C - The Creole Jazz Band

Fake Book Version 2.0

† Bb Treble

This Fake Book has been assembled with tunes that have been written prior to 1923 which makes them out of copyright in the USA. This Fakebook has been produced in the following versions: C Treble Bb Treble Eb Treble Bass Clef F Horn If you want versions in other keys or want more tunes added, feel free to contact me. [email protected] Kevin Yeates The Creole Jazz Band The Creole Jazz Band wordmark was created by Madeline Koeberling. Thanks to Madeline’s patience with us, her incredibly thorough analysis of our needs, her research, and of course her creativity, she was able to develop this outstanding logo. Madeline can be contacted through her website at: www.madelinekoeberling.ca

12th Street Rag ................................................. 1 A Good Man Is Hard To Find ............................. 146 A’int We Got Fun ................................................... 280 Afghanistan ............................................................. 8 After The Ball Is Over ........................................ 248 After You’ve Gone ................................................. 270 Aggravatin’ Papa ..................................................... 210 Alabama Jubilee ..................................................... 174 Alcoholic Blues ........................................................ 90 Alexander’s Ragtime Band ……............................... 92 Alice Blue Gown ....................................................... 43 All The Girls Go Crazy ….......................….…………… 252 Amazing Grace ......................................................... 154 American Patrol ……………….............................……….. 217 And They Called It Dixieland ............................... 262 Any Time ..…………………………........................………….… 261 April Showers ………………….......................…….……….. 228 At a Georgia Camp Meeting .......…......................... 25 At The Devil’s Ball ................................................... 220 At The Jazz Band Ball ............................................ 222 Aunt Hagar’s Blues ……….......................….…………..… 152 Avalon …………………………………….................................… 154 Baby Won’t You Please Come Home ..................... 277 Ballin’ The Jack ……………............................…………… 256 Barnyard Blues …………………………………………………..… 230 Beale Street Blues ….………......................……………... 234 Bill Bailey ……………………………………………………………….. 40 Blue and Broken Hearted ………............................... 33 Blues My Naughty Sweetie Gives to Me ………….. 200 Bluin’ The Blues …………….....................…..…............… 258 By The Light of the Silvery Moon …..…................ 254 Careless Love ……………………………….....………………….… 182 Chicago ….…………………………………..................………….… 276 China Boy …………………………………………....…………………. 42 Chinatown, My Chinatown …………….......................... 149 Cleopatra Had a Jazz Band .................................... 150 Creole Belles .………………………………….....………………….. 62 Curse of An Aching Heart ..................................... 202 Dangerous Blues ………………………………………………….... 76 Dardanella …………………………….......…….....……………….. 272 Darktown Strutter’s Ball ....................................... 224 Dear Old Southland ................................................ 207 Dixieland Jazz Band One Step ............................ 168 Down Among The Sheltering Palms ..................... 34 Down By the Riverside ........................................... 99 Down Home Rag ....................................................... 165 Down In Borneo Isle ………………………………………...... 192 Down In Honky Tonk Town .................................... 54 Down in Jungle Town ............................................... 56 Down Yonder ............................................................. 274 Easy Rider’s Gone .................................................... 132

Eccentric ..................................................................... 10 Eh La Bas ..................................................................... 133 Fidgety Feet .............................................................. 134 Flee As A Bird ............................................................ 31 Floatin’ Down That Old Green River ..................... 126 Floatin’ Down To Cotton Town ................................ 128 Foolish Questions ..................................................... 208 Frankie And Johnnie ................................................ 42 Get Out Of Here ………………………………………………….. 148 Grizzly Bear Rag ....................................................... 70 He May Be Your Man ............................................... 72 Hesitating Blues ........................................................ 68 High Society ............................................................... 214 Hindustan ..................................................................... 2 Hot Lips ....................................................................... 178 I Ain’t Gonna Give None of My Jelly Roll …………. 32 I Can’t Let ‘Em Suffer ............................................. 96 I Never Knew I Could Love Anybody .................... 201 I Want To Do The Bear Cat Dance ...................... 268 I Wish I Could Shimmy Like My Sister Kate ..... 186 Ida, Sweet As Apple Cider ................................... 242 If You Were The Only Girl In The World ….…… 282 In The Sweet By and By …………………………….……..… 260 Indiana ........................................................................ 4 Ja Da ........................................................................... 110 Japanese Sandman ................................................... 226 Jazz Baby ................................................................... 44 Jazz Me Blues ........................................................... 194 Jelly Roll Blues .......................................................... 196 Joe Avery’s Piece …………………………………………………… 37 Just A Closer Walk With Thee …………………………. 247 Just a Little While to Stay Here ......................... 30 King Chanticleer......................................................... 104 Lasses Candy .............................................................. 102 Lassus Trombone ..................................................... 284 Lazy Daddy .................................................................. 112 Limehouse Blues ......................................................... 114 Livery Stable Blues (Vocal) ..................................... 116 Livery Stable Blues .................................................. 228 Long Gone ................................................................... 142 Love Nest ................................................................... 188 Lovin’ Sam ................................................................... 158 Ma, He’s Making Eyes At Me .................................. 160 Maitland …………………………………………………………………… 89 Mama Don’t Allow ...................................................... 13 Mandy ........................................................................... 14 Margie .......................................................................... 12 Memphis Blues ............................................................ 80 Midnight in Moscow ................................................... 81 Missouri Waltz .......................................................... 266 My Bucket's Got a Hole In It ................................ 95

My Daddy Rocks Me ................................................. 58 My Honey’s Lovin’ Arms .......................................... 162 Oh ................................................................................. 15 Oh By Jingo ................................................................ 98 Oh Didn’t He Ramble ............................................... 120 Old Rugged Cross .................................................... 206 Ole Miss ..................................................................... 198 On The Alamo ........................................................... 238 Ory’s Creole Trombone .......................................... 108 Ostrich Walk ........................................................... 264 Over in The Glory Land ………………………………………. 286 Over The Waves ..................................................... 140 Panama ....................................................................... 16 Pearls .......................................................................... 18 Poor Butterfly .......................................................... 103 Pretty Baby ............................................................... 38 Riverside Blues......................................................... 94 Rock A Bye Your Baby ............................................ 26 Rose of Washington Square ................................. 204 Rose Room ................................................................ 212 Royal Garden Blues ................................................ 141 Rufe Johnsons’ Harmony Band ............................ 170 Runnin' Wild ............................................................. 172 Sailing Down Chesapeake Bay .............................. 130 San .............................................................................. 22 Satanic Blues ............................................................ 74 Second Hand Rose ................................................. 156 Second Line ………………………………………………….……….. 38 Sensation .................................................................. 24 Shake It and Break It .......................................... 166 Sheik of Araby ........................................................ 184 Shoot ‘Em ……………………………………………………………… 283 Singin' The Blues .................................................... 155 Sister Kate ............................................................... 186 Skeleton Jangle ....................................................... 64 Sobbin' Blues ............................................................ 66 Some of These Days ............................................... 203 Some Sweet Day ...................................................... 240 Somebody Stole My Gal ......................................... 232 Someday Sweetheart ............................................. 244 St. James Infirmary .............................................. 164 St. Louis Blues .......................................................... 180 Stockyard Strut ...................................................... 236 Storyville Blues ........................................................ 82 Strut Miss Lizzie ..................................................... 84 Stumbling ................................................................... 21 Suez ............................................................................ 6 Swanee ........................................................................ 20 Tain’t Nothin Else But Jazz .................................. 88 T'aint Nobody's Business If I Do ....................... 86 Take Me To The Land Of Jazz ............................ 190

Take My Hand, Precious Lord …………………….….. 89 That Da Da Strain ............................................... 111 That Dixie Jazz .................................................... 120 That’s A Plenty ...................................................... 28 There'll Be Some Changes Made ...................... 60 This Little Light of Mine …………………………………. 175 Tiger Rag ................................................................. 218 Til we Meet Again ................................................ 246 Tishomingo Blues .................................................. 78 Toot, Toot, Tootsie ............................................. 263 Tuck me to Sleep................................................... 183 Under The Bamboo Tree ..................................... 223 Wabash Blues ......................................................... 100 Waitin’ For The Robert E Lee ............................ 136 Walkin' the Dog ..................................................... 138 Washington and Lee Swing .................................. 36 Way Down Yonder in New Orleans .................... 122 When Ragtime Rosie Ragged The Rosary......... 124 When The Midnight Choo Choo Leaves ............. 250 When The Saints .................................................... 239 When You Wore A Tulip ....................................... 278 When You’re A Million Miles From Nowhere .... 161 Where Did Robinson Crusoe Go ............................ 118 WhiffenPoof Song ................................................... 229 Whispering ................................................................. 9 Wild Cherries Rag .................................................... 106 Willie The Weeper ……………………………………………….. 46 World Is Waiting For The Sunrise ...................... 48 Yama Yama Man ......................................................... 49 Yellow Dog Blues ........................................................ 50 You‘ve Got To See Your Mama Ev’ry Night ......... 52

12th Street Rag

Euday L. Bowman - 1914

C7 C7 C7   C7                          A F



               C7        

C7

      F           

C7

 

G7







C7



F

  C7





            

B F 

              C7        



C7



F

               

B¨

C©7

F

F

 F7

              F

B¨7

F

  

     



G7 C7                     Standard Doo Wack-a-doo chorus

C7

Back to top with Intro

C7  Etc                       CF

2

Hindustan Oliver Wallace & Harold Weeks 1918

q = 185

     

A D‹





Cam - el trap - pings

jin

D‹

D‹

-

A&7

 



   

 

Sing

ring

A‹

      

 - ing,

A‹

 

E7

 -

ing,

mem - o - ries are bring

E7





 - ing,

    call - ing me

A7



a - far.

tin

 -

gle,

D‹

  

Un - der - neath the

With a sweet voice mingle,

A‹

  

Harp strings sweet - ly

gle,

D‹

     



  



D‹



stars.

E7

      Tem - ple bells are





BD    Hin

D   

 -

-



stopped to



rest

our



pea - cock

D   

pur - ple

E7    met

D





proud - ly spreads his

fan

D  -

du

D7





sun - bird

E9    Hin

D

-



flahsed

-

du







A7 

her

and

the

world

G 





a - cross

the

-

 be

we

 



where

the

A7 





where

the

G  Gm 

stan

D  -

where

sand,

Gm 

 -

D 

stan,





E9  -

A7 

stan,

A+ 



- van,

A7  -

 A7 

A+7   

D 

Hin

car - a

 A7 

A7 





tir - ed

D 

stan,

Adim

du



paint - ed

-





-



D 

du

A7 

Hin

D7   

-



A7    A7   

A+ 

3

gan.







where

I



Indiana

q = 200

4

G

C

 A   

have al - ways been a

I

G

 

G

      G



Cm6





D7

A

-

G F©7 F7

seems



 that

   

gain

I

seem

to

in - di

-

G

G7



   

-

a



see



  

Back home a -





na

C

the gleam - ing

A7

     thru the

a spell o'er

A7



see

syc - a - mores



Am

be,

in

can

 

D7





I



I





E7

fair

sea

A7





A7



A7





and

Casts

Am7





shin - ing bright



G#º

Gº





G



ion



E7

D7

-



gain

D7





vis

G

B 

   



 A

    

   

G

G



O - ver land

Am

me



 

a moon - beam on the wa - ter

D7

 

Cm





G

 

Yet





C

wand - 'rer

C



G7

A7



for



And

it

C

  



can - dle light

D7







me.

still

D7





 



The new - mown

F7 E7

C G F©7



 B7

fields



B7



sends

all

its

 



I

to

used

Em7

 





hay

   





Wa - bash,

Em

A7



-

fra

Em







From

the



grance

G

B7

        

 G



  

long

  

When I dream a - bout the moon - light on the

roam.

Eº7

then I

A7

5

D7

G

       for my

In - di - an - a

home.

(D7)

  

Suez

6

Ferdie Grofe/Peter DeRose - 1922

   

Rhythm Vamp 4 bars A‹ F

   

  A‹ E7 E7                    

F

      

A‹

  

A A‹ 

E7

  



A‹

A‹

 

E7



  



A‹

A‹

E7

  



A‹

A‹

E7



  



B A‹ 

E7

  



A‹

A‹

E7

  



A‹









 





  A‹





A‹     

E7

E7

  

  





Rhythm Vamp



 E7    





A‹



  

D‹

Rhythm Vamp:



A E7          

A

  











D‹

A‹



  

D‹



A





 G7



7

Solos Here C C B& 

    C7

 





D C7

 













         

Dº



    A7



D7



A7





A7





G7





C



G7









G7



   







D7





F







B&





D7

 





D‹





 E7





F

C



A7

   





D‹

D7

C

 B&



 C







  

Afghanistan

8

William Wilander & Harry Donelly - 1920

A G‹

 

Gº

       

C‹/G



In the land of Af- ghan- is-

tan,

In



C‹    by

   F7

'Cross

the



the

a-



tan,

    o-

B¨



ghan- is-

fair

his dreams he's call- ing

F7

  

C‹7 F7



stole his Hin-du maid-en

In

FŒ„Š7

Af-

sis,



There's

B¨

a

C©º

   

Wait- ing

FŒ„Š7

F7

B¨

des - ert

sand,

we

  

one

G‹



a-

way.



for



you,

 will

to

day for you,my i-

dol,

in

her.

  B¨/D  B¨‹/D   car- a-

van

Break - Unison 1 bar

      And for you on-

ly.

  A7/C©     find a

C‹   D7/F© G‹ C7 F7                There will be a bri- dal

to love her.

D7 G‹ F7   D7/F©       

Hin-du man is lone- ly and blue.



that he was the

      

day,

G7 C‹             B

   

C‹/G



But there came an- oth- er one

man.

D7 Break

   

her

Gº

    

  F7     

G‹ Break



She swore by the stars up a - bove

G‹



There's a Hin-du maid and a

G7 C‹            

    

G‹

      

Af- ghan- is-

tem- ple,

B¨



tan.



9 Schonberger - Coburn, V. Rose - 1920

Whispering A F

C7

      





 

 

to

tell

you



C

   

A7

D‹7

der,

So that

I

whis - per

B F 



Whis-

D7

G7

me,

Each

hear

me,

C F  whis-

F

 I

lieve

true,

per- ing

why you'll nev- er



me,

D&7



grieve

my





one



   



so no one can

C7





dear, but

you,

F

me,

Whis-



cheer



leave

me,

Whis- per- ing that

-



  

G7

   



 



D7

G‹7

shoul

whis- per seems to

E7





C7

Whis - per- ing

tle

A‹

you.

F

there's no

   

why you'll nev- er

 

know it's

head on

C7   



 

F      C7

 





lit-





me,



 

C7 G‹7







E7

to

per- ing while you cud-dle near

  

 

can

    E7

 

D&7

C7

G7

 

   

And it's worth - while list - en - ing

lit - tle

A‹

C7

  

   

Put your

 

F



A‹7

to.



C7

 

Hon - ey I have some - thing

F

F

 

per and



B¨‹ 

F

I

love

you.

C&7



You're



 

Whis-

per- ing

   

say that you

  

be-

Eccentric

10

G

Gº           A C

 



G

A7

D7

G

 

       

              



 

J. Russell Robinson - 1921





D7



G7



G7



 

3

   G7 C                         C

     D7        

C    G7 

 C7 F        C             G7

   

  

F

3

C G7 C C7                  

B F

D‹

G7             



F C7 F  C7 F                 

C7

 D‹                   A7

  

C7 F



C7

F

Solos: G7

        



C C    D7                Solos Begin Here first time

        G7

 

11

3

  G7 C                     C

C     D7       

G7              3

C   G7 C C    G7             Cº C  D7 G7   C                  C

D7

G7

E7

            

Cº C D7 G7                   

C

 C     D7  G7                

Tag

  

C Cº         

E7              

            

 

  

After last solo play "C" as written then on to "D"

D C

C

  

C

pp

Cº

C

f

Margie

12 q = 160

Con Conrad & J. Russel Robinson

AG

D



 

You

G

Here's

Am

  



can

talk





one

I

E7



night





G

D7



G

He holds her



D7

G

you;





must

tell

to





Am



sit

up - on the stairs,



close and starts to

D



coo:

G





F7

  

D7



Gº







love af - fairs,





Am7

  





long they



G

a - bout your

C



All

A7



D

 

 

C

E7





D7

   

My







lit - tle

BG

    

 -

Mar



G

Don't

for

A7

  I

get



have

bought

a

C

Days

D7









nev

er











all

is

said

and

done,

There

is

Am7

Mar

 -

gie,

D7





Mar - gie

 it's







ring

and

 you."

you

I

love

 you,



 

  

ev - 'ry - thing, For

G7





G+7







in - spir - a - tion,

my









Af - ter

G7 F©7



real - ly

G

of



blue.





me,



 -

to

B7



 



You've been



are



world





 

break

home and

gie,









the

prom - ise

your



-

  

-



G+7

think - ing



tell

E7







Mar

G

F7

A7

 

F©7





I'll

Aº

C G





gie,



  





al - ways

I'm



-

Mar



gie,

C

 

 



G7

13

F7

E7





on - ly

D7



 "My





one,

Oh!





lit - tle

  

Mandy 14

A C

F

C



  

I was stroll - ing out one

C

F

C

  

 

hear some bo - dy

C

C

A‹

B F

  D7

I

D7





han - dy,

If we'd let him make a

C

      



here's the ring for your

C

fing

        





this.

C - dy,

fee.



Aº

Oh

now

F



is - n't it

Aº



ling - er

So don't you

     

C



and it sure would be

A7 - er



     



   





A7

C7

       

F

G7

- thing like

C

 

It was just some -bod - y

some

G7

F

  

  

han

I could

So Istopped a while to

C



there's a min-is - ter

moon.

     

tune.

miss.



 

G7





     

dy,

G

C

want - ed to

- na - ding



Man -

word







ser - e

G7

a fa - mil - iar

      

Not a



'neath the silv' -ry

ing

    



C

    

D7

sing - ing

lis - ten,

 

G7

G7

    

-

even

A‹



Aº

   

   

Irving Berlin - 1918

D7





a hum - ding -

D7

G7

er?

C

              

Come a - long and let the wed - ding chimes bring hap - py times far Man - dy

and me.

Oh! C

A             



C

 

15 Byron Gay/Arnold Johnson - 1919

     

          G7

G7 C                   

C

F

        

G7

D7

 

D7

          

Break: 2 Bars

                           3

3

3

B C

   

G7 C                               3

C

G7        C7                 



F G7

 

     

3

      

C C& C6 C&

C                    

 

1.

C

    

2. C

      

     

Panama

16

          

F

            

A   F     C7          C7 C7

 

D7

       

Bº

      

F

        

1.

Bº        

F

D7

Bº

   

G7 C7 F                   



  F7

  

B¨



B¨&7

E¨

          



F7

   

F

   

F7

 

 

F7

    

B¨                 B¨

C7

        

D7

C

 F  F7   

G7

F7

     

2.

 



    B¨       

F

   

B¨

F7

C7

F

F

    

G7

       B B¨

F

C7     

C7          

C7

        

     

F

F             F

    

William H Tyres - 1913



 B¨



17

D‹

D‹ F7 A7                                          D B¨

B¨

F7    B¨       

              E¨      Eº       E

pp ff

F7

           

F7

B¨       

        

F7

      

B¨







F7

B¨

      

F7

     

  

B¨7



  

    



1.

F©7 B¨ F7                                    B¨

B¨

B¨

B¨7

E¨

B¨

2.F©7

  

B¨      

F7      

      

F7   

       

B¨

  



F7

   B¨

B¨

  

     

   

The Pearls

18

Jelly Roll Morton - 1919

  A     

  E7                

   A     

        

    

F

A

A

F©

   

         F

E7   F©7      B‹ F©7 B‹  B7                         

 A     

         F

F©7 B‹ F©7      B‹         

 B A7                 

A

C©‹7

A

   

F©‹

B7 E7 A               

D7

           

F©7

B7

A7                

D7

           

         F

E7

         

             

Break - 2 bars Aº A  E7 A                                  

A

3

A7 3 Aº 3 A7                        



             

C Tuba Only

B‹

    E‹

DŒ„Š7

Fº

E‹7

    

      A7

            F©7

B7

D

 

E‹7

19

F©‹7

              F©‹

        E‹7

All

A7

        3

A7

          

        

A C©7 F©‹ E‹

D E

F©

A7

                                     DŒ„Š7                D Tuba only

All

A‹7

             3

D G B7 E‹                             3

        

G

G‹ D B7 E‹7 A7                                 D

Aº

A7

         3





A7

                      Tuba Only

D9

  

Swanee

20

   G    A

Swan

 -

G    

folks



   

ee

   D7      B

D7



G

  



by

Swan - ee.

the

Swan - ee,



a - mong the



 





Swan - ee.

D7





 

I

love the

Wait - in' for me





D7

  



 will









am com ing back





G



to



Swan - ee,

A7

D7

 G E¨7D7 G   

old

folks

at home.



D©7

shore.

Swan - ee,



   

G



I



G&

The folks up north

Swan - ee,



   

    

When I get to that Swan - ee



old

D7

- my's

  C©7  D7      G



dear



C©

more,

My

be

D - i - x - i - e - ven know my Mam

Pray - in' for me Down

 G  

to

D7





in

 C    



   D7    G A‹7

A‹7

D9



G

     

 G 

D©7



 C

see me no

   

I'd give the world

G&

C

How I love you How I love you

   

Swan - ee.

 D7 

G&

Gorge Gershwin - 1919





Stumbling

21 Zez Confrey - 1922

A

  A  

  

A

  



A7

F©7





  



   

Stum-bling all a- round, Stum-bling all a-round, Stum-bling all a-round so

 B7           Stumb-ling here and there, Stum-bling

 

B7

  



 

    

ny,

clare:

    

And when she bumped my nose,

E7

   



   

fell and when I rose,

A

fun-

F©‹

   

on her toes,





I must de-

Fº

     

B7 F©‹           B

ev- 'ry- where, And

E7

I stepped right

I

 



I felt a- shamed.

A

    

    

And told her:

A7

F©7



That's the la-test step,That's the la-test step,That's the la-teststep, My





hon-

ey,

 B7                   

     

D‹6  



No-tice all the pep, No-tice all the pep, No-tice all the pep.



bling,





  

A

  

tho' you are stum-



bling,

E7 A  B7                 just a lit- tle bit, just a

She said:Stop mum-

lit- tle bit, quite a lit- tle

bit.

 I



like

  

 it

22

San

  

Bass Intro



 

A  E‹ 





A‹

 



B7

  

King One



McPhail/Michels - 1920





E‹

shore sad



at Bu- la- may, ness on the shore,

-

 



B7



   





E‹

San of Sen- egal day the queen came home,

  

 







B7

C7





Sat Saw

on San









B7



Bu-

la-

On

the in



may,

the shore.

B

 E‹   Sing

Told

 

queen San

A‹ -

B7

E‹

   

ing

a

sad



re-

 

who'd gone ashe would a



frain

him she'd no more

 

B7

 To

roam.

E‹



way. dore.



-

On

A‹

B7

   

his

dear

ly

her

E‹ C7 B7



This was his

lay:

Then came his

lore:



D7





C

  G    

E¨7

 

C7

G



G



You said you



E‹

A7 D7

    



E¨7

  

way? stay?

G

My dar-ling Lo - na,

na,

D7

E¨7

    



Oh, sweet-heart Lo-

G  

G







loved

me,

A7

loved

me

loved

me,

  





But

Why did I

you

If

I

had

G7      done would be the

 G  



C



thing

And it will break dear, For all the time dear.

this

way?-

some

day.

to

A7



to

if

knew you

G

   

you

What you have

G

E¨7

    



do.



But my heart aches, But now you're mine

A‹

 D7

If you don'tcome back And you're for - giv - en

G

  

you







true

   



E¨7

E¨7



  

act

C

ev- er been un-

E7



knew you'd come

D G7  G         

D7



ato

   I

 E7



Why have you gone Have you comeback

G

23

C7

G

dear, dear,

D7

   

home a - gain to San. by your lov - ing San.

24 q = 180

A C 

  

Am

Sensation

     

1. D7

   

G7

2.Dm

   

D7

G7

F

C©7

Gm7

G7

     Bb Eb

 C    



C7

F

F7

Bb

F7

Bb

              Bb

 

Gdim

      



F

D7

      F7

             

           

C7

     

F

            Bb Eb

C

            

C7

C7

A7

            

                      G7

C

C

          

C7

G7

       

          B F

Dm

1917

Eb



Bb

     Bb

Eb

Eb

Bb Eb

    

 C7

F7

           Back to B

1.

Bb F7

      



2.

Bb F7       

At a Georgia Camp Meeting

25

2 bars unison w/ Clarinet trill

   

C

G7

C

C7

F

            A

C

                           

D7

G7

 

C G7

 

C

C

           

C7

F

                       C

 

C

G7

C

                        2 bars unison

C B G7              Adim

  F

C

G7

        

G7

C

                  F©dim

      

C

A7

      

D7

G7

       

 

  

 

Fine

     C

C7

     C



 

Back to "B" for solos, after last solo play "A" once

26

Rock a Bye Your Baby Jean Schwartz - 1918

A   D   

 D©º  

Mam-my

mine,

strolled a-

sign.



Mam-my

    

A7

home to-day,

 A7  

F©º F      

way.

 F       

A7

       

there to stay.

F

mine,

  

C7

a-

C©7

Your roll- in'stone is roll - in'

Fº A7/E A7          

Just to see your smil- in' face,

When I'm in your fond em- brace,

way,

        

D

C7  Fº        

  

D

Your lit- tle roll- in'stone that rolled

 A&7  

    

A7/E

D

Fº

    

Smile a wel-come

A E7 A7          Lis-ten Mam-my

mine:



B A7    Dº    D                  Rock-A - Bye Your Ba-by With

A7

       croon a tune

  

from Vir- gin-

C  D     

Weep no more my

E7

     

from the heart

A7

Dix-

    



dy,

when you croon,

A7

       

    

of

A7

ie.

Just hang my cra- dle,

D

  B7           

Mam-my mine,

E7

Dix- ie Mel- o-

D

 A7          

a



Right on that Mas- on-



A7



ia,

27

E7

   

Dix-on Line,

       

And swing it

  

  

To Ten- nes- see with all the love that's in

A7    Dº         

la-dy, sing



that song a- gain for

me,



E‹



ya'

A7

    

And Old Black Joe,

A7 G7 F©7 B7 E‹                               just as though you had

me on yourknee.

Fº E7            

The min- ute that you sing the Swan-ee

D B‹7 E7            rock- a- bye ba-

by with

a

Dix-

A million ba-by kiss-es I'll de-liv-

  

Riv-

 ie



D



er,

Rock-

  

D

A7

mel- o-



dy.



a-

 

bye

er,

your



That's A 'Plenty

28

Lew Pollack / Ray Gilbert 1914

 A Em   

          

 B7     

   





 Em    

      

Em

B7

              

          

 B7     

Em

   

B  D7    

  

2 bar break

      

        

G

   

G#º D7

  

   

D7        G                       D7

G7 C C©º G         

C Em      B7     

Bass



 E7

G

  D7    G  B7  

A7

          

   

Em

bass

B7

            

 Em      

           

 B7     

   

Bass

      

Bass

       Em

G7

          



D C

B7 Bb7 A7 

           

 

D7             

G7     29   B7 Bb7 A7        

G7 C            D7   G7                    C

Cº

Dmi7

       E E 

 

 F



 

 

trombone, bass



solo here

G C





 

 

E

G H

 

Bb7



   

  

  

 

G          G7             

B7 Bb7 A7         

     

C Cº Dmi G7 C                 A7           

G7   



    

   

G7

C



F7

    

C

G7



   

continue after last solo G FINE

         G7             

 

  C             D7



G7  

  

D7    



B7



cornet,clarinet

 

   

 C         D7      



C



A7

           



C





Dmi7



G7



  

Just a Little While to Stay Here

30 q = 160

A Bb

        Just a

all

Bb7

  



Eb

Bb





to

stay

here,

be

o



-

will

Eb

Ebm

Bb

to

la

-

ly

jour

-

Just

a

lit - tle

while

end.

Soon we'll take our

hev'n

bor,

in

the path that's

ney,

Be

at

 

B Bb

     Just

a

Bb



lit - tle more

  home

a - gain

Eb

Bb

hard

trou



Bb

Bb7

  





C7

     march - ing All

the

In this low and Wait - ing for our

Ebm

  

F7







thru

the

Pearl

beaut - ies

there

 -

Eb Bb

   

pen,





go march - ing

Some sweet day we'll

there.

straight,

Bb

Eb





friends.

ble

-

o

Then we'll all

state.

and

 -

F+7



with



Heav - en's gates are stand - ing

-



F7



nar - row











And our trav - els here

wait

C7



to





F7

lit - tle while

Just a



Gm7

Eb Bb

   

ver,

Eb



Bb



  





lit - tle while

Soon this life will

Bb

Bb

all

go

Bb



y

Gate.

to

share.

Bb





sin - ful en - trance



-

o



G7

 o

F7

ver ver,



Flee As A Bird A   E‹       B7     Flee as

a bird to your moun-

tain,

He will pro-tect thee for- ev-

er,

E‹

A‹7 C7

to the clear flow-ing foun-

He will for-sake thee oh nev-



B

  Fly

G

C

  He

D7

for the aven - ger is near

E‹

fly-

Thou who art wea- ry of sin. Wipe ev- 'ry fall- ing

his bos-om willbear



B7

    

E‹

B7

E‹



      

Where you may wash and be clean. Shel-tered so ten- der- ly there.

G

A‹6

E‹

B7

       

 

thee.

ing,

Spend not the mo- ment in sigh-

ing.

thee, ing,

E‹

B7

E‹ A‹

      



Thou who art wea-ry of sin.

Oh

The Sav-

iour will wipe ev-'ry tear, The

B7 E‹  B7  E‹         

thou who art wea- ry- of sin. Sav-iour will wipe- ev-'ry tear.

tear.

Call and the Sav- iour will hear

           

on

 

thee,

B7

Cease from your sor-row and cry-

 E‹ 

er.

           

Haste then, The hoursare



tain,

B7

        

B7 E‹  E‹                Go

31 Mary S.B. Dana - 1857

B7

E‹

    

I Ain't Gonna Give Nobody None of My Jelly Roll

32

Clarence Williams & Spencer Williams - 1919

A C

D©º

             Lit

tle

His sister

G7

     

Wil ly

Green from New Or

Til ly

Green was real ly mean, and

G

E‹

Fº

              He

al - ways want ed lots of

leans,

a

C

G7

greed y

boy

was he.

ver - y

stin

gy, too.

D7

      

       



day his mom

bought him a

When her mom

bought her a

C

 

C

Toot

D©º

       sie

jel ly

G

E‹

Roll,

When the kids would ask her for a bite,

     

     

to

that was made.

hide

she would try.

it

G7

 

you'd hear Til ly cry:

I

D7

    

Toot sie

Roll,

ain't gon na'give no

bod y

none of my

jel ly

roll.

a

can - dy

I

none of my

would - n't give you

     

tle Wil ly said:

lit

bod y

     

G7

       

ain't gon na'give no

G7

One

to you.

G©º D7/A D‹7(b5)/G©

When the kids be gan to hang a round,

A7

thebest

roll,

          

B C



just to keep him com pan - y.

kids

 



G

She al - ways want ed some of what you had but gave she noth-ing

G7

C

         

C

          

piece of my sweet,not to save your soul!

    

(Toot sic (jel

ly

 

Rol!)

I

roll)

I

     

(save your soul!)

A7

D7

        

          



Dad dy told me to

day,

Just be fore he went a

way,

Mom ma told me to

day,

Just be fore she went a

way;

D7

  

be a



good

If I'd

  



bring me

a

toy;

be

good lit

tle

girl,

a

C

in curls!

Two Bar Break

      

 

And I'm my Dad - dy's She might

A7

    

need

If I'd

put

pride

my

hair

D7

    

in your just hang- in' a-round,

You

G7

                   

(hang- -in'- a- round)



  

You know there ain't no

and joy!





boy, He'd

        

 

G7

   

33

I know you want it, but I'm- a gon- na'turn you

E7



down.

F©º   C A7                             F

My

Toot sic Roll is sweet!

And you know it

can't be beat!

I

jel ly roll is sweet!

F

F©º

C/G

A7

D7

G7

C

                       know you want it, but you can't have it!

Interlude to Second Verse C E¨º D‹7 G7

    

   

I

Back To "A"



ain't a gon -na' give you none!

C

E¨º

   

D‹7

G7

   

  

Down Among The Sheltering Palms

34

   

D

A

 

I'm way

 

down east,

E‹

 

You're way

 



D

 I

B‹

  

takes

A7

  

be







out

west,

out



 

love

you

so,

six





days

to

And my heart is pin - ing, pin - ing for you,

A7

A7



         

And my soul is crav - ing, crav - ing for you,

west,

A7

F©‹

         

down east,













A9







Just

you

I

E‹

D

    

go there with





a train, Just

D





with

you

 a

-



gain.

Abe Olman - 1914

D



 I



long

one

D





know,

It





week more

D7





to

be,

 

and I'll



E7

B  G  

  A7                

Down



a-mong the shel- ter-ing palms,

A7

D7

     wait



for me;

G   Out

 where

 A7  



down by the





the

sun

goes

is





down

a-



D7



burn- ing, burn- ing, burn- ing,





yearn- ing, yearn- ing, yearn- ing

to

G E7 A9           Shel- ter- ing Palms,

A9

 C       

my love



me





Oh hon- ey

   



Meet

C  G7     How

35

Oh hon- ey

wait



be

wait for me;

    

old Gold- en Gate,





D7



bout eight.

E7

 

    

How

my heart

G





Down

D9

G

for

me.



Oh hon- ey







A - mong

is

 the

   

Washington and Lee Swing

36

T. Allen and M. Sheafe - 1910

q = 240

       C

   G

  G

 

 B  C

   F



 

D7

 











 C

A C

   





Eº

C7



F©º



G7



   

  

G7



 







 



 





























 



C













     F





 C



 

 C



G7



 

A7



 

   





37

Joe Avery Blues  

A C



  

F

   

   

1. G7



       

F7

All Play Everytime

 

Solos start here

  



  

   

  

C

B    C 

C7

C

   

G7

Joe Avery

     

 2. G7            

   

     C     

      

               G7

  



   



C

   

G7





C

C C7                           



F7

C                      

       C

       G7

Tag C

 

















     

Solos start at "B"

          

G7













Pretty Baby

38

C7

F

F7                   A

F

Egbert Van Alstyne & Gus Kahn - 1916

You ask me why I'm al - ways teas - ing

F

 



Pret - ty



Ba - by;

G7 

just

a

ba - by

ba - by

F©º

   stare,

G7    



F

  

I real - ly thought that I was pleas - ing



F   

You hate to have me call you

  

     



       

you,

C7

F

C

 



C7

B¨

 

G‹

me.

Your

cun - ning lit - tle dim - ples and your





A‹





D7

C7

       

Your ba - by talk and ba - by walk and



for you're

F©º7

C7  G‹          

C

you,

C



to

 

  

F   cur - ly

G7

     

ba - by smile makes life worth - while, You're just as sweet as you can

  

 

C

 

hair,



be.

C7

Your

Ev' ry

B C7 

 

F

            

bod y loves a ba by that's why I'm inlove with you,Pret ty Ba by,

C7

  like

F

  Ba









to

be

your

sis

 by,

B¨

C7







ter, broth er,

F

 



Pret ty

Ba

E¨7

D7

 by.

     

might as well be you,



G7





F

   

 

Pret ty Ba by.

And I'd





and moth - er

too,

F7

     

  Pret

ty

 

Won't you come and let rne rock you in

And we'll cud dle all the

C7

dad

 

            cra dle of love,





C&

39

G7

my

C7          

C7

 time.

Oh! I want a lov in' ba by and it

C7

     Pret ty



Ba

by

of

F

 mine.



40 Hughie Cannon, 1902

A Em

 



 

On

Bill Bailey







sum - mer

one

morn - ing

G

      la - dy



ho - ney of







married a

B

&O

Em

 



G

 



and





like an

D0

     round. And to that



the

sun

was



old





prune - fed

D7



cro

 - wd







shin - ing

fine.

The

B7

Em

D0

   

  

hung clothes on

the

line

in

her back

B7

 -

ha



that







weep - in'

brake - man



G





  

er - in'

Em





rd,



old Bill Bail - ey she

 -

ya



    

D7





rd.



She





took and throwed her

    calf and with

   She cried out





a

 Bell -

down.





big

gang

G

B7



 -

d,



hang - in'

G



lou





D7



41

B G



 

Won't



 

She

 D7  

I'll



I



 you

come



moans



do

know

A

 



'Mem - ber

whole





 that



no - thing







but

a

C

  know

A7

 

 

fine

tooth



I'm

to

blame,

well

Bail - ley



won't

you

 I



pay





the

rent.





drove

 





you

out,

with

E7

C



Am





comb.

G









wr - ong





- ng





D7

lo

you



home?



I'll



Cm

A7

come

G

- y eve that

rain

you

D+

   

G7

  



ho - ney,

done













D7

day

cook - ing

I've

won't



the





D0







Bill Bail - ley,



the



   

home



D7

 







I

 

ain't

that

G







please

come

home

a

E7





shame!

Bill





Frankie And Johnnie 42

D7  G       

G

D7

 

G

D7      



Frank-ie and John- nie were lov- ers. Frank-ie went down



to the

 C       swore to be true

to each

said to the fat

bar-

A‹7 G        



while

"Has my

lov-

    

G



boy

 

go sleep,

  will come,

F7

G



Bb

on

 

 

theirwatch

they keep,

Close

your eyes

While



 

C‹



I

 

soft - ly

F7

D7

 

Chi - na

boy



Bb

you too.

 go



hum.

      





G

 

Bb

G



don't peep,

Moon - man loves

you,

A9

 



She

a- bove.



G GF©7F7 E7



Cm

beer.

Winfree/Boutelje - 1922

G



They

G

C7

wrong".

 



in- est man been here?

But he's done me

China Boy

of

as the stars

man,

Bud - dha smiles

G

ten- der,



        

  

true

He was my

Sand - man soon

B Bb

Just as

wrong.

Chi - na

 

oth- er,

But he done her

 



  C©º  

man,

A G

A7

  C

He was her

     

Just for a buck- et

 

D7

q = 160

G G7

Oh, Lord-y how they could love!

cor- ner,

C7 

Traditional

D7

 So,

G

 sleep.



Alice Blue Gown    

A

 

In

 E7  

my

sweet



 A7  



both proud

 E7    ev - 'ry

D

world seemed

 Em  

to

town,

As



win - dow



I



fash - ion

I'd





to

smile

all

a





 

wore

it,

I'll

A7 

Gm 

lit

- tle

A

- lice

ev - 'ry

felt

 B 



A7 

D 

Blue

Gown.

in



And the

round,

al - ways

was

Then in

 

I

 



F©7  D 



But

frown,

-



 

eye,

by;



E7 



B7 

I'd primp, pass - ing

 

B7 



A7 



I



D  A7 

  when I

A+ 

A7 

wilt - ed

sweet

in

 



Gown,

down

shop



Blue







 Em  

A - lice



B7 



 

shy,

of

B 



and

man - ner

Harry Tierney & Joseph McCarthy 1919

 



 Em  

lit - tle













wan - dered

first

B 

D  

43

 a

B7  - dore







'Til

it



 

it,

My



Jazz Baby

44

M.K. Jerome & Blanche Merrill - 1918

A7  A D      Dº       



   Dº     

D

  

My dad-dy was a rag-time trom-bone play-er,

A7 

cab-



      

D

  

a-

ret- er.

 

They met one day at

E7       

syn- co- pa- ted wed-ding

 A7   

and then came

My mam-my was a rag-time

a

   me.

F©7F©º  B‹      

tan- go

D7



tea,



Folks think

There was a

    the way I

 G     G7 E7        A7           walk is

  D  B

a fad,



Jazz

But it's a birth-day pres-ent from my mam-my and dad.

D D    A7             

Ba-by,

I want to be jazz- ing all the time.

Dº



I'm a

 

There's some-thing

 D   E7    A7    A& A7                in the tone of a sax- o- phone,

thatmakes me do a lit-tle wig-gle all my own.Cause I'm a

C D7  D    G   G                     Jazz

Ba-by,

Full of jazz-bo har- mo- ny.

That "Walk the Dog"and"Ball the Jack"that

D A7 A&  G   E‹7  D      Dº             caused all the talk,

is

just a cop- y of the way I

nat-'ral- ly walk! 'Cause I'm a

 D  



D  

G

E7

    

Jazz

Ba- by,



Rocked to

Lit- tle Jazz Ba-

cra- dle went to

D

B7          

E7



kle Toe".

Ev-



D

and fro,



er

since



me!





 

To

and

fro

to the



I





A7



D

by that's

G©º

sleep while the

tune of the "Tic-

   A7  

      

 



45

     

start- ed

in

to grow,I'd

E7 G   D  Dº                  



love to hear the mu- sic play- in', See my dear old mam-my sway- in'. Jazz, jazz, jazz,that's

 G 

all

G©º     

D











I

All

day

long

I

nev-

ev-

E7    

er knew,



A7

    

 E D



Jazz

 G     

I want

    

Ba- by,

     er would

D Dº A7

      D

 

Jazz, jazz, jazz,That's all

B7

to do,

Play me

A7

  A& 

a lit-tle jazz!

'Cause I'm a

after last solo play C to end

      

D7

get thru.

Full of jazz-bo har- mo-

G



ny.

 

That

      E‹7  D      Dº   

"Walkthe Dog"and"Ball theJack"thatcaused all the talk,

is just a

cop-y of the way I

at D A7 A& D  E7  A7 D Solos  D                   nat-'ral- ly walk!'Cause I'm a Jazz

Ba-by,

Lit-tle Jazz Ba- by that's me!

Willie The Weeper

46

                                                                   A Gm

D7

Gm

Dm

                  Have you heard the sto ry folks of Will - ie the weep

D7

      chim - ney

    

 

er

He

sweep

Gm

Cm6

B Gm

  

light



G‹



D7





D7



ha - bit

D7

some - one shout - ed Will - ie





that knocked him

 



sil - ly.

Cm6



Gm



Right

turned

A7

be

Gm



-

D7



 

a - round saw

D7



he

had.

 



and

  

Dm

    





G‹

  

Gm





List - en let me tell you'bout the dream he

At the north pole

D7

Will - ie's oc - cu - pa - tion was a

dream - in'

a

       

bad,

    



Gm

       had it

 

had

       

er?

Gm

A7





fore

him

G‹

                       in the ze - ro breeze,

a

cut - ie lit - tle ho - ney in her

B - V - D's

a

C F7





Bb

      



F

  

 -

bis

D

 

 

it good

cuits

F7





C





strong

   

eight - een inch - es



tell

me

what would you do?



Bb

  

      you'd

F

  

weep

     lock

 -

er

the





 F7

   

 

Cm

 



you could have

C7

G7



 like

  

and

cry for

 

more.

all

       



door







there's some - thing tells me

C

 now

if

your dreams come true?

G7

want to have

Cm C7

Bb



I



Bb

  

  

long.

 

ee



Bb

 

       

F7

   

says I want my coff -

 

and

G7

     

son

         



some - one said, hey cut - ie

Cm C7

            

want

     

zin',

Bb

Bet - ter list - en to rea -

Cm C7 F7

   

He walked a - round his feet were free -

47

Bb



that

   will - ie



the

The World Is Waiting For the Sunrise

48

Eugene Lockhart & Ernest Seity - 1919

G&

  

A C



Dear



E7

 

B C

 

thrush

F

 

And

the





heav-



on



my

C



wait-



y

G&



high,



C G‹ A7



heart



ing

for





His



is

C





F‹6 call

G&



dew.

sleep - y



rose



with



mate

G7 -



ing

G‹



G7



the

C

'ry











is

Ev



is



world

D7





F

rise,









sun-

A7



one,

G&



The



E7



is

call-

ing,

C



you.





The Yama Yama Man

49

Collin Davis & Karl Hoschna - 1908

A C‹ B¨/D

C‹/E¨

        

G7

C‹

G7

C‹

Ev

'ry

lit tle tot at night is a fraid of the dark, you know.

Great

big

sca ry eyes you see so you cov er up

C‹

B¨/D

       Some

big

But

that



             

C‹/E¨

   

Ya rna man they see,

G‹

up your head,

D7

G7



       

when

off to bed they go.

Ya ma man is there, stand - ing right be side your bed!

G7 G7 C C7  B C                              Ya- ma, Ya- ma,the

Ya- ma man,

F

 F‹     C      If

C

Ter- ri-ble eyes

  



May-be- he's hid-

D7





a doubt, If

he

A‹7

    

you don't wateh out he'll get you with-out-

G7

G7

G7   can!

C

C7

                 

in' be-hind the chair,

Read - y to spring

     C   A‹7   D7        F

Run to your Ma-

and a long bo-ney hand.

ma cuz' herecomes the Ya-

ma

Ya-

out at you un- a-ware!

G7



C

ma

man!



G7



Yellow Dog Blues

50

        E'er since Miss

A D

              

D7

        be;

Ri - der took.

G

   

Ev -'ry cross - tie

Won - der where

Ca - ble grams come of

Mon - ey don't 'xact - ly

 

A7

       Has

e - ven a

G7

D

ba - you, burg

bog.

South - ern cross

    



night and

grow on

G

and

D

G7

  

Down where the South - ern

D7

     

like Old Back

de - lie - ver

cross the

D



-

y. Dog.



in - qui - ry No

     



ev - 'ry where that

      

ru - ral

Dog.

D

And Is







cot - ton stalks it growns with ease,

     

no grand - stand



A7

Te - le - grams go of

trees, On

"Bam"

the



morn.

    



sym - pa - thy

Let - ters come from down in

race horse, race track

     

Ea - sy Ri - der's gone?

my

B D

      



G

      

Way down where the

G7

a book, In - deed I know the route that

You can hear her moan - ing

A7

G

Dis -trict like

G7

        

  



Su - san John -son lost her Jock -ey Lee, There has beenmuch ex - cite - ment, Yel -low Dog

more to

W.C Handy 1914

Un - cle

Sam

an' Buck - shot land.



A7

   

All day the Ev - e - ry

C D

G

phone

D

      

     

kit - chen there

      Fill

    D G

Ea

 

far - mers

play.

  

G7

C

Blues

C©dim

  

- sy

Ri - der

C7

G

struck this burg





G





  

Ri - der's

D7

D7

    

cross the

On a

 

     

south bound'ratt - ler

         and he was on the

G7

hog.

C7

a - way,

got a stay



so he

    He's

G

Yel - low

C7

             

far.





G

D7



ain't



G

G

        but the hike

to - day,

Seen him here,

Bb7 C C©dim

Ea - sy

G7

    

side door Pull man car.

D7

Dear Sue your

D7

 

A7

This This

   



        

G

D7

D

from Ten - nes - see. the live - long day.

         

A

   



 







glee,

good ti - dings,

last

Down where the boll wev'l works

G



     

At

a - ret,

hearts with the

mes - sage comes, Yel - low Dog

   



our

While

E7

a cab

is

G

 



But it's not for me,

rings

G

D7

51

 Dog.

D7

had to vamp it

     

gone where the South - ern

G





D7



Solos at "D"

You've Got To See Your Mamma Ev'ry Night

52

A C

Cdim

Billy Rose & Con Conrad - 1923

C

Cdim

                   Dadd - y Dadd - y

dear dear

list - en here when you're near

C

     



your mam - ma's feel - in' blue. well ev' - ry - thing's o - kay

G7

Cdim

C

 

C

                                I don't see much of you, but when you stay a - way

Cdim

  

C

      

Ma - ma's cheek where you go,

G

      you share

and that will ne ver do. I mope a - round all day.

the door my love

Cdim

C

     



Needs a kiss or two. and what makes you gay.

 

C





but I must lay with a - noth - er

D7

  

down the tur - tle

Once a week I must know,

C©7 D7

      

I'm not show I don't want

G

   law. dove

in' to

    You've got to

B C

G7

53

C

                               see your ma - ma

ev - er -y night

or youcan't see your ma - ma at all

C

D

                      Kiss your ma - ma and treat her right

or she won't be

C

F7

                     C

ev - er - y night

CC

G#

or you can't see your ma - ma at all

G7

             I

    

Wednes - day night you

C

G#

Dm7

C

G#m7 G7

      

you

did not phone

G7

C

          

 

and Thurs - day night it was the same old stall

did not call

G7

you dodged my path

G#m7G7

G7

             

Tues - day night

G#

Dm7

C

sat a - lone.

            C

C

                 

see your ma - ma

Fri - day night

Now Now

      

G7

    

 

 

can'tfif - ty com - pan - y well you fif - ty me you've gotto kind of man who gives his love on the in - stal - ment plan,

if youwant my I don't want the

C

G7

  

at home when you call

F

Mon - day night

You've go to

C

                

C

G#

G7

            

Sat - ur - day

you

G7

took your bath

C

                 

Sun - day night youcalled on me but you brought three girls for some com - pan - y you've got to

Down in Honky-Tonk Town

54

Chris Smith & Charles McCarron - 1915

A F         

E7

F

     

E7

F E7

         near-ly ev'- ry place in

  A7      nov- el- ty,

town.

E7

straight from Mose,

D‹

  

F E7

 

go and do

the thing up

F

D‹



E7

there is this place I hear,

 A‹ 

E7

D‹ 



  

It's Hon- ky Ton-

  E7(b5) 

are brown. That's where the

mu-

 sic

A7 grows.



brown!"

           

who brings the clothes.

     

down where the gals

  A7   B¨ A7  

We both will

E7

some oth-er

B¨

    

    

   

B¨

If you sug- gest to me,

His sweet-tie said,"My Dear,

  

"We've been to

B¨

           F

    

 A7          

 A‹

B¨

B F

F

To his E - li- za May,

Bill John-son said one day,

F

E7

           

F

     I got it

   ky Town,





C D

           

Come, Hon- ey,

 E7      

 

  

let's go

  

down



 E7 



There'l! be





sing- ing

danc - cin'











to

pi-

a-

no

D  D            He plays pi-

E7

       stay a year,

A7

      danc-ing with a



wait- ers,



a-no queer,

    

to Hon- ky

     

  

it's un- der- neath the ground,

 A7  

     

where

all





sing- ing



     

Ton-ky Town,

Mis-

     

fun is found.



co-

  



played by

syn-

the

55

pa- ters,

A7

ter

Brown.

          

don- key,

E7

He on- ly plays by ear,

      A7     

   A7



Down in Hon - key Ton - ky

D



Town.

    

E7

The mu- sic that you hear, would ev- en start a

 





You want to

  mon- key,





Down in Jungle Town

56

Edward Madden and Theodore Morse - 1908

Verse A Am

  

   

in Jun - gle

Down

B7

E7

 



Soon

C



wagged his





be - neath the





noo - dle,

D‹

  







he

was



    room for two





 

came out to

D‹

   



Mon - key Doo - dle

D‹







E











She felt flat - tered

King,

A‹

  



Big Bam - boo

thing



a

   





Jun - gle

   

G

with - out

moon;

when he chat - teredYou're a pret - ty

E

   



shy bab - oon

C

   

spoon



the moon shines down

a

G9

 

 

   



frown;

 

Town,

A‹









So prom - ise you'll

 be

G7





true!"

  

Chorus B

    

C

D7



 

   

is com - ing

moon

G7

 

jun - gle

in

ade,

To

a



When

Dm7

    







 

pret - ty

mon - key









    

   

mon - key doo - dle - doo way Down In

D7

G7



Jun

-





ser - en -

C C©º

G7







maid,

  in

the







I'll

be

true

C



Cº

a

up

Sings that mel - o - dy.

C

hon - ey -



 

that chim - pan - zee

E7



Then you'll hear

D7

 

 

A

 

soon.

C C

G7

town,







 



C

 









Down

G7

57

C





gle

Town.

G7



tree,

  to



my



My Daddy Rocks Me

58

J. Berni Barbour - 1922

q = 100

A

 

 

Gm



Cm



I've got



Bb

 

He makes

a

me

hap

a great big

     on his

  knee,while

Eº



Sweet - ie,



    

D7





C7

got

Gm

A7

    

Bº

      

Gm

  

he rocks

Bb

chair,

and

Dm/Bb

C7

  

he's al - ways gay. I've

A7/E

to a



F

     

ev - 'ry night you'll find us

    

me

Dm/A

     

I'm glad to say

F

rock - ing

so sweet to me.

    

py.

Gm/c

    

no one could be

Dm



-

Eb6

rock - y

Cm/Eb

 

D



mel - o - dy.

there.

 

I'm

Gm/D

   

My ba -by

59

B Gm Gm/F Gm/Eb

   

D

Gm

       



with one stead - y

rocks me

Eb7

       

D7

    

with all his heart and soul.

   

Gm

Cm

 



D7 Gm/c 



 



Gm

Gm Gm7/F

   



My ba - by rocks me

roll.

Gm/D



Cm

D7 Gm

     



We'll al - ways spoon while the Wrap'd in

a blank

et

of

Most ev' - ry eve - ning at Talk

Am7

D7

Gm

Gm7/F Eº Cm/Eb

D7

Am7/E D7/F© Gm Gm/F

               

     

He hates to

lights are low.

leaveme when it's time to

go.

love and charns,

I'm sit - ting pret

ty when I'm in his arms.

half - past nine,

We get to - geth

er and theworld is

birch can - oes,

Gm/Eb

D7

You need a

         with one stead - y

a - bout row - boats and

Gm

 roll.

Myba - by rocks

 me

mine.

chair to rock a - way your blues.

Aº

D7

      

Gm

    

roll.

D7

Gm

  





There'll Be Some Changes Made

60

Higgins/Overstreet - 1921

A C

A‹

      

D7

  

  

nev - er

D7

G7

C

for the

new,

ButI've found outthat this will

E7

  

A‹



    

do.

A‹

       

     

They say don't change the old

D7

G7

When you grow old

you

don't last

G7 G&

   

C

You're jere to - day and then to - mor - row you're gone.

   

years gone

D7

 

 

He

A‹

 

on

 I'm

G7

C7

  

   









made some chang - es

Aº



A‹

I loved a man for ma - ny

C&

F

    

  

I thought his love for me would nev - er

by,



go - in'g

D13



to



G



that would

D7



make

G7



some

long;

       

           

D7

  

  

B7

 

 



nev - er

F‹6



changes

do,

E9



   die.

E7





from now

G7



too. For

 

there's

 a

61

B A7

 

change





in

the





 

weath

er there's

 a







change

in

the

D7

a change in

D7

and my name,

Noth in' a bout me is goin' to

        G7  

A7

              change my way of liv- in', if that ain't e- nough,

D7

   

    

strut my stuff,

D7

     

E7

'cause

G7

sea,

My walk will be dif 'rent, my

me,

A7

     

 

C



be the

A7

same, I'm goin' to

D7

      

Then I'll change the way that I

  



you when you're old and gray,

D7

         

There'll Be Some Chan-ges Made to- day,

talk

     

A7         

no- bod- y wants



 E7         

                so from now on there'll be



G7

  C 

There'll Be Some Chan-ges Made.



62

Creole Belles

A C          D7

    C

A7



  B

 

C



D7 G7      1.



  

   

 

    

    

C



C    

A7





D7



E7

     

G

G7

  

D#7

F©7

   

  

    

      

    

      

D7

G7

G

G



G7        D7

    

D7

  

       



G       

  

       

1900

C





G7

  

C    

C C             A7 D.              2.

D7 G7      

C 

   

63 Interlude



G7

Gº

       C

    

Belle shine



ba dar

-

G7

C

 

My Cre - ole When stars







C

   

my dar - lin' ba - by

my Cre - ole Belle.

F



   







by lin'

     



I'll call her mine,

I love her I'll call her

  my my

DC D7           



     

my Cre - ole Belle

My cre - ole belle When stars shine





NC

My lit - tle dar - lin'

C

G7



   

G7

C7

I love her well

   



 

      C

F  

G7

C 



   



my dar - lin' my lit - tle

well mine,

C 

Cre - ole Cre - ole









Belle. Belle.

G7

C       C    

A7 D.         

C

D7



C G7       

  

D7 G7      

Solos at "C"; Out Chorus use Melody from "A."



G7

    C 



  

64

q = 182

 

 



Skeleton Jangle Bb

        

F7

    

Nick LaRocca - 1918

F7

F7

   

    

Bass

A Bb

           G7

F7

      Cm

                 Bb

F7

C7

F

                      B D7

       F7

     

Bb

      

F7

C7

F7

              

Bb7

Eb G7

C7

      

       

F7

F7

           



   

          

D7

                 G7

F

C7

      Bº

Cm

             

G7

Bb

    

Bb

G7

      F7

Bb

                   Break

C D7

G7

C7

65

F7

                                                  Bb

D7

                  Unison for 2 bars



C7

G7

       

  

     

F7

Bb

                                          D7

Unison 2 Bars

G7

C7

 D                                 F7

Bb

Bº

F7/C

D7

                         



G7

   F7

  



      



  



Bb





F7





C7

       Bb



F7



Bb





  

66

Kassel and Berton - 1922

Sobbin' Blues

q = 164

G

D+

G

D+

G

D+

G

D+

                    mf

pp

mf

AG

G7



mf

     

Cm G



G

E7



  

         Dm6

        

3

C7

G

C

        

             

pp

               

G

       

A7

      

        

D7





Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

B G 

         C

      D7    



     

    



Swing

D7

 

C7 B7 Bb7



  

  

A7



G



 D7

 

G

 

      G7



  

67 Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

G

  

     

  

      D7    

     

C

     C G

 

D7





G

G

  

C7 B7 Bb7 A7

D+

 

  

     

Swing

D7



G

D+

Repeat only for Solos

  

 

G



 G



G7

D+

G

  

D+

                     mf

pp

mf

G

C7

G

pp

D7

G

G

                             D

C7

G                                C7



 

C7

G





     

D7

G

C7

G

     

  

G

 



D7

    

    

G







Solos on "B" & "C" Section: After last solo play to bottom.

 

Hesitating Blues

68

W.C. Handy - 1915

A Gº

G

Gº

G

Gº

              

Hel - lo Cen - tral what's the mat - terwith this line? Sun - day night my beau pro posed to me. If I was whis - key, and you were a cup I`d

G/D





D#º

Em

C

       

High Brown mine. Tell me how wif - ie I'd be Said he, "How nev - er come up, Oh, How



 

C



B 

long long long

D7

will will do

A7

    

I want to talk Said she'd be hap dive to thebot - tom

     



G

  

I have I have I have

D7

G

  



G



G C7

C

G

What you say can't I de - clined him I had wo - man,

talk to my Brown? just for a stall, She was tall.

G/D D#º

C

Em

        

wires all down. Tell me how long Can - non Ball. Hon - ey how long par - a - sol. Oh,How long



G7



 

C

A storm He left She make

         will will do

G

      

G



G

Why do you hes - i - tate? Why do you hes - i - tate? i - tate? do I have to hes

    





to wait? to wait? to wait?

                    Please give me 2 - 9 - 8 Come be my wife my Kate, Can I get it now, or

to that py if his and

I have to wait? I have to wait? I have to wait?

last night that night me think

 

blowed the on the 'bout my

    Oh,won't you Will he Can I

D7

       tell me now, come back now, get it now,

C C

      

na - tion is

A7

D7

G7

  

put

off,

C

     

D

I'd

be his,

left

 me

   

Pro - cras - ti -

C7

F

   

So all the wise owls say,

   

   

 

"one stitch in time

C

   



To - mor - row's not to - day.

Some - bod - y's bound to

     He'd be mine,

togrieve and pine,

G7



And if you

          

      G7



C



 

G

      

the thief of time,

may save nine",

   

C7

Why do you hes i - tate? or will he hes - i - tate? do I have to hes i - tate?

    

      

G

         

 C7

  

My best friend's gone a

       The Hes - i - ta - ting

 F

   

And I'd be feel - ing gay.



G7

lose.

        

  

69

C

 Blues.

C7

   



-

F7

a - lone

Left

way,

He's gone and

C







Grizzly Bear Rag

70

G

E7

A7

George Botsford - 1910

D7

G

                                    



Bass

AG



D7

G

G

                           D

E7

A7

D7

       G

Break                        

D7

G

                 A7

              B

D7

D7

          

G

  E7      

G 



 



G

                            D7

                              

D7

G

                           

C

C©º

                 CG

G

D7

D7



G

      



G

                           D

E7

A7

D7

71

   

Fine G

      

G

                         D7

G

G

  E7      

                   A7

G 

D7

                       D C

C7

A7

           Gº G7





D7



C





G7       





G7

             

 F



D7

Break

       D7



 

A¨7



1.

C



C

C7

A7

                Stop time as Marked

C

C

C

F

 C

                     G7

  



2.

   

C

Break

   

Back to "B" - Play to Fine

He May Be Your Man

72

(But He Comes To See Me Sometimes) Lemuel Fowler - 1922

F

G7

C7

F

                 

A F

Dº

F

C©7

Bb7

F

C7



Miss Miss

F

F7

Bb

                            Min - nie Lee from Ten - nes - see was known to be Lu - dy Green was some l'il queen, and jeal - ous as

F

D7

G7

       

an - y - where out at night

F

   

C©7

F



had a beau Moon - shine Hall,

C7

F

she loved him night where ev - 'ry - bod-

G7



        but Min - nie on Min - nie said "I

ly sighed, will tell





then you

I now

Aº



she at

Un - til Min - nie Was Miss Min - nie,



shook a shim - my and stole his heart a - way. drink - in'plen - ty and hug - gin' Lu - dy's beau.

C7

Snow, ball,

      

day. go,

C7

Dº

G7



and y'd

              

Now Sa - die Down at the

F7

        

An - y - time and When her man went

        

She would al - ways strut her stuff. They would al - ways dis - a - gree.

    

     

quiterough. could be.

C7

        

F

       

C7

      

Poor Sa - die near - ly dies, Lu - dy was mad as well,



heard her so you'll

C7



say: know"

  

He

F

G7

         B

may

C7

        Bb7

C7

A7

vam - pire

F

thatis

al - ways got me on

ture,

But

his mind.

G7

C7

A7

            gon - na take him for my

may

man from you.

C7

F

F7

F

 

own,

my own.







I I'm

just just

want, right

G7

       

I love you man and I'm

D7

     

    

I don't mean, Ain't no need



 

to to

C7

        

be your man but he comes to see me

Bb



no need of cry - in'and it's no use to weep and mourn.

F

I

     

I can cert' nly take you

               

     

 

My wick - ed walk,I've got the kind of eyes that seem to talk, It's

C F

but 'cause

F

                   

My wick - ed smile,

 





F

      

 

Bb7

               

C7

G7



Dm

        ain't no



  

                And when he's with you he's

F7

some - times.

be your man but he comes to see me

Bb

F

73

to be so bold, of get - tin' rough,







get do

you my

told, stuff

F



some - times.

Bb7

F



C+



He

C7



  

Satanic Blues

74

 



C



C7

F

Fm

C

      

A C

Gdim

Dm7

 

C

C7                           F

C

F

C

Em

A

G

C

G9

 

   

                                        D7

       C

 B 

G7

C

C

G

  

C F F                        

A D7                               1.

G7

                     

C F  

F

C

C

        

 

2.

 

C

G

G7

      

C

               



75

C F

F

D7

G7

G7

                             C

F

A7

D7

C7

               F

F

D7

G7

G7

                              Bb

Fdim

F

Cm D7

G7

C7

F F© G

                                  Back to "A"

Dangerous Blues

76

1921

A G



 

Ta



3

   

G‹

 



de da da de dum

D7

      

G

3

   



ta

  

  



de

G‹

B

G G6G& G

I've got those dang -'rous

Oh,

G

   

D7

  





Bº

soft and

E7

  



sweet



          



so sweet and pret - ty

blues,



E7

G

G6G&



Lord

F©º

E7

        

 A‹

G

just what it means.

Can't you hear the mu - sic play - ing

blues.

D‹/A



me and see just

D7

Bº

I mean those dang -'rous

    

look at

G

means,



 

de da da de dum

G G7 Gº F7

G

     

  

D7

 

G‹

       

take a

de dum me

3

G

da da de dum

da



Ta



         da

G

it seems.

D7

what that ta

mel - o - dy is in the air,you



 

      

ta

 

G

3

G

        

de da da de dum

hear them play it ev -'ry - where you go

G

G‹

Aº

A‹

D‹/A

          

A‹

  



It's the kind that makes you wan - na shake your feet.

A7

D7/A

A©º

Bº

D7/CD7

                                 I think I'm slip - pin'

I know I'm slip - pin'

ta da da, ta da da,

ta da de dum.

77

C G G6G& G

 

D7

       just hear those wear - y

Oh,

G

C

        the kind I'd hate to

A‹

D‹

A‹ D‹

       ev - en sleep a wink,

D7



 Oh,

B7



     



so we - ary ho - ney,

blues,

     



lose, those

A‹

G

D‹

dang - er - ous blues.

A‹

     

D‹



A‹

D‹

G

G6G&



They're

A‹ D‹

      

I can't ev - en think, can't

A‹

D‹

A‹ A7

      

Ev' ry time I hear those dang' rous blues I want to sink,

   

 



I've got those dang' rous

G

 blues.

Gº

G C7 G





Tishomingo Blues

78

q = 132

Bb

F7

             

     

Bb

          A

      

you in sad-ness train that takes me,

F7

           

   

Oh Mis - si - sip - pi, To - night I'm say in'

I want to be where, To Tish - o - min - go

Bº

F7



       



Down where the Where South - ern

  



moon swings al - ways

Bb





low, gay,

That's That's

Bb7

          B

goin'to Tish - o - min - go

C7





where why

I you

 



want to hear me

Eb

        be - cause I'm sad to



  



Bb





the win - try winds don't way down old Dix - ie

 



 

My heart cries out for Oh Lord please bless the

Ebm

       

Bb

 

Bb7

      

Eb

   

C7

F7

Oh Mis - si - sip - pi, To - night I'm Pray - in'

Spencer Williams - 1917

-

 

blow. way,



South - ern folks are

F7





go. say,

I'm I'm

Bb

Bb7





day.



Eb7

F©7

         

       

I wish to lin - ger,





     



Oh my wea - ry heart cries out in pain,

F7



   

with a race,

in a

place,

         

Eb

Bb

C

Bb7

down in Mis - si - sip - pi,

Eb

          Bb

   sist



D7





F7

          

lin - ger,

Bº

  

     

how I wish that I was back a - gain,

F7

          

A - mong the cy - press

Bb

Bb7





trees.

D7

      



I just can't re - fuse

C7



F7

     

Where they play the wea - ry



To re -

dies.

F©7

Way

    



   

with their stange mel-o -

temp - ta - tion,

I wish to

Bb

       

Gm



way.

where they make you wel - come all the time.

   

They get youdip - py,

Oh

Bº



Opt. Break on Solos C7 F7

C7

       



way down old Dix - ie

F7

   

Bb

79

Bb

        In Tish - o - min - go

Bb



blues.



Memphis Blues

80

W.C Handy - 1912

F F7 B¨7 B¨‹6 G7 C7 C7                                   A C7

C7

         

      

F

     

     

C7

F

D7

G7

F7

E7 E¨7

                                          C7

            

G7

C7

F

                           

B¨7                        

B B¨

F7      

    

E¨7            

B¨ F7                                    C7 F7          

 

B¨ B¨7 E¨7 E¨‹ B¨





  



  

Midnight in Moscow

q = 160

Dm

Gm

 A         F

  Dm

 

A7

Dm

A7

   

  

Em7 A7

Dm

A7

Dm

Em7 A7

    



Dm

  

Stop time- first beat of bar only

B Dm

Gm6 3

Dm

 

   A7

C7



 

Dm

Dm

 

   Dm

    Dm

Bb

    



     

       

Gm

F

Gm

  

  

Dm

81



F

  

                                    Bb

F

             Gm

     

Dm





Gm



Dm

Time

A7

Dm

        A7

Dm

               Gm

Dm

A7

Dm

    Em7 A7

   Dm

                         

The Storyville Blues

82

Trad.

Bb

q = 132



     

F7

 

A Bb

Bb Bb7 Eb Ebm Bb

 



Bb7



Eb



Bb

F7

                       

C7

F7

         

Eb

Bb

Eb



G7

Bb

Bb7

Eb

F7

           

 

F7

Bb

          F7

         

F7

Bb

                    

C7

Bb

Ebm

Bb7

C7

                       B        

Bb

   

Bb



 

Bb

   

Bb

    F7

   

Bb7

   

Eb

Ebm

       

Bb Bb7 Eb Ebm Bb

  



 

F7

    

83

Time

C Bb











Bb7

Eb

DBm

Bb

      





Drum Roll - Piano Roll - Sustained Bass

C7

F7

           Bb



  

F7

Bb

   

Bb



  F7



Bb



  



rit.





Eb



  

Ebm

    





  

Back to "B" for Solos

Tag

Bb   

Eb

Bb Bb7 Eb Ebm Bb

   







Bb7

G7

Bb Bb7 Eb Ebm



Bb





Strut Miss Lizzie

84

Turner Layton & Henry Creamer - 1921

    C







A Am



E7





F

Dm

G7

Fm

 B      

Get bu - sy

Fm

    

move so pret - ty,

Am

E7

Am

men

you

meet

 

D7



It's a pi - ty,









G7

   

Strut Miss Liz - zie

Dm

 

like the

C

 

Am

A7



Am



Fm

  

G7

Brown.(I'll bet you've got the cut - est

C7

talk.

 

When you

E7



 

frown.

But the

C

      

Oh,you knock'em diz - zy, Vocal to "C"

C



for the



        The oth - er girl - ies

 

C

C

F

 

walk,

Is the whole town

way you shake your feet,



C7



Cº

   

 

C

    

E7

C7



Won't you

C

the way you syn - co - pate

     



F7

I want to see you

G7

F

C

G+



        

           folks all state

Am

C

   

strut Miss Liz - zie

E7

   

 

  



Am

 



D7

  

D7

Am

 











lit - tle strut in town!) Go

  

C C Cº

Cº

C

C

By the

school,

D7

85

G7

                          down the

street,

Cº

C

Cº

C

stuff,

use your "Kerch",

                Strut your

Cº



C

Cº

C

C

C

al - ley,

C7/Bb

    

Dodge the

F/A

Trot your toot - sies

C

      

Cool your dogs we're com - in'

thru,

Get

D7 G7 C

   

by the church.

D7

G7

          

Shake Miss Sal - ly's

cans,

Ab7

A7

   

            

Thru the

step - pin' fool.

Pat your feet you

C

   

set for Len - ox

D7

pots and

G7

pans.

C C7

       

Av - en - ue.

Won't you

Back to "B: for Solos

Tain't Nobody's Biz-ness If I Do

86

Porter Grainger & Everett Robbins - 1922

A C

  E7    A‹   

   

There ain't noth- in' Aft- er

E‹7

 

of

cize

me

But I'm gon- na'

their

talk-

in'.

Of- ten times the





D7

    And don't care

If

I

If

I

C

   

 

E7



should take dis-

Cº

'Tain't No- bod-y's

like

Re- gard- less

    A7  A7 

i

way,

That folks don't

do just as you please,

A7

an- y-

   

say,



get down on their knees,

 

is

can

D‹

    D 

B Cº C

do

I

A7



A7

D‹

want to

can do, nor noth- in'

way to

all, the



crit-

I

E7

do

just

G7



de- spise

me.

And beg your par- don for theirsquawk-

 C7  F    F©º     

a no-tion

To jump in

my lov -er

  

Biz-ness

And leave him

G&7

 

If

in'.

A‹

    

G7

I

ones that talk will

A¨7     

if they all

as

I

E7



Do.

A7

D



G&7

the o- cean,

to

for an -oth-

Cº

C

   Rath- er If

I go

er,

 than to

87



E7

per-

 

on



C Cº C

 C©º  

If

I

should get

 

got

 



that

you

Then

cab-

a-

ret

if

C

I

And

no mon- ey

G&7

    If

A‹



I



E7 A7

I

Mon- day,

D©º

C/E









F

  

right

my

last

nick- el

And

it

leaves

G7

 

Biz-ness

G&7

  

If

I

C



Do.

Cº

in-

to

me

in

Cº

C

 

 

Do.

C7

the ceil- in',

on

G&7



me

'Tain't No- bod -y's

on

say "Take all mine, Hon -ey",

D7



Drive



would shoot me,

To dance up-

pan- ion

 Cº  

  

do.

com-

 

Fº



D‹7



best

C



choose

the feel- in'

Biz-ness

  

F

F©º    A‹   C7  F       

G7

'Tain't No- bod-y's

E7

 

I

biz - ness

 E7 

Cº   



G&7       



If my friend ain't

C7

G7



C



Sun -day,

Tain't no - bod - y's





se- cute me,

church

C

A‹

    





If

I

let

my

If

I

give

him

F©º

   

the can -yon, a

pick -le,

D‹7

G&7



T'aint Nothin Else But Jazz

88

 B¨7

A F

   



I'm blue,

F

F  B¨7     

Thru and thru,

Maceo Pinkard - 1921

G7 C&7  B¨7   D7        



'Cause they're gon-

na take jazz a- way.

A7  F F‹    B¨ C        G7   C             On my knees,

I'm ask-ing you please,

C7

    

C

        Can't you see

Just to pay at- ten-tion to me while I say:

it's wrong to con-demn

a song. Jazz has sim-ply got to

  F               B

High-brow mu-sic real-ly

C7   



In

F/C



        



         

    C&7  



G7

sure- ly

is

'Tain't noth- in'else but

Now!

an

op-'ra house it can't be beat.

F

  C©7/G©   G‹7  C&7  

'Tain't noth- in'else but

   

jazz,

Babe!

   B¨   Bº 

Ev-'ry lit-tle move-ment

has

just a

F      G©º 

Lit- tle bit of tod- dlin'. Waltz-in'-round is might-y

de- vine.

  C7 

stay,

         

F     C&7  

G©º F/A      

Gli-din'

In

F7

so- ci- e- ty of style and grace,

lit- tle bit of wob- blin',

F/A 

G7

is a treat,

But what makes you wan-na shake yo' feet?

F

    E¨7    C7  C&7  



   

F

Still what makes you shiv- er

F  D7   G7

jazz,

Babe!

D‹7 

  

an- y

  C7 

'Tain't noth- in'else but

fine,

time?

F



jazz.



  

89

Maitland Same Melody as "Take My Hand, Precious Lord"

   

E¨

  

Bb



 

Bb

  

Bb

 



Bb7







Eb















 









F7



Bb

Eb



 











 



F7





Bb

 





Bb7



Eb Ebm Bb









  

Alcoholic Blues

90

Albert Von Tilzer 1919

     Cm

A G



    

         

G

      

  

 

G7

D7

G

B G

D7

G

              C G

      

Pro - hi - bi - tion,

Am

       I'mso thirs - ty

      



      

             Vamp

 

C

  

Eb7 D7

G

   

D7

                  

   

pro - a - bi - tion

that's the name,

A7

A7

D7

    

drives me in - sane.

D7

                   soon I'll die,

I'm sim - ply gon - na'vap - o - rate or just run dry.

  When

G

D7

G

         

Mis - ter Hoo - ver saidto cutmy din - ner down,

A7

 

A7

 





I

cut

my

 

 

but

D G

 



 



now they've cut

blues,

I've got the Blues,

blues,

I've got the

did - n't hes-i - tate I

Cm

my heart to cheer,

D7

         



in - side

I've got the

 







I

cut

my

coal,

 





my

soul.

I've

  got

al - co - hol - ic

the

G7





blues.

There's

since they am - pu - ta - ted

Blues,

Bars are closed and night clubs too,

D7

did - n't frown.

        

            no more beer

I





deep

     

C

        

sug - ar





D7

D



91

booze.

G

              good - bye whis - key

used to make me fris - ky.

lord - y lord - y

what

G

to

Eb7 D7

do, Solos at "D"

G

          

So long hi - ball,

good - bye gin,

tell me when you're com - in'

back a - gain.

So long hi - ball,

good - bye gin,

tell me when you're com - in'

back a - gain.

  

Alexander's Ragtime Band

92

Irving Berlin, 1911

VERSE A D

D7

       

G

         

    

Oh, ma hon - ey,

Oh,ma hon - ey,

Oh, ma hon - ey,

Oh, ma hon - ey,

D

A7

There's a fid - dle with notes that screech - es,

E7

Ain't you go - in'

Like a chick - en,

Like a chick - en,

rag - ged me - terman?

the clar i - net

And

  

 

  

the lead - er man,

To

D

A7

G

col - ored pet,

is a

A7

                      

 



Bet - ter hur - ry and let's me - an - der,

               Ain't you go - in',





 

Oh, ma hon - ey,

Oh,ma hon - ey,

Let me take you to Al - ex - an - der's

Come and lis - ten,

Come and lis - ten,

To a class - i - cal band what's peach - es,

D

D7

G

D0





grand - stand,

brass

band,

come

some - how,





now,

D

   Ain't

A7

  

D



youcom - in'a - long?

Bet - ter hur - ry a - long.

D7

    Come on and



B G



 

hear,

C



 hear,

G

     Come on and

C

Come on and hear!

G

       ne - ver heard be fore.

A7



 

D7

     take you by

C

 band.

G



It'sthe best band in

 hear,





der's Rag time Band.

C

the

land. Theycanplay a bu gle calllikeyou

G

A

C

Up to theman.

G7

C

                 hear,

    

the

   Let me

     

Who'sthelea - der of the



And if youcare to hear the Swa nee Ri - verplayed in

G



C

Up to the man!

C

just

long.

Come on a

   

G7

war. That's

   

ho ney lamb.Come on a long.



  G

       

   

Come on and

    

G

D

  

G



So na - tur - al that youwant to go to

the hand.

Come on and



           



G

-

C

D

  

Al ex an -

G

G

   

     

best - est band what am,





  

hear,

   

D7

93

D7

   

Al - ex an der's Rag - time

Gdim

     

rag time. Come on and

G

 Band,



94

Riverside Blues Thomas A. Dorsey & Richard M. Jones

D‹

A7

   

A F 



D‹



A7

D‹ G‹



  

F



C&7





  F    B¨7    F         B¨7            3

break F 2 bar unison                               

B¨‹ 1.F  F F7 Fº      

    C&7 

C7

2. F

C7

      

  

3 everybody plays this figure behind clarinet lead





3

G‹7 



C7

B C7 F A7    F                        B¨

         C7

 



G‹7 

B¨‹

F

       

  C7 



F



2 bar clarinet break

  

F7

Fº B¨‹

 



F



C7

  





B¨ F     F7     B¨                         C F

  C

 

   

  G‹7 

  

F

   

       

Play 2 bar unison on out-chorus

 

F F7 Fº B¨‹    C7      

Solos at "C"

F





My Bucket's Got a Hole In It

q = 174



G7

C7

      D7

  



G

  

           D7





          G

G7

 

 C7

                 





95

 





G

 



    

G

C



G7

CHORUS Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It Yeah! My Bucket's Got A Hole In It I can't buy no beer. Well I'm standin' on a corner - With a bucket in my hand I'm waitin' for a woman - That ain't got no man. CHORUS Well, I went upon the mountain - I looked down in the sea I seen the crabs and the fishes - Doin' the be-bop- bee. CHORUS Well, there ain't no use - of me workin' so hard When I got a woman - in the boss man's yard. CHORUS Well, me and my baby - we just bought a Ford And now we sit together - on the running board. CHORUS

   





I Can't Let 'Em Suffer

96

Henry Creamer & Turner Layton - 1918

A

   

F







I

love

to

G‹

F

 





see

the

C7

C7 

fel - lows

see them smile.







I

love

to

A‹

      It's cru- el,





F

 C&  

hap- py

all

  

 

F

  

      Love to

G‹7





the

F



while.

A¨º

   C©7/G   

That shows they're jol- ly and ev-

G‹7





see

the

C7 

fel - lows

      So

cru- el,

C&    

hap- py

all

  

 

E7

F

A‹

F©º

    To

let them

the

C/G



plead.

'ry- thing.

F



while.

C7

   Oh, I

97

B

  C7        

    



can't let 'em suf-fer



F 

plead.



F 

for the want of

C7



cry:

No I shan't let'em suf-fer

      

for the want of love,

 



in my lov - in' arms,

  F7                just got to make'em

I'll

be my tur-tle dove,

A‹/C

  



pro- vide,

G7

       

can't let 'em suf- fer,

C7

But when they

G‹/D E¨7 C7/E

  

I'm bound





to

fall.

    

Then I've

F C7 F              

C E¨



When I know just what they

I just can't save them all!

"Oh, Come and kiss me, Sweet- ie",

just got to take'em



It's a shame to let 'em

  F7       F7 B¨              

C7        

G‹

love.

  C7   

F C7               

     

need. Now there's no use tryin'to stall,

G7

 F  

 Un-

C7



C7/B¨



Got to keep'em out of harm.

          



til they're

F

      

For the want of

love!

sat- is-

Then I've

B¨ D7/A     

My hon-ey love.

F/A

 

Lov- in' kiss-es

D‹7

  

fied.

 

  'Cause I



  

98

Oh By Jingo

q = 180

AG

D+7

G

D+7

G

              Oh, by Gee! by Gosh, by Gum By



A7



a



D+7

G

            Oh, by Jin - go said, by Gosh, by



B7 C©m B7/D#

 

        



me."



    

Juv, by Jin - go,

   

So they

G

 

You will be

    

We'll have a lot of lit - tle Oh! by Gol - lies,

G

E7

D7

             D+7

Adim

G

hut.

A7

BG

A7

Oh! by Jin - go, won't you hear our

Juv,

We will build for you

Adim

         

       



love?



A7

D7

 

Albert von Tizler 1919

Then we'll put them

G7



our fav'rite nut,

      in the Fol

C

     

lies,

  

"By Jim - in - y, Please don't both - er

Gee.

Em

         

   

all went a - way sing - ing Oh! By Gee, By Gosh by Gum, by

G#dim

 

By Gee,you're the

D7/A

D7

    

on - ly

girl for

G

 me.

C7

G





99

Down By The Riverside q = 180

    

AG



Gon - na



G

lay down

D7

my sword and shield

D7



 

D7





by

the

 

down

C

B     stu - dy



my

D7

  war no

D7

  



stu - dy

C

  

that war

   I



D7

ain't



 

stu



-

dy

G

sword and shield



riv

 -

er

G

riv - er

the

G

  

  

side.

           

more I ain't gon - na

  gon - na

D7



war

stu - dy

G

war no



stu - dy

no





    

more

I ain't gon - na

C

ain't gon - na stu - dy war no

I





          

more



G

G



G

side

gon - na

Ain't

G

no

Gon - na

G

down by

C

  

side.

         

    D7

G

        

the riv - er

Down by

G

lay down



  

the riv - er side,

G

  

the riv - er - side,

down by

G

           down by

G

         

  





G





war

no

  more.

G

 more

G





more

  



you know

I'll



Wabash Blues

100

q = 120

A

 

C

          

Near - ly

D7



-

        

bro - ken heart - ed since the

G7

C

bask

home,





Wa



Am



C

Am

C

D7



place that's hard to beat but then I longed

to

C

   Now

ev

 - 'ry

I

C7

had

a

G7



roam,

girl was

A

      

day I'm so lone

some it's

E7

In - di - an - na's sweet and it's

      

I now can see,

once start - ed from my

       

F

     

I

C

   

           

C7

day that



   

  



My old home - stead

G#7

      

as

D

sweet as could be,

G7



mis

C

a

C

 -

er

 -

y.





Solos

at B

B C7

C7

 

    

F

F Am Bb B





those Wa - bash Blues

Oh,

F

G#dim F7

Bb

      A

C©7

lone

C7

I,

C7

   

that I could die.

C7

Can

C7

 

    

Haunts

me

F

in my

F

 

   

shoes

To

C

F

C7

F

G#dim F7



Bb

C

feel





F

    



my walk - in'

I'll pack

those Wa - bash

Am

dues.

F AmBb B

dle light that gleams.

                 C

I

    

lose



    

C7



E

-

F

C©7

     

  

dreams,

F

C7

F



I got my

F

some soul am



    

know



C7

      

I

    

-

C7

 

Bb



C7

101

F

F

  



Blues.

G#

Eb7

      



Thru the syc - a - more the can - dle light is shin - ing bright, Mem -'ry brings the scent of new - mown

G#

Eb7

           I'll

be





leav - ing

G

I

am start - ing for that spot no

D7

       

hay to me each night,

C

D7

C7









hoof - prints t'ward the

F

 

G

    

need to ask me when,



old home road



C



a - gain.

Back to B



102

Lasses Candy Nick LaRocca - 1919

F7     B¨º        

A B¨      

F7            



  

B B¨    



F©º



G7





C7

       

F7    B¨º            



C‹  C C‹   



G7   



C7

F©7

       

    F7  

B¨





   

  B¨º  



C‹ C

C‹ 

F7  F©7        

G7     

  

B¨



B¨º

   



B¨

C‹7



 A7 A¨7

F7



Poor Butterfly q = 120

Golden/Hubbel - 1916

Bb F©7 Cm7 A F9

      



Poor But - ter

- fly

D+7

  







C7

 

 





I

D+7

  



come

   





know that he

be

G7



 The

in - to

 

me

 by



D7



and

Then I nev - er

F9

 

Poor



years,

And



But - ter -



ful,







by.

But

Bb

fly.

 

he



if

C©dim

   

sigh or



I'm sure





she

F©7 Cm7

 

Bb

G9

Bb

as

The moon and

 -

Bb



low,

Bbmaj7

mo - ments

   









Gm

F9

faith

 

Poor But - ter -

   

     

 

so.

mur - murs

  

he don't come back

die.

him

Ebm6







 

She

to

Cm7

  



The hours pass

  

B F9

Bb

Bb

smiles thru her tears,





   

in - to hours,



G9

F8

   



Bbmaj7

'neath the blos - soms wait - ing

for she loved

C7

pass

   

 

fly



103

   

cry,

I





just must



King Chanticleer

104

Nat D Ayer & Seymour Brown, 1910

   

A

 

Bb7/Ab

D‹

C©+

    

D‹/A

A

    E7

E7

    C

 

D‹

Bb7/Ab





D‹/A

  



D‹

D‹

E7



 

  

A



 

D‹/C



E7€5



D‹/B



   A7

A7





Bb

  

   

D‹





 

A7

  

 







   

E7

  

A

E7

    

     

  

C©+

D‹/A

  

   





Bb

Play cues 1x for Repeat:

E7



   

D‹/B

A7

 





E7

      B

D‹/C



  D‹/A

  



 

   

105

D G‹

    





    F



F

   F

  Bb

  





 

D‹

     



G‹

   

 E7





E7€5





A7



 

F

   

C

G7

 



 

 



     

F



 G7



     



             

C7

C7

G7

 C7



 

  

A‹



   





C7



             



  

G7

CHORUS:

   F F



 

  E



Trombone Solo - 16 Bars



 

 

C7

     

 F



F7





Bb7

F







Solos at "E":



  

Wild Cherries Rag

106

Ted Snyder - 1909

A E‹   D F©7  B‹   F©‹  G  B7              

A7    

D

   



B‹   F©‹    A7    

 

G

Dº D

   

B7

      

     

D

 F©7 

E‹

       

D

     



   

B

      A7  B7  E‹      B7      E‹     



 D      A7      D      B7   E‹     B7 

    

E‹ 

 D        

     A7





G

       D













@C

D/F© E‹  E¨7  G                

D7      G    D7         E¨7 D7

  

3

  

E‹

D

G



B7

        B7      

 D G 

G







E‹ E¨7               

G

D/F©

E‹

B7

       

       G

D7

     

         



A7



G

E¨7

E¨7(b5)

      

    

D



G

E‹

E¨7





             B7 

D7

G

  

ø

     



G

3

D7

            

D7

107

Bass Solo - Stop Time

D

D7

        



 

 



A7



   

D 

  D7

 

A7

D7





   

D.S Back to "C" al Coda

Coda     

108

Ory's Creole Trombone Edward "Kid" Ory - 1921

Trombone solo

 

 

   

A









G              D7

D7  A7         

          A7    B

 G   G   

 



 D7



 E7

 



G

 A7



 

A7

D7

D7





D7

 

G

     G

E7

   

   

  E7

G





D7       

   

   

    



A7

G D7 G

  



 

D7

A7

2. G

D7



  

                    1.



109

    D7                C C

 

C

D‹            

D7       

D©º

           D7

   

         A‹



G







Solos

   D7 C         C

D©º

G7



D‹

       

TAG Trombone

 C 

C

Trombone Solo

Trombone solo



C            

G7

G7              

D E7



G7              





D7

    

 G7





G7       

   

C    D7          

   

G7









C



C



  



After last solo play "D" to end and then tag





G7   

D7

C









Ja Da

110

Bob Carlton - 1918

q = 132

G

F©7 F7

     Ja - da



G

F©7 F7

     Ja - da

G

E7

A7

   

D7

      

Ja - da

Ja - da Ja - da Jing, Jing

E7

A7

Ja - da

Ja - da Ja - da Jing, Jing,

   

Eº

       

D7

               That's a fun - ny lit - tle bit of

D7



 



G

  Jing,

mel - o - dy,

G

F©7 F7 E7

    

peal - ling to me,

 Oh

It goes Ja - da

E7

  yeah!



A7

 

Ja - da

D7

      

Ja - da

Ja - da Jing, Jing,

G

G



 Jing.



 Jing.

Eº



    

It's

so sooth - ing and ap -

A7

D7

      

Ja - da Ja - da Jing, Jing,

G

 Jing!



111

That Da Da Strain

Smith and Medina - 1922

q = 152

E7

     

A Am

                     

E7

         

  

              

Am

                         G

D7



G7

              B C

    

E7

A7

D7

G7

             C

     D7

   

  

       

           

E7

C

G7   Dm7              A7

     

            G

    

     

C



F7

C



Solos on B



  

Lazy Daddy

112

A C

C7

F

C7

C

C7

F

F©º

                     B

  C

C

C

           

        C

ODJB, 1918

F

D7

F

C

     

A7

      C

G7

     

G7

            

            C/G

D7

D7

D7

G7

        

G7

       

Clarinet Break - 2 Bars:



F

                   

Clarinet Break - 2 Bars

   

C

                         

 A7

G7

D7

G

G7/D

G7

                           

C C

C

C



A7

C

                        

D7

G7

Fº

C

C7

F

              

F

 

F   

C

   fine

   

F©º

C

C7

          

Trombone Break

E F

Fm6

           

         D F

  

    



G7

Clarinet Break - 2 Bars

   

F

Clarinet Break - 2 Bars

         

 

113



Trombone Break

F

F

C7

      



 Trombone Break

F

G7

C7

F

                       F

  F/C

F 

    D+

      



G7

Bb

Trombone Break





C7

F   

  

      

F





Bº

   G7

      

Back to "B" al fine

114

Limehouse Blues

q = 184

AG



 

F



Bm







Oh

F©7

Bm

I'm

wear

-

Right here in

Bm

F©7

y

'Cause no one seems to

   



B7

 

G

F

Queer

sob

sound,

Oh, Hon - ey lamb they seem to say:

Sad,

mad

blues,

For all the while they seem to say:







G

D7



day,

    

F

G

 

land,

un - der - stand.

Like a Nev - er

they Those

play,

  

seem all a - round, weird Chi - na blues,

And And



Bm

Where you can hear those blues all

C



to

or - ange blos - som

     





G

Where yel - low Chin - kies love

Dear,

Lime - house,

G7



Dear

F

        

Lime - house

In

B 

G





In Oh

G

Em

Eb





long, long sigh. go a - way.

G

Cm7 F7 Bb7

          

 



115

C Eb7

     







Oh! Lime - house





kid

C7

     

Go - ing the way

D7

      

That

Gm7

D Eb7

  





Oh! Lime - house

C7

  

Oh!

Oh! Lime - house

 kid.

Bb

  

   

Poor bro - ken blos - som

F7





blues

  

G7

      tears for your crown,





I've

the





real Lime - house

     

Cm





  

those sad Chin - a blues,

D7 C©7



blues,

Bb

G7      



Rings on your fin -

Cm7(b5)

F7

 

 

That is the sto

- ry

of

   

Oh! Oh!

Eb7



Bb

old

and

Bb7

       

  

D7 C©7



Haunt - ing and taunt - ing you'rejust kind o' wild.

Learned from the chink - ies

Cm

Oh!







the rest of them did



no - bod - y's child,



     

C7







Eb7



gers and

Ab9 for repeat

   Chin - a

town.

   

116

Livery Stable Blues (Vocal)

   

 

A Fº F

Way down in

F

   

F©º



Al-

a- bam,

It was

F7

sta- ble brush

G7



he

F



play,

C7              on one string,

  

Bir- ming- ham,

There was

a

B¨

      

 C7  

in

C&7

  

           

la- zy color-ed- fel-low named Lee,-

G7    

F

      

In-stead of work-ing all day,

 to

 

the

up- on the

D7

          

hor- ses he'd sing,

F

    

this sad and lone-some- mel- o-

dy,

B¨7

F

and play up-

  

B F 

       

    

 

Oh hon - ey lis - ten here

Oh hon-ey,-lis-ten- here,

F7         sta- ble



B¨



blues.

 

hon- ey you know why

I was - n't born for



G7

 

I have got those blues,

C7            I've got those liv- 'ry

F



sta- ble

B¨7

ba- by

F



 

Oh, law-dy- me,

Al- a- bam- a



ba- by,



she'll drive a-way

C7

F

   

this,



mine,





B¨

  



I've lost my pep com- plete,

F A¨º         

  

 

blues.

C©7 C7 F F7    B¨B¨‹ F              

C F7 

 

      

Bº



Oh how I miss your kiss,

   

   

I've got those mean old liv-'ry

      

D7        

F

    

117

  

I'se g'wine back to my



       D7 

she prom - ised that she'd mar-ry-

C©7  C7

        

F

C7

me some- day,

F

         

Those liv -'ry sta - ble blues they're the blu - est kinfd of blues!

Where Did Robinson Crusoe Go?

118

A G



Young/Lewis/ Meyer - 1916

Verse

 

Gº D7

      

  

Thous - ands of years

Gº

   

south - ern

D7



E7

   



Rob - in - son

shore,





no rent

to

pay

Cru

-

and

D7

      

His good man Fri - day was his

C

on - ly

lend,

E7

    day, but

They built

a

Sat - ur - day

night

  

-

tle

hut,

D7

   it



they didn -'t

A7

   

day,

was



o - bey,

E7

lit

on fine

      

friend,

   



to



G7



A

 

soe land - ed

wife

 



  

no

- land on a

A7

  

  Gº

     

out on an is

D7

 

G

       

more,

A7

  

B

a - go or may - be





shut.

bor - row or

A

    lived there 'til



Fri -

 And

C G



 

    Where did



 

- in - son

Rob

Cru - soe

   

 

 

Sun - day



morn - ing they'd come

D E7



men

A‹7



 With

-

  

men,





  On



    Sat

did

D7

   -

ur - day

-

Rob

G



night?

this

  

  

 

so Where

A7

Fri - day on



roam,

home.

A7

G

 

must be wild wom

stag - ger - ing



D7

   

night?

can - ni - bal trim - min' andwhere there are wild

D7

    

 

in

to

A‹7

          is - land lived wild

would start in



ur day

   



they

  

    

With Fri - day on Sat -

go

Sat - ur - day night

A7

Then on

A7

           

D7

Ev -'ry



E7

119

in - son

 



men there

E7

 



Cru -soe

go

Solos at "B"



120

Oh, Didn't He Ramble Traditional

    

  

   

A C



        

  

C      C    G7    C    G7                 C C G7 To Dixieland 2-beat swing feel                      

Drums C   

   B C

   

     









in

the





girls came run- ning

C

 C    

 

ram -



 



by

said:

  

ble, Didn't he

   G7

All

a- round the

ble?



mar- ket,

C

 

    

G7        

Well his

head was

C

 

town.

ram-

 

Didn't he



 

his

feet were

G7

  

  in





"Look at that mar- ket

 ble?

C



ram-





street.

All

the

C

G7







He ram-bled all



 ble,

wo - men cut him down.



meat!" Oh didn't he

C   G7      

C   G7   C         He ram - bled 'til the

the



a- round,

  Didn't he







 ram-

G7

     

Didn't he

121

Mama Don't Allow C

    

Ma-ma- don't 'low

C7

no





Ma-ma- don't 'low

no

   

  

 

C

       We don't care







cor- net play'n'round here!

No











G7



cor- net play'n'round here!

C7

  

No

     

G7

no

cor

   



  



She Don't



She Don't

F

F‹

           

what Ma-ma-don't'low,he's gon-na'-playthat

C

Ma - ma don't 'low

C

 



C



net play'n'round here!

 No

cor- net

an- y how.

   

She

Don't



That Dixie Jazz

122

James P. Maguire & Warren DeWitt - 1919

A F

C©7

            

Have you heard the la-teststrain?

C7

         rag-gy new mel-

o- dy,

F

       It's

C7

  Oh,



babe,

F

C7

lin-ger

in your brain.

F

     

It will

    



For it's a

D7 G7 C7               

F

So full of har- mo- ny, You'll want to hear

C©7

   

a brand new South-ern drag,

C&

F

D7

    

What do you say?

F

   

It's a

G7

F

 



Dix- ie

  

Come let us hear

gain.

C7

dan- dy

  

it a-



the band



rag.

C7



play.



123

B

 F          That Dix-ie

jazz!

That Dix-ie

C7 F                Dix-ie jazz!

D7

     

right,

Hold to me

G7

tick- le

C F7

 

Lis-

toe.

C



Cº

Come,

let's

ten to that syn- co- pa - tion



  



That

Dix- ie

jazz!

D7

    

ing.

Fromleft to

It makes me want to do the shuf-fle and the

C7





coax a

moan

C7             

Lis-

 



ten can't you hear that man just

G7





B¨            

   F

Oh, Hon- ey!

   

My how I love to hear that

A7



 

G7             

tight.

     

   

jazz!

Oh, just see'em sway-ing when they're play-

G7

  

G7



   

D7



It's the

D7



best





go!

    

from his trom- bone.

     I've ev- er known.



  



That

Dix- ie

jazz!



Way Down Yonder in New Orleans

124

Henry Creamer & J. Turner Layton - 1922

G7 C7                My how I love to hear that dear old Dix-

ie

F     

F

C7



jazz.

That Dix-ie Jazz!

A    G G©º   D7               



3

G

      

Guess!

Where do youthink I'm go

Guess!

What do youthink I'm think in'when you think I'm think in' wrong?

E‹



in'when thewinds start blow in' strong?

B7

                3

  

Guess!

Where do youthink I'm go

Guess!

What do youthink I'm think in'when I'mthink

E‹

     

in'when thenights start grow in' long? in'

   I I

all night long?

C G A7(b5)  G   D7                          ain't go

in' East,

ain't think in' this,

G

    

I ain't go

in' West, I ain't go in' o ver the cuck oo's nest.

I ain't think in' that,

C

I

that

E7 E7(b5)

heart does not start

to

I love best,

pit a

pat

My

can not be think in' a bout your hat.

        

bound for the town

I'm

A7

   

Where life un

less

D7



is

one sweet song;

I

hear this

song;



B D7

A‹7

         Way down you



D7

     

New Or - leans,

der in

G

D7

there's a gar - den of

E - den,

A‹7

D7

that's what I

C6 G&7

give your la - dy fair,

G7(“4)

a lit - tlesmile.

G

    

 

lit - tle while.

G

E¨7

ti - ful queens,

lit - tle blue

jeans,

G7

      

Stop!

Oh won't you

            

There

Stop!

G

you bet your life you'll lin - ger there,

     

is

They've got

wear - ing

Cre - ole ba bies with

mean.

C B7B¨7 A7

D7

with those beau

     



     

  

          

scenes,

G G©º7 D7

    

soft - ly whis - per with ten - der sighs,

        

a

D&7

 

     

of dream - y

in the land

     

flash - ing eyes,

 

     

G&7

     

D7(“4)

G&7

A‹7

         

125

G©º7

E‹

     

hea

ven right here on earth,

an

gels right here on earth,

A‹7 D7

     

way down yon der in New



G6



Or - leans.



126

When Ragtime Rosie Ragged The Rosary Lewis Muir & Edgar Leslie - 1911



G7

B7



 

B¨7 D‹ B¨7

G7 

C7            



D‹

B¨7

G7





  

 





G7



Verse:

A C

     Par- son Lee in

Ten- nes-see in

F

     sor- ry

but our

G7

    up

B C

  

and

ac-cents loud and clear,

   

or- gan man ain't

  

vol- un-

 

C

here.

C



Now I'd

to help us

light- ed

and

G7

   

sat

he

   

said "Just step this

  

down to

 

pray,

C



C



way",

  

And the

G7

   

Then

came

like some- one

a

to stand

 

out".

gal named Rag-time Ro-sie stood up andsaid that she could play,

    

    



C7                

F

G7

C

   

teer

   

said "Folks I'm aw- ful

  



F

When a

F

  





The par-son seemed de-

G7

    

con- gre- ga- tion all



C

G& 

shout!

When

127

C

  C    

G7

Break for Spoken Vocal

      

Rag-time Ro- sie ragged the Ros- a- ry,



C

G7

  

      

Then he turned a- round on- ly

C

   



D7

   



C7

 

To that tune

to see:





Rag-time two-step 'til that Par- son Lee,

C

 

 

 

      





List- nin'

to

that

C



want you folks

C



Rag- time



Ro-

C7 





low- down mel-

 



to know



sie

D7 

in'

ragged the

ros-

and

       

 

a treat,



    



pran- cin'

to the

       

Why, he forgot the sermon and began to speak in German

 

F

o- dy.



that this ain't

 G7

such

Break for Spoken Vocal

   F

C7



    

danc-

G7

  

That instead of prayin' Rosie got the folks to swayin'

G7

    

       

     

It was

It charmed their feet and set'em

D C 

Break for Spoken Vocal

   

so sweet,



Deacon Alexander Started in to reprimand her

F



       

     

 

a- ry.

G7



Then

  no

C



he



min- strel

F7

 G& 



C

said

"I

F©º





show"

When





  

Floatin' Down That Old Green River

128

Cooper - 1915

A G



       





I've been float - in'

 

down that



  

G

     

 

had

A7

 

get



to

 back



drink

that

D7

A7

E7



whole

Green

G



home

to

you!





the

D7

one thing I could do;







     





I was

The ship gotwrecked with

G7 F©7 F7



a bar

    

on - ly

And there was





 

G7

     

cap - tain and crew,

G

I got stuck on

E7

      

   

  

Wish - in' that I was home.

C



   

       

there all a - lone,

 

old Green Riv - er on the good ship "Rock and Rye,"

wad - ed too far,

But I

A7

        



D7





G G7F©7F7 E7

  I







Riv - er

dry

to

No Repeat First Time - On To Vocal



Solos at "A"

  

Verse Interlude:



G

G#º

 

D7

 



G

G#º





129

D7

 

Verse - Vocal:

B



G

G#º

D7



   Half past

four,

D7

 

ve

E7

  

        



Mc - Graw,

G G7F©7 F7 E7



 



 And

D7

 

a

  is

 what



been

all

re - plied:

 

But then his wife's eyes grew



    Dan - ny

    

child,

 

to comehome and go to

G



"Where have you

A7

this

like

For Dan

D7

 

smiled,

ry wild!

A7

             

D7



 

He came a' creep - in' to his wif - ey's door.

G G#º

  -

A7

G G#º Dan - ny

A7

G

half the night





D7

She had beenwaitin' up

bed.



Dan

    

 

G#º

 

D7





G

D7



G



 

night?"

 

she cried,

Back to "A"

 

I've been Back to "A" for Vocal and Solos

Floatin' Down To Cotton Town

130

F. Henri Klickman - 1919

A C

    

E¨º G7

     



I just dropped in to see you

C

   on



my

G



way.

G©º D7/A

I'm go- in'

 

That's why

B C

I

E¨º G7

that



be



fine?



G

D7        hur- ry and sail

me,

 

Mis- ter

D7/A



    day,

C‹

back to

Line,

G

 

leave to-

 

by

the

E¨º

G7

No

more I'll

Dix- ie-





DØ7/A¨

 



To

that

gal of

mine:

G7





hand.

D7  G©º   





 

 

Cap- tain, don't fail

I'm

G

sun- ny

G7

   

E¨º

G&

   

came to shake you

The min-ute when I cross that Dix- ie

 

I

   

          

C

say,

   

D7

G7

   

C



 



all and

E¨º

land,

G&

G&

    pine,

 me,



won't

 just



C

  C  



Float- in'



G7





Float- in'

D©º

 

whis-

down,

G©º





on

the





C

riv-

er

down

to

Cot- ton

toot!

toot!

D7





dark-

ies

sing-

in',

Hon- ey

D7/A G7/B

    Al-

     wel-come me

a-





a-

C

lit- tle

C

bam;



toot-

in'

a-

ban- jos



way,

   







Just hear that

A7







And





ring-in''til the break of

D7

those

 day.

G7

  G©º  

 



hon- ey

lamb,

I'll come back to

F

A¨7

C7



While

A7

D7

gain,

Float- in'Down To





Town.







down,









    my

C

in'

G7 Break 2 bars

A7

lamb,







float-

G7/B

tle



ey,



 

  

hon-



 

D C



D7/A





D7

 

my

Dº

you and

A7



D7

 





131

   



    

fields of

A¨7 G7

 

Cot- ton

sug- ar

C



Town.

cane



  seem to



  

Sailing Down Chesapeake Bay

132

Verse

Havez - Batsford - 1913

A C7        



Come on

F   

Come



on

Nan-



F





All

a- board for

 

B C7

  

Come on

F

is

love-



Bal-

Cap-

ly

on

steam-



the



ti- more,

C7

F

F



Ban- jos

  

moon,

C7

   

Ches- a- peake,



 A

Sail-

C7













in' down Ches-

  





Sail- in' down Ches-







all

be

sore.

F    

    

'Cause we can't swim,



a- peake

C7

F

Bay.



Up on deck

    





 

'neath the

a- peake,

  

Mis- ter,

  

a good old tune,





a- peake Bay,

     









Set-tle down close





F

to spoon.

C7



If we're late we'll

ring- in'

  

there's a place

dress on,

Fº     







boat's gone.

Ches-

F









'n let us catch that boat,

we can't float.

 







best

        

  

F









put your





     





cy 'fore the



'ry- thing



cy





Ev-



Nan-



C7

 



All



sil-





v'ry



a- board for





  

No Repeat 1st time

133

C F

C7 F            

C7

 



 

Head- in'

'Round the bend I think I see a steam- er, Dear,

F

  

to this

F

 



pier.

  It's the

F

 



And

G7



Old

   

if

 



Dom-

in- ion

Line.

F

          

 

we hur- ry,

 

Bal-

G7

 

ti- more.

    

 



G7

 

yearn- in',She's the Queen of



A7

 

Head- in'

 

G7

C7

the Ches- a- peake Bay!

Nev- er

fear,



   

    





Just hear the pad-dles turn- in',

D7

 

C7

Say, don't she look pret-ty as she hugs the shore,

D‹

F

   

we can make it





here,

C7



D C7

 

 

for

   

Hear my heart a'

Solos on Verse

  

Easy Rider's Gone

134

Shelton Brooks

q = 120

C7

                 I

won - der where my

C

F7

place.

 Cash

E7

If

he was here he'd win the race

D7

in our tick ets for a

jol - ly joy ride right a - way

my

F7

     

mon - ey that is why I'm

C

blue.



   

knows just what to

do.

I'd

E7



       

an - y horse that Jock - ey's

1.C

D7

G7

Ea - sy

Ri - der's gone.

    



Amin



on,

   



I'm

F7

   

   



    

If notfirst he'd get a

G7

       

       

ne - ver told me

He

G

C7

los - ing all

Ea - sy Ri - der's gone to - day

                  

he was goin'a - way.

 

       

    

G7

      Am

F7

To

G7

      

put all my junk in

D7

  Oh

    I



win

2.C

    gone



 pawn

to bet on





where

my



won - der

I

a race he





Eh Las Bas

135 Traditional

A Bb

     Eh



la





bas, (band sings echo) Eh

Bb

F7

          

la



Eh la bas,

B¨

   B Bb

   

Bº

F7

Eh la

bas,

 

 











la



Ca - jun

        

in

a

pinch

so

   



Well I





I don't know what it means.

But it

Cre ole way,

Bb

nev - er

    I So

F7

      

and hear them trom bone gliss - es

friends, and let the

mus - ic

play,

I'd To

Bb

               

to sing French when Itake my turn but thatain't the kinda band that this is

mor - row may

but the

is Lais - sez les bon temps rou - lez!.

           

  

like down in New Or - leans,

would,

I can say

let the good times roll my

F7

F7

            

love to hear that clari - net burn

    





Sis Boom Bah

Bb

sang that Ca - jun French in a fine ol'

    

like



bas,

             

 

on - ly



Bb

la

Eh la bas

sounds real good, like I knew it

B¨

Eh

   

Solos here after Vocal

Or - y



Bas,



F7

 



Tra la

   

can't speak French, not

F7





Bº

come to be,

so let's love

it

up

to - day

Eh la Eh la

Vocal Back to Top

Fidgety Feet

136

The Original Dixieland Jazz Band - 1918

G7        

      

         

A C 

C7  F F©º C G7                        





 

C

      D7     G7     C            C

2Bar break C©º 

C

 C7    F    F©º  C                  1. D7 G7 C                     

2.

     C

C7

3

Stop time - 4 bars

B F 



 

A7

 

B¨

  

F

  

C7  F                  3 G7

C7

F

D7

            A7

 

B¨

  

137

F

C7

   

  



C B¨

 

E¨ E¨‹    

F

    B¨

B¨

G‹7



F7



 



F7



B¨

    

B¨

    F  F7      C7  

D7

G7

       

G7 



C7



F7







E¨



 

C7

F

B¨





E¨7



F7

D7



1.

B¨



B¨7



E¨



B¨         





B¨7





F7

E¨

 



2.

B¨

           



Waitin' For The Robert E Lee Lewis F. Muir & L. Wolfe Gilbert - 1912

138

   

A

 D       

Way

 

down on the levwhis-tles are blow-

The

A&

D

ee in',

  





 

in old Al- a- bamthe smoke-stacks are show-

 G  night all

my, in',







you is

can har-

find mo-

 E7  





in' er,

the He

B  D    

and Eph-riam and Samex- cuse me, I'm go-

D

There's The in',





D



banis

jos

arc the

syndance-

D

     in'? there?

 

that's come to by

 

car- ry

on the good old



D7



light where





they en

are the

waitpreach-







coing

pateach-

tin'. er.

G

       

 

What's that they're sayin'? While they keep playWere you a- round there? If you ev- er go

hum- min'and sway-

E7

While Ev-



there you'll al- ways be found

   

all, ous,



G G   D&           in',





A7

A&

What's that they're sayHave you been down



them ni-

F©7 

my, On a moon in' to the place

E7



y,

D& G  G   D              Dad- dy and Mamropes they are throw-

D7

 

D

in', it's the good there, Why,

dog-

 A7    D the

cot- ton

a- way.

Rob-ert E. Lee.

F©7 

G7



  

ship

Rob- ert

gone,

Here comes my ba-

D



A7/E D7/F©





Lee





C

 



G

   

Watch them shuf-



 D7 



flin' a-

long.

See them shuf-

long.

D7









Go

take your

best

gal

real

pal,

Go

D  G   

the

D&   

lev-

ee,

   

join that shuf-

Wait - in'

  

said





flin' throng.

It's sim- ply



G

I





for

the

   



mate,







Rob - ert

E.

Lee.



the

D7



great,

to



D7    

lev-

ee, And

   

Hear that mus-

 D7     D7 



flin' a-



 

down to



   



 G    

D7

   

D7



139

 

Wait- in'

G



on

ic and

song.



 

the

lev- ee,

For Repeat: G©7 A7







 

  

  

Walkin' the Dog

q = 164 140

Shelton Brooks - 1917

A C

Cº

G7

C

                 G7

Now lis- ten hon - ey'bout a

Been'rig - i - na-ted for a -

new dance craze,

G#ºcraz D7- y 'bout the "Bunn G - nyG#º Hug", D7 You all were

        

bout ten days, It's these, It's a

C - go bug!" But Cº now, "Tan



 

Most evG7 -'ry bod - y was a

            

bear!,

And it's a new step

and some -G7 how,

The fun - nyCDog walk

                G7

In ev -'ry cab - a - ret and danc - ing

G7 this dance is In ev -'ry pri - vate home

             one and all,

If you'll just give me

on the phone, Hear - ing

Cº

       

E7 known.

a chance,

on his Gram o - phone:

Cº the town talk. is all

       

hall,



a fun - ny two step.



I'll

A7



You see them do - ing it, yes,

D7 a friend G7of mine up I called

  



in - tro - duce this dance:

This "Dog - gone" rag - gy

tone:



B C

F

C

Get'way back,

      Grab your gal,

F

and snap your fin - gers,

F

D7

and don't you lin - ger

  slow,

the"Tex - as Tom - my",

C7

 

Cº

      Get o - ver Sal - ly,

G7

G7

     

one and all,

C

    

                  

         C

C

       

        

F



that will show,

C

 Drop!

F©º

 the

Do that slow drag 'round the hall.

 C









Do that step,

G7

    

Like you're sit - ting on



141

G7

   

dance called"Walk - in' the Dog".

C



a



log, Rise



  

q = 120 142

Over The Waves

A C

When

you are in

    you are in

B F

    

So



 in

the

C7



heart starts to



Words

  



near.

  



    sweet



blue



  

 

won - der - ful

When

C







like

a

 

Thrilled be

   touch of

your

      

beat

C



 

  

kiss me my

  

 



 

It's the love - li - est time of the year.

love,

and the

C C

 

 

G7

 

  

you

F



time you are hold - ing me

the sand

   

My

C

 

o - ver

 

an - y

a - long





         

ryhme

Stars

   F



Waltz - ing

year.

al - most can touch them from here.

And you

     

   

C

      

twin - kle a - bove

fall in - to

It's the love - li - est night of the

love

    



         

   



  

G7

like a

D7



 

won - der

the

F

G7





hand,

of



and

F

     is

C

          It's the



breeze drift - ing



child when a birth - day

G7

 

lov - li - est night of the year.



near.

  

Royal Garden Blues Clarence & Spencer Williams - 1919 143

 G       

B¨º   D7      

     

A C G&7   G G7                                E¨7D7 G C7 G D7  C G&7   C G&7   C   D7                                Stop time - Play downbeats 4 bars G7 Clarinet

B Cornet   G7 

 

 

3

   

G7 Tuba       3

G  



     



C

3



  

B¨º 

D7      

      C G7

 

     

G7

Trombone



3



E¨7 D7

      

G C7      

  C‹         

C

G

G D7



   

G7   



D C7 F7   C                               F‹

      G7

  

F7 A7 D7                   

C

     

C





F7





C



F7



C





Back to "D" for Solos

Long Gone W.C. Handy & Chris Smith - 1920

144

B¨ B¨7/D E¨  F©7/E B¨    F7 B¨                         

Did you

       

 F7 

A B¨ 

hear the sto- ry

of

Long John Dean?

Long

John stood on

the

rail- road

 

  

Bowl - ing Green, to come



B¨  

Late

last

Ought'a

seen

B B¨    Long

B¨

  

Long

G‹7



Was sent

by.



B¨

G‹7 







night

he

made

his

came just

C7

 

get-

John grabbin'

F7

E¨ F©7/E      

    

from Ken- tuck- y,

and what I mean,

train

yes-

B¨7/D

gone,

Waitin' for freight

to the jail-house

  

  

from

E¨ 

    

B¨ 



Long

B¨



  



bold bank rob-ber

B¨7/D

C‹7

Gone



A

tie,

Freight train

Long

 

 

ev-er

B¨      





 F©7/E  ter- day,

 

puffin' and flyin',

F7

B¨

 



a-

way.

that

blind.

G‹7

  

Gone,





He

was

C‹7

F7

    

ain't he

luck- y?

B¨    F7      

Long Gone John from Bowl-ing Green.

Interlude

B¨ G‹7 C‹7 F7 B¨ G‹7 C‹7 F7                                They

They

145

  B¨       F7           B¨               C

to bring him back,

of-fered a re-ward

caught him in Fris- co,and to seal his fate,



B¨   

Dog-





Now

 



blood-hounds

lost

his

o- cean

John

es- caped,

on

the





 G‹7 

no-

bod-

y

knows

where

got

to

close

the

guard for-

D B¨  







gone

G‹7

  

C‹7

jailed one

San Quen-tin

E¨ 

 



out

B¨  

B¨7/D

E-ven put blood-hounds

 



F7

  

C7

 



Gol-

den

F7

Long- John

B¨ 

 

went.

  

from Ken- tuck- y,

Long

Gone,

Long

Gone

from San Quen-tin,

Long

Gone and

  

E¨

F©7/E        

B¨



B¨



gate.

Gone

B¨7/D

 

scent,

Long

B¨    

ev-'ning late. But

 F©7/E 

G‹7



on his track.

The





He

was John's

C‹7

F7

    

Ain't he luck- y. still

a' sprint- in'.

B¨   F7      

Long

gone,

and what I mean,

Long Gone John from Bowl- ing Green.

Long

Gone

I'm tell-ing you,

Shut your mouth and

shut mine too.

A Good Man is Hard to Find Eddie Green 1917

q = 100 146

A C

  

D9

       



My heart's sad and I am

C

Cm

all

G

a - lone

C©dim

I re - gret

the day that

I

G

          my hap - pi - ness is less to - day,

was born,



D

CC©dim G7

       

D7

             D7

G7

my man

treats

me

 mean.

G

          



and

oh

that man I ev - er seen

G7

          

my heart is broke and that is why I

say.

  Lord a

B A7

A7

       

is hard to find

good man

G7

   

A7

 

rave

pal,

 you

A7

C G#7 G7

   

you al - ways get

G7

             the oth - er kind

      

just when you think that

    

look to find him fool - in''round

D7

     and you all

D7

C

  

he's your

D7

147

D7

    

crave you wan - na

G7

C

then you

Cm

      

   

see

C

with some oth - er gal

 

him in hisgrave

so if yourman is nice take

C

C

                             my ad - vice and hug him in the morn - in'

G#7

G7

C

D7

kiss him ev' ry night

G7

                

treat him right cuz a good man now - a - days is hard to find,

C



give him plen - ty lov - in'

G7

C

   

so

hard to find.

G7



Get Out Of Here (And Go On Home)

q = 180 148

A

C

         C

       C

B

       C

C7

F

      B¨

    

        F

F

G7

       C

      

     

G7

     

G7



C7

     

        

G7

     

G7

C7

C

C

     

     

F7

1.

C7

F

C7



        B¨

                  

                        D C

C

     

    

    

        C    

    

2.G7

C7

    

F

 G7

 

    

G7

     

      

    

G7

C

     

C

     

Chinatown, My Chinatown A  D   

When the

D  

Jean Schwartz & William Jerome - 1906 149

    F©‹ 

town is fast a- sleep,

D

 



    F©‹ 



E‹        





That's the

time the fes-tiveChink,

Starts to wink his dream-y

  B D   

Chi- na

A7  



Hearts that





 D

  





know

F©7



no



dream- y,

Chi-na town,

oth-er land

D

  

Chi- na- town,

mid-night in the sky,

E‹7 B‹

A7

Starts to

wink his oth-er eye.

     A7

La-







 A7 A&7

zi- ly you'll hear him sigh:

D

 

Where the

E7



A7

D

    



E7 

B‹

  

And it's



eye,

D

town, my

 A&7 

Dream- y,

 G

A&7



    F©‹ 





Drift- ing

D





Al- mond





A7



lights are

low,

  A7

to

and

fro.

D7 D&7 of

A&7



G B7/F© E‹



eyes



brown,

E‹7 A7  G‹6   D  A‹6/C B7  E7  A7  D D©º     

Hearts seem light and

life seems bright,

In dream- y

Chi- na- town.

  

150

Cleopatra Had A Jazz Band Jack Coogan & Jimmy Morgan - 1917

 A A  F©7  B7        His- to-

 A  



ry

E7

    

re- peats it- self,

      

lieve they're right be- cause lastnight



So the wise men

C©‹ C B‹

 

A

I

B7

      

heard pe-cu-liar mus-ic

a dream it

takes me back

B7 F©‹6  F©‹6        on- ly goes to

prove that

B7

two

F©‹6

thou- sand years

B7

      E-

gyp-tians were not

E7



a-

I be -

say.

E7 Eº E7 E&



 

play.

E7 Fº F©‹  A  F©7  B7              In

 

go.

C©‹

G©º



Which

C

     

slow. Cle- o- pa-tra had a

   B7   B

jazz

 B7  

E7

band,



A

A7

F©& F©7 B7

F©‹6 F7         

In her queer E - gyp-tianstyle.

She won Marc An- to- ny,

A



Gº





And while they played,

B7

        

E7



C©‹

She

C

     

She knew she had him all the while. In the sha-dow of the

C E7  B7       pyr- a- mids,

 A7  

C©‹/G© F©‹7 E7

   

With her syn- co- pa-ted har- mo- ny.

swayed.

Ev-'ry night she gave a

      

B‹  E7       A/C©       B7/F©

C

       

In her cas-tle on the Nile.

E7

jazz dance,

   

C©‹

       



151

A

    

'Neath the old E gyp-tian moon,

G©7(b5)

C© C©º C©7

        

said:"There'll be a wed - ding soon".

Cº

  

B‹7

E7

       

A Sphinx was look-ing on

D7 C©7 F©7

B7          

and



But the real his- tor-ic scan- dal, was

A C©‹ C B‹6 E7 B‹6 E7 A  E7                         Cle- o lost her san-dal as shedanced to the strains of the E- gyp-tian jazz bandtune.

  

Aunt Hagar's Blues

152

A F

C+

            Old dea - con Spliv - in,

Bb7

       

F

C+

    

  

F7

       

His flock was giv - in'

the way of liv - in' right.

C7

        

Said he"No swing - in',

Gm7

F

       

Gm

W.C. HANDY 1921

F

F©º

No rag - time sing - in' to - night".

C7

F F7 Bb Bbm F

         

Up jumped Aunt Ha - gar

        With la - test mu - sic,

Bb7

        

Oh my,just lis - ten!"



and shout - ed out with all hermight:

F7

                          

Bb7

C7



B F

"Why all this razz - in',



 

a - bout the jazz - in'?

C7

My boys have just come home,

F

         



They play it on the sax - o- phone".

C7

 

F

        

the dea - con shout - ed with a moan.

Bb7

F







F F7 Bb Bº

C

F

C7

F C©7

          

     

HearAunt Ha gar's chil - dren har - mo - niz - ing. Hear thatsweet mel

F7 Fm    

C©7

C7

            

 

like a choir

          good Lawd

F

 

sent

F7 Bb

C7

it

Bº



F

D

    Oh,

F

 

down

to

C7

Bb7

           Such jazz - a - pa - tion



just can't re - fuse,

F

  

blues,

 

Aunt

-



o - dy,

It's

F7





 

me.

Let the

F C©7

C7

F







'tain't no use o'teach - in'

Oh,

F

        



such mod - u - la - tion,

G7

  

  

When I

Ha - gar's





Child - ren

     

C7

       



that mel - o - dy they call the

F



A7

When my feet say dance,I

hear

C7



F7

       





'taint no use you preach - in',

      



while I sing those lov - in' Aunt Ha - gar's Blues.

join

     

D7



If the dev - il brought it, the

                  con - gre - ga - tion

F

          





right

C7

Fm

from on high broke loose.

C©7

153



Blues.



  

154

Avalon A D7





  I

 

E7

B

 

found my

D7



  

love

in

A - va - lon,



 

 

I

left my

love in



dream of







G

 



so

I

  

her and

A - va - lon

G





and



trav - el on,

dusk

  to



'til

G



-

A



va





 And

 

 -

F©7F7

I

dawn.

D7





Cm6

 

Am7

bay,



a - way.

E7





the

G



sailed

Am

G



D+7

1920

D7



Be - Side

from

  





 



F©7F7 E7

think I'll



A - va - lon,

  



G

D+7

 



Al Jolson

lon.

Amazing Grace   

G



G

G7

C

G

G

D7

                

     

3

C

G

      

Em

 

3

3

D

 

  

G

 





155

Singin' The Blues q = 120

Con Conrod 1920

Bb

Fmaj7

      A Gm7

   

 

     

D7







           

G7

C7



2 - Bar Break



 

C7

Fdim

     

F

       

D7





  

    

       Ddim



               

D7

Dm7

Gm7

Gm7

 

        

C     

 



F

   

F        

C7

F

    

G7

F

       

C7

     

      A7

Gm

  

C7

B

Am

   

Gm



Abdim

G7

C7



       

        



   

F



          3

3

F

                   3





156

Second Hand Rose James F. Hanley & Grant Clarke - 1921

A D7  G      

G

D7

G

    



   

Fath-er has a bus- 'ness, Strict-ly sec-ond hand,

D7  A7       To

a

G

Stuff in our

ba- by grand.

B‹  A7       

E7

bused,

I

B







A

D

E7        

It's no won-der that I feel a-

A7

  



Sec- ond hand shoes,

Sec- ond hand hose,

G





me

 A‹7  pardon

 



Sec- ond Hand Rose. their sec - ond hand beauxs.

me

D7



lor, 'em,

A‹



D7

D&7





have a thing that ain't been used:

Sec- ond hand clothes,

D7

D7

A‹

Some-one wore be- fore.







a- part- ment, came from fath-er's store,

Sec- ond hand hats,

  

G



    

       

nev-er-

D7    G Gº    

G

A7



A‹

Ev- 'ry- thing from tooth- picks,

    

E - ven things I'm wear- ing,

 A‹  

D7

    

Gº

 



I'm wear- ing

D7



   

E - ven our piE - ven my pa-

   

Fath- er bought for ten cents on the Have some- bod- y else's 'ni- tials



  

All

the girls hand

That's why they call

G

D7 D&7

  

G



dolon

G©º

   

an- o in the ja- maswhen I

 lar. 'em.

157

C D7  G Gº   



 







A7





ond

hand pearls,

I'm wear- ing

sec- ond hand curls,

Sec-

ond

hand rings,

I'm sick

sec- ond hand things





nev-

er

get

nev-

er

get

A‹



D‹



had







sin-

gle

what

oth-

er





the nerve to

nudged her friend and

D7  G Gº   



a

E - ven Jake the

G  

G&7



Once while stroll- ing





Sec-

G7  



G

A‹





D‹



of



 tell



me

said "Oh

G







Ritz



thing that's girl-

A‹

C





do.







man

I

a-

dore,

He

girl

got

my

goat,

She

a

A7







mar- ried

look! There's my

A7

old

 





be- fore! fur





that I'm just

Sec- ond Hand Rose,

Ev- 'ry-

one knows,

that I'm just

Sec- ond Hand Rose,







G



Sec-

ond

Av-

e-

nue.

Sec-

ond

Av-

e-

nue.

D7





D&7





coat!"

one knows,

D7

I

G&

Ev- 'ry-

A‹7

I









new.

ies

he's been







plumb- er, he's the thru the

C





I'm





From From





wear- ing

  

Lovin' Sam (The Sheik of Alabam')

158

A D

Dº

            Lis - ten sis Ev -'ry hus

G

     

D

     

ters and bro - thers band and lov - er,

D

D7

G

D

         B

He's the great Keep your gal

G

   

  

a - bout a man I and you can pass it



  

lov - ers cov - er,

D

D7

      

There ain't a high - brown gal in town If Lov - in'Sam gives her the grin,

E7

         To be the bride of And in the morn - in'

There ain't a wo - man he can't vamp, But if your gal you aim to keep,

       

Dº

est of un - der

        

A7

But let me tell you Then here's my warn - in'

A7

   



D

 

They say that he's the lov - in' champ, Of course they say ad - vice is cheap,

E7

D7

I sup - pose you've heard of the Sheik. Bet - ter take a bit of ad - vice.

        

         

1922

D







know: on:

D

     

D7

Ev - er kissed a girl on the cheek. Sure as there's a deuce on the dice,

G



D

           Who would - n't throw her dad - dy down Then you is out and Sam is in!

      

D



this col - ored Ro - me - o. your lov - in' ma - ma's gone!

D7

       Peo - ple Peo - ple

C G

    

call

D7





  





G

  gals

  

 go

A7

Does he

D G



 

love

D7



step?

 like



fin - est

G

  

     

Lov - in'

D7

kit - chens

bies cry

G

E7

          

all love Lov - in' Sam,

And when the



wick - ed

a

eye!

A7

  



You could have your eggs and

ham,

down in

     



          

    







2 bar break

 



  

rolls

He's a

That's what he does - n't do noth - in'else but!Could you

strut?

Sam,

    



Boy! He



bam'.

man!

 

D7

-



Bm

by,

  

high - brown ba

  



Does he

Al - a

 



G

a heart break - in'

stroll - in'

  



He's the Sheik of

  

  

      



Sam,

mean love mak - in'



  



Lov - in'

him

A7

159

G7

Al - a



 

for

you like



 B7



-



bam'.

In the

 



You'd make the

C

Cm

        

ba - bies cry

Am7

D7

for Cas - tor

       

The Sheik of

 

Al

-

-

  ia! They

G

        

a - bam'.

Peo - ple

160

Ma He's Making Eyes At Me Con Conrad - 1921

A F

       

F

oh! So sil- ly and

shy,

  

Lit- tle Lil- ly was

C7

C7

D‹

Dº G‹7

       

C7

 

   

to cud - dle

try,

B F

And all the

F

   

"Ma,

   

Ev -'ry sin-gle-nightsome smart fel-low would

G7

    C7 Cº C7  

  

up to her,

But she would cry:

C7     G7     

   

fel-lows knew,

C7

 

She would-n't bill and coo.

F

  

   



  

C7

he's mak-ing eyes

at me!

C&7

F

      

Ma,

he's aw-ful nice

to me!

F

Dº C7 C7 F C7                   

I'm be- side him, Mer- cy! Let his con scienceguidehim If you peek in, Can'tyou see I'm goin' to weak - en?

Ma he's al mostbreak-ingmy heart,

C F



    G7    



Ma,

G7

  C7

he wants to



  

C7

  

F



mar-





on my should-er,Ma, for as - sis- tance!

C7

ry me,

Fº

 C7



Ev- 'ry min- ute Me, I'm meet- ing

G7

 









Be

my

hon-





F

B¨7

he gets bold- er, with re - sis - tance

   

C7

he's kiss - ing

B¨





me!"

F





A7

ey

bee.



D7





Fº



Now he's lean- ing I shall hol- ler

F

  

  

When You're A Million Miles From Nowhere

161

Walter Donaldson - 1919

     

A A‹7

 

You're a

D7  

mile

mil-



G/B  one

   

GŒ„Š7

from no- where,

It's the

C/G





B‹/D

That keeps ring-

ing

in



the gates

     GŒ„Š7

of heav- en,

E7     

You're a



mil-

B¨º

  lit-



tle

lion

D7/A



mile



B¨º



from

er's tears,

   

ears.

You just

B7 Dº C©‹7

F©‹7

  

 A‹ from

 G  

home.

lit- tle

B¨º



  



 A‹7

moth-

G

D7





   

When you leave Moth-er's arms

miles

D7



when you're one

of

 your



D7/A

 D7 

song



B¨º



A‹7     

from home.

B7/D©  



lion miles

G

B D7  A‹7    





   

D7   

leave

D7



A7





no- where,

C7

to roam.

G





A©º 



When you're



My Honey's Lovin' Arms

162

Herman Ruby/Joseph Meyer - 1922

 A G

  



 

You've heard lov-ers,

 

D7

Dº

D7



pet;

 G I'm



C7

 

Love- sick

  

D&7

They

 so

  

diff-'rent,

al- ways

C7

 

Oh,

  

G



lov- ers

fret

G

 G©º   



get

ro-

  

so diff-'rent-

man- tic,



 A

A‹7



G©º

  

bout their

 D&7   

Drive you fran-tic.

G





now;



B7

  

While I'm in

A‹ D&7 E‹     B‹     A9                love I know

I

simp-ly

go

and

whis-per low

to

Hon- ey

Ba- by:

  G      B

I

 G   A7  





A

place

to

 A9  

love you



You'll find

 'Cause

I be- long

     

C7

when

the

G



D7

 

a

 

 

my

hap-py

pair!

      

lit- tle hon-

ey.

    

to you

  

E7





on-

G7



world seems wrong,

Right in

    

When years have passed a- way



  

ly.

D7

Seems to bless my

love be- longs



lone-

D‹6     

  



   

more each day,

my



Oh, what

A‹7

world of charms,

  



     



a

    

E7

am

co- zy chair,



 C C‹     

I

D7

Hap- pi- ness,

   

when

     

One ca- ress,

G  

nes- tle

com- fy

I

They hold

D‹6     

  



 A7        C  G 

   

lov- in' arms,

  

A

C7

    

love your

163

A7

D7

      

Hon-ey's

Lov- in'

G



ly;







I

know

that

C7

G





  

St. James Infirmary

164

B7

Em

    



 A

Em

C7

B7

Em



When will I ev - er stop moan - in'?



Am

C7

B7

         

Em

Am

    

 

My ba - by went and

for?

B Em

B7

         

Em

  



Em

B7

C7

B7

    

E7

    

My ba - by went and

Em B7



Em

Am Em

     

 

C7

B7

    



Ne - ver to come back no

left me

Em

Em

C7

more.

G7

-

-

My ba - by there she lay, I asked old Doc - tor Sharp, Wher ev - er she may be.

C7

B7

Em

                           out "Boy, hunt

 

I went

B7

                

Em

C7 B7

I feel so blue and heart - bro - ken What am I liv - ing

down to the Saint James In - firm -'ry "What is my ba - by's chan - ces" go, let her go - God bless her

Em

Am

When will I ev - er smile?

left me, She'll be gone a long long while.



C7 B7

on a cold mar ble ta - ble - Well, I looked and I turned a - way. by six o' clockthis eve' nin, - She'll be play - in' her gol den harp. this - wide - world o - ver But she'll ne - ver find a man like me.

 

La - id

She can

      Let her

165 Wilbur C. Sweatman - 1911

Down Home Rag C7

G7

              

         



 



A F   G‹7     F   D‹7    G7   C7     F/A   B¨‹6/G       



G‹7 F/A B‹6/G F D‹7 G7 C7 F    

F

 B     F6





F7

F6

                    

A¨7

     

C‹

A¨7

G7

  

C7

           

G7 C7 F  

F

F7 E6 G©º A¨7

          

F7



  



F7

  



B¨7 E¨ E¨‹ B¨ B¨ C7 F7 C B¨                       B¨ 

E¨ E¨‹ B¨ B¨ B¨7 E¨ B¨ C7 F7 B¨   B¨7                                   D B¨

E¨‹

B¨

B¨

B¨

E¨‹

B¨

B¨

E¨‹

C7

F7

                         

E¨‹

C7

F7

B¨

                   

Play "A" Once and end

Shake It & Break It

166

A    G   

G   

 D7 



B G

 

 G C  G



 G  

D7



Artie Matthews - 1915

Clarinet Break: 2 bars

G7













       G G7 C C‹





D7

    G





G

    

Break: 2 bars

  

           







  









  

       

C7

            

      

G G7 C





C7       

     G7

G

D7

G7

D7



             



  

      

C

C‹ G



D7

 G7

  

      



167 Play "D" As AWritten - Repeat for Solos

D C

G7

C

C

G7

          

G7 C A7                       C



A7



D‹





D©º



C

       

After Last Solo play "D" once as written then go on

   

                       G7



E  G



C

Break: 2 bars







G D7              

C7 

G                       

 

G G7CC‹ G





Fine



Dixieland Jazz Band One Step

168 q = 200

C      A

C   

G7 G7 D7 G7                     

C C7 G            

C 

C       

G7 G7                     C C7 G          



D7 G7         

  

C F Dm7                  B

C   

C 

      



Gm7 C       

F F C F                             Dm D7         



Gm G#dim F C7 F7              



169

Bb D7 D7 G7 C Bb                                

G7 C C7                    

B¨

        

F F         

A7

   

F7   

            

Dm

Bb

Dm

G7

Bb Bb D7 D7 G7                                   D

G7 C C7 Eb                              Edim Bb G7           3



C7 

F 



Bb 

Bb 



Rufe Johnson's Harmony Band

170

Shleton Brooks & Maurice Abraham - 1914

A

F

G©7 F©º

      

Rufe John- son

C7

  

F

  

leads a

band,

 

G‹6

A¨º



C7



F

Down

in

Sa-

van-

nah,

Down

They all

keep

sway-

ing,

While Rufe

  

B G‹

D7           He real- ly can't be beat,



D‹7

G7

C

   



van-

nah-

'Man-

ci-

pa- tion

  



hol-

i-

act

like



G.

 

day, fools,



C7



in

Sa-

van-

nah.

is

play-

ing.

C



 

C When

Day.

The

C



You'll

hear

  



A.

You

G‹6

  

G7

    Down in Sa-

but he will get your goat,



they parhorse and





C



C7 

the

peo-

ple

say:

hear

them

say:

Bº

al - most

man,

shake their feet,

Plays rag-time mu--sic- sweet,



A‹

   



D7       

D‹D©º C/E



A¨º



G‹

Old Rufe can't read a note,

C©7

The peo- ple





 

He's one grand lead- er

When he comes down the street,

F

G©7 F©º C7

   

When he plays

  

each

mules

they

ade





  F       

A7         

C

Here they come,

Just lis- ten

A7

     

      





 

Say

   E

Hon,

F

D7

  played

ain't

that

-

Lis

G‹7







ten

to

that



by

that

Eº

wide

G7





 



Old Ruf- us

 







er

u-

C7

G‹



lead-

C7





G‹7





hear

it



C7





groan- ing,



ta- tion



    

John-son's Har-

It's

D7

G‹



 He's

man.

F

mon -y





old cor- net,

D7



rep-



      

Bº           a world

 

rump, rump.

B¨

F B¨ got

rump,

trom- bone moan- ing,





D‹

Root -te-toot, toot- te-toot, toot-te-toot toot-te-toot.





A7

 

D7        



 F7

Boy ain't he

 

rump,

F

Lis-ten to that dog-gone flute,

G7

 

He's go- ing

   

to that drum,

D‹

   

beat- in' some,

D B¨  

171

D7       

For play- ing

F



Band

syn- co-





pa- tion;

Solos at "C"



  

172

Runnin' Wild G

 

C©dim

G

  



Eb7

Am7

  

D7

G7

   

    My When

Verse

AC

     gal and I first

  



C7

I

we

had a

that

gal of

met

  

C

guess she

thinks

when she

fight

E7

       

mine









and

I'm

all

by

it

Am

      

that she's

gone

I'll

thought she

had me

right

she

  



C7

gon - na

show

her

she's all

Ma - ry

led

her

lit - tle

C

    

G

now

  

  

  

F



F





the

shelf.

I'm

act - in'

mean.

Like





wrong

no

lone - some stuff for

lamb

she

led

the

a - lone

She'll soon find that

I'm

to

that's the rea - son

I'm

had

turn,

D7

all

all

the worm

Am7

me

   

G7

But



lay right on start - ed

dream.



won't sit home til

I

   

Eb7

  

my - self.

D7

G

  



a

C©dim







seemed just like

C

G7

 

C

 me time,

 I Un -

     Runn - in' Runn - in'

wild, wild

173

Chorus  B 

C

C7

     



    



lost con - trol,

C

Dm6

     





Feel - in' gay,

G

  

 

all the

 



time,

C

C

D7

 

E7

  

 

Reck - less

  

 

nev - er

 

   

E7



C

  while,



      All a - lone

    

Al - ways

A7

G7



blue.



D7





Don't love no - bo

- dy





Run - nin'

bold.

 

  

  

 

Al - ways

goin',

Care - free mind,



   

I don't care,



too,

don't know where,

F

Cm6







   



might - y

Am

C7

    





Run - nin' wild,

G7

 

F

C

 Wild.

F



showin'

G7

     It's not worth -

  

  

174

q = 160

Alabama Jubilee

A C

Ab7

       Man - do - lins,

Com ethis way,

C

      Mu - sic sweet,



D7

C

D7

     

G

Bet - ter hur - ry hon - ey dear,or you'll be miss in'

Ab7

C

     

rag - time treat,

G7

C

             

G7

Goes right to you head and trick - les to your feet.

D7

G7

                       mem - o-ry find - er ofnights down in old Al-a

B A7     A7                see Dea - con Jones when he



D7

  

'round like a clown,

  

bam: You ought to

        

Old Par - son Brown danc - in'

G7

C

    

             Aunt Jem - i - ma who is past eight - y three

      

 C       

3

D7

rat - tles them bones,

G7

G7

           

don't de - lay,

It's a re - mind -er a

G7

Ev -'ry - bod - y tun - in' up,the fun be - gins,

Am

G

G7

             

vi - o - lins,

C

     

C

     

George Cobb - 1915

A7

Shout - in'"I'm full o' pep!

A7

      

Wtach yo' step, watch yo' step!" One leg - ged Joe danced a - round on his toe,

 Dmin         



Dmin 

 

Threw a - way his cane and hol - lered,"Let her

 F 



gang's all

C

 here

 

for an

D7

 D7      go!"

G7

      

Oh Hon - ey

 

Al - a - bam - a Jub - i - lee.

C



C

E7

Hail,

Hail,



   

 

the

  

This Little Light of Mine A C

      

This lit - tle light of

 

C

  





I'm gon - na let it

C



 



  







 

   





C

  shine,





  



I'm gon - na let I'm gon - na let

it it



F

   Let it shine,





 C

I'm gon - na let I'm gon - na let



it it

shine. shine.

C

     I'm gon - na let I'm gon - na let

C

G7

it it

          let

my



shine. shine.



out world,

I'm gon - na

C7

  

        

Won't let a - ny - one blow it I'll take this light all a - round the

C

I'm gon - na let my lit - tle light shine.

Won't let a - ny - one blow it out, I'll take this light all a - round the world,

C

G7

        

Won't let a - ny - one blow it out I'll take this light all a - round the world,

F

C

This lit - tle light of mine

Ev' ry day



This lit - tle light of

shine.

    

   

  

    



       F

Ev' ry day



F

C

I'm gon - na let it shine.

   

I'm gon - na let it

mine

      

A‹

B C

   

 C

mine

shine.



C7

175

A‹





 

shine. shine.

Let it

C



lit - tle light shine.



176

Sister Kate

q = 164

Bb

Bº

F

D7

A.J. PIRON - 1919

Gm

C7

F

                       

A C7

C7

            Went to a dance with my sis - ter

F

         I re - a - lized a

Kate,

Gm7

    

thing or

C7

two

F

D7

        allthe boys are

      

and I got wise to

F

some - thing new,

F

F

            and then I knew it was

Db7

just

   

 

in her

C7

                

go - ing wild

I

F

C7

trance,

G7



ev -'ry one there said shedanced so great.

            in a

D7

          

C7

I looked at Kate, she was



o - ver Ka - tie's danc - ing style.

F



dance.

  I

177

Chorus

G7

B C7

F

                        wish I could shim my like my sis - ter Kate, she

C7

C7

        

my ma - ma want - ed to

F

   

  

know last

night,

ev' ry

F7

         knows that she can shim - my and it's

F

  







be

up

to

date

F

  Kate

 I

D7



mean

D7



our

C7

  

I

 can

Db7

Gm



Shim - my

my

Bº

I know I'm late



C7

like

neigh - bor - hood

    

shim - my

      

  

Bb

un - der - stood

  when

in

  

  

plate.

why all the boys treat sis -ter

boy

F7

on a

        

      

nice.

F

  

    

F

C7

  

Kate so

shi - vers like the jel - ly

F7

sis - ter





like

my

  Kate.

F



  but I'll

C7

 



sis - ter



178

Hot Lips

q = 180

1922

Eb7

       A

There's a



D7

boy that's

   



Fin - est since you're



Eb7

     They all



A7

call him

     ev' - ry

bo - dy

G

      

in our



band,

    

And

how he blows that

G

   

   





for

    

    

on the floor just

He

D



blows real red hot

    

floats that's what they

   

gone.

G

      

   

horn,

When he starts you're

born,

Hot lips



 F7



Dº

   

notes,

F+7

   

say: He's got hot

And



179

B Bb

     

Eº

F7

     

lips,

when he plays

F+7

       

Bb

You're on your

toes

C7

  

and shakes your

When he plays

Bb





F7

Stop Time

Bb

D7

rare

you

must

    

       boy

is there,

shoes,

Boy how he

F+7



D7

   





through,

He

Bb7

  







too.

his Time:

Gm

Gm

      

Eº





  

with two hot

Bb



lips.

  

can be

F+7

   

mus - ic's

   



de - clare

F7

Fº

   

F7

They're cu - ckoo

D Bb



F7

has.

I watch the

  

F+7

proud,

C+

Solo Break

Eº

F7



like no one

Blues .

un - til he's



    

steps,

F

Bb

              

crowd,

   

    

    

goes,

He draws out

Bbm6



F+7

    

jazz,

C+7

   C

F7

you know the Solos at "B"





F+7

  

  

180

St. Louis Blues W.C. Handy 1914

q = 100

A Fm

C7

B¨m

            St.Lou - is

There with her dia - mond rings,

Fm

E¨

Db

          

hair.

B F7

Db7

 





F

F

  

go down. to - day.

C7

 



he done left make my get



-

F7



this town. a - way.

   

G7



C7

   

O - h,

B¨

         see I hate to feel to - mor - row,

B7

C7



      

Be - 'cause my ba - by I'll pack my trunk

F



Fm

and for store bought

would not have gone no where, no - where.

the eve - nin'sun go down. like I feel to - day.

the eve - nin' sun like I feel

    

         

         

        

B¨m

Fm

B¨

I hate to see, to mor - row

Pulls that man a - round,

Ex - cept for pow - der

You know the man I love,

       

        

Fm C7          

        

 

B¨m Db7

C7

 

by her a - pron strings.

C7

G7 G7b5 C7

        

Wo - man

C7

C7









Feel Got the

  

181

C F

                 St. Lou - is Blues,just as blue

Gm

B¨7

as

Gm

I

can

B¨7

F B¨ F B¨

F B¨ F7





be.

F B¨ F B¨ F

                 man got a heart like a

C7

 



else

1.

F

 

he





rock



wouldn't have

cast

 gone

in





so



B¨ F7



far



2.



  Got the

F

   

me.

That

  



the sea,



  



Or







from

me.



182

Careless Love

  G   A

D7

   



Love,

oh

love

G    E7   

oh

gal,

B  G  

A7

G



and you

near





D7



I

to

 Cm  

air

C  G  

A7



G



where the

Now

 I



 C 

D7

a







pron high,



A7



I'd build

my

nest



G

and he

nev







G



fly

from





C 

way

up

G





in

the

D7





me.



high,



 







D7







   





I'd

G

D7

mine.

G7



a - pron

wear my

Cm

G



a - pron high,



a

boys could not both - er

 G  E7    wear my

ma - ny

D7



bad



of

G

tree.

 

the heart

bird,



right





D7

fly

C 

G

lit - tle

a







broke this heart of



G



   

ly





were

 G  E7    tree

-

G7





D7





You

You'vebroke

G

If



love.

D7



  



care - less

thru my head like wine.

 Cm  

G

G





Now

I

G





G7





Now

I

wear

my

D7

   

- er, nev - er pass - es

G



by.



D7



Tuck Me To Sleep in My Old 'Tucky Home

183

George Meyer - 1921

A

 

 

G

Tuck

G7









me

to

sleep

in

my

old

 

cov - er

me

G

with

E‹

     

Dix - ie

G7



skies

G/D

'Tuck - y

home,

D7



and



  

-

leave me there a

C

C©º















Just

let

the

sun

kiss

my

cheeks

D

G/D

 

ev - 'ry dawn,

                 I've been miss - in'

G7

B

G7

ain't had

a

A7

I

can

G

bit of



    

al - ways

A7

   

rest the

G7









Tuck

me

to

sleep

in



D7









lay there stay there

   

rest,





C

     

      I

from my mam - my since I'm

since

I

  

A7

best

in

   her

C©º





my

old

  

     more

  to roam.



G

   like the

D7



gone.

C

     

mam - my's

 

'Tuck - y home,

G

lone.

nest.

D7



lov - in' arms.

C

D7

nev - er no

left my





A7

kiss - in'

G



A7





  



G



C©º



D7

 

C

G/D

G



let

 A‹7 

  me

D7





The Sheik of Araby

184 q = 180

A   

Cm

 

Ab7



-

O

Cm

ver





the

bold

Sheik

of





    G

Fol

-

low

Cm

   

Un



G

  He

 -

der

 the





sings

to

wild



and

G7

Cm







Ar - a

-

band

At

his

 

 



Cm

Dm7

Dm7

Cm

Dm7



Fm





by



G

Dm7

free









com - mand

G

   





car - a - van.

love's

Ab7





Fm



his

Cm

Fm

Cm

 

G7



ar - ab

His



D7



Fm

 



des - ert

the



Rides





Ab7

   

D7

D7



G7



D7



call

of

  her





shad - ow

to

Cm



the

 his

Dm7

Cm



Dm7

palms,

G7



arms.

G7



  I'm the

B

  

C

Sheik

C





of

ar

G7

   love

Em

    to

Dm

   night





stars







be - longs

to

 your

 when

Ebdim





tent

I'll

G7

  C

 that



a

to





G7



this

  



Sheik

of

A

 Ar

C



G7



a

 



 

creep



-

Am

D7



 

Dm



G7

 



E7

E&



E7

 



-

by

 you'll

D7



 

me

C

 will

love

D7

 The

bove

E&



G7

sleep





At



-



In -

Dm

 -

 

me

with

G7



G7

Your





land

Dm

by

Dm



way

G7

C

C©dim



our

rule

a

G7

light

-

C



shine





G&

you're

 A

a





G7

   

Dm



-

G7

C



C©dim

185

 the

C



 

186

Sister Kate A.J. PIRON - 1919

q = 164

Bb

Bº

F

D7

Gm

C7

F

                       

A C7

C7

            Went to a dance with my sis - ter

F

         I re - a - lized a

Kate,

Gm7

     

thing or

C7

two

F

D7

        allthe boys are

      

and I got wise to

F

some - thing new,

F

F

            and then I knew it was

Db7

just

   

 

in her

C7

                

go - ing wild

I

F

C7

trance,

G7



ev -'ry one there said shedanced so great.

            in a

D7

          

C7

I looked at Kate, she was



o - ver Ka - tie's danc - ing style.

F



dance.

  I

187

Chorus

G7

F F7                               B C7

wish I could shim my like my sis - ter Kate, she

C7

C7

        

my ma - ma want - ed to

F

    

  

know last

night,

ev' ry

F7

          knows that she can shim - my and it's

F

 







be

up

to

date

F

  Kate

 I

D7



mean

why all the boys treat sis -ter

D7



in

our

C7

  

I

 can

Db7



Shim - my



C7

like

my

Bº

I know I'm late

shim - my

      

neigh - bor - hood

    

un - der - stood

Gm

  

Bb

  

  

  when

boy

F7

plate.

       

      

nice.

F

  

on a

F

C7

  

Kate so

shi - vers like the jel - ly

sis - ter





like

my

  Kate.

F



  but I'll

C7

 



sis - ter



188

The Love Nest Louis A. Hirsch & Otto Harbach - 1920

F

A

  

C7





Man - y

A‹

 



G‹









 



A‹



cot - tage



F



 





 them

C

F

 



by - gone

days,



Long

or

C

G‹





all





wide

or

C9





Jack built long

D7



Yet



They have built for





a -

G7



 

mill - ions sing

its



man.

D





low.

F





A‹



 







E7

C7

some were tall

F



E7

man - sion, Inn,



G‹7(b5)





G‹7

in



A‹

of

built









F

E7

the best one



C7

Since the world be - gan.

But

 







F

there have been

Some were small, and

G‹

C7

build - ers

 

Pal - ace,

F





go.

`Twas

C7

 praise.





Just

 a

189

B

 F        

C7

 B¨      

F

F7

   

love nest,

co-zy and warm.

  farm.

A

D7

     Then a

C F

G‹

 

D



G‹



G7

kit-chen where some ram-bler ros- es

 

D7

    

Best of

is

a

Bet- ter

than

   

C7

G‹

love nest,



a

pal- ace

twine.

F7

  

    

F



You can call home.

 

dream room for

    a





Then a

all room,

with

A7/E

vine,

 



F7

tea set of blue.

two.

C7

B¨        

F

C7        

B¨

F

   

   

    

small room,

down on a

an- da with some sort of cling- ing

ver-

C7

     

   

Like a dove nest,

C7        

B¨

F7

gild- ed

A7 A7(b5)



dome,

  

Take Me To the Land of Jazz

190

Bert Kalmer, Edgar Leslie, Pete Wendling - 1919

A D7

 



There's

G7



  

mu- sic

in







the breeze,

and

D7

 



trom-bones

G7

 

grow

on trees.



D7 A¨7 D7 A¨7(b5) G7                       

C

 

You hear moan- in'

D7

   ev- 'ry

G7



  C 

ca- bar- et,

and groan- in'

it's the

   A¨7            to

hear it,

I

and tune-ful har- mo-nies.

  D7  G7 

C‹

long



C

must be near it,

on- ly

  C 

thing they play!

D7

A¨7(b5) G7         and that's why

I say:

 In

 

Well, I

191

Chorus: B C 

            

           

D7

Take me

to the

land of jazz,

Play the

kind-a' blues like

Mem-phis has,

Take me

to the

land of Jazz,

Let me hear the music New

Or- leans has,

         G7

I

wan' na step,

I

like it

D7    to

hot,

           and

layin''em down,

Come and take the

lat- est dare,



A7

up

  D7   G7

tune that's full

of

and you know that's what that

C

Pickin''em

a



A‹



gen -u- ine pep! ci-

ty's got!

E7     

  

Teach them how

all

Learn to

the "Griz-zly- Bear".

do

 

o- ver town, I

         D7      G7       

I'll give you fair warn- in',

I won't be home-

love that syn- co- pa- tion,

At

C©º            C

dan - cin' 'til

the

run - nin' wild and

G7

my des-

'til morntin- a-

In the lov - in'land of jazz.

livin' it

In the lov - in'land of jazz.

I'll be

tion!

      C   

sun comes up, up,

in'.

Just



  

Down In Borneo Isle

192

Herny Creamer & J. Turner Layton - 1917

A D‹

    

 



a- way

in

Far

A7



Jun- gle land,

  

Jun- gle,



 



  

  





Where they play



Jun- gle,

Tuba- Toms- etc.

D‹





  

Jun-gle land,

D‹

   

G‹

  

up-

  

on the sand,

Tuba- Toms









C7









C7



  







         

Jun- gle,



G‹7



Jun- gle,

Jun- gle sand.

Tuba- Toms- etc

B C7

  



In the

  eve-

ning

F

     





Tum- bles,



is cool-er

D‹

 

la Boo- la.

C

F

when the day

   

does the Boo-

     

C&

And

G7





Stum- bles,

ev-'ry-







they

say

that



C7



    

   

  bod-

 y

  

mon-key band,

   

As they bun- gle thru the jun- gle.

193

C

C7       

Down

in

F

F©º

I

C7

F

    

Down

D7



Down

   

 



Bor- ne- o,

F

D C7



And

those

   

in

Bor- ne- o,

D‹

   

Oh, Oh, Oh,

To

in

C7/E





see





real

wild

F

F©º

wild

men

Oh,

 Oh,

  

Oh, Oh, Oh!

G7       

the

mus- ic slow,

Down

danc- ing

a- round,



 

wo- men

in

swim- min'!

F

 

D7 Dº

     

All theywear is a smile,

 

lights are low,

 

C7

How

 C7   in

   



           

Bor- ne- o Isle.

 

   

eve-ning when the

in

C©7/G



F

Where I want to go,

And ev-'ry

    

Down



those

E7

 

Bor- ne- o,

G‹

  

  

C7/G

love to





C7

F         

      

Bor- ne- o

D‹

 

Oh,

 Oh,

    

they toad- al-

F B¨7 F  Isle.

o,



194

The Jazz Me Blues Tom Delaney 1921

A F

                  Down in Louis - i - an - a

G7 C7         su - per

in that sun - ny

 

clime - They

break

  

hear that jazz band

play a class of mu - sic that is

F        

fine - And it makes no dif - fer - ence if

F    

       



mu - sic





play - ing

its



all

the

B

sounds so pe - cu - liar 'cause the mu - sic's queer

G7    fill

C



 

the

air





Then

break

    

  

be in

rhyme



F  

 

F      

to

 

 

  

shine - You can

rain or

C7  

F                

  

F





time

it

          How its sweet vi -bra - tion seems to

 you









the whole world seems

C7      

You want noth - ing else but jazz - band mu - sic

all the

F

   time

 to



195

Cº C7 Cº C7 C C7                          Ev -'ry

D7     Jazz

one that's nigh

nev - er seems

G7           

  

Don't stop the mu - sic it's

man

C7          know I want to hear it

both

day and

(Jazz

Time)

Dmin   





Take your time don't rush



G7  





dog - gone real - gone

F 

break

    

A7       Don't want it slow,







it

play

it

sweet and

  

jazz - band "Jazz

(Jazz - man!) You

Please Sir will you play it in jazz - time

D7   

C7   

   



man

Don't want it fast



Oh!

G7             

F      



cry:

night and if you don't blow it hot then I

don't feel right Nowif it's rag - time

  

Jazz

  

     

  

F7 E7 Eb7 D7                  

 

to sigh Hear them loud - ly

A7  

 Me"

F Bb7  blues.

 

 

low

 

I've

F 

got those

E7 Eb7  

  

Solos at "C"

Jelly Roll Blues

196

Jelly Roll Morton - 1905

 G7 G7                 

  A¨        

Ensemble

Stop Time Banjo Solo - 7 beats

A

C A‹         

C

3

    

3

Trombone Solo 3 Beats



  

Cº

C





     Cornet solo 3 beats

Ensemble

C7

       

   F             C 

D7 G7 C C7 F F‹ C G7                                  G7

3

B C

3

Stop time 3 bars - ad lib breaks

   E7   A‹  E7  A‹  C7   F       C

 

    



 

  

 

G7

  

  G7     C C7  F   F‹  C   D7

3

3

F©º           



G7



197 Stop time 3 bars - ad lib breaks

    C   C   C7      F          C          F©º



C C

C C7

G7 D7  G7          F F‹  C G7                 3

3

4 bar interlude - clarinet trill, drum roll

C7

C7

C7

C7

C7

                             

   



           A7      F      F7       

DF

  Bº   B¨   F                        

       

C7  C7  F   G7    C7                        Back to "D" for Solos

198

Ole Miss

A   D7            

G

                G

          

D7            

G

D  

B‹

  

E‹



  

 C           D7 A‹             

   

G G7            

B  C            B7

   

G

           

D7             D7          

W.C. Handy - 1916

G©º

             

F©7



B‹





 

G7

E7             

G

G



C‹6

 G          

199

C

 D7          

G

          

D7             D7          



B7

D7

    C

C©º

     

              

          

D G7 C   G            

 A7  

G

G

D7            

 G

   

   

G

D7

             G

D7

G7

 

A7

D7

  



    E7

  

G

   C



E7



   G

      

   

Back to "D" for Solos Then Play "C" and "D out.

200

Blues My Naughty Sweetie Gives To Me 1919

h = 100

E7   Am         There are

Fdim

Bbdim Dm        that you get from that will give you to an - oth - er



  

Am

  Blues Blues Blues



ly, ly, ey,

Fdim

There are There are When she

  F7  E7   

pain, pain, guy,

 

your one and on your one and on all of your mon -

A7    Dm    

that you get from wor - ry that you get when sin - gle that you get from sweet - ie

Blues Blues Blues

D‹

Am 

Am

     

And there are Blues when you're lone And there are Blues when you're lone And there are Blues when your hon

B7

    

E7 

  

The Blues you can nev - er ex The Blues you can nev - er ex And Blues when she tells you a

Am

       that you get from long - ing that you get from long - ing that you get when mar - ried

E7      A7     

But the To hold Wish - ing

blu some that

     

Are the sort of Blues that's on my But the kind of Blues that al - way But the kind of Blues that's good and

mind, stabs, blue,

G7 D7 G9 C                     D7

mean - est kind, The Blues my naught - y sweet - ie gives to tax - i cabs, The Blues my naught - y sweet - ie gives to wine for two, The kind of Blues my sweet - ie gives to

me. me. me.

 



- ly - ly - ey

For For spends

    

- plain; - plain;

A7   Dm     

Blues Blues phones

There are There are There are

lie;

      E7 

est Blues that be one on your knee, you could be free,

D7

   

They're the ve - ry Come from hi - ring Comes from hav - ing

(E7)

        There are There are There are

I Never Knew I Could Love Anybody

201

h = 84

A A

A+

D6/A

       A

F©7

B7

eyes

And



A7





D



sin - gle

could

could

 I



Hon - ey





nev - er



like



I'm



knew

I

could

-





pair

of

E7



  

do;

eat,



lov

E7

can't





A

what a

I

so

  

 

ize



be



-







E7



E7

Hon - ey, like I'm lov - ing

could



A+

 



Dm









smile

can't sleep,

  

B7

B7

ba - by

a



I

  

re - al

   

B A6     

C A

 

B7

bod - y,

D

I could - n't

  

  

love an - y

I could

   

you;

F©7

      

I nev - er knew

  

G6

1920



D

   

nev - er knew a

I

D



E7





sweet,

D6/A





love

A





ing

you.

G6





F©7



an - y - bod





 -

y,



The Curse of An Aching Heart

202

Al Piantadosi - 1913

F

F‹

   

 



A

C

  C 



Cº





made

me

what

I

F‹

C

   sat-

is-

C

    E7

 



soul

Cº



Gº



 and

E7/G©

  you,





  That's the

D7



curse

me

dream,



you're not

G7



un-





died.

You





you're

and down

 

You fooled

me

B7





from

the

F©º





C/G 

E7

true

I

still

love

 

G7 





of

ach-

ing

an



G7

F





hope



down

C7



And though





me

'ry

F

I

C





ev-



day,



in





G7



C

 F



to-



with-

start.

A7



am





tered each

F©‹

C7

You dragged

D7

the

B C







You

C

fied.



til

shat-





 

Cº





G7

C



heart.







Some of These Days    A A7        

A7

you'll feel

G7

 

so

G7





kiss - in'

 

Dm

Dm



lone - ly

D7



lone - ly,

    



F7

B¨

  grieve

 me

G7

 

hon - ey



 -

on

Gm

Gm



   

Some of these days

D7

   



hug - gin'



C7

 

you'll miss my

C7

    

ly,

D7

    







C7

me



hon - ey

cuz you know

B¨

G7

You'll be so

B¨

And whenyou leave

D7

     

when you're a - way.

just for me

you al - ways got your way,

F



you'll miss my

G7

      

Gm

     

   





your gon - na miss me hon - ey.

you'll miss me

B F7

A7

      

Some of these days

     

Dm

203

Bdim

     

I know you'll

F

             you know

you'll

miss your ba - by

oh some of these days.

Rose of Washington Square

204

James F. Halnley - 1919

     

A B‹

E‹ F©7    B‹              

A gar-denthat nev-er knowssun-shine

 B7     

Onceshel-tered a beau - ti - ful rose.

E‹

F©

C©7

F©7

            

sha-dows it grew with-out sun-light- or dew, as a child of the cit-

 

In the



y grows.

 

A

B‹     E‹  F©7   B‹    D   D©º         

but- ter-fly flew to the gar- den, from out of the blue sky a- bove, the heart of the rose set a-

F7 B‹  E7 A  A             flut-ter,-

 A7  

bees,

with a



won-der-ful tale

of

  E‹7         

love,

E7

        of the brooks and

of

mea-dows and

He told her of birds and of

 

A7

trees.

  He

 

 

whis- pered,

205

A7    Dº     

   D   B

Rose,

 D  

where

A7      

of Wash- ing-tonSquare







the

sun

shines,

E7  B‹        

C  D  

Rose,

  Dº   A7    

I'll bring the

spar-kle with dew

E7

   

but be the queen

Eº



my Rose

    

but dwell in yourheart,

G‹6

your love to care,

D

    

     

   

of some fair gar- den,

    A7    

A7

did not mean

A7

        

sun-beams from the Hea-vens to you,

 B7      

 

should blos-som

for Na- ture

   

 

A&7

    B‹  

Rose,

I'll nev-er de- part,

B‹    E7  

a flow-er so Fair

F©7 

that you shouldblush un-seen

 

and give you kis-ses that

D



of Wash- ing-ton Square.

  

  

206

The Old Rugged Cross George Bernard - 1913

      D  

 D   

   A7





D&







D

G

 D

 

G G‹

  

D     

  

 G Gº   E7   

  

B  A7       

    

 D  

A7

D

    

      D 



Ritard

G   A D Dº  D D7  G Gº                

  

     G

D

D

   A7   

D



      A7

  

   

 D D7         Dº

   D G7 D       G

    C7

 



  B7  

G&

   

G6 A7

    

E      

D GG‹ D            

Dear Old Southland

207

Henry Creamer & Turner Layton - 1921

A G‹ F©&          

B¨/F

   D7/F©    G‹  F©&  

I want to stray

       C‹

E¨

C‹7

D7 G‹        in the cot-ton and

F©&   

I want

B¨/F



to hear

corn,

F©&

   

  

dear old Moth-er

each



My lit-tle home town.

B¨/F

D7/F©

     

To feel it,

B¨7

 

D7/F©

   



to the town I was born, My home town,

I want to play

G‹    

B¨/F

I used to steal it.

E¨





 

morn,



Tuba

     Eº

G‹

B¨º C‹7 D7 G‹               

say-ing "Go long, go long,

B  G  

G&



Dear, Dear,



A7

G  

C

D7

 

G

G&





G

 



Dear Old South land, Dear Old South- land,





go long, go long to school".

C©º

    

D7

I

C 



hear

you

call-

for you

my

heart

 

C





 G E7 ing

to

me.

is yearn- ing.

 C©º  



And

I

long,

how

I

long

to

roam

back

And

I

long

just

to

see

once

more

the



B¨º



to

my

old

land

I

love

D7/A





D7



Ken- tuck-



G



y

home.

that Swan- ee

shore.

C7

G





208

Foolish Questions

q = 152

1915

G        E7  A7    D7         

G

     



Now you've Now Now let's

  G    

C

A



all heardfool - ish

then

    



ques - tions

and you no

per - son

there's that

say the ele - vator per - son

G       one will ask you a





doubt



won - der

G

   

why

who's al - ways hanging'around the place

And

should for - get

And

to

close the door,

A

D7

              

fool ish ques - tion but ex-pect a sen - si - ble re - ply

he watch - es you take yourshav - ing brush and start to lath -er up your face. you should hap

pen

totumble down

G       

 

let's say for - ty

Say

give your

ra - zor

its

you hit

the bot - tom and

you

when

C   

  

first thing she'll do know

that

is

fool will

fool will stick his stick

G

C

 

when you take your girl some can - dy as

Some



to you and

down the shaft and

A7

D7

ask "Is

it

    for

"Are you

And

   

tea

The

wave

You

G

  

me?"

ask "Are you gonna shave? ask,

And

G

you're lying there in - ert

wrin - kle up her nose and

his

af - ter

prelim - in - ar - y

E7

up

ven floors.

  

just

      come

se

Like

hurt?"

Some

209

B  G          -

Foo

C

G

      



lish ques - tion

doubt

you re - ply

No it's for your

your

reply

is

No I'm not

I hope

you re - ply

You utter your dy - ing

A

        or it's for

paredfor shav - ing

I just love

he'dhave the fu ne ral - now and



the taste of then

soap.

C

slow.

G

in

G

    

I

justwant - ed you to

I

like to take my shav

Ned was al - ways so ori -

die la - ter on.

It

usual-ly saves a

C

G

lot

E7

                

And now I'll take it a - way. and paint my - self up this way.

see it ing brush

No, I was

      

an aw ful hurryand this ele - vator's just too

    

moan

some oth - er guy

pre -

No, he just though

D7



Ma or your Pa



no

I hope that



  

A - no - ther fool - ish ques - tion

You'll

gi - nal he would have want - ed it that way. com - ing

of time

down this way.

1.2.

D7  A7  G        

CF©‹ 

    

way,

F©‹   just

And he



        

Then there's this fel - low

hear them ev'ry day.

F©‹     

   

   

asks you why you're all dressed up

   

re - turn - ing from the

 F©‹   

  

Ned

And as you're

B‹







fu - ne - ral

and

who meets you on your

       

C©7

this is what you say.

B‹







of

dear

old





       

ring - ing out your hank - ie he'll ask

C©7

"Is



You're



bro - ther



Ned dead?"



Aggravatin' Papa

210

Roy Turk & Russell Robinson - 1922

 A F               I know a trif-

He lives in Birm- ing- ham,

oth-er night,

F

           

lin' man,

 F                C7      

B¨

They call him "Trif-

lin' Sam".

C7

F F©º                  'Way down in Al-

a- bam'.

C D7  G7              

He had a fight

with a

gal named Man-dy

Now the

G7



Brymm,

 

And she

G7 D‹7 G7 C7    C                     plain- ly sta-

ted she was ag- gra- va-

ted,An she shout-ed out to

him:



B D7 G7 C7 F   F                        "Ag- gra- va- tin' pa- pa, Don't you try to two-time me,

D7 G7 C7 F F                Ag- gra- va- tin' pa- pa, Treat me kind or let me

be,

I said don't two-time me.

F7



        I mean just let me be.

211

 B¨    F  F7     List- en while I

B¨

 

get you told,

Stop mess- in''round, sweet jel- ly roll.

C7 Break 2 bars

G7

            

   

you step out with a high brown ba-by,

F



C

D7

        Ag- gra- va- tin' pa- pa,

G7

C7

F

I'll do an- y-thing you



 B¨



 



Just treat

me

You

best

be care-ful,-

Once

you







I

pos- sess

I

can

beat

pa-

pa,

now sweet

F

say,

   

F7

F7



ty,

pret-

were stead-y

 a you

D7

        Ag- gra- va- tin' pa- pa,

F7

         yes, an- y- thing you say.

Doyour strut- tin'round my

Stop Time - Play beats 1 & 4 as marked

 F 





   

  

A E7     

 

But when you go strut- tin',

B¨

C7

    So pa- pa, Now pa- pa, Now pa- pa,

way.

 

 

 



F7

nice

and sweet,

'Cause

As

yon

can

be,

'Cause

Once

you

were

true,

But

Bº

 

Bº

   

don't

re-

peat!

do - in'

what you're

doin

to

me,

ma-

can't

pend

on

you,

G7

ma

four

that de-

 

C7

F F7 B¨ B¨‹

        

Don't you try to two-time me!

-2-

 

Be

 

fort - y

If

I'll smack you downand I don't mean may-be!

     

 B¨        

  F  D7     

  

F

C7

    

Rose Room

212

Harry Williams and Art Hickman - 1917

A B¨                     I want to take you to

    

ros - es

a

lit - tle

room,

I want to lead you in - to

bloom.

B¨

                Where ev' ry year the ros -es

in the trees,

B¨Œ„Š7

        sing us a song

give a

ball.

F7

  

Na - ture's

   Hall,

       

They have an or - ches - tra up

E¨            

B¨7

For their mu si - cians are the bird s

  

A lit - tle room where all the

        

  

      

    

and bees.

E¨‹

F5 F©

   

And the will

F7

B¨ B¨7 B¨º7 C‹7(b5) B¨ F©               As we are stroll - ing a - long.

In sun - ny

B

C7

      

F7

Rose - land,

the hon - ey bees are

Where



Where sum - mer breez - es

      

Bb7

  

Ebm

 



C7

 

Danc

C





 shin



- ing

C7

Ebm

 





ing".

Bb

G7

 -

-

 

ev - er then

I



      

  

F7



ing,

  

The moon when

 Bb 



de - sign

-

Eb



 

am

  

Rose - land,

-

F7

is more than ev - er

'tis

ing,



May

sway

     

Pin - ing

C7

"A

F7

      

For



while the mead - ow brook flows.

- ing,

Bb7

-

Eb

 

are

     

  

  

 

the ros - es

all



are play

     

There



 Bb 

      

  

213

pin

Bb

Bb          

Be - side a beau - ti - ful rose.

 -

ing,

G7





to be sweet - ly re - clin

ing

-



 

ing, Some - where in

   

  

High Society

214

C

 

           

G7

  

1901



A G7

G7

                      E7

Am

           Am

   



B G7

E7





E7

Am

Am

   

 D7

G7



    







C

C7

   

F

F©dim

C

 

C7                   C

C7

E7

 F    





         Bb

 

 



 Bdim









F

F 

D7

             

C

Solos Here

     

C D7 G7                       





  C7



D7 

    G7



F

Bb



    G7

  

C7



G7



     3

Bb



F



C7 





       

C

C



 



 C+7  F

 F 



F7



 F

  

     

D Dm

 



   

A7

A7 



      Dm

 



E Dm 



 

F

 



A7

 

C7 

G

Bb

  

F 

    



   













 C+7 

 F



F



F7



 D7



 

G7



  



  C7



 Bb



E‹





 





C7



G7



F

  

 F

  



 Bb

Bdim





  



 F







  



Gm 

E7





Dm



  

Gm 

A7

C7

Tuba

215



216

Alphonse Picou Clarinet Solo

C F3

3 F 3                                 3

                             F

C7



       3

G7



F



Bb

F

                    F

C7

3

               



F     

F                    F           Bb                   F

Bb

F

  

3 3 Bdim          F         F           

G7

  

     C7 

   F                

217

American Patrol

F.W. Meacham - 1891

D7   A G                              



A7 D7 G         

G

              

G D7 G        G7 C   A‹7             

B  D7       G         

D7

        

C D©º   G    G       G7           

C D7 G   G    E‹             

    

Tiger Rag

218

The Original Dixieland Jazz Band - 1917

A C

 

G7

     

    

C

C

            G7

               B D7





Cues are Trombone/Tuba















G

D7

        C

     C

     C F

  F

  F











D7 









2.         





D7             

















       C

G7



C7 Solo Break 

 

  



G

G7

    

C



C7

            

     

    





           

     



G



G

  

    





1.

Solo Break







C7

  

    

F Solo Break           



D

  B¨

 

C





D7



E B¨

       B¨

   F7

   F7

  

   G‹





 









F B¨

  

G©º



F

F

C7

   F7



F7

  





B¨







  

E¨

G7

  



C7

F7

   

 F7









  







  







  



        

  

Solo Break

              

F





  



  



         









219



B¨

 B¨7

E¨

     

Eº





B¨         

B¨



     Solos at "E"





  

At The Devil's Ball

220

Irving Berlin - 1913

A B‹               

      

I had a dream last night, - That filledme full

A7  B‹          Dev - il

be - low.

In his great



    

of fright: - I dreamt that I

   

big

fier-

y

was with the

 



hall,

F©7 D         

  

 B‹   

        

Dev- il was giv-

gaz- ing

ing a

Ball.

      

at

the mer-ry crowd

E7      must con- fess

to

 you,



B‹

Where the

  

I checked my coat and

that came to

     

hat and

wit-ness the show.

A7

    

There were ma- ny there I

 knew.

start-ed-

 

And I

    At

the

   

D

B

E7           

       Dev-il's Ball,

 D  

   

pret-ty-

E7  

A7

          

At the Dev-il's Ball,

D©º

and fat,

I saw thecute Mrs. Dev- il,so

A7

D

      

Dressed in

a

lit-

tle red

fire-

            

Dev-il's Ball,

D  A7             fun-ni-est dev-

il that

I ev-er saw,

of my moth-er

E7    A7    Oh! the lit - tle Dev - il,

E7

A7

I saw the

D

D7

           

Tak-ing the tick- ets from folks at the door,



in- law,

   

Danc-ing-

   



theDev-il's- Hall.

F©7 B‹ E7  G              I caught a glimpse

He played the mu-sicat the

E7            In

man's hat.

      

Eph- re-ham,the lead-er man,wha led the band last Fall,

 D      

D©º

    

A7

C

221

A7

  

at the Dev-il's-

E7

A7

      

Danc-ing with the Dev-il,

D



Ball.

  

At

     the

At The Jazz Band Ball

222 q = 180

Original Dixieland Jazz band - 1918

A Am

   

        

G7

C

A7

        D7

G7

                   Am

               D7

      

     

             G7

       

B A7

D7                      C

     

 A7

C

D7

    

       

D7            

D7

  G7   C  

D7             

         

   

G7

A7

F F©dim C A7               

        

   

A7

G7

  

       

F F©dim C A7                        

D7

 

    

C   G7       

Under The Bamboo Tree

223 Bob Cole - 1902

q = 164

A Bb

Cm

         

F7

   

Down in the jun - gles lived a maid,

D7

Bb

    

Gm

Cm

And ev - ry morn - ing

he would be

D7

a - wait - ing there his

B Bb

  

you like - a me

 like

F7

       

I like - a say,

Bb

    

  

I love - a you

F7

        One live

as two,

   

  

I like - a you

love - a

  

as one,

F7 Eb

 

bam - boo tree,

F7



and then to her he'd sing:

 and

  

   

I like - a change your



  

if you

  

a love

      

un - der the bam - boo



If





we like - a both the

     

you true and

     

two live

 

     

love to see.

this ve - ry day,

and

Cm

C7

   

  

from Ma - ta - boo - loo

down un - der - neath a

    



up - on a Zu - lu

Gm

  

F7

            

Bb

  

              

F7

   



C7

a marked im - pres - sion once she made ,

Bb

F7 Eb

of roy - al blood though dusk - y shade.

                    

Cm

same,

Bb

F7

     name.

'Cause





a

me,

Bb



tree.



Darktown Strutter's Ball

224

Sheldon Brooks - 1917

A C



  

I've

Cº





got

some

We'll meet

G7

   

Dark - town "ba - by

A‹

 





  

 



Ball.

It's

Dolls",

And each

D7

a

ver - y

swell

one

do

will

G7

  

 

 

there.

all the rest.

I'll

An ex - hi - bi - tion of the

G7



 -

af their

C

F7

E7



 

fair,

All the

best,

Cº

Just to

G7

           

wear my high silk hat and a frock tail coat,

You

And there'll be danc - ers from ev -'ry for - eign land,

The

A‹

 

  

clas - sic, buck and wing,

and the wood - en

dol - lar

in - vi - ta - tion to the

An

   

and your

bout it



hon - ey,

wear your Par - is gown

  

Cº

       

G7

E7

E‹

C

high - toned neigh - bors,

 

      

G7

good news

our

"high - browns"will be out - class

D‹7

G7

new silk

A‹





   

 

shawl,

There

ain't

no

clog.

We'll

win

that

D7

      babe,

We'll be the

best dressed in

prize

When we step

out

and

G

  

the

"Walk the

  hall. Dog".

G&7



doubt

 a -

fif - ty

G7



 

I'll be

225

A7 D7  B C                            down to get you in a tax - i hon - ey,You'd bet - ter be read

G7

     Nowdear - ie

C



C/E Cº Dm7 G7                   

don't be

C

   

mem - ber when we

y a - bout half - past eight.

late

I want to

be there when the band starts play - ing, Re -

A7

D7                   

get there hon - ey, The two steps I'm goin'to have'em

F

F©º

C

B7

                  dance out both my shoes,

D7

When they play the"Jel-

G7             mor - row night at

C

  

the Dar - town Strut - ter's Ball.

Cdim

all.

A7

   

ly Roll Blues"

Dm7

Goin'to

To -

G7

  

 

I'll be

  

Japanese Sandman

226

Raymond Egan & Richard Whiting - 1920

A G‹

 

E¨Œ„Š7 F©º

G‹

E¨9

C©9 D7

                 



Won't youstrecth im - ag - i - na - tion for the mo - ment and come with me.





G‹

E¨Œ„Š7 F©º

G‹

C‹6 C©º7 Aº/D

             

hast - en to a na - tion ly - ing

B¨        



o - ver the west

 

hind the cher -ry blos - soms here's a

D7

   



C‹



     sight that will

     Hide be-

please

B¨6





your







eyes.

G‹ G7 C‹

                 

D&7

Let us

sea.

C‹7



D7



G‹

There's a



ern

 

G7

  

ba - by with a la - dy of Ja - pan sing - ing lu - la - bies.



Night winds breathe her

G



sighs.





G

      Here's the Jap- an-ese



227

B  G 



Sand

E7

   

man,

Sneak-



ing in with the

G D7         



 B

C  D7      G   Then you'll be a bit old-

bold-



 



A‹7 hand

er

mor

      

row

Just to start life a

G7

C

     

er

Trade him

 man,

G

Here's the Jap- an-ese Sand



sil- ver for

      trad - ing new days for

new.

      

Gº 

D7



And you'll be a bit

D7

with the new day you make.

    

B

   

In the dawn when you wake,

      

man,

of the day that is

 

A‹





   

He will take ev-'ry sor- row

And he'll give you to-



Just an old sec-ond hand

G

     F©7 

through,

C‹  

dew.

       

He'll buy your old day from you.

A7

    



old.

C7

man,

     Just an

G



G



old

D7

sec- ond

    

April Showers

228

Louis Silvers & Bud DeSylva 1921

  

A E7



   Tho' A - pril

 E7 





Show - ers

 B‹  

  

E7



  

So if its



flo - wers

Bm

    

May.



They bring the

F©7



that bloom in



may come your way,

A

  

A



   



rain - ing

have no re - grets,

B7

E7                      Be - causeit

is - n't rain - ing rain you know,it's rain - ing vi - o - lets. And where you

B

 E7    see

A

    

 Bm 



dils,

 F©7   song,

up - on the

clouds

when

hills,

you soon will see

   

  

look- ing for

B7

   

ev - er

A - pril



  

D

So keep on





F©7

E7

a

Dm





blue - bird,

   

A



Sho - wers come a - long.





crowds

 and

   of daf - fo -

A

    list -'ning for his

  

The Whiffenpoof Song

229

Tod B. Galloway - 1909

   

We're

A

F



poor

C7

gone

B D‹





lit-tle lambs

who have lost





    

F‹

Gen - tle - men song - sters

 

ter-

G‹7

 

such



 

ni-

 as

F7



Off

E7

ty.

  

we,

    

F©º

C7



Baa!

 



  

Baa!

who have

on a spree,





Baa.

       

C&7

   

Doomed from here





Lord



Baa!

F

E¨7 D7





way.

C7





G‹7

tle black sheep









C7

Baa!



our

lit-

G‹7

stray,

F

F

We're

    

    





Baa!

a-

C7

 

C7

  

Baa!

 

F©º

F

 

C7

    

have

 Baa!

     mer-

cy

F

B¨‹6 F



Baa!

  to e-

 on



C7



Livery Stable Blues,

230

a la Muggsy Spanier

(Barnyard Blues)

Lopez & Nuñes, 1917

C©7 F F7 Bb Bb‹  F       

      

A C&7  F  F               

       C7

       

F

C7

Break - 1 Bar







Bass Drum

F7

 

Bb

             D7

G7

                    F

Fº

C7

1st time Only

F

                  

Bass, Trombone, & Bass Dr

   

F         

F7                     

B

Bb     

    

F

D7

             Last Time: To Coda

G7

C7

F Fº C7  F                              Trombone Gliss to "C"

Coda:

 F    

 

  



 

 

Bass Drum

C+7

  



F

   Fine

  F          C

Harmonize

     

Clarinet Break

231

Trombone

F

       

       G7

Bb           

Cornet "Horse Whinny"

C7

F

    

Fº

C7

F

 

1 X Only - Trombone

                                         

DF

Solos

F7

Bb7

                        

F

D7

G7

C7

F

Fº C

F

                              Break: 3 Bars:

E F

Harmonize

     

 Clarinet Break     

Bb           Cornet "Horse Whinny"

Trombone

       C7

F

D7

G7

                    

          

F



Fº

C7

     

F







Back to "B" - Take CODA:

232

Somebody Stole My Gal A F

Fº/G©

      

C7

F

Gee but I'm lone - some,lone - some and blue,

D7

Fº/G© C7

         

 

Leo Wood 1918

    

I've found out some - thing I nev - er knew.

G7

C7

                          I know now what it means to be sad,

G‹

D7

G‹

         

She on - ly left yes - ter - day,

B F 

A¨º



C7/G

   

   

   C7



Some- bod- y stole my



For I've lost the best gal

G7

C7

         

Some - bo - dy stole her a - way.

C7

C&7

F        

gal.

Some- bod- y stole my

D7 G7            

I ev - er had.

     

Bass Pickups

     C7barbreak       She did-n't ev- en,

say she was leav- in'.

A¨º C7/G C7 C7 B¨7 A7                   



F Gee!



bro-

ken

   1. F

gal!

He's get- tin'now

     B¨

I know that she,

F

 

so,

    F7 



would come to

 

G7

heart- ed,

D7



  

But

B¨‹     

   

me,

C7



I

  C7 

know.

if she could see,

C7      

G‹7

lone- some pal.

G7



pal.

F

The kis-ses I Iove



E7E¨7

G7

Some- bod-y came and took her a-way.

C





Some bod- y stole

F     gal!

B¨7

F

her

 my

Somebody Stole My Gal (Foxtrot Version)   

Leo Wood - 1918

Fº

  F   A

  

233

C7 C7  C&7     C7/G         

Some- bod-y stole my

gal.

Some- bod-y stole my

Bass Pickups

F

F7

  G7

F

C7

   

But







She did- n't

ev-

en,

   Fº 

The kis-ses

B¨º



I

C7/G so,

F

see,

her

bro-

C7

C&7

stole

my





1.

   



and

took her

    say she was

F





leav-

in'.

C7 C&7       

     B¨ would come to



C7

ken

heart-

D7



a- way.



He's get- tin' now

Fº



G7

C7

I know that she,

  

Some bod- y





came

    F7 

Gee!

     

C7



love

F

G‹7

 

  



B

 

Some- bod- y

G7

 

D7





pal.

 

E7E¨7

G7

F ed,

C7



  lone-

F B¨7

   

gal!



I

know.

   

me,

G7

F

if she could

G7





some pal.

F





Beale St. Blues

234

C G7 C G7                 

         

C G7 C             

  You'll

 A C   







see

pret - ty

see

Hog - Nose rest -'rants

Browns

Beale Street Could

F   tail



beau - ti - ful

in and

Chit - lin

If

Beale Street could

talk,

-

or - mades and that

tell

hand - me - downs. by - gone days.

of

bags

men_would have_to pack their

F  



Fm 



pick - pock - ets

skilled,

Now just

sham,

a

   bod - y

G7   hets



killed.

Je - ru - sa - lem.

C

You'll see Mar - ried

talk,

C C7     

 

Gold - en

balls

And the

blind man

on



 

men,

plac - es, once plac

You'll see

And

-

es,

two,

Who

  

clos - es

e - nough to

'til

some -

pave the

the corner who sings these

 

     

G7  

You'll

Beale

Street Blues..

If



You'll see

Ca - fe's,

bus' ness nev - er

2.



gowns,

Ex -cept one or

C  

 



You'll meet hon - est And

walk.

You'll find that

nev - er drink booze,

1.

and





C Dm C G D7 G7         

Jugs

New



 



C  

C7   Well I'd



F      

C7      

B

rath - er

be

goin' to

the river,

rath - er

be

F7  

Than an - y

here,

Than an - y

there,

Bb           I said I'd rath - er be there,

 







It's gon - na Be - cause the New



C7

take riv York

 



 







For

to

make

me

go.

Beale Street's done

gone

dry.

Beale Street's paved

with

gold.



know.

bye

and

bye.

place

I

know

F 

    

Than an - y place I know. And there's a rea - son why: Than an - y place I know

I said I'm goin' to the river,

 

  I

Bbm  

I'd rath - er be here,

F

place

May - be

235

-

 



the

ser

er's

wet

and

may

be

all right,but

F F7 Bb Bbm F  

  -



geant

E7 F7 íf going back to "A"





Well I'm I'd

  

236 q = 195

   

Stock Yard Strut

A Bb Bb C7  C7 F7                                

F7 Bb7 A7  Bb F7                                      Bb

Bb7

C7             

         



F7  





C7

       

F7

Bb Bb                           

B Bb Bb          

Bb

 

Bb

  



Bb

     

Bb F7 F7 F7     F7                             





F7

F7

3            

F7

F7            

Bb Break Bb         

Bb Bb                 

 



Bb

Bb7

Bb7

Eb

                    

Eb

    



Edim

Edim

Bb

                      3

237

G7

    

F7 Bb Bb                  



C7

C Bb

     



F7





F7

  

Bb

Gm       

Bb

  

Bb

  

Bb

Bdim

   

F7     F7 F7     F7                   

F7 Bb                       3

F7



Bb        

Bb    Bb Bb   Bb7 Bb7                      





Eb

Eb

Edim

Edim

C7

F7



                          

Bb

     

G7

      

            

Rhythm section plays charleston rhythm

Bb7 Bbdim

Ebm7 Bb

                

Bb7 Bbdim

    

Ebm7

Bb 

     

On The Alamo

238

Isham Jones & Gus Kahn - 1922

   

A E7 B‹7 G‹ E7   DŒ„Š7 E‹7 D             

  

Where the moon swings low

E‹7    fair

A7





where ros-

F©‹7  



On the Al- a-

F©‹7



F7 E‹7

    

es grow,

night,

In a gar-den

DŒ„Š7 E‹7 D

C©7

   



In the ten-der light

E7      

B7

A7

mo,

B‹7

I can hear her wan-

A7 Break

E‹7

  der

of the sum-mer

 

to



and fro.

For she said I'll

B E7 B‹7 G‹ E7 E‹7  DŒ„Š7 E‹7 D               wait

by the gar-den gate,

F7 F©‹7  

E‹7



so".

  

F©7

   And in all

  

E7





Where the moon swings low,



On the night I

B‹



my dreams

E‹7



On



it

A7

 the

said

D



"I

G7



love

you

G©º



I

  

Al- a- mo.

A7

 



seems

D

   

go

D





When The Saints A G



  



I am Well I Want to



 land help ang

 





G



 

G#dim

Am7



 C   

num - ber

  When



in

   

in

Cm7

G





Oh lord



G



the saints

 go



march - ing march - ing march - ing

D7



march - ing



G

go march - ing

saints



D7



When the saints come When the saints come When the saints come

B  G

G  

G

I

D7







Plod - ding thru For thestrength Want to play in

G



G

 



Gett - ing read I want to be Want to hear

sin; win, band,

ci - ty, cess - ion, blow - ing,







C©dim

C©dim

pil - grim heav - en, band,

D7



of me - el

 

a wea - ry each day to the heav'nly -

A7



C







just pray join

 C   

G7

239

-

 y in the

G

G7





for that that pro trum - pets

in. in. in.

Oh when the

G





Oh when the

saints

go

G

G7

  





want

to



march - ing



in.

-

   



G

this to the



 

be

in

  

that

240

Some Sweet Day q = 146

 A  

Tony Jackson - Ed Rose - Abe Olman - 1917

D/F©

Fº

     

A7/E

 

D#º Em A7 A& D Dº A7              

Al - though it's spring the birds don't sing You're leav - ing

Dm  D        not the

first

time

A

F©7      

Bm

  E7      

my poor heart

Fº A7/E D#º  D/F©               win - ter

time you're good and

kind,

me

D



 

by

side,

But when

A7 A&

For - ev - er

my

A7

long for

me some - day,

But

E7

   

I'll

be

  

      

 E7    



A&

Em

dis - ap - pear, Don't ev - en say good - bye.





way.

 A  

A7

A7

It's

has been in pain this

Dm F A/E F©7 Bm E7  A/E                   sum - mer's near you

to - day.

far



a - way.

In

    You're goin'to

    'Cause when the

241

B    D    D7      cold

 A7  

wind does blow

    

soon will

 D  friends

 A7  

melt

D7/C E7/B            

with its

ice

and its

E7



snow,

Then your heart

Fº A7/E    D        

for each sor -

row

D7/C

E7      

time will prove

what I

     

 

I'll have mine



  

Some Sweet Day.

say.

D D7 Dº 



A7

    

felt.

D7      

turn a - way,

E7/B      

I have

   

And when your

 

 

Now's your time,

A7



(Yes, Some Sweet

D 



Day.)

 

  

Ida, Sweet As Apple Cider

242

Eddie Munson & Eddie Leonard - 1903

A F

A¨º C7

      

   

In the re- gion where the ros- es

G‹7

C7

F



    

   

 

  

call my own,

B F



Red Breast gone to

   

love the best,

   

Lives a

dus- ky

A¨º

   

maid I long to

C

C7

  

For I know my love for her will nev-er die;



seek their nests.

  

F

G7



 

D7

C7

  

  

Breath-ing out up-

          

sink- in' in that gold- en West,

F    

C7

  

D7

   

When the sun is

 

al- ways bloom,

A¨º C7

    



C7



  



C7

on the air their sweet per- fume,

C7



G‹7

  

F

  

C7

   

Lit- tle Rob- in

    

Then I sneak down to that place I

G7

C7

        

Ev-'ry ev'n-ing there a- lone I

sigh:

C&7

  

  F    

C7

C

I-

     

da,

F

Sweet as ap-ple

A7

 

G7

     



 



Seems tho',



A7

F

  

love

you

Come

out,

can't live with-out

Fº





I-

da,





I-

da,

    I

G‹7



C7 

'deed

I

Sweet- er

than all I

in the silv- 'ry

  

you,

   



    

C7

i-

dol-

F



do.

low.

C7





ize



moon-



light,

F     



Lis- ten

G7

G7

  



so soft and





C7

  

   

per,

C7







    

D7

der,





of love we'll whis-

D F

ci-

D7



know.



243

Oh, Hon-ey

do!

   



ya,

I





C7



Solos at "C"

  

Someday Sweetheart

244

Spike Brothers & Carter - 1919



  

A G

You

E¨7

told me that

you loved me true,

E7  A‹        broke your vow

D7  

  

me you'll sigh

I

be-lieved

in you.

A‹7                

and now some-how-

 

and

A‹

it seems I'm al-ways blue.

G6

G

a- way.

B‹

  



and the days

that

  

You

 

But there'll come a day

B‹

          

     

When you're far

F©7   

G

                      

You'll sit

A7

  

 

have gone

by.

a-lone

D7



and cry





for



Some- day Sweet-

  G  

D&7

B

G



heart,

 A7  

D7



done

G  

D&7

gret

F©7    did

C  G9  

may

be

sor-

to

my

G

 poor





us

drift







and

can't

see

will ev- er come to

sow

so shall you





some - day,



heart.

B‹

 reap,

C7



sweet - heart.





bro-

ken,

a-



ry

for



D7/A





what you've





You

may

 re-





The

D7







E7



B‹

   made

G©º



vows you've

 G D&7 G      

weep



       

blues

D7  





the

that

now,







 

 A9  

you

G



things you



F©7 F7

245

part,







You're hap-

C6





how,

D7









the

wear-

y



you.

F©7 F7 E7

   

dear, and what you





py





But

as

 you

A7

   

reap will make you

D7



Some - day



Sweet -

  

'Til We Meet Again

246

     

A Gm

D7

Gm

F7 Bb

          

There's a song in the land of the li - ly Tho'good - bye means thebirth of a tear drop

 Bb  



D7

 





F

  

    

falls trace

As a When we

B Bb  

sol - dier meet in

 boy the



Smile the while you kiss me sad a - dieu

 Eb  Then

Ebm

G7

         the skies

C Bb    

Wed - ding bells

Eb  Bb7     ry.

Bb

So wait

will seem more blue,

F7



sweet e - cho tear blight - ing

This The

F7

F7+

 

  Bb

Bb7

            

C7

F7

  

down

F7

so mer - ri - ly,

Ebm Bb



When theclouds roll by I'll come to you.

         

will ring

  

whis - pers good - bye af - ter - a - while

F7

        

Gm





 



     

Eachsweet - heart has heard with a Hel - lo means the birth of a

 

C7

F7

  

O - ver high gar - den walls And the smile will e - rase

sigh. smile

1918

G7

in

F7



     

lov - ers land

 

Ev - 'ry

C7

F+7

tear

F7

my dear - ie

Bb

        will

be

Bb

        



    

and pray each night for me,

'Til

we meet

a - gain.

a mem - o -



247

Just A Closer Walk C

C

             G7



 C





G7

 



C

 

C

   

    C7

 G7





   





 

F

   

G7

G7





C

       D7





C











After The Ball

248 q = 100

Charles K Harris - 1891

A Bb

 

   A





F7



Begged









 for



Why

are

Eb

Edim7





C Gm

   I



Eb



Where



lit - tle maid

 a

B B¨



Have







you





you

no





had

a

Edim





she

is

-

 -

sto

 sin

-

Bb



ba

-



en



ry





now

an

old

 "Do



unc

D7



live

G7

C7

F7



bies,

 

 pet,





have

you

Eb

F7



years,

C7



tears

  





man's knee,



why

sweet - heart,

Bb

climbed





gle,

D7





F7

Bb







- le please"



Gm

  



a - lone?

Bb





no home?



Bb



a - go;







you

will

soon

F7



know.

   n

  

  





D Bb





B¨





List

to

E¨

Eº

 I





the



so

Af - ter the ball

F7       



  is

o

Ma - ny

a heart

- less,

-



ver

- ing,

tell

it

C7

F7



-



ter



the

    

Af - ter thebreak

      

  

all.



G7



G‹

B¨

af - ter the stars

is break - ing

F7 B¨         

I'll

    



 



af

F7

  







Fº7

A - ter the dan - cers leav

F B¨         

G7



believed her faith

E B¨         

ry,

B¨

D7





-

B¨

249

  

ball.

F7

  of



are

  

morn,

B¨ 





 

gone.

 C7 

  

if you couldread them all

C7



Ma - ny the hopes that have van - ished



Af

F7



-

ter

B¨

 

the ball.

  

When The Midnight Choo-Choo Leaves For Alabam'

250

Irving Berlin - 1912

 

  



I've had a

The minute

A F

that I reach the

F

B¨

place,

B¨‹

I'm goin'to ov- er- feed my

face,'Cause I

F

have n't had

good meal since the

day

F

  

C&

F

   

up my drear-y-

 

Pa and

The ver- y

F

key,

F©º

 

 

That opened

I went a- way.

C&

I'm

goin'to

G7

      

flat, Where ma- ny wear- ynights I

sat, Think-ing

of the folks down

a doz-en times for ev- 'ry

star, Shin- ing

o- ver Al-

Ma,

C

    



new mown



    



       

 

Cº

C

C7

  



me.

That is

hay.

I'll be

home who think of

G7   

 

way. Now I'H

key,

a

F

I've had to pack my things a-

give the land-lord back his rust- y

ba- ma's



day,

C&

        

    

kiss my



F

might-y bu-sy-

     



C&

     



C7



sing-

ing

mer-

ri-

ly;

throw

my-

self

a-

way.

Cº

C7







a-



why you'll hear

me

glad

to

e- nough



When

 that

B F

C7

F

mid-night choo-chooleaves for Al- a-









F



fare.

C7



     

by the col-lar

C F7

stop this train,

C7

      

When I

G7

      

bam',

F

I'll be right there,

F

C7

   

And I'll hol - ler,

 

       

That's takin'me home a-gain.

G‹

        

Where my hon- ey- lamb

C©7



am.

   

man,

 

"Al- a-bam! Al- a-bam!"-

B¨

I've got my

   

see that dust-y haired con- duc- tor-

     

    

     

       

      

251

I'll grab him

 

  

 

That's where you

D7

     

Back home where I'll re- main,

F

         I will be rightthere with bells,

A7

   

When that old con-

  D‹ C7   F C7                                       duc-tor yells, "All a-board!

All a-board!

All a-board for Al- a-

bam'.When that

All The Girls Go Crazy

252

Stop Time-2 Bars:................................

F

F       A

Kid Ory

F F C        

1916

G7         



Stop Time-2 Bars:.........................................

C            

C7 F F F F C                   

G7             

C         

C7 

   All the

Solos Begin Here

C  B F             girls

go

on

their

knees

say - in'

Hon - ey'bout the way I

walk

Craz - y 'bout the way I

walk.

knees

C 



Sayin'"Ba -

C7       Yes, all

y 'bout the way that

plead - in'

The way that I walk

"Ba - by,"

C            -



craz - y'bout the way that I walk

        

craz

G7        

Yes, they fall



walk,

Hon - ey 'bout the way

I

Craz - y 'bout the way

I

 

walk walk

-

F    

girls

go

on

their

G7         'Bout the way that I

"Ba - by,"

       

the

by,"

walk,

Say - in' "Ba - by,"

C 



 

C7 

  

  

They fall On to "C" after last solo:

253

Chorus: 1st Time Soft:

F C                                 C

G7 C C7                        C     

       

G7                 F      D

C  

Climax Chorus: ad lib:



     

   C7 

C    

G7      

         C C7         

    

F          

F        

  

G7       

      

  

C    

C          

F7 C     



254

By the Light of the Silvery Moon Gus Edwards & Edward Madden 1909

 A D Ddim     

A7

D

   

D

  

Ddim

      is shin - ing thru the trees,

Place

park

scene

dark,

Sil - v'ry moon

Act

two,

scene

new,

Ros - es bloom - ing all

F©7 B7 Em  Em         

A7

Em7

Em

a - round the place.

A7

Em7

D

       



Cast

two,

me,

you,

Sound of kiss - es float - ing on thebreeze.

Cast

three,

you,

me

Preach - er with a sol - emn look - ing face.

 D  



Ddim



A7





 -

Act

one,

be

Choir

sings,

bell

 A  

D



gun rings

E7



D





 



A7



Dm6

   

Di - a - logue,"where woud you like to Preach - er, "You

A F©m Bm           



are

wed for

Bm7 E7 A7

   

spoon?"

My

cue,

with

you,

Un - der - neath the sil - v'ry moon.

more."

Act

two,

all

through,

Ev - r'y night the same en - core.

e - ver

 By the

255

B  D   Light

of

 A7 

  F©7  soon,

Keep

a shin

   

Moon,

D

- in' in

G





Gm 

Bm





will

bring

love's

dreams,

we'll

E7    D  A7 

D

B7

By

the sil - ve - ry

   



Moon.

B7

Your

 be

 cud

to

 Em

Em

June,

E7

want

Ho - ney

tune;

B7



    



love's

D7



A7



croon



I

D#0



       

moon,

F©7



sil - ve - ry

to my ho - ney I'll

 D  

beams

the

       

spoon,

 D 

E7

       

 -



sil - v'ry

 dl - ing



Ballin' The Jack

256

Chris Smith - 1913

A   A    Folks

in



B7

E7

Geor- gia's

It's being done

'bout to

at

on-

ly

now has got the craze,

It's

the





I'm

the

par-

ty

in-

That

is

why

I

rave





me

cre-

dit

Play some good

Rag

a-

B7

try

to

do

E

so!

  or two,

A¨7

    will show this in

now

E

















When

I

do you'll

say

that

it's

a

bear!

Once

a - gain

steps

to

you

I'll

show:

the

cie - ty

E7



that will make you prance;

the dance, Join right

new dance

done in mod-ern days,

it

to know a thing

so-



per- son who's to blame,

there,

    

I

All

it

E7

for spring-ing some-thing new; all

bout



      



tro- duced



Since that

best dance





G©º G7 D7       

 F7 



the



Give



I'm



in- sane



down in Geor-gia came;



B A  

go

all the ca- bar- ets,

G©º G7 A¨7 D7        

F7 



    





F7



so!

F7









Give

me

cre-

dit

Old

folks, young folks,

     lit- tle danceto

 you,

while you got the chance,

G7





  A7      C

  



First you put your two knees close up

D7

     



sway'em to the right,



C

 

Twist



   le

and





grace



a- round with

A7

  

lov - in' arms straight out in

A7

  

    

   Swing your foot

F7







all

 

nice and light,



E7



Then you





your might,

  Then you



  

  

 

   space,

 

Then you sway'em to the left then you

Step a-round the floor kind of

a- round and twist

Stretch

tight,

    

  

     

D7

 

G7

E7

D A7

  

257



way 'round then

D7

    

 

do the Ea- gle Rock with sty-

C

E7

A‹

  

  

bring it

back,

A7



Now

Solos at "C"

D‹







that's

what

I



F‹



call

G7







"Ball-

in

the

C



Jack".





  

Bluin' The Blues

258 q = 120

Henry Ragas 1918

F G7                       C

C7

pp

f

A    C       C7                F7 Ab7 C                    D7

     

G7

B7

Bb7



A7

        

C

G

C

                   

  



Ab7 C C7                              B C pp



F7

 

D7

f

  

      

Ab7

 

G7

C

  

 C

B7 Bb7

 

G7

A7

     C

                  

259

C C

Ab7

C

                           

C7 

Solos



pp

 

F7

Ab7





     D  C

F7

      C

 

  











B7 Bb7

A7





G7

C

   

   

Ab7

       

C

G7

C



C





G7

   

  

C7

D7 

  G7             

B7 Bb7 A7

        G7 



               

  









D7

C7

f

 

  



E

       

pp

                

 f





  

In the Sweet By and By

260

Joseph Philbrick Webster

AG



  

C

G

      

G

   

 

 

1. There’s

a

land that is fair - er than day,

And

by

2. We

shall

sing on that beau - ti - ful shore

The

me - lo - di - oussongs of

the

3. To

our

We

will

trib - ute of - fer our

of



bount - i - ful

D7

 

Fa - ther a - bove,

G

C



 

  

see can

faith we

G

 



it

a

 

far;

For

the

Fa - ther waits o - ver the

way

To

pre

blessed;

And

our

praise

For

the

spir - its shall sor - row no glor - i - ous gift of His

more, love

Not And

a the



G

 





pare

us

a

sigh bless

for ings

the that

B G





D7

-

 

 

sweet

by

  sweet



bless hal dwell

D7



and

by,

C

 



by

by,

and

G











In

the

ing

place

there.

ing low

of our

rest. days.

 

G

      

We shall meet on that beau - ti - ful shore;

G

  

D7

  

G

  

We shall meet on that beau - ti - ful shore.

  In

the



261

Any Time         An - y



E7

 

C



blue,



 A7  prove



An - y

time

    

 B7   you,



want

1.



G

  you.





me

back

G#0



D7

An - y

true.









So

an

- y





a - gain,

D7



E7

 



 

  that's the

  An - y

That will

E7

 







 

you're think - ing

time

D7

 

you're feel - ing

time

G

 





That's the



 

you feel down heart - ed,



me,

An - y

   





'bout

   



Cm

 

your love for me is

 A7  

 A7

  

D7

you're feel - ing lon - ly,

time

 G

A7

 

Herbert Lawson 1921

    3  I'll be think - ing

time

E7



time

you

 D7



time

2. G

    you.



I'll

C





say



you





come back home

G



of



 to

And They Called It Dixieland

262

Raymond Egan & Richard Whiting - 1916

      They built a

G7

  

AC

C

A7 D7              

 

lit- tle gar-den

for the rose,

And theycalledit Dix- ie-

C

           

 

sum- mer breeze to

A7

E7

keep the snows

D‹

     

A‹7

D7

    

 

  land

      of cot-

ton,from the

B C

     took an

an- gel

G7

     bit

of heav- en

C

D7

       

clo- ver to the hon- ey

     twice as

nice

as

in the land,

comb,

Just as blue as blue can

And



then they

    

me.



She had a

   

be.

They put some

            

Andtaught my Mam - my how to use afry-ing pan.They made it

C E7 A7 D7 G7             

Par- a- dise,

   



E7

             G7

G7

And they gave her heart to

D7

fine spring chick - ens

Noth-ing was for-got- ten in the

            

A7

They built the

        

A7 D7             

in her eyes,

    

land.

E7

from the skies,

B¨

D7

fin- est place I've known, When theybuilt myhome sweethome,

G

land. They built a



far a- way from Dix- ie-

 

And theycalled it

Dix- ie-

C



land.

 

Toot, Toot, Tootsie

263

Gus Kahn, Ted Fiorito - 1922

A F

    C7

  

Toot, Toot,

 

me,

B F

    

Kiss me,

B¨7





  Toot - sie

 

Watch for

the

F

       

C7

 

a

F

ter

then

A¨º

C7

  

 

Do it

o- ver

 

I'll

let-

nev-



 you

er



know I'm











G7

Tut,

Tut,

Toot-

sie

don't

cry.





Toot, toot,





Toot - sie,





G‹7

that

C&7

words can tell how sad it makes me



  



       

and then,



F©º

The choo choo train

no



mail,



you don't get

C F



 G7

F

   



a- way from you



F

G‹7 C&7

    



Good - Bye!



don't cry,

C7



takes



G7



Toot- sie,

F



Toot- sie,

C7

 



Toot, Toot,

 



G‹7









 

F9

 

a- gain.







Good - bye.



fail,

If





in

jail,



F



C7



 

C7  

Ostrich Walk

264

Original Dixieland Jazz Band - 1918

A‹7 D7   G        D©7        A7 D7  A   E7         

A    E7   A7   D7          

   

D7          

  

A     G           

G



     

 G     

G7

Cornet

   

D7

G

A7

                  Stop Time 4 bars Trombone

A7

C

Clarinet

   

Trombone         

C‹

1.   D7  G       A‹7           

E7

G

2. G

  C  Gº   

Break D7 Break G Break G Gº D7   B G    Gº                            

     

                          

G

Gº

G

Gº

Break

D7

Break

Break D7 G         G      Gº               



265

A‹7 D7     G        D©7              C   G           

G

   G           

A7



Stop Time 4 bars G Trombone

G7

Cornet

   

    

E7  G             

  

 D  G      A‹7  G    E7  G

A7 D7

D7          

C

Clarinet

    A‹7 

  

     

C‹ Trombone

D7

G

      

  D7         D7

D&7

   

G

  



G

                    

    

Gº

   



A‹

   





sfz

D7

G      

G        D7        

 

   

G

       

G

 

 

Gº

      

          Unison



G D&7

   

G





Missouri Waltz

266

A   G   Hush

 G   Rest

C  

D7      -

a - bye,

sigh

G

-

ba

is

    

call - in' where shad - ows

     



as

by.

days

long gone

 G         



Strum,

 E‹      Hum,





strum,





hum,

tune;

The

     



fall - in' while the soft bree - zes

are

G

      

Way

   

down in Miss - our - i where I

I was a tin - y childup - on

When

G

       

 

a



A7

A7

   



 



 



Dm





my mom - my's knee; The

D7

G

and

low.



old folks were hum - min',their ban - jos werestrum - min'so - o sweet

B  Em   

soon;

D7 G                  

heard this mel - o - dy.

 G0 C     

- my hums





com - in'

is

     

my breast while mom

D7

in

time

G

G

  



by, slum - ber

     

up - on

your head

      

     

D7      

sand - man

 A7  

my

John Eppel & J.R. Shannon 1914





B7 Em              

strum, strum,strum, seems I hear those ban - jo's play - in'once a - gain.

 



 

Em

 

  

hum, hum, hum, Tha - t same

B7

 

Em

 

old plaint - ive strain.



 

 Em   





B7 C E‹     







that mourn - ful

Hear

 E‹ 

 

 



 

Em



   B7

mel - o

-

C

A7

long,

D7

 

  

 time

G

G                        

to

Dix

G

 D7     



old re - frain.

     

      -

ie - land

in

a - gain with

dreams



seems like your mom - my was there once a - gain,

by,



Dix-ie it seems when youhear that old

G  C            

G  

Em

It just haunts you the wh - ole day

       

D7      

Jour - ney back

same

B7

Hush - a - bye my ba - by, go to sleep on mom - my'sknee.

song.

 G  



        

dy,

and you wan - der in dreams back to

  

   

G

       

G  

Em

Em



 

B7

267



me;

A7

     



D7 G                down in Miss - our -

the stars were blink - in' and the moon

G  Em C              hear Mom - my Chloe, as

A7

   

in days long a - go, sing - in' "Hush

   

i, where I learned this lull - a -

D7 G                    when

 

and the old folks were strum - min. that

G

Way

It

was climb - in' high,

D7

 a

G



bye."

  and I

  

268

I Want To Do the Bear Cat Dance Shelton Brooks (1913)

q = 164

A E7

          A         

   

Sa - die hall

Miss

went

to a

ball

one

 D7             as she

en

tered

in the hall

all

 Em   

Eb

D  

A7



the



Sa - die watched them



walked out



on

schol - ars

G/D

a

while

D



the



floor,

then



    

do

A7



the Bear



she

  They were

D7





be - gan

 Miss

G

   

A7



Cat Dance.



then thought she'd take a

Em



G

Just

A7

to

E7



June.

rag - time tune.

they played a

how



in

      

    

for

night

G

 E7                 teach - ing

balm - y

A7

chance.

 

So she

D7



to



roar,



269

B D7  G           

D7            

I want to do it

 E7       bear, its' a bear, but

G7              

G

G

I want to do it

A7

D

       I don't care

I

I want to do it

now!

A7

D7

     

want to do it an - y

  It's a

 



how.

D7 G D7 G D7 G7   G                                   

 

A7 D7  E7                     



That tune is snap - py

fess - or keep it up, keep it

It makes you hap - py

You feel you want to

up, keep it up,'cause I want to do the Bear Cat

dance! Oh pro

G



dance.

After You've Gone

270 q = 110 - 120

A

1916

C

          

G7

   

Now won't you list - en hon - ey while

G7

E7

     

     

goin' a - way?

Dm7

Don't

say that

G7

by's heart.

Em

A7

   Loved you

Dm

  

see

 my

How could you tell me that you're

Am7

3

    

we

G7

A7

C7

     

must part,

Don't you break your

G7

    



You know that I've loved you for these ma - ny years,

and

F7

C7

Am7         



Oh hon - ey

Day

G7

Dm7

tears?

List - en



I say

       

       both night

       



C

      ba

C

  

G7

 

while

 I

C

 say.

ba - by can't you



271

 B F     

Fm6

      

Af - ter you've gone,

A7

        there's no

Af - ter you've gone,

D

G9

You'll feel

C7

         

C

        

blue

  

now don't for - get it,

Dm7

   

Fm6

 

A7

      Af - ter you've gone

sad

   



There'll come a

A9

        when you'll re - gret it.

C

E7

Am7

        

When you grow lone - ly

C

F

had.

There'll come a time,



  

You'll feel

  

 



  

  

you'll miss the dear - est pal you've ev - er

Fm6

    

and left me cry - in'

  

de - ny - in'

C

time

Dm7





A7

Some

day

Cdim



 



Your heart will break like mine and you'll want me on - ly

Dm7

   

G7

 

Af - ter you've gone

C6



A - way.



C7



  

Solos at "B"

Dardanella

272

Felix Bernard & Johnny Black - 1919

  D      D      D      D                       A D  

Down

D

       

 D          

sighs,



   I

 A      I

will



D





By

        

She looks a -cross the seas and

eyes,

D

3

        

And weaves her love spell so si-

C7(b5)



ni -an

 

the Dar- da-nelles with glow-ing-

A7  

Where Or- i- en-tal breez-es play,

3

There lives a lone-some maid Ar- me-

Soon

         

be-side the Dar-da- nel-la Bay,

 A7      

B  B¨ 

A7

        

re-

F7

       

ni-an.

B¨



 

 





shall re - turn to Turk- e- stan.

B7(b5)

E7

      ask for her heart

and

A



hand.

A7 Break

        Bass

   D  

A7 D                   

C

Oh,

sweet Dar-da- nel- la,

 D  

knows my love for you,

nel-

   

D B7           

    

la,

Oh,

To cap-ture-such a prize.

B7    tent

 D  

Oh,

        My Or- i- en- tal,

D    A7             

 

sweet Dar- da- nel-la,

in my

ha-

like

 

Pre-parethe wed-ding wine,



   E7  

the chil-dren-

of

There'll

We'll build

 the

  

Or- i-

 

Fº



be

a



ent.

D    A7             

sweet Dar- da- nel- la,

  

 F©7 G©‹7 Aº  F©7/A©     

rem when you're mine.

 

 just

Dar-da-

Break 1 bar

oh hear my sigh,

 G          one girl

Oh Al-lah

And he tells you to be true,

A7        

  

D  D  

D

     

a luck- y fel-low

 G       



I love your ha-rem eyes.

   A7       

I'm

E7  

273

My star of love di- vine.



  

274

Down Yonder L. Wolfe Gilbert - 1921

A F

   

G7







Rail- road train,

G7

 

Put

F

 

Hus-

G7

 

 a



tle



Yearn- ing

G‹

 

Broth-

G7

 



er



lit-

You'd want





tle



steam on

G7



on,

Bus-



tle





for



my

Swan-







 

to







Rail- road train,



if

C7

you

 hur-

 

ry



just

Hur-

like



on,

I've









on-

ly



up

nev-

C7



ee







shore,



ry



F





some more.

C7



er



got

F





be- fore.



the

F





blues.

C7









knew,

C7



too.









 F    

C

B

F

   

   

Down

F7

F

        

Down

C7

I seem to

C7

F

   

more and more,

C7

 

Ev- 'ry

day,

 

C F

C7

Down

Yon-der when the folks get the news,

 

F

B¨

 

F





There's dad-

D7

   my,

 

dy



and mam-



der

or

ply grand.

B¨

       

won-der at the Hul- la- ba- loos.



C7      

sim-

F7

Don't

G7

Wait- in' down yon-

      



my,

I miss you

Break 2 Bars

B¨

        

ry,

    

my land, You're

F7

 

Swan-ee shore

    

my mam-

F©º C©7/G

mem- o-

G7

Be-tween the Natch-ez and the Rob-ert E. Lee.

  

yon-der some-one

F

see a race in

              A7

   

         

reck-ons on me.

F

F7





yon-der some-one beck-ons to me,

B¨

B¨

275



 



There's Eph- raim

F



me.



and





Sam-

  

Chicago

276

Fred Fisher - 1922

A F

A¨º G‹7 C7 G‹7 C7                   

    

Chi - ca - go,

G‹7

Chi- ca-

C7

   

   ca-

go,

ca-

tod - dl' in' town,

That tod- dl'-in' town,

F

   



Chi-

go,

go,

I'll

    

 

G7

G7

show you a- round,

F

G‹7

C7



 

town that

B F

Bil- ly

   

 

G‹7

  

C7

  

  

A¨º

G‹7

    

       do

things

B¨‹

    G‹7

  ca

-

    F

  



just want to say,

D7

C7

 G‹7 

I

saw



Chi - ca - go

C7

 





my

home

G‹7

The

C7





G‹7

C7

     

just want to say,

They

       

Say,

a man,

go,

G‹



  

ca-

On

     



love it,

down!

C7

D‹

  

      

Chi-



put

on Broad- way,



  

go

A7

they don't do

of their life,

I

go,

F/A F©º/A¨



Sun- day could not

State Street, that great street,

E‹7(b5)

in Chi- ca-

C7

I

                    Bet your bot-tom dol-lar you lose the blues

Chi-

They have the time the time

  

he danced

F

 Fº

town!

with his

G‹7



Aº



wife,





In Chi-

C7



Baby Won't You Please Come Home

277 Clarence Williams and Charles Warfield - 1919

A C

Ebº

       

I've got the blues,

D7

   G7     

D7

G7



  

  

I

feel so

lone

C

E7 E7b5

Am E+

    

I could on - ly



make you un - der - stand.

C

 -

Ebº

     

ly,

I'd give the world

Am7

D7

I'm goin'to tel - e - graph you ba

Am7

  

D7

    

when you're gone

I'm

G7

G#º

     

I

G7

Am

    lone.

I have tried

C

E7

       When you left you broke my

F©º

vain,

F

  

G7



C Bb7b5

 



"cause your mam - ma's all

a

Ab9

you will hear me say,

-

G7

        

nev -3er no more to call your name.

Be -causeI nev - er thought we'd part.

A7

"Cause



Am7

Dm7 F E7               heart,



long.

A7

             hour in the day,

all day

D7



in

wor - ry

  

home,

  G#º     

D7

D7



Ba - by won't you please come

D7

Am7



grand.

As you won't you please come home,

A7





      

all for - lorn,

 B C    E7 

F

by,



It sure - ly would be

Ebº D7 G7 C7                   

if

G7

       

C



D7

G7

     



Ba - by won't you please come

C

 home.

  Ev -'ry



  

278

When You Wore A Tulip Percy Wenrich & Jack Mahoney - 1914

A C

   

   I

G7

 

sun



met you

 was

C

 

kissed you

G7

in

C

shin - ing

down,

you

wore

a







as

I

you

F











pinned

a

  I



D7





yel - low



not changed your

yet





placed a

coat

you

old Ken - tuck - y



my

love

an



on



in





D7  

       

gar - den

a



 

has

D7







 







rose

so

rare.



 

can't for - get

 the

your

C





in

C

 just



town,

The





gown.

I

  



lov - li - ness, you're



ging - han

tu - lip



G7

  





Up -

hair,











 Time

 

as sweet to

 

days that used

 to

A7





me,

I

G7 



be.

 When

B C

 



you wore

F

  I

F

 

 a





tul-

ip,

a

   



You made

F

 



down where

A7

 



sweet- er

G7

  I

F‹

ca - ressed me,

bless - ing

C C

red





 wore



life



'twas





no

one



C



big





C



then Heav





you called

ip,

and



A7



 -

en





blessed me, what

 a





the

blue

grass

grows,









than

jul-

ep,

when

 red

D7

you wore

C



rose.





me



dear- ie,





Your

lips

were







that

tul-

ip



'twas



 



C7



E7



big

tul-







a



knows.

when



 C7









rose,





low

G7



cheer- y,

C7



sweet yel-



a



When you

D7





wore







279





and



280

Ain't We Got Fun

q = 185

    

A F





G‹ C7           

F©º7

Bill col - lec - tors gath - er

F

C7

 

    

'Round an

F

rath - er

F



    

  

  



cot - tage next

Haunt the

E7

Men the gro - cer and butch - er sent

door.

Kahn & Egan Whiting 1921

A‹



Men who call for the rent.

A‹

E7 A‹ D9/A                    in

a

hap - py

chap - py And his

bride of

on - ly

C E‹ A‹7 C

A‹ D‹ A7 D‹ D‹7 G7                    be

so cheer - ful

Here's an

ear - ful

Of the chat - ter you

a

year,

  But with

A7

 

Seem to

C F©º7 G‹ C&

    hear.

F

B





  

C7       



Ev -'ry morn - ing,

Ev -'ry eve - ning,

    

F    

Oh, but hon - ey

Ain't we got

F        We have'nt a

F

C





 

E - ven

C7



 

Tax





 



we

owe



the





get - ting

 

A7 

There's noth - ing

sur

    In the mean - time



way,

dear.



C7 





 dear,

Am C7      

gro - cer



Not much mon - ey,

fun!

The rent's un - paid,

fun!

But an - y

car,

   

Bb    

Am E7     

col - lec - tor's

Bb    F  

if

F7 

C7



Ain't we got

281

We'll stay as we

 Don't

F 

clos - er

 Still

are,







we

have

fun?

  we

have

F7  fun!

Dm   E7   F  Bb C7    Gm     -

er,

the rich get rich and the poor get poor - er

D7      in be - tween time

G‹



C7

F 

Ain't We Got

Fun!



 



If You Were The Only Girl In The World

282

Clifford & Nat Ayer - 1916

AD

   

B7

  



you were the on-

ly



 If

D Fº  

E‹7 A7







I

I

    

G&/D©



would



on

lov-ing

in

E7





A7

     A7/E

  

be



G‹





such

won-



  

on-

ly

   der-ful

  

der-ful

D





B7



the

on-

ly

boy.

day.

A7



way.

A

D

 

Fº

our joy.

      

things to do,







girl

in

the

  

to-

things to you,

D



ly

  



  

A‹6



A7

were

F©‹

such won-

A&7/F© D/F©

E‹7

the world

old



were the on-

Withnoth- ing to mar



would say

were the



 

   

  

    

in the same

E - den just made for two,

 E‹7 A7 B‹   

 E7  

I

A&7 D           

gar- den of

you

And

A7

 D   B7   

C  E‹  

in the world,

    

We could go

There

girl

 

   

Noth- ing else would mat- ter

B

 G  



A7

D

boy,

 E‹7  

E7



If

B&

B7





world,





and



283

Shoot 'Em D

     



D7

     

         

 

D

   

G/D E7  C©º           

G/D E7  C©º           



C

  

G

     

          



G6

     

C



G6

  

A

     

D

G

        

A

D

   

G

        



284

Lassus Trombone        

D7 G G @                          3                           

   7

G



       

D7

G

     

E7





       

A7

G

                   

  

    1.    2.                                                    E¨7

14

G

D7

G

G

                                                  To Coda

21

     26





A7



A7

  

D7

G

G

                                          D7

G

A7

D7

285

                                        32

G

A7

D7

G

1. 2.                       

D.S. al Coda ending

ø G7 C       C                                                TRIO

          

   

C

   

         

    C7



1.C                                             C

G7

C

 

F

F‹

 

2. C

G7



 

   

    

                                                  A7

             1. G

D7

G

G

                         2. G

A7

  

D7

           



Over in the Glory Land

286

A C        q = 200

I've a What a Now if



And And You

I with just

C

 



side, be, too,

O

B C  

17



  Glor

31



 Glor

C

y

-







ver

in

that





y

-

y



 O

-







ver

in

that

Land.

 -

G7



Glor

 -

-

I'm

O

y



 sing

-

in'

in that

    

ver in that

-









ver

in

that

Glor





Land.

vior's ver in'

ver

-

Glor - y hal- le lu- ia O



Land,

   

       

C

y

 





O

Sa e com

F

Yes,

-





C



F

Yes,

my for I'm





G7

y



Land

 

-

by there that

G7





Land.

Land,







C7

 



C

y

-



O - ver in that Glor

 

O - ver in that Glor





Glor

Land,

C7

    



be saved all

G7



C

Land,

to dred them

    

C

36

long kin tell

 

C

 -



er in that Glor

 -



   

-

23

-



C

where thesaints a - bide, that my Lord I'll see, be - fore I do,

C



12

Ov

  

home pre pared joy - ful thought you get there

8

 



James Acuff and Emmett Dean

 y

-



  