
the whole world seems
to
Break 1 Bar Eb Bb7 Eb
14
be in
rhyme
You want noth - ing else but jazz- band mu - sic
all the
time
11
The Jazz Me Blues
2
BASS CLEF
Bbº Bb7 Bbº Bb7 17 B Bb7 Ev -'ry
one that's nigh
c
C7
to sigh Hear them loud - ly
man
Don't stop the mu - sic it's
know I want to hear it
both
night
31
F7 jazz
- time
Cmin
Now if it's
- time
(Jazz Time)
Take your time don't rush
37
F7
dog - gone real - gone
Please Sir will you play it
Eb
C7
it
play
it
sweet and
Bb7
jazz- band "Jazz
G7
Don't want it fast
35
(Jazz- man!) You
rag
man
and if you don't blow it hot then I
28
right
Eb
day and
Eb7 D7 Db7 C7
Jazz
Oh!
Break 1 Bar
Bb7
25
don't feel
cry:
F7
21
Jazz
nev - er seems
G7
Me"
Don't want it slow,
low
Ab7 Eb blues.
in
I've
Eb
got those
D7 Db7 Solos at "C"
11
Jelly Roll Blues
BASS CLEF
Jelly Roll Morton - 1905
F7 F7 G¨ A
5
Ensemble
Stop Time Banjo Solo - 7 beats
B¨ G‹
3
9
E¨
13
F7
B¨º B¨
B¨
3
Trombone Solo 3 Beats
Cornet solo 3beats
B¨7
Ensemble
B¨
C7
F7 B¨ B¨7 E¨ E¨‹ B¨ 3
3
F7
Stop time 3 bars - ad lib breaks 17
B B¨
21
E¨
25
F7
D7
G‹
D7
G‹
B¨7
B¨ Eº C7
F7 B¨ B¨7 E¨ E¨‹ B¨ 3
3
F7
Jelly Roll Blues BASS CLEF
11
Stop time 3 bars - ad lib breaks 29
C B¨
33
E¨
37
F7
B¨
B¨
B¨7
B¨ Eº
2
F7 B¨ B¨7 E¨ E¨‹ B¨ F7
C7
3
3
4 bar interlude - clarinet trill, drum roll B¨7 B¨7 B¨7
B¨7 B¨7
41
45
D E¨
E¨7 G7 E¨
49
Aº E¨ A¨
B¨7 E¨ F7 B¨7
53
B¨7
Back to "D" for Solos
11
Japanese Sandman BASS CLEF
Raymond Egan & Richard Whiting - 1920
A E¨ Here's the Jap- an-ese
F7
hand
man,
5
9
sor-
D7
mor
17
C7
B¨7
E¨ He'll buy your old day from
old-
row
of the day that is
G
row
Just to startlife a
E¨7
er
In the dawn when you
bold-
25
er
with the new day you
E¨
Sand
man,
29
F‹7
hand
man,
new.
And you'll be
B¨7
a bit
Here's the Jap- an- ese
Trade him sil- ver for
Just an old sec- ond
B¨7
E¨ A¨7 trad ing new days for
a bit
make.
E¨º
Then you'll be
wake,
F‹
And he'll give you to-
B¨7
A¨
21
A¨‹
He will take ev-'ry
through,
you.
Just an old sec- ond
G
B E¨
Sand man, Sneak- ing in with the dew.
E¨
13
old.
E¨
B¨7
11
Just a Little While to Stay Here BASS CLEF
Ab Ab Db Just
a
lit
Ab
all
to
stay
here,
Just
be
o
wait
Just
a
lit
- tle
while
end.
Soon we'll take our
hev'n
Fm7
Bb7
bor,
in
ney,
Be
B Ab
Just
a
at
home
a
Ab
Ab7
Bb7
Then
we'll
Eb7
march - ing the
-
thru
the
Pearl
- ies
there
beaut
-
la
-
ly
jour
-
Eb+7
friends.
Db Ab Eb7
ble
In
this low and
pen,
all
to
Ab
Wait - ing for our
go march
Some sweet day we'll
there.
All
o
Ab
straight,
and
Db
state.
-
Dbm
with
Ab trou
-
lit
Eb7
nar - row
- gain
Db
- tle more hard
the path that's
Ab lit
Heav - en's gates are stand - ing
29
a
Db
23
ver,
-
Db Ab Eb7
- tle while to And our trav - els here will
Db
17
Ab
Ab7
12
- tle while
Soon this life will
7
Ab
A
all
Ab
y
Gate.
to
share.
Dbm
Ab o
go
o
- ful
en - trance
F7
- ing
sin
-
ver ver,
1
BASS CLEF
King Chanticleer Nat D Ayer & Seymour Brown, 1910
A
C‹ B+ C‹/Bb C‹/A Ab
C‹/G
Play cues 1x for Repeat:
4
Ab7/Gb
C‹/G
G7
9
B G
D7
D7
15
D7
19
25
C C‹
28
Ab7/Gb
C‹
D7
D7
G
D7
D7€5
D7
G7
C‹/Bb C‹/A Ab B+
C‹/G
G
G7
C‹
C‹
G7
C‹/G
King Chanticleer BASS CLEF
2
33
Trombone Solo - 16 Bars
D F‹
39
44
C‹
F‹
55
Eb
D7
F
71
Eb
Eb
Eb
Ab
75
D7€5
G7
Bb7
Bb7
G‹
F7
Bb
G‹
F‹
F7
65
C‹
CHORUS:
E Eb
60
49
1 1
Bb7
F7
Bb7
Eb
F7
Bb7
Eb7
Eb Ab7
Eb
Solos at "E":
1
Lasses Candy
BASS CLEF
Nick LaRocca - 1919
A
A A¨ 5
A¨
13
B¨7
17
B A¨
E¨7
E¨7
F7
21
B¨7
E¨7
E¨7
B¨‹
A¨
A¨
A¨º
Eº
B¨
B¨‹
E7
B¨‹
E7
25
A¨º E¨7
29
B¨
B¨‹
A¨º
F7
9
A¨º
G7 G¨7 F7
B¨‹7
E¨7
Lassus Trombone
BASS CLEF
3
A
7
11
F
F
1
C7
Henry Filmore - 1915
Trombone Solo C7
D7 C7
F
D¨7 F C7 F 15 F Fine 20 B G7 C7 F G7 1. 2. 25 C7 F F
Solos Here
mp 34 F7 B¨ 30
C
38
B¨
42
B¨
B¨
B¨7 F7
E¨
E¨‹
B¨ E¨7 B¨
After Solos Play "A" once
Lazy Daddy
BASS CLEF
A Bb
Bb7
Bb
Bb7
9
Bb
Bb7
Bb C7 F7
Eb
C7
Eb
Bb
17
Eb
B Bb
Bb
Bb
C7
C7
F7
F7
Eb
23
F7
Eº Bb/F G7
13
ODJB, 1918
Eb
5
1
Clarinet Break - 2 Bars
F7
Clarinet Break - 2 Bars:
Bb
G7 C7 F7 F F7/C
28
1
Lazy Daddy BASS CLEF
2
33
C
Bb
Bb
Bb
39
Clarinet Break - 2 Bars
Eb
Bb
F7
Clarinet Break - 2 Bars
G7
44
C7
F7
49
D Eb
53
E Eb
58
Bb
Ebm6 Bb
Eb
Eb
Trombone Break
F7
Trombone Break Bb7 Bb7
66
Eb
Eb/Bb
C+
F7
Eb
Eb
Eb
fine
Ebº Bb7 Eb Eb Eº Bb Bb7
Eb
63
Eb
Trombone Break
Trombone Break
Ab
Bb7
Aº
Eb
F7
Back to "B" al fine
1
Limehouse Blues
BASS CLEF q = 184
AF
Eb
In Oh
Lime Dear
In
B F7
25
they
And
Those
F
- house
Where yel - low Chin - kies love
Dear,
E7
Am
Right here in
Am
- house, wear - y
And
Eb F
Lime
I'm
17
F
Oh
Am
9
F
or
play,
- ange blos - som land,
E7
Am
Where you can hear those blues all 'Cause no one seems to
un - der
Like
a
weird Chi - na blues,
Nev
- er
F
F
Eb
- stand.
a - round,
seem all
C7
day,
A7
Bb
Eb
to
Dm
Db
long, long sigh. a
go
F
Queer
sob
sound,
Oh, Hon - ey lamb they seem to say:
Sad,
mad
blues,
For all the while they seem to say:
- way.
Bbm7 Eb7 Ab7
1 Limehouse Blues
2
BASS CLEF
C
33
Db7
Oh! Lime - house
Oh!
Oh!
kid
Go - ing the way
43
C7
That
Fm7
Bb7
no - bod - y's child,
kid.
the rest of them did
Poor bro - ken blos
- som
Eb7
Haunt - ing and taunt
C7 B7
Ab
Oh! Lime - house
37
Bb7
Db7
and
Ab7
- ing you're just kind o' wild.
Oh! Oh!
D 49
Db7
Oh! Lime - house
blues
I've
the
Bbm
C7 B7
blues,
Ab
Learned from the chink
59
real Lime - house
Bb7
53
Db7
F7
tears for your crown,
- ies
Bbm
those sad Chin - a blues,
Eb7
Rings on your fin -
Bbm7(b5)
That is the sto
- ry
F7
Ab9 for repeat
Ab
of
old
gers and
Chin - a
town.
1
Livery Stable Blues (Vocal) BASS CLEF
A E¨º E¨ Eº Way down in
3
E¨
Al-
a- bam,
It
E¨7
F7
sta- ble
B¨7
brush
9
F7 on one string,
E¨
he
play,
B¨7
in
Bir-
ming- ham,
B¨&7 There was
a
A¨
la- zy color-ed- fel- low named Lee,-
6
was
E¨
In-stead of work- ing all day,
to
the
up- on the
C7
hor- ses he'd sing,
E¨
this sad and lone-some- mel- o-
dy,
A¨7
and play up-
E¨
Livery Stable Blues (Vocal) BASS CLEF
2
13
B E¨
Oh hon-ey,- lis-ten- here,
16
E¨7 sta-
ble
hon-
ey
you
E¨7
C
29
A¨
why
I
I've got those liv-'ry sta-ble
A¨
Oh, law-dy-
A¨‹
E¨
B7
me,
back to my
got
those blues,
E¨
blues.
B¨7
E¨
E¨7
Al- a- bam- a
E¨
ba- by,
she prom - ised that she'd mar-ry-
B¨7
me some- day,
they're the
blu
B¨7
-
est
B7 B¨7
she'll drive a-
35
E¨
this,
I've lost my pep com- plete,
32
C7
was- n't born for
A¨7
E¨ G¨º
I'se g'wine
have
E¨
mine,
know
C7
I
B¨7
F7
25
Oh how I miss your kiss,
21
ba- by
Aº
I've got those mean old liv-'ry
A¨
blues.
Oh hon - ey lis ten here
19
E¨
1
way
kinfd
of
Those liv - 'ry sta - ble
E¨
blues!
blues
Livery Stable Blues,
1
a la Muggsy Spanier
(Barnyard Blues)
BASS CLEF
Lopez & Nuñes, 1917
Eb Eb7 Ab Ab‹ Eb
Eb 5
Bb&7 A
Eb
Bb7
Bass Drum
Eb7
Break - 1 Bar
Ab
Eb
10
14
B7
Bb7
C7 F7 Eb
Ebº
Bb7
Eb
1st time Only
Bass, Trombone, & Bass Drum
Eb
Eb7
17
B
Ab
21
Eb
C7
Last Time: To Coda
Ebº Bb7 Eb Bb7 Eb
25
F7
Coda:
Trombone Gliss to "C"
Eb Bb+7 Bass Drum
29
Eb Fine
1 1
BASS CLEF
2
Break! 3 Bars
C Eb
Clarinet Break Cornet "Horse Whinny" Ab
31
Harmonize
Trombone
Eb
37
F7
Bb7
Eb
40
Solos
Eb
43
Bb7 Eb Ebº Eb7
1 X Only - Trombone
Ab7
49
Eb
C7
F7
Bb7
Eb
Ebº Bb Eb
Break: 3 Bars:
D Eb
Harmonize
Clarinet Break Cornet "Horse Whinny" Ab
55
Trombone
C7
61
64
Eb
Bb7
Eb
Ebº
F7
Bb7
Eb
Back to "B" - Take CODA:
1
Long Gone
BASS CLEF
W.C. Handy & Chris Smith - 1920
A¨
A¨ E7/D A¨ E¨7
A¨7/C
D¨
5
A A¨
Did you
E¨7
ev-er hear the sto- ry of Long John Dean? Long
John stood on the rail- road
A¨
A
bold bank rob-ber from Bowl -ing Green,
Waitin' for
tie,
freight train
E7/D A¨ F‹7 D¨ A¨
9
sent
A¨7/C
to the jail- house
came just puffin' andflyin',
Freight train
13
B A¨
Long
A¨
17
Long
yes- ter- day,
F‹7
Gone
A¨7/C
gone,
B¨‹7 from
Late
E¨7 Ken- tuck- y,
D¨
E7/D
and
what I
mean,
A¨
Long
his
John grabbin'
F‹7
by.
B¨7 E¨7A¨
last night he made
Ought'a seen
to come
Was
B¨‹7
that blind.
E¨7
Long
Gone,
A¨
A¨ E¨7
Long Gone John from
ain't
get- a- way. He was
he
luck- y?
Bowl- ing Green.
Interlude
A¨ F‹7 B¨‹7 E¨7
21
A¨
B¨‹7 E¨7 F‹7
1
Long Gone BASS CLEF
C
2
E¨7 A¨ A¨
25
They
of- fered a re-ward
to bring him back,
caught him in Fris- co, and to seal his fate,
They
A¨
A¨7/C
30
D¨
E7/D
out
D A¨
38
on the o-
San
A¨
Quen- tin
F‹7
Now
cean
F‹7
A¨
F‹7
Long
Gone
from Ken-
tuck- y,
Long
Gone,
Long
Gone
from San Quen-tin,-
Long
Gone
A¨
A¨7/C
D¨
E7/D
Long
gone,
and what I
Long
Gone
I'm
tell- ing
ev-'ning- late.
B¨7
But
E¨7 A¨
no- bod- y knows where Long- John went. He was
John es- caped, The guard for- got to close
B¨‹7 E¨7
his track.
on
jailed one
Dog- gone blood- hounds lost his scent,
34
E-ven put blood- hounds
A¨
and
the
Gol-
B¨‹7
den
gate.
John's
E¨7
Ain't
he
luck- y.
still
a' sprint- in'.
A¨ E¨7
mean,
Long Gone John from
Bowl- ing Green.
you,
Shut your mouth and
shut mine
too.
BASS CLEF
Lovin' Sam (The Sheik of Alabam') C
A
Cº
Lis - ten sis Ev -'ry hus
5
F
ters and band and
bro lov
C
D7
C7
C
He's the great Keep your gal
17
est of un - der
F
champ, cheap,
a- bout a man I and you can pass it
lov cov
- ers - er,
C C7
There ain't a high brown gal in town If Lov - in' Sam gives her the grin,
21
D7
There ain't a wo man But if your gal you
Cº
To be the bride of And in the morn - in'
C
C
he can't vamp, aim to keep,
know: on:
C
C7
Ev - er kissed a girl on the cheek. Sure as there's a deuce on the dice,
F
C
Who would - n't throw her dad- dy down Then you is out and Sam is in!
G7
C7
G7
F
But let me tell you Then here's my warn - in'
13 B
C
1922
I sup pose you've heard of the Sheik. Bet- ter take a bit of ad - vice.
- thers - er,
They say that he's the lov - in' Of course they say ad - vice is
9
1
C
this col ored Ro - me your lov - in' ma- ma's
-
o. gone!
C7
Peo- ple Peo- ple
BASS CLEF
2
1
Lovin' Sam (The Sheik of Alabam')
C F
25
call
29
C7
Lov - in'
Sam,
him
mean love
gals
a heart break- in'
bam'.
man!
go
stroll- in'
by,
Boy! He
rolls
Does he
step?
Does he
Sam,
down in Al - a
- bam'.
ba - bies
cry
for Cas
F
The
Sheik of
C7
ham,
In the fin est kit chens
F7
-
for
ia!
They
all
love
Lov - in'
C7
you like
Sam,
F
Al
bies cry
F
Gm7
noth- in'else but! Could you
You'd make the high brown ba -
- tor
eye!
Bbm
D7
wick - ed
Bb
a
You could have your eggs and
A7
G7
46
And when the
That's what he does- n't do
love like Lov - in'
strut?
He's a
Break for 2 bars
C7
DF
-a -
54
Al
F
G7
51
Am
37
F
33
41
He's the Sheik of
mak - in'
G7
-
a
-
bam'.
Peo - ple
The Love Nest
1
Louis A. Hirsch & Otto Harbach - 1920
BASS CLEF
A
E¨ Just
5
9
A¨ dove
B¨7
a
an-
13
F‹
love
small
21
25
da
B¨7
than
love
sort
of
a
cling- ing
ram- bler
ros-
es
B¨7
room,
room,
a
pal-
ace
with
a
gild-
ed
nest,
B¨7
You can call
A
ver-
Then
a
G7/D C7
A¨
dream room for
Then
a
E¨7
Best
of
Bet- ter
G7(b5)
C7
dome,
E¨
home.
two.
G7
a
twine.
B¨7
blue.
Like
vine,
tea set of
warm.
E¨7
farm.
E¨
E¨7
E¨
A¨
E¨
F7
down on
F‹
29
F‹
E¨7
with some
C
A¨ all
co- zy and
nest,
B E¨
nest,
kit- chen where some
17
B¨7
is
a
1
Ma He's Making Eyes At Me
BASS CLEF
Con Conrad - 1921
A E¨ B¨7 E¨ Lit- tle Lil- ly was
7
C‹
Cº
bill
and
coo.
E¨
oh! So sil- ly and
F‹7
E¨ B
17
"MA,
al
33
MA,
he wants to
to
mar-
'ry
min-
ute
Me,
I'm
meet-
ing
on
my
should-er,-
for
as
-
sis- tance!
F7 Ma,
E¨
fel- low would
B¨7 B¨º B¨7
cry:
he's aw- ful nice
She would- n't
some smart
B¨&7 E¨
MA,
E¨
MA he's
to me!
B¨7
I'm
be-
side him,
Mer- cy! Let his con - science guide him
If
you
peek
Can't you see I'm goin'
ry me,
Ev-
night
But she would
B¨7
B¨7
- 'ry sin-gle-
her,
B¨7
fel- lows knew,
B¨7
B¨7
Ev
at me!
E¨º
E¨
E¨
F7
41
44
F7
up
- most break- ing my heart,
C E¨
cud - dle
he's mak- ing eyes
Cº B¨7
26
And all the
F7
to
shy,
B¨7
11
try,
B¨7
B¨7
Be
my
he
gets
bold-
with
re
B¨7
-
in,
sis
he's
kiss
-
A¨ hon-
ey
to
weak - en?
G7 C7 F7 B¨7 bee.
E¨º
E¨
er,
Now
he's
lean-
ing
tance
I
shall
hol-
ler
- ing
E¨ me!"
A¨7
E¨
1
Mama Don't Allow
BASS CLEF
B¨
Ma-ma- don't 'low
5
no
Ma-ma- don't 'low
9
B¨
We don't
12
no
an- y how.
B¨
here!
F7
cor- net play'n 'round
what
cor- net play'n 'round
B¨7
care
E¨‹
Ma-ma-
B¨
here!
Ma - ma don't 'low no
No
She Don't
No
gon-na'-
She Don't
E¨
don't 'low,he's
F7
playthat
cor-
net
B¨
cor net play'n 'round here!
No
She Don't
Mandy
BASS CLEF
E¨
B¨
A B¨
I was
B¨
5
hear some
bo - dy
F7
9
stopped a
B¨
just some- bod - y
E¨
17 B
Man
21
-
han
-
29
-
-
dy,
-
C7
er
F7
ing
'neath the silv' - ry
C7
a
Not a
G‹
word
there's a min - is - ter
B¨
han
-
dy,
now
and it sure would be
If we'd let him make a
fee.
B¨
fing
So don't you
G7
Gº
Oh
B¨
G7
B¨7
here's the ring for your
It was
this.
B¨
I
miss.
F7
some - thing like
So
B¨
want -ed to
tune.
C7
ser - e - na - ding
I could
F
fa - mil - iar
I
moon.
ding - er?
F7
lis - ten,
B¨
ing
B¨
F7
F7
E¨
ling
G‹
B¨
dy,
C7
25
even
B¨
sing
while to
E¨
13
Gº
stroll - ing out one
E¨
1 Irving Berlin - 1918
-
er
is - n't it
a hum -
B¨
Gº C7 F7 B¨
Come a long and let the wed-ding chimes bring hap -py times far Man -dy
and me.
BASS CLEF
1
Margie Con Conrad & J. Russel Robinson
q = 160
A F
You
5
F
Here's
Gm
9
Bb
can
talk
All
a - bout your
one
I
must
tell
to
you;
D7
F
C7
long they
F
sit
up -
He holds her
on the
gie,
-
F
My
F7
al - ways
Mar
F
Don't
G7
I
gie,
-
E7
for
have
-
EB7
get
your
Gº
bought
G7 a
I'll
tell
the
D7
prom - ise
C7
world
to
lit - tle
of
you
I
love
you,
me,
Break 2 bars
F+7
think - ing
Bb
C7
coo:
I'm
stairs,
D7
Eb7
B
close and starts to
Fº
C
C7
Gm
Gm7
love af - fairs,
29
night
Mar
25
F
Bb
F
21
C7
G7
13
17
C
F
C
home and ring and
ev - 'ry - thing, For
1 1
Margie BASS CLEF
2
F
33 C
Mar
Bb
37
Days
41
45
F
all
is
-
gie,
-
done,
C7
Mar
nev
said and
Gm7
You've been
are
F7
my
F+7
in - spir - a - tion,
A7
gie,
-
er
blue.
There is
Mar - gie
Af - ter
F7
real - ly
E7
Eb7
on - ly
F
C7
it's
you."
"My
D7
one,
Oh!
lit - tle
1
Memphis Blues
BASS CLEF
W.C Handy - 1912
6
B¨7
10
E¨
E¨ E¨7 A¨‹6 B¨7 F7 B¨7 A¨7
B¨7
E¨ E¨ E¨7 D7 D¨7
14
C7
18
B¨7
A¨
22
F7
F7 B¨7 E¨ E¨7
A¨7 D¨7
27
A¨ E¨7
E¨7 A¨ A¨7 D¨7 D¨‹ A¨ B¨7
30
BASS CLEF 1
Midnight in Moscow q = 160
Fm G7
Cm
Cm G7
Cm
Dm7 G7
8
Cm
G7
14
20
Dm7 G7
Cm
Ab Bb7 Eb
Fm
Cm
Eb
Cm
Fm
G7
Cm
Cm
Cm
Stop time- first beat of bar only
Fm6 Cm Cm Eb
25
A Cm
3
Time
Eb
30
35
Ab
Fm
41
Cm
Fm
G7 Cm
G7 Cm Cm
Cm
Dm7 G7
G7 Cm Fm Cm
Missouri Waltz
1 John Eppel & J.R. Shannon 1914 F
BASS CLEF
F
C7
Hush
F
5
Rest
F
a
-
- bye, my
ba
by, slum
-
C7
your head
my breast while
- on
is
G7
sigh
call
mom
- my hums
- in' where shad - ows are
fall
C7
as
in
days
long gone
When
Dm
Strum,
D‹
41
Hum,
- in' while the soft bree - zes
by.
Way
I was a tin
strum,
hum,
down in Miss
- y child up - on
- our - i where I
C7
Cm
Dm
and
A7
F
low.
Dm
strum, strum, strum, seems
my mom - my's knee; The
G7
The
old folks were hum - min',their ban - jos were strum - min' so - o sweet
tune;
F
F
F0
33
a
C7 F
heard this mel - o - dy.
Bb
soon;
G7
25
- in'
F
19
com
F
sand - man
14
is
F
Bb
9
- ber time
up
I hear those ban -jo's play - in' once a- gain.
A7
hum, hum, hum, Tha - t same
old plaint
Dm
- ive strain.
1
Missouri Waltz BASS CLEF
2
Dm
49
Hear
71
F
that mourn
D‹
64
A7
D‹
57
Bb
- ful
F
Jour
Bb
same
F
dy,
-
- ney back
to
old re
A7 Dm F
It just haunts you the wh - ole day
G7
it seems when you hear
F
Dix
-
F
ie - land
F
in
dreams
a
- gain with
me;
G7
- gain,
Way
down in
thestars were blink
Miss
- our -
F
- in' and the moon
hear Mom - my Chloe, as
time
in days long a
It
and the old folks were strum - min. that
i, where I learned this lull
C7 F
that old
C7 F
Dm
C7
- a - bye my ba - by, go to sleep on mom - my'sknee.
mom - my was there once a
when
long,
F
- frain.
C7
Bb
mel - o
Dm
Dm
97
A7
Hush
C7
by,
A7
Dm
seems like your
92
F
87
and you wan - der in dreams back to Dix - ie
song.
81
77
G7
was climb - in' high,
- go, sing - in' "Hush
C7
a
F
bye."
- a-
and I
1
My Daddy Rocks Me BASS CLEF
J. Berni Barbour - 1922
q = 100
Fm
Bbm
I've got
a
A
Fm
Sweet - ie,
no one could be
Ab
5
9
G7
He makes
me
hap -
C7
on his
17
rocks
rock ing
Fm
me
sosweetto me.
Ab
I'mglad to say
chair, and
Cm/Ab
Cm/G
Bb7
he's al ways gay. I've
Eb
ev - 'ry night you'll find us
G7/D
Bbm/Db
C
knee,while
B Fm Fm/Eb
py.
he rocks me to a rock- y
Fm/Db
C
with onestead y
Fm/c
Aº
a great big
Db6
Eb
13
Cm
Bb7
got
Dº
Fm
roll.
there.
Bbm
Fm
I'm
Fm/C
mel - o - dy.
My ba by
Bbm
Fm My ba by
1
2
My Daddy Rocks Me
Fm
21
Fm
C7
rocks
25
Db7
Fm7/Eb
me
with all hisheartand
C7
Fm/c
C7
Dº
Bbm/Db
soul.
C7 Gm7
We'll al ways spoon while the lights are Wrap'd in a blank et of love and
28
Fm/C
low. charns,
Fm7/Eb
Fm
He hates to
leave me when it's
I'm sit tingpret
ty when I'm
Most ev' - ry eve - ning at half past nine,
We get to geth
er and the
Talk a - bout row - boats and birch can - oes,
You need a
C7
time to in
C7/E
Gm7/D
go.
his
arms.
world is
mine.
Fm
My ba - by rocks
Fm/Eb
Fm/Db
me
chair to rock a -
C7
with
onestead - y
way your blues.
31
Fm
roll.
Gº
C7
Fm
roll.
C7
Fm
1
BASS CLEF
My Honey's Lovin' Arms
F
B¨7
You've heard lov-ers,
C7
5
Cº
C7
F
C&7
They
9
I'm
Love- sick
pet;
so
diff- 'rent,
F
lov- ers
G‹7
F
F©º
al- ways
get
ro-
man- tic,
Oh,
so diff-'rent-
F©º
Drive
F
now;
A
fret
B¨7
Herman Ruby/Joseph Meyer - 1922
bout their
C&7 you fran-tic.
A7 While I'm in
G‹ C&7 A‹ G9
13
D‹
love I
know
I
simp- ly
go
and
whis- per
low
to
Hon- ey
Ba-
by:
My Honey's Lovin' Arms
1
BASS CLEF
2
A F
17
I
21
love your
lov- in' arms,
They hold
F
C‹6
G7
place
to
nes- tle
A
25
B¨7
co- zy
chair,
Oh, what
One ca- ress,
33
Hap- pi- ness,
I
love
You'll
find
my
love be-
G9 C7
41
'Cause when the
45
G7
Right
in
my
Hon- ey's
hap- py
lit- tle
C‹6
D7
you
on-
longs
to
Lov- in'
hon-
ey.
way
ly;
F7
B¨ B¨‹ I
C7
pair!
When years have passed a-
world seems wrong,
F
more each day,
F
ly.
C7
B¨7
you
a
Seems to bless my
BF
37
G‹7
lone-
29
G7
am
C7
com- fy
A
I
world of charms,
D7
when
a
F
know that
B¨7
I
be- long
F
BASS CLEF
1
My Bucket's Got a Hole In It
q = 174
F7
Bb7
5
C7
F
Bb7 F F7
F
10
13
C7
F
Bb
F7
Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well I'm standin' on a corner - With a bucket in my hand I'm waitin' for a woman - That ain't got no man. CHORUS 'Cause My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well, I went upon the mountain - I looked down in the sea I seen the crabs and the fishes - Doin' the be-bop- bee. CHORUS Well, there ain't no use - of me workin' so hard When I got a woman - in the boss man's yard. CHORUS Well, me and my baby - we just bought a Ford And now we sit together - on the running board. CHORUS
1 1
Oh, Didn't He Ramble
Traditional
BASS CLEF
A B¨
B¨ F7
B¨ F7 B¨
6
B¨ F7 TO Dixieland 2-beat swing feel
12
Drums B¨
16
F7 Well his
20
B B¨ head
B¨
24
was
in
the
mar-
ket,
his
run-
ning
by
said:
girls came
B¨
28
C ram
F7
ble, Didn't he
-
B¨
35
town.
40
Didn't he
ram-
B¨
ram
-bled
'til
the
"Look at that
wo - men
the
street.
All
the
B¨
mar-
ket
He ram-bled all
ble,
F7
in
Didn't he
cut
him
B¨
down.
F7
meat!" Oh didn't
B¨ F7
ble?
were
F7
ram-
feet
a- round,
ram-
ble?
he
B¨ All a-round the
He
F7
Didn't
he
BASS CLEF
Oh By Jingo
q = 180
F F C+7 F C+7 Oh, by Gee! by Gosh, by
G7
7
Gum By
G7
Juv,
a
G7
Then we'll put them
F F C+7 F C+7
17
A7 Bm A7/C#
me."
28
So they
D‹
Juv, by
Jin - go,
by
Dm
our fav'rite nut,
in the Fol-
F7
Bb
all went a way sing ing Oh! By Gee, By
F F#dim C7/G C7 By Gee, you're the
lies,
"By Jim - in - y, Please don't both- er
Gee.
You will be
A
23
D7
hut.
We'll have a lot of lit tle Oh! by Gol - lies,
hear our
F
C7
Oh, by Jin go said, by Gosh,
G7
Oh! by Jin go, won't you
We will build for you
Gdim
Albert von Tizler Gdim 1919
C7
love?
13
1
on
- ly girl for
F
me.
Bb7
Gosh by Gum, by
F
Oh!
BASS CLEF
A B¨ B¨
5
1
Byron Gay/Arnold Johnson - 1919
F7
B¨ F7
E¨
10
Break: 2 Bars
F7
14
C7 3
3
17
B B¨
3
B¨ F7 3
F7 B¨7
22
27
31
E¨
F7
3
B¨6 B¨& B¨ B¨ B¨&
1.
B¨
2. B¨
1
BASS CLEF
Ole Miss
A C7
F
F
9
C7
F
C7
13
B¨
17
C
A7
D‹
F©º
29 G‹
F
A‹
B¨
25
F F7
B
21
C7
5
W.C. Handy - 1916
C7
E7
A‹
F7
D7
F
F
B¨‹6
F
1
Ole Miss BASS CLEF
2
C 33 C7
F
F
37 C7
41
F
C7
45 C7
C7 F
49
D F
53 C7
57
61
F7
F
F7
B¨ Bº
D7
B¨
G7
F
C7
B¨
A7
F F D7 G7 C7
Back to "D" for Solos Then Play "C" and "D out.
1
The Old Rugged Cross BASS CLEF
A C C
5
C&
G7
George Bernard - 1913
F F‹
F F‹ C
Ritard
B 9
C
14
19
C
F
F
Cº
C C7 F
C Fº
D7
Fº F C
G7
G7
Cº C
C7
C F7 C
C
G7
25
31 C
F
C
C
36
C
G7
C
B¨7
F
A7
F&
F6 G7
D
C F F‹ C
1
On The Alamo BASS CLEF
Isham Jones & Gus Kahn - 1922
A
CŒ„Š7
D‹7 C
Where the moon swings
5 D‹7
where
ros-
es
grow,
D‹7
C
to
and
by
D‹7
dreams
29
the gar-
E‹7
"I
love
you
so".
C
seems
D‹7
low,
On
Break
F‹
her
I'll
D7
On the night
D‹7
I
E7
And
in
all
my
F©º
D7
A‹7
E¨7
can hear
For she said
gate,
it
I
A‹7
den
der
the ten-
fro.
G7
A‹
G7
G7
D7
In a gar- den
D‹7
D‹7
C
wait
25
night,
der
said
mer
mo,
A7
D7
In
17 B CŒ„Š7 D‹7
the sum-
A‹7 F‹
E‹7
of
wan-
21
B7
light
E¨7
13 D7
E‹7
9 CŒ„Š7
On the Al- a-
G7
fair
D7
G7
I
go
C
the
Where the moon swings
F7
Al-
a-
mo.
C
Break
1
Ory's Creole Trombone
BASS CLEF
Edward "Kid" Ory - 1921
Trombone solo
6
12
A
G7
C7 F
G7
C7
17
22 B
G7
28
F
34
C7
G7
C7
F
C7
D7 G7
F
F C7 F
C7
C7
F
F F D7
2. C7 1. D7 F
C7
G7
1
Ory's Creole Trombone BASS CLEF
2
C7
44
C7
49
55
D D7
B¨
C©º
C©º
C‹
79
F7
F7
B¨
TAG
F7
C7
F7
B¨
After last solo play "D" to end and then tag
Trombone
83
C7
C7
B¨ G‹
B¨
B¨
B¨
Trombone Solo
F
TromboneC7solo
73
F7
F7
60
Solos
C‹
67
F7
C B¨
39
B¨
B¨
C7 F7 B¨
1
BASS CLEF
F
5
C©7
Ostrich Walk
G D7
G7
C7
G‹7
C7
G D7
F A
G7 C7
F G7 C7 F
9
F
13
Original Dixieland Jazz Band - 1918
C7 G7
Stop Time 4 bars
17
F Trombone
21
F
D7
G‹7
B¨
Clarinet
B¨‹
Trombone
C7
2. F 1. F B¨ Fº
Fº Break
C7 Break F Break F Fº C7
26 B
32
F
F7 Cornet
C7
Break Break C7 F Fº F Fº
F Break Fº C7 F
37
F C©7 G‹7 C7
42
1 1
Ostrich Walk BASS CLEF
2 46
C F
F G7 C7 F
F
G7
C7
50
Stop Time 4 bars F
54
F7 Cornet
Trombone
F
58
D7
G‹7
62 D
F
F D7
66
F
70
G‹7
C7
F
G‹
F
Unison
Trombone
F
sfz
78
B¨‹
C7
Fº
74
Clarinet
C7 C&7 F
Fº
B¨
C7
C7 F
F
F
F C&7
F
1
BASS CLEF q = 120
Over The Waves Bb
10
F7
19
B¨
26
E¨
Bb
Eb
41
B¨7
49
E¨
A¨
Eb
Eb
B¨
F7 Bb
57
Bb
33
F7
Bb7 Eb
Ab Bb7
Eb
BASS CLEF
Poor Butterfly
q = 120
Eb9 Ab E7 Bbm7 A
Poor But - ter
fly
-
'neath the blos soms wait
C+7
for she loved
Bb7
9
pass
Bb7
13
in - to
smiles thru her
17
B
so.
he don't come
She
die.
years,
And
mur - murs
know that he
be
faith
to
me
low,
-
F9
by
and
by.
Poor
But
- er
she
E7 Bbm7
The moon and
C7
Then I nev
as
Ab
Dbm6
back
Ab
Eb9
- to
mo - ments
Fm
Eb9
C+7
Bbm7
in
The
Abmaj7
tears,
come
29
him
Eb9
25
Poor But - ter -
Ab
I
21
F7
The hours pass
ing
-
hours,
F9
Eb8
Ab
fly
Golden/Hubbel - 1916
Abmaj7
5
1
Ab
ful,
I'm
sure
he
But
cry,
I
Ab
- ter - fly.
if
Bdim
sigh or
just must
Panama
BASS CLEF
5
B¨7
15
22
28
E¨
33
C7
B¨7
F7
Aº E¨
A¨
C
43
A¨ A¨&7
Aº 2.
E¨
E¨7
Aº
E¨
E¨
38
E¨
B¨7 F7
A¨ B¨7
C7
E¨7
F7
B¨7
B¨7
1. E¨
B¨7
E¨
E¨7 E¨
E¨
B A¨
E¨
C7
18
E¨
E¨
William H Tyres - 1913
A E¨ B¨7
10
1
E¨7
D¨ E¨7
E¨7
A¨ A¨
A¨
Panama BASS CLEF
1
C‹ G7 E¨7
48 2
54
C‹
D A¨
E¨7
A¨
59
E¨7 A¨
64
D¨
Dº
A¨
70
E A¨ A¨
A¨
A¨
A¨
84
90
E¨7
E¨7
A¨7
A¨7 D¨
A¨
E¨7
pp ff
76
E¨7
1. E7
A¨ E¨7
2. E7 A¨ E¨7 A¨
A¨
E¨7
A¨
1
The Pearls BASS CLEF
Jelly Roll Morton - 1919
G
6
E
11
A7
A G D7 E¨
G
E¨
E7 A‹ E7 A‹
D7 G
G E¨
E7 A‹E7 A‹ E‹ A7 D7 G
16
E¨
21
B G7
B‹7 E7
25
29
33
G
G7
- 2 bars Gº Break
C7
A7
D7
C7
G D7 G 3
G7 Gº G7
37
G
3
3
The Pearls
1
BASS CLEF
2
41 C Tuba Only
G7 CŒ„Š7
45
A‹
E‹
E¨º
D‹7
49
G7 D‹7
53
D‹
E‹7
All
E7
A7
D‹7
C
3
G7
G B7 E‹ D‹
C D
E
G7
57 D Tuba only
CŒ„Š7 All
61
G‹7
3
F D‹ A7 3
C
F F‹ C A7
65
69 D‹7
G7
Gº G7 C G7
73
Tuba Only
3
C9
1
Pretty Baby
Egbert Van Alstyne & Gus Kahn - 1916
BASS CLEF
B¨7 Ev-
5
9
E¨
13
like
17
E¨7
be
your
F7/C
B¨&
by,
let
rne
rock you
dle
Ba-
the
a
ba-
in'
F7
Pret-
by
and
And
it
B¨7
ty
Ba-
by
of
I'd
by.
A¨ cra-
Pret- ty
Won't
dle of
love,
And we'll
B¨7
Oh!
E¨ mine.
well be
you,
I
B¨ Bº
might as
you
D¨7
time.
Pret- ty
by.
lov-
F7
all
I'm in love with you,
dad and moth-er too,
Pret- ty
my
B¨&
E¨
in
B¨&
cud-
29
Ba-
sis- ter, broth- er,
C7
want
Pret- ty
to
21
E¨
come and
Ba-
B¨7
B¨&
25
ba- by that's why
by,
E¨
bod- y loves a
Ba-
B¨7
'ry-
Riverside Blues
BASS CLEF
C‹
G7
5
9
A¨7
B¨7
F‹7
13
18
C‹
G7
E¨
A
1
3
A¨7
Thomas A. Dorsey & Richard M. Jones
C‹ F‹
E¨
B¨&7
E¨
E¨
break E¨ 2 bar unison 3
B¨&7 3
E¨ E¨7 E¨ºA¨‹ 1. E¨ B¨7
2. E¨
B¨7
everybody plays this figure behind clarinet lead E¨ B¨7 E¨
B
G7
22
A¨
26
B¨7
A¨‹ E¨ 2 bar clarinet break
30
C
F‹7
E¨
A¨
34
A¨
38
E¨ E¨7 E¨º A¨‹ E¨ B¨7
B¨
E¨7
Play 2 bar unison on out-chorus
E¨
B¨7
F‹7
E¨ B¨7
E¨ E¨7 E¨º A¨‹
Solos at "C" E¨
1
Rock a Bye Your Baby BASS CLEF Jean Schwartz - 1918
C©º G7/D
A C
G7 C
Mam-my mine,
5
E¨
Your lit-tle roll- in'stone thatrolled a- way,
B¨7
Eº
C
13
E¨º
G7/D
G7
Just
to
E¨
B¨7 E¨º
see
your
in
your
smil- in'
face,
fond em- brace,
C
strolled a-
way.
G7
Your roll- in'stone is roll - in' home to- day,
When I'm
E¨
Mam- my mine,
9
B7
G&7
Smile
a
E¨º
wel- come
G
D7 Lis- ten
Mam- my
there to stay.
G7
sign.
G7
mine:
1 1
Rock a Bye Your Baby BASS CLEF
2
B C
17
Rock- A
- Bye Your
Ba- by
21 G7
Cº G7
With
a
croon a
25 G7
Just hang my cra- dle,
ie
Mel- o-
dy,
C
D7 G7
when you croon,
Dix-
tune
from the
heart
of
Dix-
ie.
C
A7
Mam- my mine,
Right on that Mas- on-
Dix- on Line,
29
G7 D7
33 C
And swing it from Vir- gin-
ia,
C
Cº G7
Weep no
37
D‹
more
my
G7
Old Black Joe,
la- dy,
To Ten- nes- see with all the love
sing
D‹
that
G7 F7
just as though
you
song
E7
that's in
ya'
a-
gain for
me,
And
had
me on your knee.
41 A7
D7 E¨º A million ba-by kiss-es I'll de-liv-
45
C
The min- utethat you sing the
A‹7
Rock- a-
er,
bye your
G7 rock- a- bye ba-
by with a
D7
Dix- ie
mel- o-
Swan- ee Riv-
er,
C
dy.
BASS CLEF
Rose of Picardy
F7
Ro-
5
F(“4)
hush
9
G7
Ro-
C7
13
nev-
ses are shin-
F7
ro-
F7
of
sil-
the
ses are flow'r-
er
a
25
G7
29
one
C‹7
rose
in
ses will die
Pi- car-dy,
may
be
far
that
I keep
you!
D7
not
Pi- car- dy!
in
my heart!
And
the
But
F7
And our roads
in
sum- mer time,
C7
rosethat dies
but there's
a- part,
B¨
F7
F7
with the
dew.
ing
the
D7
like
C‹
rose
in
B¨
in
Pi- car- dy,
ver
F(“4)
ing
Haydn Wood - 1916
B¨
17
21
1
B¨
there's
'Tis
E‹6
the
B¨
BASS CLEF
Rose Room
q = 140
Eb7
A Bb7 In sun - ny
Ab7
5
Rose
Where
all
Danc
- ing
B Bb7
shin
21
Ab7
29
Pin
Bb7
Rose
"A
May
- es are
- land,
F7
-
ing,
-
Eb7
is more than ev
ev
- er
- er then I
The moon when
Ab
de
- sign
ing
-
Db
am
pin
- ing
ing".
-
Eb7
'tis
Ab
sway
For
Dbm
- ey bees are
the ros
ing,
-
Db
while the mead - ow brook flows.
- ing,
Where sum - mer breez- es are play
25
Ab
There
Bb7
13
- land,
the hon
Dbm
9
Harry Wiliams and Art Hickman - 1917
17
1
Ab
ing,
-
F7
Ab
to be sweet - ly re - clin
-
ing, Some - where in
Eb7
Be - side a beau - ti
- ful rose.
1
Rose of Washington Square
BASS CLEF
A A‹
E7 D‹ A‹
A gar-denthat nev-er- knows sun-shine
A7
5
James F. Halnley - 1919
Onceshel-tered a beau- ti - ful rose.
D‹ E B7 E7
sha- dows it grew with-out sun-light- or dew, as a child of the cit-
A‹ D‹
gar- den,
A‹
from out of the blue sky a-
C C©º G
E¨7
A‹
heart of the rose set a-flut-ter,-
with a
13
won-der-ful tale
G7 D7
17
D‹7
D7
told her of birds and of bees,
love,
the
G7
A
bove,
G of
Inthe
y grows.
E7
9
but- ter- fly flew to the
He
ofthe brooks and of mea- dows and trees.He whis- pered,
Rose of Washington Square BASS CLEF
2
BC
21
Rose,
Fair
Rose,
for
blush un- seen
but
37 C C
Rose,
er
heart,
D7
Rose
where
the
sun
shines,
did
not
mean
Cº
G7 queen
G7
de-
your
love
to
so
the
that
of
part,
you should
care,
some fair
gar- den,
but dwell
A‹
I'll
in your
bring
the
A7 F‹6 C
sun- beams from the Hea-vens to you,
49
flow-er
Dº
I'll nev-
41 G7
45 D7
be
a
A‹
Na- ture
D7
33
C
should blos- som
29 E7
Square
G&7
of Wash- ing- ton
G7
25
G7
Cº
1
G7
and give you kis-ses that spar-kle with dew
C
of Wash- ing- ton
Square.
my
1
Rufe Johnson's Harmony Band
BASS CLEF
Shleton Brooks & Maurice Abraham - 1914
F©7 Eº
B¨7
leads
A
E¨ Rufe
John- son
When
E¨
5
9
he comes
a
band,
He's one grand
down the street,
G¨º
F©7 Eº B¨7
E¨
F‹6
B¨7
E¨
17
in
Sa-
van-
nah,
Down
They
all
keep
sway-
ing,
While Rufe
B F‹
He
real-
Old
Rufe can't
F7
G¨º
Down
ly
beat,
Plays
read a
note,
but
C‹7
F7
Down
in
Sa-
van-
nah-
When
he
plays
'Man-
ci-
B¨
they par-
horse and
ade
mules
B7
pa-
hol- i-
they
act like
B¨
man,
shake their feet,
F‹6
B¨7
Sa-
van-
nah.
is
play-
ing.
rag- time
mu- -sic- sweet,
he
get your
will
fools,
goat,
C‹ C©º B¨/D
B¨
A.
When
tion
Day.
The
G‹ B¨ Aº
day,
G.
each
er
C7
can't be
in
lead-
F‹
C7
13
peo- ple
The
B¨
You'll
hear
You
al
-
the
peo-
ple
most hear them
B¨7 say: say:
Rufe Johnson's Harmony Band
1
BASS CLEF
2
21
E¨
C
G7
Here they come,
Just
beat- in'
D
32
37
E
He's
Lis-
to
that
dog- gone
ten
toot- te-toot.
E¨
E¨7
Say
played
F A¨
got
F7
Boy ain't
G7
rump,
flute,
F‹7
ain't
that
C‹
rump,
rump.
he
Root -te-toot,
rump,
E¨
Hon,
toot-
te-toot,
B¨7 F‹7 B¨7
trom- bone
moan- ing, hear it groan- ing,
A¨
ten
Lis
ing
F7
to
that
old
cor-
net,
It's
-
C7
41
go-
toot-te- toot
49
some,
to that drum,
C‹
A¨
C7
45
ten
G7
25
29
lis-
C7
Dº
by
that
lead-
er
F‹
C7
F‹
man.
He's
Aº E¨ C7 a world
wide
rep-
B¨7 Old
Ruf-
us
u-
ta-
tion
John- son's
Har-
mon -y
For
E¨ Band
play-
ing
syn-
co-
pa-
tion;
Solos at "C"
1
Runnin' Wild
BASS CLEF
F
F
Bdim
Db7
Gm7
C7
F7
My
Verse A Bb
5
gal and I first
When
Bb7
I
we
had a
that
gal of
met
Bb
9
guess she
thinks
when she
thought she
now
Bb
fight
had me
right
she
her
lit - tle
F
Bdim
the worm
Db7
F
all
a
had
to
- lone turn,
by
my
I
dream.
start - ed
act
the
shelf.
I'm
- in'
mean.
Like
Bb
me
I
time,
Un
no
lone - some stuff for
lamb
she
led
Gm7
me
all
the
C7
F7
She'll soon find that
I'm
rea - son
I'm
that's the
But
F7
wrong
- self.
a
lay right on
Eb
led
all
I'll
Ma - ry
C7
gone
she's all
Bb
seemed just like
it
thatshe's
her
til
mine
I'm
Gm
show
won't sit home
and
D7
gon - na
Bb7
13
17
Eb
-
Runn in' Runn - in'
wild, wild
[Patter, sung/spoken after chorus] No gal will ever make a fool of me, No gal! I mean just what I say; I ain't the simpleton I used to be, Wonder how I got that way. Once I was full of sentiment, it's true, But now I got a cruel heart; With all that other foolishness I'm through, Gonna play the villain.
1 Runnin' Wild BASS CLEF
2
Chorus B Bb
Bb7
21
lost con - trol,
Bb
27
F
Cm6 D7
F7
all the
37
nev - er
time,
C Bb
D7
G7 Don't love
F7
48
All a
- lone
no
Bbm6
too,
Care free mind,
Eb
Al - ways showin'
C7
- bo
-
Run
-
nin'
It's not worth
Bb
Wild.
goin',
Idon't care,
F7
dy
Al - ways
bold.
blue.
don't know where,
43
might - y
Bb7
Gm
Reck less
C7
Run - nin' wild,
Feel - in' gay,
33
Eb
Bb
- while,
BASS CLEF
Royal Garden Blues F
5
A F
B¨ F&7
13
B Cornet 3
B¨
C7
29
C F7
33
D
37
E¨7
B¨
F&7 B¨ F
B¨7
F
C7
B¨
F7 Trombone - ad lib 2 bars
F7 Clarinet
Stop time - Play downbeats 4 bars
F7
21
F&7
F7
D¨7 C7
25
B¨
C7
17
Clarence & Spencer WIlliams - 1919 1
C7
9
A¨º
3
D¨7 C7
F
F
3
A¨º
B¨7
B¨‹
E¨‹
B¨
F
C7
B¨
F
F7
B¨7 E¨7
G7
41
B¨ E¨7 B¨ E¨7 B¨ C7 F7
Back to "D" for Solos
BASS CLEF
Satanic Blues
q = 154
Bb 5
1 1
F7
Fdim
F7
Bb Bb7 A
Eb7 Edim Bb G7
9
13
F7
Bb F7 Bb Fine
17 B
Bb
Bb
Bb
Eb
Bb7 Eb
G7 C7
22
Edim
Eb
F7 Bb
27
Bb
32
38
C7
Bb
C Eb
C7
G7
F7
Eb
F7
C7
Eb
From "A" to Fine
F7
Ab
Eb
F7 Bb7 Eb F
Sailing Down Chesapeake Bay
1
BASS CLEF
Verse
Havez - Batsford - 1913
B¨7 E¨ A
Come on
7
Nan-
cy put your best dress on,
B¨7
steam- boat's gone.
12
17
B B¨7
Come on
23
All
a- board for
Bal- ti- more,
'n let us catch that boat,
E¨
we can't float.
30
E¨
36
moon,
40
Ches- a- peake,
Ban- jos
B¨7
A
Sail- in' down Ches-
B¨7
a good old tune,
Set-tle down close
Sail- in' down Ches-
all
be sore.
a- peake,
a- peake
Up on deck
'neath the
Mis- ter,
B¨7
to spoon.
E¨
E¨
'Cause we can't swim,
ring- in'
there's a place
If we're late we'll
cy'fore the
on the Ches- a-peake Bay,
E¨º
love- ly
E¨
Nan-
Ev- 'ry- thing is
E¨
Cap-
Come on
sil-
v'ry
All
a- board for
E¨
Bay.
No Repeat 1st time
1
Sailing Down Chesapeake Bay BASS CLEF
2
C E¨
45
B¨7
'Round the bend
49
B¨7
think
can make
see
a
Old
it
if
we
Dom-
D B¨7
Say, don't she look
Head-
69
F7
in'
C7
to
this
pier.
Queen of
pad- dles
the
E¨
in-
ion
Line.
pret- ty
as
she
E¨
It's the
hugs the
shore,
more.
B¨7
a- peake Bay!
fear,
ti-
Ches-
Bal-
And
Hear my heart
F7
B¨7
C‹
turn- in',
Nev- er
Dear,
for
hear the
73
E¨
hur- ry,
65
G7
E¨
steam- er,
I
F7
57
B¨7
we
here,
E¨
53
I
Head- in'
61
a'
Just
yearn- in', She's the
Solos on Verse
BASS CLEF
1
San Bass Intro
A D‹
5
G‹
King One
A7
San day
of the
Sat Saw
on San
13
D‹
Senqueen
ecame
the in
shore sad
B D‹
G‹
Sing Told
-
-
ing him
A7
To On
25
D‹
way. dore.
G‹
-
-
at ness
Buon
lathe
BuOn
lathe
may, shore.
sad
re-
she'd
no
more
dear her
queen San
A7
This Then
was came
his his
A7
a
his ly
gal home,
21
A7
B¨7
may, shore,
17
D‹
A7
9
A7
McPhail/Michels - 1920
D‹
frain roam.
who'd gone she would
D‹
lay: lore:
B¨7
A7
aa
C7
1
San BASS CLEF
2
C F
D¨7
29
Oh, sweet-heart
33
F
37
F
D‹
F
Lo-
na,
G7
you
gone
a-
Have
you
come
back
to
You
said
you
loved
me,
45
D F
Why I
did knew
you you'd
act come
this some
If
I
had
What
you
have
ev-
49
F
53
F
57
But But
er
been
un-
be
the
F
D¨7
G‹
If you don't come And you're for - giv
-
dear, dear,
C7
B¨7
na,
-
F
C7
D7
But if I knew
you you
loved loved
me me,
way?day.
done would
my heart aches, now you're mine
G7
F7
Lo
C7
F7
way? stay?
41
G7
dar- ling
F
F
D¨7
D¨7
My
have
C7
Why
B¨
D¨7
true
to
you
B¨
D¨7
thing
to
And For
it all
will the
F
back en
home a - gain by your lov
B¨7
-
do.
D7
break time
F
to ing
San. San.
dear, dear.
C7
1
Second Hand Rose
BASS CLEF
James F. Hanley & Grant Clarke - 1921
F
C7 F C7
G7 C7 F
Fath-er has a bus-'ness, Strict-ly sec-ond hand,
5
F
C7
F
Ev-'ry- thing from tooth- picks,
C7
G7
G‹
D7
G‹
It's no won-der that I feel a- bused,
A F Fº C7
17
I
nev-er- have a thing that ain't been used:
F
hand
hats,
Sec-
ond
hand
clothes,
Sec-
ond
hand
shoes,
Sec-
ond
hand
hose,
C7
That's
why
they
call
me
All
the
girls
hand
me
F
Sectheir
F
ond
sec - ond
F©º
G‹7
Hand
Rose.
hand beauxs.
C7
-
ven
our
pi-
an-
o
in
the
par-
lor,
E
-
ven
my
pa-
ja-
mas
when
I
don
'em,
C&7
F
C7
cents
Fath-
er
bought
for
ten
Have
some-
bod-
y
else's
I'm wear-ing
E
25 G‹
C
C&7
G7
ond
G
C7
Sec-
21
D7
E - ven things I'm wear- ing, Some-one wore be- fore.
G7
13
A‹
To a ba- by grand.
Stuff in our a- part- ment, came from fath-er's store,
9
G‹
Fº
on
the
dol-
lar.
'ni-
tials
on
'em.
Second Hand Rose
1
BASS CLEF
2
B F Fº C7
F
29
G7
Sec-
ond
hand pearls,
I'm
wear-
ing
sec-
ond
hand
curls,
I
Sec-
ond
hand
rings,
I'm
sick
of
sec-
ond
hand things
I
33 F7
F&7
B¨
nev-
er
get
a
sin-
gle
thing
that's
new.
nev-
er
get
what
oth-
er
girl-
ies
do.
37 G‹
Once
ven
C‹
G‹
Jake
the
plumb-
ing
thru
while stroll-
41
F
er,
he's
the
the
Ritz
a
he's
been
the
nerve
to
tell
me
nudged her
friend
and
said
"Oh
had
C7 F Fº
45
C‹
G‹
F
B¨
man
I
a-
dore,
He
girl
got
my
goat,
She
mar-
ried
be-
fore!
my
old
fur
coat!"
G7
look! There's
F&
C&7
G7
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand
Rose,
From
Ev-
'ry-
one
knows,
that
I'm
just
Sec-
ond
Hand
Rose,
From
49 G‹7
C7
F
Sec-
ond
Av-
e-
nue.
Sec-
ond
Av-
e-
nue.
C7
I'm
wear-
ing
1
Shake It & Break It
BASS CLEF
Artie Matthews - 1915
5
F A
B¨
9
C7
13 B F
C7
29
C7
B¨7
33
C7
F
F F7B¨ B¨‹
F
F7
F
F
25 C F
21
17 B¨7
F7 Clarinet Break: 2 bars
F7
F
Break: 2 bars
F
F F7B¨ B¨‹ F
F7
1
Shake It & Break It BASS CLEF
2
Play "D" AS AWritten - Repeat for Solos B¨ F7
B¨ B¨ F7
37
D
41
B¨ F7 B¨ G7
45
C‹
C©º
After Last Solo play "D" once as written then go on
49
B¨ F7 B¨
53
E F
57
B¨7
C7
61
Break: 2 bars
F
F F7 B¨ B¨‹ F
Fine
1
BASS CLEF
Singin' The Blues Con Conrod 1920
q = 120
Ab
A Fm7
5
Bb7
9
Ebmaj7
Fm
Eb
Bb7
Eb
Bb7
Eb
Eb
G7
13
Gm
C7
B
2 - Bar Break
17
F7
Cm7
21
C
Fm7 Fm
27
32
C7
F7
Bb7
Bb7 Eb
Ebdim
C7
Fm7 Cdim
Gbdim
Eb 3
3
F7
Bb7
Eb
3
BASS CLEF
Sensation
q = 180
Bb A
1.
7
Cm
16
Bb7
F7
Bb
G7
C7
B Eb
1917
Gm
2.
F7
11
1 1
Cm
C7
F7
Eb
F7
Bb
Bb
B7 Fm7 Bb7 Eb
C7
Bb7 Eb Eb7
21
F7
27 C
Ab
Db
Ab Db
Bb7
Ab Db Eb7 Ab
Eb7 Ab
33
38
Bb7
Ab
Fdim
Eb
Db
Ab
Db
Ab Db
Eb7 1.
Ab
Bb7
Eb7
2.
Ab
Eb7
Back to B
1
BASS CLEF
The Sheik of Araby
q = 180
Bbm
Gb7
O
-
Bbm
ver
Rides
9
13
21
the
des - ert
wild
C7
F7
the
bold
Sheik
of
Ebm
His
F
Fol -
Un
He
At
his
love's
-
der
the
sings to
com - mand
F
F7
shad - ow
of
Bbm
call
her
to
his
Cm7
Bbm
the
C7
Ebm
car - a - van.
C7
F
band
low his
by
-
Cm7
Bbm
Ebm
Cm7
Cm7
Gb7
F
Bbm
free
Bbm
Ar - a
Cm7
and
Bbm
Bbm
Ebm
ar - ab
Bbm 17
F7
Gb7
5
C7
Cm7
palms,
F7
F7
arms.
I'm the
1
The Sheik of Araby
2
BASS CLEF
A Bb
25
Bb
Sheik
of
Ar
F7
29
love
33
be - longs
to
to
your
night
stars
F7
45
light
49
G
rule
F7
Sheik
that
our
a
way
to
this
land
of
F7
G
Bdim
shine
-
a
Gm
C7
F7
Cm
F7
D&
-
D7
D&
D7
by
C7
will
you'll
me
Bb
The
Cm bove
At
sleep
C7
-
love
with
F7
F7 Ar
-
In -
a
creep
Bb
Cm
Bb
when you're
me
F&
Bb
I'll
F7
F7 Your
Bb
tent
Cm
by
-
Dbdim
Bb
41
a
-
F7
Dm
Cm
F7
Cm
37
53
Bdim
the
Bb
F7
1
Skeleton Jangle BASS CLEF
q = 182
5
Nick LaRocca - 1918
Ab
Bass
Eb7
Eb7
Eb7
A Ab
Eb7
9
F7
14
Eb7
Ab
Eb7
Bbm Bb7 Eb7 Ab Ab7
Db F7 Bbm
Bb7
Eb Bb7 Eb
17
21
B C7
26
30
33
Eb7
F7
C7
Ab
Aº
F7
Bb7
Eb7
C7
BReak
Eb7
Ab
Eb7
Ab
Skeleton Jangle
1
BASS CLEF
C C7
2
F7
37
Bb7
41
Ab
C7
45
Bb7
C7 D
Bb7
61
C7
Eb7
57
Unison for 2 bars
F7
49
Eb7
53
Ab
Unison 2 Bars
F7
Eb7 Aº Eb7/Bb Ab
F7
Eb7 Eb7 Ab
65
Bb7
Ab Eb7 Ab
1
BASS CLEF
Sobbin' Blues Kassel and Berton - 1922
q = 164
C+ F C+ F C+ F C+ F
5
mf
pp
mf
F7
A F
mf
9
Bb
Bbm
13
3
F
Bb7
F
F Cm6 D7
17
pp
F
G7
C7
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
21
B F
C7
26 31
Bb
Swing
C7
Bb7 A7 Ab7
F
F
G7
C7
F7
Sobbin' Blues
1
BASS CLEF
2
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars
37 F C7 42
47
Bb
C7
F
Bb7 A7 Ab7 G7
CF
mf
C7
C+
53
Swing
F F7
F
Repeat only for Solos
F C+
F C+
F C+
pp
mf
pp
Bb7 F C7 F F
57
DF
62
Bb7
F C7 F Bb7 F
67
Bb7
70
F
Bb7
F
C7
F
Solos on "B" & "C" Section: After last solo play to bottom.
1
Some of These Days BASS CLEF q = 180
G7
G7
your gon - na miss me
Cm
G7
Cm
you'll feel
11
so lone
-
ly,
F7
F7
hon
-
23
on
-
Some of these days
Bb7
leave
me
hon
Adim
-
you'll miss my
Bb7
You'll be so
you'll
miss your ba - by
lone
-
C7
ly
Fm
you al - ways got your way,
know you'll
C7
you know
in'
-
Eb7
Eb
grieve
me
F7 Bb7
27
kiss
ey
I
F7
C7
And when you
hug - gin'
cuz you know
Ab
you'll miss my
C7
ly,
Fm
ey.
Ab
Eb7
just for me
when you're a - way.
Ab
17
-
ey
hon
Fm
F7
you'll miss me
G7
Some of these days
5
Cm
oh
some
Eb
of these days.
BASS CLEF
Some Sweet Day
1 Tony Jackson - Ed Rose - Abe Olman - 1917
q = 146
5
Al
- though it's
C
Cm
not the
first
C/E
G/D
for
C
B
cold
G7
you're
good and
C
friends
G7
Dm
kind,
For
- ev - er
pear,
me
some
Don't
- day,
But
C7
wind does
blow
melt
C7
turn a
-
way,
I'll have
mine
ev
- en
I'll
be
far
a
D7/A C7/Bb with its
ice
for each
sor
C7/Bb
-
Some Sweet Day.
my
side,
But when
You're goin'to
-
way.
D7 G7/D
I have
felt.
what I
C7
Cº
snow,
Then your
And when your
say.
G7
(Yes, Some Sweet
heart
G7
D7
'Cause when the
row
C
G7
time will prove
In
C
D7/A
G&
way.
Ebº
It's
G
and its
C
- day.
say good- bye.
D7
D7
Am
by
Cº G7
G7 G&
C
G7
has been in pain this
E7
dis - ap -
to
D7
C#º
you
soon will
33
heart
me
Am
G7
29
my poor
D7 long
25
time
G7 G&
You're leav - ing
Cm Eb G/D
21
birds don't sing
sum- mer's near
17
the
G7/D
time
Dm
E7
win - ter
C#º
G
Ebº
13
spring
9
G7/D
Ebº
C/E
A
Now's your
C
Day.)
time,
Someday Sweetheart BASS CLEF Spike Brothers & Carter - 1919
AF D¨7 F You told me that
5
you loved me true,
G‹ D7 broke your vow
9
C7
and now some-how-
When you'refar
and
G‹
I
be- lieved
in you.
G‹7
it seems I'm al- ways blue.
a- way.
F6
F
You
Butthere'll come a day
You'll
sit
a- lone
E7 A‹ G7 C7
13
A‹
and cry
for me you'll sigh
and thedays thathave gone by.
Some-day Sweet-
Someday Sweetheart BASS CLEF
2
17
BF
C&7
F
heart,
21
G7
C7
done
F
25
C&7
33
did
C F9
that
G9
blues
F
C&7
my
poor
heart.
drift
and
can't
see
45
will make you
for
C7/G
bro-
what you've
You
may
a-
C7
how,
you.
so
shall
you
reap,
C7
E7 E¨7 D7 dear,
B¨7
weep some - day, sweet - heart.
You're hap-
C7
re-
part,
B¨6
The
A‹
ken,
ry
A‹
vows you've
us
E7 E¨7 D7
F©º
made
F
sow
reap
to
F
will ev- er come to
G7
sor-
41
be
now,
37
may
the
things you
gret
E7
F
29
you
1
py
the
wear-
y
But
as
and
what
C7
you
you
Some - day Sweet -
Somebody Stole My Gal BASS CLEF
Leo Wood - 1918
A E¨
Some-
bod-
y
stole
Bass Pickups
5
B¨7
9
C7
13
F7
B E¨
17
21
B¨7
bod-
y
stole
Some-
bod-
y
came
She
did-
n't
ev-
en,
The
kis-
ses
I
He's
get-
tin'
now
Gee!
me,
Aº
bro-
F‹7
ken
Some
bod-
y
B¨7 stole
took
her
a-
Iove
so,
A¨7
she
could
C‹/G
my
was
leav-
in'.
B¨7
B¨7
know.
But
E¨7
she,
would
A¨‹
come
see,
F7
ed,
way.
I
G7
she
that
heart-
B¨7/F
know
G¨º
I
A¨º
F7
say
if
E¨
pal.
E¨7 D7 D¨7
break B¨7 2 bar
gal.
my
my
and
B¨7
E¨
37
A¨
29
33
Some-
B¨7/F
B¨&7
E¨
25
G¨º
her
lone-
E¨ gal!
A¨7
E¨
some
pal.
to
BASS CLEF
St. James Infirmary Dmi
A
Bb7
A7
Dmi
When will
Gmi
5
9
13
ba - by went and
Dmi
17 B
down
Dmi
A7
ba go
out
I
ev
- er
smile?
A7
me,
She'll be gone a long
long
while.
A7
Dmi
Bb7
A7
Dmi
What am
Gmi Dmi
Bb7
me
I
liv
- ing
for?
A7
Ne - ver to come back
Dmi
no
more.
Bb7 A7
-
- firm -'ry - My ba - by there she lay, by's chan - ces" I asked old Doc - torSharp, God bless her - Wher ev - er she may be.
Dmi
F7
on a cold mar - ble
Bb7
ta
A7
- wide - world o - ver
I went
But she'll ne
La
- id
She can
Dmi
- ble - Well, I looked and I turned "Boy, by six o' clock this eve' - nin, - She'll be play - in' her gol hunt this
Dmi
to the Saint James In
"What is my go, let her
21
When will
- bro - ken
left
A7
Dmi
A7
Dmi
feel so blue and heart
Bb7
A7
Dmi
Bb7
left
Gmi
My
moan - in'?
Bb7
Gmi
ba - by went and
Dmi
I
ev - er stop
D7
My
I
A7
- ver find
a - way.
den harp. Let her
a man like me.
BASS CLEF
Stock Yard Strut
q = 195
A Ab
6
Eb7
Ab Bb7 Bb7 Eb7 Ab7
G7
Ab
Eb7
Ab Ab7 Bb7
Bb7
11
15
Eb7
Eb7 Ab
Ab
19
Ab
B
Ab
Ab
Ab
Ab
Eb7 Eb7 Eb7 Eb7
24
29
Ab
Eb7
Eb7
Eb7
Eb7
Ab Break
3
Ab Ab Ab Ab
34
39
Ab7
Ab7
Db
Db
Ddim
Stock Yard Strut BASS CLEF
2
Ab F7 Bb7 Eb7
44
Ddim
3
Ab Ab
49
55
Ab
Ab
Ab Adim Eb7
Ab
Fm
Ab
Eb7 Eb7 Eb7
Eb7 Eb7 Eb7 Ab
61
Eb7
3
66
71
76
Ab7
Ab Ab Ab Ab Ab7
Ddim
Db
Ab
Ddim
F7
Eb7 Ab Eb7
79
Bb7
Db
Stock Yard Strut BASS CLEF
83
Ab
C
Ab
Fm
Ab
Ab
Ab Adim
3
Eb7
89
Eb7
Eb7
94
D
103
Ab Ab7
Eb7
99
Eb7
Ab7
Eb7
Ab
Eb7
Ab
Eb7
Ab
Ab Ab Db
Db
Ddim
Ab F7 Bb7 Eb7
108
Ddim
Ab7 Ab7 Abdim Dbm7 Ab Abdim Dbm7 Ab
113
BASS CLEF
St. Louis Blues
q = 100
Gm D7
D7 A7 A7b5 D7
St. Lou - is Wo - man
D7
by her a - pron
D7
hair.
the eve - nin' sun like I feel
he done make my
B G
D7
left get
go to
Am
rock
38
D7
G
-
this a
Be
down.
no
- where.
O - h,
D7
- 'cause
my I'll pack my
-
D7
I hate to see feel to - mor - row,
Db7
- day.
A7
C
down. day.
ba - by trunk
Feel Got the
town. way.
GC G C G C G7 Am C7
St. Lou - is Blues, just as blue as
34
-
G7
G
and for store bought
would not have gone no - where,
the eve - nin' sun go like I feel to
Gm
Gm G
- round,
Cm
Ex -cept for pow - der
C
29
C
I hate to see, to mor - row
Eb7
You know the man I love,
A G7
26
D7 Gm D7
strings.
17
22
Eb
Pulls that man a
There with her dia - mond rings,
F Gm
11
Cm Eb7
Cm
6
W.C. Handy 1914
I
can
That man got a heart like a
be.
C7 G C G C G C G7 D7 cast
in
Or
the sea,
G 1.
so
far
from
me.
else
2. G Got the
me.
he
wouldn't have gone
Strut Miss Lizzie BASS CLEF
Turner Layton & Henry Creamer - 1921
A Gm
5
Bb
D7
Cm
F7
Gm
D7
C7
Gm
Bb
Eb7
Gm
F+
Bb
Bb7
Won't you
B
Eb
9
Ebm
strut Miss Liz - zie
C7
13
Bb
G7
Get bu - sy
I want to see you
F7
folks all state
17
Eb
Bbº
the way you syn - co- pate
It'sa pi - ty,
Gm
Cm
like
meet
26
C7
Bb
Is the whole town
D7
Gm
the
way
you shake your
feet,
F7
Bb
Strut Miss Liz- zie
Gm
The oth - er girl - ies
Eb
Bb7
Brown.( I'll bet you've got the cut - est
Gm
D7
But the men
you
Oh, you knock 'em
diz - zy,
Bb
When you
Bb
Ebm
Bb7
talk.
frown.
F7
for the
Ebm Bb D7
move so pret - ty,
22
walk,
Bb
Vocal to "C"
lit - tle strut in town!) Go
Strut Miss Lizzie BASS CLEF
2
29
Bbº
C
Bb
down the
33
Bbº
street,
Bb
Bb
Bb
By the
school,
Pat your feet you
Bbº
Bbº
stuff,
Bb
Bb
Bb
use your
Bbº
C7
F7
Strut your
37
Bbº
"Kerch",
G7
step - pin' fool.
Trot your toot - sies
Bb
Bb
C7 F7
Bb
by the
C7
church.
F7
Thru the
41
Bb
al - ley,
Bb7/Ab
Dodge the
Eb/G
cans,
Gb7
Cool your dogs we're com - in'
thru,
Get
Shake Miss Sal- ly's
pots and
Bb
C7
set for len - ox
Av - en - ue.
F7
pans.
Bb Bb7
Won't you
Back to "B: for Solos
BASS CLEF
1
The Storyville Blues q = 132
A Ab
5
Ab
Eb7
Bb7 Eb7
21
Ab
Ab
Ab7 Db
Db F7
Ab
B
Ab Ab7 Db Dbm Ab
Ab7 Db Ab Eb7 Ab
11
16
Trad.
Ab7
Bb7
Eb7
Db Dbm Ab Eb7 Ab
Bb7 Eb7 Ab Ab7 Db Dbm Ab Eb7
27
33
37
Ab
Eb7
Ab Ab7 Db Dbm Ab
Time
Db Ab7 D¨m Ab Ab
C Ab
Eb7
F7 Bb7 Eb7
Drum Roll - Piano Roll - Sustained Bass
45
Ab
51
Ab7
Ab Ab7 DbDbm Ab
Db Dbm Ab
Tag
Back to "B" for Solos
Ab
Eb7 Ab
Eb7
Ab Ab7DbDbm Ab Db
rit.
11
Stumbling BASS CLEF
Zez Confrey - 1922
G
G
G7
Stum- bling all a- round, Stum- bling all a- round, Stum- bling all a- round
E7
so
fun-
ny,
5
A7 Stumb- ling here and there, Stum- bling ev- 'ry- where, And I must de-
D7
9
13
A7
when
I
toes,
And when
rose,
AG
17
clare:
she
bumped my
I
a-
felt
That's the la- test step, That's the
I
shamed.
And
la- test step, That's the la- test step,
G7
No- tice
25 C‹6
bling,
29 A7
all the pep,
No- tice all the
tho'
you are
stum-
pep.
lit- tle bit,
just a
lit- tle bit, quite a
told
and
her:
hon-
ey,
She said: Stop mum-
G
bling,
D7 G
just a
E7
My
21 A7
No- tice all the pep,
fell
G
nose,
D7
I stepped right
E¨º E‹
on her
lit- tle
bit.
I
like
it
Suez
1
BASS CLEF
Ferdie Grofe/Peter DeRose - 1922
G‹ E¨ D7 D7 5
Rhythm Vamp 4 bars G‹
E¨
9
A G‹
D7
G‹
D7
G‹
D7
13
17
G‹
D7
25 B G‹
D7
G‹
D7
G‹
D7
21
29
33
G‹
D7
G‹
G‹
C‹
C‹
G‹
D7
G‹
C‹
G‹
G‹
Rhythm Vamp
G‹
G‹
Rhythm Vamp:
G
Suez
1
BASS CLEF
2
37
41
G
D7
B¨7
49
C‹
53
C7
57
D B¨7
61
E¨
67
B¨
D7
G7
B¨
C‹
Cº
C7 G7
F7
E¨
G7
G7
F7
A&
C7
F7
A&
45
Solos Here C B¨
G
F7
C7
B¨
A&
B¨
Swanee
BASS CLEF
F
F&
Swan
-
ee
How I love you
F
7
Swan - ee.
B¨ How I love you
I'd give the world
to
folks
in
D
- i -x - i
19
F& B¨ C©7
will
see me no
C7
F
by
the
Swan - ee.
C7
Swan -ee,
40
C7
Swan
a mong the
F
The folks up north
F
- ee,
G7
C7
I
love
the
old
folks
Swan
- ee,
at
F
home.
shore.
- my's
D¨7 C7
F
I am com ing back
Mam
When I get to that Swan - ee
F
Swan -ee,
45
more,
old
F
B B7 C7
Trio:
B¨
dear
C7
- e -ven know my
G‹7 C7
Wait- in' for me Pray - in' for me Down
My
be
F C7
C7
G‹7
C9
13
33
Gorge Gershwin - 1919
C©7
26
1
to
Swan - ee.
F
F
1
Taint Nothin Else But Jazz BASS CLEF
Maceo Pinkard - 1921
E¨ A¨7
A
I'm blue,
E¨ A¨7
E¨
Thru and thru,
F7 B¨&7 A¨7 C7
'Cause they're gon-
na take
jazz a- way.
G7
A¨ E¨ E¨‹ B¨ F7 B¨
5
On my knees,
I'm ask-ing you please,
Just to pay at- ten-tion to me while I
B¨
B¨7
9
Can't you see
it's wrong
to con-demn
D¨7 B¨7 B¨&7
a song. Jazz has sim-ply got to
E¨
13
17
B¨7
21
25
a treat,
But what makes you wan-na shake yo' feet?
E¨
In
In
so-
ci- e- ty of style and grace,
lit- tle bit of wob- blin',
an
E¨
B7/F© F‹7
E¨ B¨&7 Lit- tle bit of tod- dlin'.
E¨
E¨ jazz,
C7
Babe!
F7 'Tain't
noth- in'
else
Babe!
has
F7
but
Aº
just a
F©º
an- y time?
B¨7
Waltz-in'- round is might-y
Gli-din' sure-ly is de- vine. Still what makes you shiv-er
B¨&7
A¨
E¨/G F©º E¨/G E¨ C‹7
32
jazz,
Ev-'ry lit- tle move-ment
op-'ra house it can't be beat.
'Tain't noth- in'else but
E¨7
Now!
E¨/B¨ B¨&7
28
is
stay,
F7
B
High-brow mu-sic real-ly
say:
fine,
B¨7
'Tain't noth- in'else but
E¨
jazz.
1
Tain't Nobody's Biz-ness If I Do
BASS CLEF
Porter Grainger & Everett Robbins - 1922
A B¨
D7
21
D7
I
can
do,
nor
noth-
in'
I
can
say,
Aft-
er
all,
the
way
to
do
is
do
just
as
you
please,
D‹7
G7
C‹
G7
That
folks
don't
crit-
i
cize
me
Re-
gard-
less
of
their
talk-
in'.
G7
G7
C‹
C
But
I'm
gon-
na'
do
just
as
Of-
ten
times
the
ones
that
talk
And
don't
care
if
they
all
de-
spise
me.
And
beg
your
par-
don
for
their
squawk-
in'.
B B¨º B¨
in'
17
noth-
C7
13
G‹
ain't
9
There
G7
5
D7
If
I
should
take
If
I
dis-
like
B¨
'Tain't
B¨º
No-
a
no- tion
y's
I
want
to
an-
y-
way,
will
get
down
on
their
knees,
G‹
Biz- ness
F7
B¨7
F&7
If
I
Eº
E¨
To
jump
in
And
leave
him
D7
G¨7
my lov -er
F7
bod-
Do.
G7
to
the o- cean,
for an -oth-
C
er,
F&7
Tain't Nobody's Biz-ness If I Do
1
BASS CLEF
2
B¨º
B¨
25
D7
Rath- er If
I go
than
per-
to
church
B¨
29
Tain't
Bº
B¨º
33
-
Sun -day,
would
shoot
me,
Then
cab-
a-
ret
on
Mon-
day,
B¨
C‹7
I
E¨
Eº
the
feel- in'
To
dance
up-
on
If
my friend
ain't
got
no
mon- ey
And
I
say
"Take
'Tain't
No-
F&7
bod -y's
Biz- ness
D7 G7
If
I
do.
get
B¨/D
should
C©º
I
F7
you
If
B¨º
that
if
E¨º
choose
F&7
biz - ness
E¨
I
B¨7 D7 G‹
B¨
37
on
me,
bod - y's
B¨
se- cute
F7
no
G‹ B¨7
the all
mine, Hon
in', -ey",
F&7
C7
ceil-
If
Do.
If
41
B¨º
45
B¨
I
let
I
give
B¨
'Tain't
No-
D7
my
best
com-
pan- ion
him
my
last
nick- el
B¨º
bod -y's
G‹
F7
Biz- ness
B¨7
E¨
Eº
Drive
me
right
in- to
And
it
leaves
me
F&7
If
I
B¨ Do.
B¨º
in
C‹7
the can -yon, a
pick
F&7
-le,
1
Take Me To the Land of Jazz BASS CLEF Bert Kalmer, Edgar Leslie, Pete Wendling - 1919
F7 B¨ C7 There's mu- sic
in the breeze,
C7
5
moan-
in'
and
groan-
F7 B¨
9
C7
ev-'ry
C7
in'
and
G¨7(b5)
tune- ful
G¨7
C7
B¨‹
to
hear it,
I
You hear
F7
har- mo- nies.
C7 F7 B¨ on- ly
long
it's the
13
ca- bar- et,
F7 B¨
and trom-bones grow on trees.
G¨7
C7
must be near it,
thing they play!
G¨7(b5) F7 andthat's why
I say:
In
Well, I
Take Me To the Land of Jazz BASS CLEF
2
17
Chorus: B¨
C7
21
Take me to the
land of jazz,
Play the kind-a' blues like Mem- phis has,
Take me to the
land of Jazz,
Let me hear the music New
F7
B¨
I
wan' na step,
I
like it
hot,
to
up
tune that's full
of
and you know that'swhat that
Pickin''em
a
and
layin''em down,
Come and take the
lat- est dare,
Or- leans has,
C7 F7
C7
25
1
G‹
gen -u- ine pep! ci-
ty's got!
D7
Teach them how all Learn
to
o- ver town,
do the "Griz-zly- Bear".
I
C7 F7
29
G7
I'll give you fair warn- in',
I won't be home-
love that syn- co- pa- tion,
33
B¨
dan - cin' 'til
the
run - nin' wild and
At my des-
Bº
F7
'til morntin-
a-
In the lov - in'land of jazz.
livin' it
In the lov - in'land of jazz.
I'll be
tion!
B¨
sun comes up, up,
in'.
Just
That Dixie Jazz
BASS CLEF
James P. Maguire & Warren DeWitt - 1919
A E¨
5
B7
Have you heard the la-teststrain?
B¨7
rag-gy new mel-
o- dy,
So full of har-
a brand new South-ern drag,
B¨7
B¨&
Oh,
babe,
lin-ger
in your brain.
For it's a
C7 F7 B¨7
E¨ B7
13
It will
E¨
9
It's
E¨ B¨7 E¨
E¨
C7
What do you say?
mo- ny, You'll want to hear
it a-
E¨ B¨7
It's a
dan- dy
Dix-
ie
gain.
E¨
rag.
F7
B¨7
Come let us hear
the band
play.
That Dixie Jazz
1
BASS CLEF
2
17
B E¨ That
F7
21
Dix- ie
C7
That
Dix- ie
jazz!
E¨
G7
B¨7
From left to
F7
right,
Hold
to me
tight.
B want to do the shuf-fle and the tick-le
Oh, just see'em sway-ing when they're play-
F7
29
jazz!
My how I love to hear that Dix-ie jazz!
25
C7
toe.
B¨º
Oh, Hon- ey! Come,
ing.
It makes me
B¨7
let's
go!
33
C E¨7 A¨ Lis-
F7
37
ten can't you hear that man just
ten to that syn- co- pa- tion
41
F7
45
moan
B¨7
Lis-
E¨
coax a
That
Dix- ie
It's the
That
B¨7
E¨
My how I love tohear that dear old Dix-
ie
I've ev- er known.
from his trom- bone.
best
C7
jazz!
Dix- ie
jazz!
B¨7
E¨
jazz.
That Dix-ie Jazz!
That's A 'Plenty
BASS CLEF
5
Dmi
A7
9
Dmi
17
A C7
Dmi
A7
A7
13
Lew Pollack / Ray Gilbert 1914
Dmi
F
F#º
F 2 bar break C7
21
C7
26
C7
30
F
D7
F
F7
G7
C7
Bb
F
Bº
A7
That's A 'Plenty BASS CLEF
2
33
Dmi
B
A7
A7
38
43
D‹
46
A7
Dmi
A7
Bb
Bb
60
G7
Bbº Cmi7 F7
65 D
70
D F
A7
Dmi
F7
C7
F7
A7 Ab7 G7 F7
Trombone, Bass, etc
Bb
C7
Bass
A7 Ab7 G7
55
Dmi
Bass
49 C
bass
Bass
F7
Bb
Cornet, Clarinet, etc.
F
Segue to Solos:
That's A 'Plenty BASS CLEF
Bb
E
77
A7 Ab7 G7
Solos - ad lib:
C7
F7
81
A7 Ab7 G7
86
D
Cmi F7 Bb Bbº
F7 Bb Eb7
Continue after last solo
F
92
Bb F7
Bb
C7
F
3
FINE
F
98
F7
mp
G Bb
105
G7
Soft "Shuffle Chorus"
109
C7
F7
Bb
Cmi7
After "shuffle chorus" Play "E" (16 bars) Once as out chorus:
F7
BASS CLEF
That Da Da Strain
q = 152
Smith and Medina - 1922
D7
A Gm
D7
5
9
Gm
C7 F7
13
F
D7 G7 B Bb
17
21
C7
F7
25
29
Bb
C7
D7
Bb
Cm7 F7
G7
F
Bb
Eb7
Bb
Solos on "B"
Tiger Rag
BASS CLEF
B¨ A
5
The Original Dixieland Jazz Band - 1917
B¨
F7
B¨
F7
1.
2.
10 B C7 Cues are Trombone/Tuba F
C7
14
C7
18
B¨
22
B¨
F
C E¨
B¨7
B¨7
F7
Solo Break
B¨7
Solo Break
E¨
B¨
B¨
F
E¨
33
37
F7
30
26
C7
F
E¨
Solo Break
Tiger Rag BASS CLEF
2
42
D B¨
A¨
C7
46
50
F‹
A¨
E
54
A¨ E¨7
62
E¨7
66
B¨7 E¨
E¨7
E¨7
F A¨
A¨
D¨
F7
B¨7
Solo Break
A¨ A¨7 D¨
73
77
E¨7
58
E¨
F©º
E¨
E¨7
Dº
A¨
Solos at "E"
A¨
There'll Be Some Changes Made
BASS CLEF
A
G7
Forthere's a
5
C7
9
so
walk
will
be
C7
change my
29
D7 no-
C7
33
on there'll be
a
dif- 'rent,
a- bout
C7
way
of
liv-
in',
bod-
y
wants
way that
There'll Be
There'll Be
me,
be
if
that
I
Some
Chan-
ges
F7 Chan-
ges
ain't
e-
nough,
G7
old
and
gray,
Made
to-
day,
B¨
Made.
E¨7
stuff,
B¨
I'm goin' to
you when you're
same,
strut my
name,
the
sea,
My
and my
Some
in
talk
F7
change
the
F7
goin' to
is
me
in
my
change
G7
the weath-er there's a
Then I'll change the
25
in
from now
B G7
21
Noth- in'
17
change
D7 C7
13
Higgins/Overstreet - 1921
B¨
'cause
G7
B¨7
A7
A¨7
'Til we Meet Again BASS CLEF
1918
Ab
Eb7
A
Smile
Ab
7
while
I'll come
Ab
11
seem
B
Ab
Wed
23
Ab be
28
-
you
by
17
the
to
kiss
Ab7
Then
the
skies
will
in
lov
Bb7
me,
'Til
Eb7
-
ers
land
my
Eb7
so mer - ri
ring
ry.
-
dear
ly,
Ev
-
'ry
tear
Db
Dbm
Ab
So
wait
and
pray
each
Eb7
night
Ab
we
meet
a
-
Eb+7
Eb7
Ab7
F7
Dbm
you.
down
-o -
roll
blue,
a mem
the clouds
more
will
bells
ding
When
Db
Bb7
F7
me sad a - dieu
Eb7
gain.
-
ie
will
for
BASS CLEF
Tishomingo Blues
q = 132
Spencer Williams - 1917
Ab
Eb7
5
Eb7
Eb7
Ab
A
Bb7
Oh Mis - si - sip pi, To night I'm say in'
Db Dbm
Eb7
13
I want to be where, To Tish - o min - go
Down where the South- ern Where South- ern folks are
B
22
E7
way down old Dix - ie
be cause I'm sad to
Ab7
I'm I'm
I wish to lin - ger,
Aº
go. say,
Db7
- day.
Ab
way.
Eb7
moon swings low, That'swhere I want to al - ways gay, That's why you hear me
Aº
Ab
Bb7
Ab
goin'to Tish - o min - go
the win - try winds don't blow. way down old Dix - ie way,
Ab7 Db Ab
17
My heart cries out for Oh Lord please bless the
8
you in sad ness train that takes me,
Ab7
Oh Mis - si - sip - pi, To night I'm Pray - in'
Ab
Eb7
Oh my wea - ry heart cries
1
Tishomingo Blues BASS CLEF
2
Ab
26
out in pain,
Oh
Aº Eb7
how I wish that I
was
back a -
with a race,
gain,
Opt. Break on Solos
Bb7
30
in
a
Eb7
place,
C
down in Mis - si - sip - pi,
37
They get you dip- py,
46
ta
-
tion,
Ab7
with their stange mel - o
just can't re
lin - ger,
Bb7
-
- dies.
E7
trees.
C7
Fm
I
Way
Ab
A mong the cy press
Eb7
I wish to
Db
C7
Db
42
Eb7
where they make you wel come all the time.
Ab Ab7
33
Bb7
Ab To re - sist
temp
Ab
fuse
Eb7
Where they play the wea - ry
In Tish - o - min - go
Ab
blues.
BASS CLEF
Toot, Toot, Tootsie Gus Kahn, Ted Fiorito - 1922
A E¨
Toot, Toot,
6
B¨7
Toot, Toot,
F‹7
12
26
A¨7
Watch
F7
Toot - sie
for
the
E¨ you
34
C E¨
38
don't
Tut,
get
Tut,
you
B¨7
I'll
a
let-
ter
then
sie
Toot,
toot,
Toot
-
sie,
Good
it makes me
gain.
know
I'm
in
jail,
fail,
If
F7
B¨7
cry.
E¨ -
don't
a-
er
Toot-
o- ver
nev-
you
sad
E¨9
B¨7
words can tell how
Do it
that
G¨º F‹7 B¨&7
no
Eº
E¨
and then,
Bye!
The choo choo train
mail,
30
Good -
E¨
cry,
a- way from
F7
E¨
F‹7 B¨&7
me,
Kiss me,
don't
sie,
B¨7
B E¨
sie,
Toot-
E¨
Toot-
B¨7
takes
18
bye.
B¨7
Tuck Me To Sleep In My Old 'Tucky Home BASS CLEF
F A
5
George W. Meyer - 1921
Tuck
F7
me
to
sleep
in
my
F
C7
cov-
9
er
with
Dix- ie
F7
Just
let
the
sun
kiss
my
in'
17
B F7
I
G7
I
I've been miss-
ain't had
can
bit of
in'
Tuck
me
to
sleep
in
my
lay there stay there
nev- er
ev-
'ry dawn,
no more
I
left
my
F
like the
in
her
B¨
lov-
Bº
'Tuck- y
F
to roam.
C7 in' arms.
F/C
old
mam- my's nest.
rest the best
cheeks
lone.
F/C
Bº
since
F7
B¨
rest,
C7
C7
leave me there a-
B¨
home,
from my mam- my since I'm gone.
F
25
'Tuck- y
G7
F
G7 C7
al- ways
F/C
old
and
a
Bº
skies
kiss-
29
me
F
C
13
21
D‹
B¨
F
home,
let me
G‹7
C7
Under The Bamboo Tree
BASS CLEF
Bob Cole - 1902
q = 164
A Ab
Bbm
Eb7
Down in the jun gles lived a
5
Ab
Bb7
Eb7
Fm Bbm
Eb7
And ev - ry morn - ing
he would be
13
C7
a wait- ing there his
17
B Ab
you like
21
- a me like
Eb7
I like
25
- a say,
I love
29
- a you and
Eb7
One live
as two,
Ab
Bbm
down un - der neath a
I like
you true and
two live
as one,
- a chnage your
a love
un - der the bam - boo
same,
Ab
Eb7
name.
if you
If
- a both the
sing:
love - a
and then to her he'd
we like
tree,
Eb7
- a you and
- ry day,
Eb7 Db
bam- boo
Bb7
from Ma - ta boo - loo
love to see.
this ve
Ab
up - on a Zu - lu
Fm
I like
shade.
a marked im- pres sion once she made ,
Ab
Eb7 Db
of roy - al blood thoughdusk - y
maid,
C7
9
Bbm
'Cause
a
me,
Ab
tree.
BASS CLEF
Walkin' the Dog
q = 164
Bbº
Bb
Shelton Brooks - 1917
F7
Bb
Now lis - ten hon - ey 'bout a new dance You all were craz - y 'bout the "Bunn - ny
F7
F#º C7
4
bout ten "Tan - go
days, bug!"
craze, Hug",
Been 'rig - i - na - ted for Most ev - 'ry bod - y was
It's these, It's a bear!, But now, and some- how,
And it's a new step The fun - ny Dog walk
ev - 'ry cab - a - ret and danc - ing ev - 'ry pri- vate home this dance is
one and on the
17
A
all, phone,
If you'll just give me a Hear - ing on his Gram - o
and snap your fin - gers,
back,
Eb
Bb
25
Eb
Do that
29
Bb
slow,
step,
Bb7
the "Tex - as Tom -
Eb
that will
I'll in - tro- duce this dance: This "Dog - gone" rag - gy tone:
show,
Eº
the
Get o - ver Sal - ly,
Do that
slow
Bb
my",
Bb
one and
all,
F7
and don't you lin - ger
gal,
Bb
F7
C7
Grab your
C7
Bb Bbº F7
Get 'way
chance, phone:
G7
Eb
Bb
21
You see them do - ing it, yes, I called a friend of mine up
hall, known.
F7 D7
a fun - ny two step. is all the town talk.
Bbº
F7
12
-
Bb
Bbº F7 In In
a a
F F#º C7 F7
Bb
9
Bbº
Drop!
drag 'round the
hall.
F7
Like you're sit ting on a log, Rise
F7
dance called "Walk
Bb
-
in' the
Dog".
Wabash Blues
BASS CLEF
q = 120
A
Gm Bb
Near - ly
3
C7 Wa
6
-
Gm
F7
Bb
bash
home,
Bb7
In
Now
Solos
17
23
ev
had
- 'ry
- di - an - na's sweet and it's
roam,
some it's
-
a
My old home- stead
F#7
girl was
G
day I'm so lone
a
from my
Bb
to
once start - ed
as
C
mis
-
sweet as could be,
F7
Bb
er
-
y.
at B
B Bb7
I
Bb7
F7
D7
now can see,
Bb
Bb
I
Eb
13
day that
Bb C7
I
bro - ken heart - ed since the
place that'shard to beat but then I longed
10
Bb
Bb7
Oh,
Eb
dues.
Bb7 Eb
Eb Gm Ab A
I
know
those Wa bash
Eb
Blues
F#dimEb7 Ab
A
lone
Ab
-
some soul am
Bb7
Bb7
I
Eb
Eb
I,
Bb7
got my
I
2
B7
29
B7
Bb7
that
could
37
-
dle
Bb7
Bb7
Bb7 Eb
me in my
C
Bb
Thru the 'Xpect to
syc see
51
F#
55
C7
I Ma
Bb
am
- king
I'll But
be un
start - ing up my
leav
- til
those Wa bash
can on
F
for that mind to
Bb7
A
Bb7
D
Db7
F#dim Eb7 Ab
- dle
the
Mem - 'ry brings the scent of new mown Seems that such a pic - ture's bound to
53
Ab
gleams.
lose
the moon- shine
Gm
my walk - in'
I'll pack
- a - more the
Eb
Bb7
Eb
dreams,
To
die.
Eb
Eb
shoes
49
light that
Can
Eb
Bb7
Bb7
Haunts
43
I
Bb7
Bb7
feel
33
Wabash Blues BASS CLEF
Eb
Eb
Blues.
Gm
light is Wa - bash
shin an
- ing bright, - y night,
F#
Db7
hay turn
to me
me to
each night, the right,
C7
spot see
no that
need home
to so
ask far
- ing hoof prints t'ward the that hap - pens here's the
Bb
Eb
old home road best that I
F
me when, a - way,
Bb
a - gain. can say:
Back to B
Waitin' For The Robert E Lee BASS CLEF
Lewis F. Muir & L. Wolfe Gilbert - 1912
A
C Way
down
The
whis- tles
5
F Dad-
dy
ropes they
9
on
the
lev-
are
blow-
and
Mam-
are
throw-
ee
the
C&
old
Al-
a-
bam-
y,
There's
show-
in',
The
F
and
Eph- riam
and
Sam-
in',
ex-
cuse
I'm
go-
me,
my,
On
a
in'
to
the
moon
light
night
you
can
find
them
all,
place
where
all
is
har-
mo-
ni-
ous,
While they Even
17 B C
are waitthe preach-
in' er,
What's that they're sayHave you been down
21
F
While they you
ev-
keep
play-
er
go
G7
the He
G&
F
C& in', there
ways
be
found
ert
dog-
gone,
Here
comes
good
old
cot-
ton
a-
way.
Rob-
ert
E.
Lee.
al-
you'll
my
C
coing
sway-
Rob-
the
syndance-
and
ship
ry
min'
good
car-
hum-
G7
What's that they're sayWere you a- round
E7
D7
arc the
25 C
jos
C
banis
in'? there?
C
my,
F
C7
E7
smoke-stacks are
in
in',
C
13 D7
29
C
G&
patin'. teach- er.
C7
in'? there?
If
in',
U's
the
there, Why,
Lee
that's
come
to
ba-
by
on
the
C
G7/D
C7/E
Waitin' For The Robert E Lee BASS CLEF
2
33 C
F Watch
them
See
them
F
45
down
shuf-
to
lev-
the
49 D
F join
Hear
that
that
61
C7
Wait - in'
for
a-
long.
real
pal,
ee,
I
F
said
ic
to
lev-
and
song.
mate,
Wait-
in'
on
the
Rob - ert
E.
Lee.
Go
C7 ee,
And
your
throng.
the
take
flin'
Go
gal
C&
long.
mus-
great,
a-
shuf-
57 C7
flin'
53
C7
best
flin'
41 C7
shuf-
37
C7
It's
sim-
the
lev-
ee,
F©7
G7
For Repeat:
ply
Way Down Yonder in New Orleans
BASS CLEF
Henry Creamer & J. Turner Layton - 1922
A F
5
F©º
3
Gucss!
Where do you
Guess!
What do you
C7
think I'm go
think I'm think in' when you think I'm think in' wrong?
A7 Guess!
F
in' when the winds start blow in' strong?
D‹
Guess!
3
Where do you think I'm go
in' when the nights start grow in'
What do you think I'm think in' when I'm
think
in'
D‹
long?
I I
all night long?
C7 F B¨ F G7(b5)
9
ain't go
in' East,
ain't think in' this,
13
F
I ain't go
in' West, I ain't go in' o
I ain't think in' that,
I
ver the cuck oo's nest.
can not be think in'
a - bout your hat.
B¨ D7 D7(b5) G7
bound for the town
that
heart does not start
to
I Iove best, pit
a
pat
Where life un
less
I'm My
C7
is
one sweet
song;
I
hear this
song;
1
Way Down Yonder in New Orleans BASS CLEF
2
C7 G‹7 C7
F&7
17 B
Way down you
21
F
der in
New Or
there'sa gar den of
E
in the land
leans,
C7
G‹7
den,
-
29 F7(“4)
soft ly whis - per with
F7
B¨6 Oh won't you give your
la - dy
fair,
37
F
There
you bet your life you'll lin - ger
a
is
They've got
F
41
way down
hea an
yon -
der
in
New
lit - tle while.
D¨7
with those beau
- gels right here on earth,
G‹7
a
ven right here on earth,
F©º7
lit tle smile.
F
ten der sighs,
C7
there,
D‹
B¨ A7 A¨7
G7
Stop!
F©º7
F&7
C7(“4)
33
F
mean.
- bies with flash- ing eyes,
Stop!
C&7
scenes,
F&7
C7
Cre- ole ba
dream - y
that's what I
C7 G‹7
25
of
wear - ing
C7
F6
Or
-
leans.
lit
ti - ful
queens,
- tle blue jeans,
BASS CLEF
Washington and Lee Swing T. Allen and M. Sheafe - 1910
A Bb q = 240
Bb
6
Dº
F7
F
F
10
14
18
B Bb
22
Bb
Eb
26
30
C7
Bb7
Eb
Eº
F7
Bb
G7
F7
Bb
Bb
When The Saints BASS CLEF
F
F7
I am just Well I pray Want to join
G7
7
a wea - ry each day to the heav'nly
sin; win, band,
F
F
saints saints saints
come come come
When the When the When the
go march- ing
in
C7
in
Bb num
- ber
F7
y in the
for that trum
that pro pets
-
Bbm7
When
-
Bb
-
F
march march march
F
10
F
read be hear
this land Plod- ding thru of For thestrength to help me Want to play in the ang - el
Gm7
B dim F
C7
F
saints
6
Gett - ing I want to Want to
Bdim
12
pil - grim heav - en, band,
C7
A
Bb
Oh when the
in. in. in.
F
F
F
F#dim
go
march
ci - ty, cess - ion, blow - ing,
ing ing ing
-
Oh when the saints
F
F7
- ing
Oh
lord
I
want
to
be
in
that
F
the saints
Dm7
Gm7
C7
F
go
march
- ing
in.
When Ragtime Rosie Ragged The Rosary BASS CLEF
Lewis Muir & Edgar Leslie - 1911
F7
A7
A¨7
C‹
F7
A¨7 C‹ A¨7
F7
F7
Verse: A B¨
5
Par- son
Lee
in
"Folks I'm
aw- ful
B¨7
Ten- nes- see
9
E¨
in
sor-
ry
but
our
17
B B¨
to stand
gal named Rag- time
21
E¨
par- son seemed de-
light- ed
and
he
Now I'd
to help us
out".
When a
and said that she could play,
said "Just step this
F7
con- gre- ga- tion all
here.
B¨7
B¨
up and vol- un- teer
Ro- sie stood up
said
B¨
or- gan man ain't
B¨
25
F7
like some- one
ac- cents loud and clear,
B¨
13
sat down to pray,
F7
The
B¨
way",
And the
B¨
Then
came a shout!
F& When
When Ragtime Rosie Ragged The Rosary BASS CLEF
2
F7 Break for Spoken Vocal B¨
29
C
Rag- time Ro- sie ragged the Ros- a- ry,
33
B¨
Then he turned a- round on- ly
B¨
37
41
C7
to see:
49
so sweet,
53
It was
57
List- nin'
to
that
B¨
want you folks
B¨7
danc-
low- down mel-
B¨7
Rag- time
a treat,
Ro-
sie
ragged the
ros-
pran- cin'
to the
E¨
F7
o- dy.
Then
he
F7
and
Why, he forgot the sermon and began to speak in German
that this ain't
C7
in'
E¨
to know
B¨
such
for Spoken Vocal F7 Break
F7
Rag-time two-step 'til that Par- son Lee,
B¨
E¨
It charmed their feet and set'em
D B¨
Break for Spoken Vocal
That instead of prayin' Rosie got the folks to swayin''
B¨7
To that tune
45
Deacon Alexander Started in to reprimand her
F7
no
B¨
a-
ry.
F& said
Eº
min- strel
show"
"I
When
E¨7 B¨
When The Midnight Choo-Choo Leaves For Alabam' BASS CLEF Irving Berlin - 1912
A E¨ B¨&
E¨
E¨ B¨&
day,
I've had a might-y bu-sy-
The minute that I reach the place,
5
E¨ A¨
give the land- lord back
have n't had
9
E¨
up kiss
a
flat,
my
Ma,
Pa and
of
the
o-
ver
Al-
a-
B¨7
17
folks down
why you'll hear
me
glad
to
e-
nough
I'm goin' to ov- er- feed my
face, 'Cause I
rust- y
key,
The ver- y
day
Where
key,
F7 sing-
ma's
new mown
ing
mer- ri-
throw my-
I'm
E¨
ma- ny wear- y nights I
home who think of ba-
That opened
I went a- way.
a doz- en times for
self
a-
B¨
ev- 'ry
B¨º
B¨&
E¨
my drear-y-
F7
13
way.
good meal since the
B¨&
Now I'H
I've had to pack my things a-
A¨‹ E¨
his
goin' to
Eº
sat,
Think- ing
star,
Shin- ing
B¨
me.
That is
hay.
I'll be
B¨7
ly; way.
B¨º
B¨7
When that
When The Midnight Choo-Choo Leaves For Alabam' BASS CLEF
2
E¨
21
B
B¨7
mid- night choo- choo
25
B¨7
there,
E¨
29
see
that dust-
y
I'll
re-
45
main,
Where
E¨
49
will
be right there with bells,
B¨7
board!
man,
All a- board!
When
I
I'll
grab
That's where you
Back home where
F‹
B7
my hon-
ey-
lamb
am.
When that old con-
All a- board for
him
home a- gain.
be right
G7
I
E¨
A¨
I'll
"Al- a- bam! Al- a-bam!"-
That's takin' me
fare.
haired con- duc- tor-
stop this train,
C7
And I'll hol - ler,
E¨
my
bam',
B¨7
by the col- lar
C E¨7
got
Al- a-
B¨7
F7
41
E¨
leaves for
I've
33
37
Al- a-
C‹
duc-tor yells,
"All a-
E¨
B¨7
bam'.
When that
When You Wore A Tulip
BASS CLEF
Percy Wenrich & Jack Mahoney - 1914
A B¨
When
5
E¨ I
E¨
9
you wore
a
tul- ip,
a
sweet yel-
wore
a
big
red
When you
C7
13
E¨‹
ca - ressed me,
bless - ing
17
B B¨
E¨
You made
21
down where
25
G7
life
no
one
rose,
then Heav
you called
the
blue
grass
grows,
C7
than
jul-
ep,
wore
a
big
G7
-
en blessed me, what
a
when
red
B¨7
me
D7
knows.
when
and
B¨7
cheer- y,
tul- ip,
F7
29
I
'twas
sweet- er
F7
low
B¨
B¨
B¨7
you wore
B¨ rose.
dear- ie,
Your
that
tul-
ip
lips were
'twas
and
When You're A Millioin Miles From Nowhere BASS CLEF Walter Donaldson - 1919
A G‹7 You're a
5
C7/G
one
mil-
lit-
song
13 B¨/F
ring-
17 B
G‹7 leave
21
C7
leave
29
tle
mile
from
ing
in
your
ears.
the
gates
Moth- er's
arms
lion
miles
A¨º
tle
C7/G
mile
E‹7 to
from
heav-
from
B‹7 Cº A7/C© G7
home.
It's
the
That
keeps
You
just
A¨º
When
you
G©º
where,
F
You're
G‹
no-
roam.
A¨º
en,
A7
C7
F
FŒ„Š7
of
C7
A‹/C
when you're
where,
G‹7
tears,
A¨º
home.
er's
C7
F
moth-
lit-
no-
of
mil-
one
from
miles
F/A
FŒ„Š7
C7
D7
25
lion
C7
G‹7
9
C7
a
When you're
B¨7
F
BASS CLEF
Where Did Robinson Crusoe Go? Verse
F
Thous ands of
Fº
a - go
or
may - be
years
5
on
an
out
9
D7
Rob - in - son
13
no
-
on
a
Cru
-
G
rent
to
soe land - ed
pay
and
no
on
fine
wife
shore,
Fri
-
day was
to
o -
Fº
his
on - ly
day,
G7
bey,
C7
friend,
B¨
they didn - 't
bor - row
lit
-
or
D7
They built a
tle hut,
lend,
G
livedthere 'til
G7
C7
south - ern
F7
29
is
more,
C7
His good man
25
land
A F
21
C7
Fº
G7
17
Young/Lewis/ Meyer - 1916
D7
Fri -
day, but
C7
Sat - ru - day
night
it
was
shut.
And
Where Did Robinson Creusoe Go? BASS CLEF
B F
2 33
Where did
Rob
-
D7
in - son
1
Cru - soe
go
With
G7
37
Fri - day
C7
41
on
Sat
-
ur
Sat - ru - day night
G7
45
49
day
night?
would start in
to
roam,
Ev - 'ry
G‹7
they
C7
Then on Sun - day morn- ing they'dcome stag - ger - ing
home.
C D7
trim
-
min'
and
is - land lived wild
G7
53
wherethere are
men
wild
in
Where
61
G7
did
Fri - day
on
men
Rob
Sat
-
can - ni - bal
G‹7
there must be wild
wom
-
men,
so
D7
in - son
C7
C7
F
57
On this
-
ur - day
Cru - soe
go
F
With
Solos at "B"
night?
The Whiffenpoof Song BASS CLEF
Tod B. Galloway - 1909
A E¨ 5
We're poor
lit-tle lambs
F‹7
B7
Baa!
Baa!
E¨
lit- tle black sheep
F‹7
Gen
B¨7
21
our
E¨
B¨&7
29
B¨7
Baa!
have
B¨7
a-
stray,
Baa.
E‹
to
e-
25
Lord
We're
- tle-men song - sters
here
C7
B¨7
from
way.
Doomed
E¨
Eº
Baa!
who have lost
B¨7
Baa!
B C‹
who have gone
17
B¨7
Baa!
9
13
Eº
cy
on
mer-
Baa!
E¨
Baa!
Off
on a spree,
ter-
ni-
ty.
E¨
E¨7
F‹7 such
as
A¨‹6
D7 D¨7
we,
E¨
B¨7
BASS CLEF
Whispering E¨
A
Whis-
5
per- ing
E¨
while you
Each
17
- per- ing
so
no
one
can
hear
me,
B¨7
cheer
me,
lit-
tle
whis- per seems to
true, there's no
per- ing
Whis-
per- ing
25
F7
Whis-
29
21
why you'll nev-
one
why you'll nev-
B¨&7
you,
You're
D7
er
leave
me,
C&7
C7
er
grieve
me,
B¨7
that
you
be-
lieve
me,
per
and
say
A¨‹
E¨
I
love
you.
Whis- per- ing that
dear, but
F‹7
B¨7
E¨
C7
C&7
know it's
whis-
me,
B E¨
near
I
E¨
13
cud- dle
D7
9
F7
Whis
Schonberger - Coburn - V. Rose - 1920
BASS CLEF
Wild Cherries Rag C
E7
A‹
E‹
D‹
A7
Ted Snyder - 1909
F A
5 G7
9
C
13 G7
C
A7
21 G7
C
C
A7 D‹
C G7
D‹
C
D‹
A7 D‹
G7 F C
29
Cº
D‹ E7 A‹ E‹ F A7
B 17
25 A7
C
Wild Cherries Rag BASS CLEF
2
@ 33 C
F
C/E
37
F
41
F
D‹
C7
A7
C7
F
53
D¨7
57
C7
A7
F
C
F G7
C
D¨7(b5)
D¨7
3
C
A7
A7
D‹
C7
F
F
ø
C7
D‹
Bass Solo - Stop Time
61
C7
D¨7 F
C7
49 D D‹
D‹
F
C/E
45
C7
3
C7
F
D¨7
G7
65
C
G7 C7
D.S Back to "C" al Coda
Coda
BASS CLEF
The World Is Waiting For the Sunrise Eugene Lockhart & Ernest Seity - 1919
F&
one,
B¨
5
wait-
9
the
world
ing
for
the
E¨
heav-
y
F‹
thrush
sleep
F&
dew.
on
high,
-
y
mate
is
And
B¨
The
F7
-
-
ing
His
D7 call-
ing,
F‹
G7
my
29
call
is
E¨
E¨‹6
F7
B¨
G7
F&
25
rise,
rose
with
B B¨
21
sun-
is
'ry
C7
D7
B¨
Ev
17
Dear
13
F&
A B¨
heart
is
B¨
you.
The Yama Yama Man BASS CLEF
Collin Davis & Karl Hoschna - 1908
A¨/C
B¨‹
B¨‹
F7
'ry
lit tle tot at night is
Great
big
sca ry eyes you see so you cov er up
A¨/C
Some
big
But
that
up your head,
Ya rna man they see,
when
Ya ma man
a fraid of the dark, you know.
F‹ C7 F7
B¨‹/D¨
B¨‹
F7
Ev
B¨‹
5
B¨‹/D¨
off to bed they go.
is there,stand ing right be side your bed!
B¨ F7 F7 B¨ B¨7
9
Ya- ma, Ya-
ma, the
Ya- ma man,
E¨‹ B¨
13
E¨
If
17
you don't
Ter- ri-ble eyes
and a long bo- ney hand.
C7 G‹7
watch out he'll get you with-out-
a doubt, If
F7
he
can!
B¨
F7 F7 B¨ B¨7 May-be- he's hid-
in' be- hind the chair,
Read-y- to spring
E¨
B¨ G‹7 C7
21
Run to your Ma-
ma cuz' herecomes the Ya-
ma
Ya-
out at you un- a- ware!
F7 ma
B¨
man!
F7
BASS CLEF
Yellow Dog Blues AC
W.C Handy 1914
E'er since Miss Su - san John son lost her Jock- ey Lee, There has beenmuch ex - cite ment, Yel - low Dog Dis trict like a book, In - deed I know the route that
F
C7 4
F7
F
more to be; Ri - der took.
You can hear her Ev - 'ry cross tie
9
G7
Won - der where Way down where
my the
13 B C
Ca - ble grams come of Mon - ey don't 'xact - ly
17
F
F7
G7
Has Down
e - ven a where the
moan - ing night ba - you, burg
Ea - sy Ri South- ern cross
sym - pa - thy grow on trees, On
F7 F
C
Let - ters come from down in "Bam" racce horse, race track no grand stand
21
F7
And Is
der's the
morn. bog.
C
G7
gone? Dog.
C7 Te - le grams go of in qui - ry cot ton stalks it growns with ease,
No
C
ev - 'ry where that like Old Back an'
C
ru - ral de - lie - ver South ern cross the
and and
-
y. Dog.
Un - cle Buck - shot
Sam land.
G7
All day the Ev - e - ry
Yellow Dog Blues BASS CLEF
2
25 C C
F
C
phone rings kit chen there
F
34
37
D F Ea
42
glee, play.
from the
Ten live
- nes - long
Bdim
sy
Ri
G
struck this burg
47
F
to - day,
F
man
F
Ab7 Bb
Ea
Bb7
57
C7
-
sy
Ri
it
Bdim
- der's
but the hike
On a
south bound'ratt - ler
and he was on the
ain't
gone where the South- ern
cross the Yel - low
your
Seen him here,
Sue
53
vamp
Dear
C7
Blues
hog.
had to
C7
car.
C7
see. day.
side door Pull
G7
F7 Bb7
- der
B¨7
C
F
-
This mes - sage comes, This Yel - low Dog
Bb
D7
F7
At last good ti - dings, Down where the boll wev'l works
F
Fill our hearts with While the far - mers
D7
But it's not for me, a cab a - ret, is
30
F
C7
F
F7 got a stay
F
a - way,
far.
F
Dog.
so he
He's
Solos at "D"
C7
F
C7
You've Got TO See Your Mama Everynight Billy Rose & Con Conrad - 1923
A Bb
Bb
Bbdim
Bbdim
Dadd - y
dear
here
list - en
Bbdim
Bb
9
Once a
week
B Bb see
21
kiss
25
in'
Mam-ma
Bb
Mam- ma,
29
you want my
Bb
see
Bbdim
you
the door
Mam-rna
F
but I must lay down the law.
Or you can't see Mam- ma at all.
You've got to
C F7 Treat her right,
Eº
You can't fif- ty
fif- ty
Or you can't see Mam-ma at all.
me.You've
got to
Bb
ev-'ry night,
Or she won't be home when you call.
com- pan- y,
You've got to
F7 Bb ev-'ry- night,
B7
two.
C7
F7
Bb
Needs a kiss or
Bb
do.
E¨7
ver
-
B¨7
If
Bb
F
I'm not show -
Ma -ma's cheek
17
and that will ne
C7
13
you,
Bbdim
Bb
I don't see much of
your mam - ma's feel - in' blue.
F7
5
Bb
1
You've Got TO See Your Mama Everynight
2
33
F#
C Bb
F7
Mon - day night
I
sat a
Bb
37
Bb
did not call
F7
Sun - day night youcalled on me
F#
F7
Sat - ur - day
you
Bb
took your bath
F7
Bb
but you broughtthreegirls for some com - pan - y you've got to
F7
Bb
see your ma - ma
ev - er - y night
or youcan't see your ma - ma at all
C
53
did not phone
you dodged my path
Cm7 F#m7 F7
you
Bb
Bb
D Bb
Tues - day night
and thurs - day night it was the same old stall
F#
Fri - day night
49
F7
Bb F#m7 F7 Bb F7
45
F#
Cm7
Wednes - day night you
41
- lone.
Bb
You've go to
Bb
Kiss your ma -ma and treat her right
or she won't be
F7
at home when you call
Now
Eb Eb7
57
Bb
I don't want the
61
Bb
see your ma - ma
kind of man
who gives his love
on the in - stal - ment plan you've gotto
F7
Bb
ev -er - y night
or you can't see your ma - ma at all
