Ve Centuries of English Verse Impressions
October 30, 2017 | Author: Anonymous | Category: N/A
Short Description
FI VE CENTURI ES OF ENGLI SH VERSE. W I LLI AM W ORDSWORTH. 1770. —. 1850. AN. Evangelist among ......
Description
VE CE N T U RI E S OF E N G L IS H V E RS E IM P R E S S I O N S W HON
.
A UT H O ‘
ILLI A M S TEB B I N G
FE L LO W
R T
OF
‘
OF
R R ALE G H : TRU IS MS P A RT S
11
.
:
A
OR
’
I
O XF O R D
B I OG
AND
RA P H Y
.
11
VO LU M E S
IN T W O
V OL
C O L L E QE ,
W A LT E
si R
RUT H S
RCE S T E R
W O
W O R D S W O RT H T O T E N N Y S O N R E VI SE
D
E D I T I ON
OF ‘
THE
POET S C H A UC E R T O I M PR E SSI ON S :
T E N N Y SON
H E N R Y F R OW D E
O XF O R D U N IV E R S IT Y P R E S S LO N D O N E D I N B U R G H G L A S G O W Y O R K TO R O N TO M E LB O U R N E B OM B A Y ,
,
N EW
,
,
,
1
1 9
3
S A M E A U TH OR
B Y TH E T H R E E E S S AY S t
io n
an d
,
P o s thu m o u s F am e , T o l e r a
:
B r illi a n t
F ailu r e s
.
C r 8 vo .
6d
.
ne
.
t
.
n e t 8 vo 3 P a r t ; 4 ( als o o n O x fo r d In d i a p ap e r 63 n e t — H w t i N C ON T E N T S T h D d H d — N c y —F —G —E —C d m f i l l f P t i o t t Q — C t i D i g W ith t— C l ic l E t y— S l f d p f L ib l — T m p fl D i g L t t y —A N w L a w Th M — H w t M k th M t f — h l i c T d F t E S t D J ! — P tt i m t h B i i t Lif — M m y — A g t 2 9 C 5 g 9 — — d i t i mi i — T h h I i W G l C b h p g —P p l ity
T R U T H S OR T R U I S M S
.
,
e
:
-
o
ar r a e
e
ur e
a
e
e
e
u
us
s er
1
0
u
n
u
e
o ar
e
er
e
a
o
o
on
e ce
-
e
o
asse s
o se
ro u
u ar
,
e
o
ree
re a
o
er
o
u san c e s
o ur e s
e
e
or
ss o n
o
o
e ssar
rr o r s
er
.
c ce n r c s
n
a
er
ou
o n
e
er ec
o u n se s o
u ar r e
an
ea
.
.
e
e
ra n
n
o
os
o
o
n s n ce r
s
es
.
T R U I S M S (Par t I I ) 8v o 4 3 n e t ; al s o o n O x fo r d In d i a p a e r 6 3 n et p C ON T S V i w c l d p — O g t P P m — At m T lk i g W P p i i g Di C t bl — T h S h d w f C im W ith C t th y m d E —J — — S — R d b l v h i t t i S E 9 p — Pl thi P bl ic i A t— C lt y — T h I d l N w T R U T H S OR
au
er z n
s
u
22
ou
e
n n e r- a
o n se n
o ne
un e
ce s
:
,
1
1 I
an
s
e
e
e asu r e
e
e
n
ur
rea
o n ce r n n
a
a
ea a
ar e
x c use o
r
e
e n sa
s s
rue
.
.
.
,
TEN
.
.
r o se
oe
ar
o
a
o
o
ons
e
ea
s
r
e
en
as
e
s
Le s gr an d s H o mm e s M é c o n n us V hy —H o w —an d W ho m I t is m o r e B e sse d t o ive han t o R e ce i e - Shak e ’ — M an spe ar e s B r o the r r am at is ts— I n c o n ce iv a I n c o m p at i e y A n t i ip at e d —A n e w ir c u at n g L i b r ar y V
a p pe r
c
D
G
l
C
l i
t
bl .
v
bl
V OL
.
II
TA B L E O F C O N T E N T S
W I LLI AM W OR D S W ORT H S AM U E L T A Y L OR COL E RI D G E R OB E R T S O U T H E Y VVAL T E R S C OT T JAM E S H O G G W AL T E R S A V A G E L A N D O R T H OM A S M OOR E LE I G H H UN T LOR D B YR ON P ER C Y B Y S SH E S H E LL E Y JOHN K E AT S C HAR LE S W OLF E H E N R Y H AR T MI LM AN J OH N K E B L E JOHN H E N R Y N E W M AN T H OM A S H OO D E LI ZAB E T H B AR R E TT BR OW N I N G CHAR L E S KI N G S LE Y R ALP H W AL D O E M E R S ON E D GAR ALLAN P O E H E N R Y W A D SW ORT H LON G F E LL OW JAM E S R U S S E LL L OW E LL E D W AR D FI T ZG E R AL D
CO N TE N TS
4
C OV E N T R Y P A T M OR E D A N T E G A B RI E L R OSS E T T I W I LLI AM M OR R I S A L G E R N ON CH AR L E S S W I N B UR N E AR T H UR H U G H CL OU G H M AT T H E W AR N OL D R O B E R T B R OW N I N G A L F R E D T E N N Y S ON UN C L A SS E D C ON C L U S I ON S IN DE X
OF
BI B THS
”
8
FI R S T W OR D S AN D
DEATHS
4 1 5 —4 3 1 4 3 5 —4 40
F I V E C E N T U R I E S O F E N G L I S H VE R S E lV l L L I A M VVOR D S W
ORT H
— 1 7 7 0 1 85 0
Evange l ist a m o ng t he he athe n fo r thirty ye ars Supre m e P o n t ifi fo r t we nty W h at is he n o w ? In N o stud e nt o f l it e r atur e c an d o u bt w h at he w as T he t he hi st o r y o f l e arning Crus ade s ar e n o n o ve l ti e s c l o s e o f t he e ighte e nth an d e arl i e r p art o f t he nine te e nth c e nturi e s had a m o n o p o l y o f crus adi ng in p o e try G o e t he an d Schi ll e r in G e rm any ; d e Muss e t Vict o r Hug o w ith t he R o m anticists in Fr anc e ; W o rds wo r t h at t he he ad o f t he L ake Sch o o l in Eng l an d s ang an d f o ught s ang t o figh t E l iz ab e th an p o e ts w age d n o wars t he y we r e dis c o ve re rs with o ut be ing in t he re al m o f f ancy b u cc ane e rs Thes e o the rs as s o m e o f th e m w e r e o n t he Sp anish M ain we re inv ad e rs o f e st abl ish e d king d o ms as we r e t he Is rae l ite s o f C an aan Of all t he c o mb at ant p o e t s W o r ds wo rth had s e t hims e l f t he h ar d e st t a s k an d w o n t he m o st sign a l vi c t o ry His h and w as ag ainst e ve ry m an In t he r u d e b at tl e he d id n o t sh u n t o wo u nd a n atur al all y— a fo re r u nne r l ik e Co wp e r in t he o ns l aught u p o n p o e tic dic t i o n an O bs e rve r o f r ur a l l ife l i k e Th o ms o n A f an atic d o ub tl e ss at o nc e o f w id e vi e w s an d n arr o w ; but it w as he w ho t ho ugh in t he p an o p l y o f a C ap t ain ; fighting fo r t he m o s t p art al o n e t augh t ho w t o re p l ac e p o e tic phr as e s an d c o m m o npl ac e s by p o e tic i d e as cl o the d in pl ain p u re Engl ish wi t h rhy t hm t o m at c hf Ab o ve all i t is t o him AN
.
.
.
.
.
,
,
'
,
,
,
,
,
.
,
,
,
.
,
.
,
.
.
,
,
,
,
,
,
,
,
,
,
FIVE CE N TURIES OF EN GLISH VERSE
6
m ainl y t ha t l ite r atur e o w e s t he s o l e mn in augur ati o n o f t he w o rship o f N atur e Th o ugh u n d o u bte d l y H e t hr e w d o wn an d he bui l t up he r al d e d by Co wp e r he s u bst anti all y o p e n e d t he n e w age which c l o s e s fo r us with T e nnys o n Hi s O f Eng l ish ve rs e f a m o us br e thre n in s o ng m o re o r l e ss unc o nsci o us l y e ve n m o c king B yr o n u n de rwe nt his in flue nc e w hi l e t h e y vaunte d the ir ind e p e nd e nc e T he l ate r p o e tr y o f t he nin e te e nth c e ntury has b e e n as a wh o l e th o u gh with an ad diti o n o f m e l o dy o f hi s h o use an d l in e age H e acc o mp lishe d a gran d wo r k in virtue o f sp l e n did p o e tic gifts e xtrao rdin ary phil o s o phic insight an d o bstin ate in do mit ab l e c o ur age As ne ce ss ary a p ro p e rty fo r him I fe ar w as as fo r m any gre at p o e ts an abs o l ute an d in his c as e inn o ce nt inc ap acity fo r r e c o gnizing t he e xist e nc e o f singe rs be si de s hi ms e l f Is it an inte lli gibl e c o ntradicti o n in t e rms t o s ay th at whi le he w as a d dicte d t o w arm m o r al indi gn ati o n an d a d mir ati o n An abs e nc e o f t he he had a c o l d h e art ? s e ns e o f hum o ur w as a p art o f his e quipm e nt w hi ch w as pe rh aps e ss e nti al If it b l in de d him t o absur d i t i e s in t he e x agg e r at i o n o f his critic al m r in c i p le s i t a l s st l d o e e e h i p ag ainst ign o r ant ridic u l e G all ant l y he flu ng d o wn b e fo re a dve r s ari e s w h o m his inspir ati o n b e wi l d e r e d an d e nr ag e d n o l e ss th an his e cc e ntrici t i e s t he g aunt l e t o f his P e t e r Be ll w e at he r c o c k le ss Ki l ve Chi l d l e ss Ti m o thy Exp o s t u l ati o n an d R e p l y with dive r s m o r e as st r ang e The n w he n t he p o e t c e as e d t o sing un l e ss t o an inne r circ l e w h at wisd o m s t i ll wh at un de rst an ding o f t he s o u l o f things T he pri e st re m ain e d with t he inhe r e nt s ancti t y w hich had j ustifie d his o rigin al inve stit u r e with t he p o e t s m ant l e W e fe e l hi m re ady t o go o n pr o phe sying sh o u l d t he c o m missi o n b e re ne we d ; bl issfull y unc o nsci o us o f t he p rb b ab le N e ve r Lite r ary hist o ry sh o ws fe w m o re p athe tic figure s th an t he .
.
,
,
.
,
,
,
,
,
.
,
,
.
,
,
,
.
,
,
,
,
,
,
,
,
,
.
,
,
,
,
.
,
,
.
,
,
,
,
,
,
,
,
,
,
’
.
.
WILLI AM W ORDSW ORTH
7
w he n visibl e withi n t he di minishe d ci rc le o f his discip l e s a righte o us witne ss an d z e al o t e age r t o d e fe nd t he c aus e o f p o e tic a l t ruth as in yo uth ; with n o f o e s t o m o c k an d pe rs e c u te him n o n e fo r him t o b an an d burn c l a d in s ac e rd o t al r o be s ab o ve his arm o u r ; s e e mi ng t o a c are l e ss un gr ate fu l wo r l d t o b e s acrificing c o ld d e ad victims o n a c o l d d e ad alt ar I c ann o t but re c o gni z e th at t he m ass o f his ve rs e has c e as e d t o p l e as e T hat is t he c o m m o n f ate o f p o e try in b u lk It m u st b e c o nc e d e d th at t he ru l e appl i e s e sp e ci all y h e r e Ordin ary re ad e rs e ve n w ith a t aste fo r p o e try ar e s atisfie d with a f r ac t i o n o f hi s As i t h appe ns t he fe w f avo u rite s ar e ge ne rally t he fr u it o f e arl ie r ye ars B ut c o mp aris o ns o f age m ay we l l b e o f inte r e st fo r stud e nts o f l i t e r atur e ; the y d o n o t affe ct t he que sti o n o f abs o lu te m e rit W he n I am c ho o sing pi e ce s t o m ak e m y o wn an d l o ve I d o n o t c o nsid e r d ate s Si mi l ar l y I d o n o t c o nc e rn mys e lf with W o r ds wo rth s phi l o s o p hy un l e ss so far as it w as t he m o tive fo r a p o e m an d c o l o u rs it As it h app e ne d t he phi l o s o phy w as o f a kind t o be ar a ve ry inti m ate re l ati o n t o t he p o e t r y T he sch e m e o f i t w as t he p r e e xist e nc e Of spirit in an ange l ic st at e an d its n e w bir t h in t o a n e w o rd e r o f N at u r e pr e p ar e d fo r it by t he Divi n e A r chite c t T he f abric with its app o int e d c e n t r e an d l o rd w as d e sign e d t o b e a d mir a b l y f air an d happy I n all its c o ns t it u e nts f ro m m an t o b e ast t o t he flo w e r s o f t he fi e l d m o u nt ain an d v alle y winds an d w at e rs it w as m e ant t o d e ve lo p by t he law o f its be ing int o b e au t y mutu all y gr at e fu l l o vi ng k in d ne ss symp at hy sym m e t r y an d har m o ny As a thin ke r he s e e ms t o h ave f ashi o ne d fo r hi ms e l f s o m e s u c h syste m as t his fo r o u r g l o be Be ing a p o e t b o rn he w as in t he h abit o f sum m o n i ng inspi rati o n t o mini ste r t o t he i de a I c an unde rst an d t he f ascin atio n t o o
ld m an ,
,
-
,
-
.
.
.
.
.
,
.
.
,
.
,
’
,
,
.
,
-
.
'
,
.
,
,
'
,
.
,
,
,
,
-
,
,
,
,
.
.
.
FIVE CEN TURIES OF E N GLISH VERSE
8
o e e f a o e t e l ct discip l s w tching r l ti n in his v r s h a o f e hi s e e a e e a a p w r s ch r ct rs A distinc t ch pt r o w t e t h o e t he t w o in psych o l o gy might b e de vo t e d t o t he m anne r in w hich t he t he o r y n o w an d ag ain s u bd u e s i m agin ati o n t o its s e rvic e n o w an d ag ain t h o ugh m o re in yo uth th an age whi l e ans we ring t he s u m m o ns sn atche s u p t he Phi l o s o phe r but w he r e t he Po e t w o u ld an d c arri e s him n o t w h e r e he I t is n o t o u r pr o vince h e re t o inqu ir e w he th e r he we re pri m ari l y Po e t b e c ause Phi l o s o ph e r o r Phi l o s o phe r b e c aus e Po e t F o r o u r pu rp o s e i t is e n o ugh t o appr e ci ate hi s d o ctrine th at N a t ur e l o ve s t o c l o the all he r w o rk s w ith b e au t y ; th at she wishe s he r princip al c re atur e m an t o c o mp l e te it ; t o i mit ate he r in l o ve an d s e e it e nj o y i t go o dne ss t o all ; that he o u ght t o l e arn fro m t he — — in he r an d h e rs ho w c l o s e l y e xc e ll e nc e Of Divin e o rigin he is l ink e d t o H e ave n W e n e e d n o t t o di sc o ve r t he P o e t in hi m e nd e avo ur t o pi e ce t o ge the r a c o mp l e te syste m o u t o f his ve r s e Le t us d e l ight o urs e l ve s with its ch ar m whe r e ve r w e fin d i t— n o t qu arr e ll ing w ith t he s we e t n e ss be c aus e t he h o ne yc o mb m ay b e hi dd e n a m o ng t he b o ne s o f a d e a d l i o n o f th o u gh t T o t ake O ffe nc e at W o r d s wo r th b e c aus e t he phil o s o p he r in hi m is it m u st b e ac k no w l e dge d ne ve r ve ry far o ff wo u l d b e t o b anish o urs e l ve s fr o m his kingd o m o f p o e try alt o g e t he r Id e as vast an d l o f t y ar e c o nst ant l y disc e rnibl e wi ll ing t o h o l d al o o f o r appr o ach as t he r e ad e r wi ll Wh e r e an y o f t h e m insist up o n a ss o ci ating t h e ms e l v e s w i t h t he m el o dy we l c o m e th e m ; fo r t he c l aim pr o ve s the m an d t he inspir ati o n t o b e o n e Thro ugho ut a mp l e sp ace s o f g ard e n l and whe r e he r e igns t ho ught e ve n fo r t h o s e w ho d o n o t d e l ve an d mine in it a dds atm o sph e re an d a s e ns e o f mys t e ry W ho c an acc o un t it i ll in a p o e t t hat t o his e ye s N ature is always l o nging t o d e m o nst r at e h e rs e l f t o .
,
,
,
,
,
,
,
.
,
,
.
,
,
,
,
,
.
,
,
,
.
.
'
,
,
,
.
,
,
,
.
,
,
.
-
,
,
.
,
WILLIAM W ORDS W ORTH
9
b o t h d e l igh t fu l an d b e n e fice n t I In a l e gi o n o f inst anc e s he c o u ld n o t h ave d o n e be tt e r p o e tic all y had he be e n s e arching fo r be au t y wi t h as l ittl e he e d t o a l e ss o n fr o m i t as an E l iz abe th an minstre l o f l o ve H e c o ul d h ave p ro duc e d n o m o re sp o nt ane o us app ari t i o ns o f m e tric al s we e tn e ss Lucy is n o t t he l e ss l yric all y l o ve l y th at she impe rs o n ate s N atur e s i de a l w o r k m anship ds th ir s tat shall le nd T he fl o ating c l t h will o w b nd T he fo h N o shall he f ail t E ve n i t h m o tio ns f t he St rm G rac that shall m o ld t h M aid n s f o rm B y sil nt s ym p thy T h s t ars o f midn i g ht s hall b e d ar To h h shall l an he e a a d I m any a s e c r t p l ac e Wh r ri vu le ts d anc th ir w yward r nd A d b a ty b rn o f m m ring s o nd S hall p ass int o he r f ac e D o o m t o an e ar l y de ath has n o t t he l e ss p ath o s in it t h at it m ay e xe mp l ify N ature s s e re ne c o mp o s u re in bringing fo rth flo we r s n o t t he l e ss e xqui sit e that the y wi ll fade S he dw l t am ng t h ntro dd n w ys B id t h springs o f D v A M id wh m th r w r n n t o prais And v ry f w t o l v A vi l t by a m ssy s t n H alf hidd n fr m t h y F ir a a star whe n nly e I s hining i n t h sk y d f w c ld kn w S h li v d n k n o wn W he L cy c a d t b B t h i i h g rav a d h be
.
’
ou
o
er
r
r
r
e
e
o se e
s
n
e
e
e
o
o
'
e
e
u
e
a
’
e
.
e
e
er
n
s
n
e
e
r
r
e
e e
n
e
e
e
u
o
a
ou
u
ur
u
1
.
’
°
e
es
o
e
e u
e
a
e e
e
e
o e
e
u
n
s
e
s
.
,
u
e
n
er
e
on
o
e
e
e
e e
o
s
u
o
,
e
e
o
e
o
s
e
e
o
e
a
e,
o
o
a
e
se
an
ou
e
o
e
e,
n
T he d ifi e re n c e t o me 1
2
,
O
,
o
,
10
FIVE CE N TURIES OF E N GLISH VERSE
He re is
n al ysis
s t age s o f pe rfe ct wo m anh o o d P hant o m o f d li g ht Sh w a Wh n first h gl am d p n m y si g ht A l v l y App ri tio n s nt T b a m o m nt s o rnam nt H ye s tars o f Twilight f ir Lik T wilight s t o o h d sky h ir ls b t h dr wn B t all t hing Fr m M y tim a d t he ch rful D awn i g S hap Im g gay Ad a T h nt t o s t r t l a d w ay l y And w I wi th y e s r n T h v ry p uls f t h m ac hi ne ; A B ing b r athi ng tho ghtf l b r ath A Trav ll r be tw n lif a d d th T h r as n fi r m t h te m pe r at will E nd ranc f r si g ht s t re ngth a d skill ; A p rfe ct Wo m n n b l y planne d T w arn t o c m f rt a d c o mm and And y t Spiri t still a d b ri ght Wi th s o m thing f ng li c li ght With its we alth o f insight it st ands o n a l e ve l ne ithe r highe r n o r l o we r in p o e tic al e nch antm e nt — sinc e b o th ar e — a in t h t supr e m e wi t h t he visi o n o f t he u n kn o w n High l and R e ap e r B ho ld he si gl i t h fi ld so li tary Highl nd l ss Y R ping a d sing i g by h rs lf St p h r g e ntly p ss Al n h c ts a d binds t h g rai A d sing s a m l nc h l y s t r in 0 lis te n f nd t h V l e p ro f I s o v rfl wing wi th t h s o nd N N i g hting l di d v r c ha nt M r w l c o m n te s t w ary b ds Of t r ve ll rs i s m e shad y hau nt Am ng A abi an s nds ; t he
of
an a
e
s a
e
“
e
s
e
o
a
e
’
e
a
as s
er e
’
e
,
u
o
a
an c n
e,
au
e e
e
e
e
u
ee
o
e
o
,
n
n
,
a
o
n
,
,
a
e
,
o
,
o
,
ea
,
a
,
e
o e
e
e
n
e
e
,
e,
e
u
u
o
.
e
e
e
a
e
e O
e
,
n
e,
se e
e
a e
n
a
,
no
e
ee
n
e
-
a
er
ou
e a
a
u
er
,
s e
o
o
e
,
e
e
o
u
e
e
3
e
.
,
,
,
e
n
r,
n
e
on
e
a
ea
n
o
e
o
e s
n
e
e
a
n
u
n
or
n
e
e a
e
,
a
e, or
e
e
o
e
a
a
o
ou
e
u
.
"
O
a e
o e
e
a
o
e
e
r
e
o
n
e
o
o
u
e
an
,
a
,
WILLIAM W ORDS WORTH
11
A v ic t hrilli g h rd w bird I s p ring t im f r m t h C c k Br aki g t h sil nc e f t h s as Am ngs t t he farth s t H b rid s Will o o te ll m what h sings P rhaps t h pl aintiv n m b rs w ld happy fa ff t hi g s F And b att l s lo ng ag O i it s o m e m o re h m b l l y F mili ar m att r o f t o d ay 7 S o m n t ral s o rr w l ss o p ain That has b e n d m y b ag in W hate r t h th m t h M id n s ang As if h r s o ng c o ld h v o e nding I aw h singing t h wo rk And t h si c kl b nding I lis t n d m o ti o nl ss a d s till And a I m o nte d u p t h hill T h m si c in m y h ar t I b r L ng afte r it w as h ard o m o r e so
o
n
n
e
-
n
e
’
ne er e
o
e
e
or o
,
s
e
,
.
e
u
e
-
,
fl o
n
r -o
e
r
e
e
un
e
e
e
e
oo
e
e
ne
ea
u
o
o
n
as
,
o
s
u
a
e
,
e
a
a u
e
o
e
’
e
an
,
e
e,
o er
e
e
e
e
e n
,
n
u
e
u
e
a
e
e
s
,
a
er
e
,
,
e
a
a
er
r
e
u
’
o
a
e
e
s
,
e
o
,
o e,
n
e
e
4
.
fu ll o rche str a pr o vid e d fo r t he p o e t by his winge d ne ighb o urs in hi s n at ive d al e s has a wo rl d Of v ari o u s m e aning fo r hi m Y e t ho w simp l y an d u nsyste m atic all y s we e t is e ach s e ve r al c ar o l ! T he N igh t ing ale pl ays at s t i rring t he r e s tl e ss b l o o d w hich t he st o c k d o ve w o u l d s o o the 0 N ig ht i g l th s re l y t A c r at r f a fi ry h ar t T h s n te s f t hin — th y p i rc d p i rc e ; T mult s harm o ny a d fi rc Th si g s t a if t h G d f win H ad h l p d t h V l ntin to A s o ng i m c k ry d d pit e d sil nt ni g ht Of sh d s d d ws And s t dy bliss d ll t h l o ve s N o w sl ping i t h ir p ac e f l g ro v s T he
.
,
,
,
-
,
n
ou
u e o
e
e
a e
e
u
e
e
n
e
’
e
n
a
s
e
a
a e
an
e
an
e
ea
ee
o
ee
o
,
e
e
,
n
,
an
e
e an
e
n
uo u
ou
ar
e
e
o
o
u
e
e
e
o
e
es
an
e
e
a
e
u
e
5
.
12
FIVE CE N TURIES OF E N GLISH VERSE
S kyl ark t e ache s that l o ve m ay b o th aspir e an d st o o p pilgrim f t h sky E th r al min tr l D t tho d pis t h ar th whe r c r s ab nd h ar t a d y O whil t h wing s aspir a B th wi th t hy n t p n t h d wy g r nd T hy n t whi c h t ho c nst dro p int at will Th q iv ring wings c o m p o se d that m si c still h d y wo d L v t o t h ni g hti g le h A priv acy f gl ri s light i thin Whenc e th d s t p o r p n t h w rld a fl o d Of harm ny wi t h in tinct m re di vin e Type f t h wis wh s r b t ne v r r o am Tru e t o t h kindr e d p ints o f H eav e n d H o m l T he Linn e t s e e ms t o pr e ach n o t at all but has his l e ss o n — th at N ature c o m m ands t o b e g l ad o o t hav I m ark d t h happ i t g st O ll t his c v r t f t h b le s t I H il t th far ab v t h re s t I j y f v o i c e a d pi i o n Tho u Lin t 1 i t hy g r n array Pr sidi ng Spiri t h r t o d y D s t l ad t h re v ls o f t he M ay ; And this is t hy d o mini o n While bird a d b tt rfli s a d fl w rs M ke all o b and o f p ar m rs Th ra ging p a d d wn t h b w rs Ar t s o l i t hy m p l ym nt A Lif a Pre s nc lik t h Ai Sc tte rin g t hy gl adn s wi th t c r T o b l e s t wi th a y o t p ir Thyse lf t hy o w nj o ym nt Fit c o mp ani o n is he in his ai r y p u l pi t fo r t he j o yo u s wi l d fl o we rs th at t he p o e t surpr is e d re ve ll ing t o o o n e spring o n t he sh o re s o f Gr asm e re A h t f g ld n d ffo dils B sid t h l ake b th t he t r s Fl tt r i g d d ncing i t h b r z T he
es
o
u
o se
ea
o
e
n
o
o
ou
o
o
ou
u
u
e
e
o
e
s
e
o
s
,
o
u
a
er s
a
e
,
,
e
e
e
ou
e
a
u
es
e
o
u
ou
n
e
re
e,
e
e
r,
a e
e
e e
e
es
u
os
e
o
e
s
e e
o
o
o
o
oa
u
,
e
o
e
an
e
6
,
ne
e
e
n a
e
o
o
a
n
o
o
ne
e
ee
e
e
n
n
e
o
e
n
o
,
e
ue
e
ee ,
o
es
e
,
e
,
a
-
,
e
.
n
s
u
e
e
ne
a
a
n
ou,
e
u
n
n
ou
e
o
e
e
n
o
ne
n
e
o
e
,
,
e
r,
e
es
a
o
,
o
e
e
e,
n
,
a e,
ou
a
o
e
7
e
.
'
,
os
e
u
,
o
e
e
o
e
n
a
e
an
,
enea
,
a
,
ee
n
e
,
ee
e.
WILLIAM W ORDS W ORTH Co ntin o u s as t h s tars that shi n e And twi nk le o n t he milky w ay The y s tre tche d in ne ve r nding lin e Al o ng t he m arg in o f a b ay ; T e t ho u s and s aw I at a g l anc e To ssing the ir he ads i s prightly d ance e
u
13
,
,
-
e
n
,
n
wav s b sid the m d anc d b O tdid t h s p arkling wav s i g l e A p e t c o ld o t b t b e g y I n s c h a j c nd c o m p any
T he
e
e
e
e
n
u
o
u
n
e
e
u
o
u
a
ut
,
the y
e
,
8
u
.
Uni ve rs al n ature in his c re e d w as de signe d t o r e j o ice an d insists o n r e j o i cing ; but n o inve stitu re with a pr o phe t s m ant le is r e qui r e d t o qu al ify l o ve rs o f inspir e d ve rs e t o fe e l t he m agic t he e xu l ting h appine ss o f t he str ains in which t he Po e t Of N ature pr o cl aims his f aith an d gl o ry in he r b e au ty an d t e nd e rn e ss Co m m o n l y it is p o ssibl e t o b e thus s e nsibl e o f t he s i mpl e — n singe r ap art fr o m t he s e e r i W o rd s wo rth n o t always I c ann o t p re t e n d t o p re ss an in di scri min at e re s o rt t o hi m fo r t he a mus e m e nt Of an id l e h o u r H e has str ains o f a gr an de ur a b e auty o f s u b l imity w hic h it s e e ms pr o f an e t o r e h e ars e un l e ss as anth e ms chante d by wo r shi ppe rs with b are fe e t be fo r e an al t ar Fr o m ho w far away s e e ms t o e ch o t he s o l i l o quy E ar th has o t anyt hi ng t o s ho w m o re f air ; D ll w ld h b e f s o l wh c o ld p ass by A sight s t o ching i i t s m aj e ty ; This Ci t y o w d o th like a g arm nt we ar T h be a ty o f t h m o rnin g il nt b ar S hi ps t o w rs d m s the tre s d t m ple s lie O p n nt o t he fi lds an d t o t he sk y All b right d g li tte ring i t h sm o ke l ss air N v r d id s m o re b a t iqy ste e p I his fi rs t pl nd o r v all y ro c k r hill ; ,
,
,
’
,
,
.
.
,
,
.
,
,
.
n
ou
u
e
o
e
s
e
e
e
o
,
u
s
e
e
,
n
e
un
s
e
e
a
,
n
e
,
e
e,
,
an
e
,
an
e
u
,
u
,
o
n
u
n
e
u
o
u
,
e
u
e
,
,
o
.
FIVE CE N TURIES OF E N GLISH VERSE
14
c alm so d e e p riv r glid t h at hi wn swe e t will D ar G o d t he v e ry ho s s s e e m a le p And all t hat mig hty he ar t is ly ing s till Ag ain his is a V o ic e in t he wi lde rne ss w hich n o t affe c t ing t o b e ab l e t o cur e t he di s e as e pr o t e sts ag ainst p e r s o n al c o nt a min ati o n by t he pr e vai l ing r e b e ll i o n Of fle sh ag ainst spirit o f E arth ag ainst He ave n l ate n d s o o n T h w o rld i t o o m u c h wi th u s p o w rs G e tting an d p e nding w e l y w ast e o ee i N at re that i o u rs Litt l e w he arts away a s o rdi d b o n h v e g iv e n o W This S a that b are s he b o s o m t o t he m o o n T h winds t hat will b h wling at all ho rs And a e u p g ath re d n o w like sle e ping fl o we rs F r t his fo e ve ryt hing w e a e o u t o f t u ne — G re at G d I d rathe r b e I t mo ve s s n o t A P ag an s ckl e d i a cre e d o u two rn S O mi g ht I s t a di ng n t hi s p l e as ant le a H av e g lim pse s that w ld m ake m e le ss f o rl o rn H ave si ght o f Pro te u s rising fr o m t he se a O he ar o ld Tri t o n b l o w hi s wre at hed ho rn List e n fin all y t o t he t w o e m u l o u s spiritu al ri val s fo r — o o o f o u c o ntro l W rdsw r t h s s l Th o u ght t he p ro fo un de st Im agin ati o n at its l o ve l i e st— c o al e scing as in t he m ighty Od e int o a l o ng r e s o u nding p e al o f m u sic re a lizing t he Mi l t o nic visi o n o f Phi l o s o phy c e l e s t i all y h ar m o nio us T he R ainb o w c m s a d g o e s And l o ve ly i t h R se T he Mo n d o t h wi t h d e li g ht Lo k r nd he r whe n t h h av e ns ar e b ar W at e rs o a s tarry n i ght A e b e u t if l a d f air T h s n hine is a g l o ri o u s bir th B t y e t I kno w whe re e r I go That the re hath p ast away a g l o ry fro m t he e art h ’
Ne er T he
I,
s aw
n v r f lt e
e
e
s o
e
e
a
,
u e
e
s
e
9
,
,
,
,
a
s
e
s
e
u
n
e s
ur
a
,
o
,
r
e
e
e
r
o
r
,
u
,
e
-
o
e
s
ur
a
,
r
,
u
’
o
.
u
n
n
,
o
,
ou
1°
r
’
,
,
-
,
,
,
o
s
e
e
n
,
o
o
ou
o
e
e
e
n
a
r
e
u
u
u
n
s
’
,
,
.
ILLI AM W ORDS W ORTH
W
15
birth is b t a sl ee p a d a f rge tting u li fe s St ar T he S o u l t hat ri s wi t h u s H ath had e lse wh re it s s e tting And c o me th f ro m af ar N o t in e ntire f o rg e tf uln ss And n o t in u tte r nake dne ss B u t t r ailing c l o u ds o f g l o ry d o w e c o me F ro m G o d who is o r H o me H e ave n li e s ab o u t u s in o r inf ncy S had s o f t he p ris o n ho e b e g in t o c l s Up o n t he g ro wing B o y B u t he b h lds t h li g ht an d whe nc i t fl o ws H s e e s i t i n his j oy ; T he Y o u t h w ho d ail y f ar th r f r o m t he e as t Mu st t rave l s till is N atu re s Prie s t An d by t he v isi o n s p l e ndid I s o n his w ay att e nd d A t le ngth t he M an pe r ce iv s it di aw ay An d f ad e int o t he lig ht o f c o mm o n d ay Our
n
u
o
se
,
o
’
r
,
e
,
e
,
,
u
,
u
e
-
a
e
o
us
,
e
e
o
e
,
,
e
e
,
’
,
,
e
e
e
,
.
that in o u r e m be rs s me thi n g that do th liv e T nat re y e t re me m b e rs What w as o f g itive The t ho u g ht o f ur p as t ye ars i me d o t h b re e d Pe rpe t al be ne di ctio n o t inde e d F r t hat whi c h is m o s t w o rt hy t o b e b l e s t De lig ht a d libe rty t he sim ple c re e d Of Child ho o d w he the r b u s y o r at re s t B u t fo r t ho se fi rs t affe ct io ns Tho se shad o wy r e c o lle cti o ns W hi ch be t he y what the y m ay Ar y e t t he f o nt ain li g ht o f all o u d ay Ar e y e t a m as te r li g ht o f all o u s e e ing H e nce i a se aso n o f c alm we athe r Tho g h i nl and far w b e S o uls have sig ht o f that imm o rtal se a O W hi ch b ro u ght us hi the r Can in a m o me nt t r ave l t hi the r oy 0 j Is o hat
,
u
s
u
n
o
n
u
o
n
,
,
,
,
,
,
u
e
r
,
r
n
u
,
e
,
ur
,
,
FIVE CENT URIES OF E N GLISH VERSE
16
And
Childre n s p o rt u p o n t he sho re he ar t he mi g hty wat e rs ro l ling e ve rm o re t he
se e
An d
,
.
And 0 y F nt ins M ad ws Hills a d G ro ve s F r bo d l vs t a y s e v ring f o Y t i m y h ar t f h art s I f l y o r mi g ht I n l y hav r lin qu ishe d o n e d e li g ht T o liv b n at h y r m o re h b it u al sw ay Thanks t t he h m an h ar t by whi ch w liv Th nks t it t nde rn ss it j ys a d f r T m t h m n t fl w e r th t b l o ws an g iv Th ghts that d fte n li t o d ee p fo t rs o
e no
e
e
e
o
e
ur
o
ee
e
,
e
u
a
ou
e
u
o
a
o
n
,
,
e
e
o
o
e
o
e
e
,
n
n
e
a
ou
e
,
o
s
e
ea
e
e
e
es
ou
.
e
s
,
o
o
a
o O
e
e a s,
n
,
e,
e
c
ea
r
o
11
.
A c o nse crati o n Of music as in this m ar ve l t o t he e v o lu ti o n o f abstract t h o u ght m u st in t he n at u r e o f things b e Y e t t he p ur su e r s aft e r m e l o dy m ay fin d e xc e pti o n al th e ir re war d in e xpl o ring e ve n t he c o l d d ry p l ace s in t he Maste r s phi l o s o phy Grace an d fir e fre que nt l y wi ll re ve al the ms e l ve s in un e xp e cte d sp o ts The y l ight u p n o w an d ag ain a d o gm atic de fi anc e o f t he int o l e r ant l it e r a ry c an o ns o f his yo uth l i ke Pe t e r Be ll— t he butt o f B yr o n I v in t hr g h v ry c hang e f l y ar D i d N at r l ad him a be f o re A p rimr s by a riv r s b rim A y ll w p rimro se w t o him And it w a n thing m r ,
,
.
,
’
.
.
,
n
a
ou
,
u e
e
e
as
o
,
o
o
e
.
At no n whe by t he f o re st s dg H lay b e n ath t h b ranche s hig h T he s ft b l e sk y di d n ve r m l t Int o hi h rt ; he n v r f l t T h wi tch ry o f t h s o ft b l sky 1 o
’
n
,
e
e
s
e
e
e
e
ea
e
e
e ,
u
o
,
’
e
s
e
s
e
o e
e
u
e
e
e
e
ue
12
spiring re fle cti o n wi ll with o u t warning b re ak ge nt le s o ng T he b e e s t hat s o ar fo r b l o o m High a t he high st p ak o f Fu rne ss F lls Will m rmu r by t h ho u r i f xg lo v b e lls An
a
,
s
u
e
e
e
e
n
o
e
,
.
18
FIVE CEN TURIES OF E N GLISH VERSE
W h t m a h m ad f m a he r e c o gniz e s w i t h d e l ight th at n e ve rth e l e ss h m an h r t ll f h v W H e is g r at e f u l t o N at u re an d t o N at u r e s s o u r c e t h at in i mp ro ving e arth s surf ac e into infinit e l o ve l ine ss the y h ave de ve l o pm e nt Of m an al s o T he r e is n o t n e g l e ct e d t he m any a o n e w ho d m e d t o g i c o m p any wi th P ain An d F ar a d Bl dsh d mis r b l e t rain T rns hi ne c ity t g l ri s g ain H e th an k s He ave n fo r Mi l t o n w h o s e s o l wa like a St ar a d dwe lt ap ar t ; fo r Bu rns w ho s ho w d m y y t h H o w V rs m y b ild a p rinc e l y t hr ne O h m b l t r th ; fo r t he p l o u gh b o y s m e rr y w h o o p ; an d fo r t he st at e l y Be gg ar w o m an c r at r — a w d f g l ri B a ti f l t s f at r ! fo r t he pr o o fs O f h u m ani t y s abi l ity t o r is e sup e ri o r t o f o r tune affo rd e d al i ke by t he R o yal S we d e an d by t he l e e ch g athe re r m o t i o n l e ss as a c l o u d o n t he l o ne l y mo o r I c ld hav l a g h d m ys lf t s c rn t o find I t hat d c re p i t M a fi rm a mi nd fo r Spring s b e st o w al o f a t r ain o f fl o we rs mig hty b and S inging at m y he rt s c mm and ; fo r t he spirit b re ath e d fo r mm in t he w o o ds w hich made t h s o nding c at ar act H a nt him like a p a i n ; an d had j u s t ifie d his p r aye r an d ho p e as he m e di t ate s gr ate fully o n t he ch o i r o f Po e ts n
e o
as
n
a
,
,
a
e
ea
u
us o ne
o
e a
.
’
,
,
,
’
,
.
,
e
n
,
,
oo
e ss
s
u
n
o
oo
e
o
a
e
,
16
ou
o
.
,
s
u
17
n
,
,
e
e
n
a
e
o
u
e
u
ou
18
u
’
-
-
e
a
e
u
u
o se e
ee
o
o
ou
u
e
e
u e
’
,
,
-
,
,
ou
n
e
u
e
e
o
o
2°
n so
e
’
a
,
a
’
o
,
e
u
u
ss o
,
19
WILLIAM WORDS W ORTH
19
rth h v m d h irs Of t r t h d p r d li g ht by h av nl y l y s mi g ht my n m b n um b r d am ng th ir Oh Th n g ladl y w ld I d m y m rt l d ys w ho
on ea
an
u
u e
ou
e us
a
e
e
a
e
a
e
e
e
a
e
e
en
e
o
e
a
o
e
s,
21
a
.
T he r e ar e p o e ts wh o s e w o r k s ar e each a b o dy o f l i t e r a ture in its e l f an d W o r d sw o rth is o f th e m Th o u gh I h ave d ar e d t o t o uch vari o us ke ys in his mighty o rg an I h ave re fr aine d fr o m a h u nd re d m o re With m any a gri e ving l o o k b ac k I h ave p ass e d t he Y arr o ws by t he visi o n o f t he Gi rl o f I n v e r sn e y d e t he S o nne t s s o nn e t t he o ve r flo wing music o f B r o u gh a m C astle s w e l c o m e t o its S he p h e r d Lo r d t he high mi nd e d f ar e w e ll t o t he wo ndr o u s Po t e nt at e o f E ild o n s trip le h e ight t he d r a m atic f o rc e an d g e n e r o us app e al o f H art l e ap W e ll t he p a t h o s o f t he i mp ro vis e d r e qu i e m o n de p arte d fe ll o ws in s o ng t he gr ace o we r Ruth a n d t he an d t he p assi o n o f L ao d ami a wi l d go l d e n D u dd o n ch ain with numbe rl e ss t hings o f be au ty an d w isd o m b e sid e s Sing le pie c e s l i ke t he gre at Od e ar e m at te r fo r e ntire v o lu m e s T o ge th e r t he y re fle c t t he who l e p o e try o f l ife as l ive d an d as i t o u ght t o b e l ive d In t h at u nis o n I find in e ffe ct an e xp l an at i o n o f t he c o m m o n H e mix e d s o in d i ffe r e nc e t o W o r d s w o r t h s l at e r ve rs e m u ch o f his s e lf c o m munings t he c o nvi cti o n o f his o bl ig a ti o n t o re b u ke r e fo rm an d te ach th at t he Po e t o fte n w as l o st t o vi e w in t he P r e ach e r Is i t t o o m u ch t o ass u m e t hat t o it al s o t o t he abs o l u t e id e ntity o f t he m an an d his inspir ati o n t he in d e fi n ab le m agic o f t he e ar l ie r p o e t ry must b e tr ac e d N o whe re in t he Engl ish He l ic o n is it h ard e r t o tr ac k h o m e t he f ascin ati o n by s o m u ch a s i t is alw ays h ar d e r t o an al ys e an auth o r than his b o o k Wh e n ho w e ve r i t c an b e d o n e an d is d o ne w he n as in t he m o rning o f l if e t he p o e t p o ur e d his who l e s o u l int o hi s ve rs e w h e n he f o ll o we d af t e r e ve r y aspi r ati o n with t he ard o u r o f a .
,
.
,
,
’
,
,
’
-
,
’
fl ,
-
,
,
-
,
,
,
.
,
,
.
.
,
’
.
-
,
,
,
,
.
,
,
,
.
,
,
,
,
,
,
,
B
2
FIVE CE N TURIES OF E N GLISH VERSE
20
l o ve r as w e ll as t he p ati e nc e o f a te ach e r wh e n he ar raye d n t o e d o o e a ch dic t i n l v l y it is si mp l I w nd r s a o e o s n i ea th at t he b e st o f t he n ati o n s yo u th r all i e d t o his b u g l e c all Eve n fr o m t he far dist anc e b e l i e ve m e its e cho e s h e sp e ll t o t o e e e nch nt s bmit th ms l v s h n st l y e u n t a e a L e y an d t h e y wi ll u nd e rst and ,
,
’
,
,
.
,
.
.
P tic l W rk f W illi Y r h Gr w i S T hr
T he
ea s s
ee
s o
o
a
oe
un
n
e
e
am
W an d
rd w rth Sh w r (P s
o
o
e
o
w rd
Mo x o n 1 84 7 o e m s o f t he I m ag in at i o n Ed
.
a
,
.
,
VI I I ) Aff cti Ph t m f D light (P m f t h I m gi ti VI I I ) Sh w f T r i Sc tl d I X ) T h S lit ry R p r (M m ri l I X) f t h I m g i ti T N ighti g l (P m Skyl rk (ib id XXX ) T t (P m f t h F cy I X ) Li T h Gr D ff d il (P m f t h I m gi ti XI I ) C mp d p W tmi t r Brid g S pt 3 1 802 (M i c ll S t P rt I I x xxvi ) S t (Mi c ll S t P rt I xxx ii i ) f E rly Child h d f I mm t lity fr m R c ll cti I tim ti t z 2 5 9 d 11 Od P t B ll P rt I t z 1 2 d 1 5 (P m f t h I m g i ti ) B k IV T h E xc r i d S im L t h Old H t m f S ti m t t 1 2 (P m R fl cti VI ) Th A fflicti f M rg r t t 1 1 (P m f d d t h Afi t i XXI V) Ch r ct r f t h H ppy W rri r (P m f S tim t d R fl cti XX ) L d 1 802 (P m d d ic t d t N ti l I d p d c XI V ) At t h Gr v f B r 1 803 t 6 (M m ri l f T r i S c t l d II ) W ritt i M ch d B gg r (P m XVI f t h I m gi ti d X VI I I ) d I d p d R l ti c t 2 0 (ib id XX I I ) P r l T lk t 4 (P m f S tim t d R fl cti X I I I ) Lu
2 3
cy (P
as a
e
4
e
5
o e ms Of
ea
6
o a
7
a
9
s,
onn e
a
11
e , s an
12
er
e
e
e
15
,
a
ee,
on ,
na
n a
on
an
o
.
,
.
,
.
,
on
.
,
.
,
e
e,
a
o
a
an
.
an e o u s
s e
,
.
,
e
o
ons o
e
oo
a
.
.
s an
,
as
oo
,
s,
onn e
or
,
,
on
e
an e o u s
u s on
e
14
,
a
ns e
es
on s o
as
n
on
.
s e
a
n
ou
an
e
a
e
,
on n e
s o
oe
on
u
a
na
a
e
.
s o
oe
o se
o
1°
s
o
e
,
nne
een
e
3
.
a s o
o
s o
oe
s o
oe
e
e
a
.
e
o
a e
n
o a
o n s,
e
o
an
a
o
t he
oe
an
s o
a
e
na
on
.
.
e
an ,
s
un
s
oe
.
s O
en
an
‘
ec
o n s,
e
on
en
.
on o
e
a
a e
,
s
oe
.
s
o un
so
en
on
e
e
.
1“
a a
e
o
a
e
a
o
oe
a e
o
an
en
e
,
.
17
on
on,
18
an
oe
a
e
,
e o
s
e
u n s,
,
s
a
on a
en
e
a s o
o
e
.
n
a
en
e,
ou
n
na
on
.
o
.
en
an
n
ar
,
an
e
a s
en
e, s
oe
s o
e
a
,
.
2°
21
e so u
e so n a
on
an
a
n
,
s
.
e
en
oe
s o
.
en
.
en
.
,
an
e
e
on,
.
S A M U E L T AY LO R C O L E R I D G E 1 7 7 2— 1 83 4
W H A T a p o e t but fo r t he m e t aphys ic ian A p o e t fe e l s ; a m e t aphysici an r e as o ns T he o n e l e aps ; t he o th e r d igs With o u t i m agin ati o n t he o n e c ann o t br e at he an d t he o th e r c ann o t gu e ss at t he d ir e cti o n o f a v e in o f t h o u ght B ut fo r t he p o e t it i s l ife fo r t he m e t aphysici an a sti mu l ant In t he s am e mind t he t w o te n de nci e s c o n i c t u n l e ss o n e c o ns e nt t o s e rve T o his fri e nds an d t he High gat e circl e Co le ri d ge w as t he m o r e sign al m arve l be c au s e he unit e d b o th F o r p o st e rity he w o ul d h ave be e n a p r o fo u nd e r phi l o s o phe r had he b e e n l e ss o f a p o e t H ad he c o nce rn e d hi ms e l f l e ss wi th t he s o lu ti o n o f m e nt al p ro b le ms he must h ave fi lle d a w i de r n o t a m o re e x al te d sp ac e in t he hist o r y o f p o e t r y His p o sitive p o e tic al c are e r w as bri e f T he qu antity o f his w o r k in t he p e ri o d is m o d e r ate Vir tu all y t he w ho l e be ars an u nmist ak ab l e st a mp o f hi gh inte ll ige nc e an d n o bl e fe e l ing Re l igi o us Musings ab o un d in gr and i m age s an d re fl e cti o ns ; as fo r inst anc e o n t he fo ll y o f h atr e d within o ur He ave n l y F athe r s vast hum an f a mi ly N o C in Inj r s u ni nj r d— i he b s t im d bl o w Vi ct ri o us m rde r a b lind s i cide
fl
.
.
,
.
,
,
.
,
.
.
.
,
,
,
.
.
.
.
,
,
’
a
u e
u e
o
u
n
r
e
a
’
u
wi th t he c o nve rse in t he l ine s im m e di ate l y pre c e ding which L a mb de c l are d t o b e witho ut a rival in t he wh o l e c o mp ass o f my po e tic al re ading ,
,
22
FIVE CE N TURIES OF E N GLISH VERSE Th r
m ni pre nt Mind H i m t h l y nam i L v Om i fi Tr th f s bl iming im p r t wi th t h whi c h d s t rat s hi c o ns t ant s l W h f d H f r m hi sm all p ar ti c u l r r b i t fli s Wi th b l e t o tst arting Fr m hims lf he flie s St nd i t h p arti al g aze a d wi t h Vi ws ll c r ti o n a d he l o v s it all i t a d c all i t v r y g o d A d bl This i ind d t dwe ll wi th t h M s t Hig h C he r bs a d r apt r tre m bling S r p him Ca p r s o ne are r t o t h Al mig hty s T hr o ne e e
is
n
c
u
s
.
e
n
es
e
e
s
,
e
o
a
e
u e-
n
’
e
E o l i an H arp in its auth o r s b e l i e f p e rfe ct p o e m he e ve r wr o te
an d
T he
,
o
o
n
u
’
no
n
ee
s
e
n
,
,
e
o
n
ea
e s se s
ou
o
e su n ,
a
n
s
e
u
n
s
e
a u
.
e
a
s
a
e
o
o
s
o
,
s
e
o
os
s an
ee
se
o ne o
u
O
o
M ind ,
one
t he
’
,
1
,
S c h a s o ft fl o ating wi tche ry o f s o nd A t wilig ht E lfi s m ake w he n t he y at e v e V y ag e o g e ntle g ale s f ro m Fairy l and O t he o n e li f e wi thin u s an d ab r o ad Whi ch m e e ts all m o ti o n an d b e c o m e s it s s o u l A light i s o d a s o u nd li k e p o we r in light R hythm i all tho g ht an d j o y anc e e ve rywhe re u
mo st
u
s
n
o
,
n
-
,
,
n
un
-
,
,
n
u
,
1
2
sub tl e ty t he m o st intric at e d aun t s his Mus e w h e n t he t he me c r o ss e s he r p ath ; n o t e ve n D avi d H artl e y s A e th e r with its fl id im p acts s nc es S lf w rki g t l nc a se d ff ct a d ll T h s b lind mni ci nt th lmighty l av U te nanting c r ti n f it s G d
No
,
,
,
’
,
u
e
o
-
o
n
e
s,
o o s, u s
o
n
ea
u
s,
e
o
,
e
e
e
se
s,
,
n
o se a
o
o
a
s
e s,
3
.
A r e ade r st an d s a m az e d at t he m o re th an e q u al c o ur age t he N e P l us U l tr a S l e P i t i v f N i g ht Anti p athist f Li ght F t s nly sse nc e p rim al s c o rp i n d Th n p e rmi tte d o pp o si t e f G o d o
os
e o
o
a e
’
e o
o
e
e
o
o
ro
S AMUEL TAYLOR COLERIDGE
23
C nd e n e d bl ac kn e ss an d abysm al sto rm C m p acte d t o e s c ptre Arms t he G ras p e no rm T he Int rc e pt r T he S bs t anc e t hat s till c ast s t he s had o w D e at h T he D r ag o n f o u l an d fe ll T he u nre ve al ab l e And hi dde n o n e who se b re ath Give s wind an d f u e l t o t he fi re s o f H e ll Ah s o l e d e s p air Of b o t h t h e t e rni tie s in H e av e n S o le inte rdi ct o f all b e de wing p raye r T he all c o m p assi o nat e S ave t o t he Lam p ads S e ve n R e v e al d t o no ne o f all t h Ang e li c St at e S ave t o t he Lam p ads S e ve n That watch t he thro ne o f He av e n N o twit hst an d ing t he e ncr o achi ng w ave s e ve n h e re o f wr angl ing p o l i t ics t he Od e t o t he D e p arting Ye ar is a re l ie f t o t he br ain with its invo c ati o n O Al bi o n ! O m y m o the r Isl e ! T hy v alle ys f air as E d n s b o we rs G li tte r g re e n with sunn y sho we rs T hy g rass y u p l ands g e nt le swe l ls E c ho t o t he b l e at o f o c k s T ho se g ras y hills th se gli tte ring de lls Pro u dly ram p art e d wi th ro c ks And Oce an mi d his pro ar wild Spe aks s afe ty t o hi island c hild H e nc e fo r m any a fe arle ss age H as s o c i al Q u i e t l o v e d t hy s ho re N o r e ve r p r o u d inv ad e r s r ag e Or s ac k d t hy t o we rs o r st ain d t hy fi e lds wi t h g o re Ofte n t o o s e nsitive an im agin ati o n s e e ms t o b e s e e k ing r e f u ge in an y c asu al t o pic fr o m th o ughts l i ke Fe ars in So lit u d e t o o tr o ub l ing T he th e m e m ay b e s i mp l e l an d sc ape p ainting mo o r an d f arml an d o
s
o
o
n
e
e
e
u
,
,
’
-
,
-
’
’
,
,
4
,
,
fl
e
,
’
s
’
,
o
,
u
s
-
.
’
5
’
’
.
,
,
,
.
FIVE CE N T URIES OF E N GLISH VERSE
24
f ru i t like pe rf u me o f t he g o lde n fu r z e Thi s bu rs t o f p ro sp e ct he re t he shad o wy m ain D im tinte d t he re t he mi ghty m aj e s ty Of t hat hu ge am phi the at re o f ri c h And e lm y fi e lds
T he
-
,
,
-
,
6
f o re st sce ne r y wh e re -
,
wi th d
b ark u e nt sl e nd e r o ak T he fi r t re e s an d t h u nf re q F o rth fro m this t angle wild o f bu sh an d b rake S o ar u p a d f o rm a me l ancho ly v au l t High o e r m e mu rmu ring like a di stant se a ; -
e
,
,
u n -r e d
,
n
’
7
,
C
an e ffe
ct
fr o st
of
at
mi dnight
with its quie t which
,
m ay b e
fe l t c alm inde e d s c alm that it distu rbs And ve x e s me di tati o n wi th i t s strang e And e xtre m sile tne ss Se a hill a d wo o d Thi s p o pu l o u s vi llag e se a a d hill a d wo o d Wi th all t he nu mb e rle ss g o ing s o n o f lif e Inau di bl e as dre ams ’
T is
o
,
n
e
.
n
,
,
n
,
,
n
,
-
,
,
8
Knight s T o mb c o nj u r e d u p with t he e l e g anc e e pigr a m o n a W e stm o r e l and hi ll sid e ’
a
,
of a
-
,
Wh r i t h g rav f Si Ar th r O K lly Wh r m y t h g r v f th t g d m a b Z B y t h sid f a p ring o t h b r t f H lv llyn Und r t h twi g f a y ng birc h tr e T he ak t h t i mm r w sw t t he ar A d r t le d i t s l v e s i t h f all f t h y ar An d whi t le d a d a d i t h wint r l n I g n — a d t he b ir c h i it s t ad i g r wn T h Knig ht s b o n s a e d t d hi g d w o rd r s t H i s l i wi th t h int I t r t e e
s
e
e e
e
a
n
a
o
e
s
picture
of a
n
ro
e
oo
e
n
e as
o
r
’
r
ee
e
o
n
e
s
us
s
e sa
m o the r
w ith a
s,
‘
e
e
e
,
e
as
n
’
ou
n
e
n
e
a
n su
n
a
n
e
ou
ea
s
s
,
s o
us
u
e o
s
e
o
a
e
e o
e
r
e o
’
,
o
,
e
e
e
a o
e
s
o
an
s
oo
us
e w n
,
e,
9
b o rn bab e
.
s
u
G re e k
FIVE CE N TURIES OF E N G LISH VERSE
26
but a nightm are wh ich w e ar e g l ad t o fo rge t sunsh ine o f An Idyll wi th B o cc acci s s piri t warm ,
t he
in
’
o
.
Im agin atio n has tr ansp o rte d t he G e o rgi an p o e t f o u r l o ng c e ntu ri e s b ac k t o a f at e de fying G ar de n an d its f ae ry -
to
b rightne ss o f t he wo rld 0 tho u o nc e fre e And always f air rare l and o f c o u rte sy wi th t he Tu s c an fi e lds an d hills 0 F l o re nc e An d f am o u s Arno fe d wi t h all t he ir rills Tho u b right e s t star o f s tar b ri ght I taly 1 Ri c h o rnat e p o p l o u s all t re asu re s t hine T he g o ld n c o rn t he o li v an d t he V ine F air citie s g allant m ansi o n s c astle s o ld And f o re sts whe r b e sid e hi l e afy ho ld T he u ll e n b o ar hat h he ard t he di t ant ho rn A d wh t s hi t u ks ag ains t t he gnarl e d t ho rn Palladi an p l c e with i t s sto rie d halls F o u t ai s whe re Lo v lie s liste ning t o the ir f alls G arde ns whe re i gs t he b ridg it s airy sp an And N atu re m ak he r happy ho m e wi th m a Whe re m any a g o rg e o u s fl o we r is d ly fe d With it o wn rill n it s o wn Sp angle d b d Thine all d e light s a d e v ry mu se is thi ne And m o re than all t he e m b rac e an d inte r twin Of all wi th all i gay an d t winklin g d anc e M id g o d s o f G re e c e an d w arri o rs o f r o m anc e B c ac e si ts u n f o lding o n his kne e s Se e T he n e w f o u nd ro ll o f o ld Mae o n i d e s B u t f r o m his m antl e s f o ld an d ne ar t he he a rt Pe rs Ovid s ho l y b o o k o f Lo ve s swe e t sm art T he
,
,
,
,
,
-
u
,
,
e
,
,
e
,
,
,
,
e
,
s
n
e
s
n
,
s
fl
s
,
s
a a
n
.
e
,
n
,
e
,
es
n
u
s
o
,
e
n
,
.
e
e
,
,
n
,
oc
,
-
’
,
e
’
,
’
17
.
t al e o f Co l e ridg e s achi e ve m e nts in ve rs e is h o we ve r far fr o m t o l d y e t H e c o u l d d o anything w ith v e rs e If he did n o t c o mp o s e an e pic w e m ay b e su re it w as n o t b e c aus e he c o uld n o t If hi s fe w s o ngs ar e n o t p e rf e ct music T he
’
,
.
,
.
,
.
,
SAMUEL T AYLOR COLERIDGE
27
i t is th at he w o u l d n o t sing with o u t thinking H e pro duc e d pl ays w hich ar e p o e ms al s o id e al tr ans l ati o ns t he Picc o l o mini an d t he D e ath o f W alle nste in an d — b e sid e s pr o digi e s w h ich I am h o lding o ve r in re s e rve — thre e gre at Od e s Th at t o Fr anc e a s o l mn m si c o f t he wind is a pr o u d d e cl ar ati o n o f t he supe ri o rity o f his l o yal f aith in Fr e e d o m t o d is e nch antm e nt by t he gr e e d ine ss o f re ne g ad e s s e duc e d as had b e e n Fr e nchm e n T o m ix wi th King s i t he l w l s t o f sw ay Y ll i t h h nt a d shar t h mu rde ro u s p r y N o dithyr a mb o n t he o ve rwh e l ming g l o ry o f A l pine p e ak s has e ve r surp ass e d in spl e n d o ur o f dicti o n his Hymn It is i m m ate ri al th at he w as ind e bte d fo r t o Mo nt Bl anc an o ut l in e o f t he p o e m t o an o bscur e G e rm an p o e t e ss Th at he had n e ve r s e e n t he m o un t ain o r vall e y g ave a d d iti o n al fr e e d o m t o his e nthusi asm As it is t he c o n ce p t io n m o ve s ap art o n a high l e v e l f r o m w h ich it n e ve r de sce nds S l s vran f t h V l O s tr gg li ng wi th t h d arkn s all t h ni g ht A d vi i t d all nig ht by t r p s f s t r wh the y Sink O w h n th y c lim b t h sk y C m p ani n o f t h m rning star t d w Thys lf E arth s r sy s tar d f t h d wn w k 0 wak a d tt r p rais C h r ld W h s nk t hy s l s p ill rs d p in E ar th W ho fi ll d t hy c nte n nc wi th r s y li g ht W h o m de t he p re nt o f p e rp t l s t r ms 2 fi e wild t rr nt fi rc ly gl d e An d y y ll d y f rth f ro m night d tt r d ath W h Fr m d rk a d i y c ve rns ll d y f rth D o wn th p r ci pi to s bl c k j gg e d R c ks F o e v r hat t e d a d t h s am e fo r v r 2 .
,
,
.
,
e
u
,
,
,
n
n
e
e
u
n
,
o
u
e
e
,
e
.
.
.
.
o e
e
’
e
o
e
-
o
a
a
o ca
’
e
s
u
ou
r
e
e
e
e
s
a
e
ca
a
u
n
’
a
,
e
,
‘
ea
u
an
e
’
a
o
o
c
,
ee
e
o
n
a
n
e
n
e ua
v
o se
r
a
a
o
a
e
ou,
an
a
ou
a
a
e,
un es
’
o
,
e,
a
en
-
o
,
a s,
o
or
o
e
o
o
a e
e
oo
e
e
e
es
e
s
r
o
e
u
n
o
,
ou
o
,
o
a
e
e
e
e
,
,
8
FIVE CE N TURIES OF E N GLISH VERSE lls Y that fro m t h m o nt in s b ro w Ado wn no rm o s ravine s sl o p e am ain T rr nts m thinks th t he ard a mig hty vo i c And t p p d at nc e amid th ir m adde s t p l ng M ti nl ss t rr nts sil nt c at aracts W h m d y o g l ri o s as t he g t s f H ave n B n ath t h k e n f ll m o o n 2 W ho b ad t h s n Cl th y o wi th r ainb o ws W ho wi th li ving fl o we rs Of l o v li t b l e s p r d g rl ands t y o r f t 2 l t t h t rre nts lik e a sh o t o f nati o ns G d Answe r a d l t t h i pl ains cho G d ! Y e ic e -f a e
e
,
e
u
e
e
e
a e
u
o
e
o
u
u
e
e
ea
,
o
n
e
e
u
a
a
e
e
ee
u
u
,
ce
,
e
-
‘
19
o
,
st ate l ine ss th o ugh pitche d t o o e ntir e l y in o n e k e y ! Y e t n o t c o mp arab l e e ithe r fo r h arm o ny o r fo r t h o ught t o t he Od e t o D e j e cti o n Can th at b e give n highe r pr ais e t han t h at it is w o rthy t o r an k b e si d e t he In t im ati o ns o f Im m o rt al ity in t he fo re fr o nt o f phi l o s o phi c a l ve rs e ! If t he sc o p e is n e c e ss ari l y far l e ss l arge an d as ne c e ss ari l y t he p ro sp e ct is d ar ke r t he n arro we r p l an is as e x act l y b al anc e d ; an y pr o p e nsit y t o rh e t o ric is as we ll r e straine d T he m e l o d y Of w hic h al o n e I c an in a fr ag m e nt g i ve an id e a is alw ays ad mi rab l e W hat a s c re am t Of ag ny by t o r t r l gt he d That l te nt f rth Th Wind that a t wi tho t B ar c rag m nt in t irn bl ast d tr O p in g r v whi th r w o dm n n v r c l m b O l n l y ho se l o ng he ld t h wi tc h s h m M thin ks w r fitt r instr m nts f t he M d L t anis t wh i t hi m nt h f sho w rs Of d rk b ro wn g ard n d f p ping fl o w rs M k t D vils Yul wi t h w rs t han wint ry s ng T h b l o ss o ms b ds a d tim r s l av s m o ng Th Acto r p rf ct i all tr gi c s nds Th mi ghty Po t e v n t fr nzy b ld W h t t ll t th t2 w b T i o f t h r hi g f h t i r u t T he
p e rfe cti o n
e
,
es
e
o
‘
u
e
o
e
u
e
e
o
a
o
e
o
e
o
e,
a
,
’
s o
o
a
u
u
e
o
e
e
’
of
,
.
,
.
,
,
,
.
,
\
,
se
u
e
r
o
e
o
or
e
’
’
ou
,
ou
’
s
e
,
e
e
a
,
r
or
e
a
e
e
’
e
n
s
e
o
e
o
ou
us
n
o
a
a
e,
e,
e
,
e
,
o
e
e
a
o
,
ou
e
ou n o
,
o
ee
a
o
o
’
u
ee,
o
o
n
ve s
or
o
s , an
e
,
e
e
s
e,
u
,
,
u
n
e
e
a
o
e
o
e
ou
e
-
s
-
,
u
a
a
e
e e
a
a
ou
e
u
n
ou
o
,
e
r
en
u e
o
’
o
ou
os
‘
n
,
.
,
SAM UEL T AYLOR COLERIDGE
29
Wi t h g r ans f tr m pl d m wit h sm rti g w nd A t nc th y g r n wi t h p in d h dd r wi t h t h c ld i p B t h h th f d p t il nc And all th t n i f r shing c r wd Wi th g r ns a d t r m lo s sh dd rings— ll i v r I t t lls n t h r t al wi th s nds l ss d p a d l o d A t l o f l ss affri ght And t mp d wi th d light As Ot way s lf had f r m e d t h te nd r l y T i s o f a li tt l c hild Up n a l n s m wild N o t fa f r m h m b t h hath l o s t h w ay And o w m o ans lo w i bi tt r g ri f d f ar A d w s c r ams l d d ho p s t m ak he r m o th r h ar I re c o gniz e t he t o u ch o f gr e atne ss e ve rywh e re : t he a b o unding fl o o d o f m aj e stic th o u ght an d i m age ry w hi c h e n r aptur e d fri e n d s an d b e w i lde r e d t he m n o l e ss t han f o e s It is p o ssibl e t o d iss e ct pi e c e afte r pi e c e an d d e m o ns t r at e t he gr and e ur B u t t he c o m m o n re a d e r o f t he b e au t y p o e tr y w ho l i ke mys e l f r e ads p o e ms t o find o u t w hi ch o f the m he c an l o ve is n o t dr awn irr e sistibl y b ac k T he s e n o bl e O de s Hymns Mu s ings S o nn e ts e ve n Epigr ams an d j e ux d e sprit ar e n o t in ge ne r al o f t he p o e try wi t h w hich w e c ar e t o l ive An d w hy 2 D e fe cts ar e vi sibl e o n t he s ur f ace o f m any Ofte n it is pre aching inste a d o f singing Ext r ane o us curr e nts o f tho ught ar e pe r mi tte d t o e nc ro ach In d ign atio n in its e lf right e o u s m ay b e in Opp o r t un e It ro ars wi t h a n o isine ss whi ch f atigu e s T he f au l t is as in p e nm ans hi p w he n t he upstr o ke an d d o wnstro ke ar e e qu all y d ar k A s u spici o n is e xcite d as in t he Ch a m o uni Pind aric th at t he e ag le is flapping his wings t o g ain imp e tus fo r t he i ght he ave n wards Im agin ati o n its e lf e f o r e sce s into a c o n f using e x u be r anc e — f ancy u p o n f ancy— r e e c t io n u po n re fle c t i o n T he c o nge ri e s is r at h e r m at e ri al fo r p o e try th an p o e t ry e
o
u
a
O
o
oa
e
us
a
o s e , as o
n
oa
a
e
o
e
e
ou
e
es
s
s
e
o
e
e
o
,
e
a
ou
’
er
e
e
a
’
s o
e
n
ee
u
,
e
e
a
,
e
o
r
e
o
o
o
e
o
e,
n
n
n
,
e
s
ee
u
e
e
’
u
u
u
s
u
e,
a e
an
,
a
a
,
au se o
s a
ere
a
en
e
u
,
s
e
n
no
e
ou
er
e
e
an
,
e
an
e
o
,
e
e
20
e
.
,
.
,
,
.
,
,
,
.
,
,
,
,
,
,
’
.
.
.
.
,
fl fl fl .
,
.
,
.
,
.
,
.
FIVE CE N TURIES
30
E N GLISH VERSE
OF
i t s e l f Po e ms by o the r w ri t e rs h ave it is tr u e m aint aine d the ir pl ace in p o p u l ar e stim ati o n in t he f ac e o f dr awb ac k s B u t in C o l e ri d g e I c ann o t b u t s u pp o s e a s c o nsid e r ab l e that the y gre w o u t o f an e ss e n t i al misc o nc e pti o n by him Po e try de m an d s o f t he rights o f ve rs e o ve r t he v e r sifi e r t he c ho ic e st o f a m an s p o we rs ; if g re at p o we rs t he gr e at e st H e sh o u l d hav e a wi ll an d t he wi ll t o an d all o f t he m m ass t he w h o l e an d th ro w it int o t he lap o f hi s t he m e Co l e ridge had n o su ffici e nt since rity in his v o c ati o n n o full c o nvicti o n o f t he sup re m e o b l ig ati o ns o f t he p o e t s m antl e N atu r e had b e sto we d t he gift o f ve rs e up o n him as hi s pr o p e r m o d e o f e xp re ssi o n an d he us e d it as l ight l y a s he c a m e by it App are nt l y he w as n o t c o nsci o us th at t he r e is ago ny as we ll as raptur e in t he d u e utt e rance o f such a vo ice A re ad e r l i ke mys e l f is l i abl e t o t he di s t aste fu l fe e l ing th at he has had o ffe re d t o him a s e ri e s o f e x e rcis e s inst e a d o f insp ir e d m e ss ag e s th at the y re pre s e nt t he o b e di e nc e o f a m arve ll o us a ss e mb l ag e o f h u m an e n e rgi e s t o th e i r l o rd an d m ast e r an d n o t t he e mpir e o f his p o e tic spirit o ve r hims e l f T he su rpris e is t o t u rn a p age an d b e in a n e w w o rld Sudd e n l y with n o au dibl e he r al d t o ann o u nce t he ad ve n t Engl ish l ite r atur e f o un d e nshrin e d in it T he Ri m e o f t he Anci e nt M arine r Chri st ab e l th o ugh de l aye d in p u b l ic at i o n T he T al e o f t he D ark L adi e T he N ighting al e an d — b e l ate d l i ke Christ ab e l— Ku b Ia Kh an E ach diffe rs in fe e l ing t ho u ght t o ne rhy t hm fr o m t he re st an d all agr e e in b e ing gre at s we e t an d s atisfying The Anci e nt Marine r is r e m ar k ab l e fo r m o re th an its intrins ic m e rits ; it is phe no m e n al as b e ing fro m Co l e ridge N e ve r w as the re p oe t o r thi n ke r wi t h a f o n dn e ss l i ke his fo r vague ne ss ragge d e nds N o thing o f t h at is he r e n o t o n e incid e nt n o r o n e e m o ti o n o u t o f s e as o n an d p l ac e an d t he t e mp t a ,
,
.
.
.
’
,
,
,
.
.
,
,
’
.
.
.
,
.
.
,
,
,
,
,
,
,
,
-
.
,
,
,
,
,
,
.
.
,
.
,
,
l
S AMUEL T AYLOR COLERID G E
31
t io ns t o wan de ring An in finite v ari e ty o f sc e ne ch aracte r i mpul s e s t e r ro r h o rr o r ro m anc e awe r e m o rs e re pe ntance h o pe dis app o intm e nt t he bl issful c al m o f He ave n s p ard o n an d thr o u gh o u t t he w h o l e a c aptiv ating simp l icity I kn o w o f n o p o e m w ith m o re o f t he divine e nd o w m e nt n o ne w hich p o ss e ss e s m o re o f n e ve r gr o wing o u t o f d at e The m e l o d y o f t he o f ch ar m al i ke fo r age an d y o uth d irge sung by s e r aphs in t o ke n o f fo rgive ne ss fo r t he f ate h aunts an d e n o f t he M a rin e r s t w o hun dre d shipm at e s ch ants I t is l i ke b al m o n an aching wo und Twas o t tho se s o ls that e d in p ain W hi c h t o the ir c o r e s c ame ag ain B u t a t ro o p o f s piri t s b l e s t F o r whe n i t d awu d— t he y d r o pp d t he ir arms And c l st e r d ro u nd t he m ast S we e t s o unds ro s sl o wly thro u g h t he ir m o u th And f ro m th ir b o die s p ass d Aro u nd aro und e w e ac h sw e e t s o u nd T h n d arte d t o t he Su S lo wly t he so u nds c am e b ac k ag ain N w m ix d n o w o n e by o e S o me tim e s a dro pping fro m t he sk y I he ard t h Sky l ark sing S o me time s all li ttle birds that a H o w t he y se e m d t o fill t he se a an d ai Wi th the ir swe e t j arg o n ing And n o w twas like all inst ru m nts N o w like a l o ne l y fl u t e An d n o w i t i an ang e l s s o ng That m ake s t he he ave ns b m t I t c e as d y e t s till t he s ails m ad o A ple asant no ise till no o A no ise like o f a hidde n b r o k I n t he l e afy m o nth o f J u ne That t o t he sle e ping wo o ds all n i g ht Sing e th a quie t tune ,
,
,
,
,
,
,
,
,
’
,
,
.
u
fl
s
,
’
,
.
’
n
,
’
’
’
u
fl
,
e
’
e
,
s,
.
,
e
,
n
,
’
o
n
,
.
-
e
re ,
’
r
’
e
,
’
s
,
e
u e
.
’
e
n
,
o
,
21
.
n
FIVE CE N TURIES OF E N GLISH VERSE
32
Rim e st o o d al o ne it must h ave i m m o rtal iz e d its w rite r ; b u t t he s a m e ye a r o r t w o which pr o d uc e d it b ro ught t o l ight t he e arl ie r an d m o re i mp o rt ant p o rt io n T hat is a p o e m fo r p o e ts Y e t T he An cie nt o f Chr ist ab e l Marine r w hich might h ave b e e n s u pp o s e d m ade t o c o mp e l p o p u l ar admi rati o n lay p ractic all y sti ll b o rn u nti l t he twin inspir at i o n printe d nine te e n ye ars l ate r c all e d it into ac kn o wl e dge d l ife The t w o r e s e mb l e o n e an o the r in no thing e xc e pt l o ve line ss T he vari e ty w hich di stinguishe s Christ abe l has n o affinity t o th at o f its c o e v al in birth Eve ry d ive rs e curre nt in T he Anci e nt Marine r s e ts t o w ar ds o n e in e vit ab l e e n d In Chr ist ab e l the re is n o n e c e ssity t o wo r k in an y give n di re cti o n N e ve r had a rich an d c ap rici o u s f ancy m o re l ib e rty N e ve r di d app ar e nt tr ust in ch ance be t te r j u stify its ind e pe nd e nc e F ancy rul e s as ir r e sp o n sibl e as t he s waying o f a l e afy b o u gh The re s u l t is h arm o ny n e ve rthe l e ss ; p e rfe cti o n in th o u ght i m age s n e w an d f ascin ating fle xibi l ity o f rhythm It might al m o st b e Supp o s e d t hat t he p o e t w as im p r o vi sing an d as u nc e rt ain a s his audi e nc e o f e a ch n e xt music al e ffe ct t i ll it c a m e It m d n r n ar a b B t what i t i h c n t te ll th r sid i t s e ms t b O th k tr Of t h h g b r d b r s t d ld T h ni g ht i c hi ll t h f r st b r I i t t h wind t hat m th bl k Th r i t wind e no gh i t h i T m v w y t h rin g l t c rl Fr m t h l v ly l ady s c h k Th r i t wind n gh t twirl Th d l af t h l as t f i t c l n e Th t d nce s a ft n d anc it H ngi g li ght d h gi g hi gh O t h t p m s t twi g t hat l o ks p at the sk y H ad t he
.
.
,
,
,
,
.
.
.
.
.
.
,
.
,
,
.
,
o an
’
as
u
ea
n
e o
e
e
e
u
e
s
s
e
o
e
s no
o
e a
o
e
e e
o
a
e
a
re
e
e
a
n
so
n
e
o
,
o
e
an
e a r
u
ee
ou
e
,
s o
a
ea
e
e
.
a e
n
’
ee
oa
o
,
e
o
u
s no
e on
e
o an e
e
e
e
o
ea
-
e,
.
e
oa
e,
n
c
a no
e
s s
e
as
o
o
s
as
an
e
n
a
c an
so
o
,
,
,
u
.
FIVE CE N TURIES OF E N GLISH VERSE
34
s t i l l w an t ing o f t he p e rfe cti o n o f Christ ab e l i t is t hat t rue criticis m has n e ve r re gre t t e d its inc o mp l e te ne ss W e ll t hat it r e m ains a t o rs o inc o mp ar ab l e I ha v e c l ass e d w ith t he m thre e o t he r p o e ms an d the y all d e s e rve t h e ir e min e nce First m u st st an d t he wo n dro u s Visi o n— l i ke Christ ab e l a fr agm e nt Exe cr ab l e unp ar d o n busine ss p e rs o n fro m Po r l o c k w ho sti fle d t w o ab l e t he hu nd r e d o r m o r e g o l d e n dr e a m l in e s o f Ku b la Kh an A gr e at m aste r o f ficti o n an d a p o e t t o o as w e w alke d up t he hi ll at t he f o o t o f w hich al as ! he n o l o ng e r dwe ll s o nc e t o l d m e th at he r an k e d Ku b la Kh an high e st a m o ng Co l e ridg e s p o e ms It w as a p ar ad o x th o ugh s o far l ite r all y t rue th at t he dre a m e r o f such a d re a m is d e m o nstr ate d t he re by t o h ave had p o e try in his ve ry b l o o d T he m e l o dy bubb l e s d ance s r e ve l s l a m e nts an d thre ate ns
be
,
.
.
.
,
,
,
-
-
,
,
,
,
-
’
.
,
,
,
,
,
that d e e p r o m anti c c hasm whi c h slante d D o wn t he g re e n hill athwart a c e darn c ve r A s av age pl ac e a ho l y an d e nchante d As e e r b e ne ath a waning m o o n w as haunte d B y wo m an w aili ng fo r he r d m o n l o ve r And fro m this c hasm wi t h c e ase le ss tu rm o il s e e thing As if t his e arth i f ast t hi c k p ant s we re b re athing A mi ghty f o u nt ai m o me ntl y w as f o rc e d Amid who e swift half int e rmi tte d b u rst Hu g e frag m nt v a lte d like re b o ndi n g hail Or c haffy g r ain b e at h t he thre she r s fl ail ; An d mi d t he e d anci g r o c ks at o nc e a d e v e r I f fl ng u p m o m t ly t h s ac re d ri v e r F i e mi le m e and ring wi t h a m azy m o ti o n Thro g h wo o d a d d ale t he s acre d rive r an The n e ach d t h c av e rns m e a re le ss t o m a A d ank i t m l t t a li f e l e s c an A d m id t hi t mu l t K b la he ard f r o m far Anc e stral v o i c e s p ro phe ying w ar
B ut
oh
o
s
’
e
-
,
n
,
n
s
-
e
s
u
u
,
’
ne
’
s
n
u
en
v
s
r
n
s ’
e
.
e
u
n
n
n
’
n
r
e
u
s
su
u
u
o
s
n
o
e
u
s
,
24
,
,
SAMUEL T AYLOR COLERIDGE
35
By t urns it fall s an d ag ain ris e s int o an Abyssini an maid s s o n g o f Mo unt Ab o ra with p al ac e s bui l t o f sun shine o ve r c ave rns o f ic e an d yi e ld ing de l ights ine ffab l y s e d uctive an d p e ri l o us A dizzy singing tr anc e ! Y e t har dl y le ss o f c o m m o n d ayl ight t e xtu re th an t he e xquisite Co nve rs ati o n al Po e m with its rival ri e s o f m any n i ghting ale s a mid t angle d wi l d wo o d s inte rp re te d in b l an k ve rs e ho ne y s we e t ,
,
’
,
‘
,
,
,
.
.
,
-
,
F ar
n ar
an d
e
,
w o d d thi ck t o v r t he wid g r v The y nsw r d p r v k e ac h o th r s s ngs Wi th skirmish a d c p ri cio s p as gi g And m rm rs m si c al a d swift j g j g And o l w pi p ing so nd m re swe t than all Stirring t h ai wi th su c h a harmo ny That sho ld y o c lo se y r e yes y u mi g ht almo s t Fo rg t it w as n o t d y On m o nlight b she s W h s d wy le afit a e b t half disc l se d Y may p r c hanc e b h ld t h m n t he twi gs Th ir b right b rig ht y t he ir ye s b o th b rig ht a Gliste ning while m any a glo w w rm i t h shad Li g hts p he l o v t o rc h A m st g ntle Maid W h dwe lle t h i h ho s pi t ab l e h m H rd by t he c astle a d kn ws all the ir n te s Wh t time t h m o o n wa l s t b hind a c l d H ath he ard a p a s o f sil nc e till t he m o n d rth a d sky E m rgi g hath aw ak With n e s ns ati n d tho se wak fu l birds H ave all b rst f rth in c ho ral minstr lsy As if s m s dd n g al had swe pt at nc A h ndr d airy harps An d he hath w at h d Many a n ightin g al p rch giddi ly O b l o sm y t wi g s till swinging f r m t he b re e z And t o that m tio n t ne hi want n s ng Lik ti p y j y t hat r ls wi th t ssing h ad In
an
o
a
e
an
e
o
u
ne
e
o
o
ou
r
e
e
e
,
u
-
u
e
o
es,
e-
n
,
nd
n
o
,
n
n
s
o
e
o
u
o
u
e
,
e
o
o
’
n
ea
an
e
e
e
e
,
o
e
c
s
e
e
e,
o
e
s
o
’
e
n
o
,
o
o
u
,
ou
e
e
en
,
,
o
u e
e
e
e
o
e
a
e
.
er
a
,
o
o
o
,
e
,
r
o
e
-
u
,
o
,
a
s
s,
,
ou
e
,
e
n
u
o
u
o
r
e
e
’
n
u
u
o
u
sa
n
e,
o
e
u
u
e
o
e
a
n
u
e
,
o
s
u
o
ee
.
0 2
o
e
,
25
.
FIVE CE N T URIES OF E N GLISH VERSE
36
As wo r t hy s t i ll o nc e m o r e o f a p l ac e in t he hi e rarchy is t he Intr o d ucti o n t o t he B all ad o f T he D ar k o f s o ng L adi e T he b all ad li ke Christ abe l is a fr agm e nt ; b u t t he pr e l ud e o n t he v a ri e ty O f minist e rs th at Lo ve c an e n l is t — e ve n an o ld and m o ving a s o ft an d d o l e fu l air — st o ry is as c o mp l e te in be auty an d c o l o ur as a r o s e ,
,
,
.
,
,
,
,
s l d n H ad t h ill d m y g il l ss G n vi v T h m si c a d t h d l f l t l T h ri c h a d b alm y v ; And h o p s d f rs th t ki dl h pe An ndisti g i h b l thr ng And g e ntl wi hes l ng s b d d S b d e d a d h ish d l o ng d d lig ht S h w pt wi t h pi ty Sh b l h d wi t h l v e a d virgin s h m e And l ik th m rm r f a dr am I h ard h b re ath m y nam d— h He r b s m h t e pp d sid As c ns ci s f m y l k h t p p d The n s d d e ly wi t h tim o r s y S he d t o m e a d w pt S h hal f inc l s d m wi th h arms d m e wi t h a m k m b rac Sh p A d b nding b ac k h h ad l k d p A d g az d p n m y f ac Twas p artly l v a d p artly fear And p art ly twas b ashf l t That I mi ght rath r fee l th n e The sw lling o f he he art All im p l s
of
u se ’
r
e
e e
u
n
u
se
an
ou
e
,
o e u
n
u
e
o
,
u
ue
us
e
,
o
e
e
o
e av
o
o
ou
o
n
,
,
a
o
e
fl s
e
n
o
e s
s
r e ss
ee
er
n
’
o
’
e
e,
e
e
e,
e
u
e
’
oo
ar
a
e
,
e
.
,
u
e
u
o
n
a
.
,
e
,
.
’
er
’
e
e,
n
e
e
a
e s e
ou
e
e
’
e
e
,
er
oo
'
u
’
’
n
,
,
,
e
u
u
o
er
c
e
e
o
an
’
n
n
u
e
e
e
e
s
u
e
e
a e,
a
a
u s
e
n
ea
an
e
e
e
e
se
,
se
r
26
.
Co l e ridge s c are e r as a wr i t e r o f p o e try te rmin ate d by t he t im e he w as t hir t y T he b o dy o f his p o e tic al wo r k is c o mpris e d within t hr e e t o fi ve ye ars H ad he di e d in ’
.
.
SAMUEL T AYLOR COLERIDGE
37
fte r t he c o mpo siti o n o f t he Od e t o De j e c t i o n he wo uld h ave l e ft t he wo r l d o f p o e try as rich as w he n he fin ally de p arte d As a thinke r he s u r v ive d an d re igne d Inspir ati o n c e as e s fo r m o st in fo r t hi rty t w o ye ars m o r e midd le l ife Fe w o nc e inspire d ce as e whi le the y b re athe fro m ve rsifying The y ve rsify be c au s e ve rs e w as wo n t t o b e th e ir highe st m e nt al m e d ium an d instrum e nt Co l e ridge whe n n o l o nge r mind e d t o wri t e Anci e n t Mari ne rs Chr ist abe l s had an alte rn ative H e re m aine d an an d inte lle ctual au t o cr at an d pr o c e e de d t o u t i l ize his o the r gift as a sugge ste r o f pr o b l e ms a s e t t e r o f t e xts If l ite r ature c anno t b e s aid t o h ave be ne fite d by t he so lilo i e a a h a a h e H ghg t l s t i t g a in d n g tiv l y by u s t i a t e a s e e t e e q e sc ap e th ro ugh th at s afe ty v a l ve fo r i m agin ati o n fr o m t he d ange r o f a di l uti o n o f p o e t ic gre atne ss H aving t aste d o f C o l e ri d ge s be st w e sh o u l d all o f us h a ve be e n gri e v o us su ffe re rs had we be e n o bl ige d t o pu t up wi t h aught l o we r Be tte r n o thing if n o m o re o f Christ abe l o r he r pe e rs 1 802 ,
a
,
.
,
,
-
.
.
,
,
,
,
.
.
,
.
,
,
,
.
,
,
-
.
’
,
.
,
P t i c l d Dr v l B M Pick ri g R lig i M i g T he
o s
.
1
Dec
1 0, 1 7 9 6
.
1 85 0, 3 3
p
59
.
7
9
15
N
1 87 7
s of
S
a
e
es
ar
n
vo l
r
pp 9 3 —4 Ch rl L
i,
.
o
a
am
es
o
o e
Lam
b by ,
’
n
e,
a
F r
e.
o u
b
to
T alfo u r d
C l ridg M x o e
.
e,
on
o
,
s
as
u
a
.
F a i S li t d Fr t t Mid ight
3
e
.
en o
es
8
e
e
os
es
,
)
n
o
u
n
a
e
.
.
.
st .
3
.
.
e s
o
ne
e
o
es
rs
.
au
o
ea
ne
ea
o
a
ea
ne
a o
o
ee
e
es
ea
o
n e , an
a
.
e ar
n
ne
e
o ns
.
es
e
an d
.
f
ne
e
u e
e
a
a
e
o
e
o
yl r C l rid g
.
o
us
e
l
mu e T a
.
H p T h D ti y f N ti Ultr (Si bylli L v ) N Pl Od t t h D p rt i g Y T h Pict r L v T h K ig ht T m b (S i by lli A Ch i tm C r l (Si bylli L v ) L v ) N m (S i byll i Fir F mi d S l g ht r T t h A th r f t h R bb r T h T hr G r v s (Sibylli Le v ) T h G rd f B cc acc i a
‘3
o
.
r s
1“
s,
tic W rk
M e m o ials
.
T he E o lian e
5
,
us n
o us
e
n
e
.
.
am a
an
a
oe
.
.
a
es
.
K o sci u sko S o n n e ts ,
,
V
.
FIVE CE N TURIES OF E N GLISH VERSE
38
Fr c t z 1 4 Od Hym b f r S ri i t h V l f Ch mo u i (S ibylli L av ) D jcti a Od (Si bylli T h R im f t h A ci t M ri r P rt v I bid Chri t b l P rt i K b l Kh i a Dr m a Vi i T h N ighti g l C v r ti l P e m Th B ll d f t h D rk La d i I tr d cti an
an
e
n
e e
e o
e
n
e
n
a
a
o
se
as
,
.
e
n
ne
a
en
n
a
a e o
es
e
ne
.
a
,
n
.
23
a
,
s an
e
e
an
a
.
un
e o
s a
e
e
on :
e
u
e
.
.
o r,
s on
a
a e
e
on
a
ea
n
e sa
e,
ona n
.
o
o
u
.
on
.
ne
v
Le a
es
)
RO B E R T S O U T H E Y 1 7 7 4— 1 84 3
I W A S br o ugh t u p t o re g ar d S o u t he y as t he pe e r o f Co le ridge W o r ds wo rth B yro n She ll e y an d Ke ats ; n o t ne ce ss ari l y the ir e qu al in d e gr e e b u t who ll y wo rthy t o b e r an ke d a m o ng th e m As a scho o l bo y an d as an u nd e r gr a du at e I re a d hi m with r e spe ct in s o m e s o rt wi t h a d mir ati o n Whe n I be c a m e e ntit l e d t o cho o s e Co lle ge prize s a c o ll e cti o n o f his p o e ms w as in my l ist My c o nte mp o r ari e s wo ul d n o t h ave s e l e cte d him ; t he y did n o t t hin k m e e cc e ntric fo r my pr e fe r e nc e I h ave s u r sc arc e l y pl ace d o n v i v e d t o find him u tte r l y o u t o f d a t e Eve n I mys e l f an u pp e r sh e l f wi t h t he G e o rgi an c l assics had c e ase d t o r e a d hi m sinc e my Unive rsi t y d ays u n l e ss whe n I wishe d t o a mus e my c hi l dr e n wi t h o n e o f his bal l ad s Gho sts o f o ld ass o ci ati o ns s e e m e d t o r u s tle d o wn ab o u t m e l i k e last y e ar s l e ave s fr o m a wind t o ss e d b e e ch tr e e in e ar l y spring as m o re re ce n tl y I t urne d o ve r t he m any p age s t o try t o disc o ve r w hy hi s ve rs e w as cu rre nt o nc e an d n o l o ng e r p ass e s T he tid e o f n e g l e ct e ve n has r e a c he d if n o t t o t he f u ll e xt e n t t he ar e a o f his v e rs e in w hic h he is indi sp u t ab l y a m a ste r F e w Eng l is h p o e t s ar e his e q u al s ve ry fe w hi s s u p e ri o rs in hu m o u r Hum o u r v ari o us an d singu l ar at o nc e N e ve r m e r e fu n b o rn wi t h a l au gh an d e x piring in a y awn Po e try al s o t ho ugh with s e n t im e n t n o t u nbe c o mingly o btr u sive Ab o ve all an infinite c ap acity fo r inve n t ing o cc asi o ns fo r its e l f tho ugh fr o m s u bj e ct m atte r t he m o s t u n l i ke l y T o give i ns t an c e s o u t o f m any as r e m a r k ab l e ,
,
,
,
,
.
,
,
,
.
.
,
.
,
.
,
.
'
’
-
-
,
,
,
.
,
,
.
,
.
,
.
,
,
,
.
,
-
,
.
,
FIVE CE N TURIES OF E N GLISH VERSE
40
pp o r t u ni t y m ay b e supp l i e d by a h e npe c ke d C o rnish m an w h o s e b rid e had u nf air l y t ak e n t o t he church a b o t tl e w hich he race d fr o m t he o f t he d o mini o n e ns u ring w at e r 1 I t m ay a lt a r t o b e firs t t o d r in k a t t he W e ll o f St K e yn e b e t he n a t u r al anxi e ty o f pi o u s c o u n t rym e n t o s e c u re fo r — a t he ir vi ll age by tim e l y p re limin r ie s s u ch as a d e athbe d —t o B e at ific at i o n t he r e lic s o f a S aint d e sign ate w h o m 2 n e ighb o urs mig ht o the rwis e c o ax away in l ife A m o t h e r s f re nzy o f angu is h fo r he r chi l d d e vo u re d by a cr o c o d i l e sugge s t s a sc e n e o f r e ve nge in ki nd as e quit abl e as it is 3 irr e sis t ibl y c o mic A flo we r o f s mi l ing s ati re springs un de r t he p o e t s p e n fr o m t he fie ld o f Bl e nh e i m w at e r e d w i t h t he b l o o d o f m u rd e r e d myri a ds v ry wi c k d t hing W hy t w S id li ttl Wil h lm in N ay m y li tt l g irl q t h h y It w f m vi ct ry The t h e m e m ay b e a P o p e s u n t o l d m o r t a l sin wi t h a S ain t s g all o p o n S at an s o w n unwi ll ing b ac k t o c o nfe ss 5 a n d a bs o l ve o r a r o bb e r s r e l e as e fr o m a n d r e st o r a t i o n t o his l a wf u l gibbe t E ach is m a d e t o yi e l d t he be s t o f dive rsi o n H al f a c e nt u ry ago e ve ryb o dy r e ve ll e d in t he 7 wi t o f T he D e vi l s W a l k Th e r e w e re fe w w ho had n o t b o t h s hu dd e r e d an d l au ghe d o ve r Arc hbis ho p H at to an d 8 his r at s an d t he g all an t fu t i l e figh t wi t h he r r e giste r e d p u rch as e r t he Arc h Fi e nd o f T he O l d W o m an o f Be r ke l e y in he r ir o n s e al e d an d c h aine d c o ffin hymn e d an d h all o we d by fif t y Cho ris t e rs an d fif t y Pri e s t s w i t h fo r s e ntine l s he r s o n a m o n k an d he r d a u gh t e r a n u n I h c m wit h y f fl m T h D vil t f tc h t h d ad A d ll t h C h r c h wi t h hi p r nc g l w d Lik fi ry f r ac d t he
o
,
-
,
.
.
,
-
,
,
’
.
,
.
’
’
,
’
as a
,
a
e
e
,
na
e
e
e
.
’
e
,
as a
a
,
o us
uo
e,
4
o
’
,
’
’
’
,
6
.
.
’
,
,
-
,
,
-
,
,
,
,
,
n
e
a
e
n
a
e a
e
e
e
e
o
e
e
es o
a
e
e
u
u
s
n
e re
.
e
,
e se
e
o
’
,
FIVE CE N TURIES OF E N GLISH VERSE
42
pe rh aps u ngr ate fu l The m ass o f S o u the y s wo r k di s p l ays qu al iti e s which we r e appr e ci at e d o nc e an d m ay p l e ad In t he fir st p l ac e hi s wo rk m an fo r s o m e r e c o gniti o n sti ll ship is e xce lle nt with e xc e pti o ns n atu r all y ; e spe ci all y such o f t he p u r ve y anc e o f C o u rt l y o r p atri o tic a du l ati o n a s A Visi o n o f Ju dgm e nt o r t he int o l e r a b l y dr e ar y P i l grim age t o W ate r l o o Jo an o f A r c is a sp aci o u s ch apte r wi t h t he rightfu l pr o p o rti o n o bs e rve d with o f hist o ry o f r o m anc e t o f a ct In t he t w o Mad o cs a t r u e instinct in W al e s an d in Azt l an he had t o trust e nti re l y t o his f ancy fo r t he ge ne r al sche m e as we ll as fo r d e t ai l s T he wh ol e is harm o ni o u s l y pr o b ab l e R o de ric k t he L ast o f t he G o ths ag ain is l i ke Jo an an a d mi r ab l e sp e ci m e n o f A l m o st hist o ric al j o in e r y by a r o m anc e r with a c o nsci e nc e have happ e n e d had h app e ne d o r e ve rything a ll e g e d t o might h a v e h app e n e d Th o u gh l ibe rti e s ar e t ake n with e v e nts an d th e i r o r d e r t he p r o p e rti e s ar e inv a ri ab l y c o r r e ct as is t he sce ne ry It is i mp o ssibl e t o l ive in t he s e ve r al n arrative s wi t h t he i r ch ar acte rs an d t he s e ntim e nts a t tribut e d t o t he m w i t h o ut b e ing t he b e tt e r fo r t he s o ci e ty T he n stu d y t he c o u p le o f Asi atic e pics ; an d a d mir e t he int re pi di t y with w hich t he p o e t p lung e s int o a n e w w o r l d Thr o u gho ut t he y ar e pic t ur e squ e an d g o rge o us l y c o l o ur e d R e ally i t is h ard t o u n de rst and t he pre s e n t co l dn e ss t o w ards A r abi an N ights Ent e rt ainm e n t s s u ch a s t he s e T hal ab a hi ms e l f i t m ay b e o bj e cte d l ac k s in t e re st In that he o n l y r e s e mb l e s m any an o the r he r o an d t he vivacity o f his a dve ntur e s at o n e s At all e ve nts t he crim e c ann o t b e i mpute d t o t he s t o ry o f Ke ham a I t w as n o o rdin ary i m agin at i on whic h— th o u gh g u id e d p e r haps by t he R ap e o f Lu er e c e — e x t r acte d s atisf ac t i o n o f i mp l a c ab l e r e ve nge f u l n e ss o u t o f a C ain l i k e br and o f s e curity fo r its abh o rr e d o bj e c t fr o m e ve ry pe ri l t o l ife an d
’
.
,
.
,
,
,
.
,
,
.
,
,
,
,
.
,
,
.
,
,
,
,
,
.
,
.
,
,
.
,
,
.
,
,
.
,
.
.
,
.
,
.
,
.
‘
-
RO B ERT SOUTHEY
43
c harm t hy li fe Fr o m t he we ap o n s o f s tri fe Fr m s to ne a d f ro m wo d F r o m fi r e a d f ro m fl o o d Fr o m t he se rpe nt s to o th And t he b e ast s o f b l o d F ro m Si c kne ss I c harm the e And Time shall n o t harm the e B u t E arth whi c h is mi ne I t s f ru i t s s hall d e ny the e And Wate r shall he ar me And kno w the e a d fly the e An d t he Winds s hall n o t t o u c h t he e W he n the y p ass by t he e And t h D e ws h ll o t we t t he W he n the y f all n i g h thee An d t ho u s hal t s e e k D e ath T o re le as t he i v ain Th u halt li ve i t hy p ain While Ke hama shall re ign Wi th a fi e in t hy he art An d a fir e i n t hy b rai An d S le e p shall Ob e y m e And vi si t the e ne ve r An d t he C u r se shall b e o n the e F o r e v e r an d e ve r I
,
n
o
o
,
n
,
’
,
o
,
,
,
n
,
e
s
e
o
n
a
e,
e,
n
n
s
,
r
,
n
,
,
10
.
ntire t e xture m ay n o t re ach t he s a m e high s t and ard But all t he acto rs m o ve in an atm o sphe re o f p o e tic p assi o n I t inve sts t he King o f t he W o rld an d his vi ctims al s o I t circul ate s ab o u t t he ghas tl y figur e o f his d e a d bru t ish so n Eve rything is o n a gr and sc al e fr o m t he ins ati abl e am b it io n o f t he migh t y R aj ah t he pur s u i t o f inn o c e nt K aily al by t he h o rribl e Sp e ctr e c a rn a l t ho u gh a gh o s t o f s l ain Ar v alan t he h all o f R o y al De ath in t he p e e rl e ss p al ac e an d gard e ns W he re B ly h ld f ld hi wf l r ign ; T he
e
.
.
.
,
.
,
,
,
a
e
o
o
s a
u
e
44
FIVE CE N TURIES OF E N GLISH VERSE
c l im ax t he st o rming H ll its lf by t he M an A l mighty his chi e f an d f at al c o nqu e st O t he r k e ys be sid e s t he h e r o ic ar e t o uche d by S o uthe y an d t he s o r d id l y cri min al as in t he o nc e t he m arve ll o u s 11 — f a m o us Mary t he Maid o f t he Inn a h aun t ing h o rr o r I f ai l t o re c o gniz e t he m agic al r e s e rve t he pe nsive ch arm o f Co ll ins s Ev e ning in T he First o f D e c e mbe r Wh n N t r shr ds he rs l f e ntranc e d d p tr nq illity I H ann ah s gr ave h o w e ve r whe r e n o n e ns le t rf w ld thi k W h tr d p n t h w rld f wo s l y b ri d t h r Of w hat vi e s with T he Paris h R e giste r an d T he B o r o u gh in t he p o we r t o e l ici t an a crid fr agr anc e fr o m t he grim e o f sin an d i t s s o rr o w Wi t h a sw e e t simpl icity he w e l c o m e s t he 1 4 He re turn o f tr av e ll e rs t o t he ir ho m e an d chi ld re n pre c e d e d T e nnys o n in t he disc o ve ry o f t he d o m e stic i d yll 15 a s The O l d Mansi o n H o u s e t e st ifi e s If o n l y his be st s u gge ste d e x a mpl e s had be e n gi v e n t o t he w o r l d he migh t h ave w o n c e l e bri t y fo r Inscrip t i o ns— fre e all fr o m t he be s e t ting sin o f p ro misc u o us a d ul at i o n— l i ke t h at i m agine d fo r a m o n u m e n t t o r u t h l e ss Piz arr o A gre t r n m T h li t f G l ry b o a t t Thank t h G d th t th ar t t s c h a h W h m d th Whe n in t he Par a dis e o f hi s b o o k s it wi ll n o t b e dis p u t e d th a t at l e as t t he s ha d o w o f inspir ati o n fa ll s u p o n hi m M y d ys m ng t h D d p t Ar nd m I b h ld W h r r th c al y ca t T h mig hty mind f ld M y n v r f ili g f ri nd th y Wit h wh m I c v r d y by d y
t o t he
of
,
M an Go d
t he
e
e
-
-
,
.
,
,
.
,
,
,
’
ou
a u e
e
n
e
ee
,
a
u
ss
u
12
.
’
,
,
o
o
e se
o
u
o
o
a
e
a
e
ou
u
n
e e,
e
13
.
.
,
-
.
,
,
,
a e
e
s
o
s s no
o
a
e
.
e
o
a
e
a
ee ,
ou
no
u
s
,
a
a
o
ou
e
’
e e e
ea
e
e se
e
as u
e
e
e
o
ar e
,
e
e s ar e
s o
-
o
a
n
on
e
se
s
,
o
s ar e
e
as
a
e
,
a
.
o
e
16
.
RO B E R T
S O U THE Y
45
Wi t h th m I t k d li g ht i w l And s e k r li f i w ; And whil I nd r t nd d fe e l H w m c h t t he m I w My c h ks hav ft n b ee n be d w d With t rs o f t h ghtf l gr tit d wi th t h D ad wi t h t he m My th ghts I l iv i l ng p s t y ars T h ir virt s l v th ir f a l t c nd mn Part k th ir h p s d f ars And f r m th ir l sso s e k a d fin d Instr cti o n wi th a h m bl mind My h pe s wi th t h D ad an n My pl ac wi th th m will b A d I wi th t h m s h ll t rav l Thr gh all F t rity ; Y t l av in g h r a m I tr st That will t p ri h i t h d t So t o o whe n he l if t s his Mu s e in t o pure r air an d l u ll s t he t err o rs o f Ke ham a s victims by r e mind ing o f t he i m m ort al ity o f Lo ve o f its p e rfe cting in He ave n Th y m wh te ll L v a di With life all th r p assi n s fly All the rs a b t v ani ty I H v n Am b i ti n c nn t dw ll Av ri c i t h v a l ts f H ll ; N E rt hl y t h s e p a s i ns o f t he E rt h T h y p rish wh re th y h v the ir birt h B t L v i ind e s t r cti b l I t h l y fl m e fo e v r b rn th F r m H ave n it c m t He av n re tu rn e th T ft o E rt h a t r b l d g s t At tim s d c iv d at tim s ppr e t d p ri fi e d I t h r i t ri d Th n b at h i H av n it p rf ct r st I t s w e th h re wi t h t o il a d c are f L v e i t he re B t t he harv e s t tim a
e
e
e
e
e
u
e
u
o
n
e
e
n
a
-
o
e,
e
o
e
o
ue
e
a
n
e
e
e
n
e
e
,
,
n
e
.
e
o
,
e,
a
e
o
s
e
u
ar e
.
,
an
e
e
,
u
ns
u
on
e
u u
ou
e
e
na
e
no
,
e
o
e
u
e
e
e
e
o
a
u
ar e
e
’
e
ou
ou
e,
o
e o
ea
e
an
o
ee
,
oe
s a
e
ea
n
e
e,
n
s
u
us
e
,
”
.
,
,
’
e
s
o
ea
or
a
n
e
e
o
e
e e
e
e
s
n
o
e
e
e
,
e
o
e,
ue
e
ou
a
.
e
u
an
u
e
s
,
s
o
e
,
,
e
e
e
a
n
oo o
a
u
e
e
a
e
r
,
e
o
s
a
o
s
e
e
o
u
e
o
u
u
s
o
a
e
e
.
.
o
e
e
,
u
e
a
n
e c
o
e
re
o
n
o
us
o
,
,
e
e
e
n
e
e o
o
s
18
.
FIVE CE N TURIES
46
E N GLISH V ERSE
OF
If his right— w hich I am afr aid I h ave mys e l f n o t ve ry — e t o e x al t e d p o e tic al r an k is n o t at e nthusi astic all y uph l d pre s e nt ge ne r all y ac kn o wl e dge d t he f ai l ur e aris e s fr o m n o f aint he arte dn e ss o r e xc e ss o f m o d e sty in hi m H e has c l aim e d it by wo r k an d e ve n by wo rd H e de lighte d in t he c o mp o si t i o n o f p o e try w h e th e r gr a ve o r gay l yric o r r e c o n dite o r simp l e e ve n c o m m o np l ace Ve rsifying e pic His de are st fri e n d s w as hi s r e cr e ati o n an d hi s s o l ac e we re p o e ts I ll ustri o us m e mbe rs o f t he br o the rho o d hai l e d B yr o n hi ms e l f w hi le he j e e re d d i d n o t him as o f it de ny hi m a p l ace in t he c o m p any Am o ng all his vo c ati o ns th at w as t he o n e by w hich he m e ant t o b e r e c o ll e cte d ; if in th at b t s lf app r o v d t o p rais e b lam Indi ff re nt whil I t il fo l asting fame ,
-
.
,
,
.
,
,
.
,
,
,
,
.
,
.
.
,
,
.
,
e
u
e
e
-
e
,
or
,
o
e
1 9
r
.
ho n o urs in m any fie ld s o f l ite ratur e ; bu t t he tit l e o f p o e t w as t he chi e f d istincti o n he ch all e ng e d ki nd l y in de f atig abl e an d ho w r e fus e i t t o t he g e n e r o us b rave an d h o n o urab l e m an t o t he stud e nt an d scho l ar Cle ar l y we c an t o t he cr e at o r o f Th al ab a an d Ke ham a ? not T he f act n e ve r the l e ss r e m ains th at t he p o e ms by whi ch he e xp e cte d t o b e i m mo rt al iz e d ar e n e ithe r re ad n o r ho n o ur e d H e might h ave be e n a mus e d by t he kn o wl e dge th at l ine s fr o m t he D e vi l s W alk h ave be e n inc o rp o r at e d into t he l angu age th at e ve ry sch o o l gir l c an re he ars e in a c at ar act o f r hym e s t he w ay in w hich t he w at e r c m e s d o wn at L o d o re H e had wo n
,
,
,
,
,
.
.
’
-
20
o
I
supp o s e he wo uld h ave acce pte d t he c o mp l im e nt as c o mp e ns ati o n , o r b e e n at all b e tt e r a b l e t o e xp l ain t o hi ms e l f w hy p o ste rity is o b l ivio us o f R o de ric k Mado c an d A T al e o f P a r ag u a y As I have a l re ady intim ate d i t is in de e d di ffi cu l t t o do
not
-
!
,
.
,
,
RO B ERT SOUTHEY
47
cc o unt f u lly fo r t he ne g l e c t in i t s e xc e ss The re ar e re as o ns o n t he surf ac e T o be gin I m u st a d mi t a w an t Ag ain t he b u lk o f q u al ity a c e rt ain c o a rs e n e ss o f f a bric is a disc o u r age m e nt as is t he e xte nt o f a str ange l ake t o H e m ay b e s u re th at it c o nt ains fish witho u t a n ang l e r b e ing ab l e t o te ll whe re the y lie Simi lar l y the s e vast o n l y t o b e c hanc e d by a r e ade r e pics hid e v al u ab l e id e as T he inte re st o u t o f an o ve r wh e l ming fl o o d o f t r u is ms in o the rs is al i e n an d re m o te Fro m t he fir st it re qu i re d much o f it t o b e b o l ste r e d up by Ori e nt al l e arning in t he s e ti m e s o f de e p e r r e s e arch m u s t y an d rus t y B u t in t he f ac e o f wo r k s s o m e e ar l i e r an d m o re l ate r which h ave c o nque re d pub l ic f avo ur n o twithst and ing an al o go us d raw b ac k s e ve ry w hit as pr e j u dici al t he p o e t m ight we ll argu e th at such att e mp t s at an e xp l an ati o n ar e in su i c ie n t I d o n o t flatte r myse l f th at he wo u l d b e at all be tte r inc line d t o acc e pt min e — th at t he c au s e is his f ai l ur e thr o u gh o ut t o fo rge fro m t he fu rn ac e within hims e l f a ch ain o f symp at hy wi t h his r e ad e r s Th at h o we ve r I be l ie ve t o b e t he tru e one H e s e l d o m s e e ms t o c o nne ct t he ir an d hi s c o m m o n hu m an n atur e N o te ho w r are l y if e ve r his ve rs e m ake s t e ars t o st art t o t he e ye l ids T he chill fr o m this abs e nce o f mutu al g l o w is p o sitive p al p ab l e an d f at al N e ve r wi ll t he e m o ti o ns o f a p o e t s re ade rs ch ar m he n e ve r s o wis e l y t ake fir e u n l e ss fro m t he kin dl ing o f fue l in t he singe r s o wn b re ast S o uth e y s Mus e w as de vo i d o f t he p assi o n o f symp athy an d his re n o wn su fi e r s in c o ns e qu e nc e H e p o ss e ss e d m any o f t he e nd o w m e nts by whi ch ad mi re rs ar e att r a cte d H e w as w ith o ut th at w hich h o l ds the m b o un d It c o ul d n o t we ll h ave be e n o t he r wis e with a write r who re s o rte d t o p o e try as a r e c r e ati o n fo r re st fr o m t he t o i l s o f his l ite r ary t re ad mi ll H e und e rsto o d t he ar t o f it an d c o u l d c all o n it w h e n he ch o s e t o d o a
.
.
,
.
,
,
,
.
,
.
,
.
.
,
,
fl .
,
,
,
,
,
.
,
.
.
,
,
”
.
.
,
,
.
,
.
,
’
,
,
’
’
.
.
.
.
,
.
,
,
,
(
FIVE CE N TURIES OF E N GLISH VERSE
48
his bid ding I t was his h and m aid w he n i t s ho u l d h ave b e e n his mistr e ss A t h o us and piti e s ! H e miss e d t he d e are s t o bj e ct o f his a mbiti o n ; an d w e h ave l o st w h at might have be e n fr o m t h at rich ly f u r ni she d n atur e s o m e inspire d s t r ains As i t w as he co u l d n o t b e a gre at p o e t an d he w as a gr e at m an o f l e tt e rs b u t he had a l o fty s o u l .
.
,
,
.
,
.
P tic al W rk f R be rt S th y C mpl t i vl w d iti L gm 1 85 3 d M t ric l T l ) Th W ll f St K y (B ll d St R m ld (B ll d T h K i g f t h Cr c dil (B ll d & ) T h B ttl f Bl h i m (B ll d Tr B ll d f St A t id i t h P p d t h D vil (B all d R p ht t h R bb r (B ll d Th D vil W lk G d J dg m t W ick d Bi h p (B ll d & ) T h Old W m f B rk l y (B ll d Th C r fK h m P art I I i M ry t h M id f t h I (B ll d t h Fir t f D c m b r (Lyri c P m ) W ritt H h (E gl i h E cl g ) T h T r v ll r R t r (Lyric P m ) Th Old M i H (E gli h E c lo g ) F C l m t T r xill (I cripti x iii ) My D y m g t h D d (Occ i al Pi c xviii ) Th C r fK h m T h P t P ilg rim g t W at rl Pr m t 2 1 T h C t r ct f L d r (N d c ri pt VI I )
T he
Ne 1
e
on
e
3
e
4
a
ue
o
7
8
e o
a
a
o
’
s
u
e
e
11
“
a
an o e
a
an n a
1‘
15
1 “
2°
a
e
e
s
o u
n a
s a
on
u se o ’
e
oe
e
a a a
c
o u
.
.
e , an
s
a
e
o
ue s
a
a
nn
e
e
a
e
o
s,
c
.
s,
.
s,
s
oe
s
.
s
ue s
.
o n s,
ns
as o n
e
e s,
.
.
e
o
a
.
ea
a
a
e
n
o
u
a
a
oe
o u se
-
o
x v
,
u n
e
a
o
a es
s,
e e
o
e
e
s
s,
o
e
e
s
’
a
a,
s
an s o n
or a
17
"3
e
e
a
o
n
a
e
a
e
e
one
s,
e
on a
o
en on
n
.
en
e
,
e e
a
e
a
a
u s,
n
e
u se o
a
a
e
a
s an
a
es
e
o
s
a
o
.
e
e
’
en
o
rec
e
o
e
o
o
.
s,
a
a
e
.
ne
e
.
ua
n
e
6
o
o
.
ou
o
an s ,
on
.
e
2
s o
o
oe
o
e
e
on
es
oo
oe
.
s,
,
.
s
.
s,
me
50
FIVE CE N T URIES OF E N GLISH VERSE
I c o uld n o t lay it d o wn as an abs o l ute c o ndi ti o n o f e xce l l e nc e in de scripti o n t hat t he the m e sh all b e o n e in w hich B u t und o ubt e d l y it is t he w rite r has alw ays d e l ight e d th at he a d de d virtu e in a p o e t o th e r wis e w e ll qu al ifie d l o ve s an d has l o ve d it Sc o tt w o u l d h ave l i ke d t o b e s o l di e r H e re j o ic e d in e ve rything c o nne cte d w ith a fighting N e ve r has B ritish Po e t e xc e pt Ca mpbe ll o n m o re c o ntr acte d c anvas e s m ad e t he re ad e r e qu ally t o fe e l a s in t he I l i ad o n a b att l e fi e ld i t s e l f w ith its turm o i l its fr e nzy ; i t s e cst asy H e w as c o nsci o us o f his gift an d f re e l y us e d it The r e is t he i mpre ss o f ge n u ine ne ss o n t he pictur e o f B ann o c k b u rn R e ad fo r inst ance o f t he fin al an d di s as tr o us Eng l ish ch arge o ve r t he pit pitte d pl ain R hing t e t h nd ho rs m n c am Wi th p rs i r st d h rts fl am That p ant d f t h sh c k With b l zing c r ts a d b an e rs sp r d A d tr m p t c l ang a d c l am r dr ad T h wid p l in t h d d t t h ir t re ad A f s Stirli ng r c k D wn D wn i h adl ng v rthr w H o rs m n d ho r t h f r m s t g Wild fl nd ring t h fi ld T h fi rs t i d tr cti n s g rg Th ir f ll w rs wildl y t he m rg Th kn i g ht l y h lm a d hi ld T h m ail t h ct n d t h sp ar Str ng hand high h art e s le ss h re L d fr m t h mass c nf d t he c ry Of d ying w arri rs sw ll hig h And t e d th t shri k i g ny Th y c m like m nt in t rr nt d That th nde rs e it r c ky b e d Th y b r k lik that m t rr t w v Wh n w ll w d b y d rk m c v .
,
.
.
,
.
,
,
-
,
,
.
,
.
.
,
,
-
us
n
,
o u sa
ea
s
n
e
e
un
o
n
e
e
an
ou
e
ar e
e
o
o
o
o
e
e
a
e
o
s
,
o
a
o
o
’
r
,
e,
u
e
e
,
e
ar
,
u e
s on
n a
e
ou
o
,
e
u se
e
e
e
o
e
o
a
u
e
s
e
e
s
’
an
,
o
s
e
o
e
o
n
,
ou
o
o er
o
,
e
’
e a
,
o
e
u
e
,
e
o
e
e
,
.
e
es
e
o
on
n
e
e
’
se ,
e
ea
ou
o
o
e,
n
er
ar a
s
on
n
a
e
e,
o
n
-
e
e
ea
e
es
u
e
an
,
or
a
n
e
a
s
e
sa
e
a
-
,
o
o
e
re
,
s
a
o
e
a
o
en
so
e
’
a
e.
e
,
SIR W ALT ER SCO TT
51
Bil l ws o bill o ws bu rs t a d b o il Maint ining till t h s te rn t rm il An d t t h ir wi ld d t rt re d g r an E ac h adds n w t rr r o f his o w ! n
o
n
a
e
s
o
e
u
an
e
Life l i ke
,
e
o
o
o
,
u
o
1
n
s
g in is gl imps l t r b ttl Fl o dde n as fi t fully d e scri e d by Ma rmi o n s Sq u ir e s f r o m a n e igh b o u r in g hi ll t o p T h y c lo i c l ds f sm ke a d d t With swo rd sw y d wi t h l nc s t h st And s c h a y ll w a th r Of s u dd e n a d p rt nt o s b irt h As if m f o ght p n t he rth And fi nd i pp r i ; d d at h we r i t h s h t 0 li f R c il a d r lly c harg a d ro t And tri m p h d d s p air At l ngth t h fr he ning w st rn b l t A id t h s hr d f b attle c ast And first t he ridg e f ming l d s p ars Ab v t h b rig hte ning c l d appe ars And i t h sm ke t he pe n ns w As i t h t o rm t h whi te s m w Th n m k d th y d shing br ad d f T h b r k n bill ws f t h w a And pl m ed cr t f hi ft ins br v Fl ting lik f am p n t h w v B t no g ht dis t inct t h y se Wide rag e d t he b attl n t h pl i h d m in Spe ars ho o k an d f alchi o n s F ll E g land s arro w i ght like rain ; Cr ts ro a d sto o p d d r s ag in Wild a d dis o rd rl y ,
a a
t he
,
of a
e
a e
— e
a
’
-
-
e
n
se ,
ou
a
-
u
s
u
e
e
a
n
e
e
e
e
o
e
e
n
e
ar
ea
e
e
n
o
e
e
e
o
fl fl e
C
a
e
o
u
e
e o
n
es
se ,
a
e,
e
e.
a n
e
’
a
a
-
’
n
,
n
Al l t he incid e nts
a
as
,
’
ar ,
r,
e
u
s
,
an
o
o
es s o
oa
e
e
e
a
,
o
u
u
fl as
o
e
,
o
e
ou
’
,
.
e
e s
o
u
o
e
e
ou
n
e
n
,
e
es
ou
n
e
a r
e
,
,
e
an
ru
,
ea
,
u
s
u
o
u
’
,
e e,
e
u
n
s
e an
o
o
us
e
a
e
en
n
o
an
,
n
e
o
an
o
e
a
,
2
e
.
warf ar e in fla m e d his Mus e if n o t a c l ash o f b att ali o ns an arm e d an d pe ri l o us a mbus h The blo o d stirs at t he sud de n app ari t i o n fr o m he athe r an d br ac ke n o f Cl an A l pine s w arri o rs tr u e of
.
,
’
D
2
fl
FIVE CE N TURIES OF E N GLISH VERSE
52
Wild as t he s c r am f t he c rle w Fr m c rag t o c r g t h sign l w I s tant thr gh c pse a d he ath ar se B o nn e ts a d s p e ars a d b e nde d b ws be l o w n l ft ab v O rig ht Spr ng p at nc t he lu rking fo ; Fr m shingle s g r y th ir l anc s s tart T h b rac k n b sh s e nds f r th t h d ar t d t he will o w w nd T h r sh s Ar b ris t ling into ax a d b r nd And v ry tu ft f b ro m g iv s li f s trif T p l aid e d warrio r arm d f Th t whis tl g r r iso d t he gle n At nce wi th f l l fi h ndr d me W atching th ir l ad r s b c k a d will d s till Al l il nt t he r th y s t d H e w as an e qu ally g l ad int e rpre t e r o f t he pibr o ch o f D o n al d Dhu an d o f t he pr o scribe d an d hunte d Macgre g o rs o wl s ho o t O sign l f fig ht t hat f r m m o nar ch w dr w T b e he ard b t by nig ht i o ve nge f l b alo In his c as e di re ct an d l o ng p e rs o n al symp athy n o t m e re l y with t he s u bj e ct in ge ne r al b u t with its p artic u l ar e x e m lifi c at i o n s w as virtu all y in di sp e n s ab l e A r t f o r m h i p did n o t supp l y its p l ac e in t he l e ast With o u t it he is di ffus e an d du ll T he sp e ct ac l e o r e xp e ct ati o n o f an e xch ange o f h ar d b l o w s had an a ptit u d e fo r e xciting his inspir ati o n ; b u t he had t o b e p e r s o n all y inte re ste d b e f o re e ve n a pitche d b attl e m a d e a p o e m Eve rything e l s e — st o ry t e lling i t s e lf is an accid e n t in his p o e try e xc e pt t he p e rs o n al e mo ti o n an d th at r e sp o nd e d f o rtun at e l y t o o th e r th e m e s b e si d e s arms T o uch t he ke y in his rich m e m o r y o f an anci e nt l e ge n d an histo ric e dific e an d l o ve l y music p o urs f o rth N o whe re has minste r fr o m t he g l o r y o f its prim e t o e l o que nt d e c ay re ve al e d it se l f t o a n insig ht m o re de l ic at e n
o
,
u
e
e
e
u
e
e,
e
e
e
-
an
o
a
’
o
a
e
o
n
u
ve
e
s
e
e
e
e
e
e
or
.
’
a
e
,
e
o
,
a
n
e
e
,
o
u
e
e
,
e
a
o
e
o
e
o
u
o
,
o
,
n
n
n
.
n
o
ou
,
,
e
a
e
a
o
u
o
e
n
e
u
’
n
e
oo
,
.
,
3
an
.
’
’
,
°
ur
a
o
or
u
n
e
s
o
,
u
ur
e
o
,
4
.
,
,
.
,
.
.
,
,
-
.
-
,
.
,
,
.
,
,
,
SIR WALTER SCOTT
53
symp athe t ic t h an Me l r o s e t o his fancy bri d ging wi t h a rainb o w fo ur hund re d ye ar s
an d
,
,
w ld s t vi w f ir M lr rig ht G visi t i t by t he p l m nlig ht F t h gay b ams f li g htso m d y Gild b t t fl t t h r ins g r y Wh n t h b r k n arc h s bl ac k i ig ht An d ac h s haft d o ri l g limm rs whi t Wh n t h c ld l ight s c rt in sh w r Str ms t he r i d c ntr l t w r Wh n b ttr s a d b ttr ss alt rnat ly S m e d fram d f b n a d i vo ry Wh n silv r d g s t h im ag ry And t he s cr lls that te ac h th t o li v a d di Wh n di t nt Tw d i h rd t rav And t h wl t t o ho o t o t h d ad m an s g r v Th n g — b t g al n t h w hil e Th n Vi w St D avid s ui d pile And ho me r t rning s thly swe ar ad a d f ir W a n v r scen t
I f ho u
’
ou
a
e
e
a e
o
e
e
or
e
e
o
e
e
,
a n
e
un
’
o
e
e
e
e
e
e
ee
e
s
u
o
o
e u
,
e
s
e
e
e
e,
’
e
a
e,
n
’
oo
,
n
e
r
.
e
o
er
e
’
e
,
,
ea
’
e
o
e
ee
s a
e o
e
e
,
o
e
o
e
n
o
e
o
a
u
,
e
a
e
e
n
e
ee
e
e
’
es
u
e
n n
e
on
ea
.
ar e
e
o
e
e
a
a
u
e
e
e
,
oo
o
ou
o
u
,
o se a
,
n
e so s
5
a
His min d w as a tr e asur e ho u s e o f tr adi ti o n an d r o m anc e fr o m w hich a po e t s m agic c o njur e d u p m e m o ri al fu ne r al ri t e s fo r dr o wn e d R o s abe lle in t he ance stral m au s o l e u m -
’
R o slin
that dre ary ni ght A wo ndro s b laz e w as se e n t o gle am Tw as b ro ade r than t he watch An d re dd e r than t he b ri g ht m o o n b e am I t g l ar d o n R o lin s c as t le d r o c k I t r dd ie d all t he c o pse wo o d g l e n Tw as se e n fro m D ryde n s gro ve s o f o ak And se e n fro m av e n d H awtho rnd n Se e m d all o n fi r e t hat c hap l p ro d W he re R o lin s c hie fs u o ffi d li E ac h B ar n fo a s ab l e shr o d S he athe d in hi iro n p ano ply O er ’
all
u
’
-
e
’
s
,
u
-
’
,
’
,
c
r
’
e
’
e
o
,
'
’
s
u
’
nc
u
r
s
n
,
.
’
,
e
,
.
.
FIVE CE N TURIES OF E N GLISH VERSE
54
wi thin ar nd D e e p s c ri ty a d al t r s p l S h n v ry pill r f li g b nd d ll t h d d m n s m il A d glimm Bl z d b attle m nt a d pinn t hi gh Bl ze d v ry r s c arv d b ttr s f ir S s till th y b l z wh n f te i ni g h f hi g h St C l air T h l rdl y lin Th r a e tw nty o f R o li b ro ns b ld Li b ri e d wi thin t h t p r d c h pe ll t h h l y v a l t d th ho ld E ch a ho lds l v l y R s ab ll B t th And i t w as a p o e t s tyr ant i m agin ati o n in t he gr asp o f t he p ast w hich w as n e e de d t o st e e l his h e ar t fo r th at t al e o f ho r r o r t he a ccurst m o n astic c o nc l av e in t he m u rd e r d e n w hic h m ake s o n e cry o u t up o n t he Fi e nd o f H o l y Is l and fo r n o t sp aring pe rjur e d M ar m l o n Se e m d
a
e e
o
fir e ,
all o n
’
s
er
n
’
e
a
e
s
o
o
a
.
a
n s
o
ou
e
a
o
u
e se
u
.
s
’
a
e
e s
.
e
one
a
a
e
u
e
a
,
u
e o
r
e e
’
e
ea
e
a e,
o
,
e
e-
o
e
o
ou
n
e
,
a e,
-
e
a
e
a e
a e
o
a
’
a
n
,
e
ou
,
e
o
e
6
e
’
-
,
.
,
but
a
d ay ,
wasting fi a d d y ing g ro an And pri sts sl ain t h altar s to n nc e an d I hav e l e ft t o t he l as t t h at w hich m ight at O by its e l f h ave e st ab l ish e d t he B o rd e r Mins t r e l s t i tl e t o a p o e t s l au r e l S ur e l y in t he fr o nt r an k o f re qu i e ms s t ands th at o ve r Pit t an d F o x T he t w o Tit anic figur e s had fi ll e d t he e nti re h o riz o n o f Sc o tt s yo u t h an d e arl y m anh o o d ; an d t he p assi o n o f his ve rs e te stifie s t o t he i mpre ss o n his n ature Y e t n e ve r l i ke m any o f its c l ass ; d o e s it fo a m int o rh e t o ric o r r ave into hyste rics I t ris e s an d f all s l i ke tid al w a ve s As t he t ho ught d we ll s o n t he b ro ke n he al th an d br o ke n h e art o f t he might y Ministe r t he me l o dy is s o l e mn an d s ad H d s t th b t li d th u gh st ip p d f p o w r A watchm n n t he lo ne l y to w r T hy thrilling t r m p had r o se d t h l nd W h n f ra d d a g r w r t h d Fo r
n
re ,
,
on
e
e
7
e
-
.
l
,
’
,
’
.
.
’
.
,
.
,
.
,
a
’
ou a
u
v
’
,
o
u
or
e
u
n
e
e
’
r
o
u
e
,
,
e a
‘
e
o
,
e
an
a
,
,
SIR W ALTER SCOTT .
B y th a by t h be a n li g ht pil ts h d k pt c u rs arig ht ; O As s m p ro d c l mn th g h l n T hy s t r gt h h d p o pp d t h t tt ring t hr ne N w i t h s t t l y c l mn b r k T h b c n li g ht i q h d i sm k T h t r m p t s il v r s nd i s till T h w ard r sil nt o t h hill T he dirge gr o ws r e j o icing l y tri u mph al as i t unit e s hi m his rival in a c o m m o n b o n d o f r e n o w n an d p at ri o t is m Wi th m r than m o rtal p w rs d o w d H w hi g h th y s ar d b v t h c r wd The irs w c mm o n p rty rac J o stling by d rk intrig f pl c e Like f ab l d g ds t he ir mig hty wa S h o k re alms d nati n i it j B n ath e ach b a n r p r d t s t nd L k d p t h n b l s t f t h l nd Till thr gh t h British w rld w r kno wn T h nam f Pi tt d F o x alo n Spe lls o f su c h f rc o wi z rd g rav E e f ram d i d ark T h ss ali n c av Th s s pe lls p nt d p nt wi th the s T h win f li f i th l s G i s d t ste d t l nt g n v r t m b d b n th t h s t n Fo W h r — t ming th ght t h m an p rid e T h mig hty c hi fs sl p sid b y sid Dr p p n F x s gr v t h t r Twill tri c kl t hi riv l s bi r Pitt s t h m rnf l r q i m s nd O And F x s sh ll t h n t s r b d T h s l mn c h s ee ms t c ry H r l t th ir di c o rd wi th th m d ie Sp k t f th sp r t d m W h m F t m ad Br th rs i t h t m b B t s ar c h t h l and f l ivi g m W h r wil t th fi d t h ir l ik g n ee ,
ur
o
s
e
o
a
e
e
u
o u
en
s
o
e e
u
e
o
u
e o
en u r e
e
o
o
e
’
o
e
o e
e
ea
no
o
u
e e
e
ee
e
e,
e
e
a
e
o
ea
e
u
’
.
,
e
e
e
ou
u e
e
o
o un
,
.
o
e
s
e se a
e
o
e
e
ou
e,
u
o
ou
or
e,
o
e
e
.
e
o
ea
e
a e
e
,
a
e
e
s
an
s
e
e
a e
a
o
’
er
,
ee
’
.
a
ou
e
u
e
e
e
a
an
,
,
,
e
s on
a
’
’
e
’
e
o
a
e
e
a
o
e e
e
e n
e
an
,
a
o
an
ar e s
e
ar
s
o
n
e e
n
o
e
e
,
a
ou
e
es o
r
or
s
e
o
o
’
e
r
o
e
ou
e
o
,
n
e
,
e
a
an
oo
e
ue
e
,
’
en
e
o
o
o
e
o
8
a
a
o
,
e
’
o
o
e,
n
o
e
o
e
s
e
as n o
o
e,
‘
ou
n
e
e
’
uen c
e
e
o
e
o u
s
e
a o
’
s
e
ou
r
-
’
e
,
a e
ea o
,
o
a
e
-
co
n
a a e
oo
n
e
e
en
n
o
e
.
e
a
,
o
.
e
9
FIVE CE N TURIES OF E N GLISH VERSE
56
Thr o ugh o ut Sc o t t s p o e ms bl e mishe s an d d e fe cts ab o und wi th o ut c l o uding his ti tl e t o a p o e t s ho n o urs H e di lu te s Ve ry hi s d e sc ript io ns o ft e n an d is c are l e ss in dict io n s e ldo m did he u se pr u ning ho o k o r file N o p o e t c o u l d Mu ch in t he l o nge r c o mp o siti o ns m ay b e m o re s l ipsh o d b e f ai r st o ry t e ll ing an d is s u r e t o b e a rch ae o l o gic all y ins tru ctive It m ay e ve n re ach t he l e ve l o f a p o pu l ar b all a d Ass u re d l y i t is n o t p o e try T he f aci l i t y p r o o f t he o ct o syll abic m e tr e l u r e d hi m int o v e r b i ally f at a l p ro l ixity Wi de re ading in m any di re cti o ns an d a m e m o ry fo r p ar ticul ar subj e cts pr actic all y b o u ndl e ss c o ntribut e d t o t e mpt hi m t o i mpr o vis e As he fr e e l y a d mitte d he w as with o ut t he f ac u l ty o f s e l f criticism I t is an invalu abl e inc ap aci t y d u ring t he pr o ce ss o f p o e tic al pr o d ucti o n ; a ve ry d ange r o us o n e in t he s u bs e qu e nt p e ri o d o f re fle cti o n A m o ng t he re s u l ts w as th at he acc e p t e d an d r e visi o n unsuspici o us l y w h ate ver s u bj e c t h appe ne d t o pre s e nt its e l f F o r an y an d e spe ci all y fo r a m e tric al st o ry i t is e ss e nti al t h at t he p l o t sho u ld p o ss e ss e n o u gh intrinsic an d g l o wing int e r e st t o stim u l at e r e ad e r an d wr i t e r al i ke With thr e e As m e r e t al e s T he Lay o f t he Las t he w as f o r t u n at e Mins t r e l Mar mi o n an d T he L a dy o f t he L ak e f ascin ate B ann o c k b u rn is n o t in t i m ate l y e n o ugh c o nne cte d with B ruc e s w an de rings a m o ng t he Is l e s t o l e nd a dve nture s a m o ng th e m r e tr o sp e ctive ani m at i o n Ve r y fe w o f5, tf;1e p re s e nt ge n e r ati o n h ave p ati e nc e t o tr ac e t he m az e o f R o ke by In c o ns e que nc e a fin e pie c e o f ch ar acte r d r awing in Be rt ra m with his au d aci o us e sc ap e s an d d e at h has b e e n waste d T he B rid al o f T r ie r m ain a bright g ard e n o f f anci e s w ith its Arthuri an atm o sph e re is n o m o re th an a nam e if th at Me rl in wo u l d h ave t o c o m e t o l ife ag ain t o re vive it ; an d e q u all y e nt o m b e d in spi t e o f th e s w e e p o f gr and fl o w ing ve rs e is H aro l d t he D aunt l e ss ’
’
.
.
,
.
.
-
,
.
.
.
,
,
,
.
,
.
,
-
.
.
.
,
,
.
.
,
,
.
,
’
A
.
_
_
.
,
,
.
,
,
,
,
.
,
,
.
FIVE CE N TURIES OF E N GLISH VERSE
58
mind The r e is a s o rt an d Sc o tt s is o f i t in w hich t he re ade r has t o d isti l fo r hi ms e l f T he b o rn p o e t has c o lle c t e d se l e cte d t he m ate ri al s ; has hims e l f be e n e nr apture d by t he fe e l ing r at he r t h an e xpr e ssi o n o f t he ir e ss e nc e I t is t he f au lt o f hi s p u b l ic if i t c ann o t b e s o l i ke wis e T he incl in ati o n o f t he pr e s e nt age is t o w ar ds h aving in t r o sp e c t i o n an d inte lle ctu al an al ysis d o n e fo r i t an d by its p o e ts T o p o e try i t l o o k s fo r p ro b l e ms if n o t n e c e ss ari l y fo r t he s o l u t i o ns Sc o tt d o e s n o t d e al in e nigm as In him i t w o u l d h ave b e e n affe ct ati o n an d he is n e ve r affe cte d As he n e ve r p o s e s as a Sphi nx so he pr e t e nds n e ith e r t o b e a chi l d o f n at u r e l i k e B u rns n o r a n atur e w o rshipp e r l i k e W o rds wo rth Y e t his sc e ne s ar e all in t he ir ch ange fu l dive rsity c o nst antl y t r u e an d re al H e d o e s n o t atte mpt t o hid e his d e b t t o l ibr ari e s fo r ve ry m u ch in his n a rr ative s H e m ake s n o p ar a d e o f t he e q u al t r u th t h at he has ch arm e d t he he art o u t o f t he m ; t ha t in his v e rs e it b e ats as it r ar e l y b e a t b e f o r e N o g o l d e n haz e fl o ats o ve r t he p o e ms o f Sc o tt The y app l y n o f o r m o f spir it u al o r s e nsu o us int o xic ati o n On l y whe n t he i m agin ati o n is e l s e w he r e c l o ye d with s we e tne ss o r has w e ari e d o f t yi ng kn o ts in t he br ain whe n it l o ngs fo r d ancing br e e z e s an d fi r e l i ke t he Ho m e ric i t t u rns wi t h re l i e f t o t he Last Minstre l s Lay t o M armi o n t o T he Lady o f t he Lake The y r e e nte r in t o the ir rightfu l in Whe n the y ar e d u ly he rit anc e o f h e a rt hsid e f a v o u r und e rst o o d i t wi ll be s e e n al s o th at t he y c an re c l aim so m th at is pro pe rty in t he e thing o f w o r t h as high ; Sc o tt t he m an is a p o ss e ssi o n t h at an y aut ho r hims e l f pro vince o f l i t e r ature m ay b e pr o ud t o appr o pri ate as prim ari ly its awn N o b o d y c an b e s u rpris e d t hat t he t itl e t o such a p riz e has at tim e s be e n disput e d Th o s e sp le ndid gif t s t he m anl ine ss t he m agn animi t y t he inc ap abi l i t y o f ’
.
,
,
.
,
.
,
,
.
,
.
,
,
,
.
.
.
,
-
,
,
,
.
,
.
,
.
.
.
.
,
,
‘
,
,
,
’
,
,
-
.
.
,
,
.
.
.
,
,
,
W ALTER SCOTT
SI R
59
nvy j e al o usy m e anne ss u n kindne ss t he fre s hn e ss t he ge nius w hich e xtr a c t e d go l d fr o m e ve ry t hing an d t r ans mute d l e ad into g o l d t he l arge pr e s e nc e in l e t t e rs an d in — l ife w hich e nn o bl e d b o t h we r e t he y t he po e t s o r t he s t o ry te lle r s m o re l e gi t im at e att ribu t e s S t u dy t he p o e ms an d y o u wi ll find t he b asis o f a ll t he re N e ve r in w rit e r w as the r e l e ss o f e g o t ism ; y e t n e ve r p o e t w as m o re ass u r e d t h at p o e try w as his v o c at i o n H e c o n t inu e d in t he fu ll pr actice o f t he ar t as l o ng as inspir a t i o n with t he r are st e xce p t i o ns d e ni e d by m any t o b e is wo nt t o d e sc e nd F o r its s ake he had e xc e p t i o ns s acrifice d pr o fe ssi o nal a mbi t i o n he had c u rbe d t he aspi ra t i o ns o f r o m ance an d hid d e n i t t ake s e c o n d p l ac e The re it W ai t e d a m o d e st u nd e rs t u dy u n t i l p o e try vo l u n t arily wi t hdre w whe n it c am e f o rw ard t o p l ay t he ch ar ac te r p r o t anto B u t t he p o e t ic spirit dw e lt ap art i t had no t d i e d I t is fe l t fe e ding gui ding l e nding w arm t h an d grac e t o ficti o n always pr e p are d t o ste p f o rth fr o m its re t ire m e n t n e e d — l i ke Achille s be hi nd t he b o rr o we d shie l d o f at Aj ax sc aring wi t h his b att l e cry t he wo l ve s o f Tro y fr o m t he bo dy o f P atr o c l u s
e
,
,
,
,
,
,
,
’
,
’
-
.
‘
.
,
,
.
,
.
,
,
,
,
.
.
,
,
,
,
,
-
,
.
P tic l W rk f Si W lt r Sc tt 1 83 3 —4 E d i b rgh C t i t 24 T h L rd f t h I l C t vi t z 2 5 2 6 M rm i Th L d y f th L k C t v t 9 M cgr g r G th ri g to T h L y f t h L t M i tr l C i t 23 I bid C t C t i st 3 1 M rm i I b id I tr d cti t C t i I b id The n
1
2
3
a
r
e
o
,
ed }
J G .
.
o
e
o
on
a
o
a
.
,
8
an
n
9
.
’
o v
,
an
o
u
as
e,
an
n
e
s
on
.
o
.
-
.
o
e
.
,
s
,
,
s
.
.
.
ns
.
V
o v
s an
as
e
o
a
a
s
,
,
e
o
on
a
o
o
e
e
an
an
s e s,
e
,
a
e
8
7
s o
o
u
a
5
a
oe
.
an
o
,
an
11 , st
.
1
.
Lo
ckh rt a
.
12
vl
o s
.
J
AM E S H O G G 1 7 7 0— 1 8 3 5
A
b o rn p o e t an d n o t hing b u t a p o e t ; a p o e t wi t h w h o m all he s aw w ho t h o u ght in p o e t r y all o ve r tu rn e d t o p o e try w ho wr o te m u ch ve rs e re ad fo rm e r l y w ho had t he aspir ati o ns an d s t i ll if at all with p l e asur e w ho o f a gr e at p o e t pe rh aps t he be l i e f th at he w as o n e an d a min o r p o e t a n v r r c gniz d m r th n a e a s o e e t w e e o e s y n e ve r with a singl e e xc e pti o n wr o t e o the r th an m in o r p o e t ry N o t that his c o pi o u s p o e tic a l r e pe rt o ry is with o ut abun d ant t e stim o ny t o a ric h an d re ady f ancy H e is at ho m e in Fairyl and T he H au nt e d Gle n in which t he E l ve s ar e t o m e e t t o cr o wn fo r King a m o rt al m an r e fine d int o th e ir n ature by s e ve n ye ars o f pe n ance is f u ll o f de l ic ate im agin ings T he m o n arch e l e ct r e n am e s hi s atte nd ant sprite s a s in its m o d e l A Mids um m e r N ight s Dr e am w he re a a a u e i a a o o r ss r cr t r d sch rg s s m functi n d inty o e e e t h e e S g he r e is t he t e xtur e th at in fe ar o f c o ming up o n c o ars e r thre ads w e h ave a s e ns e o f r e l ie f w he n t he f abric is l e ft inc o mp l e te with a dismiss al o f t he l ittl e be ings t o the i r s e ve r al du t ie s Sti ll m o re music al as vo ic e d in Ettric k di al e ct is t he app e al t o t he f airi e s t o watch o ve r a n e w b o rn b abe Hum o ur e ve ryw he re in Ho gg bubb l e s up fr e e l y th o u gh n o w he r e m o re de l ightfull y th an in t he t r agi c o m e d y o f T he G u de Gr e y e K att N O fe e l ing he art c an he l p c o mp assi o n at ing t he s ad pl igh t o f t he gr e a t B y sc ho p e o f Bl ain w ho fo r t o ying wi t h t he b e au t e o u s w i t c h he had P OE T , a
,
,
,
,
,
,
,
,
,
,
.
.
.
,
,
-
-
,
.
’
,
,
.
,
,
.
,
,
.
,
.
,
JAMES HOGG
61
invi te d t o unm as k and b an finds hims e l f s ud de nl y in Mi str e ss Pussy s c l aw s t ak ing agh ast hi j nt Up thro t h milk y w y The re is s t o re as we ll o f hum o ur s siste r re al p atho s ; fr o m t he e l e gy o n t he n a m e le ss chi ld w h o se li tt l f e t ac r ss t h l awn Sc arc e f r m t h p rimr p r ss d t h d w ; I tho g ht t h s piri t f t h d wn B f o r m t t h g r nw d w t o P o o r Litt l e Je ssi e s l a m e nt It l a g i I l o s t b i th m y f t h r d m t h r I m sim p l p r a f rl rn t h w ay that I liki t a nly d r b r th r I had My Willi — b t he s lying c a ld i t h c lay Eve n t he o ld h o use d e s e rte d by t he thriving age d f arm e r has its t ribute o f pre tty pi t y T hy ro f will fa t hy r fte rs s t rt c a ld t hy h art h will b H w d am p n ilk h n s t h rt Ah a will Th t r t w b li th a b a ld i the e b rni c l r F a we l m y h s a My b rt r b sh a b wz y tr while I m a n s j urn h r Th w h m e lik t h I ll n v r find A d he c an sing t o o B urns l i ke j us t fo r singing s s a ke n a s o f Pe ggi e t h f air s t fl w r E ttri c k ve r aw T h b r es an d o f b l issful h o ur W he n t he li ttl wee bit h art Ris s high i t h b r a t b i t s t arn An t h li tt l w Ri t d i th be e n
,
’
s
u
e
a
e
e
1
e
a
.
’
,
,
e
e
o
e
u
e
e
e
e
o
e
o se
e
o
o
e
e
ee
fl e
e
e
a
oo
2
e
’
’
s n
n
s ’
’
a
e an
’
oo
a
’
n
,
an e
o
o
n o
e
e
an
on
o
’
u
e
,
e
ea
u
o
e
,
3
e
.
’
,
,
,
’
o
an
o
,
s
re
e
’
’
n
u
u
ee
e
n
n
a
e
e
ea
e
e
ee
,
e
o
ou e
e
a
u
as
s
ou
e
’
so o
e
a
a
,
’
n
u
u
’
,
ea
e
o
,
ee,
o o
e e
e
a
.
ee
4
.
’
-
,
,
,
,
e
a
e
o
o
e
’
s
e
,
e
e
n
e
’
e
se s r e
e
n
e
e
ee
e e as
.
s
,
e
5
,
FIVE CE N TURIES OF E N GLISH VERSE
62
t re a j y ae d ar That t h he art an hardl y fram e i b o nni e l assie W i a bo Whe n t h k y e c o m e s hame Whe n t he k y e c m e s ham e Twe e n t he gle amin g a d t he mirk W he n t he k y e c o me s ham e ’
0 he
o
s
,
c
e
’
e
s
nn e,
,
e
,
o
’
,
,
n
,
6
.
p o ssibi l iti e s o f ch arm in all r e al p o e try ar e infin ite Wh e ne ve r w e l o o k c l o s e at ve rs e by a ge nuine p o e t o f high as h e r e a t e mp t at i o n t o e x agg e r at e m e rit o r lo w d e gr e e n atur ally aris e s St anding a l it tl e f ar t he r o ff I se e de fe cts p e rv a ding t he e ntir e b o dy o f H o gg s ve rs e N o t m e r e l y d o th e y affe ct w indy e ffu si o ns l i ke M ary Le e o f Car e lha t he ti re s o m e i mit ati o ns o f c o nt e mp o r ary w rit e r s in T he — n Po e t ic Mirr o r t he e ch o e s o t c o nfe ss e d i mi t ati o ns as is — t he g l ib f al s e s e ntim e nt o f C a ry ns c H h e n l ind e n o E a o of O Ke an an d t he m e di o cri t y o f t he S acre d Me l o di e s the y ar e n o t abs e nt e ve n f ro m t he pi e c e s I h ave s e l e cte d I t is n o t o n l y o r m ain l y t o sh o w t he p o e t at his b e s t a r awn e ss b o th o f m at e ri al an d o f w o r k m anship a d e ar th T he qu al i t y which I chi e fl y o f me ll o wn e ss an d fin i sh miss is p o e tic r aptu r e with t he c o ns e qu e n t g l o w o f sym p athy b e t we e n r e ad e r an d au tho r A p o e m w ith th o s e pro p e rt i e s w i ll l e ave b e hind in t he r e ad e r s s o u l s o m e thing o f its e l f w hic h d r aw s him b a c k t o it w ith r o p e s w h e t he r o f si lk o r o f s t e e l He r e he a d mire s t hin k s ho w c l e ve r it all is ho w b e autif u l s o m e p arts — an d r e t ains n o thing T he flo o d has s we p t o ve r t he s u rf a c e o f t he mind an d is g o ne I f e ar I c an m ake n o l arge e xc e pti o n n o ne in f avo ur e ve n o f T he Gu de Gr e e K att My bj cti n pp l s o e o a o e t i e t h y bulk o f T he Que e n s W ake its e lf o n whi ch , as a w ho l e t he surviv al o f t he Sh e phe rd s r e put ati o n p rincip all y de pe nds T he pre amb l e s t o it s v ario us t al e s ge n e rally ar e e xc e ll e nt T he
.
,
,
,
,
.
,
’
.
,
,
,
,
,
,
’
,
.
,
,
,
.
,
.
’
,
,
.
,
,
.
.
,
,
.
’
,
,
’
.
JAMES HOGG fo r in
the m
he
fo rge ts
to be
a
63
ught but hi ms e lf
,
t he
b ard
,
w ho
ttri c k s m o untain g re e n natu re s b o so m nu rse d had be e n on
In
’
E
’
7 .
thre e be au tif u l s o ngs ar e inte rspe rs e d Spe ctr e s p athe tic Cr adl e S o ng
T wo
or
T he
in part icul ar
,
’
H sh m y b o ny b ab e — h sh an d b e still T hy m o t he r s arms s hall s hi e ld the e f r m ill F ar hav e I b o rne t he e i s o rro w an d p ain T o drink t he b re e z e o f t he wo rld ag ain T he d e w s hall m o is t e n t hy b r o w o m e e k And t he b re e z o f mid n ight fan t hy c hee k And s o o n shall w e re s t i t h ho w o f t he hill Hush m y b o nny b ab e —hu sh a d b e s till u
n
,
u
,
’
o
n
,
.
s
,
e
n
e
,
,
n
8
In t he t al e s the ms e l ve s wi t h o n e d e l ightfu l e xc e pti o n I d o n o t r ate t he qu al ity ab o ve H o gg s usu al st and ard A ll s u ffe r fr o m his c o m m o n we ak ne ss o f t o o e asy c o nte nt m e nt with hi s wo r k o f e xce ssive an d un prune d m e tric al faci l ity F o r instanc e c o nsi de r t he pre p o ste r o us l e ngth o f t he f o ur t e e nth b ar d s b all ad o the r w is e c aptiva t ing Of Mary Sc o tt ! S u ch pr o ducti o ns ar e t o t he highe r p o e try s o m e t hing Su ch as Mé m o ire s p o u r s e rvi r ar e t o histo ry The y sugge st a po e t in t he m aking r athe r th an m ad e On l y o nc e d o e s Ho gg app e ar t o m e t o h ave und e rgo ne a fi t n o m e r e tr ansi e n t sp asm o f t he r aptu r e w hich c o m mu n ic at e s itse l f t o a p o e t s pub l ic In Kilme n y if n o whe re e lse he is inspi re d Th at is a m o ng t he p o e ms w hich h aving be e n o nc e actu all y t ake n int o t he min d re m ain p o ss e ssi o ns an d in p o ss e ssi o n I t has gr o wt h in it an d atm o sphe re If t he re is s o m e thing al s o o f g l o ri o u s n u re as o n in t he ch o ic e o f sw e e t Kilme n y fo r a s e mi e arth l y s e mi e the r e al i m m o rt al i t y t he e x t r avag ance is wi th o ut o ffe nc e ,
,
’
.
.
,
’
,
,
.
.
,
,
’
.
,
,
,
.
,
,
.
,
.
-
,
-
,
.
64
FIVE CE N TURIES OF EN GLISH VERSE
As w e re ad o f he r b e autiful chi l dh o o d he r vanishi ng he r l o ving r e app e ar anc e in th at w hic h w as fe l t t o b e n o l o nge r he r ain c o u n t r y e ho w s he s o j o urne d brie fl y a m o ng he r k insf o lk a waking dre a m an d fin all y di ss o l ve d ag ain int o a c e l e sti al m e m o ry w e ar e s e nsib l e o f n o vi o le nc e ; w e ar e in t he p o e t s h ands an d ar e c o nt e nt t o b e th e re B n i Kilm y g a d p t h g l n B t i t w a na t m t D ei m nly t o he ar t h y rlin sing It w And p t h c r ss w r nd t h s p ring Kilm e y w as p r a p r c l d b F minny l k th w B t l ang m y h And l ang m y h s k i t h g r n w d S h w Lang t h l ird D i b l m And l ng l ang g r t Kilm y c m ham Wh n m ny l ang d y h d c m d d Wh n g i f g r w c lm d h p w d d W h n m s f Ki lm y s l h d b n s ng W h n t h b d sm an had p ay d a d t h d d b ll r ng L t l te i a gl mi wh n all w stil l Wh n t h fring w d t h w t lin hill Th w d w s r th m n i th w n Th r k th t h ng v r t he p l in Lik li ttl w c l d i t h w rld it l ane W h n t h ingl l w d wi iry l m L te l t i t h gl ami Kilme y c am ham Kilm y Ki lm y wh r hav e y b n? L ng h w s g ht baith b lt d d n Kil m y l k d p wi th l v l y g r c B t a s mi l w a n Kilm y f ac As till w a h l k d a till w h As t h stilln e ss th t l y t he m rant le O t h m is t th t sl e e p s w vl s F Kilm y had b ee n h k n d t wh r A d Kilm y had n wh t h c ld t d c l ar Kilm y h d b wh r t h c c k n v r c r w Wh r t h r in n v r f ll a d t h wind ne v r b l w ,
,
,
,
,
,
’
fl ,
en
n e
o
s
u
e
o
e
’
e
e
o
e
a
e
r e
es
e
e
or
e
o
’
en
n
en
n
e
’
e
er
s
oo
e
a
n
en
en
e e
a
e
een
a
e
a
e e
e
e
e
,
’
n
s
as
a
s
’
.
a e,
e
e
e
ee
ea
en
e
se e
e
e
s s
s
,
e,
an
on a
en
or
e,
ou
on
a
e
a
e
on
a
u
e
s
e
an
,
ea
,
n
o
,
,
o
’
a
s se e
u
a
o
u
,
e
an e
e
,
ea
e
e
ou
oo
e
n
o
en
e
s
e
,
ee
e
n
’
e
es
’
oo
o
ou
e
as
e
,
a
n
,
’
oo
as
a
on
e
a
e
e
e
u
o
,
ae
a
e e,
e
a e
,
e an
ou
’
as r e
ee
e
e
n
e co
e
e a
u
oa
o
o
s
fl
-
e,
r
as
ee
an
e
e
e
a
.
e
ee
o
’
e
o er
en
en
n
oo
ou
e
a
,
e
’
or
a
,
u e
un e r a
e
e
a
e
’
en
ou
’
a
e
ra s
s
ee
ee
a
’
oo
e
o
a
e
a
s
,
e
er
er
a
e
o
u e
a
u
r
-
n
or
a e,
e
un
ee
as o u
u
e
er e e,
e
a
e es
’
se a
no
e
e
e
e
e,
e
no
ou
o
.
e
e
e
,
e
e
,
66
FIVE CE N TURIES OF E N GLISH VERSE b o nny Kilm n y f re e frae s t ain k t h wo rld ag ain If v r yo That wo rld f i f o rro w a d fe ar 0 t ll f t h j o y s t h t a e w ai ting h re The y lift d Kilm y the y l d h away An d h w alk d i t he li g ht o f a s n l e s s d ay ky w a Th d o m o f c ry t al b ri ght Th f t ain f vi io n a d fo ntain f li ght T he m e rant fi e lds we re o f d azzli g g l o w A d t h fl o we rs o f e v rl a ting b l o w The de e p i t he stre am he r b o dy th y l aid That h r y th a d b a ty ne v r might f ad And h he ard a s o ng h h ard i t s g She k d n o t whe r b t s ae swe e t l y i t r ng I t f ll o t he a lik a dr am o f t he m o rn O b l t b e t he d ay Kilm e y w a b o rn N w shall t h l nd o f t he s p iri ts s e N w s hall i t k e what a w o m an m ay b e Th y b r h away she wi t o t ho w F h f lt o t a m n o r t b e l o w B t s o swi ft t he y wai e d he thro g h t he lig ht Twa like t h m o ti n o f s o nd o ight U m b e r d g ro ve b l o w the m g r w T he y c am th y p d a d b ac kward w Like fl o o d o f b l o m glidi g o A m m t e i a m o me t g o n 0
e
e
u se e
e
o
e
s n
o
e
,
s
’
e
,
’
e
r
.
er
e
,
,
u
n
e
s a
o un
n
,
a
en
e s e
o
,
e
e
s
,
o
s
s
,
n
,
o
u
n
e
n
e
e
n
,
s
.
e
n
e
s
n
ou
e
,
en
e
s
e
n
e
r
e
un
e
u
e
s
e,
a
e
,
e
n
e
,
u
es
o
e
e
u
e
,
n
e
o
or s
e
e
er
e
n
r
r
u
s
e
nnu
s
sso
en
se
n
e
’
,
n
,
s
e
n
n
,
fl
r s
e
ass
e
u
u
s
e,
o
r
o
e
,
es
n
’
n
s
,
n
n
,
,
e
.
ng t h i ghts Ki lm y s w S f rp s i g t r s l w Th i g r v i c w ad i k w y A d t h s tri g f hi h rp w d c t pl y B t h w till t h ro ws f m w r by A d ll w l v d h rm y Till t h t rs Of h v f ll c lmly w y Lik t h fl k s f w wi t r d y Th Kilm y b gg d g in t The fri nd s he h d l ft i h i t y B ut t o O
si
e s
ar s u
e s n
n
a s n
’
e
s
e
u
s
n
o
n
na u e
e
o
e so r
as
e
en
o
e an
a
ea
a
e
en
e
a
s
o
en
sn a
e
a
e
e
a
,
a
e ase
o
an
a
o
e
e
,
on
a
e
on a
a
,
,
a
a
s
e s a
e
’
s n
e sa
a
a
en
a
n
a
n
e
a
a
,
.
o se e
e r a n co un
r
e
.
,
JAM ES HOGG
67
te ll o f t he pl ac e whe re sh had be e n An d t h g l o ri e s t hat lay i n t h l an d u n s e n T o w arn t he li vin g m aid e ns f air T he l o v e d o f H e av n t he piri ts c are That all who se min ds n m e le d re m ain S hall blo o m in b e au ty whe n time is g an e To
e
,
e
e
e
,
e
’
s
,
,
u
.
Wi th distant m si c so ft d d p Th y l ll d Ki lm y so nd asl e p And wh n sh aw k d h lay he l n All happ d wi th fl o w rs i t h g re e wo d w Whe n s ve n l ng y rs had c me a d e d Whe n g ri f w a c alm a d h pe w a de ad Wh s c rc w a r m m be r d Kilm y s n m L te l te i a glo ami n Kilm y c m ham u
e
’
u
an
,
en
e
u
en
a
e
’
a
e
en
a
a
,
e
o
e
n
ene
.
,
s
e
’
e, o
n
o
e
s
n-
e
n
a
r
n
,
,
e
a
s
,
ea
s
fl
,
e
’
e
e
ee
’
en
en
a
a
e
e,
e
W he n a m nt h d d y had c me a d g an Kilm y s g ht t h g r n w d w n Th r l id h d wn o t h l v s g re e And Kilm y rth w n v r m ir s B t O t h wo rds t h t f ll f r m h m th We r w rds o f w nd r d w rds o f tr th B t ll t h l nd we r i f e ar a d dr ad F th y k ndna wh th r he w as li ving d ad d h c l dn r m in I t w asn h ham d p in Sh l ft this w rld o f o rr o w And r t r e d t t he land f tho ght again N e ve r w as F a ir yl and m a d e t o app e ar ne ar e r t o u s o r s u ffus e d wit h l o ve lie r c o l o u rs A war e o f such a p o te n t i alit y wi thi n him if s e l d o m e l s e w he re d e ve l o p e d t o e qu a l pe r fe cti o n H o gg hi ms e lf m ay b e fo rgive n fo r s o me s o re ne ss o f h e ar t at t he w o un ding wis d o m o f wo r l d l y e xp e ri e nc e whi ch le d his p atr o n Sc o tt t o re c o mm e n d him t o c o n fine v e r s ifying t o l e ge n d s o f Et t ric k Gle n an d t he like w hil e k ee ping t o she e p f ar m ing fo r his life s vo c ati o n : Bl t b his g n r h art f y H t ld m wh r t h r li c l y an
o
a
a
n
o
e,
.
en
e e
ou
a
on ea
e
u
o
a
or
o
a
e
e
e
e
as
e
e
an
e
e
e
s ae
n
a
ee n
e
er
o
e
,
s
or
e
s
a
ou
an
s
o
o
.
u
n
e
,
ou
o
n
e , an
o
e u n
ea
e
e
er
a
e
a
e
e
oo
-
n
e
,
ee
o
er
en
u
e
a
e
e
.
a
,
9
u
,
.
,
,
,
,
’
-
es
e
e
o
,
e
e
e
e e
o us
e
E 2
e
e
or a
a
e
FIVE CE N TURIES OF E N GLISH VERSE
68
P inte d m y w y wi th r ad y will E ttri c k s wild e s t hill ; Af r wi th c u ri W t h d m y fi rs t no t y And wo d d t m y min tr e lsy p r nt s t ng H li tt l w e d S c h strains had o m y c r dl s g B t w h n t o n ativ f ling s t r w; I s tr c k p n a c h rd w a Wh n by m ys lf I g t p l y H tri d t o wil my harp aw ay 0 c ld t h ha d I l v d o l ng R p r v m y f nd aspiring s ng 2 f c nd o r O c ld hi t ngu y Th t I sh ld thr w m y h rp aw y 7 J st wh n h no te s b g n wi th skill T s nd b n t h t h s o th rn hill And twin ar nd m y b s m s c o r ve rm o r H w c ld w p ar t f — Tw s kindn ss ll I c nno t b l am b tl ss i t h mins tr l fl am F B t s r a b ard mi ght w ll hav kno wn An th r s f ling by hi w ! e
a
o
’
on
a
’
a c
’
u
e
e
‘
e
e
ou
r
ou
a
e
oo
e
u
u e
‘
u
,
u
o
e
,
’
o
e,
e
or e
a
s
e
a
e
e
ee
,
a
e
e
e
’
sa
a
e
e
e
or
,
a
ou
ou
a
,
o
s
a
e o
ea
e
e
a
o
o
e
o
o
e
er
ou
’
an
o
e
o
s ne
o
ou
u
ue ,
ee
o
s
.
.
r
e
o
un
e
e
e
e
o
’
ue
a
o
o
o
er
e
e
u
’
a e
a
en
u
e,
s
a
er
e
u
ous e
es
n
e
,
n
s o
s
10
I t w as n atur al fo r him t o f ancy th at in h appi e r circ u m st anc e s w ith m o r e s ym p athy fro m wi t h o u t he had i t in him t o r an k with his m any i llu stri o u s c o nte mp o rari e s Y e t I am afr aid th at if Kilm e n y th o ugh c e rt ain l y n o a ccid e nt st ands al o ne a m o ng his wo r k s t he d e faul t w as r at he r in hi ms e l f t h an in o th e rs ; th at if his s o u l he ld t he g e rms o f n e w Ki lm e n y s t he wi ll w a s w an t ing t o e nd u re in p ati e nce t he p angs o f bringi ng t he m fo rth e qui ppe d t o s o ar an d sing ,
,
.
,
,
,
,
,
,
,
.
ttrick S h ph rd N w E d iti By t h Th m Th m Bl cki 1 865 Al T h P ti l L d rk f J m H gg F r v l E d i b rgh Arch C t bl 1 82 2 T h G d G y K tt (T h P tic M ir r ) t 7 E l gy t 4 3 (P m D c ri t ive an d S e nti men t al) p
P
oe
Re v W
o 1
ms
an d
o
.
as
s o
a
e
e
Li
u
,
s
f
o
es
e .
so n
o
re
t he E
of
e
.
e
oe
on
ou
.
a
s
on :
o s
e
es
e
e
.
oe
a
n
e
so
.
,
u
ro
on
e
.
:
,
s
.
.
.
.
e
.
e
on s a
oe
e,
ca
.
JAMES HOGG
P r Li ttl J i (M isc lla S g) t 4 F his W H w l t T h A ld M (P m D c r iptive z 9 d 11 d S tim t l ) t i (L v S g ) t 1 Blith Ch t h Ky c m H m (M i c lla S g) t 6 W h Pr m bl (T h Q T th B rd W k ) Cr d l S g (T h Q I bid T h Sp ctr W k ) t 1 th B rd S g— Kilm y (T h Q T hirt W k ) I bid T h Q C cl i W k
3
4
an
69
oo
6
7
e an
en
a
’
’
.
.
,
e
as
an
o
es
s
ea
a
een
ee
o
e
e
,
ar e
eer e e
a
en
s an
,
e
6
9
an s
en
en
e s s
e
on
ue e n s
s
,
s
.
.
o us e
oe
s
es
.
.
s e
n e o us
’
ue e n s
e
e
s
on
e-
a
on
e
s
.
,
s
.
.
.
ue en s
e
us o n
on
’
e
en
a
,
ee
e
on
’
s
.
a
a
on
o
e
’
’
n e o us
e
’
u
e
6
e ss e
e
a
’
ue e n s
e
,
a
s
.
e
.
.
W A LTE R S A V A G E L A N D O R 1 7 7 5 — 1 8 64
A P OE T wi t h gr e atne ss in hi m ; w ho has wri tte n u n fo rge tt ab le things I llustri o us in pr o se as in ve rse b u t As a p o e t a succ e ss an d a f ai l ure a lw ays a p o e t T o b e gi n with a the m e by whi ch he wo u l d hi mse l f h ave cho se n t o b e ju dge d — in his m e te mpsycho sis as a Gre e k p o e t he wo r k s m ir ac l e s Study E n ale o s an d Cy m o d ame ia P an an d Pitys Cupi d an d P an Eur o p a an d he r Mo t he r Chr ys ao r T he A l tar o f Mo de s ty T he o ut l in e s ar e e x qui site l y c le ar ne ve r o u t o f d r awi ng t he grace if s o m e t im e s m arb l e c o l d is fin e l y st atue squ e N o w an d ag ain an d t he w arm l ivi ng m o d e rn b l o o d ass e rt s its e lf in hi m t he figur e s ar e suffus e d wi th p ath o s Eve n the n if n o t Gre e k n e ithe r ar e the y c rud e l y G o thic T he b le nd is be autifully te mpe re d in T he H a m a d ry a d in Pe l e us an d The tis in t he fir st p art o f Co r y t ho s in t he c o que tting with he r p e as ant wo o e r o f t he s we e t wo o d nymph who as an y hum an m ai d kn e w th at t o p l y at l o v Sto ppi g it s b re athin g wh n it b re athe s mo st s o ft I s swe e te r than t o p l ay o a y p i p ; an d in th at m as te r p ie c e I hi e n e i a an d Ag ame mn o n p g t he fin al he ro ic te nd e rn e ss o f t he Vi ctim An ag e d ma n o w t e d a d wi th t O wo rd s te pt sl o wly o a d to o k t he wrist Of t he p al m aid n She lo o k t u p a d saw T he fill e t o f t he p rie s t a d c alm c o ld e y e s Th t d she whe re he p ar t s to o d a d c ri d O f th r g ri v e n o m o r t he shi p s an sail .
.
.
,
,
.
,
,
,
.
,
,
,
-
.
,
,
,
.
,
.
,
'
-
,
,
,
a
n
s
e,
e
n
,
n
e
1
,
n
ne
,
en
r
’
,
n,
,
e
e
n
ou
n
.
,
n
n
en
a
u rn e
’
.
r
e
e
en
,
c
e
n
’
.
2
W ALTER SAVAGE L AN DOR
71
In ano t he r as ad mi r able T he Esp o us als o f Po l yxe n a t he m e l anc ho l y de e pe ns into re m o rse l e ss t r age dy all is fr ankl y He ll e nic It is n o t o f te n th at wi t h Lando r ins ul a r fancy runs ins o l e ntl y wil d as in Achi ll e s an d He le n a o n I d a F o r t he m o st p art t he s e lf re str aint is as ad mi r ab le as t he vi vacity It d is t inguishe s itse lf p articul ar l y in t he br a ve re pul s e o f te mpt ati o ns t o m e asur e anci e n t vir t u e by m o d e rn c ano ns Lan d o r s se nse o f c o nsiste ncy is inc o rru p t ible by se ntim e nt H e di smi sse s t he gho st o f Ac hi l le s wi t h a le gacy o f vin di ctive ne ss ag ains t t he H o u s e o f P ri a m wi t ho u t a wo r d o f pity fo r its chi l d his a i an c e d m o s t inn o c e nt brid e w ho m n o ne H e de d t h sinking a if into d th T he s a m e fid e lity t o art istic d u ty pe rv a d e s t he Ac t s an d Sce ne s fro m R o m an an d m o d e rn hi st o ry Occ asi o n all y it m ay b e a d mit t e d he s o m e w hat abus e s hi s li be rty w he n he is give n o r a ssum e s a fre e hand as in t he tyr annicid a l sc e ne be t we e n T y r r e l an d Rufus an d in t he thr ill in g de sc ripti o n o f Be atric e Ce nci s e xe cu t i o n M hav b n b rav b t w o m n hav e b n b r v r In ge ne ral he ke e ps hi s fo o t ing firm l y o ve r m e di e val an d c l assic al qu agmi r e s H e d o e s n o t pre t e nd t o se t histo ry rig ht w he n as if with inte n t i o n it has wr apt in d ar kne ss char acte r s li ke tho s e o f Co u nt Julia n an d Qu e e n Gi o van n a Re ad e rs might s o m e tim e s wish t h at he had ind u l ge d a li ttle at tim e s in an a chro nistic s e n t im e nt a l ity W e fe e l a s ho c k as in t he p re s e nc e o f a crue l a cti o n at t he br u t is h e xu lt a t i o n o f Kin g He nr y as he he ars o n Richm o nd Chase An ne Bo l e yn s kne ll fro m Paul s th w t r H o w w t ly t h t b ll w rb l d ,
,
.
,
,
,
.
-
.
fl
’
.
.
,
,
,
,
e
o
,
’
ea
s
3
.
.
,
,
,
,
’
en
e
e,
ee
u
e
a
ee
e
4
.
,
,
.
,
.
,
,
’
’
s
ee
a
It must h ave re qu ire d
e
all e
a
ve n
e
Of
’
o er
hi s
e
5
a e
c o ur age
to
print
t he
72
FIVE CE N T URIES OF E N GLISH VERSE
sce ne be twe e n yo ung Cae sar io n an d t he murd e ro u s hi re l ing Sc o p as High dr a m atic s ki ll in t he an alysis o f e m o tio ns b u t j u st r e n de rs i t e nd u r ab l e ; an d all t he a d mir ati o n s t u d e nts mus t fe e l fo r a c o ns u m m ate artist is ne e de d t o e arn hi s p ard o n fo r t he t o rt u r e he in fl icts u p o n th e m Ge nius o we s i t t o i t s e lf t o t he w o r l d t o sho w t he utm o st i t c an d o t o se t i t s e lf di ffic u l t t as k s t o c l imb hi gh p e ak s w hich l e ad n o w he r e fo r t he att ainm e n t o f e n d s appa re nt l y Rig h tl y i t is a cc o u nte d an unw o rthy t hing t o fi l r o t e ss p Tru sting t o its b e c o n t e nt w it h e asy d azz l ing e ffe cts u ntri e d c ap abi l iti e s i t o f t e n l e aps w ith o u t m e asur ing w id t h o r d e pth S o m e tim e s i t att e mpts t he i m pr actic ab l e I hav e n o d o ubt b u t th at L and o r w ho a ct e d l o yall y u p t o t he o b l ig ati o ns hi s gr e at p o w e rs l aid up o n hi m r e c ko ne d t he He ll e nics an d Acts an d Sc e n e s his f o r e m o st achi e ve m e n t s in p o e try H e j u dge d a right I b e l ie ve o f t he f o rm e r if n o t o f t he l at te r Un happi ly t he publ ic o f f air in t e llige nc e sc arce l y agre e d wi t h t he au tho r in hi s l ife ti m e an d agr e e s y e t l e ss n o w Its e rr o r as I c o nsid e r t he ne g le c t has c o ntribut e d t o a s e c o nd an d c o st l i e r o n e It has in v o l ve d a mu lt itu d e o f pie ce s p o sse ss e d o f e ve ry titl e t o p o pu l ari t y e x c e pt t he f a c t L and o r t e ll s a st o ry as fe w p o e t s c an Wi t ne ss t he ch arming t al e o f t he h ap l e ss l o v e o f Gui d o ne an d Lu ci a N e ve r w a s the r e a m o r e righ t e o us cri t ic w ith w t a h e t y c har m in c o nf e ssing an d e x c u sing f au lts in tho s e w h o m l i ke C at u ll us he l o ve s Y e i Thali a s o S ch stain s th r a — a wh n a G rac Sp ri k l s a th r s l ghi ng f ac With n ctar d r N e ve r w as t he re o n e o f his fi e ry n atur e mo r e de l ic ate l y discri min ating m o r e sign ally wi t h o ut m al igni t y o r j e al o u sy ,
.
.
,
,
,
,
,
.
.
,
,
.
.
,
,
,
,
.
,
,
.
,
,
,
.
,
,
.
,
.
.
.
,
,
s,
’
n
u
e e
n
e
no e
,
s
re
’
e
,
n
s
e
au
an
e
e
un s o n
6
74
FIVE CE N TURIES OF E N GLISH VERSE 0
Tw nty y ars h c t h it m ay h ap Th t I b ll d t t k c l c ell wh r th nd r cl ap I n v r h rd W en
e
e
’
e ca
a
a
o
ap
e a n
e
e
oo
n a
o
e,
’
u
e
as
e
-
ea
e
,
The r b r ath b t o my ar ch o f grass A t t sadly igh d Al as p ass An d I sh ll c atc h y Th t winged wo rd e,
no
u
e
e
’
’
s
oo
a
er
o u c an
ere
,
,
9
a
.
Lo v d wh m y l v f r m all b t th had fl o w Co m n a r m s t th o this l v l s to e th l k st o t h ch rchyard wall A d e T o c atc h as nc w d id y o w te rfa ll Lo o k a b ri f m o m nt t h t rf b tw n And a t o mb th n v r y t h st s n My spirit will b th d t h r o c m r Go o d b y s g nt l y s p k n a s b e f r e
,
re
,
oo
o
e
ee
’
e
e so o
-
e
a
Th r
,
o
ee
a
ea
o
e
n
e
e
,
,
u
e
’
e
a
e
e
n
u
n
on
ou
se e
e
e
,
e
ee
n
er
e
e
u
o
ea
ou
,
e
o
e
e
e
n
en
ee
n
.
e
e
,
o
o
e
e
10
.
w t fl w rs th t nly b l o w by night th r th t v id t h li ght ; An d sw e t t rs a N o m rt l s s th m ft r d y i b o rn Th y lik t he d w dr p tr m bling fr m th ir tho rn e e ar e s
ee
ea
re
ee
e
e
a
o
e
e
,
e
o
e
a
o
e e
a
a
e
a
a
o
,
,
o
e
s
,
e
o
V ry tr t h l in t sing S w t st i t he l av s f pri g Y h v f o nd i all th s l av s Th t whi ch chang s a d d e c iv s A d t pi by star L ft th m false o n s a th y a B t th r b w ho w lk b sid A t m s till th y ll hav di d A d wh l nd p ti t a T lo w n te s f ro m b ra c h s se r ue ,
e
ee
ou
e
ne
e
e
n
a
e
u
e
e
e
u
e
u u
ne
o
n
n
e
e
a
e
s
e
en
e
n
re .
e
,
r
e
e
what avails t h s c ptre d rac Ah what t he f o rm di vi W h t v ry virt v ry g r a c R s Aylm r all w r thi
Ah
e
e
ne
a
e
o
e
e
ue , e
e
.
e
e
,
e
e
o
o
e
,
a
a
e
e
a
e
e
n
e
’
o
n
sun o r
,
e
s
e e
e
,
o
n
a
n
s
e
e
ne
.
.
e,
e
11 .
W ALTER SAVAGE LA N DOR R o se
Aylm r wh m th w k f l y s vr May w p b t A i ght f m m rie s d f sighs I c o ns r t t o t h f lli g o m I T h l av e s a T h f w l ate fl o we rs h v m o ist r i t h y S hav I t o Sc rc l y o a y b gh i h ard J y v n nj y s bird T h wh l w o o d t hr g h Winte r m ay c m h b rings b t igh r H is c ircl (y arl y narro wing ) t t h fi Wh o ld f ri ds m t ; i o v r c as t Le t him o w h av p ast A d s p ri g a d s mm r b th w t A d all thi g M th r I c nn t mi d my wh l My fing rs ac h my li ps dry Oh if y o f l t t h p ain I f l B t h w ho v r f l t a I N o l o g r c o ld I d bt him t r m ay d c it ; All th r m H alw ay s aid m y y s w r b l A d fte n sw o r m y li p s w r sw t l as tl y I it o dr m that I m h Who m e aw k ll i ght R s rli s t birds t e th An d m t by d aw s e d lig ht t he wi try l m p s w r s p nt W h wh d d ark A d ll w as dr r Ag inst t h ru gg d p ar tr l nt Whil i c rac k t o ff t h b ark W h li tt l h d d l t a d b l a t w; B t m ch t h f alli g Th s i f w h rs wo ld s r b p a t Hi s t rac s th t might h w e
ee
n
e
e
e se
o
,
u
,
o
e
ec
ne
o
a e
a
an
o
e
o
e
n
e
u
o
n
e
ee
e
e
e
e
e
e
e
en
ea
e
e
’
r
a
e
e
e
e
,
,
ea
ee
-
e
ee
u
e e
an
ce
e
.
n
n
a
ee
o s e,
n
a
a
15
e
e
e
ue ,
e
e e
a
e ea
e e re
n
e
a
on
u
ue
u se
ea
o
s
e
n
e
ee
ou
o
,
.
e
s
o,
ar e
o
ar e
en
e
,
16
ee
u
e
re
-
n
e
e
n
e
e
e
s s
e
,
o
s
e
u
e
u
en
o
a
,
,
o
.
ee
u
n
e
n
,
e
e
n
e
e e
n
e
ou
o
en
n
o
s
o
n
n
u e
e
n
s
e
e
n
u
a
ou
e re
o
,
s
ou
o
e
e
.
o e
e
e
.
n
o u s, o r e
e u
16
a
a
o
se e
n
e
a
e
ee
re
e
o
An d ,
75
e
s ee
e
n
ou a
s
n
,
sn o
u
u
s
o
e
e
s
,
e
FIVE CE N T URIES OF E N GLISH VERSE
76
B tw e n who se kne s un s e n unhe ard T h ho ne s t m ast i ff c am w a he fe a d o n N o i c ar d h ; T ll m am I t he sam e
e
e
e
,
,
,
e,
e
’
r
e
n
,
e
e,
e
r
s
or
’
c me t he same du ll st ars we ll se e T h s am e o e r clo u d e d m o o n 0 c o me ! a d te ll m e am I he ? 0 te ll me t e ll m e s o o n Y e t the s e nin e ar e o n l y sp e cim e ns On e an d all m agic al inc lu di ng pe rh aps o the r s fo r m any mind s o f a ho st l o ve l i e r sti ll In de e d t he l ab o ur o f trying t o acc o unt by e x a mp l e s fo r t he h o m ag e I ha ve re nd e r e d t o t he singe r d o ubtl e ss has be e n sup e r flu o u s w he n I d ar e s ay it c o u l d hav e b e e n j u stifie d as a d e qu ate l y by a c o up l e o f l ine s I l o ve d him o t a d y e t n o w he i s g o ne I f e l I am al one S t r ange th at a m u ltitu de o f t he li ke sho ul d n o t b e h o us e ho ld w o rds Wh at iro ny o f l ite r ary f ate t h at t he p o e t s n a m e sho ul d b e inscribe d a m o ng t he high l y ho n o ure d in Engl ish l ite r ature an d his p o e ms r e m ain u nl e ss fo r a s m all min o ri t y virt u ally a s e al e d b o o k H e has m e t wi th a d o o m an al o go u s t o t h a t de si gne d by St R o m u ald s vo t arie s acco rding t o S o uthe y s b all ad fo r the i r ho l y t o wn sm an H e has be e n s anctifie d by a pr e m atur e de ath W hi l e he o ugh t t o b e sti ll l ivi ng an d r e ad he has be e n e l e vate d int o t he di gnifie d re p o s e o f a c l assic Co ntr aste d qu al iti e s in hi m ar e e qu ally r e sp o n sibl e H e s u ffe rs b o th fr o m diffus e ne ss an d fro m c o m pre ssi o n Ge bi r is a t hic ke t o f gr an d p o e tic al pr o pe rtie s S o no r o u s gu sts o f fi t fu l sh ad o w y i de as b l o w ab o ut it T he y c o nst an tl y e l ud e an y o rdin ary m e nt al grasp T he t ri l o gy having fo r its c e ntr e m is e rab l e Que e n Gi o vann a is a l abyr inth o f a hun d re d an d f o r ty p ag e s in w hi ch hi st o r y ’
0
o
,
’
e
.
n
16
.
,
,
,
,
.
.
,
,
,
,
,
n
n
e
,
.
,
’
,
,
,
’
’
.
,
,
.
.
,
.
.
.
.
.
,
.
,
,
,
W ALTER SAVAGE LAN DOR
77
r o m anc e go astr ay mimic k ing o n e an o t he r s v o ice S o m e tim e s o n t he o the r h and as in Co re sus an d Call ir ho e an d in m any o f t he l yrics he is s o pre cipit ate l y bri e f t h a t t he c l im a x is an affr o nt T he n in t he l o nge r p ie ce s b ase d o n histo ry he is a t af t e r an e vi l an d f av o u rite h abi t o f p t he British Le gis l ature t o p ro c e e d by re fe re nc e T hat is he ass u m e s that t he r e al e ve nts ar e kno wn o r wi ll be l o o ke d up N o t l e ss o ffe nsive t o p o pu l ar t aste is t he w an t o f sifting Me re e xe rcis e s l i ke t he tri al o f A e schyl u s t he b an dying o f indiffe re nt c o mp l im e nts be twe e n hi m an d S o ph o c l e s t he s l au ghte r o f Co r y t ho s by his f athe r an d t he r e sc u e o f A l c e stis by He rcu l e s e l b o w sc e ne s o f abs o l ute l o ve l ine ss s u ch as T he H a m adr y ad I p hige n e ia t he fir s t p art o f Co r y t ho s Pe l e u s an d The tis an d Po l yxe n a A si mi l ar w an t o f ass o r t m e n t d o u b tl e ss has he l pe d t o sp o i l e ve n t he g a rd e n o f l yr ics fo r a pub l ic w hic h wi ll n o t b e a t t he p ains t o distinguish b e t we e n fl o we rs an d w e e ds T he s a m e pub l ic d o ci l e w he n it is a qu e s t i o n o f e c o n o my o f br ain wo rr y ha s b e e n s atisfi e d t o t ake it o n tr ust fr o m t he initi at e d th at L an d o r is a p o e t w ho si t s o n t he d ais It d o e s n o t tro u bl e t o sc ru t iniz e his righ t W e re i t t o inqu ir e it wo u l d l e arn t h at he had t he p o e t s gift o f i m p arting t o his ve rs e o ve r an d ab o ve all e l s e a fe e li ng as if o f a spiri t having ho ve r e d n e ar T he attribu te is t o be p riz e d be yo nd all o the rs w he n appre he nd e d fo r it is t he re ad e rs t he n as much as t he wr it e r s an d e ve ry wr ite r re j o ic e s t o s hare t he d e l ight wi t h t he m L and o r it is t o B u t t he p o p ula r b e fe ar e d had l itt l e o f t hat p l e as u r e c o l dne ss which w as his o rdin ary e xpe ri e nce c ann o t h ave d e prive d hi m o f t he r apture o f fe e l ing t he d e sce nt o f i n spir ati o n I re a d a s e ns e at l e as t o f t hi s s u pre m e jo y in his o wn r e vie w o f a c are e r w hich impr e ss e d hi s c o nte m — — e e e e o a e r o e o r ss d w v r n d l ss l y cr ss gr in d a a a a e h r i e s h s p an
d
’
,
.
,
,
,
,
.
,
,
,
,
,
.
.
,
,
,
,
,
,
,
,
,
,
.
.
,
-
,
.
.
’
,
,
,
.
,
’
’
.
,
,
.
,
,
.
-
,
FIVE CE N TURIES OF E N GLISH VERSE
78
in e ffe ctu al ,
unhappy With spiritual Vi sit ati o ns such as f av o ur e d him he c ann o t have w h o ll y m o c ke d hi ms e l f in t he f are we ll whi c h whi l e i t c harms b r ings s o m e ho w an a ch e t o a d miring he a r t s fo o n was w o rt h m y s t r if e I st ro v wit h no N t r I l o v d a d n xt t o N at r Art I w m d b o th hands b f o r t h fi r e o f li f I t sin ks an d I am r ad y t o d part d
an
.
,
,
,
,
r n
ne
e
a u e
e
n
,
T he W
H ll c ll
an d
Mis
o
1 1 6
a
e
rk
s an d
1 87 6
,
H
a
6 9
e
ms
a
e
17
e
lt r S v g G b ir ; Act
W
v ii,
a
a
e
.
dr Sc
L an
e
s an d
e
o
.
g t v ls Ch pm H ll ic V l viii
Ei h
o
e
en
e n es
;
o un
s e
1 85 3
o
s
e
as
u
.
o
e
nn e
s
o e
o
u
c
,
oe
e rse
n
.
s,
o
.
s,
oe
oe
o
s,
.
ue s
a o
n
e
ee,
a
e
)
.
s, v i
)
.
,
on
e
.
an
o
o
,
.
o us
.
.
n
.
n
,
ues
s
en
16
o
re
a o
e
s
en
e
en a
o
us
.
o
.
an
.
n on
an
ona
e
e
a
an e o u s
,
s
en
e
en
a u
n
a
.
.
e
.
17
.
o u sa s o
s
e
s
11
e of
e n e a an
.
11
if
m ad r
en r
7
L
oe
e
yad (H ll ic ) i I p hi g d Ag m m (H ll ic ) Th E p l f P lyx (H ll ic ) B tric C ci (Di l g i V ) H y t h E ighth d A B l y (Di l g i V rs O C t ll E pig r m Old T r (T h La t Fr i t ff Y g (L t Fr it & I bid Mi c ll P m C ll cti f 1 84 6 N 63 I b id N 58 I bid N 200 Ad d iti l P m N 9 6 M i c ll a e P m C ll cti f 1 84 6 N o 1 5 2 I bid N 1 02 I b id N o 2 1 3 I b id N 93 I b id N 61 P fix d t v l m T h L t Fr it ff Old T r T he
ea
6
P
an e o u s
e
e
Vo l
.
u e,
e
,
.
e
,
’
ar
e
o
,
.
.
.
.
.
o
e
on
o
.
,
.
1‘
.
.
.
,
.
,
1°
.
.
o
o u
e :
e
as
.
.
o
u
.
o
.
an
ee
.
E
.
M o xo n ,
T H OM A S M O O R E 1 7 7 9— 1 8 5 2
C OUR A G E is r e qu ire d t o pr ais e Mo o re e ve n m o d e r ate l y Admi r at i o n o f hi m is l i ke l y t o b e t ake n as e vid e nce o f an d o f a pr o p e nsity t o t he a pr e fe r e nc e o f s o und t o s e ns e he in o us cri m e o f che ap s e nsibi l i t y N o twiths t an di n g li a b ili t y t o the s e t e rrib l e c harg e s I wil l n o t with o u t a s t ruggl e b e p arte d fr o m o ld f a v o u ri t e s in his l ife s w o r k N o w as fo rm e r l y I find in i t a p o w e r o f affo r di ng t o p articul ar m o o ds N o t m e r e l y ar e t he s atisf a c t i o n t he y h a ve b e e n cr a ving the re sp e ci al p o e ms w hi ch I c o ul d n o t c o nse n t t o ab and o n the re e ve n is a spiri t in t he w h o l e w hi ch ass e rts fo r i t a right t o l o dg e wi t hi n t he r e c o gniz e d p o e t ic d o m a in Mu ch o f Mo o re s pu b lishe d w o r k I wi ll ing ly all o w has l o ng be e n o u t o f d at e T he sm o o t hne ss o f hi s An a cr e o n is n o t He ll e ni c e n o u gh t o c o nte n t m o d e rn sc ho l arship T he viv aci t y o f hi s p o l i t ic a l an d s o ci a l s at ire e v ap o r ate d a s i t hi t i t s m a r k T he Tw o p e nny P o s t b ag T he In te r an d T he F u dge F a mi l y in P a ris wi t h a c e p t e d Le tt e rs l e gi o n o f p o l i t ic al e pigr a ms ar e fo rgo tt e n an d i t is use le ss The ir hu m o u r an d wit s o m e t im e s r i o to us t o c o mp l ain a lw ays au d a ci o u s d a a n e r quire t o o O ft e n e r c aus t ic g y m u ch r e a ding in be twe e n t he l ine s o f sc and al s c o nne cte d wi t h Car lt o n H o u s e — n o l o nge r a Whig c e n t re — an d i t s un wi e l dy m as t e r F o r ve ry di ffe re n t r e as o ns Lall a R o o k h is si mi l arl y ne gle cte d T he re al s o I e qu al ly re c o gn ize t he u s el e ssne ss o f qu arr e ll ing wi t h public t a ste T he di ffu s e ne ss e spe ci all y in T he Fire W o rshi ppe r s an d a w ant .
,
.
,
’
.
.
.
’
,
,
.
.
-
.
,
,
,
,
.
,
,
,
,
-
,
,
.
.
.
,
,
FIVE CE N T URIES OF E N GLISH VERSE
80
r e as o n abl e ne ss t o w ards which F ad lad e e n re ally w as in t he e ntir e sc he m e o f t he t al e o f T he o ve r t o l e r an t Ve i le d Pro p he t might have be e n e xc u s e d T he t r e atm e n t o f t he g e n e r a l t he m e a s if it w e r e a h u ge o p e r at ic l ib re tt o w as f at al Mo o r e had a m e d l e y o f m u sic al sp e ct a c l e s l e arn t s o p e rfe c tl y t he ar t o f writing wo rds t o an air that he c o mp o s e d a p o e m o f t he dim e nsi o ns o f an e pic o n t he s a m e l ine s T he cr o w d o f im age ry in a w o r k o n that sc al e is be wi l d e ring T he c o ve ring p l o t is sm o the r e d in r o se s i t is dr o wn e d in a b u tt o f s we e t m al mse y T he w ho l e pr o d u c e s t he e ffe c t n o t s o m u ch o f p o e try p u r e an d simpl e a s o f p o e try in s o l u ti o n A ll t h at re m ains p o sitive l y e xt ant o u t o f a p ro l o nge d an d ind u s t ri o u s c a r e e r s achi e ve m e nt is an a cc u m u l ati o n o f l yrics N atu r all y t he y di ffe r wid e l y in de gr e e s o f m e ri t A fe w d e s e rve t o survi ve by V i rtue o f the ir s aucy ins o l e nce — a j u ve ni le e x e rcise t ho u gh it w as fo r e x mp l e W h I l d y u I c n t b t allo w I had m a y a x q i it min t w B t t h s c rn that I f l f y H th v n m o r l x r y i it T h s w h th r w r o w r ff S m wi tc h ry s ms t o w i t y o T l v y w a pl a t n gh A d h t i d li ci s t h te y o T he c l as hing m e l o dy wi ll r e sc u e o n e at l e ast o f t he S acre d S o ngs : S d t h l d tim b r l E gypt s d rk J h v h h t i mph d — hi p pl fr Si g— f t h p rid o f t h tyr nt i b r k H i c h ri ts hi h rs m did a d b rav all s pl H w v i w a th ir b t f t h Lo rd hath b t s po k n A d c h ri t s k i th w v d h rs m n a S d th l d timb r l E gypt d ark J h v h ha tri mph d— hi p pl a f r o
f
,
-
,
.
,
,
,
.
.
.
.
.
’
.
.
en
’
ov
o
n
e
u
a
u
e
e
e
a
o
or
n
a n
o
o un o
s
a
n
e
a
s
,
o
e
s an
ou
s
u
n
e
ou
en
o
e
,
e
e
s
1
u
se a
ee
o
en
.
,
e
n
en
e
’
un
’
o er
eo
e
u
re
s
,
a
,
or
u
e ar e
eo
a
,
a
’
s
o as
e o
a
o
o er
e
o
’
ou
e
e
.
a
e
e
u
ou n o
’
e
o
or
san
e
’
r u
ee
n or
e
s
e
e
a
s
e
as
u
e
s
ou
e
ee
ou
’
u
u s
u
’
e
e
o
n
o un
e
e
e
o
o
e
e
o
e
o
e
,
a
,
n
’
n
se a
s
e
a
e
re
ee
2
.
e
.
,
82
FIVE CE N T URIES OF E N GLISH VERSE m r
—
c hi f an d l adie s b right T he harp o f Tara sw e ll s T h c ho rd al o ne that b r ak s at nig ht I t s t al e o f ru in t ll s T h s Fre e d o m n w so ldo m wake s T h o n l y thro b he g iv I whe s o m e he ar t indi g a t b re ak T o Sho w that s till she l iv e s NO
o
to
e
e s
e
e
,
e
.
se
o
u
e
s
,
,
e s,
s
n
n
n
s,
5
or
tr agic p at h o s in t hi nam l t i t sl p i t he shad Oh b re athe W h r c o ld a d un ho o d hi r li c s a laid d d ark b t he t ars that w she d S ad s il nt As t he night d w that f alls o t h g rass o hi he d no
e e
e,
s
n
n
e
,
,
an
ur
’
s
e
,
n
e
e,
re
e
e
,
’
e
n
e
-
ee
e
er
a
s
.
night d e w th t f all th gh i sil nc it w p S h ll b righte n wi th v rd r t h g rav h r h sl ps A d t h te r th t w sh d t h gh i s c r t i t r ll S hall l o g k p hi m m ry g r i o s ls
B u t t he
-
a
e
e
n
a
a
ee
n
e
s
e
n
e
e
u
e
ou
s,
a
ou
,
e W
e
e
e
n
e en
o
e
n
e
e
s,
ee
o
s,
6
ou
ur
ee
e
A ll e xhal e a g all ant assur ance th at t im e has n o p o we r u n l e ss w e ab e t it t o grind o u r s o u ls t o d u st b e tw e e n its r e m o rs e le ss mi ll st o n e s that if w e c ho o s e w e c an go o n s u nning o u rs e l ve s in t he smil e s o f t he yo ung an d f ai r ; t hat t he re is n o s u ch t hing as d e cre pit c are w o rn age ,
,
-
,
,
-
,
whi l b ty a d y th a thin w A d t hy c h ks p fa d by a te ar T h t t h f v r d f i th f a u l c a b k w T whi c h t im will b t m k th m r d r N t h h rt that ha t r l y lo d n v r f rg ts B t t r ly l o v o t o t h c l o A th t r s he g d w h n h s t w T h s am l o k whi ch h t d wh n h r s I t is
not
e
n
ee
a
e
ro
fl an
e
e su n
e
s
u
-
e
es
o
er
n
so
a
ee
e
v
’
e
e
n
on
n
,
o
e
e
no
e
ea
o
e
n
,
,
se ,
r
e
o
ur n
e
s
e o
,
u
u n
o
re
’
o
u
ea
as
u
n
a
e
o,
ou
n
un
ou
er
o
s
e au
’
e
e
e
e
o
s,
e
7
t hat jo y is im m o r t al fo r t he f ai t hfu l an d br ave L t F at e d o h w r t the r a e r li c s o f jo y Bright dre ams o f t he p ast whi ch sh c anno t de stro y e
er
o
s
e
,
,
r
e
,
e
THOMAS MOORE
83
Whi c h c me i t h nig ht t im o f so rr w a d c ar And b ri g b ack t h f t r s th t jo y d t w ar Lo ng lo ng b my h rt with s ch m m ri s fill d Lik t h v a i whi ch ro s s h v o c b di t ill d Y u may b re k y m ay shatt r t h v as if y will B u t t h sc nt o f t h r s s will h ng r nd it s till t hat it w as t he Irishm an s duty t o pr ay fo r t he pr o spe ri t y o f his c o untry ; an d e x u l t s ho u l d it c o m e bu t th at his l o ve w as h e rs n o w o n a cc o unt o f he r a d ve rsi t y Y s whil the r s l if i this h art R m m be r th I t shall n v r f rg t th e all l rn a tho a t Mo r d ar i t hy s rro w t hy gl o m d t hy sh w rs Than t h r t o f t h w rld i th ir s i st ho rs n
o
e
e
e
se
o
e
ou
,
e
e
-
a
e
n
e
e
o
e
e,
n
u se
u
n
a
e
a
ea
e
,
o
ea u e
e
n
e
-
e
ee n
e
.
’
e
o
’
s
ou
e,
e
a
o
,
6
ou
’
,
e
e
ee
e
e
e
e
e
o
e
n
e
e
o
es
e
,
e
o
,
s
o
,
e
’
o
n
e
n
u
r
e
an
,
o
un n e
e
,
e
u
,
.
W rt tho u all th t I wi sh th g re at gl ri s d fr First fl o w r o f t h a rth a d fi rst g m f t h s a I mi g ht hail th wi t h p r d e r wi th happ i r b r w B t h c ld I l o ve th e m o r d pl y th n o w 2 If I d o n o t qu o t e fr o m t he L ast R o s e o f Sum m e r it is n o t be c au s e it is h ack ne ye d It is t h at I suppo s e the r e is n o Engl ish s o ng w hich dw e ll s m o re h abitu all y o n t he l ips o f m e m o ry The re s ho u l d b e n o d i ic u lt y at an y rate in a d mit t in g t he t it l e o f such ve rs e t o e n tranc e wi t hi n t he l yr ic al hi e r archy In t he ce ntu ry pre c e ding his bir t h is o l ate d Eng l ish s o ngs he re an d t he re m ay b e fo und t o b e se t ag ainst hi s T h o ugh Sc o tl an d tw e nty ye ars e ar l ie r had pr o d uce d B urns t he re st o f t he Unite d Kingd o m c an sh o w n o b o dy o f l yr ics t o m atch th e m s inc e H e rric k s H e had a ri ght t o d o m o r e t h an b o ast th at as his o wn is l and s min stre l he w as t he fir st o f his l ine D e ar H arp o f m y C o ntry i d rkn ss I f nd th Th c o ld c h in f sil c had h ng th lo ng Wh p r dly m y w Isl nd H rp I nbo d th ng A d g av all t hy c h rd t li g ht f r d o m a d e
a
e
ee ,
e e
ee
u
O
e
n
,
ou
ou
.
ou
,
an
e
e
,
o
e
,
e
.
o
,
e
a
ee
ee ,
o
,
‘
n
fl
9
,
‘
.
,
.
,
’
.
’
,
u
e
en
n
a
,
ou
e
,
o
n
en
o
e
o
s
o
F 2
ou
e
’
a ,
,
ee
ee,
ee
o er
u
a
n
a
,
un
u
,
n
ee,
so
1°
84
FIVE CE N T URIES OF E N GLISH VERSE
S o u th
of
T we e d he c o ul d c l ai m t he s a m e pr e c e de nc e — s nging p try d r awing r o o m singing p e rh aps o e H is as i Opinio ns m ay di ffe r o n t he o ccupi e s a p l ac e by its e l f At all e x a ct r an k o f t he w h o l e d e p artm e nt in l it e r at ur e e ve nts he w o u ld b e a b o ld critic w ho sh o u ld atte mpt t o w arn t he c l ass o ff t he s l o pe s o f Parn ass u s In n o c as e c o u l d he m ake o u t go o d warr ant fo r b e ginn i ng t he o str a c is m w ith Mo o re Fr o m an o the r p o int o f vi e w he c an ass e rt an e xce pti o n al c l aim t o re g ar d T he m e e ting o f p o e try an d mu sic in his ve rs e n atur al as it m ay s e e m is phe n o m e n al T he t w o ar e siste r arts w hi ch by n o m e an s n e c e ss ari l y a gr e e Ofte n e sp e ci all y o f l at e the y h ave be e n in de a d l y ant ag o nism I t is i mp o ssibl e n o t t o re j o ic e w he n the ir uni o n is sp o n t an e o us as in t he Mus e o f Mo o re H e has hi ms e lf d e c l are d t h at he c o nsi de r e d hi s s o ngs a s o rt o f c o mp o u nd cr e ati o ns in whi ch t he music fo rm e d n o l e ss e ss e nti al a p ar t th an t he ve rs e s H e l a m e nte d t hat he had t o print e diti o ns i n 11 whi ch the y we re s e p ar ate d fro m t he airs Lyrics w itho ut a mus ic al s e tting a ppe are d t o hi m t o b e a c o n t r a dicti o n in t e r ms As w e re a d his w e m ay a l m o st he a r hi m w ar b l in g t he m as the y o w Mus ic pe rp e tu ally has be e n an d is b e ing m ade a c o ve r fo r e xe cr ab l e ve rs e N o o n e with j ustice c an s ay this o f t he Me l o di e s T he y always ar e s we e t if o cc asi o n ally t o e xce ss an d with a fe e l ing ge nu ine s o far as it g o e s H ad ind e e d hi s r aptur e s be e n w h o ll y a rtifici al o r hi s in di gn ati o n e ve r f a l s e an int e ll ige nc e ke e n a s his an d a sp ir it as up right wo uld h ave b anne d the m l o ng be fo re hi s c e ns o rs d e t e cte d t he sho rtc o m ings A ge ne r o us an d kind l y he ar t c o nst an tl y is p l aying an d as e v id e nt l y a s ag a ci o u s br ain i s c o nduc t ing t he o r che str a In t he f ace o f dive rs fin e p o e t ic qu alitie s e ng age d in u nis o n it is di s app o int ing fo r m e as a j u r o r— n o t a ju d g e t he
.
-
,
,
.
.
,
.
.
.
.
,
,
.
,
.
,
.
,
,
fl
.
,
.
,
.
,
.
,
,
.
,
,
,
,
.
,
,
,
,
.
THOMAS MOORE
85
while I grant t he c l aims o f an e ntire c l ass o f t he ve rs e t o have t o re turn an a dve rs e ge ne ral ve rdi ct in t he Co urt G l ad l y I qu al ify it by o f p o e tic ar t ag ainst its auth o r — a e u a I adm i re t he m an I l o ve e xte n u ting ci r c mst nc s m any o f t he p o e ms I c o n de mn t he p o e t The d e cisi o n is p ainfu l b u t un avo i d abl e A p o e t m u st b e pro no u nce d a fai lure whe n he has n o p o w e r o f s o wing in his r e ad e rs t he ge rm s o f fu ture tho ugh t s o r impu ls e s H o w l o ng d id e ve r e m o ti o n l ast w hich w as s t i rr e d by t he pi t ifu ln e ss o f P ar adi se an d t he Pe ri o r t he s a dn e ss o f T he M instr e l B o y ? T he faul t is radic al I fe ar Re s ul t s ar e p ro p o rti o n ate t o the ir c ause s an d s o ng t o l ive an d b e fruitfu l m u st h ave be e n b o rn in tr avai l N atu r e w as u n kind l y kind t o Mo o re as t o He rric k in e n do wing him with an e ar t o o instinc t ive l y t r u e t o o misce ll ane o u s a symp athy an d a wit t o o d o ci le H i s gifts s e duc e d hi m in t o di sr e g ar d ing an d d e xt e r o us hi s o w n a xi o m — w hi ch a gr e e s w ith H e rr ic k s t o o — th at l abo ur t o t he wri t e r is a c o n diti o n o f an y gre at pl e asur e t o t he r e ad e r Othe rwis e i t is inc o nce ivabl e th at m o st o f t he p r o d u c e o f an i m agin ati o n fe rti le l i ke hi s aft e r h aving be e n w o rshipp e d by c o nte mp o r arie s sho u l d be l o s t an d f o rg o tte n e xc e p t fo r its c as u a l an d hal f c o n t e mptu o u s pre s e rvati o n in a ntiqu ate d pi an o sc o r e s ,
.
.
.
,
.
,
.
,
,
,
.
,
,
,
,
.
’
,
,
,
,
.
P t ic l
T he
vl
o s
a
oe
W
o
rk
s of
Lo n gm an s, 1 85 3
.
T ho m as M o o 1
.
r
e
C ll ct d by Him lf (J v il P m ) o
.
T
e
se
e
u
en
e
oe
s
Ten
.
.
iri m S g t 1 (S cr d S g ) l i t h Riv r St L wr c (P m A C d i B t S g W ritt r l ti g t Am ric ) t z l 2 T h H rp (I ri h M l di ) Sc tch Ai (N ti l Air ) B li v m t 2 Oh Br th N t t 3 F r w ll R m mb r Th t z 1 2 P r f c — P tic l W rk D r H rp t 1 A M l l g p N ti l M ic— Ad v rti m t l v p 1 1 9 1
M
a
3
e a
’
s
on
an a
n
an
o
6
9
1°
11
ea
a e
e
ea
,
a
s
v.
e
e
6
a
.
7
.
a
e
.
s an
s
on
.
en
e
oe
s
.
e
e
s
e o
es
.
e
e
.
.
ee
ue u
vo
,
.
s
a
e o o
,
o
e
s
en on
as
on a
s
e
on
e
.
s an
e
e
a
.
on
a
r
6
s
oa
e
o
,
a
as
,
.
11
.
ona
e a e
.
us
e
se
en
oe
,
vo
a
.
o
,
.
s. .
J
A M E S H E N RY L E I G H H U N T 1 7 8 4— 1 85 9
A S T A T E S M AN in d e dic ating a m e m o ri al t o Le igh H u n t c o nfe ss e d t o littl e k n o wl e d g e o f his writings T he s am e m ig ht b e m ad e all b u t o n e s ho r t p o e m ad mi ssi o n a s t o by a m aj o rity o f e du c ate d Eng l is hm e n I sh o u l d l i ke t o b e ab l e t o tre at t he n e g l e ct a s r e fl e cting h o n o ur o n t he n ati o n al ge nius fo r h avi ng pr o d u ce d autho rs o f such me rit an d in such p l e nty as t o have re nd e re d hi m sup e r uo us At all e ve nts an y w ho t ake up a vo l um e by Le igh Hun t fo r t he first tim e wi ll b e s u rpris e d at its rar e d istincti o n o f style B u t the y o u ght t o b e hurt if n o t by re gre t fo r a p le asur e the y h av e hi the rto d e ni e d the ms e l v e s by s o m e s e ns e o f ingratitud e t o t he ki nd l y spirit w hich de v o te d its e lf d u ring l o ng ye ars t o t he e nd e avo u r t o e nte r t ain a c are l e ss pu b l ic Gr ac e is a spe ci al qu al i t y I t is n o t t he highe st Be ings An a d di tio n o f o f a l o fty n atur e m ay b e d e stitute o f i t o r o bsc u r e t he i m an e xc e ll e nc e wi ll s o m e t im e s m ar it pre ssi o n o f its p re s e nc e T ho ugh ve ry far fr o m b e ing a d e fin iti o n o f g e nuin e p o e t r y t he N o thing t o o much c o m Witho u t c l aiming fo r Le igh Hunt m o n ly is p art o f o n e that he n e ve r o ffe n d s ag ainst t he c an o n I be l ie ve his instinct fo r it t o b e ge ne r all y t ru e Wh ate ve r e l se hi s p o e try is n o t al m o st invari ab l y it is in p e rfe ct t aste I ne ve r b e gin T he Sto ry o f Rimini witho ut a pre judice ag ainst its e xiste nc e Whe n D ante had d o n e it all in s i x d o z e n inim it ab l e l in e s i t is s acri l e ge t o pre te nd t o ,
,
.
,
,
fl
.
,
,
.
,
.
,
,
.
.
.
.
,
.
-
-
,
.
,
.
.
,
.
,
JAMES HE N RY LEIGH H UN T
87
inte rpre t an d de ve l o p Le igh Hu nt s o wn e xqu isite 1 re nd e ring o f t he o rigin al is its e l f a s u ffici e n t re b u ke o f Y e t I alw ays e n d by ac kn o w his atte mpt at e xp l aining l e dging t o mys e lf t h at if i t w e re t o b e d o n e t he d e cline o r ris e fr o m inn o c e nt b o y an d gir l fri e ndship t o p assi o n a t e l o ve c o u l d n o t have be e n m o re d e l ic ate l y s had o we d T he s a m e pr ais e c an b e be st o w e d an d wi t h o u t fe ar he r e o n t he r e j u ve n e sc e nc e c o n f e rr e d o f D an t e s a wf u l fr o wn upo n t he trage dy o f He r o an d Le and e r an o ld t ale y ng d y t s v r mi s t r l s ng An d warm wi th lif a chr o nic l e a s f t w o t hat di d l as t ig ht d o h v di d So mi ght th y o w hav li d T h st ry s h art t o m e s till b t ag i st i t s id ’
.
.
,
,
-
-
.
,
’
,
,
an
e a
e
as
e
e
e
o
’
e
u
e
e
n
e
ou
n
o
e
,
,
v
’
,
n
an
s
ea s
,
a
a n
,
e
e
s
e
6
.
Grac e ag ain c arri e s aw ay an y suggesti o n o f c o arse ne ss in T he G e nt l e A rm o ur if it c an n o t an y m o r e t h an in a be t te r k n o wn l ate r p o e m o n t he s a m e s u bj e ct ve i l t he m e d i ae v al brut al ism o f t he G o div a myth i t s e l f E l se whe re whe n an id e a o f Le igh Hunt s is in itse l f n o bl e it re sis t s t he t e m p t a t i o n t o o ve r gr o w i t s e l f R o se s an d l i l ie s vi o l e ts sw e e t bri e r an d p o ppie s in his nine te e nth ce ntu ry g ar de n might ha ve b e e n g at he re d by Ari e l in his r o a mings fr o m Pr o sp e ro s 3 Atl antis T he k in dl y instinct d o e s n o t d e s e rt his p e n e ve n whe n t he s ati ri st an d victim o f t he e l d e r l y r o ya l A do nis tur ns vo l unte e r L aur e at e an d sings t he pre t t i e s t o f lull abie s o ve r t he c ra d l e o f a Que e n s b ab e W l c m e b d b sid e t h ro s saf ty g ro ws O wh s s t m W l c o m li ttl S x n G l ph W l c m f thin o w sm all l f ; ,
,
,
,
,
.
,
’
,
.
,
,
-
,
’
.
,
’
e
o
n
o
e
u
o
e,
o ur
e
or
e
e
e
e,
e
e
,
a
e
e,
e
ue
o
n
se
88
FIVE CEN TURIES OF EN GLISH VE RSE
ws w sin g s kn w swe e t i gn o r nt thing pe o p l s N u ght f p l an t s l o v N o d o s t h ar t h gidd y s te e p l e s C aro lli g f th a d thin had r ai d th m wi n A if h a t hy f ath e r s l vi g h and E N o wise d s t tho un d rs tand W h n he m ak s th f e bl y g rasp H i fi g e rs wi th a tiny c l as p N o d o st kn w t hy v ry m o the r s B almy b o so m f r m an the r s N o r t he y s th t whil th y f o ld the e no gh b h ld th N v r a Mo th r t ru e a d go o d ha sh b n t o th Li ttl st r g s tr nu o u s d ty Sh h s d n h d t t hy b a ty T t hy b r in Till th c m t b l ss m b right W rth t h k i f ai a d light Lin e s simpl e H e has d e e p e r str ains at his c o m m an d e n o u gh t he d o o m o f u n ive rs al hum anity he has c o mbin e d in t o a gri s l y p o rtr ait o f t he King o f T e rr o rs N o c o m m o n min o r p o e t s br ain c o u l d have c o nce ive d an d drawn it A gr and t o uch in M ahm o u d is t he Su l t an s a cce pt anc e o f gri e f as a s u bj e c t s ind e fe asibl e title t o an inst ant au di e nce S rr w id Mahm d is a r ve r nd thing ; I r c g i z it rig ht s Ki g wi th King B ri ll i ant r ays pie rc e thr o ugh t he s o m e wh at b e wi l d e ring haz e o f t he c o ntr o ve rsy b e t we e n C apt ain S wo r d an d Capt ain P e n 0 Go d l t m b re athe a d l o k p at t he sk y G d i a h ndre ds vil R nd b t g th t h g ld n As fo r Ab o u B e n Ad he m it has always be e n a d mitte d t o b e a p e ar l o f gr e at pric e N o u ght o f all t he D o t th o u o ,
’
e,
n
’
’
n
v n
’
en
e
ee
e
e
e
e
.
n
o
u
o
,
e
n
s
e
a
e
e
e
on
a
a
o
ou
ee
s
.
e,
ee
ee
er
e
u
an
a
,
one,
e
o
e
o
n
e
e
,
e
,
u
n e
c
’
o
o
e
’
e
o
r
e
’
e
e, n or
ee
o
e
s
’
e
e
r
n
a
e
o
o
e
ne
’
e
e
o
a
o
.
u
,
o
,
4
'
e
o
r
ss o
n
.
.
,
,
.
’
.
’
’
o
e
’
o
o
,
n
sa
e
ou
s
e
oo
ou
s
,
,
u
ou
e
,
oe
,
e
’
.
n
o
u
as o n e
e
‘
e
,
n
e
s
a
a
‘
o
e
su n
6
.
5
FIVE CE N T URIES
90
OF
E N GLISH VERSE
Gre e n littl e vaul te r in t he sunn y gr ass Catc hing y o u r he art up at the fe e l o f Ju ne S o l e v o i ce that s he ard amidst t he l azy n o o Whe n e v e n t he b e e s lag at t he su mm o n ing b rass And y o u warm l ittl e ho se ke e pe r who class With tho se who thin k t he c andl e s c o me t o o so o n Lo ving t he fi an d wi th y o u r tri ckso m e tune N i c k t he gl ad sil e n t m o m e nts as th y p ass ,
,
’
n
u
,
,
,
,
re ,
e
tiny c o u sins that b e lo ng On e t o t he fi e lds t he o the r t o t he he arth B o th have y o u r sunshine ; b o th tho u gh small ar e stro n g At y o u r cl e ar he art s a d b o th se e m g iv e n t o e arth T o ring in tho u g htf l ars this natu ral s o ng Ind o o rs a d o t su mme r an d winte r Mirth Oh
swe t a
.
e
n
d
,
,
,
,
,
,
n
u
u
n
e
9
,
,
.
Wh e n Le igh Hun t p l e as e s he is as s aucy as Vi ll o n w ith o u t it e ve r p l e asing him t o r ais e a b l ush B u t w h ate ve r t he gr ac e r e m ains t he pe cu l i ar o t he r attr ac t i o ns o f his Mus e an d d is t inguishing pr o p e rt y In hi s c ar e e r an d fo r his p o sthum o u s fa m e i t w as an d is a d o u b l e e dge d e n do w m e nt I supp o s e t hat it w as c o nn e cte d in hi m as a p o e t wi th an e xc e p t i o n al c ap aci t y fo r abs o rbing hi s e ntir e pe rs o n al be ing int o c e rt ain qu a l iti e s His n ature w as ab l e t o i de ntify its e l f o f his s u bj e ct with w h at e ve r w as artis t ic ally d ainty an d e m o ti o n all y b e au tifu l He nc e hi s e l e g anc e as a write r an d pr o b ab l y a l s o hi s we akn e ss b o th a s w rit e r an d a s m an N o writ e r H e w as f as hi o ne d t o fl u tt e r w as e ve r l e ss s e l f c e ntr e d ab o ut fl o w e rs o f f ancy an d a r t ; s u ck ing r ar e l y in t he d e p t hs the ir h o ne y ; succ e ssfu l in disc o ve ring n o t in st o ring it It is n o t str ange th at in his e ar l y d ays h ard m e asur e sh o u ld h ave b e e n de al t o u t t o such a n atur e At his d awn p artis anshi p fl aye d hi m with t he bitt e r t o ngu e o f Chr is t o phe r N o rth as we ll as p ro vi ding him m o r e m ate ri ally w ith a l o dging in H o rs e m o nge r L an e ,
.
,
.
,
,
-
.
.
.
,
.
-
.
,
,
,
.
.
,
,
,
JAM ES HE N RY LEIGH HUN T
91
j ai l Eve n at hi s suns e t hi s o wn f a mi l i ar frie nd un inte nti o n ally w e m ay b e sur e w as t he c au s e o f t he faste ning upo n him o f an o di o u s ch ar acte r in fic t i o n A d e l igh t fu l write r b o th in pr o s e an d ve rs e he n e ve r w as visite d by a g l e a m o f pr o sp e rity T he p u b l ic c ar e d l itt l e fo r o n e w ho had n o m e ss age o f his o wn t o d e l ive r n o t e ve n an agr e e ab l e r anc o ur t o wr e ak H ad he l i ke t he pr o ve rbi al wo rm be e n give n t o turning he migh t at l e ast have e xcite d inte r e s t if n o t c o mp assi o n As it w as he simp l y we nt o n wi t h hi s singing n o t a d miringl y r e m arke d in l ife an d sc arce l y at all sinc e H e w as an d is I d a r e s ay o n e o f t he p o e ts t he w o r l d t ho u g h I thin k i t a pity it sho ul d In c an d o with o u t an c as e i t m ay b e h o p e d an d b e l i e ve d t h at t o him singing y as a b ird sings be c au s e it m u st so pl e as u re c am e fr o m hi s s o ng as it c o m e s t o a bird be c au s e t o t he singe r o f a s we e t s o ng p l e asur e mus t .
,
,
,
.
,
.
,
.
,
,
,
,
.
,
,
,
.
,
,
.
,
,
,
,
,
,
.
P tic l W rk f L igh H t E M x 1 844 (St ri i by L igh H t G R tl d g C P l d Fr c c (St ri i V r ) H r d L d r C t i (T h P tic l W rk ) pp 1 —3 5 Cho r f t h Fl w r T t h I f t P ri c R y l T he
a
oe
un
e
1 1
6
us o
o
6 6 7
6
e an
e
e ss
n
n an
e
.
o
es
o
.
n
e
.
o
e se
oe
a
M ahm o u d
C ptai Sw rd d C pt i P Ab B Adh m d t h A g l A A g l i th H d t h C i ck t h pp r T t h Gr a
ou
en
n
n
o
e
an
o
n
e
n
ass
a
e
an
e
o u se
o
e
a n
an
en
n
e
e
e
r
o
on ,
o
.
es
n
,
e s
o
e
e
o
an
,
un
e
es a
an
o an
e
ou
.
.
au o an e
s o
o
e
.
a
o
s
,
.
.
Ve
r
se
G E O R G E G O RD O N
L O R D B YR O N
,
1 7 8 8— 1 82 4
W H AT o f t hi s t o rre nt o f ve rs e myr rh an d gall p o ure d fo rth in s o m e fif te e n ye ars— is it a l ivi ng str e am o r unfi lte r e d sur f ac e w ate r ? Is it t he c ur sing e pit aph o n Tim o n s to mb by t he wi ld se a w ave s o r t he s ho we r o f go ld hi s age an d fe ll o w m e n a cc o mp anying i mp re c ati o ns o n a s t he mis ant hr o p e st an d s a p r o phe t o f e vi l at t he m o uth o f hi s f o r l o rn c a ve If a vo ice f ro m t he grave i t is at an y r ate a m ighty vo ice as o f a Tit an buri e d al ive un de r Etn a Such m o de r n c riticism as is pr o n e t o d e ny pr e s e nt a ctive e xi ste nce t o B yro n will n o t d ispute th at he l ive d o nce an d i ssue d ro ya l pr o c l a m ati o ns H e st o o d fo r f o rc e m o ve m e nt pe rturb a ti o n W o rds wo rth Co l e ridge She ll e y an d Ke ats we re m o r e r a dic al r e vo lu ti o n is t s in p o e try B yro n n e ve r c e as e d B ut t he t o pr o fe ss hims e l f a discip l e o f D r yd e n an d Po p e m o st fe rve nt ad mir e rs o f t he fir st f o ur wo ul d n o t pr e te n d t o c o mp are t he c o nt e mp o r ar y inn o v ating in flu e nc e o f t he wh o l e o f the m in l ite rature wi th B yro n s H e d id as much to war d s e xt e nding t he s way o f Eng l an d as t he vi ct o ri e s o f N e l s o n an d W e ll ingt o n o r t he d e sp o tic wi ll o f P itt T he pe rs o n al ity in its we akn e ss e s as in its stre ngth fascin ate d H is pi l grim age o f p assi o n an d re m o rs e m arke d its c o urs e a s with r e d ho t l a v a o n t he h e ar t o f E ur o pe N o w w he n t he r u sh o f m o l t e n m atte r has c o o l ed an d sti ffe ne d it is e asy t o an alys e its ab e rr ati o ns an d impuritie s Its e xtr avag ance s ar e m o nstr o us W hate ve r t he c ri m e s o f ,
,
,
-
’
-
,
,
,
,
,
.
,
,
,
.
,
,
.
,
,
,
.
.
’
.
.
,
,
,
.
-
.
,
.
,
.
GEORGE GORDON LORD B YRO N
93
,
C ast le re agh ag ainst fre e d o m t he c ause o f l ibe r t y is po ll u te d by sne e rs at t he tin ke ring s l ave m ake r by ins ul ts t o hi s c o rps e H has t hi s thro at at l as t H W ho 2 T he ma w ho c u t hi c o un t ry s l o ng ag ,
‘
-
e
cu
e
n
So
’
s
with t he scr e am
‘
at
o
Po e t Laur e ate
t he
as
-
,
shuffling S th y th t i carnat ou
e
a
,
n
.
lie
e
W o rds wo rth s princip al wo rk as A dr wsy f r wzy p o m all d t h E xc r i n Wri t in a m a ne r whi ch is my av rsio n
an d at
’
,
o
o
e
,
’
c
e
n
u s o
e
.
go tis m p asse s all b o un ds T he qu al i t y is a fo ibl e d e ar — o h o m a t t e p e tic te p e r m e nt t o t he hi ghe s t an d t he l o we st t o an y but S hake spe are s as a d r am atis t — an d he t ake s his re ve nge in t he S o nn e ts T he te mpt ati o n t o ind ulge nce in i t is s o e age r th at acc o r di ng t o a subt le p o e t critic in t he e ar l y n i n e te e nth c e ntur y s e nsi tive b ard s c o nsci o us an d ash a m e d o f its p o we r o ve r the m have c ho se n the me s al i e n t o the ir t as te t o b e ab l e u n de r c o ve r o f the m to s tray as if by accid e nt int o sc e n e s e n s hrinin g the mse l ve s That w as n o t Byro n s w ay H e m ake s n o d isguis e o f hi s i nte nti o n ne ve r t o b e o ff t he st age T he r e sul t is t hat his f avo urite m o o ds cynicis m in D o n Ju an s ati e t y in Chi lde H ar o l d have an air o f che apne ss Sce ptic al re ade rs e xp e r ie n ce a g e n e r a l i m p re ssi o n o f in s in c e ri ty The y suspe c t a w ant o f sp o nt an e ity e ve r yw he r e in t he p atho s as in t he di sgus t T he te xture the y se e o f t e n is thre a db ar e as i t c o ul d n o t but b e with a he art d r ie d u p by se n su al l ic e nce an d o b l ig e d t o t r ust fre que n t l y t o t he b r ain t o d o t he c re ative wo r k o f b o th He re be lle d ag ain s t law an d o rd e r be c a us e he had n o t se t the m in m o ti o n n ot as hi s c o mp an i o n She ll e y fro m T he
e
.
,
’
.
-
,
,
,
,
,
,
,
,
,
,
.
,
’
.
.
,
,
.
,
.
,
,
,
.
,
,
,
.
,
,
FIVE CE N T URIES OF E N GLISH VERSE
94
ge ne r o u s r ag e ag ain s t a n arro w min de d de sp o tism N o b o dy n o w b e l ie ve s ih t he ge nuine ne ss o f hi s indi gn ati o n a g ainst t yr anny A L o r d w ith t he s e lf in d u l g e nc e o f t he Pr ince R e ge nt p re aching S o ci alis m is a ri di c u l o us figur e t o t he pre s e nt g e n e r at i o n T he ad mi r a t i o n he g ain e d fo r H e is his e rro rs has its e l f rui ne d his p o sthum o us r e n o wn p u nishe d by t he t aunts o f t he n e w age fo r h aving hypn o t ize d i t s p re de ce ss o r int o a d o ring his fo ll i e s With all t he mimicry all t he fl att e ry all t he absur dity it i s t he m o r e w o nd e rfu l t h at a re al p o e t a s e e r o f visi o ns sho ul d r e m ain re c o gniz ab le be ne ath W e m ay p ass by m u ch th at he wro te A m aj o rity o f t he o cc asi o n al pi e c e s wo u l d pr o b ab l y ha ve b e e n sm o the re d by hi ms e l f had he fo r e se e n t he c e l e brity o f Chil d e H aro ld an d D o n Ju an S atire th o u gh vig o r o u s an d sc athi ng as in Eng l ish B ards an d Sc o tch R e vi e we rs T he Visi o n o f J a dge m e n t an d T he Cu r se o f Min e r va n atur all y is sho rt l ive d T he Pl ays ar e t o o p o e tic a l fo r d r a m a s t o o d r a m atic fo r p o e ms As t he e y e g l ance s o ve r t he t it le s o f m any o f t he pu b l ishe d w o rk s sc arce l y e ve n an e m o t i o n o f curi o sity stirs Othe rs t he re ar e o n whi c h w e p aus e fo r a m o m e nt an d with d e l ight w he ne ve r accid e nt re c all s t he m W e c ann o t he l p r e c o gni zing p o we r fo r inst anc e in T he D e structi o n o f S e nn ach e rib Lik t h l av s f t h f r s t wh n S mm r i s g r n Th t h st wi th th ir b a n rs at s n t w r s e n Lik t h l v s f t h fo r st wh n A t mn hath bl o w Th t ho st o t h m rro w l y wi t h d a d str wn an d in t he c o ntr a st in t he Od e t o N ap o l e o n be t we e n hi s s u b missive ab di c ati o n an d S ul l a s T h R o m n whe n hi s b u rn ing he ar t W a sl ak d with b l o o d f R m Thr w d wn t h dagg r— d are d d part I sav ag e g rand r h me -
a
.
-
,
.
,
.
.
,
.
,
,
,
,
.
.
‘
.
,
,
-
,
.
,
,
.
.
,
,
.
,
,
e
a
e
e
e
e
o
o
e
,
e
o
e
ea
a
e
n
n
o
e
e
e
e
e
e
se
e e
u
e
o
u
ee
e
u u
e
a
er
’
n
n
,
o
,
’
e
a
s
e
n
,
e
o
o
e
e
eu
,
o
e, e
o
,
,
1
,
GEORGE GORDO N LORD BYRO N
95
,
dare d d p rt i tt r s c rn Of m n t h t s c h a y o k had b rn Y t l ft hi m s c h a d m H is o nly g l o ry w a t h t ho ur Of s e lf p h ld b a d o d p o w r He
e
e
a
e
n u
a
e
o
e
u
e
s
e
e,
oo
u
-u
o
a
n
a
n
’
2
e
.
A mist o f bl o o d an d t e ars mitig ate s t he 3 T he D re a m T he re is music fo r u s s t i ll in
he c t ic
.
w lks b ty l ike t h nig ht l dl s c lim s a d starry ski s b t f d ark a d b rig ht M ti h p ct a d h y s
in S he a Of c o u e An d all t hat ee
n
e au
s
’
e
es
s
er
e
,
as
e
n
o
n
e
e
er e
n
4
an d
fl
c u ld I f e e l a I hav f e l t — o b e what I hav e b e e n Or wee p a I c o ld o nc e hav we pt o e m any a an i sh d s ce ne As s p ring i n d e s e r ts f nd s e e m swe e t all b r ac kis h t ho u g h the y b S mid t t he wit he r d w aste o f lif t ho se t e ars wo ld o w t me Oh
o
s
s
e
,
’
e
u
s
o,
r
,
e
,
’
s
v
r
ou
’
e,
o
u
.
d m ire w e d o n o t sp o n t ane o u s l y r e o pe n t he vo l u m e It is t he s a m e with c o mp o si t i o ns o f anci e n t re n o wn l i ke T he Gi ao u r T he B rid e o f Abyd o s T he C o rs air L ar a T he Pris o ne r o f Chi llo n Pa risin a T he Si e ge o f Co rin t h Ec ho e s ris e an d insist o n rising fr o m t he m T he g l o wing w e s t c o n t inu ally r e minds ho w S l w si ks m o r l v ly hi r c b Al g M r s hills t h s tting ; N t in N r th rn c lim s o b s c r l y b rig ht B t nc l de d b laz f li ving li ght ld A gin s r c k O d Id il T h g d f gl d s she d hi p rti g mil O hi w r g io n ling ri g l v s t s hin Th g h th re hi s lt rs a m r di vin D c nding f as t t h m ntain shad o ws ki s T hy g l o ri o s g l f q d S l mis Th ir az r r ch t hro g h t h lo ng xp Mo r d e p ly p rp l d m e t hi s m llo wi g g l nc W
a
e
.
,
,
,
,
.
,
,
,
,
.
,
,
e
n
o
on
o
o
e
er
.
a
o
n
s
es e
u e
e
e
a
,
e
n
s e,
a
s
n
o
,
re no
e
o
s
u
e
e
e,
o
e
e
.
s
ou
un co n
,
es
u
e
a
e
e
ra s
s
a
u
u e
,
’
an
e
u
e r un ,
e o
o
e
a e
su n
e
a n es
s o
ou
e
’
s
e
ou
e
o
e
,
o
n o
’
ea
one u
u
ere
’
as
,
e
o
ue r
’
a a
e
an se
e
e
n
a
e,
96
FIVE CE N T URIES OF E N GLISH VERSE
And te nd r s t tints al ng th ir s mmi ts driv n Mark hi g y c rs a d w t h h s o f h v n Ti ll darkly shad d f r m t h l nd a d d p B hi nd hi D lp hi n c li ff h sin ks t sl e p A n e w age has fo rg o tte n n o t m e re ly t he Gi ao ur but t he P hi l he ll e nic fir e its au t ho r p l aye d a f o re m o st p art in kin dl ing it c ann o t have f o rg o t t e n : H who hat h b e nt him t h d ad E t h fi rs t d y o f d t h i d T he firs t d rk d ay o f no t hin gn s T he l as t f d ang r a d di s t re ss B fo re D e c y s ff a ing fing rs H v e sw pt t h lin s wh re be ty ling rs And ma k d t h m ild ang li c ai f r p s t hat th r T h rapt ur T h fix d y t te nde r t r i ts t hat s t r ak T h l angu o r f t h p l ac id c he k that ad shr o d e d y An d — b t f That fir s t wins o t w p s t w that c hill c h ng l s b ro w An d b t f Whe r c o ld Obst r ctio n s p athy App al t h g az ing m ur r s h art As if t o hi m it c o ld im p r t T h d o o m h dre ads y t dw lls p o n ; ln Y b t fo the se a d the s S m m m nts y t r ac h r s h r H still mig ht d bt t h ty ant s p o we r ; S f ir o c alm o s o ft ly s c l d T he fi r t l s t l k by d t h e al d S c h i t h p ct f this sho r b t l iving G r c T i s Gr c o m r d adly f air S c o l dl y sw t st rt f s o l i w nting th r W T ho u gh fe w re ad t he o nce f ascin ating T al e it intr o duc e s f e we r fo rge t t he pr e l ud e t o o n e o f its c ant o s hi g h o H ll s wav T h wi d a As that night o f st rm y w at r e e a
s
o
,
e,
ou
n
e
,
e
s
e
n
o
o
e
ea
a
e
s
a
e
e
r
’
e
’
e
e
e
’
e
e
n
,
’
u
e
o
e
a
,
a
,
s
s
,
one
,
e
’
ee
e,
e
e
a
,
or
u
,
’
e n
e
s
,
e
ee
so
ou
’
rev
o
,
ou
’
r
ea
u
ee
o
e,
e
a
oo
e as
s
u
a
u
e
s
,
,
,
e a o
ou
e
o
e
e
n
e
e es
’
e
r
o
,
a
e
u
no
,
a
ne
o
e,
no
a
u
e s,
e
ee
,
,
e
,
u
or
e
e, e
s
no
u
s
e
s
e
or
u
r,
e
o
e
a
o
,
,
au
e
e
e
.
e
e
e o
e
c
e
e
a
e
n
e
’
6
,
es
o
e
e
e
a
,
,
fl
o er
e
ee
o
’
e
ea
n
e
,
re
ue
a
e
a
e
e
u
o e
,
a
e
e
7
.
,
e
n
on
s
re
n
e
o
e
’
e
e
,
,
98
FIVE CE N TURIES OF E N GLISH VERSE
tr ave lle r cr o ss e s t he Ri al t o witho ut t he m e l o d y at his he a rt m o re I V ni c Ta o s cho e s a And sil nt r ws t he s ngl ss g o nd li r p l c s a e c r m b ling t t h sh r H And m si c m e e ts t alw ys w t h T ho se d ays a g n — b t B ty still i h r St t f ll rts f d — b t N at r d th t d i a a f r g t V ni c n c d r t h e w e N w y T h p l s nt p l ac f ll f t ivi ty Th r v l o f th f I t aly ! art h t h m as q e N o str ang e r p ac e s t he T u sc an W e stminste r Abbe y wi tho ut r e p e ating t he re p ro ach fo r t he abs e nc e o f t he ashe s as if t he t w o spir its we re h o ve ring by t o he ar Ungr t f l F lo re nc D ante sle e ps f ar Lik Scipi b ri d by t h pb r iding sh r T hy f acti o ns i t h ir w rs t han c i vil w Pro s crib e d t he b r d who nam f v rm o re T h ir c hildr n s c hildr n w ld i v in d r Wi th t h r m rs o f ge s a d t h c ro wn W hi ch P trarch s l a ate b ro w s pr m e ly w o r Up n a fa a d f r ign s o il h d g r w H i li f his fame hi g r av e t ho g h i d — t t hine o wn And S nt Cr c w nts th ir mighty d st Y et f this w nt m o r n t d fy r T h C a s ar s p ag ant sho rn f Br t s b s t D id b u t f R o m s be s t S re mind h m r Be si d e ye ll o w Tibe r fl o wing t hr o ugh a m arb l e wi l d e rn e ss lo n e m o the r o f d e a d e mpir e s t he N i o b e o f n ati o ns th o ugh n o l o ng e r a s fo r B yr o n C hildle ss a d c r wnl ss in he r v i c l ss wo his v o ice re m ains au d ib l e an d e l o qu e nt T he s anct ary d h m Of a t a d p i ty— P anth o n— p rid o f R o m is hi s m o nu m e nt as much a s R affae lle s an d Vict o r E m m anu e l s I h ave n e ve r vis ite d t he F o r u m tr ansfo rm e d No t
a
n
ss
e
e
e
er
’
re
or
a
e
a
,
o
e
e
e
a
o
e
u
a
e
u
o
ea a
e
e e
e e ar
e au
s
u e e
o
es
a
e e
o
no
s
,
.
e,
,
e
,
e,
o
no
e
e o
e
e
o
no
u
e
o
u
r
,
e
o
o
a a e
a es
re n o
e
10
o
u
,
e
a
e
a e u
o,
e
u
o
e
’
e
e
e
e
o
e
e
o
s
n
r
e,
a
o
or
e
u
e
fl
o
e
,
e
n
e,
,
no
e
as o
o
’
e
o
.
u
e
o
r
a
e
e
’
o
u
,
a
a
e
e
a
e
a
n
s
e
or e
n
ou
e
,
a
e
ur e
o
e
ar ,
a
’
o
e
se
a
e
a
e u
n
,
,
o ’
u u
on
e
u
er
,
o
e.
,
,
,
,
,
,
n
o
e
o
e e
e,
.
u
r
n
e
e
an
e
o
e
e,
’
’
.
,
GEORGE GORDO N LORD B YRO N
99
,
i t n o w is fr o m i t s aspe ct to hi m wi t ho u t vi e w ing it first thro ugh his e ye s with its the n singl e m anife st br e ak in t he all c o nc e ali ng l e ve l T lly w a t l o q nt t h T ho nam l ss c l mn wit h t h b i d b as
,
,
-
s no
u
so e
e e
u
ue
as
o u,
e
o u
ur e
14
as e
In simpl e fe al ty sti ll t o Chi lde Har o ld o n my first j uv e ni le visi t I li k e m any an o the r t o u rist b e gan by hu nting o u t n o t w ith o u t d iffi c u lt y t he ap o cryph al an d n o w dis c a rd e d st at u e o f Po mp e y ,
,
,
,
,
,
,
And tho dre ad s tat e y t xis te nt i T he aus te r s t f o rm f nak e d m aj s ty Th w h b h ld t mid t he ass ssi s d i A t t hy b the d b ase t h b l d y C ar li F lding his ro b i dy in g di gni ty An o ff rin g t o thine alt r f ro m t h q n d m g r at N m si did he d i Of g ds An d t ho p rish P mp y T hav e y b n to Vi cto rs f c ntless kings p u pp ts o f a s c n u,
e
ou
e
u
o
e
n
o
e
e
es
e
’
e
o
oo
,
a
e
o
an
en,
o
u,
o
e
ou
e
o
,
s
e,
ee
e
e
e
or
,
ue e
e
e
e
,
n,
e,
ae s
n
e
’
n
a
,
a
,
e
e
‘5
Ar ch ae o l o gy may
ridic ul e e nthu si asm o v e r t he wr o ng r e lics It will n e v e r lay b ar e o n t he Appi an W ay au ght t o inte r e st as at its e ntr anc e a s te r r nd to w r f th r d ays F ir f rtre ss wi th it f nc e o f t n S c h a a army s b affl d t r ngth d l y Stan di n g with half its b attl m nts al And wi t h t w th s and y ar s f i y g r wn T h g arland f te rni ty w h r wav th w T h g r n l av s o ve r ll by tim o W hat wa this to w r o f s t ngth Wi thin it c ve Wh t t as r lay lo k d hid — A w m n g rav .
,
n
a
as a
u
s
o
e
ou
’
n
e
e
e
ou
o
ee
e
e
e
re
so
u e
s,
o
v
e
e
e
a
e
s
a
o
e
e,
one,
e
e
,
e a
e
s
,
e
s o
e
o
o
e
s
,
o
’
er
ro
n
s
re
c
’
o
so
,
a
a ’
s
6 1 e .
It is e ntr anc e m e nt— ro m anc e histo r y mirac l e s o f ar t an d n a t u r e l e tt e r s hate an d l o ve — t he w ho le an e ve r c hangin g e ve r l o ve l y di o r a m a c o nt rive d as a fr ame wo r k ,
,
,
-
,
,
G 2
,
FIVE CE N TURIES OF E N GLISH VERSE
1 00
m an s o n e m an s e m o ti o ns an d a mbiti o n s ! In thi s gl o rifi e d g u id e b o o k w he th e r it l e ad u s a mi d st t e mpe sts in w hi ch v ry m ntain o w hath f o nd a t ng e n w rs thr g h h mi sty shr d An d J B c k t t h j yo s Al ps w ho c all t o h al d l al o ng str e a ms dye d by d ay an d n i ght c o nt e nding f w b rn r o s T he d o r o s p rp l t hr o u gh wr e ck s o f r e al ms str e wing d r e ad an d l o n e l y o c e an s sho r e s p ast p e ak s o f A l ps thr o ning e t e rnity by arro wy sto ri e d rive rs b e sid e b attl e fie ld s inf a m o u s fo r m arti al c u t thr o ats o r f a m e d fo r st ainl e ss vict o ri e s l i k e Mo rat an d Mo rgar t e n by ho m e s o f Th e l f t rt ring s p his t wild R u e au ; o f V o l t air e Hist ri n b rd p hil s p he r c o m bin d W h m l ti p li d hims l f m ng m n kind T he Pr t us f t h ir t al nt s ; o f Gibb o n S pping a s l mn c r d with s l mn sne e r T h l rd o f ir ny fo r
’
’
,
,
-
,
e
o
n
ou
e
s
ur a a
a
,
e
e
o
er
ou
,
u
o
u
ou
er
,
u
,
17
ou
,
,
o
,
u
u
a ne
e o
o
-
18
e
’
,
,
,
e
s
-
o
a
o
o
a
,
e
a
d
e
e
o
o
ss
e
,
a
,
a
o
20
e
o e
e
an
o
,
o
o
,
e
u
o
o
u
ee
o e
,
21
o
of
t rry G alile o with his w o e s ; o r t o mbs a s o f L au r a s l o v e r in rustic Arqu a W he r r w t re ad t i hau nte d ho ly g ro und Again D o n Ju an F ade d t awd ry o fte n as D e Q u inc e y j u stl y c all s allu si o ns t o S o u th e y s an d Co l e ridge s m arri age s igno b l e 2 Al as ! y e s And t he cr u e l waste ! Right e o u s a ng e r gri e f g e n e r o sity m agn ani mi ty t ho u ght sh o t o u t u p o n a d u sth e ap Wh ate ve r in Chi ld e H ar o l d w as p al try a bs u rd u nb e c o ming c o nte mptib l e in c o nte mptu o u sn e ss is he r e e xp and e d an d e x agge r ate d T he w h o l e is fl av o u r e d t o n au s e a wit h t he t o psy t u rvy t he o ry o f m o r al s — t he r e d e e m abi l i t y o f m al pr actic e s by r e m o rs e o r by t he insul t T he
s a
,
’
,
’
e e
’
e
,
s
,
,
,
’
’
,
.
,
,
,
,
,
.
,
,
,
,
.
-
,
FIVE CE N TURIES OF E N GLISH VERSE
1 02
E ach sc e n e is e n o ugh t o h av e f o u n de d a r e put ati o n ; an d wi th all the ir tr ansc e nd e nt gr an de u r t he t w o d o n o t stan d al o n e A ll t he sixte e n Canto s ar e stu dde d wi th wit Oft e n it is h ard t o say w h e the r it b e an d e v e n wisd o m What o f t he bitte r aft e r t aste o n e o r t he o t he r o r b o th o f vic e 2 Th r i n o st e rne r m o ralist than Pl e a r Wh at o f t he s u ici d e s m o tive L f r m disg st f lif than dr ad f d e ath W hat o f t he gr e at l in e at o nc e anthe m t o g e ni u s an d d irge o v e r a n ati o n C e rvante s smil e d Sp ain s chi valry away Wh at fin all y o f G r at S o c rate s — And tho D ivin r still Wh s l t it i by ma t o b mistak n And t hy p re c r d m ad e sancti o n o f ll ill R d m ing w o rlds t b by b ig o ts shak n How w t hy t o il r e ward d ,
,
,
.
.
-
.
,
e e
s
su e
25
’
e ss
o
u
o
e
e
26
o
.
,
,
’
.
,
,
e
u,
o
e
o
s
n
u
e
e
,
e
o
e
e
t he
,
28
e
h arb o u rs
,
a
ee
t o o , it
,
ee
as
The n
e
n o b l e l yr ic
Isl e s f G re e c e t h I le s o f Gr e c Wh re b rning S appho l v d a d s g Wh re g re w t h ar ts o f wa a d p e ac Whe r D l o s r o se a d Ph b s sp r ng E t ernal s mme r gilds th m y t B t all e xc pt th ir i t T he
o
e
e
,
s
u
o
e
e
e
e
n
su n
e
s se
,
un
u
u
,
.
m ntains l o k o Maratho n And Marath n l ks o t h e ; And m u sing th r a ho r l o ne I d am d that G r c mi g ht s till F o st andi ng t h P rsi ans g r av I c ld t d e m m ys lf a sl av T he
ou
o
o
e e
r
ou
gl e a ms
n
oo
of
u
ee
on
no
n
n
’
re
e
,
e,
oe
e
e
e
n
n
,
e
,
e
r
u
u
e
e
e s a
a
,
e
’
e
e
t e n d e rn e ss
f re e
e,
e
!
be
29
P o e try o ffe rs
fe w
m o re
GEORGE GORDO N LORD B YRO N
1 03
,
de lightf u l p o rtr aits a m o ng its myr iad o f girl ho o d than that o f t he d au ght e r o f t he mild s t man n e r d ma That e v e r scu ttled shi p o c u t a thro at i nn o c e ntl y gu i l ty Haid ee R o und he she mad e an atm o sphe re o f l if T he v e ry air se e m d lig ht e r f ro m he ye s T he y we re so so ft a d b e au t iful an d rife With all we c i magine o f t he ski s And p re as Psyche e r e she g re w a wife T o o p re e v e n fo r t h pu re s t hu man t ie s H e r o v r p o w ri g p re se nc e m ad e y u f e l I t wo u ld n o t b e id o l at ry t o knee l T he ch ant o f t he Av e M ari a ! sig hs ab o u t t he fig u r e s o f t he b o y an d gir l l o v e rs as if t o c o nd o ne t he i rre gu l arity in t he ir wo o ing whi l e n o t a b re at h c re pt t hro u g h t he r o sy air And y e t t he f o re st le ave s se e m d st i d wi th p raye r Patho s is a sc arc e qu ality in D o n Ju an It is t o b e p riz e d in pr o p o rti o n w he re it is p e rc e ptib l e as in t he invo c ati o n o f t he Eve ni ng Star Whate e r o u r ho use ho ld g o ds p ro te ct o f d e ar Ar e gat he d ro u nd us by t hy l o o k o f re s t Tho u b rin g st t he child t o o to the mo the r s b re ast an d ag ain in a c l assic al all u si o n W he n N ro p i h d by t he j u s te st d o o m Amid st t he ro ar o f li b e rate d R o me " 8 r e d S o me hands un se e n st w flo we rs u po n his to m b Is it p atho s o r m e re l y an e pi gram And if I lau gh at a y mo rtal thin g Ti s that I m ay n o t we e p ! In t he pr e s e nt d ay it is e asy t o d e c ry B yr o n s r e fl e c ti o ns ’
e
n
r
,
r
e.
’
r e
n
,
,
e
an
,
u
e
u
e
e
n
o
e
3°
!
.
,
,
,
’
-
rr
’
.
.
,
’
,
r
’
’
’
,
,
e
er s
32
’
,
,
’
.
,
n
’
,
34
’
,
FIVE CE N TURIES OF E N GLISH VERSE
1 04
his s e ntim e nt as s u p e rfici al s c o nd hand W e r e the y Wh e n he wro te he o f t he pr e s e nt d at e t he y mig ht b e T he fi r e w hi c h he w as a d isc o v e r e r a l e a d e r a t e ach e r k ind l e d had in fla m e d hi ms e l f first His ch ar acte r o r wh at he c ho s e sh o u l d b e a cc e pt e d as it m ay b e r e a d in e v e ry v e rs e he print e d Eve ry t al e o f his e ve ry sc e n e e ve ry — h t o ught br e at h e s an d has l if e br e ath o f hi s lif e — in it T he r e is a spl e nd o u r a gai e ty His e go tism m ay b e ridi c u lo u s ; he is n o t With all t he p e rv e rsity v anity p r e t e nc e a f e e l ing e ve n o f o p e n air o f fr an k dir e c t ne ss mingl e s S ha d e s o f a mighty c o mp any o f r e al m o urne rs w ho atte nd e d ye ar l y d ai l y T he p ag ant f hi b l ding h art sti ll br o o d o v e r his m e m o ry H u m an n at u r e l o v e s t o re c o gniz e a m ast e r ; an d it r e c o gniz e d hi m Still afte r thr e e qu art e rs o f a c e nt u ry he c o ntin u e s t o r e ign if w ithi n n arr o we d fr o nti e rs a king by right di vi n e f L r d Byr T h P tic l W rk (Oxf rd E d iti ) H ry F w d d
an
,
e
-
.
.
.
,
,
.
,
,
,
.
,
.
,
,
.
,
.
,
,
,
,
.
,
,
,
,
e
o
ee
s
e
,
.
.
,
,
,
.
,
oe
e
s o
o
a
Lo n d o n , 1 9 04 1 es u T he
on
o
o
on
ro
en
.
.
2
3
D tr cti f S ch ri b (H br w M l d i ) t 2 Od t N p l B p rt (Occ i l P i c e ) t 7 T h Dr m J ly 1 81 6 ty (H b r w M l d i s) t 1 Sh W lk i B St z f M ic M rch 1 81 5 (Occ i al Pi c ) t 5 T h C r ir C t o iii t 1 T h Gi r T h Brid f A by d C t st 1 Child H r ld Pilgrim g C t i t 3 8 I bi d C a t i v t 3 I b id C t i t za 5 7 a d 5 9 I b id C t i st 7 9 I b id C t i t 1 46 I b id C t i t 1 10 I b id C t i t 87 I b id C t i t 99 Child H r ld Pilgrim g C t ii i t 9 2 I b id C t i t 28 I bi d C t i ii t 7 7 I b id C t i ii t 1 06 I b id C t iii s t 1 07 I hid C t i t 54 ea
e
s
an
as
or
6
e
o
7 9 1 °
e
.
11
.
12 14
16 17 19
,
us
s
s
o
an
o
v , s an
an
o
v,
,
s
,
an
o
v, s
an
o
,
an
o
an
o
v
e
s
,
.
s
,
s
.
.
.
.
.
e
e o
an
o
o s,
,
s
.
s
n
.
,
v, s
o 1 1,
.
.
,
an
o
v, s
.
,
an
o
v, s
.
.
.
.
.
.
.
.
.
.
an
o
,
s
.
.
19
s
.
.
.
a e,
s
s
.
s ,
,
.
.
.
es
an
13
.
,
.
.
v, s
a o
s
e
,
.
a e,
n
e o
e
.
’
es
e o
as o n
.
3
a o
e
as o n a
e
,
,
o
,
a
an
’
e
e
e
,
an
e
a
e au
,
e
,
,
.
22
uon a
.
.
2°
,
u
n
sa
ao u
e
en n a
o
o eon
,
a
e
5
a
o
e
on
.
.
.
,
an
o
,
.
,
an
o
,
s
.
.
.
.
e
P ERC Y B YS S H
E S H E LL E Y
— 1 7 92 1 82 2
first an d fo re m o st i mpr e ssi o n o f She lle y is o f a spirit — — e e o f un r e s t th o u gh s o m e thing b si de s re stl e ssn ss br o o ding — no ho ve ring s wo o ping— o v e r e ve r fr e sh p l ans fo r e ve r fr e s h Cre ati o ns w hich it is t o e ngine e r W e ar e c o nsci o u s o f a c o ntinu al s e ar ch by him fo r n e w e l e m e nts w h e nc e t o c o nstruct n e w He ave ns an d a n e w e arth It is t he Fre nch R e vo l uti o n e xh auste d crushe d by m ain fo rc e fo r t he m o m e nt be l o w t he s ur f ac e p anting pr o t e sting fe rm e nting in a h aughty Engl ish arist o c ratic n ature Visib l y an d a udib l y it is r e be ll i o us an d sc o rnfu l It has id e aliz e d p assi o n e r e cting it int o a di vin e law Hithe r an d thithe r i t rushe s raising an alt ar w he re ve r f ancy has al ighte d fo r t he inst an t N e ve r wi th o ut an i do l it tr a mp l e s o n w h at e ve r is n o l o ng e r fo r it a d o r ab l e A ll must ac kn o wl e dge t he f ascin ati o n o f e ach fr e sh c o nc e pti o n if o n l y it we r e pe rmitte d t o st ay l o ng e n o u gh fo r a d ay d re a m t o r e p o s e in it The re is a l o nging t o inf o rm with a b o d y e ach e xh al at io n a s it ris e s t o c o nd e ns e t he r ainb o w hu e d v ap o u r A l as t he p age ant o f f airy c ast le s whi ch diss o l ve int o air as w e wind t he ho rn at the ir g ate s at l e ngth di s app o ints an d tire s W e be gin t o d o u bt w he the r t he y b e m o r e th an g o ss am e rs o f an inte lle ct unce rt ain o f itse l f She ll e y w as a b o rn p o e t W ho m n atur e in a fre ak b e nt a n d w arp e d p e rh aps al s o e nrich e d by t he ci rc u mstanc e s o f his tim e p are nt age an d d o mici l e Be ing w h at thus he w as he c o u l d n o t h ave be e n o the r th an a p o e t pr o fe ss e d TH E
,
,
.
,
.
,
,
,
,
,
,
.
,
.
.
,
,
.
,
.
,
-
.
-
.
.
.
,
,
,
,
,
,
,
,
.
,
PERCY BYSSHE SHELLEY
1 07
n o t hing e l se H e w as e nd o we d wit h f ac u lt ie s in ab u nd anc e b e sid e s p o e tic i m a gin ati o n His pr o s e is d e l ightfu l H e might h ave w o n fa m e as a n o ve l ist a m e t a physici an a re l igi o us te ache r a p o l i t ici an As it w as fr o m b o yh o o d he cho se o r as d o u b tle ss he tho ught w as f o rc e d into a s o ci al is o l at i o n w hich d e nie d t o his gre at inte ll ige nc e an y o t he r fixe d fo r m o f e xpre ssi o n th an po e t ry Made fo r fri e nds hi p t o a d mire an d b e ad mire d t o b e a d iscip l e an d h av e discip l e s he did n o t t ake e x c o m m u n i c ati o n kind ly H e thr e w t he b l a m e up o n e xi sting in st it u t i o ns a fe u d al aristo cr acy re l igi o n d e ge ne r at e d in t o f o rm al ism an d pri e stcr af t s t ate sm e n Co urts an d Kin gs He ave n i t se l f R e f u s e d an aud ie nce o the r wise he utte re d hi s r age an d c o nt e mpt in ve rs e T he n arr o w cir c l e he j o ine d in d e f au lt o f a l arge r w as d e b arre d by its o wn is o l atio n fr o m unpre judice d criticism at o nc e sym p athe tic an d f r an k H e hi mse lf had t o o much t o s ay an d fe lt Ofte n hi s t o o arde nt l y t o c are t o st o p an d m e di t at e r an k e xube rance is o wing t o t he c has e o f a succe ssi o n o f f u gitive f anci e s N o s o o ne r has he st arte d o n e t han a se c o nd has go t u p an d se t hi s br ain c o ursing in a fre sh di re cti o n His be s e tting f au l t as a p o e t is e xce ss De nun ci ati o n is pur sue d t o scurri lity D e scripti o ns o f n atur al l o ve line ss l e ngthe n fn t o te di o us l ango u r Vit al pr o ble ms ar e discus se d much subtle ty an d t o o l i t tle d e p t h at o nc e w i t h t o o Re dun d ancy d a mps t he fir e o f A l as t o r T he Re vo lt o f Is l am R o s al ind an d He l e n Epipsychi di o n T he Wi t ch It o f At l as T he Ma sq u e o f An a rc hy Jul i an an d M ad d alo dr aws a fi l m o ve r T he Se nsitive Pl ant an d e ve n t he be au ty o f Ad o n ais Indign ati o n rave s in t he gr e e nn e ss o f Q u e e n unc u ltur e d He b re ws e xul ting in o ld M ab w i t h its S al e m s s ham e ful gl o ri e s an d ho wlmg hi d e o us pr ais e s an d
.
.
.
,
,
.
,
,
,
,
,
,
.
,
,
,
,
,
.
,
,
,
,
,
.
,
,
.
,
.
,
.
,
.
,
.
.
.
,
.
.
,
,
,
,
,
,
.
,
,
.
,
’
FIVE CE N TURIES OF EN GLISH VERSE
1 08
It b lunts t he e dge o f t he m o re t o t he i r D e m o n G o d m atur e s atir e s Sw e llfo o t t he Tyr ant C astle r e agh an d t he r e st Whe n as fr e que nt l y t he re s e ntm e nt is right e o us in its o rigin its virtue sti ll as B yr o n s is m arr e d by vitupe rati o n T he fu ry o f t he fl a m e turns t he w at e r int o ste a m H o we ve r m u ch t he r e is t o s ay h o we ve r sugge stive t he te xt t o b e e xp o u nd e d t he in abi l i t y t o kn o w w he n t o st o p sti fle s t he e ffe ct T he b l e mish e s ar e n o t s u rprising in t he circ u mst anc e s The re we re his s e l f b anishm e nt fr o m ho m e an d f a mi l y s o ci al o str acism e x alte d vi e ws o f d u t y t o Hu m anity n o t invari ab l y c arri e d int o pr actic e a fe r ve nt b e l i e f in t he e xist e nc e o f a c o nspi r acy o f T o ri e s an d critics t o supp re ss him an d a c o mbin ati o n o f inte ll e ct u al an d spiritual p e r h aps e ve n s o ci al pri de with physic al an d m o r al shyn e ss Ad d t he gifts in s u ch a m e d l e y insidi o us l y an d pe cu l i arl y d ange r o us o f an i nf all ibl e s e nse o f h arm o ny in wo rds an d a v a st min e o f f ancy T ake t he w h o l e t o ge the r an d w e h ave a c l ue t o t he fl aw s o f A l ast o r an d its succe ss o rs an d t o t he i r as e xtr ao rdin ary b e au ti e s al s o T he e ntir e re al m o f p o e try c an sh o w n o thing s o ph e n o m e n al It w as a str ange u nive rs e p arad o xic all y m o nstr o us as p ar a d o xic all y id e a! whi ch spre a d b e fo re t he p o e t s e ye s T u rn e d b ac k up o n himse l f he had fe d u p o n an d he ld ince ss ant c o m muni o n with his o wn i m agin ati o n H e c o u l d p aint t he m o st re al istic o f l an d sc ap e s sc e ne s w e se e with o u r e ye s shu t a s o f t he P is an pin e f o r e st w h e r e t he m l t i tu dino u s Bill o ws mu rmu r at o r f e e t And t he e arth a d o c e an m e t ; o r o f t he E u an e an Hill s in g t he n o o n o f a t u mn s g l o w ; b u t a f ancy l i ke his w as ind e p e nd e nt o f actu al o bs e r v ati o n -
,
,
.
,
,
,
’
,
,
,
.
,
.
,
.
.
-
,
,
,
,
‘
,
,
.
,
,
,
,
.
,
.
.
,
,
,
’
.
,
,
,
.
,
u
u
e
n
1
,
u
’
2
.
1 10
FIVE CE N TURIES OF E N GLISH VERSE
In t he c o nce pti o n it is as m u ch a t o rs o as an actu al c o nfe ss e d fragm e nt l i ke t he Hype ri o n o f Ke ats B u t it is c o l o ss al In its w ays o f tho ught an d styl e it is m o re o ve r T he Ce nc i an e x act typ e o f its auth o r s c o m m o n m ann e r b e l o ngs t o a di ffe re nt c l ass alt o ge the r It is a tri u mp h in t he c o l dn e ss o f its ho rr o rs o ve r t he t e mp t ati o n t o its cre at o r b e ing w hat he w as t o b ur st all t he b arri e rs o f tragic T he spirit is n o t A e schy le an ; n o t Sh ak e sp e ar e an ar t T he re is s o m e an al o gy t o Mar l o we o n l y with m o re de pth an d fine n e ss o f th o u ght A l as fo r t he ug l ine ss o f t he the m e T he phe n o m e n o n is t hat w hi l e it an d t he Pr o m e the u s c u ri o us l y u n l i ke b o th ar e abs o l ute l y an d e qu all y ar e r e p re s e nt at ive o f t he ir au t ho r in o n e e sse nti al re sp e c t Ind e p e nd e nt as m any p o e ts ar e d e te rmine d t o f o ll o w t he ir o wn bi as e ve n ins o l e nt t o t he re ading wo r l d the y h ave t he y e v i d e nt l y have we ighe d an e y e t o it n e ve rt he l e ss ; ho w the y c an m o st c e rt ain l y re n de r t h e m s e l ve s au di bl e t o it I t wo u l d b e diffic u l t t o m atch She ll e y in t he sing le ne ss D o ubtl e ss he o f his re g ar d t o him s e l f a l o n e a s he w rit e s wo u l d h ave l i ke d t o b e p o pu l ar H e ne ve r e nd e avo ure d t o H e has ge n e r al att ain th at e n d by c o nsu lt ing pub l ic t a st e s symp athie s n o t t he sym p at hy whi ch is at p ains t o c o m pre he n d a di ffe re n t p o int o f vi e w fr o m o ne s o wn Par ad o x as it s e e ms it is o n e o f t he e xp l an ati o ns o f t he p e c u l i a r She ll e y c u l t N e ve r w as the r e a b o d y o f writings w hich t o t he i n i ti at e d is a s u r e r ind e x o f t he au t h o r s mind w hich a d mits r e ve r e nt s t u d e nts e n a m o ure d e ve n o f d e fe cts to m o re intim at e c o m m u ni o n with it fo r t he ve ry r e as o n th at i t n e ve r appe ars t o b e l o o ki ng t o o pini o n o u tsid e H ad S he lle y c are d fo r e xte rn al f avo ur he mi ght h ave c o rre cte d d i u se n e ss in dicti o n an d o bsc ur ity in id e as he wo u ld h ave had a l arge r p u bl ic an d fe we r w o rs hi pp e r s T he s e r e ne u nc o nsci o usne ss t hat his r e a d e rs ha ve t he ir .
,
,
,
.
’
.
.
,
,
,
,
.
.
,
.
,
,
.
,
,
,
.
.
.
.
’
.
,
.
’
,
fl
,
,
,
.
,
,
.
P ERCY BYSSHE SHELLEY
111
l i ke s an d dis l i ke s which he might at l e as t try t o und e r s t and t ho u gh witho ut d e fe rring t o the m appl ie s t o all his w o r k H e t ake s acc o unt so far o f s o cie ty abo u t hi m as H e ne ve r l e arne d t ha t t o l e cture it o n its sh o rtc o mi ngs pity te ac he s ho w t o cure T he ap artne ss is t he m o r e inste ad o f t he l e ss p al p abl e th at his inspir ati o n c o ns t antl y a e p t s n o l ight fr o m u s e s his f e ll o w me n fo r a t e xt e t cc y t he m Un le ss fo r ado r ati o n o f w hi ch w e ar e n o t all c ap ab le w e c ann o t c o m e c l o s e t o hi s spiri t Fo rtun ate l y fo r l o ve rs o f c e l e sti al m e l o d y as we ll as fo r his f a m e n ature had u nite d wi t h t he m e t aphysic al mystic al ic o n o c l as t ic e go t ist t he s wee te st o f in stinc t ive s inge rs Sud d e n l y t he r e wo ul d issue a gu sh o f music abs o l u te l y pu re e the r e al y e t wi t h w ar m bl o o d c o u rsing t hro ugh His s o ngs a m o ng the m r e pre se nt all t he be au tie s p o ssibl e fo r t he e xpre ssi o n o f re gre tfu l l o ng ing bi t t e r sw e e t t he s harp cut ne atne ss an d e l e g anc e o f a Gre e k e pigr am ; mys t e ry p at ho s upbr aidi ng s e lf u pbr ai di ng Th e r e ar e p assi o n at e ne ss s e l f re str aint Mo ve m e nt c o m m o n l y is t he re s o m e tim e s if ve ry r are l y d ancing jo y wi t h c asc ad e s o f bre e zy g l o wing i m age s Unis o n o f wo rds an d r hythm ne ve r f ails He re ar e a fe w flo we r s pl u c ke d as the y c a m e t o my hand I h ave n o t atte mp te d t o arr ange t he m T he y c o u ld n o t jar o r cl ash an y m o re t han c o l o urs in a be d o f ro s e s H e has i m agine d an Indi an l o ve r s e re n adi ng hi s mistre ss I arise f ro m dre ams o f thee I t he fi rst swe e t sl p f nig ht Whe n t he win ds ar b r athin g lo w An d t h s tars a e shi ing b i g ht ; I ari e f ro m dre ams o f th And a spiri t i my fe e t H ath le d me —w ho kno w ho w i T t hy c ham b e r wind o w S we e t ! ,
,
.
.
.
,
.
,
.
,
,
,
,
,
.
,
,
.
,
-
,
-
-
,
.
,
,
-
.
,
,
,
,
.
,
.
,
.
.
,
.
n
o
e
e
,
,
n
r
e
ee
r
ee
s
n
s
o
-
,
,
1 12
FIVE CE N TURIES OF E N GLISH VERSE
wand ri g airs th y faint O t he d ark t h s il nt t r am s f ail A d t h Ch mp k s o d Lik sw t th ghts i a dr am T h night ing al s c m pl aint I t di s po n he h art As I mu st o thin b lo v ed as th u a t O O l ift m f r m t h g r ass I di e ! I f aint ! I f ail ! Le t t hy l v e i kis rain O m y li p s a d y l ids p al My ch k i c ld an d whi te alas My h art b e ats l o u d a d f ast Oh p re ss it t o thin o wn ag ain W h re i t will b r ak at l ast He r e is wr e c k ag e fr o m t he all but fo rg o tte n e xpe rime nt o f a d r a m a o n Ch ar l e s t he First A wid w b ird s ate m rning f h l v Up n a wintry b o gh ab o v T h f r z n wind c r pt T h f r e z i g s t r e am b l w Th r w as l af p n t h f o re st b ar N fl o w r po n t he g r o und And l ittl e m tio n i t h ai E xc e pt t h mi ll wh l s s o und Wh at a spe ll— fr o mo ld He ll as— is in Pan s p iping F r m t h f o r sts a d highl ands co m w c m ; W F r m t h r iv r girt island s Wh r l d wave s a d m b Liste ing t o m y swe t piping s T h wind i t h r e ds a d t h r sh s Th b t h b lls f thy m T h b ird t h m y rt l b sh s T h c i c al ab v i t h l im T he
e
e
n
n
a
e
n
e
u
n
’
,
e
n
e,
e
o
r
e
o
o
se s
n
n
e
n
ee
e
o
r
e
e
o ur
ou
e
e
s
’
a
ee
e
e
e
,
s
e
e
o
.
,
e
n
e
e
,
4
e
.
-
ou
o
er
o
u
o
e
or
o
e
e
e
e
no
e,
e o
n
e e
e
u
o
.
e
u
e
o
on
e,
,
e
n
o
5
’
ee
-
e
r
.
’
e
o
e
e
e,
o
e e
e
e
e
n
o
e
-
,
ou
u
re
e
n
e
n
e
e
e
e
ees on
e
e
s on
e
e
o
e,
o
e
n
u
e
n
u
e
e
.
e
e
e,
,
e
,
e
1 14
FIVE CE N TURIES OF E N G LISH VERSE
m o re ge ne r ally ab e tte d an d e mbitt e r e d by j o ys p as t r e c all ing R ar ly r ar l y c m t th Spiri t f D light W h r fo r ha t h l ft m w M y a d ay d night ? M ny a w ry ight a d d y a t e d aw ay T i sinc th ,
e
e
,
en
s
an
an
ea
a
’
fl
e
e
e
e
e no
a
n
n
ou
e
s
m age
o u,
es
o
o
e
1
,
r
.
shall v e r e lik m e b ck ag ain W i th With t h j y o s a d t h f r Th wil t s c ff at p ain Spirit f als th hast f rg t All b t th s w h n e d th
How
e
a
ee
n
e
e
on
u
o
e
n
ee
o
ou
ou
e
o
u
.
e
o
o
ee n o t.
e
o
l o v ll that tho u l v e st Spiri t f D light T h f r h E r th i w l av s dre s t And t h st rry ni ght A t mn v ni g a d t h m o rn W h n t h g ld n mists a b r
I
o
e a
e
o
e
n ne
a
es
e
e
e
e
e
e
,
a
e
u u
,
n
o
n
,
e
re
e
o
n
.
l v sno w a d all t h f rms Of t h r ad i ant f r s t I l v w v s d winds a d st o rm s E v ryt hi g alm o s t W hi ch i N t r s a d m ay b Unt inte d by m an s mise ry I
o
e
e
n
,
o
e
o
a
e
o
e
e
,
an
,
n
a u e
s
’
’
fl .
l o v L v — tho gh h ha wing s An d lik li ght B t ab v all o th r thi g s Spiri t I l v e th T h a t l v a d lif 0 c m Mak o nc m r m y h art t hy h m I
e
o
u
e
e
u
o
e
o
e
s
,
ee ,
e
,
r
e
c an
e
o
ou
,
e
n
,
a
n
n
,
ee
e
n
e
e
o
o
e
e,
o
N o t , fo rs o o t h , t hat
e
8 .
its re turn t o a dying wo r ld t o hi s wo rs e th an dying s e l f is p o ssibl e o r pe rh aps t o b e d e si re d ,
,
,
,
,
P ERCY BYSSHE SHELLEY
1 15
w rld h lif h tim wh s las t s te ps I c lim b Tr mb ling at that wh r I had st o d b f r W h n will r t rn t h gl ry f y r p rim N m o r — O ne v r m r ! Oh, On
o
o
e
,
o
e
,
o e
e
e e
e
u
e
o
e
e
o
o
e
,
e o
o
o
ou
e
e
e
nig ht A j y has tak n fli ght ; Fr sh spring a d mme r a d wint r h ar M ve my f int h ar t wi th g ri f b u t wi th d light — m r O ne v r m r ! o N T he p o we r e ve n t o l o ve is l o s t t o hi m ; an d t he o n e ho pe he has is th at his n e e d o f pity m ay b e acc e pte d by t he o bj e ct o f hi s s u pp li c a ti o n as a s u bs t itu t e O wo rd is t o fte n p ro fan d F m t o p r f an it fe e ling t o fals ly disd ain d O F th t o disdain it ho p is t o o l ik d s p air O F p ru de nc t o sm th r And pi ty fr m th m r cl r Th n that f ro m ano th r of
Ou t
t he d ay
o
an d
e
e
o
e
ne
e
ne
e
ne
e
e
,
,
e
o
or
e
ee
.
e
e
or
e
e
e
o
ee
o
,
ea
e
o
a
e
.
gi ve o t what me n c all l v B t wil t tho u acc e pt o t T h wo rshi p t he he art lift s ab o v e And t he H av e ns re j e ct n o t T he d e s ire o f t he m o th fo t he s tar Of t he nig ht fo t he mo r ro w T he d e v o tio n to s o m e thing af ar F ro m t h s phe re o f o u so rr o w I
c an
,
e
o
e
o
o
9
o
o
or
e
,
e
n
,
e
a
o
su
n
,
n
o
u
e
,
n
e
,
e
,
r
r
,
,
e
1°
r
T ho ugh w h at right t o e xpe c t anyt hing in b ar te r l ife l e ss he art Wh n t h lam p i sh tte r d T h li g ht i t he d st li s d ad W h n t he clo d is s catte re d T h rainb w g l ry i she d e
e
e
n
e
e
u
‘
e
a
s
e
e
u
o
’
s
s
o
H 2
.
.
fo r
a
FIVE CE N T URIE S OF E N GLISH VERSE
116
Wh n t h l t i b ro ke n S w t t n s a e r e m m b re d W h n t h lip s hav s p k n L o v d acc e nt s a s o o n f o rg o t ee
u
s
,
r
e
e
e
u
e
e
e
e
not
e
e
o
e
,
re
e
.
As m si c a d spl nd r S r viv t t h l m p a d t he l t T h h ar t s c h s r nd e r N s ng wh n t h s piri t i m t N s ng b t ad dirg s Lik t h wind thr gh a r i d c ll O t h m o rnf l s rg s Th t ring t h d ad s am an s kn ll u
u
e no
e
o
e
o
a
e
’
e
o
e
s
e
s
e
r
e
e
u
u e,
n
oe
e
o
ou
e
n
ou
e
u
a
e
u
e
u e
,
u ne
u
e
,
e
’
e
11
e
.
m e re d icti o n has e nch antm e nt in it ; an d in that r e sp e c t t he sp e ci m e ns I h ave o ffe r e d ar e ve ry far fr o m m o n o p o l izing t he c harms o f the ir c l as s M any o the rs ar e t he ir e qu al s S o m e w hich ar e t o o l o ng t o b e se t o u t at all fu ll y as we ll as t o o f a mi l i ar l y kn o wn t o n e e d re c alling ar e t he ir s u p e ri o rs M ar k t he d azz l ing s e ri e s o f g l o wing g l o ri o us i m age s d e dic ate d t o t he S k yl ar k T he who le is a g o l d e n st airc as e up w hich t he s o ng winds st e p by 1 2 st e p h e ave nw ar ds As o ve r wh e l ming l y fr o m t he wings o f its sist e r T he C l o u d its e l f nurs l ing o f t he s k y ar e T he
.
.
,
,
,
,
.
.
,
.
,
,
shak n t he d ws that wak e n T h swe t b ds e v e ry W h n r ck d t r st th ir m th r s b r ast As h d nc s ab o ut t h e
e
e
e
o
s
e
e
u
e
o
a
on e,
e
on
e
e
e
o
e su n
’
e
,
13
.
W hate ve r t he mi ns t r e l s t e mp e r o f t he m o m e n t t he music 4 1 e n ve r f ai l s T he wi l d we s t wind dirge o f t he dying ye ar at his inc ant at i o n be c o m e s an o rg an t o vo ic e his gl o o m W he n t he fit shifts rive r g o d d e ss e s d anc e an d c ar o l in symp athy with his inst ant o f g ai e ty Glidi g a d springing S h w nt e v e r si g i g ’
,
.
,
.
‘
.
,
n
e
n
e
,
n
n
,
.
fl
FIVE CE N T URIES OF E N GLISH VERSE
1 18
the ir p le as u r e Fr o m fir st t o l ast he has b e e n s e e king It has t o e mb o d y t o int e rp re t a visi o n a myst e r y m atte re d n o thing t o hi m w h e the r t he t e xt we r e a aw in t he Unive rs e o r a c l o ud in t he W e st t he sn apping o f a lu te s 18 ch o r ds o r t he d e at h o f A do n ais ; an o d e t o t he l ar k o r — a n e u a Inte ll ct l Be uty n o t t he l e ss pr o fo u n d th at a ps al m o it is as l o ve l y al s o as m i c by t h night wind s nt T hr tring s f s m s till instr m nt O m nlig ht o a midni g ht s tr m ! Me re o rdin ary l o ve rs o f p o e t ry must acce pt She lle y b e c o nt e nt t hat he sings fo r hi ms e lf n o t fo r t hat he is H appi l y fo r th e m the y c ann o t b e in hi bite d fo r the m fr o m l iste ning T ho u gh the y have n o t b o ught t he pri vil e ge by disc o ve ring wisd o m in Jul i an an d Mad d alo o r by e nte ring int o t he inn e r m e aning o f Epipsychidi o n at l e ast th e y wi ll u nd e rst and t he p o ssibi l iti e s o f Eng l ish v e r s e fr o m t he p e n o f a m ast e r the y wi ll b e s e nsibl e o f a r aptu r e o f m e l o dy And the re m ay b e m o r e gre at minds— an d She lle y s with a ll i t s fr e ak s was gr e at — h ave much t o te ll e v e n t o th o s e w ho ar e n o t th e ir discip l e s fo r
.
,
,
.
,
’
,
,
,
us
o
’
r
e
o
s
e
-
e
o
u
n
oo
e
,
19
ea
,
.
.
,
,
.
’
,
,
.
P tic l W k f P rcy By h S h ll y d it d by H r y B xt F m F rv l R v d T r 1 87 6 T J I vi t t i t t h Pi F r t 65 —7 Li m g th E g Hill 2 86—9 3 W itt Th S it i v P l t P r t I d P t III 66—9 15 16 Th I d i Sr d Ch rl t h Fir t Sc 5 Hym f P AL m t S g t z 1 2 5 6 8 T Li t z 1 2 T Skyl k 5 —8 T h Cl d Ar th Od t t h W tW i d t 1 Od t Li b rty Ozym d i Ad i (E l gy t h D th f J h K t ) Hym t I t ll ct l B ty t 3 T he
or 1
2
3
a
oe
an
an e ,
o
n e s,
r
e
en s
e
n
6
an
,
an
1 4
e
e
“3
1 °
o
,
,
,
,
o
es
n
n
s, v v
.
ar
es
a
n e s , s an
e
as
ou
,
s
e
n
on
e
e
ua
,
e au
o
o
,
s
.
.
vv
.
n
.
.
u s a, s
e
an
ea
en
.
.
e
a
as
.
ea s
.
vv
.
,
-
15
.
e
o
.
an
17
e
on a s
.
.
.
e
vv
,
4
.
13
ar
es
a r
e
.
,
.
5
11
o a
vv
e
,
9
o
12
o
e
an e an
u
,
e
u rn e
ne
a
e
e
.
as
s an
e
e
,
en a
e
o
on
an
e
n o
on
on
a
en
e s an
ee
a
n
ss
e
o s.
ou
.
s o
or
.
.
.
.
u
on
J O H N KE A T S 1 7 9 5 — 1 82 1
E N DYM I ON s ur pris e d an d sho c ke d t he l inge ring o r t ho d o xy o f l ate Ge o rgi an c ritics I t s au t ho r pr o vo ke d as much anim o si t y as W o rds wo r t h an d m o r e t han Byr o n W o rd sw o rth b o r e n o r e l ati o n t o t he id o l s o f t he ir yo u th Dr yde n an d Po pe B yro n an d Sc o tt al s o affe cte d t o re ve re bo th R e vie w e rs simp l y did n o t un de rstand She lle y Endym i o n w as t he w o rs t o f r e be l s It had b o rr o w e d an d t r ave stie d myt hs o f t he Gre e k Cl assics an d t he m e tre o f Engl is h Mas t e rs Many re al f au lts ind e e d m ay be fo u nd in it T he pl o t wan de rs an d pe rpe tu ally l o se s i t s e l f T he n arr ative o f t e n t he d e scripti o ns ar e pr o l ix an d te di o u s T he dicti o n is tr o u bl e d with s t r ange w o r ds an d phr a se s N o t r a r e l y t he id e as T he r hym e t e n ds t o l e ad t he s e nse t hin in c o mp aris o n w i t h t he p ar ad e o f t he circ u m ar e st ance s m e an t t o w ai t u po n t he m Occ asi o n all y t he pr o s aic w i ll o b t r u d e i t s e lf ; c o tt o n b ac ki ng s ho wing u nd e r ve l ve t pi le B u t t he n t he g o lde n au tu mn al haze t he d e l ici o u s u n c e rt ain t y w hat visi o ns o f r o m anc e wi ll n e x t c o m e an d e age w as o n e o f T h o fr o m an d int o h appy Dre a m l and g — m u ddy pe rtur b ati o n strif e s o f pe o ple s ag ains t kings an d kings ag ainst pe o p le s o f m o rt al s t ruggl e s be t w e e n agr ar i an i s m an d fe u d al ism l a bo ur an d c api t al p o l i t ic a l e c o no my Im agine fo r t he fe w be l at e d o u tw o rn F aith an an d E l iz abe t hans t he jo y in t his p age an t o f O l ympi an go dd e sse s h au nting t he h appy p astur e s o f Arc a di an hill s I t is in tr u th an E l iz abe t han po e t s w o rl d T he E li z a be t h an id e a o f po e t ry bre at he s t hr o u gho u t La ws o f .
,
.
,
.
,
,
.
.
.
,
.
,
.
.
,
,
.
.
.
.
-
.
,
,
,
,
,
.
,
,
’
.
.
FIVE CE N TURIES OF E N GLISH VERSE
1 20
physic al n atur e ar e suspe n de d Me n ri de o n e ag l e s wings walk t he se a an d s o j o urn in o ce an c ave s N o w hispe r o f wr ang l ings o f st ate sm e n disc o nte nts an d hu nge r o f t he s e e thing m ass e s stirs t he s e re n e s o l itu de Fi e l ds an d wo o d l an d s ar e g o ve rn e d by n o hu m an law an d ne e d n o ne T he c ar e s ar e n o t o f a kind t o b e in fl a m e d o r l ull e d by T he auth o r o f En dym i o n had t he l yre o f a Tyrt ae us d r u nk d e e p fr o m t he f o unt ains o f Si dne y Spe nse r an d — a Wi ll i a m B r o wn e o f Sh ake spe re t he singe r o f Ve nus an d Ad o nis o f Luc re ce an d t he S o nn e ts H e had l e arnt t o m o ve in an uppe r air o f his o wn as the y in the i rs Whe re in his m o de l s a tincture o f a purp o s e had inte r ve n e d he st o pp e d sh o rt H e wo u l d h ave abh o rr e d t o e n l ist l i ke his be l o ve d Spe nse r t he Mus e in t he s e rvice o f a m o ral a ll e g o ry F o r hi m p o e try w as n o m inist e r t o d u ty as u nd e rst o o d o utsid e N o p ainfu l re qu isiti o n o f s e l f de ni al w as i mp o s e d up o n it by t he l aw s o f its b e ing En d ym io n with o u t a sting o f t he c o nsci e nce r e m o u l d e d fo r p o e tic u se o n H e ll e n i c l in e s e ve n might w av e b a c k t o t he s k i e s his dre a m mi stre ss H e is n o t l i ab l e t o a sh ad o w o f re pr o ach fo r w o o ing an d winning be fo r e he w as pro pe r l y o ff with t he o ld l o ve a d us k y an d m o r e t angib l e m ate f dr aming — N w N mo r Wh re shall o dw lli n g b Z F o r p o e ts in g e n e r al t he o n e i nsp ir ing m o tt o is A thing f b e au ty i s a j y fo r e v r ; fo r t he unive rs e t he e t e rn al law That fi rst i b au ty sho ld b e fi rst i might an d fo r hims e l f — h B a ty is tr th tru t b a ty that i s all Y kno w o ar th a d all y e n d t kno w T he w h o l e is i m m atur e H ad K e ats l ive d n o t imp o ss i b l y ’
.
,
.
,
,
,
.
,
.
,
.
,
.
,
,
,
.
,
,
,
,
.
,
,
.
,
-
.
.
,
,
-
.
,
,
o
e o
e
o
ur
e
e
o
o
,
e
u
1
‘
2
e
,
n
e
e
,
u
e
u
e
,
n e
,
.
n
3
n
u
ee
4
o
.
,
1 22
fl
FIVE CE N TURIES OF E N GLISH VERSE
buse d it l e ss th an in Ke ats s l ate r w o r k t he m ain cre di t I be l ie ve t o b e d u e t o t he p o e t s sho c k at be ing c o nfro nt e d by his o wn cr e ati o n au n t in g in t he b ro a d d ay o f typ e its dishe ve ll e d an d u n ab ashe d ch arms It m ay al m o st b e s ai d th at in n o f a m o us Eng l ish p o e m is w ant o f m e th o d m e as u re p ro p o rti o n m o re fl agrant th an in En d ymi o n Po st an d in my o p inion pro pte r Endym i o n o n t he n o qu al i t y in t he w rit e r is m o r e c o nspic u o us o the r h and th an c o mp l e t e n e ss o f w o rk m anship Th at st an d s o u t fro m t he m u l titud e o f a d mir ab l e pr o pe rti e s in t he g all e ry o f his m aste rpie c e s Atm o sphe re l ights sh ade s p e rspe ctive I m agin ati o n always s atisfie s ar e all in th e ir ri ght p l ac e s an d n e ve r c l o ys T he t e mp l e o f his p o e t b e ing thu s r e e d ifie d he d e dic at e d t o t he g o d d e ss Be au ty w ith Me l anch o l y fo r he r chie f m inistr e ss — d ainty Me l ancho l y — h e a ty B a ty that m st d i Sh dw e lls wi t B And J y who s h nd i v r at his li p s Biddi ng adi ; d aching Pl as r igh T rning t o p is n whil t h b e m th si p s Ay i t h v ry t m p l e f D li ght s v r n shrin V il d M l anch l y ha h T h gh s e n o f no n s av him who s str n o s t g Ca b rst J o y s g r p ag ins t hi p al ate fi mi ght H i s o l shall t st t h s ad n ss o f h And b am ng h cl o dy tro phi s h ng W e have n o right t o b e as t o nish e d at his inc l in ati o n t o t he p e nsive n e ss t he r e m o t e n e ss t he s o l it ari ne ss o f s o u l w hich he inte nds by Me l anch o l y Inte lle ctu all y e ve n he w as fr a m e d t o t ak e l itt l e int e re st ap art fr o m di s e as e in t he wo r ld int o w hich he w as b o rn H e th o ught an d fe l t himse l f int o an o the r t w o c e ntu ri e s e ar l i e r In t hat wo r l d its e lf he tro u b l e d his f ancy wi t h n o ne o f t he active c are s an d struggl e s I t s ve ry b o o k s he did n o t re ad as an antiqu ary ’
a
,
,
’
.
,
,
.
,
,
,
,
,
.
.
,
,
,
,
.
,
.
-
-
,
,
,
e
u
e
o
u
o
’
e
n
o
s
er
u
a
e
e
a
e
,
ou
a
e,
e
e
a
e
er
o
e n
e-
o
e
’
u
s
e
u
e
o
e
ou
e
e
e
e
e
u
e
o
e
e
n
s e
an
eu
,
a
e
,
u
e
er
u
u
on
,
e
u
5
.
,
,
,
,
,
.
,
.
ue
ne
s
e
u
.
JOHN KEATS
1 23
st u d e nt T he air o f it w hich b e bre athe d he had disti ll e d Its g arde ns w hich he p ace d he had fo r hi s indivi du al u se himse lf e ncl o se d an d p l ante d Ove r t he wh o l e he dr e w — a u e e o f e o u a n o t f r o m Sp ring tm sph r v i l s l mb r s c l m n a o e a b u t fr o m m o r e c o mp ani o n ab l e A u t umn S aso n f m ists a d m ll w f rui tf ln ss Cl s b s m f ri nd f t h m t in g ; C nspiring wi th him h w t l o d a d bl ss With f r it t h vin s th t r und t h thatch av s d c o tt ag t r s T b nd wi th ppl s t h m A d fi ll all f r i t wi th ri p n ss t o t h c r or
.
.
.
,
,
n
o
e
o
,
e
o
o
e
e
-
e
e
a ur
o
o
a
e
a
e
a
e
o
e
su n
e
n
o
e
-
’
e
o ss
u
n
u
o
o
u
o
e
e
e
e
e
e
ee
r un
,
e.
o
n th e ft amid t hy t r S m tim s wh v r s ks b r ad m y fi d T h si tti g c r l ss g ran ry fl r T hy hair s ft lift d b y t h winn wi g wind ap d f rr w s nd asl p a h lf O D r ws d wi th t h f m o f po ppi s whil t hy h k Sp r s t h n xt sw th d all it twi d fl w rs ; gl n r th d t k p A d s m t im lik St d y t hy l ad n h ad ac ro ss b r k O b y a cid r p r ss wi th p ati nt l k T ho w t h t t h l ast i g h rs by h r W h r a t h s gs f Spri g Ay wh r a th y T hi k t f th m th h st t hy m i c t W hi l b rr d cl ds bl m t h so ft dying d ay A d t o c h t h st bbl pl ai s wi th r sy h ; T h n i wailf l cho ir t h sm ll gn ts m rn Am ng t h riv r s llo ws b o rn al o ft O si n ki g a t h li g ht wind liv s di s A d f l l g r wn l m b s l d b l at f r m hi lly b rn H dg c rick ts si g a d w wi th t r bl s ft e d b r as t whis t l s f r m a g rd n c r ft Th ki A d g ath ring sw ll ws twi tt r i t h If mir t h e ve r fe igns t o insp ire him i t is n o t e asi l y distin gu ish abl e fr o m s adne ss A t all e ve nts i t is t hat o f an e ch o fr o m t he bygo n e p as t W ho hath
n o t se e e
e
o
ee
oe
o
a
re
e
e
e
e
n
u
a c
re
e
an
e a
ea
on
e
ou
ee
oo
,
e
,
a
ou s
ou
s,
n
,
e
oo
e
ooz n
oo
o
os
a
o
e
ne
ou
e
,
,
s
,
es
n
e
e
n
,
ee
e
e
o
no
o
e
a
-
oo
ou
o
u
e
ea
r
a
e
u
e
a
o
on a
’
e
e
o
a
ee
e
e
a e
s o
e
-
e
o
n
-
o
e
a e e
n
r on
e
e
us
e
re
oo
,
'
a
e
ou
e
u
n
e
n a
e
u
e r
n
-
a
a
e
or
e
ou
o
no
n
e
a
ou
e
ou
n
ue
o
,
e
e
,
e
a
e
-
n
e
o
-
a
e
s
e-
e
e-
u
e
e
n
n
e
u
o
r
oo
e
a
o
o
e
e
-
n
e
o
o
,
es
e s
,
.
,
6
.
.
1 24
FIVE CE N TURIES OF E N GLISH VERSE S o u ls
re p o sing
p o e ts de ad
of
g o ne
an d
7 ,
lysi an l aw Bro ws d by n b t Di s f w s Und rn th l arg b l b lls t nt d Wh r t h d aisi s a r o s s c nt d Wh r t h ighting l e d th si g N t a s ns l ss t ranc d thing s t r th B t divin m l di Phil so phi c nu m be rs sm o o th Tal s a d go ld n histo ri s Of h av n a d it my st ri s n e an o the r o o t ti ll tim s sighing e e t t s a y Wh t E lysi m h v w kn wn H ppy fi ld m ssy c av rn C ho i c r th n t h Me rm aid Tave rn 2 Or it m ay b e m o num e nt al g aie ty ; i mpris o ne d in sc u l p t u r e d st o n e a mid myrr h sc e nt e d f un e r al as he s W h t l af fring d l g nd h ts ab o t t hy shap f b o th m rt ls Of d i ti s I T mp t h d l s f Ar c d y What m g ds a th s 2 W hat m id ns l ath W hat m d p r i t What str uggl t s c ap W hat pi p s d tim br ls 3 What wild c tasy E
on
e
e e
e n
n
e
e
e
e
,
u
ou
e o
,
n
o
,
e
u
a
e
e-
a
e e
e
e
re
e
e e
o
ue -
e
ea
e
’
an
u
on e
e
n s
o
e
e
e
e
n
or
e
a
e
e
o
,
e
o
,
9
‘
e
a
e
e
a
u
a
e
s
n
e
8
-
,
a
-
e
e
or
e
n
e
e
e
e
o
en o r
a
a
or
,
au n
e
,
or o
a e
e
,
a
o
re
o
e e
‘
a
u su
e
o e
e
an
e
e
u
e
‘
e
o
e
s
H e ard me l o di e s ar e swe e t b t tho se unhe ard A sw e t e r ; the r f o re y e s o ft pi p e s p l ay o N o t t o t he se nsu al e a b u t m o re e d e a d Pi p e t o t he spiri t di tti e s o f n o to n F air y o u th b ne ath t he tre e s tho u c anst n o t l e av e T hy s o n g o ve r c a tho se tre e s b e b ar B o ld Lo v e r ne v e r ne ve r c anst tho u kiss T ho u gh wi n n i ng ne ar t h g o al— y e t d o n o t gri e v Sh c a no t f ad e tho u gh tho u has t o t t hy b liss F o e v r wil t tho u l o v e a d h b e f air u
,
re
e
e
r
,
,
n
,
n
,
r
’
,
e
e
,
,
n
,
r e
n
,
e
,
,
e
e
r
W ho To
n
e
,
n
,
e
,
n
s
e
the se c o mi g t o t h s ac ri fic e ? what g re e n al tar O my t ri o u s p ri st
ar e
n
e
,
s e
e
,
,
FIVE CE N TURIES OF E N GLISH VERSE
1 26
P rhap s t h s lf sam e s g that f d p ath Thr gh t h sad h art o f R th wh n sic k f r ho m t d i t ars amid t h ali n c rn Sh T h s m t h t o ft tim s h th t h f o am Cha m d m g i c a m t s p ning Of p ril s s as i f ry l ands f rl o rn F rlo rn t he v e ry w rd i lik a b ll T t ll m b ac k f r m t h t o my s l e s lf Adie u t h f ncy c anno t ch t o w ll As h is f am e d t d d c i ving e lf Adi e adi de s t hy p l ainti v anth m f a Past t h n ar me ad ws o v r t h still str am Up t h hill sid d w t is b ri d d e p I t he n xt v all y g l ad s W a it a visi n o a w ki g dr am 2 1 1 — F l d i that m si c d I w k sl e p Me l ancho l y an d Be au ty h and in hand — v e ry marve l s B u t I must ad d an o the r m ar ve l— this an e x a mp l e o f c o n sum m at e ar t— t he Ch apm an H o m e r s o nn e t Mu ch hav I t ll d i t h r lms f g ld An d m any g o dl y s t at s a d king d ms se n R o nd m any w st rn isl nds hav I b n Whi ch b ards i f alty t o Ap llo h ld Oft f wid xpans had I b n t ld That d p b ro w d H m r r l d a hi d m sn Y t di d I n v e r b re ath i t p re s r n Till I h ard C hap m an s p e ak d a d b ld t l Th n f l t I lik so m watch r f t h ski s W h n a e w pl an t swims int his k O lik st o t C o rt z wh n wi th ag l y s H s t ar d at t he P a ifi a d all hi m L k d t ach th r wi th wild s rmise S il nt p o n a p ak i D ari n H ad Ke ats writt e n n o m o r e th an such a s o nne t an d such o de s he must h ave r an k e d a m o ng t he highe st in s o ng H e f o u n d t im e h o we ve r in his bri e f an d s o r e l y tri e d sp an o f l ife t o w o r k o n l arg e r c anv as e s an d n e ve r w ith o ut a e
e
e
e s oo
r
a
a
e
o
o
o
e
o
ea
u
o
e
,
e
o
e
-
e
no
,
,
e
e
e
-
‘
n
e
o
a
e or
e
ea
o
o
a
u
s
u
e
r
,
e
e
’
e
o
e
e
,
an
n
s
.
e
e
e
e
s
e
eu
e
o
ee
o
.
e
e
a
e
s
e
on
o
s
o
e
a
e
ae
n
,
o
,
o
e
-
en
se
e
ou
e
e
e,
o
,
e
e
a
e
e
,
e
n
’
u
e
e
ou
a
oun
on
-
,
-
’
r av e
e
o
e
u
e
one
o
e e
ee
e
-
o
e
r
e
n
e
u
e
oo
e
e
ou
a ,
e
u
e
e
c
o
-
o
e
e e
s
n
e
en
u
a
n
e
en
e
c
e
e
n
o
e
e
e
e,
e
o
e
e
’
e e
ou
e
s
s
u
s
e
e
o
u e
e
ee
.
ee
e
e
o
e
’
e
e
a
e
,
o
n
e
n
o
e
n
12
e
.
,
.
,
,
,
JOHN KEATS
1 27
t riumph T he E v e o f S t Agne s Is abe ll a Lami a Hype r io n bre athe all fo ur o f t he s am e cr e ative s o u l E ach is radi ant l y distinct A m o ng the i r m any bri ll i ant qual itie s n o t t he l e ast a m azing is fo r t he p ro ximity in t he d at e s o f th e ir bi rth this abs o l ute varie ty Exquisite n e ss o f d e t ai l always h arm o ni o us ch ar acte rize s Many a p ainte r c o ul d te stify n o t wi t h o ut a p ang t he fi rst ho w pr o v o c ative is t he p o e t s ch all e nge t o w o r k up t o t he g l o wing fr a m e in whi ch he has se t hi s s we e t Made l ine an d ho w un e qu a l t he c o mp e ti t i o n A c ase m e nt hig h an d t ri p l e ar c h d t he re was All g arl ande d wi th c arv e n imag e rie s Of f ru i t s an d fl o we rs an d b u nche s o f kno t g rass And di am o nde d wi th p ane s o f qu aint d e vi c e Innu m rab le o f st ains an d sple ndi d dye s As a t he tige r m o th s d e e p d amask d wing s ; And in t he midst m o ng tho u sand he raldrie s And twilight saints a d d i m e mb la o in gs A shi e lde d s cu tche o n b lu sh d wi th bl o o d o f qu e ens a d king s F ull o n this c ase m e nt sho ne t he wintry m o o n And thre w warm gu l e s o n Mad e line s f air b re ast As d o wn she kne l t fo r he av e n s g rac e an d b o o n R o se b l o o m f e ll o n he r hands t o g e the r p re st And o he r silve r c r o ss s o ft ame thyst An d o h r hair a g l o r y lik a s aint S he se e m d a s pl e ndid ang e l ne wl y dre s t S av e wing s fo he av e n — Po rphyr o g re w f aint ; S he kne l t s o pu re a thi g o f re e f ro m m o rt al t aint S o o tre m bling i n he r s o ft an d chilly ne st I s o r t o f w ak f ul swo o n p e ple x d sh lay Until t he p o ppie d warm th o f sl e e p o ppr e s d H e s o o the d limb s a d s o u l f at i gu e d aw ay F l o wn l ik e a tho u ght u n til t he m o rro w d ay Blissful ly hav e n d b o th f ro m jo y a d p ain Clasp d lik e a mi ss al wh re swart P ayn i ms p ray Bl inde d al ike f r o m sunshine a d f ro m r ain As tho u gh a ro se sho u ld shu t an d b e a b u d ag ain .
.
.
,
,
,
,
,
,
.
,
.
,
,
,
.
,
,
’
,
’
-
,
-
,
,
,
,
e
,
re
’
-
’
-
’
,
,
z
n
,
n
,
’
n
,
’
,
’
-
,
,
n
,
n
e
e
,
’
,
,
r
n
,
n
,
,
s
.
,
,
n
e
’
r
,
e
,
s
r
,
n
-
,
,
’
’
’
n
'
e
n
,
,
.
.
1 28
FIVE CE N TURIES OF E N GLISH VERSE
An o the r an d who lly di ffe re nt n o te is struc k wi t h ve ry di ssimi l ar but as de l ic ate l y sui t abl e acc o mp anim e nts in t he pit e o us st o r y o f Is ab e ll a N o t th at au ght is all o we d t o o bsc u re t he c e nt r al figur e a l m o st t he p e e r o f Ch auc e r s Gris e ld a she b o ws t o t he st o r m o f frate rn al ve nge anc e o n he r humbl e l o ve r fo r l o rn t e n de r un vin dictive an d p atie nt e xce pt fo r t he o n e he art pi e rcing cry fo c r l t i s s aid sh T o st e al m y B asil p o t away f ro m m In L ami a o n t he o the r h an d it is t he p l o t r athe r th an t he circumst anc e s o r t he figur e s o n w hich atte ntio n is c o nc e ntr ate d On t he t ale m o ve s t o its c at astr o phe myste ri o us y e t fo re s e e n ine vit abl e auste re st ate l y l i ke a gr e at m e di ae va l n o b l e in ve l ve t an d l ace o n his w ay 15 t o T o we r Hi ll An d fin all y t he p al ac e d o o r o f K e ats s sp l e n di d f ancy — — fl i e s o p e n fo r t he go d Hyp e ri o n t o p ass w ithin d f ll o f wrath H e te d b t h t Hi s fl mi ng r o b s st am d o t b y o nd hi s he ls And g av a r o ar a if o f rthl y fi That s c ar d away t he m k th r al H rs And m ad th ir do v wing s tr mb l O h flar d Fr m stat l y nav t o n v f r m v au l t t v a l t Thr gh b o w rs f f ragr nt a d e nwr athe d light A d di m o nd p av e d l st r s l o ng ar c ad s U til h a h d t h gr at m ain c p o l a Th r standi g fi r c b n ath h st ampt hi f t A d f ro m t h b as m nt s d p t o t h high t w rs J d his o w g ld n r gi n ; a d b f r T h q av e ring th d r th r p n had c ase d H is v i c l apt t d s p i te f g dlik c u rb T t his r s l t O dr ms o f d y a d ig ht O m st r s f rms O ffi gie s f p in O s p ct r s b y i a c ld c ld g l o m O l ank e ar d P hant o ms o f b l ac k w e d d p ls ,
,
,
,
,
.
’
,
,
,
,
-
,
‘
ue
r
’
’
e,
,
e
-
’
.
,
,
14
,
,
,
.
,
,
,
,
,
,
,
,
.
’
,
e
n
r
’
u
,
e en
e
a
e
re
e
a
n
e re
e
’
n
u
e
o
e
e
e
e
o
o
ou
e
e u
on
ou
e
e
-
’
n
n
,
,
e
,
e
e
e
,
e
,
s
e
o
e
e
e
o
e
u
o
ee
o
e
n
.
o
n
eu o
ea
us
e
u
e
‘
,
ou
ou
e
,
e
e
e
un
e
e
a
u
n
n
e,
o
’
c
e e,
ar r
a
-
e
e
e
ou
e
e-
e
e
e
re,
ee
e
n
u
ea
s
,
u
’
e
o
er
’
e
,
o
e o
o
e
a
n
o
a
o
,
,
n
o
-
e
e
e
e
e
o
oo
oo
,
FIVE CE N TURIES OF E N GLISH VERSE
1 30
P ri e sts o f Me l an ch o l y F an e s o f t he Mu s e s o u ght t o b e v e r i t ab l e Panth e o ns with ro o m fo r shrin e s o f all t he Gr ac e s T e n de rne ss L o ving kindn e ss H e r o ism F aith an d Vi r tu e s an d inn o c e nt J o y h av e a right t o m ak e th e i r h o m e th e r e ; N o t all in an d a Ch ap e l Sho u l d b e c o ns e cr at e d t o S o rr o w Ke ats s i de al l o v e lin e ss is r e al T he stur dy fr e qu e nt e rs o f t he Me r m aid m ight h av e m o c k e d at s o m e o f t he c l assic fo rms rising fr o m hi s p e n S o m e thing in t he l andsc ap e is sc e n e p ainting Ru de b o t anists w o u ld sc o ff at t he f airy f o r e sts an d g ar d e n l and o f t he e xi l e d Tit ans N o l ark c ar o l s h e re wi th t he fr e shn e ss o f t he Ayr shire pl o u ghm an s T he Mu s e is hid d e n t o k e e p c o mp any w ith scu l pt u r e d fu ne ral u rns an d t he d u st th e r e in ins t e ad o f k ind ling li ving h e arts B u t I r e p e nt Le t m e b e f o rgiv e n fo r h aving b e e n t e mpt e d t o d we ll o n a s o mbr e tr u is m which afte r all is o n l y a h al f trut h Sid e by sid e with it st an d s as I gl adl y a c kn o w l e dg e an o th e r th at ge nius has m anifo ld ph as e s On e p o e t n o w an d th e n m ay b e sp ar e d fr o m t he d ul l h aunts o f m e n t o r o am e nchant e d an d e nch anting thr o ugh It is g o o d t o b e r e min de d fr o m mo o n lit f o r e st gl ad e s t im e t o tim e th at t he d u ty o f p o e try is n o t t o se w an d spin ; th at it s fir st o b l igati o n t o b e fu l fill e d o n p ain o f b e ing n o t p o e try at all is t o b e b e autif u l as a li l y o f t he fi e l d Ke ats w as b o r n in an age o f br u t e mi l it ary f o rc e Hu m ani ty had b e e n v u l gariz e d by p o litic al p ani c o r a mbit io n I d e as with n o m o n e y o r physic al p o w e r in th e m we r e d e spis e d His n atur e re vo lt e d in d isgu st In d e fi anc e he se t u p t he i m age o f B e au ty t o b e w o rshipp e d At l e ast t he s e rvic e it f ascin at e d carri e d m e n o u tsi d e th e ir o w n p o o r s e l v e s an d r e fine d W ho o ld o r y o u ng c an r e c all t he fir s t r e v e l ati o n t o hi m o f T he E v e o f St Agn e s t he N ighting al e Od e Hyp e rio n W ith o ut f e e ling how w hil e he r e ad an .
,
,
,
,
,
.
.
’
.
.
-
.
-
.
’
.
,
.
.
,
,
,
-
.
,
,
.
,
,
,
.
,
.
,
.
.
.
.
.
,
.
,
,
.
,
,
,
,
,
JOH N KEATS
131
c e an s e e m e d t o ro ll b e fo r e hi s e ye s as p l an e t s wa m into t he k e n o f Jo hn Ke ats o
I liad
t he
,
,
a n ew
,
P tic l W rk f J h K t with M m ir by Ric h E M x ckt Mil N w E d i ti 1 85 4 E d ym i B k IV I b id B k I t 5 Hyp ri G r ci U Od T A t m M l c h ly Od t h M erm id T v Li Od t h M rm id T v r Li G r c ia U t z I 2 4 Od N ighti g l t z l 6 7 8 Od t Hmr O Fir t L ki g i t Ch p m Th E f St Ag t z 24 2 5 2 7 I b ll T h P t f B il t 6 2 Hyp ri B k I L mi
T he
Mo n 1 3 5 7
1°
e
e on a
15
s
a
o
n
n
a
a
rn
e rn
e n
.
.
as
a e , s an
as
o
o
1“
o
,
,
as
as e
.
,
,
an s
a
n e s , s an
e
3
r n , s an
n
.
o r,
an
s
,
o
a
n
oo
e
.
e
e
.
.
a
ve o
a.
on,
.
o a
a
o
.
,
,
s
on
.
e
.
.
,
.
.
o
.
oo
ar d
o
e
2
e an
n es o n
e
a
e on a
e
sa
ea s
n
on.
oo
n es on
e
o
.
e on
n
N
on
e
o
e
.
on,
n
s
o
nes
on
e
‘3
a
oe
.
oo
,
.
.
u u
e
.
.
n
.
C H AR LE S W O L F E 1 7 9 1 — 1 82 3
I
d o ubt e d w h e th e r t o ass ign a p l ac e t o W o l fe s p o e ms r ath e r th an t o him Fin ally I d e ci d e d th at his n atu r e w as t o o m u ch o f a p o e m fo r his w o r k n o t t o b e c l ass e d by his p e rs o na l ity In his sch o o l b o y d ays at Winch e ste r he w as a p o e t His l in e s o n t he raising o f L az arus sh o w d istinct p o e tic insight Th e i r n o t e is t he f e e l ing o f Je sus fo r o th e rs gri e f H e kn e w what p ains m u st p ie r c e a sist r s he art It is t he s a m e w ith his priz e p o e m o n t he D e ath o f Ab e l N o c u ld hi li p s a d e p drawn sigh re s t rain — i im l f h h d he sigh d fo r C ain e s g N o t fo r h se Thr o u gh o u t a bri ll i ant c ar e e r at T rinity D u b l in it w as as An o ld air a p o e t th at he w a s p artic u l ar l y r e c o gniz e d c o u l d n o t s o u nd in his e ars with o ut h ast e ning t o e mb o d y its e l f in m e l o di o u s v e rs e His fe w s o ngs t he p o e m its e l f by whic h he is i m m o rt al iz e d w e r e e m o ti o ns tr ans l at e d instantl y int o l angu age His bi o gr aph e r w ho c ann o t b e a ccus e d o f p o e tic al e nthusi asm d e scrib e s t he e ffe ct o f music u p o n hi s im agin ati o n : he f e l t all its p o e try ; it t rans p o rt e d him T he s a m e fri e nd r e c o ll e cts ho w c aptiv at e d by a n ati o n al Sp an i sh air Viva c l R e y F e rnan d o he c o m m e n c e d singing it o v e r an d o v e r ag ain unti l he pr o du c e d a n Eng l ish s o ng ad mi r ab l y s u it e d t o t he t u n e H e had music in his he art The re aft e r t he c l o s e o f his Co lle ge c ar e e r it st aye d ’
H AD
.
,
.
.
.
’
e
r
o
.
-
e
s
1
’
,
’
’
2
.
,
,
.
.
,
,
.
,
,
’
.
,
,
,
,
.
,
,
,
134
FIVE CE N TURIES OF E N GLISH VERSE
t o b e me asur e d
l e ss by ye ars than by m o nths o r we e k s p e rh aps by d ays an d ho u rs T he actu al b ulk o f his e n t ir e p o e tic al pr o d u cti o n is sc anty ind e e d Ap art fr o m sch o o l it c o nsists o f h al f a d o zen s o ngs an d c o ll e g e e x e rcis e s S e ve r al ar e pr e tty an d gr ac e ful Y e t o n th e i r o wn me rits I c o ul d n o t c l ai m th at th e y w o uld h ave surviv e d e v e n the ir auth o r s bri e f e xis te nc e Wh at th e n r e m ains W hy b e s i d e rath e r th an a m o ng t he m e agre r e st j u st tw o o f t he l o v e li e st fl o w e r s in t he g ar d e n o f Engl ish v e rs e T he e ntir e An gl o S ax o n wo r ld is f a mi l i ar with t he p o e m If I give it h e re in full o n t he B ur i al o f Si r Jo hn M o o r e i t chi e fl y is fo r c o nv e ni e nc e o f c o mp aris o n with an o th e r pie c e by W o l fe as ad m ir ab l e in a diffe re nt w ay ,
,
’
.
.
,
.
.
.
,
,
’
.
,
,
,
,
-
.
r m r s l r dis r w
,
rd n r ln r m r rri d r d r w ll s r ri d
w as he a , n o t a f u e a o te Not a d u As hi s c o se t o t he a p a t w e hu e cha g e his f a e e ho t N o t a o di e ’ O e r t he g av e he e o u r he r e w e b u e
.
bu rie d him d arkl y at de ad o f night T he s o ds wi th o u r b ay o ne t s t u rning B y t he st ru gg ling mo o n b e am s misty light And t he l ante rn di mly burning
W
e
,
fl
,
’
A
.
s l ss c o i ncl o se d his b r ast N o t i she e t o i shr d w w nd him B t h lay lik e a w arri o r t king hi r e s t Wi th his m arti al cl ak aro nd him
No
n e
u e e
r
n
u
n
e
ou
e
,
ou
a
e
o
s
u
.
sh r t w e r t h p ray rs w said A d w sp k t a w o rd o f s rr w But w e st e ad f st l y g az d d t h f c t hat was d a A d w b i tt rl y tho u ght o f t he m o r ro w
Few
an d
o
e
n
e
o
e
e
e
e no
a
n
e
o
e
on
e
,
o
e
a e
e
.
tho u ght as we ho llo w (1 his narro w b e d And smo o the d d o wn his l o ne ly pill o w That t h fo e an d t he st ra g r wo ld t re ad An d we fa aw ay o n t h b ill o w
W
,
’
e
,
e
n
r
e
e
u
’
o er
.
d, his he a
CHARLES W OLFE
135
Lightly th y ll t lk f t h spiri t th t g n his c ld ash s u pb raid hi m An d o B t li tt l h ll re c k i f th y le t hi m sl p o I t he g rav wh r a Brit o n ha l aid him ’
e
’
a
o
e
’
a
e
o
er
e
u
'
o
e,
e
’
e
e
n
s
ee
e e
n
s
.
lf f h avy t ask wa d n W h n t h cl ck stru c k t h ho r fo r ti ing And w h rd t he dis tant a d rand o m g That t h f e w as su ll nly fi ri g B u t ha
o ur
o
s
o
e
e
e
e
e
e
u
r
e
n
ea
e
o
un
e
o
r
n
.
S lo wly a d s adl y w e l aid him d o wn F ro m t he fie ld o f hi s f am e f re sh an d go ry W e c arv e d o t a line a d w e r aise d n o t a s to ne B u t w e l e ft him al o ne wi th his g l o ry ! n
fl
,
n
n
,
4
w h o l e had fl ashe d o u t o f a c as u al gl anc e at a in t y p ar agr aph in a sup e r annu at e d numb e r o f t he E dinb u rgh Annu al R e gi ste r B y r o n wh o s e symp ath e tic e ye s it fir st c au ght thr o ugh n o s e lf adve rtising by t he autho r acc o un te d it l itt l e in fe r io r t o t he b e st which t he p r e s e nt p ro li fi c age — T he third st anz a in p ar tic u l ar t he had br o ught f o r th — u s e c o n d c o pl e t d r e wfr o m him t he e xc l amatio n Pe rfe ct Obs e rv e fo r T he u npr e m e d it at e d ar t its e l f is e xc e ll e nt e x a mp l e ho w t he s e v e nth st anz a l ab o urs in instinct i v e sym pathy with t he bur de n In abs o l ute n e s s o f picto rial e ffe ct t he p o e m has fe w e q u als in its ki n d n o sup e ri o r T he pr e cis e c o rr e sp o nd e nc e o f t he d e t ai l s w ith t he pr o s e n arr ative which has b e e n u rg e d in d e pr eci ati o n i n fact t h e o r e a t l y e nh a nc e s e m rit W l f e s v e rsi n d nt c l o e i s i i a g w i t h its s o u r c e e xc e pt th at a s o u l has b e e n adde d In t he l in e s T o Mary t he pr o c e ss is aft e r a m ann e r r e v e rs e d W o lfe fo und an air o f m e l anch o l y b e auty G r am ac hr e e d e fo r m e d by al i e n c o m m o np l ac e w o rd s He gave it b ac k its pr o p e r sign ific an c e In to n e an d ch aract e r t he s o ng w hil e m atching t he B u ri al o f Sir Jo hn Mo o re in l o ve l in e ss is it wi ll I think b e r e c o gniz e d so g e ne r all y The
,
.
-
,
,
,
,
.
,
,
.
.
,
,
,
’
.
.
,
,
,
.
,
’
,
,
.
'
.
,
,
,
,
,
,
1 36
FIVE CE N TURIES OF E N GLI SH VERSE
d istinct as t o indic at e th at in W o l fe s p o e tic al c ar e e r t he ph e n o me n o n t he acci de nt is n o t his au tho rship o f a c o u pl e o f p ar ag o ns o f m e l o d y but his o missi o n t o ad d a sc o r e o f e qu al m ar v e ls I f I had tho u g ht tho u c o lds t hav e di e d I mi ght n o t w e p fo r th e B u t I f o rg o t whe n at t hy sid e That tho u c o ldst m o r tal b e ; I t n v e r thr o u gh m y mind had p as t T he t im e w o ul d e e r b o e r An d I o the e sho u ld l o o k m y l ast And tho u sho u ldst sm ile n o m o r ’
,
,
,
,
,
u
e
,
e
,
,
u
e
’
’
e
,
n
,
e.
still po n that fac I l k A d thi k t will smil ag ain ; And still t h th ght I will t b r o k That I m st l o k i v ain d st t ay B t wh n I s p ak— th W h t tho n e r l ft t nsaid And w I f l w ll I may S w t Mary tho u a t d ad
An d
u
n
e
’
n
ou
u
no
o
e
u
ee
no
ou
e
’
’
e
as
,
o
,
n
e
a
,
e
e
u
oo
o
s
no
s
u
e
,
ee
r
e
.
wo ld t stay e as tho u a t All c o ld a d all s r n I s till mi ght p re s t hy sil nt h ar t A d wh r t hy smil s hav e b e n t hy c hill b l ak c rs I hav W hil m st still min Th w B t t h r — I lay t h i t hy g rav And I am o w al n
I f tho u
u
’
s
,
n
e e
en
e
e e
e e en
u
e
e
e
,
o
e
e o
e e
ee
n
e
e,
n
n
o
,
,
e
’
o u se e
r
e
s
n
,
e,
e
thi k whe re e r tho u at Tho hast f o rgo tte n m An d I p e rhap s may s o the t his he ar t I thi n kin g t o o o f the e ; Y e t t he re w as ro u nd the e su c h a d aW n Of li ght ne e r se e n b e f o re As f a cy ne v e r c o u ld have drawn An d ne v e r c an r st o re
I do
not
’
n
r
,
u
,
e
,
o
,
n
,
,
,
’
,
n
,
e
6
H E N RY H AR T 1 791
I
BE R
M I L MAN
—1 8 6 8
h ave he ar d fr o m p e rs o ns o ld w h e n e ve n I w as yo ung th at t he s e ns ati o n stir r e d by Mi l m an s s acr e d dr a m as w as c o mp ar abl e with t hat w hich att e nd e d t he H e w as h ai l e d as app e ar anc e o f a n e w p o e m by B yr o n a l iving pr o o f o f t he c o mp atib ili ty o f p o e tic g e ni u s w ith r e l igi o n by t he o rtho d o x who we re s o o n t o b an hi m a s a sc hism atic T he e n thusias m s u bsid e d s o o n e r th an t he ho sti l ity It p e rh aps th e y had a s o l i d fo u n d ati o n in t he fact o f t he gre at br ain an d br av e h e art o f t he i r o bj e ct H e n e ve r wr o t e wh e th e r v e rs e o r hi st o ry w itho u t t he p ro mptings o f d e e p tho u ght an d a str o ng dra m atic ins tinct Fro m yo u th up wards he p o ss e ss e d an d di sp l aye d t ast e f ancy a fi n e e ar thir st fo r kn o wl e dge an d a r e s o l u t e c o m RE M E M
to
’
,
.
.
.
,
,
.
,
,
,
.
,
,
,
b at iv e n e s s
,
.
l e apt int o fa m e with his N e w d igate priz e fo r t he Ap o llo B e lvi de r e S o m e o f t he l in e s ar e n e ve r l ik e l y t o b e f o rgo tt e n fo r inst anc e H e ard y e t he arro w hu rtl e i n t he sky H ard y e t he drago n m o nst r s d e athf l c ry I s e tt l d m aj sty o f fi e r c e disd ain Pro u d o f hi m ight y t s co rnf u l o f t he sl ain T h he av ly Ar c h r s t ands— n o h m an b ir th N o p e rishab l e d e ni z e n o f e ar th Yo u th b l o ms imm o rtal i hi b e ardl e ss f ac e A Go d in stre ngth wi th m o re than g o dlike g rac e — a l l i v i e All d n n o stru ggling mu s cl e gl o ws Thro u gh he aving v e in n o m antlin g lif b l o o d fl o ws B t a im ate wi th d e i ty al o ne I d athl ss g l o ry liv e s t h b re athi n g st ne He
.
e
’
e
e
n
e
,
s
’
e
u
,
e
,
e
n
o
u
n
,
s
,
,
,
,
e
u
n
n
e
-
,
,
e
e
o
.
‘
HE N RY HART MILMAN B a te s a visi n s n i d am y sl p By h l y m aid D l phi s ha nt d s te p M id t h d i m twi li ght f t h l a r l gr o v T f air t w rshi p t di vin t l o v B u t t he w h o l e bri e f p o e m e xc e pting t he c o nc l u si o n w ith its sickl y s e nti m e ntality is alm o st f au l tl e ss T he Ju d i c iu m R e gal e c o mpo s e d in anticip ati o n o f t he visit o f t he A llie d S o ve re igns t o Engl an d fo ll o we d Its rh e to ric appr o ach e s gr an de u r n o twi thstan ding th at it al s o has its aw in an unge n e r o us vin d ictive ne ss t o wards a f alle n fo e A l r e ady he vir t u all y had c o mp l e t e d S amo r L o r d o f t he B right Ci ty c o m m enc e d w h e n he w as a lad at Et o n The e pic ab o u n d s i n vi vid dr am atic situ ati o ns fo r e x amp l e t he s o n o r o u s n arr ative o f King Ar gan t y r s sur r e n d e r t o Samo r Its w e akn e ss is a j uve n il e inc lin ati o n t o ri o ting in ho rro rs An inst anc e b y n o m e ans e xc e pt io n al is t he s ac rifi c e by Caswallo n s s av ag e a mbiti o n t o t he G o d s o f Val h all a o f hi s o n l y d au gh t e r H e had l e ft he r t o gr o w u p as a wi ld flo we r by D e r we n t s b l u e l ake Lik a f r g tte n l t play d o al n B y chanc c are ssing airs u
e
ou
s
o
o
on
’
e
e
o
o
,
ee
e
u
o
oo
r e
n
ee
e
u e
e
e
oo
e
e
o
,
,
1
.
fl
,
.
,
,
.
,
,
.
,
.
,
,
,
’
.
.
,
,
’
.
’
e
o
u e,
o
e
’
n
o
e
2
-
.
gro t e sque e xtr av aganc e s th e ms e l v e s h o we ve r t e stify t o p o w e r T he w h o l e in its pr o dig al e xp e ndit u r e o f e ffe cts l u rid sp l ash e s o f c o l o u r o n acr e s o f c anvas an d au d aci o u s d e fian c e s o f hi s t o ry might we ll h av e b e e n m at e ri al fo r t he gr o wth o f a mighty p o e t Fr o m t he s am e s o ur c e iss u e d in f act b e sid e s a c are fu l b u t l itt l e r e ad tr ans l ati o n fr o m t he S ansc rit t wo s e c u l a r an d t hr e e re ligi o u s p l ays an d the n in p l ac e o f t he p o e t a phil o s o phic hi sto ri an Of t he p l ays F a zi o is a pi e c e fo r t he st age an d acc o mplish e d act o rs h av e ac k n o wl e d g e d i t s m e r its as s u ch T he s acr e d pi e c e s tho u gh in dr a m at ic fo rm ar e e ss e nti ally p o e ms an d as such t o b e j u dge d T he
,
,
.
,
,
,
,
,
.
,
,
,
,
,
,
,
.
,
.
,
,
,
.
.
1 40
FIV E CE N TURIES OF E N GLISH VERSE
T he y h ave u n d e rgo n e t he pr o p e r r e fining fr o m t he n o isin e ss H al f t he vi o l e nc e t he abs u r d iti e s o f t he b o yi sh e pic a c e ntur y ago t he r e ad ing pub l ic ad mi r e d t he aw e t he pity o f Titus m e dit ating at t he h e ad o f his army o v e r d o o m e d Je rus al e m h w m aj s t i c all y H w b ldl y d th i t f ro nt Lik a l x rio s vin y rd t he hill sid I h ng wi t h m arb l f ab ri c s lin o line Whil o v r all h ng s t h ri ch p rpl v As c nsci s f it b ing h l ast f are w ll Of li g ht a d g l o ry t that f t d c i ty And a c l ds f b ttl d s t a d sm k A m lt d int o i b h ld t h T e m p l I di t b d d l n s e r ni ty Findi ng it s lf so l mn s anct ary I t h p r f nd o f h av n B y H r c l s ! t h sight might alm o st wi T he ff nd d m aj sty f R o m e t o m r cy ,
.
,
,
,
o
o
e
u
s
,
us
o
u
u
a
e
e
o
ou
e e
e,
er
e
a e
o
s o ur
,
e
er
u
e
n
’
e
e
s
e
,
,
a
ou
o
o
-
e
u
e
,
a
o
.
u
e
o
n
e
‘
e
re
a r
e
n un
’
s ur
an
n
e
e
e,
e
u
e
u e
o
e
e
o ou
e
o
e
o
a
e
e
,
e
e
e
n
e
o
’
e
3
.
It m o v d by t he pr aye r d e m an d— o f d e fi ant H e br e w m aid e ns t o Je ho v ah t o re p e at against ins o l e nt R o m e His j u dge m e nt up o n Egypt an d he r fur io us King w as
— a
e
L rd f ro m t H i cl u d T h L rd l k d d o wn p n t he p ro d A d t h h s t drav h avil y D o wn t h d p b o s m f t h s a T he e
o
ou
o
oo
e
n
’
u
o
e
ee
e
s
o
,
o
u
e
o
o
e
e
.
Wi th a q i ck a d s dd n sw ll P ro t h li q id ram parts f e ll ; Ov e r h rs a d v r ar Ov r v r y m a f w a Ov r Ph ra h s c r wn f g ld T h l d thu nd ring b ill ws r ll d As t h l e v l w at rs spr ad D wn th y s a k the y s a k lik l ad D w wi th t a c ry g ro an And t he m rni g that sh n u
ne
e
e
e
e
o
n
o
e
c
e
,
r,
o
o
e
e
n
e
or
n
,
o
su n
’
.
,
e
n
,
ou
o
o
o
e
e
n
e
o
’
ou e
o
n
e
a
o
u
u
e,
o
e
n
e
.
o
e
,
FIVE CE N TURIES OF E N GLISH VERSE
1 42 ’
T is H e — t i s H e , t he S o n o f M an h han o f On e t he ’
a
At
pp e aring
rig t d T h d arkn ss f who s thr T hat y d s raph H st b h ld wi th aw a d fe aring him t h r ainb w s p ring s O m r ld wings An d s p re ads it a hi g D wn t o t h gl ssy ea hi l fti st s at H rk— thund rs f r m hi s thro ne lik ste l c l ad armi s mar c hing T h C hri t t h C hrist c o mm ands t hi h m J R d m r Lo rd w c m w c m w c m e
e
su n - e ’
e
o
e
er
e
a
e
e
e su s ,
e
o
e
’
rc
o er
e
e
e
,
e
,
e,
o
e
o
n
.
e
-
us
,
.
,
e
ee
e
a
o
s
n
e
o
,
e
s
s
a
e
o
e
s e
o
one
e
o
e
e,
o
s
o
o
e
e
6
It w as r e c o gniz e d as a t o u c h o f g e ni u s w h e n t he b e au t e o u s m artyr in t he ver y e cst asy o f visib l e acc e pt anc e with in t he c e l e sti al h all s m an oe u vr e s t o spar e he r ag e d h e athe n f ath e r t he ag o ny o f s e e ing his d au ght e r s b l o o d A q i c k d s dd n c ry Of G lli as a d a p art ing i t he t hr ng P l im d h f th r s c o ming F rth h sp ra g A d la p d t h f r o wning he adsm an s kn s an d aid I d b s ch th sl ay m fi rs t a d q i ckly T i t h t m y f athe r may t s e m y d ath ,
,
’
u
a
,
’
roc a n
c
s
o
’
u
an
n
n
a
er
’
o
’
e
.
o
e
e ee
s
’
ee ,
e
a
s
e
ee
n
s
,
u
n
no
e
e
7
e
Inspir ati o n in d e e d I fo r o n e still f e e l animat e s t he e ntir e s u bst anc e o f t he p ai r o f tr ag e d i e s w hich h av e fur A p u b li c s atisfie d t o kn o w n i s he d m e with my e x a mp l e s Mil man fr o m an o cc asi o n al fr agm e nt us e d as a hymn lik e t he f a m o u s f u n e r al ant he m d t hy s ai t ly s l i s fl o wn Br th r th t g o ne b f r d s rr w i un kn wn Wh r t ars a wi p d f r m v ry y miss e s a l arg e p art o f t he e nj o ym e nt incid e nt t o s u ch ve rs e its e lf w h e n c o nsid e r e d a midst i t s pr o p e r circ u m st anc e s as a p l ant in its n ativ e s o i l If t he t hird dr a m a B e l sh azz ar is l e ss fin e 1 n t e xtur e an d t he m e l o dy t he p at ho s ar e m o r e o f st ag e pr o p e rtie s an d l e ss e vid e nt l y sp o nt an e o u s I attribu t e t he d e c line m ai n l y t o t he subj e ct T he c e ntr e t he piv o t o f t he po e m w as ,
,
.
,
o
e
e
e
,
o u ar
e
re
e u s , an
e o
e
e
e
o
n
e , an
e
o
.
o
ou s
-8
o
,
,
.
,
,
,
,
,
,
,
.
,
,
HE N RY HAR T MILMAN
1 43
n e c e ss ar il y t he wri ting o n t he Pal ac e wall an d with th at t he r o m anc e o f t he Je wis h m ai de n B e ni n a has n o d ir e ct c o nn e xi o n T he y m o ve al o ng d iffe r e nt l in e s whi ch o n l y c as u ally inte rs e ct N o thin g c o u l d b e m o re m anif e stl y fo rc e d th an t he fin al gro u ping o f t he mo n ar ch his m o th e r Wh e n t he Pr o phe t d e ciphe rs t he a n d t he H e br e w f ami l y b l az o ne d s e nt e nc e ho w gl aring again t he d e sc e nt o f t he po e m b e l o w t he l e v el o f t he B ib li c al n ar rative Y e t h e re t o o t he auth o rship i s int e rn all y c ap ab l e o f i d e ntific ati o n with th at o f t he e ar l i e r d r a m as T he Je wish girl s s o li lo qu y o n t he sum mit o f t he t o w e r o f B e l is fu ll o f m e l anch o l y h arm o ny B e l sh azz ar s acc o mp lishm e nt o f his pl e dg e t o t he h e r ald o f hi s d o o m is m a r k e d by a S p l e ndi d m ag -
,
,
.
,
.
,
,
.
,
“
’
.
’
.
n an i
mi t y
l d t h H b re w f o r th a ay d I t h p r o d r b l t all t h c i ty hail d f B lshazz ar T h ho W e c atch t he tr u e r o yal r ing b o th in th at an d in t he f alle n m o n arch s far e we ll t o e mpir e an d lif e S o m e e l e m e nt I am c o nsci o us is wanting t o l ift Mil m an s v e rs e b ac k t o t he r an k whi ch m u ch in it sti ll ch alle nge s T he wh o l e gl o ws b u t li k e t he su n in a mist W e m iss t he r ays whi ch s ho ul d gl anc e hithe r an d t hi the r t he sp o n t a n e o ns r e fle cti o ns b ac k fro m t he mi nds o f t he re ade rs an d fr o m wi thin t he p o e try its e lf T he wr ite r s th e m e s ar e in t he ms e l ve s e xal te d an d n o b l e H e w as e qu ipp e d by n at u r e a n d e d uc ati o n t o d e v e l o p th e i r l o fty qu ali ti e s Out o f his mat e ri al s he c o nst r uct e d in t w o c as e s at l e ast b e autif u l e d ific e s Y e t w e ar e s e nsib l e thr o ugh o ut o f a r adi c al w ant He r e an d the r e it is s u pp lie d ; but in ge n e r al w e d o n o t fe e l th at t o t he s ki lfu l bui l d e r s ar t an d t o a c e rt ain fie r y appr e ci ati o n o f t he qu al iti e s o f t he situ ati o n t he auth o r w as in t he h abit o f addi ng s o m e thi ng o f hi s o w n s o ul He — Go
e
n
e
ea
u
n o ur
e
e
o
’
o
rr
,
e,
e
’
e
9
e
.
’
.
’
,
,
.
.
,
,
’
.
.
.
,
,
.
.
’
,
,
.
1 44
FIVE CE N TURIES OF E N GLISH VERSE
e at all d o e s n o t li k e t he gr e at singe rs pr od uc e u p o n m e v e nts t he impr e ssi o n o f h aving p ass e d t he c o nstit u e nts o f his p o e try t hr o ugh his inne r n atu r e an d h avi ng se t th e m in A p e rc e ptib l e mo n o t o ny in his t he ir pl ac e s b r e athing o f it str ains t e ll s t he s a m e t al e H e stri ke s a singl e k e y c o n A pr e d e stin e d t in u ally th o u gh o n e o f d ignity an d p o w e r p o e t m ay pr e fe r a p artic u l ar n o t e he wi ll give signs th at W ith all th e ir f e e b l e n e ss T he he has m any at his d isp o s al Ho urs o f Id l e n e ss in d ic at e d m o r e pr o mi s e th an t he m agn i N e v e rth e l e ss it m ight fi c e n t Lo rd o f t he B r ight City h av e b e e n anti cip at e d th at w h at e v e r t he sho rtc o mings o f S amo r at an y r at e t he s ac r e d d r a m a s w o u ld pr actic all y T he p o e tic v o i d o b l ig e t he ir a uth o r t o b e a p o e t sti ll a fe w hymns an d tr ans l at io ns u n l e ss fo r a ft e r th e m d uring t wo thir d s o f a l if e time in fl icts a sh o c k as at a su dd e n d ar k n e ss I c an o n l y su r m is e a m e nt al r e v o l u ti o n A s imi l ar spir itu al ch ang e drie d up o r s e al e d t he fo u n t ains o f s o ng i n t wo o th e r m o d e rn s inge rs a s e ni o r an d a j u n i o r far mo r e s u b t l e an d o f wi d e r c o mp ass if n o t o f a str o nge r i nt e ll ig e nc e B o th e ar l y in mi d dl e l ife turne d fr o m c o nstructi o n t o an al ysis The critic al f ac ul ty in Co l e ridge to o k t he sh ap e o f th e o l o gic al m e t aphysics In Matth e w A r n o ld it w as a r ag e fo r t he c l e ar anc e o f r u bbish ; fo r t he b u s in e ss t o b e und e rst o o d i n a hi gh l y c o mp l i m e nt ary s e ns e o f a mo ral an d l it e rary d u st d e struct o r It b e c a m e in Mil m an i nqu iry int o t he b as e s o f e cc l e si astic al hi st o ry Thro u gh o u t t hi s s e c o n d st ag e o f hi s int e ll e ct u al d e ve l o pm e nt he d i d g o o d e v e n gr e at wo r k The r e w as c r e at io n as w e ll as d e m o li ti o n H e p u ll e d d o wn th at he m ight bui l d up Y e t s o m e wi ll r e gr e t with m e fo r t he s ak e b o th o f p o e try an d o f his f a m e th at t he mo rt ar o f t he f o un d at io ns he r e n e w e d had t o b e mix e d with t he l if e b l o o d ,
,
,
.
.
.
,
.
,
.
,
,
,
.
,
,
-
.
.
,
,
,
,
,
,
.
,
,
.
.
-
,
-
,
.
.
,
,
.
.
.
,
,
,
-
J O H N K E B LE 1 7 9 2— 1 8 66
C A N ON A I N G E R an admirab l e critic o nc e c o mme nte d t o m e o n t he c l ai m o f t he wr it e r o f a p o p u l ar hy m n t o r e sp e ct as a p o e t : Y o u k n o w t he stan d ar d o f p o e tic m e rit in hymns is n o t high Is it n e c e ss ar y t o pl e ad fo r s aint l y Ke b le s p o e tic titl e as it w e r e i n fo r ma p aup e r i s ? H e w r o t e in d e e d o th e r v e rs e s o m e o f i t o f w o rth ; fo r e x a mp l e a d e l ightf u l appe al o f wi ld fl o w e rs t o t he l o rd o f t he m an o r t o sp ar e f ro m his high f ar mi ng S had y sp o ts a d no o ks wh r w Y t may fl o rish s af a d f re e B u t as a wh o l e it is inc o nsi d e r ab l e an d by his hy mns he m u st vi rtually b e j u dge d W ith o u t g o in g th e re fo re o utsid e T he Chri sti an Ye ar an d Lyr a I n n o c e n t iu m I am g l ad fo r m y o wn s ak e t o b e ab l e fr o m th e m t o ans w er my qu e stio n — l i mit e d as it is in t he n e gative I fin d ge nuin e p o e tic s e nsibi l ity in a fair pr o p o rti o n o f th e i r c o nt e nts T e n de r n e ss symp athy j u dge me nt an d de li c acy aspir atio n s afte r t he n o b l e an d sub l im e ar e th e r e Eve ry wh e re I o bs e r ve a f e e li ng fo r b e auty a sinc e r e l o ng ing t o un d e rst an d an d i nt e r pr e t N atur e Eve ry o n e has fe l t t he s we e tn e ss o f s o m e fi v e o r six st anz as o f t he Ev e ning H y m n in T he Christi an Y e ar Occ asi o n al T h o u ghts o n c hi l d r e n s t r o ub l e s in t he Lyr a I n n o c e n t iu m 2 al mo st m atch th e m W ith e qu al intuiti o n an d affe cti o n at e n e ss Ke b l e dr aw s h appy l e ss o ns f r o m sic kn e ss t he h e art s s e lf d o ubtings mo ur ni ng an d d e ath At time s n o t ,
,
,
’
.
’
,
,
,
,
,
,
n
e
u
e
,
e
,
e
e
l
n
.
,
,
.
,
,
,
,
.
.
,
,
,
,
.
,
,
.
.
’
.
,
’
-
,
,
.
,
JOHN KE B LE
1 47
fte n he n e ars su bl imity ; as wh e n he i m ag ine s Chr is t s 3 wh e n he fo llo w s Passi o n in t he G ar d e n o f G e ths e m an e t he spirit o f t he Cr uc ifi e d A t l rge amo ng t h d ad ’
o
,
a
e
4
e
by t he S avio u r s si d e mus e s o n t he l o n e up l an d ab o ve t he w at e rs o f G e nn e s ar e t H e is n e v e rth e l e ss m o r e at h o me w h e r e he h abit u all y dwe l t th at is a mid sc e n e s o f n atu r al gr ac e an d b e au ty T he y m ake fo r him fitting fr a m e wo r k fo r e ve r y w o r d o f P r o ph e t an d Evange l ist H e had sat at W o r d s wo rth s f e e t an d l e arnt t o r e giste r e ach ’
o r , as
,
.
.
,
’
.
,
s ft to u ch invisi ble o
5 ,
by which N at u r e n e wl y b o rn at e ve ry succ e ssive s u nris e wo rk s he r wo nd e rs H e c o u ld h ave wr itte n a m o n o gr aph o n t h s ft g r n will w s p ring ing W he r t h w t rs g ntly p ss E ve ry w ay h f r arms flinging O e t h m is t a d r d y g r ss ,
.
.
e
o
e
ee
e
a e
er
’
an d
r
e
o
e
a
,
ee
o
ee
n
6
a
v o l um e s o n t he flo we rs o f t he fi e l d S w t n rsl ing f t h v rn l ski s B at h d i s ft airs d f d wi t h d Wh t m o r than m ag ic i y li s T fill t he h art s f nd vi w ee
u
’
s o
n
a
e
o
e
an
,
e
’
e
e
,
e
ou
n
o
R e lic s
a
o
e
ew
,
e
d n s b w rs As p re a f rag rant d a f ir As wh n y e o w d t he s nshin ho rs Of happy wand r rs th r e a r e of y u
,
e
E
’
e
s
cr
o
,
n
e
an
’
,
s
u
e e
e e
a
e
,
u
7
.
Mo u nt ains in p artic u l ar he l o ve d fo r th e ir c o mp ani o nship as b e de e m e d with He ave n Wh re i t hy fav d h nt e t rnal Vo ic T he r g i n o f T hy c h i c e ,
,
,
e
,
s
e
o ur
o
’
au
o
K 2
,
,
e
e,
,
FIVE CE N T URIES OF E N GLISH VERSE
1 48
Wh r u di tu b d by i a d e ar th t h s l Owns T hy ntire c ntr l t h m un t ain s s mm it d ark a d hi g h Ti Wh n st rms a h rrying by T is mid t he st ro ng f nd at i o ns f t he e arth W he r t o rre nts hav th ir b irth N o s o unds f w o rldl y t il as c nding t he r M a t h f ll b u rst o f p r ay e r Lo ne N at re f ls that he may f re ly b r athe And r o nd s a d b n ath A h ard he s ac re d t ne s t h fi t f l swe e p Of wi nds a c r ss t he s te e p Thro gh wit h d b nts— r m antic n te a d c l ar M e t fo a h rmi t s a T he whee ling ki t e s wild so li t ary c ry And s c ar c ly h ard o high T h d ashin g w at rs wh n t h ai is s till F r m m ny a t rr nt rill T hat winds se n b n ath t h shaggy f ll mis t w ll T a k d by t h b l S ch s nds a m ake de p sil nc i t he he art F Tho ght t o d o h p ar t F o r hi m e ach d ay m arsh al s a triumph al p ag e ant d awn with its e ve ry d e wy sp ar k j e w e llin g l e af an d b l o sso m t o t he gl o r y o f t he c l o u d s a b o ut t he s e tting sun To a c e rt ain e xte nt tho u gh in ge n e ral it m u st he c o n f e ss e d he d o e s vio l e nc e t o hi s o wn s we e t n atur e in d o g m atizi ng t o t he yo ung — he e v e n c o ns e nts t o vi e w t he fl u sh o f sp ringt ide 9 t he g ar l an d s o f M ay t hr o ugh a child s e ye s N o w an d th e n fo r mo m e nts he act u all y s e e ms th o ugh in a hymn al t o f o rg e t hym n o l o gy an d t o b e unc o nsc io u s o f a ll but N atur e s an d Mu sic s m agi c d T is misty all b o th sight a d s o I o nl y kn w t i f a ir a d sw t T i wand ring o n encha te d g ro u nd ° h Wit di zzy b ro w an d t o tte ring f e e t e e,
r
s
n
’
o
e
’
e
s on e
o
e
e
e,
u
u
ee
u
u
e
s
e
n
e
o
er
u
r
e
,
e
o
r
e
e
,
.
o
o
e
,
o
e
e
re
n
u
ou
r
ou
u
re
’
’
e
,
o
’
o
n
s n
u
,
’
e
’
e
o
o
e
e
n
,
r,
’
,
e
,
_
s
e
e
e
a
o
c
r
u
’
ou
or
e
o
un
,
e
r
e
e
e
e
e
ue
s
e
,
e
e
u
e
e
e
n
8
er
.
,
—
,
,
.
,
,
,
,
’
,
.
,
,
,
,
,
’
’
’
n
,
o
’
s
e
’
s
n
un
ee
n
1
.
FIVE CEN TURIES OF E N GLISH VERSE
150
ve rs e as He rb e rt s Cr ashaw s V augh an s H e rrick s it is t he br e ath o f life In Ke ble s it is n e ve r m o r e th an an acc ide nt H e t he d e vo ute st o f m e n t he m o st e m o ti o n al t he l e ast wo rldly a N ath ani e l with o ut g u il e o n l y by fits an d st arts b l az e s into fl am e fr o m his o w n s o v e r e ign th e m e I f e e l him w hile he d iv e r sifi e s an d p o lish e s his r hyth m d ri ll s his t o pics v e rifi e s his all usi o ns c o rr e cts his p u n c t u a ti o n t o b e always o n t he w atch against hims e l f H e is g u ar ding ag ainst e xpl o si o ns o f e nthusi asm w hich wo u ld h av e s we pt away his e xc e ss o f e l ab o rati o n an d t he p r o lix it y f at al t o in an y a fi n e th o ught In m o de sty an d shyn e ss l i k e t o H e rb e r t Cr ash aw Vaugh an he w as u nl ik e th e m n o t o f th o s e w ho invit e o r su ffe r t he w o rld t o c o unt th e ir h e art b e ats H e has s u ng A d w ll it i f s G d sho ld f l Al n r s c r t t hr o bb i ng pray r M y r adi r s p ring t o H v sp nd it z e al O c l d b r id l f this l w r ai
all, fo r
'
’
r e li
s i o u g
’
’
,
,
,
,
’
’
.
,
,
.
,
,
,
,
.
'
,
,
,
,
,
.
,
.
,
.
,
,
,
,
,
-
.
n
e
or u
s
our
o
u
ee
_
e ou
o
a
e
n
e
e
e
ou
ea
-
o
so o u r
s
n
en
o s o
,
nor
o
e
e
e
r
s
12
.
r u l e is true fo r w o rshippe rs ; n o t fo r t he p o e t w ho wr it e s o f th e m and hims e l f It is fr o m th o s e d e e p t hr o b bings s e cr e t e xc e pt fo r v e rs e th at e ss e nti al p o e t ry is disti ll e d Po e try d e m ands t he s acrific e o f t he p rivacy o f s o u l s A p o e t t o aspir e t o t he p e ak s m ust b e inc ap ab l e o f w ith ho l ding t he b e st a n d d e ar e st in his n at u r e Ke b le if so m ad e as t o h av e d ar e d th u s t o s u ffe r his spirit t o t ak e fi r e at all e v e nts d i d n o t le t it A lways he r e s e rve d s o m e t hi ng fr Om t he furn ac e H e c o nst ant l y w as p o inting o u t ho w Chr i sti ans he w ith t he r e st o u ght t o thin k o f E arth an d H e av en r ath e r th an ho w he hims e l f in f act th o ught N ot h aving fas t e ne d his s o u l t o t he st ak e he is n o t o f t he inn e r circl e in p o e tr y Wh e the r had he sub mi tt e d hims e l f he w o u ld h aveb e e n, w ho c an t e ll ?
T he
’
.
,
,
.
i
.
,
,
.
,
”
.
,
.
,
,
.
,
,
.
,
,
JOHN KE B LE
15 1
Chr isti Y r T h g ht i V r f t h S d y d Ho lid y t h gh t t h Y r F rty thi d d Oxf rd J h H n ry P ark r ti m I Oxf rd J h H y P rk r 1 846 Lyr 1 85 3 P m by t h R J h K b l Oxf rd a d L do o Mi c ll J m P rk r 85 C 1 869 P ti t i t t h L d f t h M r f M d f An m Orc hi d P rim l (Mi c ll P m) Vi l t D ff d il C w lip A Si t r d Fir (Lyr I t i m C hildr T r bl s ) E t r t 8 (Chri ti Y r) M d y b f t 2 E t rE M r i g t 1 Fir t S d y Aft r E pipha y t 4 Fift th S d y Aft r T ri ity t z 1 —2 d y Aft r T ri ity t z a 1 3 T w ti th S t i m C hild r Sp rt ) M y G rla d (Lyra I F rth S d y i Adv t t 5 (Chri ti Y r ) F rth S d ay i L t t z 2 4 5 d y Af t r T ri ity t 3 T w ty f rth S T he
a
es
11
s e
on
oe
o
,
un
or
o
.
o
ev
e
o
o
n
an o
o
.
un
a
o
n
:
n
e
s an
e.
s
o
,
e
an
s
,
er
u a
a
as e
o
s e
n n o ce n
on
o
e
an e o u s
oe
’
u
s
.
e
a
un
e
en s
,
an
ea
ou
.
n
e
a
s
,
n
s an
,
n
e
.
,
as
s an
s
-
'
9
1°
a
a
n
n n o ce n
s
a
un
ou
un
n
ou
un
-
en
n
ou
en
e
,
n
.
a
e
a
enr
s
a
e
.
un
een
en
s
e
.
e
ve , s
r
e
or
o
e se
n
on
,
.
n
.
e o re
o n n
u
,
an
,
a
s
.
e
,
-
o
s,
o
s
ou
n n o ce n
o
a
,
7
11
.
e
as e
5
ea
on
e
1
3
e
us
an e
s e
o e
.
a
.
1
ea
ou
rou
a
an
en a
,
,
s
s an e
u
’
en s
,
s
.
as
,
n
an
ea
,
,
s
.
.
s
o
.
.
s,
one, s
.
e
.
J O H N H E N R Y N E WM A N 1 801 — 1 89 0
O X F OR D l o gic an d m e t aphys ics an d Engl ish Chur ch l e th argy c o st l ite ratur e a gre at p o e t an d g aine d fo r it Dr N e w m an s e ar li e r pr o d u cti o ns sh o w e d a gr e at p o e m m o r e o f pr o mis e th an p e rfo r manc e The first in t he c o lle c ti o n o f 1 868 is s e p ar at e d fr o m T he Dre a m o f G e r o n t iu s d at e d Januar y 1 865 w hich cl o s e s t he v o l um e by a sp ac e o f fo rty ye ars N at u r all y t he c o nte nts m ight b e e xp e ct e d As n atu r ally it might b e t o d iffe r w id e l y i n ch ar act e r s u pp o s e d that t he e arli e r w o u ld h ave m o r e o f f ancy an d e nth u si asm On t he c o ntrary t he wr ite r is m o re s e l f r e strain e d l e ss m an i fe stl y f u ll o f o ri gin al id e as at t he c o m me nc e m e nt o f his p o e tic al c ar e e r th an at its e n d Whi l e as y e t unc er tain o f his the o l o gic al p o siti o n d o u bting his o ld vi e w s al arm e d by t he f ascin ati o ns o f t he n e w he c ur b e d his i m agin ati o n Wh e n he had fo u nd p e ac e at l ast if n o t N i r van a s atisfacti o n at t he s e ns e o f fin ali ty burst int o an a m azing an a m az e d e cst asy w hich tr ansm u t e d a l ak e o f fi r e int o a b e d o f r o s e s N o t th at t he h u n dr e d an d f o r ty thr e e p o c in s w hich pr e c e de t he Dr e a m ar e with o ut distinct ch arms o f th e ir o wn Th e y ar e d e vo u t with a m o d e sty an d g o o d t aste w hich hymn o l o gy o ft e n l ac k s Fr e qu e ntl y the ir spir it ris e s so high th at t he re ade r o f th e m f e e l s a sh o c k w h e n s u dd e n ly it s e e ms t o dr o o p an d sink Th e ir fau l t is a r e pr e ssi o n r athe r th an an inc ap abi l ity o f p assi o n at e n e ss a d e t e r m in ati o n t o m ak e p o e try a pr o p e rty o f r e l igi o n an d n o t r e l igi o n subj e ct m att e r o f p o e try Co mp ar e th e m with ,
,
’
.
.
.
‘
,
,
,
.
«
.
,
.
,
,
.
,
,
,
.
,
,
,
,
.
-
.
,
.
.
,
,
,
-
.
154
FIVE CE N TURIES OF E N GLISH VERSE
his t e n de r B irth d ay Off e ring o n t he gr av e o f his y o ung siste r L v li st m k t bl ith t kind st ! L ad w s k t h h m th fi d t Th gh t hy n m t u m t d ar ld n o t hav th h r w w G L ad a g iding b ac o b right T t rav ll rs t he E o f Li g ht W l c o m ay t hy St ar b f r Bri g it g ri f gl adn e ss o r s ; K n r g r t a d t arf ul y arning While s nf l t a d W hil s r tu rning O m r g rac io s tho u ght s b iding F v r q e lling so rr w chidi ng O wh n d ay li ght b l e ssing s f ail Transp rt f r sh a spi c f rau ght g al Sp arks f ro m th whi ch ft hav light d W ary h art a d ho p b e night d I this m n m t w ld r ais Di t ant f r m t h p b li c g az — F w will it f w kne w th ; the B t t h i b at i g h art s p rs A d th ir y s f nd tho ghts b e t k e n Th gh t hy am b s ld m sp k n Pass strang r a d de spis it Th s will r ad a d the s will p ri z it The m e rits o f such ch arming things h av e I c an b u t supp o s e b e e n s m o th e r e d u nd e r t he n e ighb o ur ing pi l e o f v e rs e pr e ss e d int o s e rvic e as a v e hic l e o f r e l igi o u s musings e t t n t h p try In th r c s s e o o e a e o ft e n m o m e nt o u s e o y infu si o n o f mi lit an t d o gm a m ay h av e d e n i e d p o pu l ar a cc e pt anc e t o pi e c e s o th e r w is e f u ll y e ntit l e d t o it M ar k fo r e x a mp l e t he l ight t o uch in t he M o nth o f M ary T h g r n g re e n g rass t h g li tt ring g r v T h h av n s m aj st i c d m T h y im ag f r th a te nd r r b we r A m re r e f l g nt h m e
e
o
e
e
e
o
e
e
o
e
r,
e
e
e
e
a
,
-
o
,
e
u
e
,
u
u
e u s,
e
n
,
,
.
’
n
es
e e.
ve
or
e
-
ee
e o
e
u
e
os
e
e
n
n
on
n
ee
s
o
e
e
e
ou
e
u
,
r
e
e
,
e
o
ou
e
e
e
a
o
es
,
ee
ou
e
es
ee
,
-
o
e-
s
e
ee
e
e
o
s
e
e
e
ou
en
o
e
o
n
u
e,
se e
.
e,
u
e
e
e
.
’
e
ee
e er
’
u
e r
n
e
e
e
e
ou
e
e
e
,
n
e
e,
o
o
o
,
e
.
e
n
,
ue
u
e
e
,
e
u
o
n
on
e
n
e
2
e
.
,
,
,
.
,
.
,
e
ee
e
,
e
e
e
e
o
’
e
o
u
e
e
o
e
o
e,
e e
o
e
o
,
e,
,
JOH N HE N RY
N E WM AN
15 5
T h y t ll u f th t P radis Of v rl s ting r s t And th t high Tr all fl w rs d f rui t T h sw t s t y t t h b t 0 M ry p r a d b a t i f u l T h ar t t h Q n f M y g arl ands w r ab t t hy hair O rd c y A d th y will n br ight if m o r e c o mb ative is t he Pi l gr im Que e n Th re at a Lady all t h g ro und R ay s f t h m o rning c ircl d h r o und S av th a d b ail t th G raci o s a d F air I t he c hill t wilight wh t w o ldst th u th re H r I it d s l at sw tly s id she T h gh I m q n a d m y nam e i Mari R bb rs h v rifl d my g ard n a d st o r F th y h v st l n my h ir f ro m m y b o w r Th y s id th y c ld k p H im fa b tte r than I I a p al c all H i p l nt d d p a d r ais d high Tw s p l ac o f i hard a d c o ld a w r th y A d wh n s mm r c am e it all m l t d aw ay N xt w ld th y b ar t r H im H im t h S p r m F t h s p i c o f t h d s rt a d g ld f t h s t r am ; A d m th y b id w and r in w d a d al n I this g r e n m rry l and whi ch o nc w a m y w A m me nt h said a d t h d ad shall r vi ve T h gi nt s a e f iling t h S aint s ali v e m y h m a d m y re ign I m c ming t r s c i m y t rain A d P t r a d Phili p a c l o An d he had in d ic at e d a gift fo r l o fti e r str ains c o ntr o ve rsi al fo r instanc e in R e frige rium Th y at r e t Th fi e h e at n t all b l t a d s t ain A d c o nv al s c nt t h y nj o y a b l s t R f r shm nt aft e r p ain Th s t o t h E d i E d n s gr t s th y li And he ar t h f u rf ld riv r as it hu rrie s by e
a
s o
e
e
a
e
e
a
e
,
ee ,
ee e
e
a
a
e
,
u e
,
o
e
n
ou
e
ea
ur
an
,
.
,
o
a
ou
’
e e
e
n
es
u
ue e
e
e
,
3
a
e
.
,
,
e
on
s
e
e
e
o
ee
e
,
o
n
er
u
ee ,
a
n
e
e
’
ou
oes
’
a
a
n
e
e
ou
or
e
e
,
a
e
a
s
e
s
e
n
,
a
r
o
e
o
ee
u
o
e
o
re
n
se
e,
e
n
o
e
e,
s
o
e
n
r
as
e
e
,
n
n
4
.
e
u
,
e
e
n
o
,
n
o
s
o
e
,
.
,
’
ar e
ou
e
n
e
,
e
,
ar e
ue
e
e
e
e
,
e
.
e
n
,
e e
e
e
o
n
e e
.
e
,
e
’
o
e
e
e
e
s
,
e
,
n
ee
.
e
n
e
n
e
e
e
e
e
e,
r
a
e
e
n
n
ee
ce ,
u
e
s
e
s,
a
,
e
ou
a e
n
e
a
n
,
,
o
ee
o e
e
a
e
e
n
u
e
e
a
e
’
ue e
a
a
e
o
e,
e o
s
.
n
e
,
e
e
e
’
e
e
o
,
e
e,
.
,
FIVE CE N TURIES
15 6
OF
E N GLISH VERSE
The y h ar it swe e p I dist anc d wn t h d ark a d s av ag g l e n S af f r m i t s r cky b d a d c u rr n t d p And e ddying p o ls t ill th n ; Th y h ar a d m kly m s a f ain t o kno w w H w l ng nt ir d u n sp e nt that gi ant s t r a m shall And s o o thi g s o ds Bl end wi th t he ne i ghb o rin g wate rs as the y glide Po ste d alo g t h haunte d gard n s b nds Ang li c f o rms ab id lawn an d gr o v e E ch i g a w o rds f w atc h T h v rse s f that hym n whi ch S rap hs chant ab o v e Y e t ag ain an d th e r e i s t he i m m o rt al P i ll ar o f t he C l o u d — fi r h e e o b e tte r k n o wn by its st t r w r d s with w hich he ar k as might h av e b e e n th o u ght t o r e ach hi s high w ate r m In hym n o l o gy in d e e d he n e ve r e xc e e de d that a po e t sw e e t s ad cry fr o m h e art t o h e arts fo r l ight t o l e ad a mid t he g l o o m F ro m t he fo r as a hym n it is unsu rp ass ab l e first l in e t o t he l ast w h e n t h ni ght i s g o n A d wi th t he m m th s ang e l f ac e s smil Whi ch I h v l v d l g sinc e a d l st awhil it might u n l e ss fo r wh at w as t o f o ll o w h ave b e e n he ld t o b e as p o e tic all y l o v e l y as v e rs e c an b e with o ut c e as ing t o b e p raye r B u t t hirty ye ars l at e r he acc o mp l ish e d r e su l ts in p o e try whi c h t he P ill ar o f t he Cl o u d its e lf c ann o t pr e te n d t o riv al Co nsi de r t he abs o rpti o n o f p assi o n int o pie ty t he e xto rti o n o f t he c o ns e nt o f an int e ll e ct as s e arc hi ng as V o l t air e s t o an abj u r a ti o n o f all spi ri tu al fr e e d o m t he r e nunci ati o n of j o y pity b e au ty W atch t he e r e cti o n o n f o un dati o ns thu s r e m o rs e l e ssl y l ai d o f a pi l e o f sub l i m e st f ancy The n s ay ho w w h e n an d w he r e l it e r atur e has o n l i k e l in e s e v e r m atch e d t he Dr e am o f Ge r o n t iu s In it N e w m an c o njur e s e
e
n
e
e
o
o
,
e
n
ee
o
e
e
u
o
o
u e,
ee
n
,
e
,
e
,
s
e
,
,
fl
e
n
e
o
n
o
.
un
u
e
e
n
’
ou e,
e
o n
e
s
,
e
’
o
,
o er
,
5
e
o
.
-
,
.
,
,
.
,
,
e
e
n
o
o
a
e
o
e
on
e
e
,
n
o
e
6
,
,
.
.
,
’
,
,
,
.
,
,
,
,
.
FIVE CE N TURIES OF E N G LISH VERSE
15 8
w t t sl p a d w I m e f h d A tr ng r fr shm nt f I f l i m iv lig htn s a d a ns A i xp r I w r at l ngt h m y s lf Of f r d m And n r had b b f r H w still i t i Am I aliv o d ad I am o t d ad I p o ss s f B t i t h b d y still A so rt f c fi d nc whi ch clings t o me Th t ach p arti cu l ar o rg an ho lds it s pl ac As h re t f o r c o mb i ing wi th t he re t Int symm try that wr p s me r nd And m ak s m ma a d s r ly I c o ld m o v D id I b t will i t v ry p ar t o f m i t i r hing O I t h wing s Of light o li ghtning n an nw ard c rse A d w milli n mil s ap art ow a Y t — i this p r m pto ry s v r anc Wr ght t i l ngthe ning m e asu r me nt s f sp ac e Which gr w a d mu l tiply by sp e d a d time m I t r av e rsing infini ty O B y ndl ss s b divi si n hu rrying b ac k F r m finite t wards infinit simal Th s dying t o f t h xp and d w rld Thr o ugh o u t his j o u rne yi ng he h e ars v o ic e s his c o nvo yi ng ang e l s Oh what a he art s b d ing m l d y Th e n t he sulle n h o wl o f d e m o ns o utsi de t he Ju d ge me nt Co urt s w arming H ng ry a d wild t c l im th ir p r pe rty And g ath r s ls fo he ll an d ag ain t he s o ng o f te nd e r b in gs ang lic al L a t an d m o s t c hildlik e o f t h s o ns o f G o d li ke t he ru shing f t he w ind T h s mm e r wind— am o ng t h l fty p ine s S w lling an d dying ch ing r und ab o t N w h r n o w dist nt wild a d b autif l While at t e d f ro m t he b ranche s it has st ir d D e sc end e cstati c o d o urs ; I
ee
o
,
n
e
r
e
o
e
e
e
,
s
o
.
e
n
e
or
e
,
e
se
n
e
on
o
n
e
e o
een
e e
ee
,
e e
as
’
u
es
e
re s
r
or
e
e
e ss
ne
11
a
no
n
e
e
a
s
ee
o
en
’
,
s
e,
,
e
e
a
e
e,
o
o one
e
e
or
s
n
n
,
e
us
e
o
e e en n
e
s
o
re
ou
n
o
ou
e
o
e e
ou
e,
e.
r
n
,
u
u e
e
on
’
ou
a
,
e
u
r
s
n
e
e
,
.
e
e
e
e
n
o
,
n
r a
e
e
u
o
o
,
o
u
e
ou
,
e e
e
3
o
’
-
,
u
u
e o
,
,
,
u
n
e
,
,
ou
a
o
e
o
,
r
,
e
e
,
'
s
e
e
“
o
e
u
e
e
,
o
e e,
e
a
o
,
o
o
n
u
e
,
u
'
,
sc
r
’
r
’
,
JOHN HE N RY wit h f aint
,
a ll
t he
ti m e
t hi n
but
,
an d
lo w ,
159
f ainte r
an d
m o re
an d
f ri nds ar und t h b d wi th t he p ri st S u b v e it W ho say t h Abs o l ute r e st d e l ight e m ancip ati o n y e t t he wh o l e thrill e d wi th a l o nging fo r ago ny o f p ain t o b e fi t t e d by — fir e t o abi d e h e r e aft e r in t he Divin e P r e s e nc e if b u t e r e I p l n g d amid t he av e ng i g fl m e I had o n e sig ht o f H im t o stre ngthe n me An d in a m o m e nt an d fo r a m o m e nt his wi sh gr ant e d — at t he c o st o f l ying b e fo r e t he T hr o n e sc o rch e d an d sh rive ll e d by t he k e e n s ancti ty W hi ch wi th it s e f u e lik a gl o ry clo the s And c ircl e s ro nd t he Cr u cifie d ! It is a g ain o f m e asu r e l e ss c o nte nt so o nl y th at his o r d e al b e c o mp l e t e d as he pr ays t o t he f u ll T ak e m e away a d in t he l o we st de e p T he re le t me b e A d the re i n ho p e t he l o ne nig ht watc he s k e e p To ld o u t fo r m e T he re m o tio nl e ss a d happy in my pain Lo ne n o t f o rl o rn The re will I sing m y sad pe rp t al strain Until t he m o rn The re will I sing a d s o o the my stri ck e n b re ast Whi ch ne r c a c e ase T o thr o b a d pine an d l ang u ish till po sse st Of i t s S o l e P e ac e The re will I sing my ab se nt Lo rd a d Lo v e Tak e me away That so o ne r I may rise a d go ab o ve And se e H im i n t he t ru th o f e ve rl asting d ay t he
v ic e
N EWM AN
o
of
e
e
n
,
e
o
e
,
9
e
e
.
,
,
u
e
a
n
,
.
fl
,
enc
,
,
,
,
e
,
,
10
u
,
,
,
,
n
,
n
-
,
.
n
,
,
,
,
e
u
,
.
n
,
’
n
,
,
e
n
,
,
.
n
,
,
n
,
11
.
T he
wh o l e hi gh str ange argum e nt ,
,
fo r
its m e taphysic al
FIVE CE N TURIES OF E N G LISH VERSE
1 60
d e xte rity an d d e pth is wo rthy o f Lucr e tiu s h o ld ing a v e r y di ffe r e nt b ri e f B u t m o st o f all le t u s b e gr ate fu l fo r dithyr a mb w o rthy al s o o f t he gr e at R o m an a gr and which au tho riz e s an inscripti o n o n t he r o ll o f B ritish p o e ts o f t he illustri o us n a m e o f Jo hn He nry N e w m an as much t o the ir h o n o ur in t he c o mp anio nshi p as t o his ,
.
,
,
,
,
,
Ve
Co 1 2 5 4
5 5
7 8
r .
se s
1 868
,
ri
Va
on
o us
cc
O
(J
asio n s
H
Lo n
.
d
on :
B r
r fi g r ti N 5 1 E p ip h y E A Birthd y Off ri g N 1 4 Th M th f M ry N 1 5 0 T h P ilgri m Q 1 49 N R frig ri m N 1 1 1 T h Pill r f t h Cl d (L d K i d ly Light ) N 81 J T h Dr m f G r t i J ry 1 865 N 1 66 I b id I b id I b id I bid T
an s
u a
an
e
on
o
e
e
o
,
.
t
Oa
es
.
a
ve :
on
e
u n s,
.
u
e
a
e
ea
,
o
a
,
o
ue e n
,
o
o
.
e
o
.
o
,
.
.
.
.
.
ou
e
n
e
on
ea
n e,
n
,
an u a
,
9
.
1 °
.
.
11
.
o
.
o.
,
.
un e
1 6, 1 833
1 62
FIVE CE N TURIES OF E N GLISH VERSE
p o n pi e c e s whic h it wo u ld b e i mp o ssib l e t o o m it with o ut t he cr e ati o n o f a p ainf u l visib l e gap in l it e ratur e T he S o ng o f t he S hir t is in p o ss e ssi o n o f a nich e w hi ch c o u ld n o t o th e rwi s e b e fi lle d b t t o b r ath t h b r ath Oh Of t h c wsli p a d p rimr o se sw t With t h sk y ab o ve m y h ad And t he g rass b n ath m y f t ly o sh rt h r F T o f e l a I u se d t f l B fo r I kn w t h w s f want And t h walk that c sts a m a l sho rt h r Oh b t f A r spit h w v r b ri f L v r Ho p N b l ss d l is r f G ri f B t o nl y t im f A littl w ping w ld ase m y h rt B t i th ir b riny b d My t ars m st st p f v ry dr p Hind rs n dl a d thr ad A s e c o nd w o u l d st and p ai nf u ll y e mpty w it ho u t t o o cc u py — t it he Dr e a m o f Euge n e A ra m t he w h o l e d o w n t o t he abr u pt sh u d d e r ing c l o s e Th t v ry night whil g ntl sle p T he r chi n y lids ki d T w st rn f ac d m s t t f r m Lyn Thr gh t h c ld a d h avy mist And E g n Aram walk d b tw n With gyve s p o n hi wrist Y e t an o th e r p l ac e he has p e rm an e nt l y appr o pri at e d by hi s hau nt ing H aunt e d H o us e — mur de r h aunt e d — with i t s rus t y st ains Ob c r ly p tt d t o t h d o r a d thenc With m zy d o b le s t o t h grat d c ase me n t Oh wh t a t l th y t ld f f ar inte nse Of ho rr r a d am az m e nt u
.
,
e
u
e
ee
n
o
e
e
ne
or on
e
ee
o
e
e
oe
e
e
o
e
ou
e
e
e
e
o
u
u
e
e
or
e
ee
e
e
ou
,
ea
,
e
u
e
e
e
e
n
e o
o
or
e
u
o
or one
e
,
o
e
u
.
ou
o
s
e
,
ee
e
e
e
e
e
e
o
ee
e
or e
,
n
e
o
1
e
,
,
,
e
a
u
o
e
e
e
e
’
ss
en
e
e
e
e-
e
-
ou u
e
,
o
e
,
ou
o
e
n
’
e
u
n
e
ee
,
?
s
-
,
s u e
s
u
a
a
o
e
e
o
a e
n
o
e
e
o
e
o
n
,
e
e
e
,
,
THOMAS HOOD
1 63
W h t hum n cr atur in t h d ad f nig ht H d c o u rs d lik hun te d h r t h t c r l di t c I H d s g ht t he d o r t h wind w i his fli g ht Strivi g fo de ar xist nc e ? I d o n o t c l ai m o n his b e h alf a mo no po l y o f c apacity fo r m e asuri ng ag ainst o n e an o the r t he p o we rs o f E ar th an d He ll ; b u t I kn o w o f n o n e but B ur ns who e qu als hi m in t he r e c o ncil i ati o n fo r t he p u rp o s e o f t he tr agic an d t he c o mi c Mar k t he tr o o ping o f m o nste rs t o ave nge t he attac k o f t he B r o c k e n f o rg e m e n u p o n H e ll s l o r d Awf l c v y s f t rri bl thin g s Wi th f rke d t ng e s a d v no m s stin g s O hagw e d b ro mst i cks a d l ath rn wi ng s A h v ring r o un d t h H t S hap s that within t h f cu s b right d b l ts Of t h F rg a lik e shad o ws had s o f night B t f rth r o ff i t h C l th d wi th th ir o wn pho spho ri c light A e s n i t h d ark st s p t s S nds th t fill t h ai wi th n is s Strang a d in d s c ri b ab l v ic e s Fr m H ag s i di ab li c al c latte r C ts that spi t c rs s d p s that c hatt r Sc r ps f c ab li ti c al m atte r Owls th t s c r ch a d d o g s that y ll S k l to n ho un ds th t wi ll n v r b f att r All t h do m sti c tri b s o f H ll S hri ki g f fl sh t o t ar a d tatte r B n s t shatt r A d lim b s t s c atte r And w ho i t i that m st f rnish t h l att r T ho s b l l o king m k o w w ll As I kn o w o f fe w thi ngs i n p o e try m o r e gr o t e sque l y t e rr i b l e t h an t he burning o f S at an t o a cind e r so I fe e l t he s ingu l arity o f H o o d s gif t fo r e l ic i t in g t he p o e try o f e ve ryd ay lif e Ho w d ainty is t he p ath o s e mp l o ye d o n a c o m mo n d e at h b e d a
e
a
a
e
o
a e
ou
o
n
e
e
e
a
e
r
e
,
o
s an
n
,
e
,
3
e
e
ue
a
,
,
.
’
u
e
o
o
n
e
re
o
e
,
o
e
e
o
u
n
e
e
o
ee
r
n
o
e s
o
e
,
,
e
e
a
ou
e
n
e
a
u
a
o
o
e
,
an
a
e
e
e
e
e
e
u
o
e
,
,
,
o
s
e
n
o
n
ue
e
e
e
o
e
e
e
e
-
,
n
,
a
or
,
o
ee
e e
n
e
s
a
e
.
o
e
n a
,
o
r
e
o
e
,
e
e
a
e
an
n
,
,
u
re
,
e
e
n
e
e
ou
e
,
,
a
,
o
,
e
u
o
,
u
en
e
n
e
e
4
,
’
.
-
L 2
“
1 64
FIVE CE N TURIES OF E N GLISH VERSE b re athi g thr o H e b r athi g o ft a d lo w f li f As i he b r a t t he w av K pt h avi g t a d f W
’
w at c h d he r
e
r
r
n
e
n
n
e
e
s
n
e o
n
ro
n
o
night
t he
,
,
s
e
’
e
.
m d t s p ak il nt ly w S sl o wl y m o v d b t As w had l nt h half o u p o w rs T k e he li ving t So
s
e
’
e se e
o
a
e
e
o
ou
,
,
er
e
r
r
o e
e
ou
e
.
ve ry ho p e s b e lie d o u r f e ars Ou r f e ars o u ho p e s b e li e d e t ho u ght h dying whe n she sl e pt And sl e e ping whe n she die d
Ou r
,
r
W
er
,
.
wh n t h m rn c ame di m a d ad A d c hill wi th arl y sho w rs H q i t y lids c l se d— she had A th r m rn th n r Pe rf e ct e v e ry l in e W e o we m o r e gr atitu d e fo r this inv e sti — t u r e o f simpl e d e at h s u c h as it is n o t b e yo nd t he l e ast o f u s t o aspir e t o — wi t h a q u i e t b e au ty th an fo r dithyr a mbs o v e r a C o nq u e r o r s bi e r T hat ind e e d is am o ng Ho o d s m e rits whic h he s har e s with t he princ e s o f s o ng th at t ho u gh he c an ris e t o t he h e ights he s e e s t he b e auty o f pl ain things A chi l d s e mbr ac e o f its m o the r is as o rdi n ary an d s e e ho w much it t o o sugg e sts t o hi m as d yi ng L v t hy m th r littl eo Kiss a d cl asp h n c k again H r ft r h m y hav e a Will kiss a d cl asp h n ck i v ai Lo v t hy m o th r littl Fo r
e
e
o
n
e
n
er
u e
e
e
e
no
e
s
,
,
o
o
a
ou
s
5
.
.
,
’
’
.
,
,
,
’
.
o
e
e
o
er
n
e
ea
ne
,
e
s
e
e
a
so n
er
n
e
e
e
n
n
.
e on e
,
G a z e u p o n h r l iv i g e y e s And mirr o r b ack he l o ve fo the e H r aft e r tho u m ay st sh dde r sighs T m e t the m wh n t h y c a no t se e G az e u p o n h livi g ye s ! e
n
,
r
r
e
o
’
e
e
u
e
e
er
n
n
e
.
,
1 66
FIVE CE N TURIES OF E N GLISH VERSE childi sh i gno ranc e oy B u t no w t is li ttl e j T o kno w I m f ar th r o ff f ro m Than whe n I w as a b o y I t w as
a
,
’
’
he av
e
’
n
7
.
Al r e ad y
I h ave instanc e d e n o ugh ad mir ab l e v e rs e t o m ak e a r e put ati o n ; an d ho w m u ch I h av e o mitte d ! B u t a t all e v e nts I m u st n o t p ass by R u th as she st ands b re ast high amid t h c o rn Cla p d by t he g o ld e n lig ht o f m o rn Lik t he swe the art o f t h W ho m any a g l o wing kiss had w
,
,
,
e
s
,
’
,
e
e su n
e
,
on
or
f air Ine s
,
3
w ho has
g o ne into t he W e st T o d azz l e whe n t he su n i s d o wn And r o b t he wo rld o f r e st ; She t o o k o u r d ay light wi th he r T he smil e s t hat w e l o v e b e s t Wi th m o rnin g b lu she s o he che e k And p e arls u p o n he b re ast ,
,
or
t he
all
-
su
fl
,
,
n
r
9
r
l o v e s o ng I l o v e the e — I l o v e the e T i all that I c an s ay I t i s m y vi i o n i n t he nig ht My dr aming i t he d ay T h v e r y e c ho o f m y he ar t T he b l s ing whe n I p ray I l o v e the e — I l o v e the I s all that I c an say
ic i e n t
-
’
s
s
,
e
n
:
e
,
e
s
e
10
.
Eve r y wh e r e sti ll thr o ugh o u t t he t w o sist e r vo l um e s t he r e ade r is sur e t o c o m e u p o n lin e s p hr as e s w hic h wi ll n o t c o ns e nt t o b e f o rg o tt e n Eve n in t hat u gl i e st o f p o e ms with gr e atn e ss in t he m T he L ast M an which f ascin ate s witho u t de li ghting th e r e is a r e d e e mi ng sp ar k o f p ath o s t he c o n f e ssi o n o f l o n e l in e ss by t he s ur viv o r o f h u m an k in d ,
,
,
,
.
,
,
,
.
,
THOMAS HOOD
1 67
h ang man w ho t o b e s o l e h e ir o f t he e arth had just str ung up his s o l it ary c o mpani o n a b e ggar m an I f t h v ri s t w ld li ck my h nd I c ld l v it lik a c hild ! So ag ain t he h u m o ur o f t he t al e o f Miss Ki lman se gg l e ave s sp ac e fo r a gri m indivi d u al pitif u l n e ss G ld still g o ld hard y llo w a d c o ld d h di d f g ld ! F o g o ld she had liv d
a
,
,
,
,
e
e
ou
ou
cu r
e
e
o
a
,
11
e
,
,
o
,
e
,
r
e
,
n
,
an
s
e
e
or
12
o
At an y inst ant a fig u r e s u d d e nl y wi ll start fo rth with an at o nc e e ntir e l y n at u r al an d e nt i r e l y app e al t o t he h e art t he o u tc ast o n t he riv e r b ank in gl aring Lo n do n o rigi n al with its c l o the d fe d an d sh e lte re d mi ll i o ns as wi th am z m nt She s to o d H s l ss by night ; t he sw ar m w ait ing fo r t he C asu al W ar d t o o p e n ; s e mp str e ss artis an wh o l e f ami li e s F th r m th r a d c ar f l child Lo king a if it had ne v r smile d ; Lyc u s t he c e nt au r th at had b e e n m an whe n t he n u s u s c t in g b o y ins ul ts hi s s ha m e at his b e sti al sh ap e with e p a handf ul o f gr ass an d in ang e r at its r e j e cti o n p e l ts hi m with sto ne s I f l t o t wh se f t t m t m o r dist r ss i hi l v th n his hat e ; W t he fish e rm an i n hi s st o rm t o st b o at o n t he le e sh o r e v r t o t hink M Oh G d C m s t o n r hi H m ! an d t he h a r d t ri e d p o e t hi ms e l f wit h his bi rth d ay wi sh fo r his d au ght e r o f bli s that l if nd rs all t h a no t f r m t e rs N t wi th t smil y strictly k pt T ,
,
,
,
,
,
,
,
a e
,
e
13
ou e e
,
,
e
a
o
,
o
e
n
,
e u
s
14
e
,
,
,
,
,
.
e
as
e
ee
o
n
e
n
a e
o
,
o
s
e
a
-
-
o
an
o
,
e
ea
o
s
o
e
e
e
15
-
,
,
e
oo
ea
e e
s
ou
o
e s,
e
15
17
.
r
e
,
o
FIVE CE N TURIES
1 68
N o n e has
or
E N GLISH VERSE
ve r m o r e e ntir e l y p o ss e ss e d t he s e cr e t o f su dde n asc e nts su dd e n h e art kin d l ings In s o m e s o rt all t he S e ri o us P o e ms ar e e x a mp l e s ; but w e n e v e r c an t e ll w h e n H o o d may n o t m o v e t o t e ar s in a pi e c e wh e r e t he m o m e nt b e fo r e he had b e e n j e sting e
-
.
Th r i o m si c i t h l if That s o unds with idi o t l ght r s o l ly Th re s n t a string att ne d t o mir th B t has it s c ho rd i Me l anc h l y e e
n
u
s n
e
e
au
e
’
e
e
u
o
,
o
n
u
18
.
D o ubtl e ss in c o mpe ns atio n afte r t he m ann e r o f p o e ts with r are e xc e pti o ns s u ch as Ke ats an d Gr ay he sink s is e cc e ntric with o u t b e ing o ri gin al t e d i o us n o w an d ag ain with o ut b e ing s o l e mn H e c an w e ar a s e ntim e nt thr e ad b ar e as in T he L ady s Dr e a m an d T he Lay o f t he L ab o u r e r His e nd l e ss f anci e s c an c l o y tho ugh in s u ch a g ar d e n o f d ainty d e vic e s as T he Pl e a o f t he Midsu m m e r F airi e s H e c an b e th o u gh v e ry s e l d o m m e r e l y d u ll as in T he H e c an sm o th e r H e ll e nic r o s e s T w o P e ac o c k s o f B e d f o nt a s in H e r o an d L e and e r in a thic k e t h o w e v e r fr agr ant H e c an c all a p a mph l e t an o f m e d i ae v al e mb e ll ishm e nts Od e as his e pis tl e t o R ae Wi l s o n an d sp o i l a ch ar ming s o nn e t with a p o o r p u n B u t m e as u r e t he g o o d against t he i ll ; an d t he f ai l u r e s ar e n o w h e r e As a b o y I h e ar d n o thing o f H o o d as a p o e t m u ch o f hi m as a h u m o rist T he S o ng o f t he Shi rt s u rpris e d my l itt l e w o r l d wi th o u t p e rs u ad ing it th at it had t o w o rship a p o e t t he m o r e D u ring my und e rgr adu at e d ays I first l e arnt t o appr e ci ate hi s p o e try ; an d I h av e r e ad an d a d mir e d it e v e r sinc e N o t t he l e ss w h e n r e c e nt l y I s u r v e ye d it as a w h o l e I st o o d a m az e d T he m e l o d y t he t e nd e rn e ss an d symp athy t he f ancy I find in e xhaustib l e Ab o v e all is t he un e xp e ct e d n e ss Wh e n I h av e b e l i e ve d I had e xpl o re d all t he singe r s ,
,
,
,
,
,
.
’
.
,
,
,
.
.
,
,
,
.
,
,
,
,
.
,
,
.
.
.
,
‘
.
.
,
.
,
,
,
,
.
,
,
’
.
E L l Z A B E T H B ARR E TT B R O W N I N G — 8 0 1 6 1 86 1
k ind t he f o r e m o st wri t e r o f English p o e try but a p o e t e ss Or sh all I ch anging o n e wo r d say — an d a p o e t e ss F o r with b e au ty e v e ryw h e r e an d w o m anli n e ss a s u biq u it o us I d o n o t pr e sum e t o d e cid e o n t he in d e n d th e n e n d n n f t th r W m n w rit e rs n o w a e e ce o e o h e o e o p l i k e G e o rg e S and an d G e o rge E li o t if n o t Curr e r B e ll h ave diss e mb l e d th e ir s e x Ei t h e r th e y h ave disd ain e d all o w anc e s fo r it o r t he y h av e d istr u st e d t he sup e ri o ri t y Mrs B r o wni ng had n o n e o f th at o f t he o t he r t o pr e j u dic e aff e ct ati o n On t he c o ntr ary she m ay o r appr e he nsi o n b e s ai d t o h av e gl o ri e d in b e ing a wo m an In an y c as e he r v e rs e wo u l d h av e pr o c l aim e d t he f act N o n e b u t a w o m an — o r p e rh aps a w o m an i m m u r e d fo r — a f r a l a rg e p rt o he l if e in t w o r o o ms c o u ld h av e i m agin e d 1 t he r e p u l s e o f a l o v e r b e l o v e d as in Insu ffici e ncy an d t he m artyr s cry o f D e ni al I l o v th n o t I d ar e n o t l o v e t he e go I n il e nc e ; dr o p m y hand I f t ho u s e e k r o s s s e e k th m whe re the y b l w I g ard e n all ys n o t i d se r t s and Ca l if a d d ath ag re e That tho u sho u ldst st o o p t hy s o ng t o my c o m pl ain t ? I c anno t l o v e th e I f t he w o rd is f aint Lo o k i n my f ac e an d se e T he sp l e ndid u nr e as o n o f D u c he ss M ay t he s e lf d e v o ti o n t o d e ath o f t he Cr u s ad e r s brid e p ag e an d t he s we e t abs ur ditie s n o t t o b e r e ad by an m l p rs n w t ut b l ush f o a e h e o i o a y —
OF t he
.
,
,
,
,
,
-
.
,
,
,
.
.
.
.
,
,
.
.
,
,
’
e
ee
,
s
.
e
n
-
n
e
e
,
e
n
,
n
e
e
o
e
.
,
.
,
?
-
,
’
-
,
,
,
ELIZA B ETH B ARRETT B RO W
N IN G
171
Lad y G e r aldin e ar e all fe minine So is t he c o n flict w ith its r e s u l t b e twe e n t he e g o tism o f Is o b e l s m ate rnal l o ve a n d he r sic k c hi l d s cr aving fo r his h o m e w ith t he Ang e l s T he gri e f o f t he d e ad bl in d b o y s m o th e r t hat she c an b e n o m o r e his sun an d m o o n ,an d his s l av e b e tr ays t he s a m e Path o s a c o m m o n gift o f p o e ts is fo r he r au th o r s hi p st e e p e d in he r fe mininity Into t he d umb affe cti o n o f he r d o g t hi s r e ad s t he inst inct t he i mp u l se t o sh ar e his mistr e ss s distre ss with o ut r e quiri ng t o c o mpr e h e n d o r j u stify it .
,
,
’
,
,
’
.
’
,
,
.
,
,
.
’
,
,
,
And if o o t w qui ck t ars D r pp d u p o n his gl o ssy ars O a sigh c am e d o b l Up h sp rang i e ag r hast Fawning f ndling b re athing f ast I a t nd e r t r b l r
ne
o
e
o
e
e
u
r
,
o
e,
,
,
ou
e
n
e,
e
n
e
,
e
,
3
.
In Wine o f Cypr u s n o b l e st t o m e o f all he r v e rs e I f e e l it e qu all y in t he a ffe ctio n at e e n de avo ur t o b al anc e as it we r e by he r o wn w asting sic kn e ss t he e arl i e r an d di ffe r e nt c al ami ty o f he r age d tu to r in Gr e e k F o nd l y as she t hank s hi m fo r his gif t o f He ll e nic win e she r e c all s th e ir stu di e s t o ge th e r in Attic tr age d y ,
,
,
,
,
,
.
,
,
think o f tho s l o ng m o rning s Whi ch m y tho u ght g o e s far t o se e k W he n b e twi xt t h f o lio s tu rning s S o l mn fl o we d t he rhythmi c G r e k Past t h pan t h m o unt ai spre ading S w pt t he sh e p s b e ll s tin kling no is Whil e a girlish v o ic e w as re ading S o m e what lo w fo ai a d o is
An d I
e
,
’
e
,
,
e
e
e
e
e
e
n
’
e
,
’
,
r
s
n
.
Th n what g ld n ho rs w r f W hil w s te t g th r th r H w t he whi te v sts f t h c h s S me d to wav p a l ive ai e
o
,
e
o
e
u
e
o
a
e
ee
e u
e
o
o r us
e e
e
e e,
e
o ru r
e,
1 72
FIVE CE N TURIES OF E N GLISH VERSE c o thu rns tr d m aj ti c D o wn t he d e e p i am bi c line s And t he r lli g anap ae sti c C rl d like v ap o u r o ve r shrine s H o w t he
es
o
,
n
o
u
e
As l s nd r s dr l d r T r l d wd nd r s k b n th I t h gnarl ed S p h c l s t h r y al Oh b r t m nar c h s pl ac W h w And w ho m ad t h wh l w rld l y l L ss by ki gly p o w r than g rac e ou , Oh o u r e chy u , t he t hu b e ath o v e t he b o t e H o w he e g e it p o h o u gh t he c o u , t o ,
,
o ur
o
o
o
as
o
e
e
,
n
o
e
,
’
e,
o
o e
n
e
o
o
e
o
e
a
,
e
ri pid s t h h m an With hi dr pping s f warm t ars A d hi t o c h s f thing s c mm n Till th y r s t t ch t h sph re s Th o c rit s o Bio n O A d o u Pi nd ar s shi ni ng g o als Th s w r p b r rs ndyi g Of t h win th t m ant fo s ls Ou r E u
e
s
o
u
s
n
e
u
o
e e
,
o
e
ur
,
,
e
,
’
e cu
e
ou
o
r
n
e
o
e
o
,
o
e
e
ur
u
e
,
ou
ea
e
oa
e
n
e
e
e
ea e
-
’
a
u
s
n
e
,
r
ou
.
And my Pl at t h di vin o If m kn w t h g ds aright B y th ir m ti s th y shine With a gl ri s tr ail f light And y r n bl C hristian b ish ps W ho m th d g randl y t h l a t G r k T h gh t h s p ng s th ir hyss p s W r di t nt wi th win — t w ak o
en
o
e
o
ou
o
e
ou
e
e
o
ou
e
e
on
o
ou
e
e
,
o
as
e
on
o
o
e
on
e
,
s
ee
e
s e
e
ne,
o
e
oo
e
r st my ti c m aning K pt Ca andr t t h g te With wild y s t h visi n sho n i A d wid no st rils s c nti g f at A d Pr m th s b o nd i p si n B y b r t F r c t t h b li d st n S ho w d l ks f i v c atio n T rn d t c e an a d t h su
Fo r
t he
— a
e
e
e
e
e
n
o
e
us
e
eu
,
o
e
oo
o o
o
,
e
e
u e
e
a
o
e
n
u
o
a a
ss
e
s
.
n
u
o
n
n
e
as
n
e
n
n
.
,
.
o
o
o
e
n
e,
174
FIVE CE N TURIES OF E N G LISH VERSE And I
i g i g l u d a d tru t f ail A d w et — I do gh I i t u p n a cyp r s b C lo s t t h gate a d I fli g my s o ng Ov r t he g te a d thr gh t he mail Of t he w ard e n ang e ls m arshall e d st r o n g Ove r t he g ate a d aft r y o u And t h w rd n a g ls l t it p ss B c a s th p o r b ro wn b ird al as S i g s i t h g ard n sw e t a d tr And I b ilt my o ng o f hi gh p r no t s N o t aft r no t he i ght o v e r h i ght Till I strik t h ar ch o f t h In fini t An d I b rid g e aby sm al ag o ni s With str ng c l ar c lms f harmo ni s And s o m thing ab id s a d s m e thi g flo ats I t he s ng whi c h I i g aft e r y o F ar y w ll f ar w ll s u ppl i e s e the r e al tints t o a Po rtr ait I will p aint he a I h T tim s hav t h lili s bl o wn S inc h l o k d p n t h A d h f ac i lily c l ar Lily sh p e d a d d pp d i d ty ty T t h law o f i t s o wn b Oval ch ks nc l r d faintly Whi ch a trail f g ld n h ir K p s f r m fadin g ff t o ai An d a f r h ad f ir a d s aint l y W hi ch t w bl y s u nde rshine Lik m e k p ray rs b f o re a shrine Fac a d figu re f a child Th u ght t o c alm y think a d t nd r F t h childho o d y u w o ld l nd he r Y t c hild sim p l u d fil d F ra k b di nt waiti g still O t he t rning s o f y u r will n
am s n
e
s
s
.
ou
es
e
o
n
,
a
e
e,
no
,
o
e
n
o
n
n
ou
n
,
n
e
e
a
u e
e
e
e
e
e
n
a
o
,
,
,
'
n
e
n
e
u
e
,
u e
s
e
e
ue .
n
e
e,
e
e
,
e
e
,
e,
e
o
a
e
,
e
e
e
e
e
e
,
r
en
e s
o
e
e
u
e
ee
a
r
,
e
e
,
e
.
o
n
,
o
o
or
,
e
e,
,
,
ou
,
u
o
-
n
a
n
ue e
e
e
e
o
e
e
o
e
u
.
,
o
o
o
e
u
n
o ou e
e
e
.
,
ro
o
n
e su n
e
n
,
e au
ee
e
e
o
-
,
er,
e
o
n
5
e
s
a
o
o
,
u.
se e
e
e
er -
n
,
e
s
e
n
e
s n
o
n
o
n
e
e
e
,
n
,
o
n
.
e
e
.
,
,
ELIZA B ETH B ARRET T B ROW N I N G
1 75
po t kne w h H w ld si g f h wi th f lls U d in l v e ly m adrig ls And if an y painte r dr w h H e w o u ld p aint h r u naw are With a hal o ro nd t he hair It g athe rs fl o we ring fr o m t he grav e o f Co wp e r a r e e an t a tio n o f his d e sp ai r Lik e a sick child that kno we th n o t his m o the r while sh ble sse s An d dro p s u p o n his b u rning b ro w t he c o o lne ss o f he r kisse s That tu rn s his f e v e re d ye s aro und My m o the r ! whe re s m y m o the r As if su ch te nd r wo rds an d de e ds c o ul d o m e fro m any o the r T he f e v e r g o ne wi th l ap s o f he ar t he se s he b nding o e r him H e f ac e all p al e f ro m w atchf u l l o ve t he nw e ary l o v e she b o re An d if
an y
e
ou
n
e
se
er,
a
er
o
a
o
e
.
er,
e
“
u
.
,
,
e
,
’
e
e
c
e
,
e
r
r
’
e
,
u
,
hi m
T h s w k t h p t f ro m t he dr am hi lif s l g f v r g ave him B ne ath tho s d p p ath ti c E y s whi ch cl o s d i d ath t o s av him Happi l y t he l ight o f t he t o mb w as n o t n e e d e d t o r e ve al t o h e rs e lf th at jo y m ay b e n e ighb o u r t o affl icti o n I th g ht nc ho w T h c ri t s had s ng Of t h sw t y ars t h d r a d wishe d f y ars ac h i g r ci s h nd pp ars W h T b ar a g ift f m rt als ld o y o ung And a I m s d it i hi nti q to ngu I aw i gr ad al visi n thro gh m y t ars T he swe t sad y ars t h m l nc h l y y ars Th s f m y o w lif who by t rns had fl ng A had w ac ro ss me Str ightw y I w a war S w ping h w a m yst i c S h p di d m v B hi d m a d dr w me b ackw ard by t h ha r And a v i c said i m ste ry whil I stro v G ss w wh ho lds th D th I said B t the r T h sil v r answ r rang N t D e th b t L v If she e ve r we ari e d o f lif e it w as r e st t o t he b o dy that she cr ave d n o t t o t he s o u l u
o
e
e
e
oe
e
e
ee
e
s
’
e
e
on
e
e
n
e
or
e
e
,
7
e
.
.
ou
o
e
ee
o e
o
e
e
e
s
o
e
n
e,
o
ue
e
no e
e
e,
e
o
e a
,
e
,
u
u
a
a
a
s
o
e
e
n
e,
i
e
a
’
ea
ee
o
,
e,
e
,
o
e
’
e
e
,
,
ue
o
n
e
u
.
,
a
,
r
e,
o
ee
o
s a
,
n
-
a
o
e
e o
,
n
u
e
s
o
u
n
ou
a
u e
n
o
,
or
s
ea
e
n a
on e
u
eo
a
,
u
,
,
u
o
e.
’
8
,
e,
FIVE CE N TURIES OF E N GLISH VERSE
1 76
F rie nds d e ar f rie nds whe n it shall b That this lo w b re ath i s g ne f ro m m A d r o u nd my b ie r y e c m t w p m st l o ving o f y o u all L t On h f all N t a t ar m u s t S ay H g iv e t h H is b e l o v ed s l e e p 1 N o t aft e r all th at r e p o s e an d a cqu ie sc e nc e o f an y s o r t we r e t he qu aliti e s o f he r pr e di le cti o n On t he c o ntr ary he r f av o urit e m e nt al attit u d e is o n e o f s o m e t hing she fe igns t o b e re b e lli o u s wrath She is inc e ns e d with he r f ath e r l an d fo r its tr e atm e nt o f t he C aptive N ap o l e o n who t ru sting t o hi no b l st f o s W he n e arth w a all t o o g re y fo chivalry Die d o f th ir m e rc i s m id t h de s rt s a with t he wo r l d fo r its acc e pt anc e o f t he phras e Lo ve d Onc e as if it w e r e p o ssib l e t o hav e l o v e d an d c e as e t o l o ve — h u L v strik e s b u t o n e o r L v e T ho se ne v e r l o v d W ho dre am that t he y l o v e d Onc wi t h t he m ad fo ll y as we ll as g u i lt o f sinn e rs o f he r o wn se x in e xp e cting fr o m t he ir p ar tn e rs in e vi l — c o m m o n l y — t e mpte rs t he l e ast fid e lity t o t he l o v e the y h av e t aint e d she cri e s t o t he p o o r w r e t ch she is c o nfe ss ing Go Tho u hast cho se n t he Hu m an a d l e ft t he Divin The n at le ast hav e t he H u m an share d with the e t he ir wild b e rry w ine H ave the y l o ve d b ack t hy lo v a d whe n strange rs app ro ache d the e wi th b l am e H av e the y c o v e re d t hy f au l t with the ir kisse s an d l o ve d the e t he s am e B u t she shru nk an d s aid G o d o v e r m y he ad M st swe e p i n t he wr ath f H is j u dg e m e nt se as I f H e shall d al wi th me si ning b t o nl y ind e e d t he s am e And n o ge ntle r than the se e
,
,
e,
o
e
o
n
e
e
o
o
,
o er
e
o
er
9
e
,
,
,
’
,
ee
,
,
.
,
.
,
s
e
s
e
e
,
r
’
e
e
,
,
e
e
,
’
,
, !
o
e
o
e
e
,
11
,
,
.
n
,
e
,
,
.
e,
n
,
,
,
,
,
u
o
e
n
-
,
,
u
’
.
12
FIVE CE N TURIES OF E N GLISH VERSE
178
s e al ing he r t o mb An ae r ial c o nc e rt ; an d n o t t he l e ss f ascin ating fo r r e ade rs wi th a t aste fo r str ain s pur e l y spiritu al th at the y ar e as l ittl e b o un d t o s atisfy t he p o pul ar m al e e ar as wh e n an u n d e rgr ad u at e o f Oxfo rd I h e ar d o n e de stin e d t o ru l e it r e u se t he Uni o n t o fr antic app l aus e by j e e ring at t he l o ve l i e st o f t he l o v e l y w h o l e ,
,
.
P H ll
oe
a 1 3
4 5
,
by
ms
1 864
c
I n su ffi ie n
Fl
To
5
cy
a
e
e
o
5 .
my D o g
u s h,
of
W in e
a
n n
.
Cypr
st
,
.
t z
u s, s an
2
as
AD il en a
a
a o
a
e
’
ee
o
o
ne
e
s an
a
s
onn e s e
,
e
ee
vl
o s
,
as
e
s
.
u
e, s
o n e ss o n s, s
.
u e se ,
.
an
n
.
as
u
e
.
.
.
.
,
s
2
.
9 , 1 0, 1 1 , 1 2 , 1 3 , 1 4 , 1 5 , 4
an
o
.
.
.
e , s an
o
st
,
A Dr m f E xil A P rtr it t z 1 —6 d 1 3 —1 4 C wp r G r v t z 9 —1 0 S t fr m t h P rt g S ti T h Sl p t 9 Cr w d d B ri d t 1 3 L v d O c t 8 C f i t 9 o
r
Th
.
o
7
i z b th B rr tt Br w i g
El
.
.
onne
.
.
.
Ch p m a
an
C H A R LE S K I N G S L E Y 1 8 1 9 — 1 87 5
A N O T H E R e x a mpl e a m o ng m any o f t he c o n flict fo r N at u r e e xist e nc e o f f a c u l ti e s fitt e d fo r an al o g o u s p u rs u its Char l e s Kingsl e y w ith t he r aw m ate ri al in e quipp e d v arying pr o p o rti o ns o f t he f o rc e s which m ak e a p o e t a n o v e l ist a s o ci a l r e f o rm e r a stu d e nt o f sci e nc e a t he o lo gi an a hist o r ian Fr o m t he first th e y c o mp e te d fo r p o ss e s si o n o f him With t he p o we rf u l aid o f yo u th po e t ry s e iz e d L ate r o n with its o w n c o ns e nt m o n archy o n t he l e ad e rship A c o m m o nwe al th in which e ach d id w h at w as ab o l is he d s e e m e d go o d in its o w n e ye s t o o k its pl ac e T he m an b e ing s u ch as he w as an d his p o e t ic al gift what it w as I d o n o t s u pp o s e th at l it e r atur e e v e n p o e try its e lf has l o st gr e atl y by t he r e vo l u ti o n His ch ar act e r w as th at o f H e had a c e r t ain n u mb e r o f s o ngs in him a c o mb at ant t o sing ; s o m any arr o w s o f v e rs e in his q u iv e r Fo rth he s ho t hitting t he m ar k n o w an d ag ain Wh e n t he arch e r f o u n d his quive r e mp t y he dr e w s wo rd o r d agge r r o m anc e s e r m o n — an d b attl e d as m anf u ll y as e ve r e ss a y l e ct u r e I se e n o gr o und fo r b e l i e f t hat l ik e s o m e he c e as e d ve rs ify ing by c o mp u l sio n o f a m o r e m aste rf u l p assi o n o f his s o u l o r o u t o f in d o l e nc e s ati e ty o r inc ap acity m e nt a l o r m o r al Simpl y t he o n e spe ci al w e apo n had d o n e its w o r k an d he e xc hang e d i t fo r a n o th e r I am gr at e f u l in t he c ir c u m st anc e s fo r t he fact H e d o e s n o t c all u p in me an id e a o f inc al c u l ab l e p o ssibi l iti e s o f p o e tic al insp ir ati o n I t is w e ll th at he sh o u l d n o t h ave d e l u de d hims e lf into im agining d e sce nts o f t he spir it wh e n the r e w e r e n o n e ,
,
.
,
,
,
,
,
,
.
,
.
.
,
,
.
,
.
,
,
,
,
,
.
.
— .
.
,
,
,
,
.
,
,
,
,
,
,
,
.
.
.
.
.
M 2
FIVE CE N TURIES OF E N GLISH VERSE
1 80
uts e t o f his p o e tic al c ar e e r w as at o nc e dis app o int ing His S aint s T rage dy i s str o ng in t he wr o ng an d pr o mising pl ac e s I mys e l f am s e nsib l e o f ang e r rath e r th an symp at hy I k e e p w o nd e ring ho w m u ch m o r e o f p assmn at e r e as o n fo r inst anc e might n o t h av e ab l e n e ss R o b e rt B r o wn i ng insti ll e d int o t he h apl e ss s l av e o f he r o wn an d he r t e ach e r s f an aticism It i s a f ail u r e if a bri l liant o n e S u ch t o o I m u st o n t he s ame gr o un d o f a n e gl e ct o f pr o p o rti o n j u dge An dro m e d a t o b e T he pictu r e o f t he gir l w h e n he r — th r l v s r c k r o n t h e o as n o m o th e r c o nc e iv ab l y e e a e h mo e — c o ul d h av e l e ft a chi ld m ake s t he he art ach e as t he p o e t inte nd e d it sh o u ld Watc hing t h p l f the a d i d o wn a h w di d wi th th m T rl e ss du m b with maz h st d h l p l ss a d h p l ss Wid y d d wnward g zi g i v in at t h b l ack b l a k d arkn s T he
o
’
.
.
.
,
,
’
,
.
,
.
,
,
.
,
,
ea
rs
e
u se o
e
e s
a
,
e
e
,
oo
s
er o
e e
e
a
o
,
n
n
,
,
e
-
e
e
n
a
e
n
e e
o
es
n
e
,
1
.
l m o st d is app e ars in an ass e mb l ag e o f fi n e sc e n e s The b ac k gr o un d d e scrib e d in r o lling m u s ic al h e x a m e t e rs is t o o e ngr o ssing fo r t he acti o n an d t he ch ar act e rs T he d aw n li t high l ands g a mb o lling s e a nymphs a cc e ss o ri e s t he ch arms o f t he g o ld e n h air e d iv o r y l imb e d D e li v e r e r Athe n e s gr aci o us wisd o m ar e f u ll y an d me l o d io u s l y se t fo rth ; o n l y t he fat e f u l c o mb at its e l f with t he r e scu e is dis mi ss e d in thr e e c as u al l in e s As an o spr e y o n a d o l phin Thu s f e ll t he b o y o n t he b e as t thu s ro ll e d u p t he b e ast in his ho rro r Onc e as t he de ad ye s glare d into his ; the n his side s de ath shar pe ne d Stiffe ne d a d sto o d b ro wn r o ck in t he wash o f t h wande ring w at e r she
B ut
a
.
,
.
'
-
-
,
,
,
-
-
,
,
’
,
,
,
.
,
e
,
,
,
n
,
,
e
2
.
N e ithe r o f t he t w o
w o r k s w as t he fr u it o f r aw yo uth Th e y ar e th e i r au t ho r s o n l y p o e ms o f l e ngth an d n e ith e r has l ife in it A t t he s am e tim e e ach has abun d anc e o f th o u ght an d f ancy an d e ach giv e s t o k e n o f s o m e thing b e tt e r .
’
.
.
FIVE CE N TURIES OF E N GLISH VERSE
1 82
Kings l e y s r e ad e rs ar e n e v e r w i t ho u t a c o nsci o u sn e ss o f a c all t o a r ms o f t he stir o f a st o r my e m o ti o n which ha s w o r k I t vibr at e s in t he O u tl aw s s e t i m agin a t i o n at d e fi anc e o f l aw s f o rbi dd ing hi m t o p n G d s ai hills h nt G o d s c att l in his c o nte mpt fo r t he c e rt ainty o f a n o o s e in t he e n d ; an d in his pr a ye r t o his m o th e r t o st e al his b o d y fr o m the gibb e t b ri ttling o my d r A d wh n I am t a n a d ha git mi t h r Y ll o l ave yo r b airn t o t h c o rb i c r aws t o d ng l i t h ai B t y e ll s e nd u p m y t wa d o u c b r thre n a d y ll st al me f r ae t h tr And b ry me p o t h b r o wn b ro wn m irs wh r e I ay l o e d t b ’
_
’
.
’
u
e
e
e
n
’
n
n
o
e
e
’
u
o
,
u
e
n
e u
’
n
’
a
,
e
e
e
a
,
e
n
,
ee
e
’
,
e
n
r
e
e
ee ,
u
u
e
n
u
e
,
e
o
o
e
5
.
It inspi re d A Christm as C ar o l wi th its gl e a ms an d sh ad o w s al i k e I w t ighi g p ast t h C h r c h c r ss t h m rl nd dr ry thi e rth will l v Oh n v r i a d w a t a d w An d t h b lls b t m k t h w ailing r und th y sing o c h ry T h n ar s j yo s cl am r f r m t h wild f wl t h m r B ath t h st ars ac r ss t h sn w lik cl ar b lls ri ging List n C hristm as c ar ls v n h re A d a v o i c wi thi c ri d T h gh t h b e d u m b y e t th ir wo rk t h stars a d s o ws a e si ging ,
en
e
e
e
e
s n
n
u
e
o
e a
e
,
n
e
n
as
e
oe
n
e
o
o
e
e
,
e
ee
e
n
o
’
o er
e
e
e
on
e
,
e,
s
o
e
,
ea
ea
e
o
a
oo
a
s
o
ou
ou
e
’
.
e,
,
e
n
e
e
n
r
’
n
Ev e n
o
e
u
o
a
n
oc
en e
ou
u
e
n
s
.
Airl y B e ac o n has a fr e sh o f hi ll t o p air a b o u t it Airly B ac n Airly B ac n Oh t h p l as a t sig ht t S hir s a d t wns f r m Airly B ac W hil m y l v c lim b d p t m t he
d e sp air
o
f
-
e
o
e
e
n
e
e
,
n
o
e
o se e
o
o
Airly B ac o
o
e
e
u
e
on
o
e
Airly B ac n ; Oh t h happy h rs w l y D p i f rn o Airly B ac C rti g thr gh t h s mm r s e
n
e
,
ou
e
ee
n
ou
e
n
ou
o
e
n
e
e
,
a
on
u
,
e
’
d ay
m o v e m e nt
CHARLES
K I N G S LE Y
1 83
Airly B c n Airly B e ac n Oh t h w ar y haun t fo m All al n o Airly B ac o n With hi b by my kn I m u st ad d th o u gh o f a g u sty fr e e d o m t o o re b e ll io u s ag ainst law an d o r d e r t o b e a c k n o wl e dg e d l at e r o n by a Chur ch dignit ary t he t al e o f t he S wan n e c k s r e c o gnitio n — ho p e l e ss e v e n fo r a m o the r — o f t he b o d y o f Ki ng H ar o l d stripp e d an d gashe d an d fe atur e l e ss Up d sp k t h S wa c k high G t all y o r t ha s l t c r y H w I l v d hi m b s t f ll his l m an c all I wh m m B tt r k w hi b dy f air Than t h m the r whi ch hi m b ar R sin g e rn a d sall o w g l d R i g g r y w lf o ff his f d Ove r f rankl in arl a d than H ap s f m o th r nak d slai R nd t h d fi ld t r cing sl o w St p d that S wan n c k whit as sno w ; N v r b l sh d o t rn d w ay Till sh f o und him whe re h lay C li pt him i h armé s f ir Wrapt him i h y ll w h ir B r him f ro m t h b attl st d Saw him laid in p all o f l ad To k h t o mi nst r high F o E arl H ar ld s s l t y T he m e r it its e l f o f th e s e pi e c e s an d o f o th e rs th e ir is o f a k ind t o s u gge st that e q u al s o r all b u t e q u al s H e migh t t he w rit e r had r e ach e d t he l i mits o f his p o w e rs hav e b e e n e xp e ct e d t o p r o d uc e m o r e o f c o rr e sp o nd ing b ut sc arc e l y high e r r ank A p he no m e no n as in c e rtain o th e r po e tic al c ar e e rs is th at fro m t he s am e pe n wi t hin b r ie f if an y p o sitive inte r val s we find issuing thre e p o e ms ide al ea o
e
o
o
,
e
e
r
n
e
a
s
e,
,
on
7
ee
’
-
,
,
,
,
an
e
a
o
e
u
o
o
e
o
o
e
s
o us n
e
n
e
e
n
,
e
r
n
n
e
u
e
a
e
a
er
n
e
er
e
e
,
o
a
e-
e
o
,
e
n
o
,
,
e
-
e
e,
a
e
e
u
.
e,
e
-
e re
’
ee
o
o
e
e
,
e
,
oo
a
o
e
ou
o
o
ou
e
e
e
ne
e
,
ne
e
en
e
n -n e
er
o
r
’
ou
ea
,
,
e
a
,
,
“
o cr
.
,
,
,
.
,
.
,
,
‘
,
,
,
,
,
,
,
1 84
FIVE CE N TURIES OF E N GLISH VERSE
pe rfe ct Exc e pt fo r t he vari e tie s o f sad n e ss o r su ffe r in g t he y m o e t e a e u ch is c p l t c o ns m m at e e ar e w ho ll y d iff e r e nt y R e a d a h u ndr e d t im e s The S ands o f D e e ; an d th e r e is n e ve r a s e ns e o f trit e ne ss T he w h o l e is o n e l o ng dr aw n m u sic al n o t so b b u t sigh O Mary go a d c all t h c attl ho m And c all t h c attl h m An d c all t he c att l h m A c r ss t h S ands f D T h w st rn wind w a wild a d d a k wi th f am And all al n we nt sh g t h sand T h w st rn t id c r pt p al d And t h s and And r o un d a d r nd t h s and As fa a y c ld d hid t h l and T h r lling mist c am d wn And ne v r ho m c am h Oh i it w d o fi h o fl ating hair A t r ss o f g ld n h ir A dro wn ed m aid n s hair A b o v t h n ts at s o f ir W a n v r s lm n y t t h t sh Am o g t h s tak s D '
,
,
.
.
,
-
.
,
,
e
n
,
e
e
e
e
e
e
u
o er
n
s e
r
e
e
ee
s
s
s
e
a
e
r
e
.
a
,
’
se a
e
a
e
n
e
o
e
e
o
.
e s
e
e
,
an
,
o
e
e
e
e
r
,
,
se e
o
e
on e
on
a
ee
’
.
Th y r w d h i ac r ss t h r lling f m T h c r l c rawli g f m T h c r l h ng ry f m T h g rav b sid t h s a ; B t s till t he b at m n h ar h c ll t h c ttl A c r ss t h S and f D e
o
er
e
n
e
ue
e
ue
o
u
e
n
u
er
o
e
o
o
e
e
e
oa
oa
oa
e
o
,
,
e
ou
e
o
e
ou
e
o
.
on
’
o e r an
.
n
e
’
’
n
e
e
e
e
e
ee
s
o
e
o
o
e
e
e,
o
e
o
e,
,
,
e
e
er
a
s o
,
ee
e
e
a
e
ho m e
9
.
I c ann o t pr e t e n d that t he s e c o nd T he Thr e e Fishe rs vi e s w i t h th at in abs o l u t e b e au ty I t d o e s n o t c arry a b o u t i t t he s am e atm o sph e r e t he s am e s e ns ati o n o f u nd e fin e d p o ssibi l i t i e s t he s a m e abs e n ce o f a n in t nti n e o y in t he p o e t t o p o int a m o r al t o d o m o r e than t e ll a s t o ry ,
,
.
,
,
,
.
FIVE CE N TURIES OF E N GLISH VERSE
1 86
Stripp e d an d sc o urge d sh am e at t he r e c o ll e cti o n
j c l t s in he r h u sb an d
s he
,
to
,
e a u a e
ho rr o r
,
rthq ak c am t swall w m W il c r t ar nd a d wall a d r fs d ai w r f ll f y s art h A d ll t h E y s y s whi c h s c r ch d m y lim b s lik b rning fl am Until m y b rain se m d b rsting f r m m y b r w And y e t o e arthq ak c am And th n I kn w This b o dy was t y o u rs al n b t G d s a d aft r t h t H i l an— H n d d i t c m a d a y t o rt r m o r T h w rs t w A ch ng — a light ni g An d y e t n o h e all t he e
e
e
,
e
e
ou
ou
an
e e
a
n
u
ea
u
e
as
o
e
a
e
e
ve n crucifixio n its e lf sid e
e
—
u
n
e,
n
,
u
e
e,
e
a
u e
e
n
th at
fo r
by
w as
bri d e gr o o m s ’
he r
c rawl e d t o y o An d kisse d y o u r b l e e ding f e t a d c all e d al o d Y o u kno w all I am at p e a c Y o u he ard m Pe ac e p e ac a still a d b right as i s t he m o o n Upo n y o u r limb s c am o m e at y o r smil And ke pt me happy wh n the y dragg d me b ack F ro m that l a t kiss a d sp re ad m e o n t he c r o ss — n a n d a e And b o u d m y wrists nc l s D o n o t si gh a d sin c the y raise d m u p I p ray e d an d b o r it My e y s hav e ne v r l e ft yo u r f ac e m y o wn my o wn N r will t ill d e ath c o m e s I
u,
e
n
,
u
e
e,
,
e
s
e
n
s
u
e
n
,
,
e
n
e
e
e
o
e,
e
,
e
.
n
,
,
e,
’
o
e
n
,
o
e
e
o
e
oo
o
o
ee
e
o
n
e
o
e
e
no
s
u
e
u
e
e
n
e
s,
e
o
,
o
n
,
r
o
d
an
,
,
,
,
,
d e sir e he r pr aye r t o G o d is th at st re ngth m ay b e sp ar e d t he gibb e t e d pr e ach e r t o cry fr o m t he v e ry cr o ss : W rds which may w ak t h d ad Her
one
,
,
,
“
e
o
g s
a e
to
co m e
,
e
e
pr e dicts t he y w o u l d k n o w
she
,
his
And c r wn him m arty r d hi nam will ri g Thr gh all t h sh r s f arth a d ll t he tars Wh y a sparkling thr gh th ir t rs t H i t r i m ph— Pre ac h r ! Mar ty r — Ah — a d m an
o
ou
e
o se e
s
u
es
o
e
o
e
s
,
ou
re
e
n
e
n
a e
wo rth
s
ea
o se e
n
e
?
CHARLES KI N GSLEY
1 87
t y m u st c o u ple my p o o r am wi th hi L t t h m t e ll all t he tru th— s ay ho w I l o v d hi m Oh Lo rd A d t ri e d t o d amn hi m by that l o v R e t rni g g o o d fo e vil a d wa t his T he p ay m e nt I d e se rv e d fo s u c h a s i T o ha g he re o m y c r s a d l o o k at him Until w e k e e l b f o r T hy thr o ne i he av e I f he e
e
n
s,
e
e
n
,
e
u
n
r
n
s
r
n
n
o
e
n
s,
n
n
,
e
n
n
11
Engl ish p o e try fr o m Chau c e r t o T e nnys o n has b e e n rich in e x ampl e s o f wife l y w o m an l y p ati e nc e d e v o tio n s e lf sacr ifi c e B u t m any an d n o b l e as the y ar e I thi n k Sant a Mau r a o u ght t o r an k a m o ng t he b e st I val u e t he rh aps o d y n o t t he l e ss high l y fo r t he h u m an e l e m e nt o f h e r o w o rship b l e nd e d w ith t he m o r e p u r e l y c e l e sti al e x al t a ti o n I o n l y h o p e that t he au st e r e pr e ach e r o f t he G o sp e l e v e n as i m agin e d by Kings l e y m e rit e d it all I had tho u ght an d have n o t d ar e d t o se t b e sid e t he Thr e e t he Od e ad mirab l e in its e lf t o t he N o rth E ast Wind As simpl e singing in its e x u l t ant g e ne ro us ins o l e nc e it d e s e rv e s all h o n o ur ,
,
,
,
,
-
.
,
,
.
-
,
.
,
.
,
,
-
,
,
,
.
,
,
Wh t
ft So u t h W st e r T i t he l adi e s b re e z e Bri gi g ho me the ir tru e lo ve s O t o f all t he s e as B u t t he b l ac k N o rt h E ast e r Thro u gh t he sno w sto rm h rl d D ri v s u E nglish h arts o f o ak S e award ro un d t he wo rld C o m as c am e o u r f ath rs H ralde d by the e C o nq ri g f ro m t he astward Lo rds by l and a d se a C o m e a d stro ng wi thi u Stir t h Vik ing s bl d Braci g b r ai a d si w ; Bl w tho u w ind o f G o d ! ’
a
’
s
t he
so
e
o
’
s
,
-
n
n
u
-
,
-
e
o
u
e
e
r
.
e
e
,
e
,
,
ue
e
n
n
.
n
n
’
e
n
o
,
n
n
s
oo
ne
12
,
,
FIVE CE N TURIES OF E N GLISH VERSE
1 88
I f e e l h o w e ve r a spir itu al w ant in t he br av e b l u st e ring br e e z e whic h s huts ag ainst it t he r e gi o n o f i m m o rt al gr ie f o r b l iss w he r e th o s e o th e r str ains ar e e ntit l e d t o h av e th e ir d we ll ing an d w e sh o u l d h a v e t o T he Thr e e ar e l o v e l y c o nc e pti o ns r ans ac k a l ibr ary o f p o e try b e fo r e di sc o v e ring s u p e ri o rs in th e ir o wn c l ass I d o n o t s u pp o s e n e ve rth e l e ss th at gr e at n e s s c o u l d j u stl y b e attrib u t e d t o th e ir w rite r as a p o e t F o r th at a m an s b e st p o e tic al w o r k o ught t o s u gge st th a t it is supr e m e in qu al ity b e c au s e it fl o w s fr o m a fo unt ain o f inspir ati o n in hims e l f w hich is p e re n ni all y f u ll an d d e e p It is imp o ssib l e t o qu e sti o n Kings l e y s inspiratio n an y mo r e th an his g e ni u s It is p e r missib l e t o b e l ie ve t h at he he ld it at t he g e n e r a l s e r vic e o f t he wi d e cir c l e o f his l if e s wo r k His r o m anc e s his histo ri e s an d e ss ays ar e c o l o ur e d by it e ve n his s e r m o ns an d it e l e vat e s th e m m o re all N e v e r w as t he r e a n atur e an int e ll ig e nc e ge ne r o u sl y c u l tiv at e d m o r e symp ath e tic m o r e p e rvio u s t o all t he inf o r ming in fl u e nc e s t o t he e ntir e spirit o f its r ac e r an k an d age thr o ugh o ut whi ch m o r e c o nst antl y br e ath e d an ind e p e nd e nt e l e m e nt t he p o e tic B u t inspi r ati o n t o c o nstit u t e distinctiv e l y a p o e t an d n o t a m e r e o cc asio n al singe r insists u p o n e xc lu sive ne ss in t he v o c ati o n It p u nish e s dis o b e di e nc e by r e l e g ating t he o ffe nd e r t o a m ix e d gr a d e ; an d dis o b e die nc e w as thu s p u nis he d he r e H o w b e it o f thi s at l e ast I h av e n o d o u bt — wh ate v e r Kingsl e y s pe rs o n al statu s a m o ng p o e ts — that h o we v e r j e al o u s t he p rincipl e o n which a p o e tic al anth o l o gy m ay b e fr ame d v e rs e s o f his ar e s u r e t o b e n u mb e re d in it ,
,
,
,
,
.
.
,
,
.
’
.
’
.
’
.
,
.
,
,
,
,
,
,
,
,
,
.
,
,
.
,
.
’
,
,
,
.
A d md d Ev r l y L d E d iti M c m ill A dr m d n
e
ro
s e
on
1
n
e
a
an
on
.
a
.
o
e
on :
an ,
a, v v .
t r P m by Ch l J hn W P rk r S
O he
oe
o
1 87 2
.
ar e s
s,
a
e
on,
K in gsle y R e ct o r ,
1 85 8
.
Al
o
C ll ct o
so
e
.
1 06—1 1
2 .
b
I id
.
,
vv
.
39 1 - 3
.
f
ed
RA L P H W A LD O E ME R S O N 1 803— 1 882
E M E R S ON in t he o pini o n o f his o w n g e n e r ati o n r an ke d n e xt t o C ar l yl e as a t hink e r As a think e r he sti ll i s h e ld T he l a rg e r p art in bu lk o f t o b e pr o f o u nd a n d j u st l y his l it e r ary l ife w as d e v o t e d t o t he c o mp o siti o n o f e ss ays a n d l e ctur e s T o a gr e at n u mb e r e v e n o f his a d mir e rs he is u nk n o w n as a p o e t Y e t I s ho u ld b e much s u rpris e d t o l e arn th at he d i d n o t v al u e hims e l f as a p o e t chi e fl y If so fall ibl e as ar e au th o rs o n t he pr o p o rti o n at e v al u e o f th e ir w o r k s I b e l i e v e he w o u l d in his pr e fe r e nc e h av e j u dge d w is e l y H e might b e pr o b ab l y has al r e ad y b e e n r e p l ac e d as a phi l o s o ph e r he c o u l d sc arc e l y b e as a p o e t Lit e r atu r e w o u l d l e ss e asi ly d o w ith o u t W o o dn o t e s F o r e r u nne rs B acchu s S aad i M o n ad n o c th an histo ric al an d critic al sci e nc e with o u t R e pr e s e ntativ e M e n o r N atu r e D e l ib e r at e l y he v o we d hims e l f t o p o e try w ith a f u ll s e ns e o f t he o b l ig ati o ns e v e n t he divinity o f t he c al ling H e b e c a m e a v o ic e w ith a m e ss ag e fr o m t h e highe r P o we rs T he p o e t m u st b e mut e u nti l th e y uns e al his m o uth th e y had o p e n e d an d had shu t th e y must r e o p e n Y t a g ht m y li p s a s ing l s p c h A d a th and sil nc s H e n e e d n o t s ai l t he s e as o r s e arch hu m an ity fo r s ag e s t o i n struct him At t he d e stin e d m o m e nt a T e ach e r is at h and B h ld h w tch s t t he d o r B h ld hi shad w t h fl r S k t b y nd t hy c tt g w ll R d e m rs tha t a yi ld the all ,
.
.
,
.
.
.
,
’
,
.
,
,
.
,
,
,
,
,
.
,
,
.
,
.
,
e
u
e
n
ous
e
e
ee
1
.
,
.
e
o
e
o
ee
a
e
s
no
e
o
e
a
o
on
o
e
o
oo
a
e
a
'
e
e
e
c
n
e
e
,
RALP H W ALDO EMERSO N
19 1
Whil e th sitt st t t hy d r O t he d s rt s y ll w fl r List i g t t h gray hair d c r n s F lish g o ssi ps anci nt dr n s S adi th y rise i stat r T t h h i ght f mi g hty N at r A d t he s e c r t s tands re v al d F ra dul nt Tim i v ain c nc al d Th t b l s d g ds i s rvil m sks Pli d fo th t hy ho s h ld t a ks Le t him d w e ll al o n e n o t min d in g t he r e pr o ach o f f o lding his ar ms b e si d e t he wo o dland br o o k T h r w a n v r my t ry B t t i fig r d i t h fl w rs W a n v r se c r t hist r y B t b irds t ll i t i t h b w rs T he p in e tr e e sings t o hi m Sp k t t hy sp ch my b u g hs m ng P t ff t hy y rs w sh i t h b r z My h rs a p c f l c nt ri s Talk n m o r wi th f ee b l t o ngu ; N m r t h f o l o f s p ac a d t im C m w av with m n b l r rhy m O ly t hy Am ri c ns C r d t hy lin a m t t hy gl anc B t t h r n s that I r he ars Und rstands t he univ rs ; T h l e s t b r ath m y b ghs whi c h t ss d Bring s ag ain t h P nt c st T e ve ry s u l re so un din g c l ar I v i c o f so l mn ch r Am I t thin Ar t th s t hin And th y r ply F r v r min C o m l r wi th m t h f t al s ng Whi ch knits t h w o rld i m si c str ng C m lift thi y s t l fty rhy m s Of thi g s wi th thing s o f t im e s wi th tim e s ou
e
o
en n
oo
'
’
e e
n
a
e
o
e
,
,
se e
e
e
o
e
o
u
,
u e,
e
n
e
o
e
n
o
r
,
u e
e
e se
e
e
n
e
a
e
o
o
e
n
,
e
-
e
oo
a
oo
e
,
a
e
u e
ee
e
?
s
o
‘
,
e e
e
s
’
u
s
s e
u e
s
e
e
e
e
n
e
u
e
o
o
e
n
e
3
e
o
.
-
ea
u
no
ee
ea
o
ou
o
o
o
e
e
e
e
e
e a
c
,
o
e
e
e
e
o
o
e
ee
e
o
,
ea n
e
ne e
n
,
o ,
o
e
e
o
a
n
e
e e
e
e
e
e
e
e
,
e no
e
e
e,
e
e
no
.
e
o
n a
e
ou
e
e
o
e
e
e
o
e,
ee
e
a
.
n
o
n
e
e
e
a
e
u
e
o
e
e
o
ea
e
u
e
ee
e
e
u
a
e
n
e
n
an
a
,
ea e u
re
o
o
u
o
e
,
,
,
1 92
FIVE CE N TURIES OF E N GLISH VERSE
Prim v al chim s f a d shad d d ch ma a d m aid Of s o d r fl cte d i t h fl o d Th l B d y wi th sh d w still p rs d F N t r b t s i p r f ct tun A d r nd wi th rhym h v ry r n Wh th r h wo rk i l and a O hid d rgro nd h al ch my Tho c nst n t wav t hy staff i ai O d ip t hy p addl i t he l ak e B t i t c arv s t h b o w f b a ty t h r f r ak A d t h ri pp l i rhy m s t h than th T h w d i wi r f Th w d d w v th r kn w ac h naffi d N t nr l at d B t t ac h t h ght d thin g alli d I p rf ct N t r s v ry p ar t R t d i t h mighty H ar t Spirit vo ic e s th o ugh w h e nc e he n e ve r d isc o v e rs ar e c o ntinu ally s o unding in his e ar t o d ir e ct him o n his w ay L ng I f llo w d h ppy g id s I c u ld n v r r ch th ir id s Th ir st p i f rth a d t h d ay Br ks p th ir l ag r a d away F l w rs th y str w — I c atch t h s c nt O t f sil v r ins tr m nt Le av s t h wind m l di s tr ac Y t I c ld n v r e t h ir f a c I m t m any t r v ll rs W h t h r ad had s r l y k pt Th y aw t m y fin e re v lle rs Th s had c ro ss d th m whil the y sle pt S m tim s th ir stro ng sp e d th y slack e n T h gh t h y a t v rt ak n ; I sl p th ir j b il ant t r p i s n ar I t f l v i c s v rh ar ; I t m ay b e i w d o wast At un aw ar t i c o m e a d p ast e
e
e
un
an
an
e
e
o,
n
a
a u e
ou
n
r
u
n
e
a
e
es
oo
s
e
oo
an
u
u
e
oo
e
n
.
r,
e e,
e e ar
o
e e
e
o
o
e
.
e
.
,
an
’
s
ou
ar
e
a u e
e
,
u
e
ou
e
e
e
n
u
,
u
e
o
a
e
e
n
se
o e
s
er e
n
e
e
o
e,
e
e
e
.
e
er
o
u
ue
o r se
u
r
n
e
n
e
,
u
e
e un
,
o
o
ea
s
n
e
s
e
e
e,
n
n
e
o
or
su n
o
e
e
,
,
e
’
e
4
.
,
,
,
o
o
e
e
o
o
e
a
e
e
o
e
ou
n
ou
e
e
e
.
e
e
re n o
ee
e
u
un e u
o
e
o
s
o
e
e
e
e
e
e,
r
n
,
e
oo
oo
’
,
e
e
e
n
.
,
e
e
e
e
e
n o
es
.
e
u e
e e
o
e
o
s
e
,
e
s e
e
e
n
,
u
e
e
e re
e o
e
,
,
e
ou
e
s
,
ue
e
on
e
n
e
e
one o e
e
,
e
e
r
s
u
u
ea
e
e
ea
a
e
o
.
,
1 94
FIVE CE N TURIES OF E N GLISH VERSE
m u s t l e arn t o o b e y ; mindfu l always t h at he is b u t a minist e r e x e cuting An o the r s b e h e st It is t he lo t o f all gr e at s o u l s T h hand that r nd d P t r s d m And g r in d t h isl s f Christian R m e Wro ght i a ad s inc ri ty ; H im s lf f ro m G o d h c o u ld t f r H b ild d b tt r than h kn w Th i o s t o n t o b a ty g r w o T h p ssiv Mast r l nt his h nd him p l nn d T o t h v s t s u l th t And t h m p w r th t r ar d t h shrin B str de t h tri b s that kne l t wi thin E v r t he fi ry P nt c s t Girds with fl am t h c o ntl ss ho st Tranc s t h h ar t thr gh chanting ch irs A d thr o gh t h p ri st t h mind insp ir s N o t th at t o hi m ch o s e n th o u gh he b e m o r e th an h al f tr u ths ar e disc l o s e d Exist e nc e c o nstantl y is ask ing ri d d le s b e yo n d hu m an p o we r o f gue ssing T he Sp hi nx inte rr o g ate d r e fe rs man t o hims e lf Tho art t h un answe r d q e sti n C u ldst t hy p r p r y Always i t aske th ask th An d ach nswe r i a li In t he in e vit ab l e d ar k n e ss he will s e e k inspir ati o n fr o m L o v e fr o m t he Lo v e Ce l e sti al ab o v e all ; b u t al s o fr o m — D ae m o nic th at n o t b l ind b u t radi nt sharp st sight d g d Wh y s pi r c e T h U iv rs P ath fi d r o ad bu ild r M diat r r yal g iv r Eve n he m ay v e ntu r e a m o ng t he sh ad o w s an d unc e rt ain t y o f co m mo n Initi al L o v e n o t c o mpl aining o v e r much o f ’
.
e
ou
e
o
u
e c
e
e
e
n sc
a
u
e
s
o
e
a
o er
e
a
e
e
e
.
e
e
one
e
n
.
e
e
e
’
e
e
o
e
a
a
e
e
e
o
e sa
o
e
e
e
u
,
ee
u
e
e
a
e
e
e
e
e
e
no
e
u
‘
o
e
e
e
e,
o
o
s
n
e
e
e
e a
e
’
u
e
,
o
ou
e
e
,
“
e
e
,
.
,
.
,
.
I
u
e
o
e
se e
e
o
e
o
e,
e
,
e
u
a
e
s
1 0
.
,
,
,
a
e
,
o se e
e
-
e
e
n o
,
e,
er,
,
o
e
e
n
e
-
o
e
-
-
e
11
.
,
RA LP H
re b uffs t hat
;
fo r he
W ALDO EMERSO N
c o mfo rt hi ms e lf w ith
c an
195
t he
sur e tr u st
Wh n half g ds g T he g o ds arriv e B u t t he g u i d ing st ar o f hi s c ar e e r is s e rvic e t o t he Univ e rs e t o t he p e rf e ct w ho l e All a ne d d by ac h o N o thing i f air o r g o d al ne I th ght t he s p rr w s n t f ro m h av n S itting t d w t h ald r b u g h I b r u ght hi m h m i his n s t at v n H e si g s t h s o ng b t it c he rs w t d sk y F o I d id t b ring h me t h ri v r H e sang t m y a —th y s g t o m y y e
o
-
o
,
12
.
re
e
e
e
s
ne
a
ou
a
a
o
e
.
o
e
e,
o
r
’
on
n
o
n
o
o
e
e
e
n
o
no
e
r,
e
,
,
e
no
e
e
e
no
,
an
an
e
e
o
u
,
o
e
e
e
13
.
supr e m e busine ss o f t he Po e t S o u l thus is t o striv e t o c o mpr e he n d t he wo r king o f t he W o r ld S o ul H e must n o t b e sh o c k e d at w h at m ay s e e m t o b e t he d e ity s piti l e ssn e ss H s rv e th t h se r vant T h b r av e h l o v s am ain H kills t h c ri ppl a d t h s i k A d s traig ht b g ins ag ain g ds d light i g ds F A d thr s t t h w k sid T him w h s e m s t h ir c hari ti s Th ir arms fly p n wid
T he
-
-
.
’
e
e
e
e
,
e
e
e
e
n
n
o
,
ea
a
e
c
,
e
n
or
e
e
o
u
n
o
o
e
e
e
e
e
o
e
e
e
,
14
.
wi ll ne ithe r qu arr e l with his d ist rib u ti o n o f p o v e rty t o o n e an d w e al th t o an o th e r d o o m e d s o o n t o b e a dd e d t o hi s l and a l u m p o f m o u ld t he m o re n o r f o rg e t his b o unty in Spr adi g May s le afle ss blo o ms i a d am p no o k T o p l e ase t h d e se rt an d t he sl u gg ish b r o k in e nd o wi ng with w armth an d b ri ghtn e ss an d h o n e ye d s hr u bs an d vi n e s t he bur l y h u mb l e b e e He
,
e
’
n
n
,
e
o
,
-
,
N 2
1“
196
FIVE CE N TURIES OF E N GLISH VERSE I s ct l v r f t h s J y o f t hy d o mini o n S ilo r o f t he at mo sph re S wimm r thro gh t h wav e s V yag e r o f li ght a d e o E pi c r an f J ne e
n
e
o
e
o
un ,
o
e
a
e
u
e
n
o
u
e
o
n
n
17
u
in c o mmi ssi o n in g t o gl o rify all thi s e arth b e n e fi c e n t Spirit o f B e au ty Gu st f m illio n p aint d f o rms Whi ch i t rn t hy gl ry w rms a b rk T he f r ail t l af t h m y h a T he ac o rn s r a i b o w s t p T h swi nging s p id r s sil v r line T he r by o f t h d o p o f win f t h p o nd T h shining p bb l Tho i ib t wi th a b o nd I t hy m o m nt ar y p l y W o ld b a kr pt natu r t o re p ay ,
e
e
o
u
n
e
’
cu
e
’
e
e
u
e
u
n sc r
,
e,
e
o
e
,
,
e
a
u
n
,
e
.
H appy he r e an d the r e a m an w ho has l e arnt t he f e ast pr e p ar e d fo r hi m And s ch I k w a f r st se r A mi str l f t h nat ral y r A l v r tru who kn w by h rt E ch j y t h m o tai d al s im p art I t s m d that nat r c o u ld t r i A p l t i a y s e c r t p l ac e I q aking b o g o sno wy hill B n ath t h gr ass that shad s t he rill B t he w o ld c o m i t h v ry ho r I t o p ne d i it vir gi b o w r As if a s b am sh w d t h plac And t ll it s l ng d sc nde d r ac e Wh t o th rs did at dist anc h ar A d g ss d wi thin t he thi c k t s g l o o m W a sho w d t thi phil o so ph r And at hi s b iddi ng se e m e d t o c o me ,
,
u
ne
e
n
a
o
e
e
e
,
ea
,
ea
e
n
u e
n
,
n
,
,
e
e
u
u
e
e
n
un
e
a
s
-
e
u
,
e,
e
e
.
e
e
e
e
e
e
o
,
e
e
n
e
o
e
n
e
ue
a se
no
e
n
e
s
u
un
u
n
e
e
e
an
e
o
,
e,
ee
n
o
e
o
o
t he
r c,
e
es
n
u
’
r
e
,
,
n
e
,
urs
a
e ss
e
,
o
,
o
es
of
s
e
,
’
,
,
.
to
e
nj o y
FIVE CE N TURIES OF E N GLISH VERSE
198
Th y c l u r d t h h ri z n r o nd ; St rs fl m d a d f ad d a th y b ad All ch h rk d f th ir s nd Th y m d t h w dlands gl ad o mad I t ch this fl w r f silk n l f Whi ch nc c hild h o d kn w I t s ft l av w d m wi th a g ri f W ho b l am v r g re w H rk t y pin warbl r S i gi g l ft i t h t r H r t th O tr v ll r W h t h s i g th t m G l l y m a it s i t h T h y l v d th f r m th ir b irth T h ir h d w r p r a d p r th ir f ai th Th r s ch he ar ts r th Y c n t nl c k y r h art Th k y i g wi th th m Th il t rg n l d t cha t s Th m t r s r q i m B u t t he fi r e an d fl a m e o f f ancy he r e s e rv e d fo r e xp l o r a ti o ns o f t he Inc o mpre he nsibl e In t he m aj e stic hymn o r tr e atis e in w hich he s e e ms d e t e rmin e d t o pr o ve by e xpl ain ing it th at G o d he ad as i m agin e d in his sche m e o f B e ing is in e xpl ic ab l e he f all s int o an e cst asy Thi v lt whi ch gl ws imm nse wi th light I th i wh r h l d g s f night W h t k ch Tr v ll r if t h b w rs W hi ch b l m d f d lik m d o w fl we rs A b ch o f f rag r t lili s b O t h s t ars f t r i ty Alik t hi m t h b tt r t h w r T h g l wi g g l th tc a t c r Th m t t him by c t ri s A d 1 h p a e lik e t he b re z e k t i g l b a d g l xy Th H hid e i p r t r an p ar cy e
o o
a
e
a
e
e
o es
e
e
e
n
o
ea es
o
e
o
e
an
e
ou
a
e
e
no
e
e
s
en
,
a
o
e
u e,
e
n
ou
e
on e
ou
’
,
.
,
e
a
o
e
ea
on
o
s
u e
u
u
as e
e
e
e
,
e ar e n o
e
e
o
ee
s
e
ee
’
n
,
.
e
e
.
e
e-
a
,
e
e
n
n
ea
e
ne
one
,
e
on
e
ou
o
ou,
a
e
r
oun
a o
n
e
o
a s
en
or
e
oo
e
es
se
ea
s
e our
o
o
e
en e
o
u
o
n
ou
s
o
ea
a
e
e
’
u e
e
n
es
2“
.
,
.
,
,
,
,
,
au
s
s
e
o
e e
nn
a
ree
e
an
un
r
o
e
n
an
n
o
e
a
e
e
e
e
0
e
s
’
s
n
e
e
e
e,
,
e
en
o
s
u
e
ss s
n
u e
e
o
o
ea
e
e ou
,
e es
o u se e
e
a
.
n
e
o
ou
e
e
or a
e
an
e
e
o
s su
oo
e
o
se ,
o
,
e
e
n
s
a a
en
,
se
.
RALP H W ALDO EMERSO N Th
199
sk st i f tains a d i fi ss nc th t in q ir s H i th H i t h ax is f t h st r f t h s p ar H i t h s parkl H i t h h rt f v r y c r t r H i s t h m aning f c h f at r An d hi mind i t h sk y Th n ll it h lds m r de e p m o r hig h Th o ught as it flo w s fr o m him t u rns int o r e d ho t st e a m T he he a t is n o o cc asi o n al accid e nt ; it is an inh e r e nt pr o p e rty P hi l o s o phy in suc h g u is e m ay we ll cl ai m fo r its e lf t he pr e r o g ativ e s an d ho n o u rs o f p o e tic inspir ati o n ; an d n o n e w ho st u dy E m e rs o n s v e rs e will r e fus e th e m t o it an d hi m T h W rk f R l ph W l d E m r Fiv v l ( l i L tt r S ci l Ai m P m ) B t H ght Miffli Al C 1 882 Em r Tw v l f R lph W ld T h C m pl t W rk ( l i 1 87 9 G B ll S L d Th P m ) l i p 4 7 1 (1 87 9 M r p S d i l i p 3 9 (1 882 l i p 4 66 (1 87 9 T h Ap l gy l i t pp 1 3 4—5 (1 882 d W l i Frr pp 68—9 B cch l i p 118 l i p 116 M rli l i p 1 14 I b id l i pp 1 4—1 5 T h Pr bl m l i p 11 T h Sphi x l i pp 1 04 5 d C l ti l L v I i ti l D m i c G iv ll t L v l i p 45 1 p 12 E ch d Al l l i T h W rld S l p 2 7 pp 7 0 1 Th H m t y T h Rh d r p 58 T h H m bl b p 59 ty pp 80—1 Od t B d t i pp 1 2 7 —8 W Dirg p 1 88—9 (1 882 d t ii p 1 4 0 W ou a
e
e
s
e e
e
s
e
e
s
e
e
s
e
ea
e
e
e
n
o un
e
e
a
o
a
e
o
a
o
e
e
r e s,
.
,
e
,
ea u e,
e
ea
o
s
n
u
e o
s
a
n
e
u e
e
,
o
e
?1
e
,
-
,
,
.
.
’
.
e
s o
o
s,
a
o
e
o
e
oe
1 1
s, v o
o
e
aa
3
,
5
7
o
n
e
11
.
11
,
vo
,
vo
a
,
e a
1‘
1 “
17
1“
1 “
o
o
-
e
a
a re
u
e
e
oo
e
e au
no
e s,
no
vo ,
.
v,
.
.
.
.
,
.
v,
.
.
v, .
.
ee,
,
e es
an
a,
-
.
.
e, vo
.
e s,
v,
,
a,
o
e,
oo
o
.
.
v,
.
.
ou
o
1 “
”1
on
,
o
o s
.
vo
ae
e
e
o
.
-
.
a
o
e , vo
.
v.
.
-
e
e
.
s,
so
.
,
.
vo
an
a
.
.
,
,
so n
e
c
.
v,
.
v,
v,
n
n
v :
.
.
,
v,
v,
e
e
n
.
.
.
.
.
o
e
1“
vo
,
u s, v o
o
vo
.
.
u n n e r s, v o
e
on,
o n s,
e
.
o s
e
.
.
,
v,
.
a
a
o
on :
e s, v o
no
a
7
.
o o
oo
5
vo
e
s
on
.
ou
os on :
.
o
e
e
s
s
oe
so n
e
o
a
a
vo
.
,
E D G AR A L L A N P O E 1 8 1 1 — 1 84 9
T HE Y ar e all d re a ms if m anufactu r e d dre ams R ave n Le n o r e T he B e ll s Ann ab e l Le e E u l alie Ulalu me Dr e a m l an d T he City ii i t he Se a A Dr e a m wi thi n a Dr e a m W e se e F o r Ann i e B rid al B all ad I sr afe l T o H e l e n things happ e ning b e ing d o n e b e ing s u ff e r e d W e h e ar w o r d s W e sp e ak the m Th o ugh w e ar e t he r e on l y b e c au s e w e ar e s u bj e ct o r o bj e ct w e k n o w w e hav e n o thing in re al ity t o d o with t he w h o l e W e ar e c o nscio us th at it is an i ll u si o n fr o m which w e ar e sur e t o w ak e up if o nc e w e Thr o u gh o u t t he e ntir e r ange o f p o e try c an sh ak e o u rs e l v e s n o thi ng l ik e it is t o b e f o u nd ; n o t Christ ab e l : Ku b la Khan m ay c o mp ar e tho u gh chi e fl y by w ay o f c ontr ast o f In pr o s e t he sp o nt an e ity in it with t he artific e in P o e s o me o f D e Q u inc e y s visi o ns might st and in t he s a m e l in e we r e th e y n o t p e rva d e d by a p al p ab l e r e as o n ab l e n e ss P o e s in a s e ns e h ave n e ith e r tho u ght n o r f e e l ing an d in S o m e w h e r e s eve r al ye ars a s e ns e th e y ar e n o thing e l s e ago a wr it e r s u pp o s e d M an t o p o ss e ss o r b e p o s se ss e d b y t wo so u l s o n e i m m o rt al a h e av e n l y sp ar k t he o th e r at an y r at e n o t he av e n l y an d c e rt ain l y m o rt al c ap ab l e o f dyin g with t he fl e sh Th at is t he s o rt o f s o u l which an i m ate s P o e s v e rs e if n o t hi ms e lf T he gr ac e an d m e l o d y o f m o st o f hi s fe w p o e ms ar e indispu t ab l e an d all b u t i mp o ssib l e t o an al ys e an d d e fin e T he ch arm is as inscr u t ab l e In T he R av e n wav e aft e r w av e o f s o l e mn m yste ry k e e ps ro ll ing u p The re is t he o p e ning sc e n e — T he
,
,
,
,
,
,
,
,
,
,
.
,
,
,
,
.
,
.
.
,
.
,
«
.
,
.
’
,
.
’
.
,
,
.
,
,
,
,
,
.
’
,
.
,
.
.
.
FIVE CE N TURIES OF E N GLISH VERSE
2 02
Wre tch s y l v d h f h w al th a d hat d h f h p rid A d w h n sh f ll i f e b l h l th y b l ss e d h that h di d H w h ll t h rit al t h n b r d— t h r q i m h w b e s ng — — By y vil y b y y o rs t h sl and r s t ngu b y y rs t h Th t d id t d ath t h in c nc that di d a d di d o y g e
n
o
s
e
e
a
e
ou
o
e
.
e
o
er
u
e e
,
e
e
e
e
no
er
er,
e
e
u
,
e
e
e
e
ea
e
,
n
e
ea
e
e
,
e
er
or
e
n
ou
a
e
e
er
e
e
s
u e
o
e
u
ou
e
e
n
,
or
s
e,
,
o
e
,
3
o un
that e ithe r is o the rwis e th an c l e ar an d si mp l e by A m az e o f f ant astic int e nti o n all y t he sid e o f U lalu m e ! dishe ve ll e d r o m anc e that y e t o f an abs u r d pr e p o ste r o u s b e auty sm e lling str o ng o f t he l amp by t he l ight o f whi ch d o u bt l e ss it w as c o njur e d up o n t he ni ght i t h l n s m O ct o b r Of m y m o s t imm m o ri l y r Not
,
,
,
,
e
n
o
e
e
o
a
e
e
ea
thr u gh an all y Ti tani c Of cyp re ss I r o am d wi t h m y S l Of cyp r s wi t h Psyc h m y S o l T h s we r d ays wh m y h ar t w as v l c a i c As t he s c o ri a c riv e rs that r o ll As t he l avas that re stle ssl y ro ll Th ir s l phu ro u s cu rre nts d wn Y aa k I t he l t i m at c lim e s o f t h p o l T hat g ro an as th y r o ll d wn M u t Y aa k I t h r e alms o f t he b o re al p o l e o
e
es
e
e
ou
e
,
e,
,
e
u
en
,
.
e
o
n
,
e
u
n
o
u
e
e
e
n
ne
e,
o
o
n
ne
4
e
R e l ativ e l y t he lay o f T he B e ll s is simpl e an d s an e a s th e y s o u nd the ir app e al s o f tri u mph dism ay ange r an d l a m e nt ati o n ti ll w e f e e l as it w e r e t he t o we r r o c k ing u n de r o u r fe e t B ut e ve n t he r e t he r e ad e r is p u zz l e d by t he gr atu it o us cru e l ty o f t he ringe rs o f t he chi m e s — that — p p l p o pl h ah t h T Th y that dw ll p i t h st pl Al l l T lli g t lli g t ll i g I that m ffl d m o n t o n F l g l ry i ro ll i g O t h h m an h ar t a st o n ,
,
,
,
,
,
,
.
e
eo
e
e
,
e
u
e
e
e
ee
e
n
e,
a on e ,
e
n
,
o
n
,
n
ee
a
n
o
u
n so
o
n
e
,
e
o
e,
n
u
e
e
5
.
EDGAR ALL AN P OE
2 03
Ann ab e l Le e its e lf w hich b e sid e s b e ing b e witchingl y s we e t i s r ati o n al still c o ntains an e nigm a if o n e n e e di ng n o D ani e l fo r its s o l u ti o n I t w a m any a d m ny a y ar ago I a ki g d m by t h a T hat m aid n th r liv d who m y o m ay kn w B y t h am f A b l L A d t his m aid n h liv d wi th th r tho u ght Than t l v d b l v d by m I w a a c hild a d h w c hild I this king d o m by t h B t w l o v d wi t h a l v t ha t w a m r t h n l v I d m y An nab l L With l v th t t h winged s raphs f h v n C vt dh a dm T h a g ls h ppy i h av t half W nt nvying h a d m — Y th t w t h r all m kn w I thi ki g d m by t h s That t h wi d c m t f t h cl d by night C hilli g d killi g m y An b l L ,
,
,
,
,
s
a
n
n
n
a
e
o
e se
e
e
e n
e
o
s
e
e
e an
e
n
,
u
nna
s
o
s
e
e
e
o
.
,
e se a
e
e
s
e
a
o
o
e e
n
e
a
e
e
e
n
n o
er
n
as
e
n
o
s
e
a
n
o
e
,
e
e
en
,
e
n
as
en
o
,
ea
e
e ou
ea
o
n
e a so n
an
n
a
e
.
a
so
e
a
o
ee
e
er
,
e
es
e
o
an
e
ee
e
as a
e
o
no o
n
u
,
e
e
e o
n
,
e
o
ou
n a
n
e
ee
“
.
fl
And l ast far fr o m l e ast F o r Anni e On t he f ac e o f i t a ridd l e — o r it w o u l d n o t b e E dg ar Al l an P o e s — i t is l i k e o n l y t he ans w e r is as d i i c u lt An n ab e l Le e s o o n gu e ss e d B u t t he th e m e is gr and l y au d aci o u s a s t he qu e sti o n j u st an e cst asy o f l if e s un e xp l ain e d a l m o st s u b l im e ; p e r haps in e xp l ic ab l e p e rh aps u nr e al u nr e as o n ab l e d e sp ai r b e c o m e if n o t b l iss a tr anqu i l tr anc e thr o u gh t he e mbr ac e o f D e ath by L o v e Thank H av n t h c risi T h d ang r i p as t A d t h l i g ri g ill ss v r at l s t I A d t h f v r c ll d l ivi g q r d t la t I c ,
,
’
,
,
,
,
.
’
,
,
,
,
e
e
e
n
s o
n
on
s
e
s,
,
ne
n
a
e
e
s
e
e
e
n
,
,
,
e
ue
a
e
e
a
e
‘
s
n
.
204
FIVE CE N TURIES OF E N GLISH VERSE And I r st so c m p o s dly N o w i my b d That a y b ho ld r Mi ght f ancy me d ad Mi ght st rt at b h lding me Thinking m e d e ad o
e
e
e
n
,
e
n
e
e
e
a
o
,
.
t o rtu re s That t o rtu re t he wo rst H as ab ate d— t he t e rri b l e To rtu re o f thi rst F o r t he nap hthaline riv e r Of P assi o n acc u rs t I hav e dru n k o f a wat e r That qu e nche s all thirst o f all
An d , 0
And
n ve r B f o li shl y s aid That m y ro o m it i gl o o my And narr w my b e d m a ne v r sl pt F I di ff r nt b d And t sl p y m st slu m b e r I j st s c h a b e d ,
ah
e
o
le t it
e
s
o
or
n
a
n
,
n
e
e
e e
o
ee
u
u
e
ou
,
u
.
And o I li happily B thi g i m any A dr am o f t h t r th A d t h b a ty o f Anni D ro wn d i a b th Of t h t r ss s f Anni s
e
a
n
,
n
e
e
n
e
e
e
u
e
a
n
e
u
e
e
o
e
.
te nd e rl y kisse d me She f o ndl y c ar sse d A d the n I f ll g e tl y T o sl p o he r b r as t D e e pl y t o sl e p F ro m t he he ave n o f he r b re ast She
,
e
n
e
ee
n
,
n
e
e
.
FIVE CE N TURIES OF E N GLISH VERSE
2 06
I find b e t we e n it an d fo r inst anc e T he R av e n a y e t m o r e intim at e an al o gy ; a r e l ati o nship o f Thus in T he R av e n t he o n e t o t he o th e r as its c o nv e rs e r e ad e r is c o ntinu all y le d o n t o e xp e ct an e v e nt o f i mp o rt w hi ch n e v e r h app e ns ; in F o r Anni e t he v e ry o r din ary id e a w hich w e s u pp o s e d w e w e r e c o nt e mpl ating d e v e l o ps int o a m o nstr o sity o f f ancy at o nc e sp e ctr al m at e ri al an d b e au tif u l Co ntr aste d as ar e t he r e s u l ts I b e li e ve t he ar t T he e ffe ct P o e d e sir e d t o c o mp ass t o b e virtu all y i d e ntic al by a p o e m w o u l d s e e m t o h av e b e e n th at o f a singl e l o ng p u l s ating sho c k st arting o n e d o e s n o t kn o w w he nc e It w as a p o int o f pri d e wi th hi m b o th th at he sh o u ld b e ab l e t o t e ll hi ms e lf he had acc o mp l ish e d hi s o bj e ct in c o nf o rmity wi th rigi d ru l e s an d th at hi s r e ad e rs sh o u ld n e v e r gu e ss the m H e hi ms e lf p ar ad e d i n print t he abs e nc e o f sp o nt an e o u s insp ir ati o n fr o m his c o mp o s it io n o f T he R av e n It was he has t o ld t he w o r ld t he pr o d uct o f a m e chanic al o p e r at io n he had cunning l y d e vis e d H e w ho had b o ast e d th at wi th hi m p o e try w as n o t a p u rp o s e b u t a p assi o n d e t ail s e l ab o r at e l y ho w an d why he intr o d u c e d b e au ty w ith it s hi gh e st e xpr e ssi o n s ad n e ss an d d e ath ; a r e fr ain wi th a bir d — b y ch o ic e a r a v e n — t o r e p e at it in u nc o nsci o u s unis o n wi th t he thr o bbings o f d e sp air in de ad Le n o r e s l o v e r an d b e n e ath all a sugge stiv e un de rcurr e nt o f f u rthe r m e aning — d e lib e r ate l y c o nfin ing t he w ho l e wi thi n 8 a fe w mo r e th an o n e hundr e d li n e s T he e xp l an ati o n at t he tim e t as k e d t he c ap acity o f l m a e i e h o e pu l r b f m o r v n th n h w ir d n ss f t e p o e e e e e e o a p hypn o tiz e d c o m m o n u n d e rst an di ngs A n atur al c o nj e ctu r e w as t hat P o e e ithe r d e c e iv e d hims e lf int o m e asuring b ac k s t e p by st e p gr o un d hi s f ancy had alr e ad y t ak e n in i t s st ri d e o r simpl y w as d iv e r t ing hims e lf wi th an e xp e ri me nt
to
t he m e
one
,
,
.
,
,
,
.
,
,
,
,
.
.
.
,
,
,
.
,
.
,
.
,
,
,
,
,
,
’
,
,
.
.
,
EDGAR ALL AN P OE
2 07
pu b l ic cr e d u l i t y R e all y ho we ve r w hat wo u l d have b e e n an al t o ge the r u nl ik e l y my st ifi c at io n if i mp u te d t o an o th e r p o e t c e as e s t o b e w h o ll y incr e d ib l e wit h r e sp e ct t o hi m T he ir o n rigo u r with w hich in T he R av e n t he thr e a d — c hain r athe r — o f t he c e nt ral id e a is str e tch e d stiff an d t au t fav o urs in d e e d t he sugge sti o n o f artific e r athe r than an u npr e m e d it at e d fl ight o f i m agin ati o n At all eve nts n o p o e t b u t hi ms e lf c o ul d h av e t r i e d t o p e rs u ad e his r e ad e rs t o t hi n k th e y s me l t in his inspir at io n t he s aw d u st an d o il o f t he w o rk sh o p Al th o u gh n o c ri t i c n o t e v e n P o e hi ms e lf has att e mpt e d t o app l y t he e xt re m e m e ch anic al th e o ry t o o the rs o f his p o e ms it c anno t b e d e ni e d that in g e n e r al th e y ar e li ab l e t o t he ch arg e o f an e xc e ss o f ar t N o n e br e ath e o f simp l e n atur e Eve n t he e l e g anc e o f t he l in e s t o He l e n with he r which bring ad m ire rs N ai ad airs ho m T o t h g l o ry t hat w as G r c And t h grand r that wa R me is b u t d umb scul ptur e tho ugh o f ivo ry an d g o ld Tho ugh a sp o nt an e o u s sp ar k — a l uri d o n e — fr o m t he s o u l k ind l e s t he d e ad m an s app e al t o his l o v e F o r Anni e its ru sh o f fi r e is c o nstr ain e d it has had t o fl a m e al o ng a l in e r u l e d fo r n o t by it N e v e r w as v e rs e o f s u ch app ar e nt an d s o li t t l e r e al fr e e do m as all o f Po e s ; o r c o ns e qu e nt l y so a rtistic w hich is l e ss s atisfyi ng ; so p u r e o f l o o s e t ain t wi th l e ss o f w ho l e s o m e fr e s hn e ss N o h e al thf ul br e e z e b l o w s fr o m o ff its D e a d Se a s u rf ac e N o singing birds fl y o v e r it ; t ho u gh its e lf in its e b b an d o w m ake s s o ng h arm o ny f airy m u sic Wh ate ve r he wr o te fr o m hi s pr e c o ci o u s an d l ib e rtin e n o t i dl e yo uth t o t he d e li rio u s e n d in t he B al tim o r e h o spit al p o ss e ss e s t he s a m e q u ali ti e s o f unf ai lin g gr ac e an d t o n e B ut t he w h o l e is like a r e ve ri e on
.
,
,
,
.
.
.
,
,
,
.
.
e
ee
e
eu
e
s
e,
9
o
,
.
,
’
,
,
,
.
,
’
,
,
.
.
,
,
fl
,
,
.
,
,
,
,
.
,
,
FIVE CE N TURIES OF E N GLISH VERSE
2 08
b e twe e n s l e e p an d waki ng always f ascin ating n e v e r r e stf u l with an atm o sphe r e ab o u t it as o f a s e p u l chral v au l t ,
,
,
.
k P ti c l W
oe 1
3 5 7 3
9
or
g r All P d J m W rk R v t za 1
s of
T he
a
I id
.
,
st
en
.
an
a
s,
o
a
b
Ed
,
2
e
a
.
s an
J H H y
o e, e d
,
.
an n a
es
s
.
.
In
am
F rv l Ch rl
2
Le n o
.
r
.
a
:
e , st
Ulalu m e ,
4
1
.
st
B ll t 4 A blL F A i t z l 3 6 8 1 1 12 13 14 15 Phil phy f C m p iti (W rk ) l ii pp T H l (P m wri tt i Y th) t 2 T he or
e
s, s
n n e , s an
o so
o
.
e en
o
oe
.
as
o
s
,
os
,
o
on
en
,
,
,
n
ou
nna
e
,
,
,
s
,
,
vo s
.
.
,
.
o s
ou
.
Lo n d o n
.
7, 1 8
gr
.
.
es
1 87 4—5
Al
so
G r ffi in , 1 85 2
.
2
.
t za
e e , s an
s
.
.
.
2 62 —70
.
1 , 2, 4
.
.
FIVE CE N TURIES OF E N GLISH VERSE
2 10
v o c ati o n ; m o r e m o d e st an d r e v e r e nti al ; y e t in a s e ns e al s o m o r e e x acting His n atu r e inc o rp o r at e d as m u ch as it c o u l d o f o th e r p o e tic s o u l s S o m e thing w as e xtr act e d he r e s o m e thing the re Ev e ry c o nstitu e nt in t he n e w cr e ati o n w as g e n ui n e wi t h c ha r act e r istics o f its o w n b u t c o mpr e ss e d E ach w as k e pt m all e ab l e t o m e e t t he d e m an d s o f t he r e st t o r e c e iv e a st a mp fr o m t he b o rr o wing s e l f Th at s e lf w as tho u ghtfu l witho u t b e ing a thinke r gi ve n t o l e arning n o t sym p athe tic all y inqu isi t ive n o t phi l o s o phic t o r e s e arch a cc u st o m e d t o l o o k t o a p ri nt e d p a g e t o p u t f ancy in m o ti o n Fr o m t he v ast st o r e o f his r e ading Lo ngf e ll o w s e l e cte d instinctive l y w h at e v e r he c o u l d assimi l at e an d fe e l In his p o e ms w e h av e t he fr u it o f hi s st u di e s an d th e ir e ss e nc e has b e c o m e hi s Th e r e t he e xpl an ati o n is o f t he ang e r t he bitt e r c o nt e mpt w hic h hi s s u cc e ssiv e e arl i e r v o lu m e s stirr e d in div e rs critics at t he tim e s o f the i r a pp e ar anc e Th e y we r e irrit at e d by c atching an d l o sing h o l d c o ntinu all y o f c l u e s t o s o u rc e s fr o m w hich he had d r awn Th e y r age d at t he s e l f c o mp l ac e ncy as th e y r e g ard e d it wi th which he pr o p o u nd e d d isc o ve ri e s by i llu stri o u s pr e d e c e ss o rs as n o ve l ti e s o f his o w n Th e y d id n o t c ar e t o u nd e rst and th at his p o e try c a m e fin all y fr o m hi s h e art whe nc e s o e v e r its e l e m e nts mi ght h av e b e e n d e riv e d ; t h at w h at t o t he m w e r e tr u isms w e r e fo r him ve ry t r uths F o r hi s p u b l ic th e y w e r e tr u ths t o o an d l iving tr u ths H e w as abs o l u te l y sinc e r e w h e n he pr e ach e d ve n e r ab l e m o r al iti e s li k e t he P s al m o f Lif e an d Exc e l si o r a s a n e w G o sp e l T he u nd o ubting c o nfid e nc e with w hic h he pr o c l aim e d it if it r ais e d u p sc o ff e rs by t he d o z e n br o u ght hi m discipl e s by t he t e n t ho u s and T he j e e rs c o ming fr o m t he int e ll e ctu al c l ass in t he O l d Co u ntry m u st I am afr aid h av e c au s e d ache s b e yo nd t he p o w e r o f appl au s e by t he m u l titu d e t o h e al A ll hi s wo r k .
.
,
.
,
,
.
.
,
,
.
.
.
,
,
.
-
.
,
,
.
,
.
,
.
,
,
.
,
,
.
,
,
,
,
.
HE N RY W ADS W ORTH
LON G F E LL OW
211
ind ic at e s a d e l ic at e s e nsitive o rganism It w as an acci de nt th at his e ar l y p o pu l arity w as l arge l y d u e t o s o m e s o u ndi ng pl atitu d e s Pl atit u d e s ar e n o t n e c e ss ari l y cri mi n al Lite r a t u r e is p ave d with the m Ofte n the y hav e b e e n with o u r gr e at e st t he nursing m o th e rs o f r o yal s u blimi t ie s In L o ngf e ll o w s v e rs e th e y ar e n ai ve an d grac e f u l b u t it w as his mi sf o rtun e th at th e y w o n hi m a d m ir ati o n whi ch fo r p o e ts t o b e all o we d t o b e ar it in c o mf o rt o ught t o f all a h al o fr o m ab o v e an d n o t st e a m r ankl y u H fr b l w o m e o e p e nd ur e d t he c o ns e qu e nt o b l o q u y h o w e v e r w o un d ing with unc o mpl aining digni ty H e di d n o t li k e f a m o us English c o nte mp o r ari e s t u rn u p o n his ass ai l ants an d r e n d the m T he e xc e ll e nc e o f s o m e o f hi s wo r k w as n e v e r d e ni e d an d is indisp u t ab l e His tr ans l ati o ns e sp e ci all y fr o m t he G e rm an an d Sp an i sh ar e f ull o f b e au ty Th at o f Co pl as d e M an r i q u e s Od e o n hi s f at h e r R o d r ig o s d e ath is gr av e an d n o b l e Oth e rs fr o m M ii lle r Uhl and S alis e nh anc e t he m e rits o f t he o rigin al s T ak e fo r e x a mpl e s W hi the r t he St at u e o ve r t he Cath e dr al D o o r t he l e ge nd o f t he Cr o ssb ill an d t he l o v e l y S o ng o f t he Si l e nt L and .
,
.
.
.
-
.
’
,
,
,
,
,
.
,
,
,
.
,
.
,
,
.
,
.
,
’
’
.
,
.
,
,
,
,
,
Int
,
S il nt Land Ah w ho shall l e ad u s t hi the r C lo u ds in t he v ning sky m re darkly g ath r An d hatte re d wr c ks li t hi c k r t he st r and W ho l ads u s wi th a g e nt l e hand Thi the r O thi the r Int o t h S il nt Land ? Into t h S il nt L nd To y o y b o un dl ss r g i ns T nde r mo ing visio ns Of ll p rf ctio n ple d g an d b and T he F tu r Of b e a t e o u s s o u l s W h i Lif s b att l fi rm d t h s t and S hall b e ar H pe s t d r bl sso ms Into t he S il t La d o
t he
e
e
e
o
e
s
e
e
e
on
.
e
,
,
e
e
e
u,
e
e
a
a
e
e
e
e
o
e
u
u
o
n
e
’
e
o
en
’
en
n
-
rn
o
e
’
e s
e
,
o
,
FIVE C E N TURIES OF E N GLISH VERSE
212
L d
L nd F ll t h b r k n h rt d f at all tt d T h mild t h r ald by B ck d wi th inv rt d to r ch d th t and with a g ntl hand T l d Int t h l and f t h g r at D p ar t d I t t h S il nt Land Gr ad u ally t he sn e e ring e v e n at his o rigin al v e rs e w e nt as v o l u m e aft e r v o l u m e d e m o nstr at e d an o u t o f f as hi o n Evange l in e had b e e n a r e v e l ati o n t o u nmist ak ab l e p o e t an d s u r e l y f ancy r ar e l y has cr e at e d a s w e e t e r m any m aid e n e qu al al i k e t o jo y an d t e ars F ir w h t b h ld that m aid n f s v nt n s mm rs B t c l stial b rightn ss— m o r th r al b a ty h Sh n f c circl d h f rm wh n ft r c o nf ssi n d H m w rd s r n l y h walk d w i th G d s b n di cti n p o n h W h h h d p a d it s m d l ik t h c a i g f xq isit m si c Pu rists c o u l d bring n o gr av e r r e pr o ach th an t he h e x a m e t e rs Hi awatha n o t withst anding its h e nd e c asyll ab l e s c o nv e rt e d o t he rs M ar k P attis o n w ho o bj e ct e d t o Lo ng f e ll o w fo r his ind u l ge nc e in tr u isms w as o b l ig e d t o pr ais e t he c o mp aris o n o f t he a dv e nt o f j o st l ing h u m an d is ast e rs t o t he g ath e ring o f a sw a r m o f v u l t u r e s N v r t p s t h s aring v l t r rt O hi q rry i t he d O t h si c k wo und d b i n B t n th r v l t r watchi g Fr m hi s high a ri l l k t S s t h d wnw rd pl g d f ll ws A d a third p rs s t h s c nd C mi g f r m t h invi ibl th r First a sp ck a d th v lt r Till t h ai i d rk with pi i T he w o nd e r t o m e is as I r e c all t he fight o n t he p o e t s b e half ho w an y o pp o si t i o n s ho u ld h ave s u rvive d t he sti ll 0
0
an
a
or a
e
o
e
es
e
ea
-
ea
o
e
o
e
o
e
e
o
e
e
us
o
e
o ur
o n s , an
e
n
e
e
e
e
e
,
o
e
e
s
,
1
e
,
.
,
a
u
o
o
as s
a
e
e
o
o
e e
e on
a
e
en s
e
e
,
a
e
er
a e an e
e e
a
s
sse
e e
en
e
e
o
e e
er
o
,
e
e
ee
,
o
e
ee
e
e
’
e
e
u
e
,
e
u
o
o
s n
e
e
a
e
e
e
u
e
u
o
er
e
,
.
?
u
,
.
,
.
,
,
e
e
s oo
n
s
n
e
u
a
e
ua
u
n
e se
or
o
e
u
u
e
ee
e
o
a
n
u
n
e
,
r
s
n
a
so
e
,
n
,
oo
ou
-
un
ue
e
o
e
a
e
u
,
e
o
o
o
e
s
en a
,
e , an e
o
o
e e
u
o
,
e
,
u e,
n o n s.
3
’
,
,
214
FIVE CE N TURIES OF E N GLISH VERSE
st ar o f t h nc nq e r d will H ris s i m y b r as t d st ill S rn a drs l t A d c alm a d s lf p o s ss d in T he R e ap e r an d t he F l o w e rs My Lo rd has n e d o f th s w t s gay T h R ap e r s id a d smil d D ar t o k ns o f t h a rt h a th y W h r h wa nc a child Th y shall all b l o m i fi ld o f light Transpl ante d by my c ar And s int s u p n th ir g arm nts whi te The s s ac re d bl o sso ms w e ar o r in Bl in d B ar t im e u s s i mp o rtun at e p e titi o n wi th it s 9 m u sic al Gr e e k The y o n l y k n o w an d ar e c o nte nt t o kn o w th at s u ch str ains c al m tro u b l e d n e rve s an d t o uch t he h e art Eve n p e rs o ns w ho h abit u all y re qu ir e o f p o e try t hat it sh all stim u l at e an d infl a m e h av e o cc as io n al mo o d s incl inin g th e m t o l ist e n t o ge nt l e r m u sic N t f r o m t h g r and o ld m ast e rs N o t f r o m t he b ards s b l im e Wh se distant f t t p s e c h Thr o gh t he c o rrid o rs o f Tim F lik strains f m art ial m si c Th ir mi ghty tho u ghts s gg st Lif s e ndl ss t il a d e nd av r ; And t o night I l o ng f r re st R ad f r o m s m e hu m b l r p t Wh se s o ng s gu she d f r o m hi he art As sho we rs f r o m t h c l ds f s mm e r Or t ars f ro m t h y lids start And t h night shall b fi lle d with musi c A d t he c ar s that inf st t h d ay S hall f o ld th ir t nts lik t h Ar ab s A d as sil e ntl y s te al aw ay T he
e u
e
e
e
e
e,
e
n
n
n
,
e
e
e
e
e
e e
s o
7
e
ere
re
e
o
e
fl ,
’
,
e
e e
e
,
o
n
,
e
se
-
e e
a
e
,
o u e , an
e
n
u
o
e
,
.
n
s
e
,
e,
a
e
o
e
,
3
e
’
,
.
,
,
.
,
,
:
o
e
,
u
o
oo
,
o
s e
u
or
e
e
,
o
u
e
e
u
’
e
n
o
e
ou
o
o
.
e
oe
o
,
s
ou
e
e
e e
e
,
u
o
,
e
e
n
e
e
n
,
e
e
-
.
,
e
e
,
e
e
e
1 0
.
,
,
HE N RY W ADS W OR TH LO NGFELLO W N o w h e r e m ay t he t ho u ght , t he f e e ling unk no wn d e pths b u t t he singe r had b e e n
21 5
its e l f ris e fro m in spi r itu al c o m n io n ship w ith gr e at m in d s o f t he p ast an d t he pr e s e nt ; a p an d a c o nsci o u sn e ss d im s u spici o u s an d h e sitatin g at first c a m e at l e ngth t o p e rvad e e ac h sid e o f t he Atl antic th at hi s l e ss e r instr u m e nt b e ats tim e in unis o n with t he ir s N e v e r in d e e d w as th e r e a m o r e gr at e f u l a m o r e e n t hu si H e r e j o ic e d t o dw e ll up o n gr an d as t ic symp at hy t ha n his d e e ds as we ll as u p o n grand t h o ughts Hi s f ancy h au nte d t he sc e n e s o f m e m o r ab l e acti o ns an d t he h o m e s o f t h e ir d o e rs F o r m any o f u s it is imp o ssib l e t o visit citi e s wh e r e he has b e e n wi tho u t tr acing hi s f o o tst e ps by a gr a ci o u s l ight the y h av e l e ft b e hi n d the m W e fin d hi m in N u r e m b e rg atte nd in g u p o n t he i ll u stri o us in s o ng an d ar t H r wh n Ar t was still r li g i n wi th a sim pl e r ve r nt he art t h E v ang li s t o f Art Li v d d l ab o re d Al b r cht D ii H nc i sile nc a d i s rro w to ilin g still wi th b sy h nd Like mig rant h w nd r d s ki g f t h B e tt r L nd t h t o m b s to n wh r h li s i t i t h in s c ri pt i o n E mi g — — a D ad h i t b u t d p r t d fo t h artist ne v r di s F air r s ms t h an c i nt city a d t he s n shine s ms m r f ir T hat h nc e has tr d i t p av m nt that he nc ha b r athe d it ,
,
,
,
,
.
,
,
,
.
.
,
.
.
e
e,
e
e
e
e
r av e
e
ai r
e
ee
,
or
n
e
s
e
e
e
a
e
ee
u
o
,
,
e e
e
n
,
a
e
e
r
,
o
e
e
e
e
e
e
o
!
e e
e
u
on
s no
ee
e
e
,
e
s
,
re r ,
o
a
e
an e
e
n
n
e
n
,
e
u
an
e
o
e
s
e
.
o
e
.
e
e
a
,
s
11
His v e rs e b e au t ifi e s W u r t z b u r g s minste r t o we rs with t he m e m o ry o f W al te r v o n d e r Vo ge lwe id t he Minn e singe r an d his b e qu e st t o hi s t e ach e rs in t he ar t o f s o ng Th s t h b ard f l v d part d A d f l filling hi d sir O hi t m b t h b irds w r f as te d By t he c hildr n f t h cho ir Th r th y sa g th ir m rr y c aro ls S a g t h ir l d o v ry s id And t he am th ir v i c s tte r d W as t h nam o f V ge lw id ’
,
u
o
e
n
n
s
,
u
e
e
s
e
o
e
n
e
e
s
e
e
,
e
.
e
e
au
e
e
o
n
e
n
e
e e
e
e
e
e
o
n e o
o
,
e
e
e
e
u
e
.
216
FIVE CE N TURIES OF E N GLISH VERSE Tim e
l ng ffac d t h inscri pti ns O t h c l ist r s f n r l s t n s And traditi n o nly t lls W h r r e p o se t he p o e t s b n s has
’
e
o
e
n
e
e
e
o
e a
u
’
e
e
o
e
,
us
e
o
o
e
o
.
r nd t h v ast C ath dral B y sw t cho s mul ti pli d Still t h birds r p at t he l g nd And t h nam f V g lwe id If I we re e ve r as d o ubtl e ss I sh all n e v e r b e in t he Pal ac e o f P al e r mo m o d e rn as i t is I sh o u l d e xp e ct thro gh t he o p n windo w l d a d cl ar ar T h ar t h m nks c hant i t h C hap l Ab v t h stir a d t m l t f t h str t H ha p t d wn t he mig hty f r m th ir s t And has x lt d the m f lo w d g r e F o r th o us an d s o f t r av e ll e rs sinc e L o ngf e ll o w h av e As t he v ning shad s d s c nd d L w a d l o u d a d sw t l y b l nd d d t tim s L w at tim s a d l And cha g ing lik a p o t s rhym e s R ng t h b a t if l wild c him s F r m t h b lf ry i t h m rk t Of t h anc i nt t wn f Br g s Th e y st ill h ave h e ar d b l e n ding with th e ir dre ams tho s m agi c n mb rs As th y l u d p ro cl aim e d t h fli ght And sto l n march f t h night Till th ir c hi m s i sw t c llisi n Mi gl d wi th ac h w and ri g visi o n Mi gl d wi th t h f r tun t lling G i p y b ands f dr ams a d f anci s W hi ch amid t h wast xp anse s Of t h s il nt l and o f t ranc s H v the ir s o li tary dw lli g P e cul iar an d e x o tic as fo r tw e nti e th c e ntury Eu ro p e B ut
e
e
a ou
e
ee
e
e
e
e
e
e
e o
e
,
o
,
e
,
12
e
.
,
,
,
,
u
e
e
o
u
s
e
u
n
e
u
e
e
o
e
o
o
n
ne
e
,
ea
e
1“
e
e
,
,
e
e
e
n
n
o
ou
n
o
e
e
e
e
u
e
e
,
,
’
,
u
e
n
e
e
e
e
o
a
o
e
u
e
.
,
,
e
u
es o
e
e
n
e
n
e
n
ee
o
e
e
o
o
o
n
,
e- e
e
e
a
e
e
-
e
,
e
e
s
e
o
e
,
,
e
a
e
e
e
ee
n
e
o
u
e
,
ee
o
e
a
ou
,
n
o
e
e
o
e
n
e
,
e e
e
e
e
e
n
“
.
-
,
,
,
,
fl
FIVE CE N TURIES OF E N GLISH VERSE
218
c h as may ask A drau ght fro m t he no b le B acharach c ask An d I will b e g o ne tho gh I kno w f ll w e ll T he c e ll ar s a c he e rf ll e r p l ac e than t he c e ll An d
n ow a
fo r
ago n
su
,
u
,
’
u
u
d e v o ti o n t o hi s ar t he c l o s e s w o r k at dusk a d e l ightfu l c o ntr ast
of
The
sw t t he
.
Fri ar in t he Scrip to rium as gaz e s fr o m his wind o w m ake s
t he
an d
,
“
,
,
fair t he s c en I wish I had as l o v e l y a g re e n T o p ain t m y l ands c ape s an d m y l e av e s H o w t he sw all o ws twi tt e r u nd e r t he e av e s The re n o w the re i s o n e in he r ne st I c an j u st c atch a g lim p se o f he r he ad a d b re ast An d will sk e tc h he r t hu s in he r q ie t no o k F o r t he m arg in o f m y G o s p e l b o o k Ho w
air
ee
,
Ho w
is
e
,
n
u
,
,
17
.
And l astl y t he e cst asy o f Mo nk F e li x — t au ght by t he l aps e o f a hu n d r e d ye ars in as m any m o m e nts o f a bir d s — o t a s ng h t n o thi ng wi th G o d is i mp o ssibl e is s o m e thing t o d re am o f ,
,
,
’
,
m o rning all al n O t o f hi c nv nt o f g ray s t n Into t h f o re st ld r d ark r g ray e r H i li p s m vi n g a if i p ray r H i h ad su nk n p o n hi b re as t As i a dr am f r st Walk e d t h M nk F lix Al l ab t T h b r ad sw t s nshi n e l y wi tho t Filli g t h su mm r ai ; A d wi thin t he w o dl ds as h tro d T h t wili g ht w as lik t h Tr c e f G o d Wi th w rldly w o e a d c ar Und r him lay t h g ld n m ss And ab ve him t h b ghs o f h ml o ck tre s W av d a d m ad t he sig f t h C r ss A d whi sp e r d th ir B ne di c i t e s On e u
s
o
e
s
o
e
,
e
o
o
s
o
e
e
o
n
e
n
o
n
,
o
e
n
,
e
o
o
ou
e
-
e
n o
e
,
e
e
e
u
e
n
e
e
an
e
o
u
r
e
e
ou
.
a
o
e
,
u
e
e
,
,
e
ee
,
s
o
,
e,
,
e
n
u
e
e
e
,
s
e
n
e,
o
,
e
o
.
,
e
HE N RY W ADS W ORTH LO N GFELLO W d d o t b t p nd e re d v l m i hi h nd, A v o l m o f S int A g stin W h r in h r ad f t he un s n Spl nd rs o f G d s g re at t wn I t he nkn o wn l nd And wi th hi y s c st d wn I h mili ty h s id O G d I b li v What h r in I hav r d I do B t al s t nd e rst and And 10 h h ard T he s dd n sing ing f a b ird A sn w whi te b ird that f r m a cl o u d D r pp d d wn An d am o ng t he b ranc h s b ro wn S at s i g i g So sw t a d c l ar a d l o d I t s m d a t h sand h p t i g ring ing And t h M nk F l ix cl s d his b k A d l ng l o g Wi th r pt r s l o k H list n d t t h s ng An d hardly b r the d o s tirre d Until he aw as i a visi n T h l nd E ly si an An d i t h h av e nl y c i ty he ard An g lic f t F all t h g ld n fl gging o f t he stre e t And he wo uld f in H av c a ght t h wo ndro u s b ird B t s t r v i v ain F o it w away aw ay v r hi ll a d d ll Fa And i st ad f it s sw e t singing H h ard t he Co nv nt b e ll S dd enly i t h sil nc e rin gin g F o t he s e rvi c e o f no nd ay A d he r t r ac e d H i s p athway h m e w ard s adl y a d i haste H e he e On t he
e
n
o u
u
u
,
e
n
s
a
e
e e
e
e
’
s e
e
a
e,
o
,
e
a
,
ea
no
e
u
o
a
e e
u
,
e
e
,
e
o
a
u
n
e,
ee
o
,
u
o
u
n
a
u
ou
e
o
,
u
e
e
o
,
-
o
o
,
o
e
o
,
e
n
n
ee
,
ee
n
e
n
,
u
a
o
o
e
o
e
s
oo
o
.
,
,
r
n
,
a
e
s r n
,
ea
s
,
,
ou
e
e
ar
e
o
o
e
u
n
,
ou
e
n
e
,
o
,
,
e
n
e
ee
e
r
fl
r o
e
o
e
on
e
a
.
a
u
e
u
o
e
,
n
e
e
,
,
e
o
e
e
u
n
e
e
o
r
n
,
n
e
n
e
e
.
e
o
n
n
“ .
219
FIVE CE N TURIES OF E N GLISH VERSE
2 20
If
m any pr o du cti o ns o f Lo ngfe ll o w s l at e r ye ars di d n o t o ft e n ris e t o t he l e v e l o f t hi s y e t t hings o f b e au t y w e r e int e rsp e rs e d an d alre ady he had p e rm an e nt l y tri u mph e d H ad he b e e n o n e t o o v e r pr e j u dic e an d f a stidi o u sn e ss b o ast he mi ght h av e c l aim e d th at Engl ish l it e r at u r e c o u l d m o r e e asi l y d isp e ns e wi th s e ve r al o f his bri ll i ant c o nte mp o — r ari e s th an wi th hi m N e ve rth e l e ss I c ann o t but susp e ct c ann o t b u t f e ar th at t he singe r o f t he w o fu l an d s we e t tr age dy o f Gr an d P r é o f t he In d i an E dd a— as vari o us as i t is h arm o ni o us — o f t he fr ank n e ss o f t he bright Purit an m aid e n o f t he G o l d e n Le g e nd its e l f m ay s o m e t i m e s h av e sigh e d t o hims e lf as his br u sh l ai d o n his si l ve ry m o o n — l ight o r e v e ning aft e rgl o w may h av e b e e n t e mpt e d t o e nvy t he st o rmy p assi o n at e n e ss o f m e mb e rs o f his cr aft b o th in t he N e w W o rl d an d t he O l d — m ay h av e c o mpl ain e d o f his Mu s e th at she w as p l a cid l y c o nt e nt t o r e fl e ct t he r adi anc e o f o th e r l u m in ari e s inst e ad o f burning with fir e ’
t he
,
.
,
,
.
,
-
,
,
,
-
,
,
of
he r
o wn
.
rk f H ry W d w rth L gf ll w C m pl t E d iti G rg R tl d g S L d 1 865 S g f t h S il t L d Fr m t h G rm f S li E v g li P rt I Th S g f Hi w t h XI X T h G h t F t t p fA g l A Gl m f S hi T h B id g T h Light f St r Th R p r d t h Fl w r Bli d B t im Th D y i D t z 5 6 7 10 1 1 N r m b rg W lt r V g lw id T h B l fry f Br g Ki g R b rt f Sic ily C rill T h B l g r d City T h G ld L g d i I bid I bid ii P t ic l
T he
oe
on
1
on
.
7
an
3
e
4
5
.
9
1 ° 11
1“
1“
e
on
oo
s e
e
r
e
ea
e
e
u e
n
e
o
e s
an
eus
e
a
e
o
e s
o
o
e
s
o
.
e e
.
un s
ne
a s
o
.
.
.
.
as
,
,
,
.
.
.
,
a
von
e
e
e
e
o
.
,
o
o
en
1“
.
o
.
ea
.
o n e , s an
e e a ue e
17
e
.
an o
os s
5
.
e
on
e
e
,
17
e
o
o n s,
.
s
o
e
e
.
s
7
e
a
ou
a,
a
n
ar
n
a
.
a
s o
e
an
a
o
en
o
eo
en
n e,
e
s
o
on :
o
on
W
a
.
e
u
e
en
e
.
es : ,
v
a
.
on
FIVE CE N TURIES OF E N GLISH VERSE
2 22
he mo unt e d t he
p u l pit His p o e ms t he s e rio us as m u ch a s t he b u r l e squ e an d s atiric al t he Gh o st S e e r an d H u ng e r an d C o ld e q u all y wi th t he B igl o w P ap e rs ar e p art o f t he hist o ry o f t he p e ri o d an d its th o u ght Ju st ly t o appr e c iat e e ith e r s o rt his r e a d e r must in m m o ry o r in f ancy d e sc e n d e int o t he fi e ld an d i m agi ne hi ms e lf a c o mb at ant A ne c e ss ary r e s u l t is s o m e ris k o f c o nfusing in t he p o e try m att e r an d spirit T he e the r e al is ap t t o ge t ch ain e d t o Wh e n t he s u bj e ct m att e r an inc i d e nt antiqu at e d o r d e ad is phi l o s o phy it is phi lo s o phy b l o wn r e d ho t with d isp u t a ti o n T he s o ng which at t he tim e it w as s u ng w as its e l f N o t e v e ry t he c o m m e nt n o w its e lf w ants c o m m e ntari e s b o dy is ab l e an d c o m p ar ativ e l y fe w ar e at p ains t o r e ad b e twe e n t he li n e s The n t o o t he p o e t s im p e t u o us fl u e ncy His f ancy e x u l ting in t he ch anc e s o f a d d s t o t he t u rm o i l wh e th e r t o e n d in a vict o ry o r a r o u t a fi e ry c o n fli ct w o u ld b u rst int o a r u s h o f v e rs e On it sp e d d is d ai ni ng t o b e st aye d w hi l e th e r e w as a p u b l ic sti ll p assi o n at e As I t u rn p age aft e r p age it e n o u gh t o s u pp l y r e a d e rs is t ant al izing t o f e e l th at a l iving id e a a b u rnin g th o u ght is g asping fo r br e ath b e n e ath a cin d e r pi l e o f n e w sp ap e r w r angl ings o r o f fr e e fi ght s in C o ngr e ss T o its l o ve rs p o e try is s e lf su ffi c in g a b e ing with a c o mpl e te l if e o f its n e ith e r a c o n agr at i o n n o r a sc affo ld ing Th e y ar e o wn n o b e tt e r p l e as e d w h e n t he b ard ab an d o ns p a rty st rif e t ak e s as his l e gitim at e an d n o rm al v o c ati o n t o an d phi l o s o phy R e ad e rs o f Lo we ll ar e ge n e r all y b e twe e n Scylla an d Ch arybdis Th e y ar e o ffe r e d th e ir ch o ic e o f vit al s o ci al an d m e t aphysic al pr o b l e ms t o gu e ss o n e m o r e i ntric at e t h an an o t he r H e n e v e r s at d o w n t o wri t e a l in e with o u t a driving s e ns e o f a m e ss age t o d e l ive r n o w d o w n u p o n e art h an d n o w al o ft a m o ng t he st a rs His pu b l ic is e xp e cte d t o f o ll o w an d d e ciphe r t he wh o l e Wis d o m .
,
-
,
,
,
,
.
,
,
,
.
,
.
-
.
-
,
,
.
.
,
,
,
’
.
.
,
,
.
,
.
,
fl
,
,
-
-
,
-
.
,
,
,
.
,
,
,
.
.
,
.
,
,
.
.
,
JAMES RUSSELL LO W ELL
2 23
ge n e r o us in dign ati o n ph o spho ric wi t c riticism c o nstr uctiv e l ightnings o p e n ing He av e n as th e y as w e ll as d e structiv e stri k e t he e art h ar e all th e r e T he pity is th at t o o o fte n e ith e r t he thi n k e r has o v e r l ai d t he p o e t o r t he inspir ati o n It is as wh e n a c anv as has is p l aying ab o u t a d e a d the m e r o tte d u n d e r a maste rpi e c e o f ar t T he p o e t h o we v e r is th e r e alw ays th o ugh it m ay b e in t he b ac kgr o un d it is t he r e ad e rs I am afr aid w ho ar e l i k e l y t o b e in d e fau l t T he g e n e r al p u b l ic n e ithe r inte r e sts its e lf in byg o n e p artis anships n o r has sp ar e inte l lige nc e fo r di al e ctics Eve n an e n t hu si ast fo r p o e try d o e s n o t e xp e ct t o h av e t o k e e p t he fi r e o n his h e arth al ight with t he as he s o f y e st e rd ay o r st e a m c o al N o n e c o u ld p e rc e iv e m o r e cl e arly ho w he miss e d p o pu l arity fo r his grave r ve rs e o r b e ar t he le ss m o r e ch e e rf u ll y th an Lo w e ll hi ms e l f wh stri ving Parnassu s t o c lim b Wi th a wh l b al f isms ti d t o g the r wi th rhy m ,
,
,
,
.
,
,
.
.
,
,
,
,
,
,
,
.
,
.
.
,
,
,
o
’
s
o e
an d ,
e o
visiting Ch artr e s
e
e
e
1
,
f e e d my e y e An d gi v e t o F ancy o e c l ar ho lid ay Sc ar c e aw t h minste r fo t he tho ghts it stirre d T he p ainte d wind o ws f r aking g l o o m wi th g l o w D sking t he s nshine whi c h the y se e m t o c he e r Me e t sy mb o l o f t he se nse s an d t he so u l An d the who l pil e g rim wi th t he N o rt hm an s t ho u g ht Of l if an d d e a th a d d o o m l if e s e qu al fe to
,
n
s
e
e
u
r
,
u
,
e
,
u
,
,
’
e
,
e
,
’
n
e
,
?
Wh e n t he p o e t in him has c l e ar p o ss e ssi o n o f t he fie l d t he s a dd e r an d m o r e p e nsiv e ph as e s o f h u m an e xp e r i e nc e still ar e tho s e t o which he t u rns by pr e fe re nc e H e m o u rns t he d e at h o f an i nf ant so n ,
.
A ch r b w h h d l st hi w ay hi st y A d w nd r d hi t h r e
n
u
a
o
e
e
a
s
o
e
,
so
s
a
22 4
FIVE CE N TURIES OF E N GLISH VERSE
Wi th s w as sh rt a d tw s m st m t That h sho ld b o d l v r i arth s c lo d a d c l ans his f t dt p N T s t and b f r hi G d — Oh b l t w rd E v rm o r T he c o ntr ast b e t w e e n u niv e rs al l au ghing b u sy n at u r e an d t he s u dd e n p aus e an d m u t e n e ss o f d e ath s u rp ris e s an d b e wi ld e rs hi m ar h ms o nd t h bl ss m d vin T he b W hirs t h light h mming b ird t h c ri c k t chirp s a T h l c t s shrill al ar m s t i g s t h H rd by t h c ck sh ts l stily f r m f arm t o f arm un H i s c h r y b r t h rs t lling f t h Answ r till f w y t h j y nc di s n v r kn w b f r ho w G d had fill d W T h s mm r ai wi th happy l iving s un ds All ro nd s ms v r pl s f life And y t t h o e d ar he r t li s c ld a d still H e g az e s d o wn w hi l e he sh u d d e rs at t he abyss y e t de e p e r th an t he gr av e which s e p ar at e s t he n e ar e st an d d e ar e st fr o m t he d ark e n e d min d T h r th sitte st o w a d th n tho m e an st T h d o st t lk wi th wh t w c anno t L k t t wi th a y d btf l I t d th p t v ry far f ro m th Th r th u sitt st w wo ld f in b e nigh th B t w kn w th t i t a n v r b u
o
au se
o
o
e o
es
a
e
e n
or n ee
,
n
,
u
e
’
e
s
’
,
ee
e
o
e
o
ee
n e
e
n
e
o
3
e
,
,
ee
u
n
ou
u
e
e
a
e
e
e
o
e
ar a
e
,
e
e
e
a
o
e
e
u
us
e
,
e s
,
e
e
o
e
r
u
e
e
r
o
o
a
e o
e
u
e
,
e
e
e e
n
ou
o
ee
o
e
u
,
o
-
’
us
o
e
o
ee
an o
n
u
e
a
e
o
e
,
,
4
n
o
.
,
,
,
e
ou
e
ou
oo
n
a
a
es
e e
n
us
e
e
se e ,
u
,
ee
e
a
o
u
ou
e so
e
e
o
e
e
e
a
us
u
o
u
n
c
u
n
e
a
ee ,
e
e
.
Strange it is that in this o p e n b rightne ss T ho u sho ldst sit i su ch a narr o w c e ll Stra g e it is that tho u sho u lde st b e o l o ne so m e Wh r tho se a e who l o ve the e all so we ll N o t s o m u c h o f t he e i s l e ft am o g s A t he hu m u tliv i g t he hu she d b ll A k in t o t he attr acti o n — wit h m o r e sti ll in it o f t he a ttr a cti o n o f r e p u l si o n — which dr a ws hi m t o t he c o nt e m ,
u
,
n
n
e
s
e
r
‘
n
s
o
n
u
e
5
.
FIVE CE N TURIES
22 6
E N GLISH VERSE
OF
xt m o rni g so m e thin g he avily Ag ain st t he o p e nin g d o o r d id we igh And the re fro m sin a d so rr o w f re e A wo m a o n t he t hre sho ld lay Ne
n
n
,
,
,
n
.
wh m t h h art f m sh ts t S m tim s t h h ar t f G d t ak s i And f nce s th m ll r nd ab t Wi th sil nc mid t h w rld l o d d i Fo r ,
o
o
e
e
e
e
e
e
e
o
’
e
u
o
ou
e
ou
a
e
e
an
o
,
n
,
ou
e
’
o
u
s
7
n
.
s o u ll e ss gr e e d fo r t he irr e d e e m ab l y l o st b o ndsm e n o f g o l d w h o m he m e e ts in t he n o isy Ci ty s str e e ts his cr e e d sp ar e s n o t a g l im m e r T h y p ss m by like sh d ws c r wd c ro wds D im g h s t s o f m that h v r t a d f o H gging th ir b di s r d th m lik thin shro ds Wh r in t h ir s l s w r b rie d l g g B u t fo r
,
’
,
,
a
e
a
e
en
o
u
e e
e
o
e
ou
o
o
,
e
e
o un
e e
o
,
s on
o
—
e
,
u
e
,
u
r
n
,
on
a
o
.
the y wan d e r ro u nd t he w o rld t he ir g rav Who s e v e r g api g m aw by s ch is fe d Gibb e ri g at livin g me a d idly rav b t y a e d ad o nl y t r u ly li v W Al as po o r f e l t he ano inte d y e m ay trac A d e ad s o u l s e pit aph in e v ry f ac Lo
ho w
,
e
n
u
n
e
n
,
u
e,
,
e
,
n
,
e,
e
r
s,
’
e
.
e
’
e,
e
e
e
H appi l y he p o ss e ss e d an d fr o m tim e t o t im e u s e d t he gift o f simpl e sw e e tn e ss as w e ll a s t ho s e o f pr e ach e r an d j u dge R e ad e rs if the y pl e as e m ay su n the ms e l ve s in p u r e ch arm s e e k ing n o t hi ng fu rth e r T he d e afn e ss t o divin e singing unti l t he m instr e l has d e p art e d b ac k t o his n ativ e H e av e n w as n e v e r m o r e pr e t t i l y m o r al iz e d th an in t he b all a d o f t he e xi l e o f Ph o e b u s Ap o ll o fr o m O l ymp u s t o t he sh e e p fo ld s o f King A d m e tu s g r nt e d that hi p ch w a wis M B t wh n a g l nc th y c g ht lim grac Of hi d w m an s y s Th y l gh d a d c alle d him g d f n ght ,
,
,
.
,
,
.
,
,
,
-
a
en
u
,
a
e
s s
ee
e
e
'
e an
s s
e
au
e
,
n
o
e,
s
au ’
e
e
,
oo
-
o r-
au
.
JAM ES RUSSELL LO WELL
22 7
fte r he w as d e ad a d go n e And e his m e mo ry d i m E ar th se e m e d m o re sw e e t t o li v e u p o n Mo re ful l o f l o ve b e c au se o f him And d ay by d ay mo re ho l y g r w E a c h s p o t whe r he had t r o d Till afte r p o e ts o nly kne w The ir fi st b o rn b ro the r as a g d As his p e n w an d e rs ab o ut t he gl ad e s t he f o r e st b e c o m e s a w o o dl and e nc hant e d T he g re at Au g s t no o n li g ht Thro u gh myr iad rifts slante d Le af a d b o le thi ckl y s pri kl Wi th fli cke rin g g o ld The re i warm A gu st gle am i g Wi th q u ick sile nt b ighte n i n gs F ro m m ad o w l ands r o aming T h fi e y t winkl e s H i s fi t fu l he a t li g htni g T he li ttl f o u nt twinkl e s I t s sil v e r s aint s b lls That n o spri te ill b o di g M ay m ake his ab o d e i T he se inno c e nt d lls H e dr e a ms bright dr e a ms as he w atch e s t he d e spis e d d an de l i o n fringing in b li t h e s o m e M ay t he d u sty r o a d wi t h h arm l e ss g o l d Th n think I o f d e p shad o ws t he g rass Of m e ad o ws w he re i s t he c attl g r az e Whe r as t h b r e z e s pass T h g le ami g ru she s l an a th u sand way s Of l av e s t hat sl u m b r in a c l o u d y m ass O whi te n in t he win d o f w a te rs b l That f ro m t he di tanc sparkl e thro u gh S o m wo o dland gap a d o f a sky ab o v Wh e re o e whi te cl o d like a tray l m b d o th m o v He ave n an d e arth s e e m t o m e e t in hi s t al e o f t he Ch rist Yet
a
n
’
,
en
,
,
.
,
e
e
,
-
-
r
“
o
.
,
u
,
,
n
fl u
e
r
n
r
,
e
e
n
n
,
,
-
,
-
s
n
-
.
e
’
-
e
,
-
n
n
e
10
.
,
,
,
e
e
on
un
n
e,
e
e
e
e
n
,
,
e
e
,
o
e
,
ue
r
e
s
e
n
e
n
,
u
,
P 2
s
a
,
,
e
.
228
fl
FIVE CE N TURIES OF E N GLISH VERSE
l ik e Y u sso u f s d e al ing w ith t he o u tc ast w h o m he w as e e t he a v e ng e rs o f he l ping wi th h o rs e an d m o n e y t o bl o o d O S he ik I c anno t l e av e t he e so all t his t ho u has t d o n I will re p ay t he e Unto that I b rahim w ho l w t hy so T ak e thri c e t he g ld s aid Y u sso u f fo r wi th th I t o t h d e se rt n v e r t o re t rn My o e b l ac k tho g ht shall rid away f ro m m First b rn fo who m by d ay a d night I y e arn B al a c d a d j st a e all o f G o d s d e cre e s T ho u a t av g e d m y fi st b o rn sl e e p in p e ac e R e a d e r l i k e p o e t w i ll b e h au nt e d by t he pict u r e o f t he m aid e n att e nd e d h o m e fr o m a d anc e an d l e ft at he r d o o r h o l ding a c and l e t o l igh t he r c av al i e r as he driv e s aw ay d o w n t he r ainy d ar k ave nu e T he v isio n o f s c ar c e a m o m e nt A d hardl y m ark d at t h t im I t c o m e s nb idd n t o ha nt m Lik e a sc rap f b allad rhy m H ad she b a ty W ll n o t what the y c all so Y o u m ay find a tho u s and as f air A d y e t t h r e s h r f a c e i n m y m e m o ry Wi th o sp e ci al cl aim t o b e the r As I sit so me tim s i t he twilight A d c all b ac k t lif i t h c als Old f ac e s a d h p s a d f a c i s L o g b ri d— g o o d r e t t o t h ir s u l H f ac hin o t i t he e m b e rs I e h ho lding t h li g ht A d he ar t he c ru ch f t he g rav l A d t he swe p o f t h rai t hat ig ht T is a f ac e t hat c a n v r g ro w o ld e r That n ve r c an p art wi th i t s gl e am T is a g rac i o s p o s s sio n f o re v e r F o i s it n o t all a dre am ? ’
,
,
e
s e
’
o
e
n
n
,
u
,
e
u
o
r
,
e
u
,
’
r
en
,
e
n
n
r
ee
,
e
,
n
-
n
r
,
12
-
,
,
,
,
,
e
n
u
e
e
u
o
n
e
’
e
e,
e
-
u
e
e,
.
,
e
n
e
e
n
n
n
er
u
e s
s e
n
,
o
e
e
n
o
e
e
n
o
e
n
e
s
es
u
e
n
n
,
o
e
’
e
e
n
e
n
e
.
,
,
u
r
,
n
e
’
s
o
n
er
n
.
es
13
FIVE CE N TURIES OF E N GLISH VERSE
2 30
Pap e rs fo r w h o m L o ngfe ll o w is as a c o mp at ri o t w ho e v e n ar e f a mi l i ar with t he n a m e s o f Whitti e r an d B ryant w o u l d b e a m az e d t o h e a r o f Ja m e s Russ e ll Lo w e ll as a m ong t he w o r ld s p o e t s — Y e t he is ,
,
,
fl
’
.
Po tic l W rk f J m R ll L w ll H h ld B t H ght M if i C 1 882 T h C ath d r l A F ble f Critic di (E rli r P m ) Th Fri d Child (Mi c ll P m) O t h D ath f T h D rk d Mi d (U d r t h W ill w ) H g r a d C ld (Mi c ll P m) T h F rl r (E rl i r P m ) T h Str t (S t) P m) Th S h p h rd f K i g A d m t (Mi c ll Th F t i f Y th (U d r t h W ill w ) T th D d li P m) (M i c ll Y us f (U d r t h W ill w ) A E mb r P i ct r I t h T wil ight T he
o s on : 1
5 5
e
un
7
e
8
11
a
n
e
e
o
n
e
n
e
e
n
n
s e
’
o u se
.
o
e
e
a
.
an e o u s
s e
e
an e o u s s
s
o
oe
s
s
oe
.
.
.
.
n
s e
e
e
an e o u s
o
s
.
an e o u s
s e
e us
ou
on
u e
e
.
s
e
n
e
,
o
.
oe
e
a n o
an
so u
n
en
o
e
s
a
o nn e s
o un
e
oe
a
.
.
o
o n
o
ee
17
11
en e
e
e
o
c
u ss e
7
e
a
e
e
1 °
s
a
e
n
n
or
r en o
es
a
o
on,
ou
a
3
s
o
a
e
e
o
oe
s
.
s
.
oe
s
.
.
t
E d i io n
.
E D W AR D F I T Z G E RA L D — 1 883 1 809
is at o nc e e asy an d h ard t o acc o unt fo r t he Fi t z Ge r ald Cu l t T he fe rv o u r o f m any b e l i e v e rs in t he go sp e l pr o po u nd e d acc o rding t o Ed ward F it z Ge r ald by t he Pe rsi an astr o n o m e r p o e t is int e ll igib l e e n o u gh T he f ait h is t hat o f Epicur u s witho u t t he inc u bus o f a phi l o s o phi c al syst e m N o n e c o u l d b e simp l e r o r m o r e ch e e rf u ll y pr a ctis e d : Live u u o a e a n o e e e e a r l if r th if rth w r t rn l if e n e a s o t a s o y y t he r e we r e n e ithe r He ave n n o r He ll Live fo r t he d ay wi t ho u t c o nc e rn fo r t he m o rr o w o r if th e r e b e a m o rr o w a n y m o r e fo r th at th an fo r y e st e r d ay Pl ay if y o u c an find n o b e tte r dive rsi o n wi t h w h at e ve r th e o ri e s o r d o gm as r e li gi o u s o r o the rwis e y o u p l e as e N e ve r at all e v e nts allo w th e m t o c o l o ur o r c l o ud y o ur fl e e ting m o m e nts Yo u r activ e busin e ss i s t o t ak e ad v ant age o f t he p l e asur e s o f t he b o dy w hi l e y o u h av e a b o dy Esp e ci all y e nj o y m u sic an d dri n king ; if in a g ard e n o f r o s e s w ith a f air c o m p ani o n s o m u ch t he b e tt e r Th e r e in lie s all yo ur d u ty whi c h is o n l y t o yo u rs e lf N e v e r was a m o r e u ne the r e all y agr e e ab l e cr e e d pre ach e d B ut m any o f F it z Ge r ald s r e ad e rs w ho ab ho r O m ar Kh ayyam s phi l o s o phy e nthu si astic all y appr e ci ate t he v e rs e an d i t is m u ch l e ss diffic u l t t o e xpl ain acc e pt anc e o f t he o n e th an w hy t he o th e r s atisfie s t o t he p o int o f r aptur e Fi t z Ge r ald int e rp o l at e d int o t he l ab o ri o us in d o l e nc e he l o v e d a b ar e m o dic u m o f p o e tic al wo r k Of t he p ie c e s dir e ctl y o rigin al t he m o st i mp o r t ant is B r e d fi e ld H all T he d e scriptio n o f t he h o m e o f s u cc e ssive sq u ir e s o f his r ac e is d e l ici o u s l y simpl e IT
.
’
,
,
-
.
,
.
,
,
,
.
,
,
,
.
,
,
,
.
,
,
,
.
,
.
,
,
,
.
,
’
.
’
.
’
.
.
.
232
FIVE CE N TURIES OF E N GLISH VERSE ngli h mansi n f nd d I th ld r J am s s r ign Q aint a d state ly a d s rr nd d Wi th a p asto ral d m ain d g ard ns With w ll t imb d l aw And wi th m any pl asant m d S kirt d by t h l fty c v rts W he r t h har a d p h sant fe d Fl k d i t i wi t h g o dly s t b l s d by c o v al t r s S h lt st g ab l s S it lift s i t h T ward t h dist nt G rman s as W h r it nc di d t h sm k Of ld a b att l s fa aw ay S aw vi ct o ri o s N l o n s t p m as t s Ancho ri g i H ll sle y B ay B t what v r s t o rm mi ght ri o t C nno n a a d tr m p t ring Still ami d th s m e ad ws q ie t D id t h y arl y vi o l t s p ring Still H av n s starry hand su sp nd d That light b al anc o f t h d w That ch nig ht o arth de sc nd e d And ach m ning ro s an w And t h anci nt h s sto o d r aring U di t b d h chi mn y s high A d h gil d e d v an s till v ring T ward ach q art r f t h k y W hil lik wav t w v s cc e e din g Thr gh t he w rld o f j y a d strif e H s h ld aft r h s h ld sp din g H and d t h t o r ch f lif H r t h y l iv d a d h r t h y g r t d Maids d m atr s s ns a d sir s W d ri g i it walks s at d R nd it h spit ab l fi r s Lo ,
an
E
e e
n
u
ou
o
s
e
’
e
n
e
,
n
,
u
o
e
er
-
e
’
’
an
e
o
a
o
se
u
n
e
’
e
.
,
r,
u
n
e
e
’
e
e
ea
e
ou
e
’
s ur
e
e
e
o
ou
e
e
e
e
e
e
ou
o
a
e
e
,
n
n
on
n
s
u
n
o
e
e e
e
o
,
,
e
,
ee
o
s
o
e s
o
e
an
an
ee
e
ou e
on
,
s
o
o
,
e
e
u
e
ou e
e
e
o
,
e
er
er
e
e
e
or
e
n
e
e
n
e
n
,
u
o
e
e
e
o
e
o
e e
e
o
e
re
a
e
r
e s
n
u
’
e
-
e
e
sc e r n
e
,
e
e
o
e
.
ee
on e
s
,
e
a
e
o
e
ea
o
’
,
e
n
s
er
e
ea
e
o
e
e
an
n
o
e
e
e
ou
.
a
e
e
.
ee e
n
or
e
e
e
e
,
,
FIVE CE N TURIES OF E N GLISH VERSE
2 34
pl ays an d o f thr e e Gr e e k trage d ie s O e dip u s at Th e b e s H e ad d e d o n e o f Vi rgi l s an d in Attic a an d Ag a m e mn o n g ard e n an d r e n d e rings o f O m ar Khayyam s Rub aiyat an d Jai mi s S al a m an an d A hj al A ll t e stify t o unsp aring p ains an d an e xtr ao r d in ary gift in hi m fo r im agining hims e lf int o his au th o r At tim e s w e might al m o st say th at he w as t he au th o r as in t he t al e by t he Argiv e Ch o rus in t he Agam e m n on t ak e n fr o m A e schyl u s o f t he u se by F at e o f t he p assi o ns o f G o d s an d M e n t o acc o mp l ish its dr e ad d e c re e s Th at m agnific e nt Od e l aid a sp e ll u p o n m e wh e n l o ng ago I c a m e up o n i t an d t he ch ar m w o r k s sti ll S o n o l at sard ni c F ate Wi th M a ag ainst hims lf c o nspir s P ts o n t h m ask o f his d ir s Up t h s te p s f Time l at Le ads him b li de d wi th hi s p rid A d g athe ring as he g s al ng T h f l f hi s i cid Until having t o p t t he py r Whi ch D stiny p rmi ts o high r Am bitio n s ts hims lf fi ; I ag o t i o l ik t h c rim C nspi cu o s thr u gh t h wo rld a d tim e D o wn amidst hi s b raz e n walls T h acc m l ate d Id l f alls T shap e l ss ash s ; D mi g d U d r t he vu l g ar ho o f d wn tro d W h s n c k he t r o d t ye T w e p hi f all i gh r li p t o F hi m a p r ay r ; if th r w r N G o d t o li te n o r pl y The chi ld r e n h av e t o p ay fo r t he sin o f t he f ath e r an d s ir e fo r t he g u i l t o f so n Th s wi th ld P i m wi th hi r yal lin Kindre d a d p pl y e t h v ry t o we r hd i Th y b il t by m as nry divi
,
,
,
,
’
.
,
’
,
,
’
.
.
’
,
,
.
r
o
e
o
n
u
e
e
e
e
es
o
e
e
e
n
e,
n
oe
fl
ue
e
o
u
s
e
e
e
e
c
n
ra
o
n
u
e
u
e
on
e
e
o
o
o
re
e
n
e
e
o
o
e
e
on
e
s
e
s
-
s
or,
,
r
an e
no
no
,
or o
,
o
e
n
,
e
u
e
o
e
n
e
n
o
e
e e
e
e,
.
,
u
o
r a
n
e
cr o u c
’
eo
n
,
s
,
e
u
a,
o
e
o
e,
e
s
ne
?
EDW ARD FITZGERALD
235
Th e n at t he th o u ght o f t he h o m e d e s o l at e d by He l e n s fli ght t he st at e l y app ro v al o f t he f at e f u l d o o m up o n c r i m e an d its ab e tt o rs b e c o m e s a fl o o d o f s o r r o wing sym p athy with t he inj u r e d Lik a dr am thro u gh sl e p she glid d Thro gh t h sil nt ci ty g ate B y a g il ty H rm s g id d O t h f at he d f t f T h ft L aving b tw n th s h l ft And th se sh d t o light d disc rd Un xting ish bl H te Le aving him who m l ast h sh ld M ne la s b rav e a d g o d Sc r c b li ving i t h m t t d R m r in t h wo rse than t t d Om n f t h w ail i g maid ns Of t h shak n ho ary h ad Of d se rt d b o ard a d b e d e F o t h p hant o m o f t h l o s t H t him i t h wo nte d plac s H all a d C ham b r whi ch h pac s Hi th r Thi th r lis te i ng lo o king Phanto m l ik him lf l n ; Till h c o m s t l o ath t h f ac e s Of t h m arb l m te C l ssi G d lik F rms a d hal f di vin F und rs f t h R y l l in alt e d q i t W ho wi th all Wi tn ss all a d m k si gn B t t h sil nc e o f t h c ham b rs An d t he shak n h ary he ad A d th v o i o f t h m o rning Wo me n a d o f o c an wailin g Ove r whi ch wi th nav ailing Arms h re ac h s as t o h il T h p hant o m f a flyi g s il All b t an w r Fl e d d d F als ! d i h o d w r than d ad ’
,
,
e
e
e
u
e
n
e
fl e
e
u
e
e
r
e
e
u
ee
o
’
ee
e
o
e
e
e
a
u
e
a
ou
u
e
e
n
e
,
n
se
e
o
e
u
o
o
a
e
e
u e
e
o
ce s
u
e
e
a
,
n
s
e
on
fl fl ,
o
s
,
,
e
n
e
e
.
e
e
e,
e,
’
u
u
,
a
j
,
e
e no
e
n
e
-
o
r
n
a o
n
e
un
e
,
o o
,
e
,
e
e
e
e
,
-
e
-
on e
,
e
o
u
.
e
n
s
o
,
e
e
’
e
n
e
,
’
er
e
e
e
er
n
e
aun
ou
u
e
r
u
e
e
e
,
,
e
o
e
o
e
s
o
n
,
e
e
a
n
e
e
e
e
e
,
e
e s
o
u
e
e
a
e
,
ur
’
o
e
se
e
FIVE CE N TURIES
23 6
N ight
E N GLISH VERSE
or
l ast he dr e a ms an d She Onc e m o re in m o re than b ridal b e au ty stands B t e v e r a s h r ach s f o r th hi s hands S li p s f ro m th m b ac k into t h vi wl ss d p On t ho se s o ft sile nt w ing s t hat w alk t h w ay s at
u
e
,
e
e
,
e
e
e
e
ee
,
e
l p
of s ee
“ .
R u b ai yat h o we v e r is t h at by whic h Fi t z G e r ald l iv e s It w e h av e t o s e arc h in o rd e r t o disc o v e r t he an d wi ll l iv e s e cr e t o f t he p o e t s f a m e T he first f e e l ing w h e n r e ad e rs h av e l e is u r e t o r e vi e w i mpr e ssi o ns is o f s u rpris e at t he in d i ff e r e nc e t o t he que s t i o n o f t he tr ans l at o r s fid e l ity It is a m att e r o f c o mp l e t e u nimp o rt anc e t o u s w h e th e r it b e At t he s a m e tim e all o f u s h o w e v e r a tr ans l ati o n at all a bs o l u t e l y ign o r ant o f P e rsi an ar e c o nfi d e nt th a t if it b e it is p e rf e ct in spiri t d ivin e l y d o n e a pl ane t e qu al t o t he sun w hi ch c ast it as T e nnys o n m u ch t o o at t e ri n gly 4 at an y r at e t o O m a r sums it u p W e ar e t o o e nt i r e l y d o min at e d by a c o nsci o u sn e ss o f f o rc e c o mpr e h e ns iv e n e ss wi ll s u ffici e ncy t o b e disp o s e d t o qu e sti o n F it z Ge r ald s right t o d e al as with his o wn T he m e r e l angu ag e in its e l astic str e ngth as o f st e e l s e e m s t o h av e b e e n cr e at e d t o m ak e a w e ap o n o f an agn o s t i c i s m indisting ui sh ab l e fr o m d o gm atism Ev e ry fr e sh artic l e in t he indict m e nt a g ainst o n e o r an o th e r o f t he — s e ve nty t w o e m u l o u s r e ligio ns o f t he w o r ld c u ts w ith t he ke e nn e ss o f S u l t an S al a din s s w o r d F it z Ge r ald th o ugh no f o ll o we r in hi s o w n m o st si mp l e r e gim e n o f O m ar Kha yyam s phi l o s o phy o f t he s e ns e s w as r e s o l v e d t o d o his t e n e ts j u stic e H e is scr u p u l o u s t o m ars hal t he m in all the ir h e t e r o d o xic al e ffr o nt e ry with a c hall e nge t o o rth o d o xy in an y p o sitiv e f o r m t o d o b e tt e r T he v igo u r wi th w hich t he g au n tl e t is h u r l e d is tr e m e n d o u s : an d t he d e fi anc e is se t o ff w ith t he u t mo st c har m s o f r hy t h m T he t e x t u r e is a m o d e l o f p o e t ic j o in e ry Ev e ryw h e r e in e v e ry d e t ai l T he
,
,
,
.
’
.
,
,
’
.
fl
.
,
,
,
,
’
,
,
’
,
,
,
.
,
,
’
,
,
.
,
,
.
’
.
,
’
,
.
,
.
’
.
.
,
,
238
FIVE CE N TURIES OF E N GLISH VERSE
this re vi vi g H e rb who se te nde r g re e n Fl e dg e s t he Rive r Lip o whi ch w l an Ah l e an p o i t li ght l y fo w ho kn o w s F ro m what o nc e l o v ly Lip it sprin g s unse e n Ah m y B l o ved fi ll t he Cu p t hat c l ars T D ay o f p ast R e g re t s a d F u tu re F ars T o m o rr o w W hy T o m o r o w I may b Mys lf wi th Ye ste rd ay s S e v n tho u sand Y e ars F o s o m e w e l o v e d t he l o v li e st a d t he b e st That f ro m his Vi t ag e ro lling Tim e hath p re st H av dru k th ir C p a R o und o t w o b e fo r And o n e by o n e c r p t sil nt ly t o re st An d w e that o w m ak e m e rry in t he R o o m Th y le ft a d S u mm e r dre sse s in e w b l o o m Ou rse lve s mu st w e b e e ath t he C o u ch o f E ar th D e sc e nd— o u rs lv e s t o m ake a C o u ch— fo who m T he S ag e d e c l ar e s he had str u ggl e d ag ainst t he c o nvi cti o n o f t he m o rt ali ty o f e v e ryt hi ng e art hl y Myse lf whe n yo g d id e ag rly fr qu e nt D ct o r an d S aint an d he ard g re at arg m e nt A b o t it a d ab o t b u t e v e rm o re C am e o u t by t h s am e d o o r whe re i I we t With the m t he se e d o f Wisdo m d id I so w i t g ro w o wn hand wro u g ht t o m ak An d wi th mi An d t his w as all t he H arv e s t t hat I r ap d I c am lik W a te r a d lik e Win d I go H e had ask e d fo r e v i d e n ce w he t he r o f t he s e ns e s o r sp iritu a l an d in v a in a g ainst t he tr agi c c o nc l u si o n Stra g e is it n o t that o f t he myriads w ho B e f o re u s pass d t he do o r o f D arkne ss thr o u g h re tu rn s t o te ll u s o f t he R ad No t o W hi ch t o disc o v e r w m t trav l t o o W e ar e n o t hing he c o nc l u d e s at l ast b u t Sh ap e s o f Cl a y a n d r e as o n as w o u l d th e y in th e ir P o tt e ry if e n d o w e d with sp e e ch An d
n
-
u
e
n
e
r
n
e
e
,
o
e
,
n
-
-
e
r
-
,
’
’
e
e
.
r
e
,
n
n
e
n
e
,
u
e
e
e,
.
n
,
e
r
,
n
n
,
n
e
r
e
un
o
e
u
,
u
5
u
n
e
n
n
.
,
ne
e
e
e
e
’
n
,
.
,
n
’
,
,
,
’
,
o
ne
e
,
us
,
7
e
.
,
,
,
EDW ARD FITZGERALD
239
S aid o n e am o ng the m S u re l y n o t i v ain My s b st anc o f t he c o mm o n E ar th w as ta e n An d t o this Fi g re m o ul d e d t o b e b r o k e O t ram pl e d b ac k t o shap e l e ss E art h ag ain n
u
’
e
u
,
,
’
r
.
T h n said a S c o nd N r a pe vish B y W ld b r ak t h B wl f r m whi ch he dra k i And H that wi th H i h nd t he V s l m ad Will re ly o t i aft r Wrath d st r y ’
e e
e
e
e
ou
e
n
n
e
a
s
se
e
’
o
e
e
.
Aft r a m me ntary il nc sp ak S m V ss l o f m re g ai l y Mak Th y sn r at me f l a i g all awry W hat d id t he H and th n f t h P tt e r sh k e
o
o
e
e
s
e
a
e
e
e
n
un
o
ee
e
e
or
n n
e
e
e
o
a
o
W h re at s m f t h l q ac i s Lo t I t hi k a S ufi p i pk i — w xin g ho t — h All t is f P t a d P tte r T ll m th n W h i t he P tte r p ray a d w ho t h P t 1 e
e on e o
o
n
o
o
s
e
o
e
o
n
a
n
o
,
u
e
ou
e
e
e
n
,
jo y
n
n
o
o
e
su
o
e
e
o
,
3
‘
br e adt h an d gr asp o f t h o u ght t he Pr o te an gr ac e o f t he h arm o ny h av e th e ir s e v e r al s har e s in t he f a sc in ati o n t he h andf u l o f v e rs e e x e rts B u t s u c h m e r its d o n o t s o l ve t he pr o bl e m o f its asto ni shi n g d e gr e e th o u gh t he f u ll It is t he ans w e r wi ll inc l u d e t he ir cc o p e r ati o n as ag e nts p e rso n al ity o f t he Man a r e al M an w hi ch e xpl ains t he fo r its e l f in e xtr ao r d in ar y r an k t he p o e m has ass e rt e d l ite ratu r e an d u nfo r t u n ate l y tho u gh I am p e rs u ad e d with o u t Fi t z G e r a ld s int e nti o n p a r tl y in s o ci e ty its e lf A po e t s o w n c ha r ac t e r is alw ays a m ai n c o nditi o n o f t he p l ac e t o b e assign e d t o hi m an d h e r e w e find a ge n ui n e E d w a rd F it z Ge r ald e ve ryw he r e e xc e pt o n t he ti tl e p age It is a d e q u at e pr e s e nc e al w ays a m an l y R e al as we r e t he v e r si fi e r s w e signify u nd e r t he n a m e o f O m a r Kh a yyam t he y d o n o t e qual Fit z G e r ald in r e al n e ss fo r u s H e is n o t t he l e ss r e al t o us t hat in his l if e tim e t he o n e q u ali ty he T he
,
,
.
,
-
.
,
,
,
,
,
,
,
’
’
.
,
-
.
,
,
.
,
.
FIVE CE N TURIES
2 40
E N GLISH VERSE
OF
m an ag e d fo r t he
m o st p art t o hi d e w as his int e lle ctu al H e mo v e d in t he n arr o w e st o f o rbits n o t a sc e nd ancy disd aining intim acy wi t h hi s p o s t hu m o u s f ath e r in law t he Qu ak e r b ank e r an d hymn w rite r w o rthy B e rn ard B art o n A lways he car e d l e ss fo r a d mir ati o n th an fo r affe cti o n whic h he priz e d w hi l e he s e e m e d t o s l ight F e w e ve n o f hi s f a mi l i ars p e r haps n o t T e nnys o n hims e l f n o t w it hst an d ing t he d e dic ati o n c o u l d h av e g u e ss e d th at he w as s e c u r e H e n e v e r fr e tt e d at t he o f i m m o rt al i t y o n P a rn ass u s n o n r e c o gniti o n o f his g e ni u s F o r t he w o r l d n o m an o f l e tt e rs c o u ld h av e b e e n mo r e Of t he b u lk o f his d o ings in l it e r atu r e it r e m ains o bscur e s e r e n e l y u nc o nsci o us sti ll His an o nym o u s v e rsi o n o f O m ar s r e put e d m u sings its e lf it r e f u s e d t o t ak e at his o w n fin al v a l u ati o n o f a p e nny pi e c e A qu art e r o f a c e ntury aft e r t he o ri gin al p u b l ic a ti o n in 1 85 9 t he Encyc l o p ae d i a B rit annic a in a l ist o f e diti o ns o f t he R u b aiyat r e f e rs t o his as j u st a p o rti o n o f t he s a m e r e n d e r e d in Engli sh v e rs e T he c o ld n e ss o f l it e r ary o pini o n w hi l e by E Fitzge r al d he l iv e d str u c k hi s s e ns e o f h u m o u r r ath e r th an o f r e s e nt m e nt It n e ve r o ccu rr e d t o hi m t o c o mpl ain His int e r e st — w as in his w o r k fo r t he tim e b e ing as muc h in a p l o dd ing v e rific ati o n o f t he Fi e l d o f N as e by as in t he inspir e d 1“ int e rpr e t ati o n o f a go l d e n E ast e rn lay S o l o ng as he f e l t he had d o n e his p art th o r o u ghl y an d t o t he b e st o f his p o w e rs he w as s o v e r e ign l y c o nt e n t O l d Fitz a n d so he d i e d t o h av e t he S o l iv e d minu te st hal f l e g e nd ary scr apings o f hi s ch ar act e r lit up in t he gr av e w ith a b l az e o f r e no wn N o r with o u t r e as o n a s I sinc e r e l y thin k tho ugh I h av e b e e n e xp o sing mys e l f I k no w t o c o n d e mn ati o n ali k e fo r e x agge r at e d p rais e o f t he v e rs e by p e rs o ns n e v e r t o uch e d wi th t he r aptur e o f t he Eng l ish e d Rub aiyat a s m e r e h ar m o ny an d by v o t ari e s .
,
-
-
,
-
,
.
,
,
,
.
,
,
,
,
.
-
.
.
.
’
,
.
,
,
,
.
,
,
.
.
,
.
,
.
,
-
,
,
.
,
,
,
,
,
,
,
C O V E N T RY P A T M O R E 1 82 3 — 1 8 9 6
I r e a d Co v e ntry Pa t m o r e I w o n d e r if the r e b e n o t a s e cr e t r e l igi o n a m o ng e d u c at e d w o m e n M an w o u l d h av e n o right t o b e s u rp ris e d if th e y k e pt in th e i r b o u d o irs th e i r sch o o l r o o m d e s k s the ir w ar d r o b e s al o ng wi th Jan e Eyre an d T he Ch risti an Y e a r c o pi e s o f T he Ang e l in t he H o us e an d Vict o ri e s o f L o v e B e f o r e the y go d o w n in t he m o r n ing w hi l e the y d r e ss fo r di nn e r afte r o r b e f o r e the ir e ve ning pr aye r the y might we ll find ti m e fo r a fe w v e rs e s if n o t fo r a b o o k M ay the r e n o t b e l a di e s c l u bs at w hich he is r e gu l ar l y st u di e d Gi rto n Ext e nsi o n l e ctu r e s at w hi ch he is e xp o u nd e d ? Whe n m e n pr ais e the ir Mi l t o n W o r d s w o rth B r o wning T e nnys o n d o the y n e v e r h e ar P at mo r e s n am e w hisp e r e d by f e mi nin e l ips ? Tru e th at he is s e l d o m m e nti o n e d o p e n l y an d n o w l e ss o ft e n t han thirty ye ars ago It m ay m e r e l y b e an o the r pr o o f o f t he a d age th at half o f u s k n o w n o thing o f t he w a t h e in w ch th r h l f l iv h i a e o e y I fin d it h ar d t o cr e d i t th at t he o n e r e al p o e t w ho pr o c l aim e d t he right divi n e o f w o m e n t o b e a d o r e d n o l e ss aft e r th an b e f o r e m ar ri age an d m o r e so as wiv e s an d m o th e rs th an as b rid e s has c e as e d t o b e h abitu all y r e v e r e d by th e ir se x Po e t e ss e s d o n o t c o unt b e si d e s th at th e y r ar e l y ar e g e nu in e w o m an l o v e rs Unti l Co v e ntry P atm o r e p o e ts had b e e n w o nt t o e n d the ir wo rs hi p as s o o n as t he Al t ar st e ps we r e r e ac he d As he b o asts it w as re s e r ve d fo r him l as t o f all t o sing t he first o f th e me s As
,
.
,
,
,
,
,
,
.
,
,
,
’
.
,
,
’
,
,
,
,
.
.
,
.
,
,
-
.
.
,
,
.
,
COVE N TRY P ATMORE
2 43
tr ac e s it in a s e ri e s o f s o ft s we e t idyll s ve ry fu ll y fr o m t he w o o ingt o t he w e dding ring an d t he nc e in o u tl in e r athe r shad o w y thro ugh h appy ye ars o f nupti al an d p ar e nt al l o ve T he husb an d l o ve r pr ays t o b e inspir e d as chr o nicl e r Tho Primal L v who g a t t wi gs And v o i c s t t he w o dl and birds G rant m t h p o w r o f s aying thing s T sim pl a d t o o sw e t fo w rds He
-
,
-
,
,
,
,
-
.
u,
o
r
o
e
e
n
es
n
o
e
,
e
n
e
oo
e,
r
e
1
o
.
His ve rs e s u ffici e ntl y pr o ve s that his p e titi o n w as grant e d With char ming d e lic acy he d e sc rib e s t he d isc o ve ry in — o o H n ri a Chu rchill pl aying — h T W dding Mar ch o f M nd lss hn .
,
e
e
e
2
o
e
gi r l wh o m he had k n o wn as a chi l d six ye ars b e fo r e t he r e v e l ati o n t o hi ms e lf o f hi s p assi o n thr o u gh a p assing t r e m o r at t he tho u ght o f a p o ssibl e rival an d its e l e v ating e ffe c t W hat ve r i he sight I d s m I d r e ally b I d n v r b l nd Wi th my d li ght in h dr am Tw ld c hang h ch k t c m pr h nd of
t he
e
n
’
’
r
’
e
er a
e
’
a
to b e
ee
er
e
ou
ffe cti o n
e
e
e
u
ee
e
o
o
nre t u rn e d
,
e
“
e
.
w o ul d
he
fate Lo v e s de ar amb itio n ma And le ad his b re ast wi th ho pe le ss p ain An d se e m t o b l o t o u t u n an d st ar Lo v l o st o w o is c o un tle ss g ain H i s o rro w b o ast s a s e c r t b liss W hi ch so rro w o f itse lf b e gu il An d Lo v e in te ars t o o no b le i F o p i ty s av e o f Lo v e in smil e s ’
If
r,
s
e,
be
r
n
,
,
,
e
s
s
r
Fo r
4
.
,
him it e nve l o ps
t he
unive rs e Q 2
spr e ading
,
in t he
e
ye s
FIVE CE N TURIES OF E N GLISH VERSE
244
s l e e p le ss watch e r unc e r t ain as y e t o f t he issue o f hi s suit a gri m p allo r at d awn o ve r T h l ands c ap all m ad shar p a d c l ar B y stilln ss s a f ac by d e ath A l itt le l at e r t he b l e ss e d answe r has b e e n give n an d t he s am e l an d sc ap e is t r an sfigu r e d Twas wh n t he sp o sal tim f May H ang s ll t h h dg wi th b rid l wr aths An d ai s o sw e t t h b s m g y Give s thanks fo e v ry b r th it b re athe s That I i wh m t h sw t tim wr ght Lay t t h d wi thi n a l n l y g l ad Ab a d d t d li c i s th ght B eneath t h s ftly twi k ling had T h l av e s all s tirri g mi mi k d w ll A n ighb o ring r sh o f riv rs c o ld And a t h shad w f ll o S o the s w re g r n a d tho s w re g ld I di m r c e ss s hy ac inths d o p d And b r adths o f p rimr se lit t he ai Whi ch wand ri g thr gh t he w o dl and st o p d And gat h d p e rf m s h re a d th r Up n t h sp ray t he s qui rr l swu ng And c ar l ss s o ngste rs ix o se v S ang l fty so gs t he l av s amo ng F it f th ir l y liste n r H v o
f t he
,
,
e
’
,
e
a
r
e o
e
e
s
n
’
on
e
e
,
n
u
s
n
e
e
o
ee
,
,
’
ro
e
o
e
e
n
.
e
e
e
,
r,
o
e
,
er
o
’
c
,
r
e
e
s
u
e su n
e
e,
e
n
o
,
,
ou
ou
e
ou
e
ee
o
e
e
ea
e
o
o
ou
n
’
u
e
,
n
or
e
e
,
en
r
s
e
on
e
’
e e
e
e e
o
,
n
e
e
o
,
a
o
’
c
s re
o
e
o
n
e
a
e
e
r
,
.
u
e
’
“
e
a
e
n
e
e,
e
,
,
,
ea
en
“
.
If t he r e c o u l d b e a dr awb ac k t o t he wo o e r s o wn e cst asy i t w as c au s e d by its c o mpl e t e n e ss She answ e ring wn d t hat she lo d t T he av o wal o v e r w h e l m e d t he vi ct o r wi th c o mp assi o n e v e n sh a m e at his l a dy p ar a m o unt s abdic ati o n o f he r thr o n e B y that c ns nti g sc ar d d ho k d h S ch chang c am mi n a d m o d T hat I f l t tart l d a d half m o k d A t winning what I had t w o d ’
,
,
’
c
v
’
oo
.
,
’
,
o
e
u
’
e
e
s
e
n
e o er
e
an
er
s
no
c
,
e
c
n
’
o
n
’
’
.
o
2 46
FIVE CE N TURIES OF E N GLI SH VERSE
bri d e gr o o m fir st b e c o m e s b e au t ifi e d fo r him by m at e rnity as with p e nit e nt asto nishm e nt he avo w s W h n t h w m ad Mo th r smil e d m d he rs l f l ittle child Sh Dw lli g at l arg b y o nd t h law B y whi ch till th n I j dg d a d saw And that f o nd gl w whi ch h f l t stir it s ff s d m y h art fo h F T who m f r o m t h w k b ab a d t h nc i u T m t inno c n c H appy r p arative f l if C am a d h w as ind d m y wif As the r l o v ely with l o v h lay It is a f u rthe r st age wh e n he disc o ve rs Jan e in t he c o m — f i n s h i o o o a t h H n ri bj ct his r l y i d l try a n o e o f a a e o e o p p tr ansfo rm e d into a Divinity h e rs e lf On e st e p sti ll o nwar d m o th e r s g o dd e ss s l o v e th at had n e v e r tir e d an d w if e s d e vo tio n an d o r f aint e d turns b ac k t he c u rr e nt o f tim e p assi o n t o t he ste ps o f t he m arri age Al tar its e l f an d in t he d e ad w o m an s w ritt e n l e g acy o f t ri umph D th whi c h tak s m f r m hi Sid S h ws m e i v ry d d hi b rid ! A l as f o nd w r e tch ! W e p ass fr o m g e nt l e fl u e ncy in Vict o ri e s o f Lo v e t o t he str ang e st o f wi ld l abyri nths o f f ancy mi n i st e ring t o t he o l o gy in T he Unkn o w n Er o s P at m o r e s e ntr e aty w as far fr o m gr ant e d if he w e r e s e ri o u s in b e s e e ching Ur an ia t o inspir e hi m wi th C h ts a o f a l n ly thr sh s thr at At l at st e That d e s i ach c alm n t B o th jo y a d g ri v N te s f w d s t r ng a d fi Gil t wi th swe t d y s d e clin A d s d wi th p r mis f di ff r nt o f all,
he r
,
,
-
e ne
e
e
e se e
e
fl
o
,
o
e , an
e,
s
r
en
,
e
er
e,
ea
e
o
n
e
s
e
e
n
n
e
,
e
,
u
u e
u
,
e
,
o
or
,
e
e
,
,
a
e
n
e
e
e
n
e
e
e,
e,
ee
e
e
e, s
e,
,
“
e
.
,
.
’
’
’
,
,
,
,
,
,
,
,
’
,
ea
e
,
o
n
,
e
ee
e
e
s
,
e
s
o
,
10
,
’
.
,
an
o
s
e
u
e
o
ve,
o
e
o
o
n e
an
a
a
o
ne,
n
o
e
e
e
e
n
n
’
’
e,
e o
a
e e
su n
.
COVE N TRY P ATMORE
247
B ut in c o mp e ns atio n t he who l e is f ul l o f gran d sp asms p o ssibl y o f all e go ri e s as e l ab o r ate as in o f t ragic e m o ti o n T he P urp l e Is l an d ; c e rt ain l y o f e nigm as w hi ch I c o u l d I am c o nte nt n o t wi sh t o b e a tho u ght a thr o b p l ain e r with t he b e au ty if fe ve r e d w hi ch is in d isput abl e Wh at a cry o f pr o t e sting u n avai ling anguish is t he D e p arture I t was n o t lik e y o u r g re at an d g rac i o s w ay s D o y o u t hat hav e no g ht o the r t o l am e nt N v e r m y Lo v e re p e nt Of ho w that Ju l y aft e rno o n Y o u we nt Wi th su dde n uni te lligibl e phrase ,
,
,
‘
,
,
,
.
,
.
,
,
,
u
u
,
e
,
,
,
,
,
,
n
,
An d fr ight e n d ’
,
ey e ,
Up n yo r j r y o f so m any d ay Wi tho u t a i gl e kiss o r a go o d by I kn w in d e d t hat y o u w e re p arting s o n And o w sat wi thin t he lo w su s r y s Y o u whis p ri g t o m fo y o u r v o i c e was w ak Y r harro wing praise We ll it w as w ll T o h ar y o u s u c h thi g s s p ak An d I c u ld t ll W hat m ad e yo r y s a g ro wing glo o m o f lo v As a warm S u th wind so mb re s a March g ro v An d it w as l ik e y r g r at a d g raci o s w ay s T o t rn y o r t alk o d ail y thi g s m y D e ar Lifting t he l u mino s p ath ti c l ash T o l t t he l a ght e r fl ash W hilst I dre w ne ar B c au se y o u spo k e so lo w t hat I c o ld sc arc e ly he ar B u t all at o nc e t o l av m at t h l ast Mo r e at t he wo nd r th n t h l o ss aghast With h ddl e d unint lligi bl e phras And f ighte n d y A d go y o u r j o u rne y o f all d ay s With o t o e kiss o a g o o d by A d t he o nl y l o v l ss l o o k t he l k wi th w hi c h y o u p ass d Twas all nlik y o u r g r at a d g racio s ways u
o
ou ne
s,
s n
e
e
,
e
s
o
e,
e
e
n
n
e,
ou
’
a
,
r
e
,
.
e
,
,
n
e
o
e
e
u
e
e
e
-
o
u
e
.
u
n
n
u
e
,
e
ou
u
,
n
,
,
e
,
u
,
,
e
u
e
e
r
e
e
,
,
e,
e
,
’
e
e
a
e
u
e
.
,
n
n
n
,
n
’
e
r
e e
u
e
,
’
oo
e
n
u
?“
FIVE CE N TURIES OF E N GLISH VERSE
248
If aught c o uld b e as p athe tic all y affe ctio n at e l y crue l as w hat — tho u gh it m ay h ave an inn e r an d m e t aphysic all y — the o l o gic al m e aning r e a d s l i ke a wife s pl o t t o sp ar e he r hu sb an d t he ago ny o f a f ar e we ll o n t he b rink o f an o p e n gr ave it is his c harge that t he m e rcy had b e e n tr e as o n t o l o ve His w ak e fu l nights ar e h ar ass e d by r e c o ll e ctio ns o f his L o ve s pr e s e ntim e nts ; by t he bitt e r th o ught th at he have r e c o gniz e d in th e m a w arn i ng h o we ve r o u ght t o us e l e ss o f t he i mp e n ding b l o w I f I w re d d y d so m tim e s say Po o r Child d as t he y s p ak T h d ar l i p s qiv An d t h t ars b rak F ro m y s whi ch o t t g ri v e m b rightly smil d And di d y u thin k wh n y o s c rie d a d smil d H w I i l o n l y ni ght s sho ld li aw ak A d f th s wo rds y o r f ll av e ng rs m ak P r C hild po r Child ,
’
,
.
’
,
,
ea
e
e
er
e
e
,
o
o
n
e
,
e,
n
o
o
e
e
e
u
u
,
u
e
oo
e
n
o
e
e
.
,
e,
e
e
1“
o
,
e,
u
T he n , t he
‘
’
,
n
,
’
e
e
e
ou
,
u
e
o
’
w he n he f all s as l e e p c o m e s t o he ight e n b l ack e n gri e f o f b e r e av e m e nt a r e c u rr e nt nightm ar e i n w hi ch ,
,
,
,
,
,
the e i m o rt al so rr o w s till pu rsu Thro so rdid stre e ts a d lane s And ho u s s b r o wn a d b ar A d m any a hagg ard s t air O chro s wi th ancie nt stain s B u t v e r at t he l as t m y w ay I w i T o whe re wi th p e rf e ct l y s ad p at i e nc e n u r t B y so rry c o mf o rt o f assu re d wo rst I n g ain d i n f re tte d c he e k an d li p s that p ine On p all e t p o o r Tho u ly e st stri ck n sick B e yo nd l o ve s cu re B y all t he wo rld s ne gle ct b u t chi e fly mine I
,
n
e
,
’
n
e
n
e
n
u
e
n
,
,
s
,
,
r
’
,
e
,
,
’
,
’
,
.
And y e t an o the r d r e am— d re am o n dr e am — b y t he o p e n w in d o w o u tsid e w hi ch c l imb e d an o d o r o u s az al e a ,
FIVE CE N TURIES OF E N GLISH VERSE
2 50
t ab l drawn b e sid e hi s h ad H had p t wi thi hi s r e ac h A b o x o f c o u te rs a d a e d v e i d sto n A pi c o f gl ass ab rad d by t he b e ach A d i x o r s v e n she ll A b o ttl wi th b l e b e lls And t w o Fre nch c o pp r c o ins r ang e d the re wi th c are fu l ar t T o c m f rt his s ad h art S o w he n that ni ght I p r ay d T o G o d I w pt a d s aid Ah w he n at l ast w e li wi t h t r anc e d b re ath N o t v e x ing t he e i d e ath A d T he n r m e m b re s t o f what t o y s W e m ad e o u r j o y s H o w w akl y u nd e rs t o o d T hy g re at c o mm and e d g o o d Th n f athe rly n o t l e s Than I wh m Tho hast m o u ld d f ro m t he cl ay Tho l t l ave T hy wr ath a d say I will b e s o rry fo the ir c hild ishne ss Fo r ,
on a
e
e
u
e
n
,
n
e
n
e
,
n
,
r
-
e
e,
,
s,
u
e
,
e
o
n
’
e
,
s
,
o
,
e
,
.
’
e
,
n
,
e
,
,
n
e
n
,
e
,
e
,
.
e
s
,
o
u
’
u
e
e
,
n
,
,
1“
”
r
.
s u cc e ssi o n o f t he e ntir e v o l um e t o T he Ange l in t he H o u s e with i t s u i e t l impid gr ac e al m o st gai e ty an d t o t he al m o st t a m e n e ss o f Vict o ri e s o f L o v e is a m o ng t he c u ri o siti e s o f p o e t ic al l it e r atu r e I c an disc o v e r n o l it e r ary affinity b e tw e e n t his an d e ith e r o f t he e ar l i e r w o r k s Di d n o t t he hi st o ry o f p o e try f u rnish m any e x a mp l e s o f e x o tic gr o wths in e st ab l ishe d r e pu t ati o ns it w o ul d b e h ard t o u nd e rst and t he phe n o m e n o n A bright r e as o n ab l e n e ss is t he distinctiv e n o te o f a m u sing i t s e lf w ith p assi o n Co v e ntry P at m o r e s pr e vi o u s l o v e dr a m as His typ e o f — wo m anho o d n e ve r l o s e s he r b al anc e is s u c h v n at it b righte t pl ay That h mirth wa lik t h s shin i t h cl o si g o f t h d ay T he
q
,
,
,
,
,
.
.
,
,
.
,
’
-
.
,
e
er
s
e
e
e
un
s
s
e
n
e
,
n
e
17
.
In gri e f an d a dv e rsity he r e m o ti o ns w o u ld h av e b e e n as discr e e tl y o rd e r e d ; an d in w e al an d w o e t he he r o must
COVEN T RY P ATMORE
25 1
h ave m atch e d he r N o t t o sp e ak o f Jan e an d Fr e d e ri ck n o b e ings c o u l d b e im agin e d l e ss l i k e l y th an H o n o ri a an d F e l ix Vau g han t o t o ss t o an d fr o t he thu nd e rb o l ts o f Ero s Obvi o u s l y it is v ain t o att e mpt t o l ink t he t w o s e ts o f sto ri e s an d the ir ch ar act e rs Any c l u e s se e ming t o l ea d in t h at d ir e cti o n s o o n bre ak in t he h and T he utm o st which can b e ass e rt e d is t he e xist e nc e o f a p air o f sit u ati o ns r athe r tr ains o f fe e l ing wi th a r e l ati o n b e twe e n the m or m o r e o f o pp o siti o n th an r e s e mbl anc e T he Ange l in t he H o us e is a pictu r e o f hum an l o ve o f t he pu r e st th at e arth B e ing o f e arth it is m o rt al an d T he Unk n o wn c an o ffe r Er o s m ay e xhibit t he e n d o f s u ch in d is e as e an d de at h in c o nj u g al d e sp air an d an o rph an s d e s o l ati o n B y t he S id e is a s e c o n d pictu r e o f an o the r l o ve w id o w e d o rph an e d a s p assi o n at e e t im m rt l n d t r i u mph nt in t o a a a h to o e y mi d st o f s o rr o w an d ab as e m e nt a p e rs e c u te d Chu rch An an al o gy is tr ac e abl e if b ar e l y b e twe e n t he wr e c k o f l o v e in T e nnys o n s M au d r aving into m adne ss h e al e d by an d P at m o r e s i d o l atry o f ho m e fl a ming a B e rs e r k e r fi t in its ruins int o a r aptu r e o f Catho l ic mysticism A t all e v e nts T he Unk n o wn Er o s m a r k s s u ch a r e v o l u ti o n in t he p o et Th e r e w as as he d o e s n o t d e ny a str u ggl e b e fo r e he w and e r e d far fr o m hi s o ld C ry tal o wi g s r c F o r an inst ant in d e e d th e r e m ay hav e b e e n an imp uls e t o “ tu r n b ack A m e l i a? in its l o d ging within t he pr e cincts o f t he f u rn ac e o f Er o s is a br e ath o f pi o us simp l e t e n d e rn e ss a s t o o is t he e xq u isit e pict u r e o f t he Virgin M o th e r ad o ri n g a t o nc e D e ity an d Inf ancy All M th rs w rshi p littl f t A d kiss t h v r y g r d th y v t ro d B t ah t hy li tt l e B by sw t ind d t hy G d W h w .
,
.
.
.
,
,
,
,
,
.
,
.
,
’
.
,
,
,
,
.
,
,
’
,
,
’
,
,
.
fl
,
.
,
s
n
-
ou
,
e
.
.
,
,
-
o
e
e
n
u
,
o
e
o un
ee
ee
e
ee
a
,
as
e
o
o
“0
,
’
e
FIVE CE N TURIES OF E N GLISH VERSE
25 2
ttr acti o n
B u t t he
t he
of
a
l ight
w hi
ch
S ho ne f ro m the s o litary p e ak at E dgb ast o n
str o ng
w as t o o
Mu s e l e arnt A l ang age d ad
P at m o r e
.
’
s
u
to
21 ,
sp e ak
?“
e
Inst e ad o f p u tting w o r d s t o a W e d ding March o f Me n d e l ss o hn “3 an d s he s ang h e nc e f o rth o f D e l ici ae S api e nti ae d e A m o r e 24 A u r as o f D e l ight H e arth an d ho m e l o st th e i r m o st symp athe tic minstr e l p o e try I thi nk has gain e d P at mo r e s e ar l i e r v e rs e is c l e ar an d sp ar kl ing Oft e n it has ch arm Wh e r e it is l ac king is in str e ngth i mpe tu s H e d isc o ve r e d that he had a g o sp e l t o pr e ac h a m e ss age t o d e l iv e r ; an d t he b e l i e f tr ansfo rm e d hi m T he ad v e nt o f a n e w f aith w as as if — — bitt e r wat e rs an d s we e t had a f o u nt ain o f inspir ati o n s u dd e n l y we ll e d u p withi n T he fl o o d is p e rtu rb e d an d Any w ho d e sir e t o k n o w w h at angry ; b u t it c arri e s aw a y p o we r fir e P atm o r e had in him m u st stu d y n o t so mu ch T he Ange l in t he H o u s e as T he Unk n o wn Er o s ,
.
’
.
,
,
.
.
.
,
,
.
.
.
,
,
,
.
l iii Vict ri fL v l i Th P m by C v try P tm r U k w Er G rg B ll S ( d t ) by C v try P tm r T hi d E d iti G B ll Th U k w Er 1 89 0 S P l d 5 T h I mp ib ility Th A g l i th H 2 I b i d C th d r l Cl 2 I b id P l d I b id T h M r i g C ll 3 li 1 I b id T h R I b i d G i g t Ch rc h 1 d d W if 1 4 5 I b id H b I b id T h A b di c ti f L v Fr m Fr d i ck Vict ri t M G r ham I b id Fr m J a Pr m T h U k wn E r I f I w r De ad I bid 1 4 I b id 8 D p t r I b id 7 T h A z l I b id 9 E yd i c I bi d 1 0 T h T y n
o
s
oe
os
no
n
e
n
no
o n s,
1
e
a e
no
a
en
o
es o
o
,
on s
e
o s,
n
.
o
o
e
vo
e
v ,_
.
.
e
r
.
on
.
e
.
.
e
n
a
e
n
e
7
.
,
3
.
.
,
.
,
es o
o
1
.
1“
.
.
,
,
e
,
ar u e
1 “
,
e
e
o
.
,
,
.
,
.
,
.
.
e
o
rs
o s,
ur
,
on
o
no
n
.
,
,
e,
ne
o
,
e
o
4
re u
5
u
a
e
o ss
e
,
.
oe
er
a
e
us
,
e vu s o n ,
an
.
an
e,
.
.
,
.
,
,
’
e e
,
1 “
.
.
.
.
s
e s,
.
1“
.
.
.
a
o
o n
7
o se ,
a
e s,
re u
o u se
e
o n n
e
,
5
11
eo
.
vo
o e
a
en
e
a ea
.
.
.
D A N TE G A E R I EL R O S S E TT I 1 82 8— 1 8 82
T HE RE ar e re ad e rs w ho li ke the ir p o e ts u n mix e d — p o e ts o nly n o t phi l anthr o pists o r mis anthr o pists the o l o gi ans or sc e ptics m e t aphysici ans o r bi o l o gists wits s ati rists hu m o rists as we ll R o ss e tti w as m a d e t o s u it the m Ju st an d n o b l e s e ntim e nts a d o rn hi s v e rs e Its sc e n e ry c o u l d h av e b e e n r e pr e s e nte d o n l y by a p aint e r o f ge nius a th o ughtf u l o bs e rv e r o f n at u r e A llu si o ns c o ntinu all y t e stify t o t he stu d e nt b o th o f m e n an d o f b o o k s T he things ar e h o w e v e r w he r e t he y ar e s o l e l y t o s e rve t he de man d s o f t he p o e t S ar t H e is p o e t in e ve ry l in e e ve ry turn o f a phr as e in t he m o d e ll ing o f e v e ry c ad e nc e In a p ie c e o f a hu n d r e d an d e ighty st anz as I find b u t o n e which is pr o s aic H e mi ght h av e s e e m e d o f a n atur e t o o fi ne l y c o nstitu t e d t o o s u btl e t o o e xc l usiv e fo r a b all ad write r W hat e v e r instinct p e rhaps we arin e ss o f t he s o l e t he cr avi ng fo r an c o mp ani o nship o f his o wn e m o ti o ns app e al t o wid e r symp at hi e s tur n e d hi s M u s e in t hat d ir ce ti o n as p o e t he acc e pt e d fr e e l y its o b l igat i o ns B e ing t he tho r o u gh artist he w as t he m o st f astidi o u s o f wri t e rs b e c a m e p l ain r o u gh an d br u squ e t he f au lt l e ss l y me tric al v e r si fi e r stumb l e d in hal f r hym e s It c an pl ain l y b e d isc e rn e d th at t he u nc o u thn e ss t he irr e g u l ariti e s ar e as int e nti o n al as t h e y ar e p o p u l ar l y e ffe ctiv e I b e l i e v e th at t he Whi t e S hi p t he King s Tr ag e dy w e ir d R o s e M ary its e lf — B e ryl S o ngs an d all— wo u l d at a Pe nny R e ad ing b e sur e o f che e rs an d t e ars e ve n o f c o mpr e h e nsi o n if p arti al fr o m t he humb l e st au die nc e T he Thr e e r ank amo ng t he ,
,
,
,
,
,
,
.
.
.
,
.
.
,
,
.
.
,
.
,
,
,
.
,
,
,
.
,
,
,
,
.
,
,
.
’
,
,
'
,
,
-
.
,
D AN TE
GA B RIEL ROSSETTI
25 5
f o r e m o st o f the ir fr ankl y p o p ul ar c l ass in English ve rs e ; an d the y ar e t he wo r k o f o n e o f t he m o st ae sth e tic o f p o e ts T ake t he first an d tr ac e ho w u n d e r c o v e r o f a st o ry fitte d t o c aptivat e a p e as ant a m e chanic a chi l d as fi n e a w e b o f th o u ght an d f e e li ng is w o r k e d a s c o u ld h a v e b e e n spu n fo r a st u dy in br ain wo r k L awl e ss lic e nc e is d u l y c hastis e d in Knight an d d a m s e l b u t as t he c l im ax o f a m o st in tric at e g a m e o f cr o ss pu rp o s e s Ou t o f a m o t he r s b e au tif u l prid e i n a d au ght e r s i m agin e d p u rity Mary mine that a t Mary s r o se .
,
,
,
,
-
.
,
’
.
’
’
r
,
is h a m m e r e d an e ngin e at o nc e t o pi e rc e t he g u i l ty he art T he l o v e r w ho w o u l d h av e l iv e d an d t o s l ay its b e tr aye r if l o yal di e s fo r hi s faithle ssn e ss T he B e ryl st o n e i t s e lf in all its b ri lli ancy p erishe s fo r its p e r fi d io u s c o mp lici t y w ith d e vi l s T he m agic a l j e we l r e fl e ct e d t he futur e in i t s g l e ami ng d e pths but t o n o ne but a pur e m aid It had be e n re a d by t he gir l in he r chi l dh o o d She w a s t o r e a d it n o w at he r m o t he r s di c t ate t o l e arn o n whi ch r o a d an a mbush might b e l aid t o t ake t he l ife o f he r affi an ce d l o ve r Sir J a m e s o f H e r o n hay e as he r o d e t o b e shrive n at H o l y Cr o ss She d are d n o t te ll he r m o t he r th at she ful fi lle d t he fate d c o n d iti o n n o l o nge r P l R s Mary s a k t o t h fl o o r T h ni g ht will c m if t h d y i N y he av n t ak s c ns l st r wi t h st r A d h l p shall r ac h y r he r t f r m af ar A b ride y o ll b as a m aid y a e T h l ad y nb nd he j we ll d z n A d dr w f ro m h r b t h B e ry l st o n S h p d i t w a t o a sh d wy s ph r W rld o f wo rld t h s s c o m p r That b e ars a d b rie s t he to iling y ar ,
.
-
,
.
,
,
.
.
,
.
,
’
,
,
.
,
a e
o
e
n
e
a
o
e
,
n
e
’
e
ou
u
a
ou
ou
e
o
s
,
u
e
e
e
a
o
’
r
.
e
o
e
-
o
a
o ur
n
e
r
er
e
s o er
a
,
e,
e
o
ou
’
a
e
e
u
a
e
e
e
n
e
e e,
un
’
ee
e
,
.
.
,
FIVE CE N TURIES OF E N GLISH
256
VERSE
With shu dd ring light twas stirre d a d stre wn Like t h cl d ne st f t he wading m o o n F re ake d it was as t h b bb le s b all R ainbo w — h e d t hr o u g h a mi sty pal! Like t he middl e light o f t he wate rf all T he l ad y p h ld t he w o ndr u s thing Ill f ar wi th a fi d fairi g she said B u t Mo sl e m b l o d po u re d f o r th lik e wine C hall w H ll ne at h t he S ac re d S i gn And m y l o rd b r o g ht t his f ro m Pal stin Spirits who f ar t he Bl e s d R o d D r v f o rth t he accu rse d mu l ti t de That he athe n wo rshi p ho u se d he re in N v e r ag ain s c h ho m t o wi S av e o nly by a C hristian s si Lo w s p ak ma id e n R o se Mary 0 m o the r mine if I ho u ld o t se e N ay d au g h te r c o v e r y o r f ac e o m r B t b e nd l v e s h ar t t o t he hidd e n l o r And y o u shall se ow a he r t f o re S he g az e s an d p e rc e i ve s by t he br o k e n w ate r g ate arm e d m e n as w atching fo r the ir p re y with t he W ar d e n o f H o l y c l e ugh Sir Ja m e s s s wo rn fe e at the ir he ad All e ls e whe re is c le ar ; e xce pt th at o f se ve n hi ll c le fts o n t he r o ad to H o ly c le u gh s c ast l e ste e p t he se ve nth is b ri m m e d wi th m ist T he m o the r c e as e s t o fe ar S m all h pe my girl f a he lm t o hide I n mist s that c ling t o a wild m o o r id e S n th y m e l t wi th t he wind a d un An d s c ar c e w ul d w ai t s c h d ee ds t o b e d ne G o d s nd th ir snare s b e t h w rst t o shun T he visi o n had p ass e d an d as t he La d y c o nte nt W r aps t he st o ne c l o s e in he r si lke n r o be a m us i c r aine d t hr gh t he ro o m Lo w it s p l as he d lik e a sw t st ar s p ray An d s o bbe d lik e te ars at t he he art o f M ay An d di d as l au ght e r di e s away ’
e
e
-
ou
n
,
o
e
’
u
,
u
,
.
u
e,
e
o
’
’
en
,
n
s-
o
an
o
’
e
se
e
o
e
e
u
.
o
e
u
,
e
u
e
n
’
n
, ’
.
e
s
,
,
n
u
,
u
’
o
o
n
e
e
e n
s
e
’
o
e,
,
1
.
-
,
,
,
’
,
.
,
-
,
’
-
,
o
,
,
or
s
oo
e
n
o
e
:
s
,
u
o
e
e
’
o
.
,
,
,
ou -
ee
,
,
e
“
.
25 8
FIVE CEN T URIES OF E N GLISH VERSE n w h f ac d h h rd h c ry And h aid P t b ack h m t o t d i A d b ac k wi th t h c rr nt s f r c th y r l draw t a wate r wh l Lik a l af that t h t id Lo w t h p o r shi p l an d O t h n k e d k l a sh b st mi ght g lid T he sist r t il d t t h b r o th r s sid fr m b l w ca to h H r a c he d And stiffe n d hi arms t o cl tch h r so B t w f r o m t h shi p s o m s p i d t h b o at A d S av d w a t h c r y f r m m any a t h at And d wn t t h b at th y l pe d a d f ll I t t rn d a b c k t t rns i w ll And n thing w a th r b t t h rg a d sw ll T h Princ that w a d t h Ki ng t c m Th r i a instant go ne t o his d o o m H w Princ e f l st a d p rid H sh w d g rac till t h ho r h di d Wh h sh ld b ki g h ft wo ld w H d y k t h p as nt t hi gh w pl O him t h shi p s s c o r e th ir f rr ws o w G o d nl y k o ws wh r hi s o l di d wak B t I hi sis te r s ke w hi m d i f He k
e
e , an
er
e s
e
’
e
e
’
er
e
e
ee
a
e
o
e
u
as
e
o
e
en
’
’
o
u
u
e
e
n
n
e
.
e
,
e
n
o
o
e
.
e,
n
u
o
u
s o
e
e
n
sa
e
e
.
vo
,
ou
n
u
o
.
n
u
s
or
e
e
e o
,
a
e
e
e
e
e
o
,
re
e su
e
u
e
e
e
ou
er
.
e
n a
u
no
e
,
.
o
e
.
e
n
n
o
e o
ea
s an
as a
e
e
e
e
e
o
e
o
o
s
e
’
e
e
e
.
e,
e
u
ee
e
u
e
o
ee
e
er
s
o
e
e
e
n
e
on
e
no
u
e
s
e
e
-
o
e
r
e
n
e
o
n
s
o
an
e
’
e
s
o
e
e
u
e
n
,
us
e
s
u
,
er
ea
e
.
e,
’
s
sa
“
.
m ainyard re nt fro m t he m ast t w o B e r o ld t he b u tch e r s so n o f R o ue n an d G o de fr o y d e l Aigle we re c l inging wh e n 1 a third m a r s t h w av And w said Than k G d thr m ay H s av H c l tc h d t o t he y ard wi th p a ti g s tar And w l o o ke d a d kn w Fitz St ph n th r H c l g a d W hat f t h Pri c q o th h L o st l o s t w c ri d H c ri d o m W And l o se d his ho ld a d ank thro gh t he se a
T o t he
,
,
,
’
,
’
,
,
,
0
e
e
u
o
e o er
us
e
un ,
o
o
,
n
,
e
n
e
e
,
e
n
n
e
.
s
e,
e
e
n
e
-
o
e
ee
n
e
e
n
’
e,
e
e e
e
u
,
oe
u
e
.
e.
n
e
“
.
DA N TE GA B RIEL ROSSE T TI I
25 9
ve nti ne t o r e qu i re as a r igh t o f T he Ki ng s Tr age dy an y e xpl an ati o n o f its cho ic e o the r th an t he fascin ati o n o f t he pr o l o nge d h o rr o r its e l f W e fe e l t he a we o f t he suspe ns e be fo r e t he ass assins had re turne d fo r a fu rth e r s e arch aft e r t he ki ng s hi di ng p l a c e t o t he r o o m te n ante d n o w o n l y by he r o ic Cathe ri ne D o ugl as he l p le ss fro m t he t o rture o f he r sh atte r e d ar m Thr gh t h o pe n d o r T h ni ght wind w ail e d r o nd t h e m pty r o o m A d t he r sh s sho k o t he fl o o r A d t h b e d dro p d l w i t h d ark re c ss Wh nc t h rr s wa re nt away A d t h fi li ght still sh n o v r t h s p ac W h re o hidd n s c r t lay A d t h r in h d c ase d a d t h m o o nb ams lit T h wi nd o w high i t h w all Bri ght b ams that O t h pl a k that I kn w Th gh t h painte d pa d id f all An d g l m d wi th t h s pl nd r o f Sc t l nd s c ro wn An d shi ld arm o rial B t th n a g r at wi nd sw pt p t h ski s A d t h c l im b i g m n f ll b ac k And t he ro yal blaz d fr m t h fl r An d no g ht r m in d o i t t rac k An d hi g h i t he d rk n d wind w p n T h shi ld a d t h c ro wn w e r b l c k do
no
’
t
,
,
.
,
’
-
,
ou
e
e
o
-
u
n
u
n
e
e
e
e a
e
o
a
e
e
e
ne
e
on
fl
a
e
a
o
’
.
e
e
n
u
e
a
n
e
u
e
e
e
,
ou
e
e
e
n
e
n
e
ea
u
,
e
n
e
e
n
e
n
e
e
e
.
,
e
rou
e
e
e
a
e
e
s
e
a
.
n
o
ur
,
n
re
e
n
e
o
e
n
c
e
oo
e
e
o
e
n
e
oo
e
,
s
e
o
e
e
n
e
a
-
e
7
a
.
mur de r sc e ne is de picte d wi t h t he m e rci le ss fide li t y Eve n in b l o o di e r r e d gl are s t he r e le nt o f an a r t ist s e y e l e ssne ss o f s we e t Que e n Jane t o t he ass assins o f he r u n burie d husb and ap c T h m nt h o f Mar c h w r An d e w f r h c ri rs f are d Sti ll f r m t he c nt ry o f t h Wild Sc ts W ith n ws f t h tr it rs sn r d T he
-
’
-
.
e
o
o
es
n
ou
e on
e
e
o
o
e
ou
o
a e
e
R 2
a
o
a e
.
.
2 60
FIVE CE N TURIES And
E N GLISH VERSE
OF
v rm o re I br g ht h r w rd S h b t t o h d ad ki g J m s A d i t h c ld a wi t h fi draw b r ath S h s p o k e t he t rai t o r nam e e
e
e
n
ou
as
en
n
er
e
r
s
w h n t h n am e
e
e of
,
n
’
s
Si r
,
e
re -
e
B ut
o
a
n
e
c
o
e
e
.
R o b e rt G r ae m e
g iv e I a t o ho ld he u p f r o m t he fl o o r F o t he f r o th w as o h li ps an d s o re I f e are d that sh c o ld n o t liv e W
as
r
t he o n e
n
S he
had t o
,
r
r
n
er
e
,
u
.
the ir d o o ms dre ad tiding s c am e An d o f t o rm e nt s fi e r c e a d dire An d no u g ht she s p ak — she had c e as d t o s p e ak B u t he r e y e s w e r e a s o l o n fi An d
n ow of
,
n
e,
e
u
re
,
.
whe n I t o ld h t h b itt r d Of t h s t rn a d j st award S h l an d d thri c thr e tim e s th bi r l rd Sh kiss d t h li p s f h B ut
er
e
e
e
e
o er
e
e
en
u
n
’
e
e
e
,
e
e
o
e
e
an
,
er
o
e
.
the n she said My King the y a d ad A d she kne l t o n t he c hap l fl o o r And whisp e re d lo w wi th a stran g p ro d smile J am e s J ame s t h y su ffe r d m o re An d
re
,
,
n
e
,
e
e
'
,
,
e
u
,
8
e
It w as t he jo y o f ve nge anc e ; an d t he p o e t s e e ms t o sh are it Y e t I susp e ct th at he had be e n thin king m o re o f t he sing e r o f t he King s Qu ai r th an o f t he cr o wne d re fo r m e r o f wro ng t he a d ministr at o r o f e ve n justic e t o hi gh an d lo w ; l e ss o f t he Ave ng e r o f tr e as o n ag ains t he r r o ya l c o ns o rt th an o f he r w ho fr o m t he ti m e w he n first she w as we dde d o ft wo u l d sigh T b b rn a king An d o ft al g t h w y W h n h aw t h ho m ly l v rs p a al ac k t he d ay S h has s aid .
’
,
,
o
e
on
e
s
e s
e
wh o s e f are we ll cry O ve r
e
e
o
a
e
o
e
ss, 9
,
he r
s l ain husb and l o ve r -
w as
FIVE CE N TURIES OF E N GLISH VERSE
2 62
S o nne t bui lding w as in his b l o o d T he r apture o f D ante w o rs hi p c o nstitu te d it his pr o fe ssi o n Fr o m his m o de l s in t he Vita N u o va an d t he cyc l e o f t he Maste r s h arbinge rs c o mp ani o ns he l e arnt ho w t o e xtract t he utm o st an d musi c fr o m t he j ang l ing o f t he cur io us un de r ve sture o f sh ac kle s His ini mit ab l e tr ans l ati o ns sh o w his s ki ll Parti e n lar ly a d mi r ab l e in hi s o rigin al wo r k is t he s e ri e s he e ntit l e d T he H o us e o f Li fe In it with a h an d c o mp ar ative l y fre e , he c o nstructs bric k by bric k t o b e o ve r l ai d with a m arb l e c o ating a te mpl e o f Lo ve I c o nf e ss t he m ar ve l o f t he m as o nry ; in e ach s e gm e nt t he inte rde pe nd e nce at o nc e wi t h fin al un ity Ove r an d a bo ve all an d ind e p e n de nc e bl o ws an air o f re fr e shing sp o nt ane ity T he y t o wh o m t he ri g o u rs o f t he m e tre e spe ci all y in a ch ain wi th a hun d re d l in k s ar e dist aste fu l m ay fin d a p l e as ant sur pris e in T he H o use o f Life The y wi ll I thin k ac kn o wl e d ge th at it has pr o ve d i t p o ssibl e if by n o m e ans a thing o f c o ur s e fo r a s o nn e t t o b e a p o e m al s o Unf air as it always is t o te ar away m e m be rs o f a s e ri e s I am c o mpe ll e d by t he l aws o f sp ac e t o o ffe r sp e cim e ns o nl y -
.
.
’
,
,
-
.
.
.
,
,
,
.
,
,
.
,
.
,
,
,
.
,
,
,
,
.
,
this swe e t b ank y o u r he ad thri c e sw e e t an d de ar I lay an d s p re ad y o u r hair o it he r sid e An d se e t he ne w b o rn w o o d fl o w e rs b ashf u l e y e d Lo o k thr o u gh t h g o ld e n t re sse s h r an d the re On t he s e d b at e ab l e b o rd e rs o f t he y e ar Spring s f o o t half f alte rs s c ar c e h y e t m ay kno w T he l e afl e ss b l ac k tho rn b l o ss o m f ro m t h sn w And thr o gh h r b o we rs t he wind s w ay still i s cl ar On
n e
,
,
-
e
e
e
.
e
’
s
e
e
u
o
’
e
e
.
A pril s s strik s d wn t h gl ad s t o d ay pt r d a d f l m y ki s S o sh t y r y C r p a t h Sp ring o w thrills thro u gh v ry spray Up y o warm thr o at t o y r warm lip s f this I v n t h h r o f L v s swo rn sui t s rvi c With wh m c ld he arts a e c o unte d c ast away ’
B ut
u
ee
ou
s
,
un
e
e
e
es u
e
o
u ne
e
ee
s
e
ou
e
o
n
-
n
ur
s e
,
e
ou
o
o
e
r
’
e
or
-
-
e
e,
11
.
,
D AN TE GA B RIEL ROSSETTI c o ntr ast
fo r t he
f
o
26 3
m o re s e ri o us n o te
a
l st d ays o f my lif ntil t d y W hat w r th y c l d I th m t h s t r t Li a th y f ll W o u ld th y b ars f wh at S wn nc fo fo o d b t tro dd n int c lay O g ld n c ins s q and r d d s till t p ay O dr p s f b l d d abb li g t h g i l ty f t 2 O s c h s pil t w ate r a i dr ams m s t c h at Th ndying thr ats o f H ll athir t lw y 2
T he
o
e u
e
e
o
r
r
se e
u
o
o
e
o
o
e
o
u
e
e
ee
o
e
n
e
e e
n
s
e u
on
an
e
oo
u
,
e
e
u
o
a
-
e
r
e
r
ou
,
e
e
o
e
e
s
o
e
o
ee
u
e
a
s
,
‘
‘
a
the m he re b t afte r d e ath G o d kno ws I kno w t he f ac s I shall se e E ac h o e a m u rd e re d s e lf wi t h lo w l ast b r ath I am thy s lf — what has t tho d o ne t o me — — — h d I a d I t y s l f lo e ac h e s ai t h A e A d t ho thy se lf t o all e t e rni ty I do
no
t
u
se e
e
n
e
,
e
n
,
u
,
’
n
on
,
12
u
n
,
vo l um e o f B all ads an d S o nn e ts c o ntains litt le o r n o thi ng i mpe rfe ct T he re st o f t he ge n e r al c o lle cti o n o f p o e ms is n o t l i ab l e t o that s o m e what invidi o us pr ais e A mo ng its c o nte nts ar e pie c e s be au tifu l o n l y t o a fe w — an d t he r e ar e pi e c e s whi c h o f w h o m I mys e lf am n o t o n e must I sho ul d supp o se b e be autifu l t o all ; fo r e x ampl e t he l ine s S u d d e n Li ght o n that ph as e o f s e c o nd sight which sh ado ws t he p ast fr o m t he pre s e nt T he
.
.
,
,
,
,
,
v e b e n he r e b f o r e B u t wh n o ho w I c an o t t e ll I kno w t h gr ass b y o nd t he d o r T h sw t k e n sm ll sighi g so u d t h lights aro und t he I ha
e
e
e
n
r
e
e
T he
o
e
e
ee
n
n
,
e
,
,
e
,
sho
v b e e n mine b e f o re H o w l o ng ago I may o t kno w B t j u s t whe n at t hat sw all o w s s o a r Y o u r n ck t rn e d so S me v e il di d f all —I kne w it all o f yo re Y o u ha
e
,
n
’
u
u
e
o
,
,
.
r
e
.
2 64
‘
FIVE CE N TURIES OF E N GLISH VERSE is b n thu s b e f r And sh ll t th s tim s dd yi g fl ight Still wi th l iv s o l v r st r I d ath s d p it And d ay d night yi ld o d light nc m r H as th
ee
a
u
no
o ur
n
’
e
e
o
n
e
o
e
e,
es
an
L o ve li e r sti ll is
e
ur
e
’
e
e
o
e
ne
e
o
e
o
13 7 e 2
Po rtr ait
T he
This i s h p o rtrai t a he w as I t s e ms a t hing t w nd r As th gh m in im ag e i t h gl a s S h ld t rry wh n mys lf am g o n I g z ntil h s ms t o stir Until min e y s alm o st av r Th t w v n w t h sw t li ps p r t T b r ath t h w rds f t h sw t h r t r th i s v r h A d y t th s s
er
o
e
a
ou
a e u
o
n
e
s
,
e
e
s
e.
ee
,
e
e
e
no
e
ee
e
,
o
a
e
o
o
e ea
e
,
e
e
no
on
e
e
e
a
n
e
ou
e
o
ea
ee
er.
e
p ainting he r I shrine d he f ac e M id my t i c t re e s wh re li gh t f alls i H ardly at all a c o v rt pl ac e W h r y o u might thi k t o fi d a d i Of d o btf l t alk a d a li v e fl am W and ring a d m any a shap e who se nam N o t i t e lf kno w th a d o ld d w And yo u r o w f o o tste p s m t i g y o u A d all thing s g o in g as th y c am In
r
’
s
e
,
n
e
e
n
n
e
u
u
e
n
e
n
,
n
,
e
s
n
,
e
ee
n
,
n
e
n
,
e
.
fl
A d p d im w d d th r h ta ds As i th t w d th t d ay f th till m v m t f h hands W And ch t h p r li s g raci s w And p ssing f air t h typ m st s m Unk wn t h p re s nc d t h dr m Ti h th u gh o f h rs lf l s L s than h shado w t h g r O th n h im g i t h s t r am ee
an
oo
a
n
as
oo
e s
o
su
e
e
e
e :
es
r
a
ne
ou
u
o
e
e
n
e
o
,
a a
,
e
e
n
ea
e
on
e
ee
e an
e
a
’
e
er
er
er
o
e
no
s s
o r so
en
u e
e s
e s
a
a
’
e
ass ,
.
e
.
.
FIVE CEN TURIES OF E N GLISH VERSE
2 66
Be s ide s be auty he re th e re is te n de rn e ss an d so far t he pie c e is fo r R o ss e tti unique T he pre vai l ing w ant o f th at p ro p e r t y is a n atur al c o ns e que nce o f t he e mpi re o ve r him o f o n e c an o n an d g o sp e l c o nn e cting all hi s m any ch ar acte r i st ics Fr o m o ld m e m o ri e s I in di c ate d it w h e n I st art e d N o w th at I c l o se t he re vi e w o f my m o r e re c e nt i mpre ss io ns o f hi s p o e ms I find m y be l ie f c o nfir m e d Mo r e th an w ith She lle y — w ho w as a pri e st o f hum ani t y as we ll a s singe r— m o re e ve n th an wi th Ke ats — in w h o m a di st inct c u rr e nt o f yo uth s w ar m b l o o d un c hi ll e d by t he sh ad o w o f de ath is pe rc e ptible t he ru l e with R o ss e tti is t o o b e y n o o th e r m aste r an d e n d th an ar t W hi l e he re c o gni z e s t he e xiste nc e o f o th e r — e a an d i mpul s s i ms c o n di ti o ns whi l e he m ake s u se o f the m hims e l f— he n e ve r fo rge ts o r pre te nd s t o fo rge t th at fo r hi m th e ir o bj e ct is t o s e rve as p o e tic m ateri al H e sh rin ks fr o m n o s adne ss s o urne ss ug lin e ss which wi ll wi de n t he c o mp ass o f hi s l yre I d o n o t supp o s e I am l ibe ll ing t he g e ne ral e d uc ate d pu bl ic if I find in t h at i mp e ri o us e c le c t ic ism o r ae sth e ticis m a k e y t o his l a c k at all tim e s o f c o m m o n p o pul ar f avo u r I c ann o t affe ct t o b e s ur pris e d whe n I re c o ll e ct s o m e o f his be autifu l m o nstro siti e s Af te r all it is n o t an un w h o l e s o m e instinct w hich d e m an ds o f p o e try th at it sh all b e l ife s c o ns e cr ate d m iniste r s anctify ing pu rifying an d s we e te n i ng R o ss e tti t he p o e t r e c o gni ze d e tti t he p ainte r n o such o b l ig ati o n an o r e th a n R o ss m y Acc o r dingl y t he p o e t l i ke t he p ainte r pr o b ab l y wi ll c o ntinu e t o b e wo rshippe d by a s e ct an d n o t by a n ati o n H o we ve r p o e try is an ind e pe n de nt King do m w ith its It ne ithe r is o b l ige d n o r d e si re s t o b e e xc l usive o w n l aw s Its b o r de rs ar e wi de The y h ave m ade ro o m fo r Dr yde n as fo r Mi l t o n fo r B u rns as fo r Co w pe r fo r B yr o n as fo r W o r d s wo rth W e ll c an th e y c o nt ain R o s se tti al s o Po e ms ,
,
.
,
.
.
.
’
,
,
-
.
,
,
,
,
.
,
,
.
,
.
,
,
.
.
,
’
,
,
.
,
.
,
,
,
,
.
,
,
.
.
,
.
,
,
“
.
.
DA N TE G A B RIEL R OSSETTI
267
h ave a be ing as we ll as t he p o e t an d so l o ng a s t he l angu age l asts the r e ar e m any o f his which d e s e rve al w ay s t o b e r e a d an d s o m e w hich w i ll be to o
,
,
.
,
P tic l W rk f D t G b ri l R tti d by W M R tti l E lli O E l v y 1 89 1 d S t by D t G b ri l R tti F rth E d iti (B ll d E ll i W hi t —1 2 00 1 3 00 T E rl y t li P t A D 1 1 T g th r wit h h I 0 0 ( Da t Vit N v tr l t d by D G R tti ) R M ry P rt I I bid I b id I b id P rt I I T h W hit S hip I b id T h Ki g Tr g dy I b id I b id I b id f Lif — Y th Spri g T ri b t (T h H S tS q c ) T he
oe
n e vo
a
a
s
.
a
s
1
a
e
e
,
.
an
’
e s
a
a,
uo
a
a
,
a
e
o sse
e
an s a e
.
.
o s se
.
.
e
e
.
.
14
s
n
u e
e
n
’
a e
s
.
1 °
e
o u se
.
o
e
a
onn e
.
tD y N T h P rt rait t z
Lo s
e
a
o
s
,
s an
o
as
.
86
e
.
.
’
e
.
9
1‘
on
3
.
8
1“
.
.
3
.
ou
o
.
.
7
.
ou
.
-
.
5
a
,
o e s,
an
a
o se
1‘
o sse
.
.
.
,
o n n e s,
a
.
No
o sse
e
e,
e
n
e
an
s
an
s o
o
S dd
1“
u
.
1 , 3 , 4 , 7 , 1 0, 1 1 , 1 2
.
en
ight
L
e
ue n
e
,
WI LL I A M M O RR I S 1 83 4 — 1 89 6
T A K E f ro m
b o o k by Wi ll i a m Mo rris n e w o r o ld t o y o u ; r e a d o r r e r e a d in it an d y o u w i ll b e v e ry un wi ll ing t o p u t it d o w n T he fie ld is wi de T he vo l um e m ay b e t he w o n dr o u s qu e st o f t he Go lde n F l e e c e ; t he n arrative e nch ants as if O rph e us ag ain we r e t he musici an A s ag a o f t he Vo l s u ngs m ay h ave f u rn i she d t he th e m e an d o h u fi d n d e fin d c r in ri t s l a u ght r O r it a m o o r a a f e y y p m ay b e a st o ry fr o m t he mytho l o gy o f Gre e c e o f Pe r s e us Psyche A l c e stis Pygm al i o n Be ll e ro ph o n Y e t an o the r v o lu m e an d y o u ar e arbitrating b e t we e n f alle n G u in e ve re an d he r a ccus e r Sir G au w ain e sitting with L aun ce l o t an d his re m o rs e be si de King Ar thur s t o mb o r watching with p u r e Si r G al ah ad fo r t he S ang re al Val i ant d e e ds ar e d e scribe d an d s ha m e fu l o r he r o ic d o o ms o f G asc o n knights an d G asc o n t hi e ve s t o rturing o pti o ns b e twe e n s o m e sud de n e n d t o gay g l o ri o us l ife an d its c o ntinu anc e with dis ho n o ur T he who l e ar e a o f f ancy hist o ry f abl e Mo rris c l ai ms fo r his o wn w he r e ve r his ge n i u s d ivin e s a p o ssi An ywhe r e o n t he w o r l d wid e h e ath he b ilit y o f f o o th o l d r o o fs in a h o us e l ighting a fir e o n t he he arth t o pr o ve his t it l e Eve rywh e re y o u t o o h ave b e e n at h o m e with him Y o u p ass o u t an d f o rge t his e xiste nc e It is a ridd l e ve ry h ard t o gu e ss why t he re a d e r who has g l a d l y w arm e d hi s h ands by t he bl az e s o r ar e l y c o m e s b ac k ; why afte r havi ng give n app ar e nt l y s o much o f hims e l f t o t he p o e t he c ar ri e s l itt l e o r n o thing o f t he p o e t aw ay t he
she lf
a
,
-
.
.
.
.
,
,
,
.
,
,
,
’
,
.
,
,
,
,
.
,
,
,
,
-
.
-
,
.
.
.
,
,
,
,
.
FIVE CE N TURIES OF E N GLISH VERSE
2 70
Th t I
b e a tif u l Lo rd e ve n as y o u A d y o u r d ar m o the r w hy did I f rg t Y u w r s b au t if u l a d g o d d tr T hat y u l v d m so G u v r 0 y t I f e v e n I go t o h ll I c anno t c ho o s B u t l o v y o u C hrist y e a t ho u gh I c ann o t k e e p F ro mlo vi g Lau nc lo t O Christ mu st I l o se My o wn he art s l o v e se e tho u gh I c anno t w e e p Y t am I v e r y s o rry fo r m y s in Mo re o ve r Christ I c anno t b e ar that he ll I am m o s t f ain t o l o v e y o u a d t o wi n A pl ac e i n he ave n so m e tim e — I c anno t te ll Sp e ak t o me C hrist I kiss kiss kiss y o u r f e e t a
a
m
u
n
o
,
,
e
e
e
o
o
e
o
e
e
o
e
e
n
,
o
en e
,
e
,
e
e
e
,
,
,
n
ue
an
,
e
,
e
’
,
,
e
,
,
n
,
,
Ah ! T he
n ow
,
,
I w ee p !
’
m aid s aid By t h t m b H w ai t t h fo y l ady c i ing fl t N o t kn wing w hat w fille d p all t h ro o m H e f o u n d f o o d fo r symp athy an d de l ight al i ke in t he d auntl e ss a dve ntur o usne ss o f t he A rg o n auts in Me d e a s fr atri cid e an d l ie s an d in Jas o n s u ngrate fu l infid e l ity Opp o rtun i t i e s we re w aiting e ve rywhe re t o r e w ard his insight an d in dustr y wh e th e r in re c o nstructi o ns o f a s avag e fe u d al ism o r in visi o ns o f de m o cr atic G ar de ns o f Ed e n t o b e d o tt e d ab o ut t he h appy wi l ds o f r e affo r e st e d re p e nt ant Bl o o msbur y N ay his ro m anc e uph o l ste re d straight l e gge d ch airs sc atte re d he re an d the re be si de p o me gran ate wall p ap e rs A ll app e al e d t o his instinct fo r picture sque vari e ty his h o rr o r o f e art hi ne ss an d m o no to ny H e st a mp e d hi ms e lf hi s t aste s an d di st aste s visib l y an d t angib l y o n c o tt age s an d p al ac e s by t he t h o us and o r t e n th o us an d Spiritu all y he w as audibl e in vo lum e afte r vo l um e o f Un l i ke his p o e t p e e rs he d id a d mir ab l e ve r s e an d pr o s e n o t a bs o rb his subj e ct int o hi m s e l f r athe r he s o ught t o inc o rp o r ate hims e lf int o it His aim w as t o suffu s e histo ry an d l ife with t he atmo sphe re o f l o ve l y p o ssibil itie s he e
e
,
e
r
’
ou,
,
o
o
o n
ee
oe
u
,
1
e
.
’
,
’
.
,
,
,
-
,
.
,
-
.
.
,
,
,
,
.
-
.
,
,
‘
.
WILLI AM MORRIS
27 1
disc o ve re d in t he m H e d e si re d t o inspire an d invigo rate by de scribing b o th as he saw the m Str ange l y e no ugh t he r e s u l t is n o t t he r o b u st pictur e o f a ctu a l t hings w hi ch he E ach succ e ssive m ay b e pre s u m e d t o h ave c o nt e mp l at e d sce ne fl o ats in a h az e o f dre a my suns hin e thr o ugh w hich t he upr o ar an d st o rm o f h u m an p assi o n s o un d a s m e l o di o us ly unre al t o t he re ade r as t he e cho o f p ast l ab o urs t o t he l o tus e ating s ai l o rs Eve r in vain t he p o e t r ais e s his pro te sting b attle c r y o f t he t ale he has t o te ll Of t he w o nd e rf u l d ay s a c o ming w he n all S hall b e b e tte r than w ll .
-
,
.
.
,
-
.
-
,
-
,
e
2
.
Mus e r e adie r t o r e s e ttl e Past Pre s e nt an d Futu re A c hie f b ar t o he r succe ss in attr acting c o l o nis t s is t he re qui siti o n s he m ake s up o n t he m o f abun d ant l e isur e an d p ati e nc e T he re ar e tri cks o f styl e which b e c o m e wi th re p e titi o n trying in t he e xtre m e Such ar e t he h abi t an d a p e r va ding v a r ni sh o f m e l an o f inve t e r a te re fr ains c ho ly whic h an inv a ri ab l e s we e tne ss d o e s an t hing b u t y r e l ie ve B ut ab o ve all diffus e ne ss is c arri e d t o an e x t e nt whi ch p ays n o r e g ar d t o t he bre vi ty o f hum an l ife It is t he m o re ve x ati o u s t h at Mo rris o cc asi o n all y indic ate s ho w he c an pr e s e nt a sc e ne in a w ay t o m ake o n e c atch His be s e tting vi ce in ano the r sh ape c aus e s o n e s br e at h hi m t o st e e p l e ge n d s o f pr e hi st o ric Gre e c e N o rm an Sici l y Sc andi n avi an fo lkl o re in o n e s a m e o intm e nt fr agr ant an d d e l ightfu l in its e l f but al m o st r e pul sive whe n fo un d t o b e ne ithe r indivi d ual n o r n at ive Y e t e ve n s o — wh at a f o r c e t he age l o s t wh e n he di e d H o w utte r anc e s o f his wi th all th e ir f aul ts dwe ll o n an y m e m o ry whi ch has o nce t ake n h o l d o f t he m It m ay b e a m e r e e xe rcis e in rhyt hm l i ke T w o R e d R o s e s a cr o ss t he Mo o n I re ad t he cr azy b all ad t he o the r d ay ; an d t he N e ve r w as
-
,
,
.
.
.
,
.
,
,
.
’
.
,
,
,
,
,
,
.
,
.
FIVE CE N TURIES OF E N G LISH VERSE
2 72
fe e l ing with which I had he ar d it re cite d by an Oxf o rd frie n d sh o rtl y afte r its publ ic ati o n a t o nce c a m e b ac k T he jing le o f it had st aye d w ith m e unfo rg o tt e n fo r fif t y ye ars an d u nf o rge tt ab l e The re w a a l ady liv d i a h ll Larg h ye s a d slim a d t all And e v r h s g f r o m no o n t no o n T w o e d r s e s ac r ss t h m o o n Th r w a a Knight c m riding by I arl y s p ring w h n t h r o ads w r dry And h h ard that l ady si g at t h n Two d r s s a c r ss t h m o n Y t n n t h m o r he t pp d at ll B t h r d a g all o p p as t t h hall And l ft that l ady singi g t n on Tw d ro s s c r ss t h m n B c a s f rs th t h b attl w as t A d t h s c arl t a d b l had go t t b me t H ro d t h s p r t ill t h n xt w arm n n T wo d r e s ac r ss t h m n ‘
,
.
,
,
e
s
er e
e
e
r
e
n
,
o
o
e
o
a
e
,
e
o
e
u
e
o
e
e
e
e
e
o
n
e
e
e on
a
oo
e
,
,
’
.
se
e
ue
n
e
oo
e
,
e
re
o
o
a
n
u e,
a
e
e
e
.
’
-
o re
,
’
o
s o
oon
e
e
o
e
e
e
n
re
o
.
e
e
e
,
’
e
s
n e
,
n
un
e
s
a
n
e
o
e
o
u
os
,
,
oo
e
e
oo
’
.
Th at w as t he b att l e cry he r ais e d an d be fo r e it an d his g o l d arm o u r d o wn we nt t he sc ar le t an d b l u e R e turnin g as vict o r t his t i m e he h al ts at t he h a ll an d t he l a dy Und e r t h m ay h t o o p d t o t h c r wn All was g ld th r w a no thing o f b r wn A d t h h rns b l w p i t h hall t no n Tw d r o s s a c r o ss t he m o n -
.
,
e
s
o
n
e
o re
e s
e e
,
e
o
’
e
o
s
u
,
o
n
e
o
a
e
o
’
,
3
.
In highe r s o rts t he re is fo r e x a mp l e t he re s o l ve o f Vo l su ng Signy t o di e Que e n sti ll o f t he abh o r re d G o ths in t he flam e s o f raci al ve nge anc e up o n the m which she had he rs e l f c aus e d t o b e kind l e d in he r G o th Co ns o rt s p al ac e T he st r ange e vid e nc e o f fid e l ity t o t he l e tt e r o f t he b o nd w as b e tr aying must n o t b e pe rm itte d t o f o und e r she ,
,
,
,
,
,
’
.
2 74
FIVE CE N TURIES OF E N GLISH VERSE
Th r c o m s a mu rm r f r m t h sh r t w f ir s t r ams a An d i t he c l D r w f r m t h p rpl hills af r D r wn d w int t h r tl ss a D rk hills wh s h th b l m f ds b D rk sh r shi p h v r s n T rm nt d by t h b illo ws g r n W h s m rm r c o m nc asingly Unt t h pl c fo whi ch I c ry whi ch I c ry b th d ay a d night F whi ch I l t slip all d light F W h r by I g r w b th d f a d blind C ar l t w i kill d t fi d And q ic k t l s w hat all m s k I m Y t t tt ring d w ak Still hav I l ft a littl b r ath T s k wi thin t h j aws f d ath An nt r nc t th t happy pl c k t h nf rg tt n f c T Onc s nc kiss d nc r ft f ro m m A igh t h m rm ring f t h a H e has w ith t he p o e t s gift o f myste ry t he p o e t s s e cr e t o f ch ar m B o th ar e p re s e nt in Gu n n ar s Ho we ab o ve t he 6 Ho us e at Lit he n d B o th with a de e p th o ught t o o u nd e r l i e in Mo t h e r an d So n a wo m an s c o n fi d e n c e s t o he r inf ant sp o k e n th at he m ay i mbib e in his spirit wh at she ye arns th at he s ho u l d kn o w but wo u l d b l ush t o te ll him w h e n o ld e n o ugh t o und e r st and an d af t e r all l e ave s uns aid — p e rhaps has n o t c o u r age t o s a a l o u d t o he rs e l f y d fh N w sl p s t h l A d d d ni g ht h lds t h s t r t A d th r t h li t my b aby And sl p t s ft a d sw t L amid t L nd n I li ft th And h w l ittl a d light th a t And th wi tho t ho p o f r Tho u fe r d h p f m y h art 1 e
u
e
e
o se
n
a
o
a
e
o
ea
o
u
o
e
un s
,
e
e
e en
e
o
o
.
,
e
a e,
e
e
o
,
u
u
ee
a e,
e
o
,
e
n
o
,
e
a
o
e u
o se e
e
an
e
e
n
en
e
a
,
o
e
a
ee
e
n
e
o
as
e
,
ea
o
n
o
,
e
o
,
n
e
e e
ee,
.
o
or
no
e
r
or
o
ee
e
es u
a e
e
e e ss
ee
oo
ee
u
u
o
-
,
se
e
e
e
e
as e
e no
o
es
e,
re ,
a
e
e
o
e
e
o
o
o
u
n
a
a
a
o
e
o
n
e
o
o
e
e
e
5
e se
.
’
’
,
,
’
.
.
,
,
’
,
,
,
,
,
,
,
o
ee
n
ea
n
e
e
an
o u se s ,
o
o
ou
e
e
ee
,
es
'
ee
o
es
o
o
s
o
e
ou a
n
.
o
ee,
n
ou
u
an
ee
o
e
e o
r
ea e
r
,
,
'
WILLIAM MORRIS
b o dy b e g i ni g O s n a d t hy s o u l a d t hy li f e B t ho w will i t b e if t ho l iv s t A d e n t e st i t o t he s t rif A d i n l o v e w e dwe ll t o g th r W he n t he ma is gro wn i t h W he n t hy sw e t spe e ch I shall he arke n A d y t twi xt th e a d m e S hall rise that wall f distanc e That r o und e ac h o n d o th g ro w A d m ak t h i t hard a d bi tt r E ac h o th r s t ho u g ht t o k w N w t he r f o re whil y t t ho u ar t li ttl An d ha t n o t ho ght o f t hi n o wn I will t e ll t he e a wo rd o f t h w o rld Of t he ho p wh nc e tho has t g ro wn Of t h l o v that o nc b e g at t he e Of t he s o rro w t hat hat h m ad T hy li tt l e h art o f h ng r A d t hy hands o m y b o s o m l aid Th n m ayst tho re me mb e r he r aft r As W hile s whe n p e o pl e say All this hath happe ne d b f o r I n t h l if o f a o th r d ay S m ay s t t ho u diml y re m e m b e r This t al e o f t hy m o th r s v o i c e As o ft i t h c al m o f d awni n g I hav he ard t he b irds re j o i c e As o ft I hav he ard t he sto rm wind G o m o anin g thro u gh t he w o o d : A d I kn e w t hat e ar th w as s p e aki g A d t he m o the r s v o i c e w a g o d F u ll o f gr ace ag ain is t he Pr aise o f My Lady whi ch t he shy l o ve r l i ke t he Mo t he r d a re s u t t e r o n l y t o t he air My l ad y se ms o f iv o ry Fo re h ad straight no se an d c h e ks that b e H o llo w d a li ttl e m o u r nf ll y B e at a me a D o mina L0 he o
r
275
t hy
e
,
n
n
,
n
n
u
u
n
er
n
e
,
e,
e
n
n
e
ee
n
,
e
’
e
n
e
n
o
,
e
,
e
n
’
e
o
,
no
e
,
e
n
e
e
,
e
u
s
.
e
,
e
e
e
u
e
e
e
,
e
e
u
n
e
,
n
.
u
e
e
e
e
e
e
,
e
e
n
o
e
n
’
,
e
e
,
-
e
n
n
’
n
,
s
o
,
,
7
.
,
,
e
e
,
,
e
,
’
u
S 2
.
276
FIVE CE N T URIES OF E N GLISH VERSE f o re he ad o v e r shad o w d m c h B y b o ws o f hair has a wav e s ch As G o d w as g o o d t o m ak e fo me N o t g r at l y l o g m y l ady s hair N o y t wi t h y e ll o w c o l o u r f air B u t t hi c k an d c ri sp d w o nd e rf u ll y B e ne ath he r b ro ws t he l ids f all sl o w T he l ashe s a c l e ar shad o w t hr o w W he re I w ld wish m y li p s t o b I w o nd r i f t h l a h s l o ng A e th se t hat d o h b rig ht y s wro ng F alway s half t ars s e m t o b Lu rk ing b e l o w t he un d rl id D ark e ning t h pl ac wh re t he y li hid I f t h y sho u ld ri se an d o w fo r m H e f u ll li p s be ing m ad e t o k iss i C u l d u p an d p ns ive e ac h o T his m ak e s me f aint t o stand an d e N ay ho ld t hy pe ac fo r w ho c an t e ll 2 B u t t his at l e as t I kn o w f ll we ll H e li p s a e p arte d l o nging l y S o p assio nate an d swift t o m o v e T o p l u c k at a y fl yi g l o v e That I g ro w f aint t o stand an d se e Ye a t he re b e ne at h t he m i s he r c hin S fi e a d ro und it w e r a s i T o f e e l o w e ak e r whe n I se G o d s d e aling s fo r wi th so mu c h c ar A d t ro u b l o u s f aint line s wro u g ht i t he r H e fi n i she s he r f ac e fo m Her
’
-
,
u
u
,
r
e
r
.
’
n
,
e
,
e
.
,
ou
e.
e
e
r
s
e
er
o
or
e
fl
e
e
e
,
e
e
e
e
,
e
e
e
e
r
,
’
r
e
ne
s
s e.
‘
e
,
u
r
,
r
,
,
n
n
,
.
,
o
n
n
e
,
n
e
n
’
e
n
n
,
r
e
.
All m that s he a y tim I c harg y o s t rai ghtl y i t his rhy m e W hat a d wh re ve r y o u may b en
ee
u
e
,
n
r
e,
n
n
e
e,
,
e,
F I VE CE N TURIES OF E N GLISH VERSE
278
H arald re igne d a d w t hi w ay S d f air u p i se t h t he rise o f t h su An d s till i t he st o ry t o ld t d ay S g re y i s t h s a wh n d ay i s d o n Hist o rie s l e ge nds so figs phi l o s o phi e s m o r al itie s— th e y c o nstitu te t o ge t he r a vast t o t al w ith an a sto nishing e ve n n e s s o f m e rit T he s e ve r al c o mp o n e nts ar e o n e an d all inte re sting an d n o t s e l d o m f ascin ating Whe re the n is the i r p l ac e in Eng l ish p o e try ? My o bj e ct thr o ugh o ut m y rapid re vie w o f o ur Po e ts has be e n t o d e t e r min e w hich o f t he m ar e a m o ng t he Im m o rt al s— h ave l e ft us h e irs o f n e h r o e w a d h o a m ss s s s e c nn o t o w it ut P m s o f s u c s r t o o e p a t o nc e n e c e ss ari e s an d t re a s u r e s an d I h a ve c o ve t e d t he mul tip l ic ati o n o f the m W h e n I be g an my s ke tch o f Wi lli a m Mo rris I intim ate d a fe ar th at his w o r k w as n o t an d this c o ntinu e s t o b e m y imp re ssi o n o f t he kind ; Mu ch in it ch arms m e wh e ne ve r it p l ac e s its e lf un de r my e ye s I d o n o t l o ng t o re tu rn t o it A divi n e sp ar k is w anting It is n o t th at a st ar has b e e n hi d d e n in a c e ll ar a s an o ld an d gr e at p o e t i m agine d S u ch as it is it has be e n vi sibl e e n o u gh Its o rbit has be e n h alf a c e ntury o f S o m e h o w I s u pp o se Mo r ris had t o e n e r g e tic m o d e rn l ife cho o s e b e t we e n t he e xe rcis e o f a sing l e p o we r an d d ive rs an d he pr e f e r r e d m any t o muc h An d
n
en
s
r
e
s
o
o
e
,
e
,
,
n
’
.
-
,
e
e.
,
,
,
.
,
,
,
,
.
,
.
.
,
.
.
.
,
.
.
,
.
.
,
,
,
.
Df c f G vr d Ot h r P m by W illi m M rri R pri t L gm 1 89 6 1 85 8 E lli W hit g d t h F ll f t h N ibl g by T h St ry f S ig rd t h V l E ll i 1 87 7 W hit W illi m M rri T r r 1 89 1 P ms by t h W y by W illi m M rri R v K i g A th r T m b (D f c f G vr t z 41 6 T h D y i C m i g (P m b y t h W y ) t 1 Tw R d R s th M f G vr) t z ac r (D f c T he
e
e en
uen e
o
e,
s
e
a
e
on
:
o su n
s
e
oe
an
n
e
u
s.
o
a
e
e
.
o
o
e
e,
an s,
.
.
e
an
,
s
o
a
o
a
s,
un
e
.
a
,
s,
oe
o
s
ee
.
es
u ne
.
,
‘
1
2
3
n
e
o
r
u
a
s
o
o
n
e en
oe
o ss
es
s
e
Vo
l
su n
,
oo
uen e
oon
e
g B kI
e o
e
.
Sig rd t h u
s
o
e
1 , 2, 3, 4, 9
’
.
a
e
,
e en
e,
s
-
.
.
.
e
as
s an
o
ue n e
e
e
,
s an
as
WILLIAM MORRIS 5
A G rd a
3
G u n n ar
7
M o he
9
Pr
9
by t h S (P m by t h W y ) t L it h b v th H s H w
en ’
e
o
t ra
nd
T he
o
oe
e
s
a
n
o
.
end
So n
M y Lad
s a
a
e
o u se a
e
y (D f c H y t c k i t h Fl d s Ki g f D m rk S
a is e o f
T he
e a
ea
279
n
en
e en
oo
e
a
e o
’
s
o ns
G
vr) t z 1 —5 (P m by t h W
f
ue n e
e
s an
oe
s
e
.
as
e
.
ay
)
.
A L G E R N O N C H AR LE S S W I N B U R N E 1 8 3 7— 1 9 09
w he n this b o o k firs t app e are d S winb u rne w as l iving B y t he p l an o f t he wo r k I had d e b arre d mys e l f t he re fo re fro m i nc l uding hi m On t he issue o f t he p re s e n t e di t i o n I c o u l d n o t h a v e p ass e d hi m o ve r B ut it w as i mp o ssibl e t o p re t e nd t o de p o s e A l fre d T e nnys o n fr o m his p l ac e as cr o wning t he s u cc e ssi o n o f British p o e ts I h ave c o mpr o mis e d by di s re g ar d ing t he a ccid e nts o f birth an d d e ath an d s e ating t he ne w c o m e r be sid e Wi ll i a m Mo rris an d R o ss e tti his c o mp ani o n an d in s o m e s o rt hi s m aste r Po e ts o f t he first ran k n e ve r ar e dup l ic at e s It is i mp o ssibl e t o b rac ke t S winbu rn e with an y a m o ng his nine te e nth c e ntury c o nte mp o r ari e s o r p re d e c e ss o rs H e r e minds o f R o ss e tti in s e ns u o u sne ss he had a far h o tte r f aith in a p o e t s d u ty t o c o nc e rn hims e l f with t he w o r l d an d s o ci e ty Wi t h S he ll e y he m ay c o mp ar e in bitte r dis c o nte nt with E arth as it is wi t h He ave n as it is c o m m o n l y u nd e rst o o d t o b e b u t b o t h fo r g o o d an d i ll he w as fo r S he ll e y t o o r e al istic an d m ate ri al F o r himse l f he w as e ntir e l y d e v o id o f l it e r ary j e al o u sy o f c o e v al s o r s e ni o rs Land o r he r e v e r e d as F athe r a d f ri nd H e e xt o ll e d an d b e wai l e d R o be rt B r o wning o wn e r o f T h c l e ar st y e s i n all t he w o rld Vic t o r Hu g o he hym n e d b o th in Engl ish an d Fre nch as a king o f m e n as we ll a s b ards A ll singe rs n at ive an d f o r e ign anci e nt an d m o d e rn we re e qu all y o f his fe ll o ws hip H e had t he c o ur age t o r e nd e r his h o m age t o C at u ll u s in I N 1 89 7 ,
,
.
,
,
.
.
.
,
,
,
.
,
.
-
.
’
.
,
.
.
n
e
.
,
e
e
e
.
.
,
,
,
.
2 82
FIVE CE N TURIES OF E N GLISH VERSE
f u ll ric h s we e tne ss o f T he Ye ar o f t he R o s e e nc o u r age s t he s a m e inc lin ati o n t o tr ac e a t o n e a t h i ll t o Ke ats r w e ar e l e ft with t he s a m e fin a l c o nvicti o n o f an e ss e n t i a l d iffe re nce in t he m u sic in c o ns e qu e nc e o f an e ss e n t i al d istincti o n in p o e tic fe e l ing d r s l and n o t mil I th Of t h m e ad ws f r m stil t o s til Of t h v all y s f r m s t r am t s t r am B t t h air w a a l o ng sw t dr m A d th ar th w sw t wid smil R e d m o th d f a g dd ss r t rn d F r m t he s a which had b rn h r a d b r d T hat wi th o swe e t smil f h mo th Lo o k d f ll o t h no rth as it y rne d And t h no rth wa m o r than t he so th The n ag ain fo r qu al itie s g o ing d e e p e r th an fo r m c o nsi de r S winburne s ch o ice — all his o wn — o f the m e s t he te mpe r with w hich he c o nte mp l at e s h u m ani ty its p l ac e in t he u nive rs e ho w ci r cumst anc e s affe ct it ho w it we ighs an d acc e pts o r sh ape s the m H e b e g an by vi e wing l ife h abituall y as childre n o bs e r ve an e c l ips e o f t he sun thr o ugh sm o k e d g l ass In tim e he o utgre w t he she e r ins o l e nc e as it is n o t wi thst an di ng t he much o f gran de ur in a p ie c e li ke A Litany T he g l o o m whic h d istinguishe d t he fir st s e ri e s o f P o e ms an d B all a ds surviv e d an d c o nst ant l y r e cur s The r e it had be e n cynic al In t he B all a d o f Life b o di l y j o ys ar e a ccum u l ate d t o br e ak in a b o ndsm an in t he B all a d o f D e ath fo r t he c o nqu e ro r S k t D at h s f a c t h li g ht al t r t h h h a M y m a s t r t a t w t r ll t L v s A d y I b c m t hr ll t D ath N o t s atisfie d t o c o nd u ct all t he ri o t o f s e ns e in t o t he gr a ve he f ashi o ns fr o m it a nightm are t o h ar ass t he l ast s l e e p r b ards f t h c ffi lid Th f H ard all t h d ad ma d id T he
,
,
,
-
e re
n
e
o
e
a
o
e
u
o
e
n
e
e
o
o
e
,
e
e
n
e
e
e u
u ne
n
e
ea
e
s
,
u
er
e o
u
e
e
o
ne
,
e
ee
o
,
ea
ee
as a
u
e
o
s
e e
-
e,
e
o
e
e
,
3
u
e
.
,
,
’
,
,
,
,
.
.
,
,
,
.
,
.
.
-
ee
ou
n
sa
s
e
’
e
e ere
e
e
a
e
o
a
e
e
o
’
o
e
,
o
e
4
.
,
e
e
ou
o
o
e
e
o
e
n
n
5
.
ALGERN O N CHARLES SWI N B U RN E
2 83
co mp e l s N atu re t o s e rve Man s d e s o l at i o n by l ay ing w aste a g ard e n p l ante d fo r p u rp o s e s o f hum an d e l ight N t a fl w r t b p r s t f t h f t t h t f lls t dry A t h h ar t o f a d ad ma t h s d p l ts a Fr m t h thick t f th rns wh nc t h ni g hti g al c alls t C o ld sh c al! th r w r n v r a r s t o r ply He
’
o
e
o
o
e
s
e
o
e
e
o
e
oo
e
e
o
e
u
e
Affe cti o n its e l f is
n
o
fo r
e
e
e e
,
a
e e
his Mus e
ee
no
-
e
e
.
b l o ss o m
as a
y e ar s d ad hands ar e f ll o f the ir de ad fl o w rs T he o ld d ay s a f ul l o f d e ad o ld l v s o f o u rs B o rn as a ro se a d b rie f e r b o rn than he C o u ldst tho u n o t watch wi th m 2 T he
’
o ld
e
e
u
re
,
o
e
n
,
6
e
ph e m e r al
no
e
n
o
as e
re
o
e
e
e
a
,
,
s
e
‘
7
Wi t h ad vancing ye ars t he d ar kn e ss d e e pe ns ins te ad o f disp e rsing T he c l im ax is in t he t hi rd s e ri e s o f Po e ms F o r pi l ing u p ho rr o r an d B all ad s T he W e ary W e dding ste p by ste p that might p air wi t h t he Sc o t t ish b all a d o f 8 Ed war d E dw ard Me l anch o l y d ainty s we e t an d l o ve l y m e l anch o l y has alw ays b e e n a p rivi l e g e o f p o e ts fr o m F l e tc he r t o Ke ats It be ars l itt l e re s e mbl ance t o S winburn e s His dirge s an d Lit ani e s ar e w ar cri e s Wi t h t he h e art br o ke n bri de s s o bs an d t he t aunts t o t he ric h brid e gr o o m .
,
,
.
,
,
,
,
,
.
,
’
.
’
-
-
,
.
f o o l will y e m arry t he wo rm f r a wi f O f o o l will y e m arry t he d u s t o f d e ath 2 O
o
,
e
‘
,
m ingl e s t he
m an s t riumphant insiste nc e ’
mine whil min whil
N ay , y e ar e N ay , y e ar e
e,
ld my l if v m y b r ath
I ho
e
e
I ha
gir l
t o t he e.
e
e
’
9
.
S winb u rn e e xu lt s in p assi o n an d t he pric e p aid fo r i t ; in d e at h whi ch is l ife an d l ife whic h is d e at h H e e xult s in t he r u in o f t he Arm a d a in ,
-
.
,
t he
fie rc e J ly w h n fl e ts w re s c atte re d as f am u
e
e
e
o
,
FIVE CE N TURIES OF E N G LISH VERSE
2 84
Eng l an d La gh d l d t t h wind it g av t h k pi g t h g l ri s f Spain a d R m His v e rs e b e c o m e s a tr u mp e t s b l ast as it m agnifi e s an d an
d
u
ou
e
n
o
e
e
as
e
o
er
o
ee
n
e
o
e
o
.
’
W R I II S '
A light that i m re than t h s nlight a ai that i b right r than m rning s b r ath C lo th s E ngl and ab o t as t he str o ng se a c l asp s he a d answe rs t he w rd t hat i t s ai th T h w rd t hat ass r s h if sh c hang o t a d c ho o se o f lif ot t h w y s f d ath H e e xu l ts in t he gr ac e o f his typ e o f gl e a ming It al i an hi ll t o w ns w hich fa t o t h f ir s th w e s tward lig ht ns Girdl d a d s and all d a d plu m d wi th fl o we rs A t s nse t o v r t he l ve lit l ands T h hill sid s c ro wn wh r t he wild hi ll b ri ghte ns S aint Fina s t o wn o f t h B a tif l To w rs H ailing t he s wi th h ndre d hands E age r au d aci o us d e fi ant he always w as whe n in 1 866 a t t he a ge o f t we nty nin e he w a s fl inging w i l d music in t he fac e o f Eng l is h de c o ru m whi ch he d e spis e d as insu l ar prud e ry ; w he n n o t with o ut pri de in t he r e pr o b at i o n he had b ro u g ht d o w n up o n hims e l f he s at hims e l f ap art an d u tt e r e d his cri e s ag ainst a unive rse o f d u st an d ash e s Le t hi m ho we ve r fo r a m o m e nt fo r ge t as he c o u ld all bu t an im m e nsi t y o f s u nshi n e an d f u ll br o a d bi ll o w s an d ho w r adi ant j u bi l ant a n atu re e m e rge s an d s o ars singin g ! R e a d t he hymn t o t he s o uth we st wind s Wind b l v d o f e arth a d sky a d a b y nd ll winds that b lo w Wind who s mi ght i fight w a E gl and s h mighti st warri r s
’
o
e
o
e
u
r
n
,
s
e
,
e
r,
u
n
o
e
o
u e
e
a
o
er
e
e
e n
,
n
n
11
e
.
,
e
r
-
ou
a
e
,
‘
e
n
e
e
u
e
e
-
e
n
-
o
’
,
,
e e
’
,
e
,
u
e
,
12
u
a
un
u
e
.
,
,
,
-
,
,
,
,
.
,
,
,
,
,
,
,
-
e o
e
e
n
se
n
n
’
n
s
d ay ,
S o u th we st wind who se b re ath fo r -
,
e
o
a
on
er
lf
he r was i
,
e
e , an d
fi re t o
o
c rg
s ou
he r fo e ,
Ste l t o smi te e
an d
d ath t o dri v e
e
him
d o wn a
n un
r t r i gw e u n n
y,
a
e
2 86
FIVE CEN TURIES OF E N GLISH VERSE
T he t r age di e s ,
th o u gh l e ast o f all t he e arlie s t — At al ant a in Cal ydo n— w ith t he r e l i e f o f its l o ve l y ch o r u se s— l ab o u r u nd e r t he s a m e e xc e ss o f e m o ti o ns an d o f o n e in p ar ticu l a r It m ars the m as dr a m as whic h c ann o t l ive witho u t vari e ty l ight an d sh a d e T he y ar e c l o gge d by m e r e bu lk F l e e ts o f c ha rm ing f anci e s drif t h e l pl e ss l y a b o u t v o l um e s fr o m t w o h u n d re d an d nin e t e e n t o fi v e hun dr e d an d thi rty t w o p age s l o ng B u t the ir abi ding e n e my is m o n o t o ny o f Fr o m th at the y ar e t he w o rst n o t t he o nl y e mph asis s u ff e r e rs In n o fo r m d o e s t he p o e t s ve rs e e sc ap e it T he hab i t is t he m o r e t o b e r e gr e tt e d th at w h e n as o cc a si o n all y e l s e wh e r e t he c hr o nic t e mp e st u o usn e ss a b at e s t he g if t o f m e l o dy r e m ains n o t t he le ss surp assing that it b e c o m e s ge ntl e a n d r e p o s e fu l As l u lle d by bre e z e an d w ave s he flo ats I l an m y c h k t t h c o ld g r y pil l o w T h d p s ft sw ll f t h f ll b r ad b ill w A d c l s m y y s f d li g ht p st m as re And wish t h wh l o f t h w rld wo ld s tand An d it st an d s fo r him by n o m e ans in jo y th o ugh n o t in s o r r o w al to ge th e r as he w atche s be si de t he c rad l e o f a b aby de a d T h li tt l h nds th t n v r s ght E art h s p ri z s w rt hl ss ll as s ands W hat g ift h d ath G d s se rv ant b ro u ght T h li tt l h nds ,
,
.
,
,
.
.
-
.
,
.
,
’
.
.
,
,
,
.
,
,
ee
e
ee
e
o
n
o
e
e
o
e
e
e
or
e
u
e
o
o
o
a
e
ee
e
,
e
,
u
e
o
,
15
u
,
.
,
,
e
e
’
a
a
e
e
o
,
a
e
e
as
,
’
o
,
e
ou
e
,
a
e
l v s s lf sil nt st nds L v that l nds y s d wing s t th ght T s ar c h wh r d ath s d im h av n xp nds W
but
e ask
o o
o
e
e,
a
an
,
o
’
e
e
e
e
e
e
e
e
e
’
e
e
ou
e
a
.
this p e r chanc e tho u gh l o v e kno w no ght Flo w rs fi ll the m g ro wn i l o ve lie r l ands W he re hands o f gu i di g ang e ls c au ght T h li tt l e h ands has p r o ve d th at he c o ul d writ e with n o l e ss t e n d e rne ss E re
u
,
,
e
n
,
,
,
n
e
He
16
.
,
ALGERN O N CHARLES S W IN B URN E
2 87
m o re g ai e ty ab o u t l iving b abyho o d An d ho w he — n d e n i u d r s h r is m a g s c o nte mpo r a ry as w e ll as past o e e a o T he m o r e t he pi t y that he has n o t s u ng s o m e ti m e s o f o f o rdin a ry m an h o o d an d w o m an ho o d in e v e ryd a y life A midst t he l o ftine ss t he into xic ati o n t he a l i ke t e mp e r sple nd o ur o f hi s p ane gyrics an d m ale dicti o ns t he inte n sity o f his l andsc ap e d r awing e ve n t he gr and t ho ughts w hi ch he l avis he d I o fte n pine t o my s ham e fo r a cup o f c o l d w ate r a r ay o f c o m m o n hum an h o u s e h o l d a l itt l e s o b e r c al m kind lin e ss B u t I kn o w it w as n o t his w ay un l e ss fo r an inte rl u de Whe the r in much m aste r l y pr o s e o r in o ve r whe l ming ve rs e a b o rn fighte r he m u st r an k as s u ch ; th o ugh a g e ne r o us c o mb at ant as we ll as a fie ry o n e an d
.
,
,
,
,
,
-
,
,
,
,
,
,
.
,
,
,
.
,
,
,
,
Swi b r P m r f rr d t b l w p b li h d by M r C h tt W i d Sid y Arc di (A tr ph l ) t 2 4 1 a P d B ll d t t z 3 5 I tyl m ( d d 2 d m t 3 P B ll T h Y r f th R ( t 11 A B ll d f D t h (P m d B ll d l t Aft r D t h t 1 t 4 A F r k G rd (P m d B ll d 2 d t 8 A Wa t d Vigil p 3 6 1 a d P rcy R liq S d B ll d 3 d l t thr T h W ary W d d i g (P m t z II t 2 Th Arm d E g la d Od (A t r ph l ) t 2 0 F r S g fF r S Sp i g i T c y (P ms d t 9 B ll d s 2 md A A t m Vi i (Ast r ph l ) I I II I c ripti A Swimm r Dr m V t 2 A B by D th (A C t ry o f R d l ) I I I Mr
’
ne
7
e
4
a
5
s
s an
ea
o
e
a
o
ea
sa
o
ee
9
as
s an
n
,
e
e ss s .
’
e
s
s an
s an
a
s,
a
a
a
s,
s
s,
n
.
,
,
s
n
s
.
.
.
.
.
.
a
s
.
.
.
.
s
ues
e
s
oe
n
a
s an
oe
e
e
a
e
n
n
ou
a
s
u
.
an
a
a
s,
r
as
ee
.
1 °
11
ar e
,
.
s an
oe
en
a
.
s
oe
s
.
e
e o
o
s
,
s,
a
o se
s
en
e
o
s e
9
e
e e
a
ea
7
a
,
e
an
:
s
on
n
s
s
u u
ns
on s e
a
’
s
o
.
.
e
s
,
.
.
r n
n
u s an
.
o
s on
n
s
e as o n s :
ou
o
,
15
15
a
a
oe
e
6
14
s
us
s,
oe
us.
n
1
13
u ne s
n
.
o
a
a
’
e
,
.
.
’
s
ea
ea
,
en
u
s
.
.
o un
e s
,
.
oe
an
AR T H U R H U G H C L O U G H 1 8 1 9— 1 8 6 1
PO E T S in ge ne r al l o ve t o p re ach an d t o a c o ngre g ati o n W he n the y s o l i l o qu iz e the y c ho o s e a m ar ke t p l ace F o r a ve r y fe w t he prim a ry if n o t t he fin a l f o r u m is t he ms e l ve s Afte rwar d s the y m ay b e pe rs u a d e d t o ad mit t he publ ic t o the i r c o nfid e nc e At t he m o m e nt o f singing the y had b e e n h o ne stl y un aw are o f its e xiste nce The y r e s o rte d t o p o e try si mp l y b e c ause the y kn e w o f n o b e tte r instru m e nt wi th which t o h am m e r o u t th o ughts vital t o th e ir o w n s o u l s If t he re s u l ting i de as f ai l t o to uch o th e r he arts o r e ars the y d o n o t mi nd T he ir di s re g a r d o f mi sce ll ane o us symp athy t he o cc asi o n al c ru d ity o f f o rm ha ve n o c o m m o n o rigi n w ith t he r o ughn e ss o f a wri te r w ho h aving studi e d hi s ar t as ch alle nge s critic is m t o di se ntangle a vi o li nist studi e s his The s e t he be auty fr o m t he e xc re sc e nc e s c o nc e al ing it s o l it ari e s d o n o t c o nc e rn th e mse l ve s with t he artistic re qui re m e nts o f t he m e di um o f e xpre ssi o n the y h ave ado p t e d The y h arb o ur n o inte nti o n un l e ss t o m o ul d an d de ve l o p fo r th e ir o wn u se a c o nc e pti o n o r an a spir ati o n T o this l imite d c l ass o f p o e ts w ho fir st an d l ast ar e thinke rs Arthu r Hu gh Cl o ugh be l o ngs N ature h o we ve r e nd o w e d hi m w ith p o e tic a l gifts m o r e o r l e ss ind e p e nd e nt Thu s a pe c ul i ar l y de l ic ate o f th at sp e cific ch ar acte ristic s e nse o f rhyt h m di stingui she d hi m fr o m t he c o m m e nce m e nt A Rive r Po o l writte n wh e n he w as t we nty o f his c a r e e r .
,
-
.
,
.
,
.
.
.
.
,
,
,
,
’
.
.
,
.
,
.
,
.
.
one
,
,
,
h as
,
fl
dr amy s o nd Of ri ppl s lig htl y g a
e
u
e
un
1
.
,
,
7
290
FIVE CE N TURIES OF E N GLISH VERSE m o o nlig ht is it w o shad 2 I p l an s f su re divi s io n m ad B y a gl s sh r p f p l c w ll T h c l ar light a d t h sh d w f all O si g ht f g l ry sig ht f w d r S n pi ct ri al p rt nt nd r O g re t R i l t t h v t r o nd Of t hy t hri c s l i d ar c h p r f nd H w li ght w g h w s ft l y Ah Lif e sh ld b e s t h g o nd o l a In
no
n
e
e
e,
a
o
o
,
o
o
a
a
o
a
a
e
n
a
,
a a e
o
e
o
ee
e
o
e
n
r
,
e
e
,
,
o,
ou
s
e
e
,
u
o ou
o
a
o
u
as
fl e
s
on
e- o
o
‘
o
,
4
e
S o m e thing e ve n m o r e fr o m t he sugge sti o n o f aching re gre t is t he music al o w o f t he h e rd gir l s h aste ning cry t o he r c o ws
,
,
’
-
ski s hav s nk a d hid t h ppe r sn w H o me R o s a d ho m Pr v nc d La P l i T h r ainy c l o u ds a f alling f ast b l w And w t will b e t he p th d w t sh ll we H o m R o se a d h m P ro v nc a d La Pali e T he
e
e
e,
,
u
e u
n
,
e,
n
e
o
e an
e
e
a
,
e
an
e,
o
n
,
a
e o
re
e,
o
e
e
,
a
e
n
d ar a d wh r i h a y r ag o a d o W h st pp d b id a d ch r d My sw th ar t wand rs fa way f r m m I f r ig la d a a f r ig H m R s a d h m e Pr v nc a d L a Pali Ah
e
o
n
o
o
e e
n
,
e
e
ee
e
es
e,
o
n
e
or on
,
o
o
n
,
us
,
n
e
on
n
e,
o
r a
e
n
e
ee e
n
e
ne,
ea
e,
s
n se
e
o
e
n
5
e
the r qu al i t i e s be sid e s m arki ng a p o e t an d at t he o p e ning o f l ife he w o n t he r an k at a str o ke w ith T he B o thi e o f T o b e r n a Vu o lic h The re c o u ld b e n o m o re vivid d e scripti o n o f a t ypic al High l and sc e n e th an th at o f t he stu de nts b athing p l ac e The r i a stre am Springing far o ff f ro m a l o ch ne xpl o re d in t he f o lds f g r at m o un t ains Falling t w mile s thro u gh ro wan an d st t d ald r nv l pe d T h fo f u r m o r i a f r st o f pin wh r b ro ad a d am pl Spr ad t o c o nv y it t h gl n wi th h athe ry sl o p s b o th sid s H e had
o
,
,
-
-
.
’
-
e
s
u
o
e
e
e o
,
o
en e
r
s,
un
o
e
e
n
,
o
e
e,
e
e
e
e
e
,
n
e e
e
on
e
e
AR THUR HUGH CLOUGH
29 1
Bro ad a d fair t h str am wi t h o cc asi nal falls a d narro ws pp ro ac h s t h v al f t he riv r B u t whe re t h g l e n f i t s c o u rs d b l o c k d by a h g inte rp o sing m ass f g r ni te Me t Sc rc e by a c hann l d ee p t r aging p d ragi g o nward F r c e s it fl d thr gh a p assag so narro w a l ady wo uld ste p it T h re ac ro ss t h g r at r o cky wharv s a wo d n b ridg go C arryi g a p ath t t h f r st b l w t hr h ndre d yards say Lo w r i l v l s o m twe nty fiv f t thr gh flats o f shi gl St pping sto n s a d c rt trac k c r ss i t h p n v all y B u t i t h int r v al he r t h b ili g p e nt p w at r Fr s i ts lf by a final d s c nt att ining a b asin f e e t wid a d i ght n lo ng wi th whi t n ss a d f ry T O cc pi d p ar tly b t m tly p ll cid p r mirro r ; B a tif l th r f t h c o l r d riv d f r m gr e n ro cks und r B a tif l m o st f all wh re b ads o f f o am p rising Mingl th ir cl o ds o f white wi th t h d li cate h o f t h stilln ss C li ff v r c li ff f it s s id s wi th ro w n a d p nd nt bir c h b ghs H r it lie s unth g ht o f ab v e at t he b ridg a d p thway Still m r nc l o s d f r o m b l w by w d d ro c ky p r j cti n Y o a shu t i l ft alo n wi th y rs lf d pe rf cti n f w te r H id all sid e s l e ft al o n wi t h y o u rse lf a d t h g dd ss o f b at hin g A Lo ng Vac ati o n p arty s hum o urs we re ne ve r be t t e r t o uche d o ff W e he ar t he l e arne d Tuto r s gr ave disse r t a ti o ns fo r instanc e o n n ature s o bj e cti o ns t o e qu al i t y Star i t q l t st r o b l s m t h sam e a b l s m Th re i g l ry f d i i s a gl ry ag in f c arnati ns ; W r t h c r ti wis i gay par te rr by g r n h s S h uld it d c l in t acc pt t h n rt r t h g ard n r g iv it S h uld it r f s t o xp d t o a d g ni al s mm r S imply b e c a se t h fi ld daisy that g ro ws i t h g rass pl t b sid it C nno t f so m c a s the r de v l o p a d b a c arnati n W l d t t h daisy i ts lf pe titi n it s c r p l o s ighb r Up g r w b l o m a d f rge t me b e b e a tif l v n t p ro u d n ss E f t he s ak o f my s lf a d o the r p o r d aisi s l ik m e Co n te mp o rari e s we re able an d a mus e d t o fo ll o w t he gay b ante r o f hi s pupi l s a m o ng the ms e l ve s n o t e xtr ao rdi n ari l y witty an y m o re than t he ir s age instructo r s phil o s o phy e
e
n
e
,
u
s
o
e
cu
-
e
,
o
e
e
n
n
ee
o
e
a
e
e
n
e
,
e
u
u
e
u
u
e
e
os
e
n
on
u
e,
.
e
e
u
n
u e, a
,
e
o
e
e
u
e
e
a
ue
ou
a
n
e
e
n
e
,
,
,
o e
an
e
e
ou
an
oo
e
e
e
e
n
e
e o
,
e
u
o
e
,
e
-
e
,
e
re
e o
,
,
e
e
,
,
n
n
,
ou
e s,
u
a
e
e
ou
,
n
o
,
ou
e e
,
e
ee
e
,
o
e
e
or
e e
u
u
o
,
ee
u
e
e
o
ee
o
,
,
,
n
,
o
e
e
or
e
e
-
e
en
e o
e
e
u
e
-
a
n
a
an
,
e
.
e
e
e
e o
e
e
e
-
e
u
,
e
n
e
o
ou
oo
e
e
e
a
n
e a
o
e
an
o
,
o
o
.
a
o
,
6
e
o
.
’
’
-
.
’
,
s no
s a
e
o
o
on
e
a
ou
no
o
,
’
en
or
e
e
o
,
sun
e
n
u e
ee
n
o
u
s
,
e
o
e
e
,
,
’
,
T 2
e
,
ou
ne
e
,
e
a
o
u
o
n
-
u
u
o
e
u
,
,
e
n
e
e
e
n
,
es
e
u
e
ou e,
-
e
e
-
u e or o
,
u
e
so
o
o
e
n
e
o
a
o
s
e
so
o
,
an
e
,
r
e
e
e
or
,
e
o
e u e u
n
,
a s e
o
e
o
a
o
a na
e
e e
ua
e
e
’
.
7
,
292
FIVE CEN TURIES OF EN GLISH VERSE
is p articu l ar l y c o nvi ncing bu t curi o us l y d ive rting t he p l aying at re adi ng an d at l o ve m aking t he ho spitalitie s o f c hi e ft ains an d l o c al n o b le m e n whe n Oxf o r d un d e rgra du ate s we re still n o ve l tie s in t he N o rth T he who l e c arri e d t he publ ic t aste by st o r m H o p e o f Il ay Linds ay t he Pipe r Po e t an d Ch artist He ws o n A rthur Aud l e y an d t he gre at H o bbe s C o nt m pl ativ e c r p l nt wi tty ,
-
,
.
.
,
,
,
,
,
e
u e
o
,
,
,
be c am e h o u s e h o ld wo rd s Eve n t he m e tre o di o us fro m o th e r p e ns w as a cc e pte d s m i l ing l y fr o m Cl o u gh— h e x a m e t e r s in d e sh abi ll e The re he an d hi s wo rld we re in e ntir e u ni s o n Th at his Mu s e p o ss e ss e d m o r e th an o r di n ary gifts had he cho se n t o u se the m fo r c o ntinuing t o dr aw i t in he r t r ain is e vi d e nt fr o m Pe sc hi e r a an d t he appl au s e which gre e te d it S inc so it is — g o d b y Y o say S w e t l if high ho pe b t whats e e r M ay b o mu st o t o ngu shall d r T te ll T he Lo m b ard f e are d t d i Ah t fo i dl hat r d n o t F o h n r f m n o s lf app l a s t he g l ry f t h c a s B ut f Y o u d id what will o t b e f o rg o t An d th g h t he s t rang r s t and t is t r B y f o r c a d f rt n s r ight h st nds B y f o rt n which i s i G o d s hand s And stre ngth whi ch y t shall spring i y T hi s v o ic d id o my spir it fall P schi ra whe n t hy b ridge I c ro st T i b e tt e r t hav e f o ght a d l o st Than ne ve r t o have f o ght at all .
,
,
.
.
,
,
,
,
u
e
,
e
,
o
r
r
,
a e
e
n
e
r
,
a
or
e,
o
e
,
r
e
e
o
n
o
u
e
e
ue ,
,
’
a
e
’
n
,
n
e
,
e
s
’
e
e
e
e,
.
ou
u
u
e
u e,
-
n
,
e
’
o
ou
o
e
o
,
no
’
-
u
e,
e,
o
n
ou
.
,
,
,
u
o
u
n
,
8
It an d t he siste r lyr ic c ar r yi ng a ste p o nward t he s am e he ro ic tho ught th at b rave an d blo o dy f ai l ure s in a h o l y ,
,
FIVE CEN TURIES OF EN GLISH VERSE
29 4
s e r vi c e H i s yo uth w as c ast in a time o f me nt al an d spiritu al qu e sti o nings a ctive e sp e ci all y a m o ng pu pi l s o f A rn o ld Pe ri l o us l y as the y di sturbe d t he gre at te ache r s o wn s o n singing ke pt o n t he wh o l e with hi m its in de pe n de nce His fri e n d his T hy r s is had a l e ss i mpe ri o us i m agin at i o n o r F ro m a m o re re st l e ss l y an d u n se lfi shly l o gic al c o nsci e nc e an e ar l y p e ri o d t he p o e tic instinct in hi m be c a m e pr i m ari l y fixing if o n l y fo r a time an instrum e nt fo r e mb o dying his sh ado wings o f e xist e nc e pre s e nt p ast an d future o f t he g o ve rn me nt o f t he Uni ve rs e o f In fini ty Ve rs e be c ame his me ans fo r e xpre ssing t he c o n flict in his s o u l b e t we e n sc e pticism an d mysticism At m o me nts t he s o ngste r in hi m w o ul d ris e an d c ar o l It w as o n l y as it we re by an accide nt R e all y he w as m o r e his p ro pe r s e l f e ve n in uns atisfying E ast e r D ay Od e s Christ n o t Rise n y e t Rise n T he Que sti o ning Spirit 1° — th an in t he m usic o f t he Swiss g ir l s Be the s d a c att l e c all Mo st o f all w as he hi ms e lf in a m o ving if unh o p e ful cry such as Parting .
.
,
’
,
.
,
,
.
,
,
,
,
,
,
,
.
,
.
.
.
.
’
’
-
.
,
,
,
te ll me f rie nds whil e y e t y he ar M ay it n t b e s o m e c o m i g y e ar T he se ancie nt p aths t hat h re d iv id S hall y e t ag ain r id e by sid A d y o f r o m t h re a d I f r o m he re All o a su dd n re app e ar 0 t ll m f ri ds w hile y t y e he ar O
e
,
,
o
,
n
,
,
e
un s
u
n
e
e
,
n
,
,
e
n
e
e
e
en
,
e
,
t e ll me f rie nd s y e hardly h ar An d i f ind e e d y e d id I f e ar t say y w o ld t s p e ak Y w o u ld A e y o u s o st r o ng am I so w e ak A d y e t ho w mu ch s o e e r I y e arn o u u t rn o Can I n o t f o ll w y 0 te ll m e f ri d y hardly he ar 1 O
e
,
,
,
,
no
e
,
r
n
e
u
,
no
,
’
,
,
o
,
en
,
n
s,
r
e
11
,
ARTHUR HUGH CLOUGH
s o le mn ch ant o f an appe al agains t d o gm atizing o n t he Un kn o w ab l e 0 Th i t hat m y s t ri o s shrin E thro ne d a I m s t ay di vin I will o t f ram o th ght f wh t T h m y st i th r b t I will t p r t e f th s d And b p r fan wi th y a d E no g h t hat in o so u l a d h art Th whats r Th m ay st b a t Uns e s c r i that high shrin Ack wl dg d p r s nt d d ivi I will o t a k m pp r i S m f t r d y t pl ac T h t h r N y t d ny s c h m y th s a d th n A d w o m n aw T h d th r T hy nam w a s c h h r h Th u di d t app ear T him ly Th i that d im shrin D U k o wn kn w r main di in ; if Th r ys t at l as t i Th t c n t h f ct th t r nd th m li s w y t h j dg m nt gu id T h h nd t i gh t d s Thy lf divid I — h i s l a d he art B Th b t t r I will t a k t o f l Th t W he the r at all o r ho w far he succ e e d e d in di sc o ve ring — h e h an dl e s whe the r he might n o t a c l u e t o t he pr o b l e ms by p assing the m by h ave had a brighte r c are e r an d be e n h appi e r pe rs o n ally is a qu e sti o n n o s t r ange r c an ans w e r with assuranc e T o me he ne ve r app e ars t o h ave fe l t that o u t o f all hi s s e l f in t e r r o gat in gs he had pi o ne e r e d a v i a m e di a Ce rt ainl y t he go spe l he pre ache d t o hi ms e lf m ad e W ith t he e xc e p t i o ns o f T he B o thi e fe w c o nve rts o utsid e an d Pe sch ie r a w ith its c o mp ani o n hi s p o e ms we re as l itt l e he e de d in his l if e time The y ar e with t he s a m e e xce pti o ns or
in
295
t he
ou,
n
n
e
s
,
u
n
e
ou
a
e
oe e
n
u e
e
,
e
u u e
e
o r sa
e
n
o
n
o
e
e
u
o
e
e, or
no
a
s a
e
a
e
a
o s
a
an
s
ou
e
no
s
,
u
,
.
an
,
e e
en
u
n
e
e e or
s
e e
.
e,
n
e
,
n e
u
e
e
e
se
h
e e,
e
e,
e
ou
o u ar
ee
e
e
ou
a
,
v
,
e
,
e n se ,
u
ee
n
or
n
r
ne,
e
o
ou
e,
a r,
e
ee
er
o on
n
a
s
or
’
an
e u
s
e
e
e
so
nor
,
no
n
e e
s
n
ou
e
n
so
n
’
no
o
an
ur
a
.
es
u
e
o
u
e
ou,
e
,
e or no
o
o
e
ou
e
a
e
s
ne
e
no
u
n
,
12
.
,
,
,
,
,
.
-
.
.
,
.
,
FIVE CE N TURIES OF E N GLISH VERSE
296
l e ss re ad n o w H e hi ms e lf di d n o t mi n d an d wo u ld n o t H e di d n o t s e e k fo r t he f a m e e ithe r o f p o e t o r o f m in d pr o phe t N e ve r c o ul d it h ave o ccurre d t o him t o b e di s h T e Eng li s h ap o in t e d t hat i t did n o t an d has n o t c o m e p pu b l ic t ake s s m all p l e as u r e in phi l o s o phi c al p o e try un l e ss an e xtr a o r d in ary h ar m o ny b e inspir e d by an e a rthy s e l f l o v e an d Ar thur C l o u gh s m e l o dy an d li ke Om a r Kh ayy am s p hi l o s o phy ar e n o t thu s inspir e d Me anw hil e he w an de rs S o m e ti me s a b o u t Vict o ri a n l it e r atur e l i ke a p hant o m h o we ve r ph ant o ms be c o m e as muc h f o rc e s as ar e subst anc e s It is in an d h e re aft e r it m ay happ e n t o b e s o with him tru th di fficu lt t o b e l i e ve that a spi ri t s o graci o us so e age r t o l e a rn as we ll as te ach s o o rigin al s o re ve r e nt so o p e n m ind e d so p e ne t rating in its insight w ith a p e rs o n al ity s o int e r e sting s o st ar l i ke s o ge ne ro us l y ho t ag ainst injustic e — — n d a a a e a o g inst th m l ne c an actu all y b e as an d t yr anny f aint in its in flu e nc e a s t he d e adn e ss o f p o pul ar att e nti o n t o t he w o r k s it p e rm e at e s w o u l d s e e m t o pr o ve .
,
.
.
,
.
,
,
-
’
’
.
,
’
.
,
,
.
,
,
,
,
,
,
-
,
,
.
P m b y A th r H gh Cl gh W ith M m ir S ix th Ed iti 1 878 C M c m ill A Riv r P l (E rly P m ) S g i Ab c t 4 £ e Ad p q(E rly P m ) D ip y h (p b li h d ft r Cl u gh d t h) P rt I I Sc 2 — M t i m c ll P t z a 1 2 It d m m a ( ) fT b r V li h 3 T h B t hi I b id 2 P c hi ra (M i c ll o P m ) ta z 8 9 1 0 1
2
'
r
4
6
s
s
3
9 1 °
T he 11
12
.
,
S ay N o t
tr Q ti E as
e
D ay
o n in
ues
g
s
.
a
e
o
s e
n a-
es
s
ea
an e o us
uo
-
’
c
,
oe
s
,
s
,
n
s
.
.
.
.
s e
e
a
,
an e
us
oe
,
s
,
s
n
as
.
.
oe
'
s
.
,
,
.
(N aple s 1 84 9 ) (R e li gi o u s P o e m s ) E ast e r D ay I I Spirit (Po e ms o n Life an d Du ty) Be thes d a a S e q u e l
n
/o
on
.
.
Parti g (E arly P m ) ta za 3 —4 dv {Sm P ms) t z as 3 (R ligi /or
o
e
.
e
e
o
7
.
.
sa u r ae
e o
o
e
s
oe
u
u
o
e
,
a
us
c
e
s
oe
a
)
a
.
.
se n
n
s
on
ou
u
,
.
oo
e
3
5
o
an
a
u
r
s
oe
e
s
ous
,
s
oe
n
s
,
.
s an
-
5
.
,
,
.
FIVE CE N T URIES OF E N GLISH VERSE
29 8
l ighte d l ake an d o n t he Te rrac e at Be rne Th o ugh t he sin o f mo no to ny c ann o t b e ch arge d ag ainst hi s ve rse n o t Such as s o un d ar e all s o l e mn m any ke ys ar e t o uch e d an d auste r e The n n o Matthe w A rn o ld Cu l t has a ris e n N o c o ngre g ati o n h o we ve r minut e o f r e ve r e nt disc i p le s g athe rs t o g e the r in his n ame Pe rs o ns o f re fine m e nt a d mir e The y nur s e t he e m o ti o n in th e ir o wn b re asts The y fe ar t o vu l g ariz e it by pub l ishing it abr o ad T he c o ntr o ve rsi al f a m e whi ch he acqu ir e d in t he c o nc l u di ng s t age s o f his c ar e e r has its e lf in a w ay acte d ad ve rs e l y T he s e nti me nt o f his e ss ays w as th o ugh in t he bi tt e r with o ut t he s we e t akin t o t h at o f his ve rs e In l atte r d ays his p o e try o fte n appe are d t o b e re g ar de d as an appe n d age t o his e ss ays r ath e r th an th e y t o it Of t he l imit ati o ns in f act t o his p o pul ari ty the re c an The y we r e ne c e ss ary re sul ts o f his wh o l e b e n o qu e sti o n h abit o f m ind H e had an e xce ssive te n de ncy t o w ar ds c o ns ide ring t he p o e t a pre ache r t o war ds ch anting h o mi l ie s o n t he lo w a ims an d p u rsui ts o f m o d e rn s o ci e ty its tins e l its e arthi ne ss H e l ai d hims e l f o pe n t o t he r e p ro ach o f p aradi ng as a di sc o ve re r o f t he h o ll o wn e ss o f l ife H e w as pr o ud o f be ing t hr o ugh his h o n e sty a h o m e l e ss wan de re r f o r l o rn f ro m t he he arth o f o rth o d o xy S o m e tim e s he phi l o s o phiz e d wh e n he o ught t o h ave be e n singing Ofte n his tho ughts pre ss e d fo r ward so e age rly as t o thr e ate n t o sti fle o n e an o th e r N o t m e re l y ar e his p o e ms u nre l ie ve d by a sing le fl ash o f g aie ty the y ar e n o t l ight e d by a sp ar kl e L ast l y an d m o st d e tri m e nt all y he insiste d up o n of j oy p e rh aps c o u l d n o t h e l p m ixing t he wo r k o f t he critical with th at o f t he c re ative fa cu l ty H e wo u l d sit in j u dge m e nt up o n t he purity o f his o wn inspir ati o n up o n t he qu anti t y o f c an dl e p o we r o f t he t o ngu e s o f fi r e as th e y al ighte d up o n him On e an d all ar e he avy fe tte rs upo n f ancy ; an d as .
,
.
-
.
-
,
.
,
,
.
.
.
.
.
,
.
,
.
,
,
.
.
,
,
,
.
.
,
,
.
.
.
.
,
,
,
.
-
.
,
MATTHE W AR N OLD
299
such t he ge ne r al e ve n t he instruc te d pub li c has a l w ays fe l t th e m F o r an int i m ate circ l e the y e nh anc e r e spe ct fo r t he p o we rs w hich c an b u rst thr o ugh s u ch o bstac l e s T he drawb ac k s ar e fo r it t he e xal ting d e fe cts o f his Mus e s qu al iti e s H ad he n o t d e vi ate d int o pre achi ng w e s ho ul d it wi ll urge h ave l o st t he he r o ic dirge o f Rugby Ch ape l N o app e al in Chr ist s n a m e w o ul d h av e b e e n r ais e d in Pr o gre ss fo r symp athy with wh at e ve r F ait h r e ge ne r ate s H ad he n o t b e e n ap t t o c o nf o u nd phi l o s o p hi zing an d singing we might h ave be e n sp are d t he c ro ss graine d m e dit ati o ns o f E mp e do c l e s but sho ul d h ave miss e d t he l o ve l y inte rl u de s o n t he h arp o f Callic le s T hre e f o urths o f T he Bu ri e d Life ar e psych o l o gy r ath e r th an p o e try but with o ut the m w e had lest t he music o f t he c l o s e — t he su dde n p ause in l ife s distr acte d turm o i l ,
,
.
.
’
.
,
,
.
,
’
,
,
.
,
-
,
-
.
’
Wh n o u wo rld d af d a d d v ic c fal I by t h t n A b o l t i s h t b c k s m w h re i br t And l o st p l f f ling stirs g in i h h sink i w rd d t r t l s p l in a Th y d what w w u ld w e kn w ! A d w h t w m an w e ay A ma b c m s aware o f hi lif s w d h s s An d h ars i t winding m rm r un t h br z T h m ad o ws wh re it g lid s t h A d th r arriv s a l u ll i t he h t r ac e W h r in h d o th f v r ch s That flying a d l siv shad o w r st A a i f c o l ss p l y s p n hi f ac nwo nt d c lm p rvad hi b re ast A d A d t h n h thi ks h k o ws T h hills w h r hi lif r s And t h s a whe r it g o s -
r
e
s
e
e
a
n
e
e
e
n
e u
an u e
e
e e
e
s
e
e
o
,
e
s
es
e
ee e
ee
e,
.
e,
s
.
n
e,
o
e
1
.
B acch analia wi tho u t ,
e
e s
,
u
e
o
,
an
,
,
e
e
n
e
o
a e
a
e
o
,
o
e
a
ne
o
’
,
a
e
e
n
or e
e as
,
ea
e
u
e
e
a
an
,
e
r o
n
s
u
n
n
e
s
e
e e
fl
n o ur
e
n
,
s
e e
n
ar e ss
a
,
e
e
’
e
o
e
o
e
T he
a
n
s
’
ee
u se o
e e
r
c
e
o
a
o
a
n
ov
es o
o
s
cn
e
’
t he
r a mbl ing pre l ude w o ul d ,
300
FIVE CE NT URIES OF E N GLISH VERSE
h ave d anc e d fro m t he si l e nce o f de ath int o t he si le nc e o f l iving l ight An d t h p l in whe r t h d d ag D i d it w sil nt w r f r w ag O that w id pl in w w apt i gl o m W he r m y spl nd o r finds it t m b M ny sp nt flam s a d falle n ni ghts T he o t w imm rt al li g ht s Ris sl o wl y p int o t h sk y v rl sti gly T shin t h r Lik st ars v r t h b nding hill Th p c h nd t h wo rld i st ill Wi t ho u t t he vain e ffo rt in t he Epi lo gue t o Le ssing s L ao c o ii n t o m arsh a l t he arts in th e i r re sp e cti ve r an k s w e sho u l d h ave l o st t he n o b le t ri bute t o M usic Mis r r D min d a d th y T h w rds tt D p is th ir p ni te ntial m an Mi ghty th ir p th s b t t is g n ! B th v n t k s th m th n— tho s t w P o r b o nde d w rds — a d m ak s th m w I fin i te m ke s th m m k s th m y u g Transpl ants th m t o ano the r t o g Wh r th y o w wi t ho t c ns t raint P r ll t h s ul o f th ir c o m pl ai t c h nn l l arg A d r ll d wn T h w l t h di vine t h y hav in c harg Pag ft r p ag e o f m i c t rn And still th y liv d still th y b r P re n i al p assi n f ra ght a d f re Mi re r D o min Eve n w he n w e fe e l hi m str ai ni ng afte r an i de a e v a d e s hi s gr a sp a s in T he Str aye d R e ve ll e r t he te n dri l s o f fl o ating f ancy c l ing t o a hun dre d e nt ranc ing sc e ne s Ego tistic al is he ? If an y o n e is a l ic e ns e d e g o tist is n o t a po e t ? W e ary w o rn o u t bl as é t o o if he p le as e s o l o ng
n ot
’
e
o er
a
s no
’
e
an
e
a
a
a
e
ne or
e
e
e
e e
o
e
o
o
e
a
n
,
u
,
o
a
,
e
e
ou
e
a
a
o
n
o
a
a
ea
e
e a
n
,
e,
se
u
e
,
.
,
u n
e
u
-
,
e
e an
o
,
e
us
e
n
o
e
ne
ue ,
n
e
e
e
o
e
o
e
e
u
,
o
e
n
c an n
e
.
e
n
e
,
,
e
e e
ee
e
o
’
fl
e
’
e
a
n
’
o
u
,
er
a
e
?
s
e
e
o
.
e
o
e
ee
,
,
e
ar e u
ee
n
ou
e
s,
e,
o
a
e
e
e
e
e
o
e
e e
o
s
,
o
u
o
o
n
o
e
n
r
u
e
e
e
no
,
e
ea
a e
a
e
er
e
e
,
n
,
e
3
e
,
,
.
,
-
,
,
,
,
FIVE CE N TURIES OF E N GLISH VERSE
3 02
st o d a d nshin rain d th ir light a d m O t h p r c l mns f i t g l n b il t hall B ackw rd d f rw rd o ll d t h w v s o f fight R un d Tr y b t whil this s t d Tro y c o ld t f all
It
o
e
n
n
su n
u e
o u
,
a
an
e
oo
o
s
a
o
o
o
n
e
.
e
e
e
u
-
’
r
u
’
a
oo
e
u
,
lo v ly m o nlight liv s t h s l M nt ains s rr nd it a d sw t virgin ai C ld pl shi g p st it c rystal wat rs r o ll ; vi i t it by m m nts h t o rar W So , in i t s
e
ou
o
u
o
a
e
n
ou
e
e
.
ou
ee
r
;
e
,
o
s
n
,
a
,
e
,
no
a
,
o
,
e
Still d o th t he so u l f ro m i t s lo ne f astne ss hig h Up o n o u r lif e a ru li g e fil c e se nd And whe n i t f ail s fight as w e will w e d ie An d whil i t l ast w e c anno t who ll y e d ,
,
’
n
,
uen
,
e
,
,
s,
n
7
.
drama o f m an s inne r l ife as s e e n by Ar n o ld is It c o m me nce s a tr ag e d y in m any a cts w ith m any a ct ors w ith a str u gg l e o fte n t he p l aye r c ast fo r a l e ading p art ne ve r s e e s t he e n d ; o fte n it has n o e n d whe n the re is T he bitt e rne ss o f it all t aints a n y a lw a ys it is gri e v o u s He ine s gr ave in tri m Mo ntm artre T he
’
,
,
.
,
.
,
’
fl
H ark thro u gh t he all y re s unds Mo cking l au ghte r A film C re e p s o e t h sunshine a b re e z e R u f e s t he w arm aft e rn o o n S add ns m y so u l wi th i t s c hill Gi bing o f spiri t s i n sc o rn Mars t he b e ni gn ant r p o se Of t his ami ab l e ho m e o f t he d e ad ’
r
o
e
e
,
e
e
8
.
It had ro bbe d him l ivi ng o f t he s o u rce gift as a p o e t th at he miss e d
of
t he
one
supre m e
C harm t he gl o ry whi ch m ak s S o g o f t he po e t divi ; e
,
n
ne
9
p l ay s c l im ax m ay b e t he c at ast ro ph e such as fro z e int o e te rn al de sp air
T he
’
of a
mo me nt
,
fl
MATTHEW AR N OLD
303
t hat Lo rd Arund e l W ho s t ru c k in he at hi s c hild he l o v e d so w e ll And his c hild s re as o n ick d an d did d ie Painte d— he will d it — ln t h g all ry The y han g ; t he pi ctu re do th t he sto ry te ll ,
,
’
er
’
,
’
.
,
e
e
10
.
nc e asing ache l ik e t he ne ve r sti lle d wo r ld s o rr o w ing o f t aw ny thr o at e d P hil o m e l a E te rnal p assi o n E t rnal p ain ! Or it may b e o
an
u
,
,
o ld
-
n
e
Vainl y m an s e e k s t o ri o t hims e l f into fo rge tfulne ss o f t he h o llo wn e ss o f e xiste nc e as in t he d r e ar y r e v e lr y o f Myce rin us wh o s e so me tim s w nd ring s u l F r m t h l d j yf l l a ght r f hi li ps Mi ght shrink h lf s t rtl d lik a g il ty ma W h wr st l s wi t h hi dr am
,
,
e
o
e
ou
o
o
e
u
u
a
a
e
e
o
e
e
o
s
u
e
,
n
12
e
s
o
.
Equall y t o n o purpo s e wi ll he p l o t t o circu m ve nt his d o o m o f n o t hingn e ss by c o nd e mning himse l f t o t he grinding — we arine ss o f a l ivi ng d e ath t he Carthusi ans gl m pr f d Y s l mn s t s f h l y p ain ! ,
’
o o un
oo
e
o e
ea
o
,
'
o
13
b att le always is l o st be fo r e it w as fo ught A tim e w as whe n hum anity s e e m e d at l ast gr aspe d triumph antl y a s aving Faith
T he
.
li d l r
Oh, had I v e in t hat H o w had i t s g o y n e w ’ F ill d e a th an d he ave
My
r
’
r av i sh
spirit t
d
g re at d ay
n
,
an d
c au ght away
oo
s
w rld be l ng
N o tho u g ht that t o t he o H ad t o o ag a t t he av e Of o ve h ch se t so e e p an d
s
,
o
d ins w l w i d s tro g F r m C hrist s th n p n grav o
’
e
o
e
n
e.
to
h a ve
3 04
FIVE CE N TURIES OF E N GLISH VERSE
l n ly lif had p ass d t sl w Wh n I c ld h rly That w a ail d F rm wi th h ad d o p d lo w Up o n t h b itt r tr C ld t he M th r wi th t he C hild Who s t nder winni g art s H v t hi littl arms b gui l d S m any w nd d h art s W hil w b l i v d o ar th he w nt A d p n s t d hi g r av all d f r m c ham b r c h r c h a d t M t And Christ w by t s av Th at un te n ante d gr ave with t he visi o n o f H im w ho had asc e n di ng t o hi s He ave n t o pr e p ar e it o nc e l ain the r e in fo r m e n t u rn e d m any a c o nv u l si o n o f d e sp air as in t he a d o r a b l e st o ry o f t he Church o f B r o u an d i t s wi d o we d F o un d re ss int o ange l ic re sign ati o n— a r e sign ati o n o u t l asting l ife S sl p f r e v r sl p 0 m ar b l p air Or if y w ak e l t i t b t h n wh n f air O t h c arv e d w st rn f r o t a fl d o f li ght Str ams f ro m t he s tti g a d c o l o rs b ri g ht Pro ph ts t a figu d S aints a d M rtyrs b rav e I t h v as t w st rn wind w f t h nav t h p v m nt r u d t h t m b t h r gli n t s An d A c h q r w rk o f g l o wi g s pphir tints — d m t h y s t a r by t h n u cl s d a An t he st o n wh r y r po s Y r y lids d p ill o ws l ift y o r h ads A d f r m y r b id y r c ld whit m ar bl b e ds An d r ai y o t h warm r o sy tint s A d l ki g d w W hich ch q r at y r f t t h ill mine d i t — h i b liss f rgiv n What i t is 2 W a S ay B h ld t h p av m nt f t h c rts f H av n O l t it b e o a t mn n i g hts wh n rain D th r tli gly ab v y r h ads c m pl ai No
e
e
o
’
ou
e
n
ou
e
ou
o
s
e
ou
o
e
,
e
e
e
e
n e
,
oo
’
en c
e
e
e
e
o
n
o
n
o
e
r
e
o
e
e
a
e
,
’
ee
e
se e
e
o
se e
’
n
,
oo
e
s
,
e
o
e
as
u
,
o
en
n
,
,
14
e
.
,
,
,
,
,
,
,
ee
o
e
,
e
,
r
e
ue
e
e
oo
n
o
n
e
ue
e
o
r
e
o
‘
e
e
n
us
n
e e
o
e
,
e
n
o
e e
e
e
e
e,
u
e
ee e
e
e
ou
e
e
o
e
e
e
o
s,
n
n
o
,
,
u
ou
,
fl
e
e
e
,
re
e
o
u u
o
e
e
ou
s
:
e
o
n on
,
a
’
ou
u on
se
er
n
u
a
u
ro
,
e
e
ou
n
o
n
n
,
n
o
on
o
n
e
e
,
e
e
ou
o
o
-
su n
n
e
a
e
on
oo
re
ns
e
n
e
,
n
e
,
e
e
e
e
e
,
e
e
e
n
ee
e
o
,
n
FIVE CEN TURIES OF E N GLISH VERSE
3 06
c l o s e we always c an i m agine we he ar a d e l ive ry o f j u dge me nt o f d e c ay an d d e a t h In varying c a d e nc e s o f m o u rnfu lne ss s o bs o f pr o t e st r e c o gniz e d by t he victim as un avail ing ar e r ais e d ag ainst t he ine vi t ab l e b l an kn e ss The y ar e s ucc e e d e d at b e st by a cqui e sc e nc e in w o e b e y o nd c o mp a r e which l e ave s n o m o re t o suffe r W hat th o u gh thr o ugh o ut t he w h o l e w e ar e s e nsib l e o f s o m e affe ct a t i o n in t he gui l ty r o o f gri e f w hich d o e s n o t gri e v e — o f s o m e p o sitive e s p p t e r o u s pri d e in t he re m ar k ab l e e l e v ati o n o f s o u l w hi ch has e l e ct e d hi m t o b e a r e m o rs e f u l e xi l e fr o m t he Kingd o m o f F aith inste ad o f a c o m m o n c o mfo rt ab l e b e l i e ve r ! At all e ve nts a rtistic v a l u e s in t he pict ur e ar e intui t ive l y o bs e rve d ; an d t he p aint e r m o r e o ve r had a ct u all y p ass e d thr o u gh t he spiritu al e xp e ri e nc e s he p o rtr ays H e had int e rr o g ate d hum an n atur e ; p artic ul a r l y hi s o wn H e ha d r ans ac k e d l ibr a ri e s ; a lwa ys fo r his o w n mind s s ak e t o di scip line an d e nrich i t ; t o l e a rn w h at m ann e r o f b e ing he m ight h ave b e e n an d w as n o t o r w a s F o r him t he o n e thi ng w o rth und e rst an di ng w as t he c o mp l e x T o kn o w it he us e d o rg anis m o f m a n s h e art an d int e ll e ct hims e lf as s u bj e ct sc al p e l an d l e cture r His h abit o f id e n t ifying vi rtu ally t he fu ncti o ns o f wri te r an d cri t ic w as a n e c e ssity o f t he p o siti o n he assum e d W e c an c o nte m p l ate him diss e c t ing hi s inne r p e rs o n al ity n o ting ho w his s o u l whi ch o rigin all y had g l o we d with d e vo ti o n e xul t e d — in t he di sc o ve ry o f it s l ibe rty the n .
,
,
,
.
,
.
,
,
,
,
.
,
.
’
,
.
,
’
.
.
,
,
.
,
,
,
W d ring b tw n t w wo rlds Th the r p o w rl s t b b rn an
e o
e
ee
e
e
es
o
o
e
o
,
one
d ad e
,
19
,
waite d f o r l o rn in t he disc o rd o f c o ntr ary e nthusi asms h ar ass e d by rival c l aims t o all e gi anc e sc ar e d distr acte d s e are d b e numbe d ; an d fin all y whe n t he c o mp any l o st in t he st o rm ,
,
,
,
,
,
,
,
,
MATTHE W AR N OLD at
ni ghtf all
at
,
3 07
l st a
C m s t o t h e n d o f i t w ay m id t he r o c ks T o t he l o ne l y i Wh r t he gaunt a d t aci tu rn ho st Stands o n t he thre sho ld t he wind S haking his thin whi te hairs H o lds his l ante rn to sc an T h s t o rm b e a t figu re s an d asks Who m i n o r party we b ring Who m w hav e l ft i t he sno w 2 w as c o n te nt t o le t t he d o ubt re m ain un re s o l ve d e ve n by hi ms e lf w he th e r he wi ll b e o f t he r e mn ant t o w h o m t he que sti o n is put W he n n o w an d ag ain suspici o n a ris e s as I h ave s ai d o f a w ant o f ge nu ine ne ss in t he angui s h i t c an b e a d m it t e d with o ut t o o m uc h o ffe nc e t o t he h o n o u r H e is o p e r ato r th o u gh o n hi m se lf an d o f t he suffe r e r hi s pri m ary d u ty w as t o app l y t he knife T o fin d f au l t with hi s assu mpti o n o f t he d o ub le c har acte r is t o stri ke at t he b asis o f hi s intim at e p o e try ; an d wi th t hat w e c ann o t affo rd t o qu arre l — h T ake hi m as e is b o dy at o nce an d an ato mis t p o e t an d critic— an d study o f hi s wo r k wi ll b o th i nf o r m an d d e light Wh e the r he vivi s e ct his o wn s o ul o r an o the r s he hi m se l f r e m ains t he princip al o bj e ct o f in te re s t T he Sc ho l ar Gipsy is a picture sque visi o n o f t he le ge nd a ry be ing w ho had d o ffe d t he tr a m m e lli ng g o wn y e t c o ul d n o t t e a r hi ms e lf o u t o f h e aring o f Oxf o r d s s we e t j an g ling be lls a m o ng s
e
e
o
’
nn
e
,
n
e
,
-
e
,
u
e
e
20
‘
n
,
.
,
,
,
.
,
,
.
.
,
.
’
,
,
.
fl ,
’
.
t he
w rm g re e n m a
-
,
u f ed
C u mno r hills
,
?1
is d e p arte d T hyr sis in t he siste r idyll re d o le nt o f t he fr agr an t be auty ali ke o f Lycid as an d t he Od e t o a Gr e ci an U r n y e t di stinct fr o m b o t h B ut t he fin a l c ause o f e a c h i s t o e ch o Matthe w A rn o l d an d in e ach w e s e arch fo r an d d isc o ve r him an d hi s m o o d s B y ro n hi mse l f d o e s n o t l o o m So
,
,
.
,
,
.
U 2
FIVE CE N TURIES OF E N GLISH VERSE
3 08
l arge ly in e ve ry p o e m he wro te th an Ar n o ld in hi s T he m o r e i mpr e ssive t he p o e t an d his ve rs e t he m o re w e fe e l t he critic t he psych o l o gist an alysing c har a cte rizing e ve r y tissue e ve ry n e rve c e ntr e an d w e ad mi r e an d symp athiz e w ith b o th t he m o re H e w as b o rn a p o e t an d he had t r ain e d hi m s e lf t o b e a c o nsum m at e a r tist in w o rd s Mi l to n in t he ch o ruse s o f S am s o n Ago niste s has n o t e qu alle d t he fle xible h ar m o ny o f t he b l an k ve rs e o f Rugby Ch ap e l an d He in e s Gr ave T e nnys o n in t he S wan s de ath—s o ng sc arc e l y sur p ass e s D o ve r Be ach in t he music o f t he e b b an d I t s m l anc ho l y l o g wi thdrawing r o ar m o re
.
,
,
,
,
'
-
,
.
.
’
.
’
,
e
n
,
.
,
I am afr aid t o prais e l e st I b e accus e d o f e x agge r atio n t he pe rfe ct acc o rd o f h ar m o ny an d c o mp l aint in t he Fo rs ake n Me rm an s cry o f mi l d h o p e l e ssn e ss C hildr n t mi d ight Wh n s o ft t h winds bl o w Wh n cle ar f lls t h m nlight W h n s prin g tides a lo w Wh n sw t airs c m s award F ro m h aths t a d wi th b r m And high k s t hr o w mildl y O t h b la h d s ands a g l o o m Up t h still g li t i g b ach s Up t h c r ks w will hi Ov r b nks o f b right s w d b b tid l av s dry Th will gaz f r m t h s and hill W A t t h whi t sl ping t wn A t t h chu r ch o n t h hill id And th n c m e b ack d o wn ; S in ging Th r dw lls a l v e d B t cr l i h S h l ft l n l y f e v r T h king s o f t h ,
,
’
e
a
,
e
a
e
-
,
e
o
e
rr
s
nc
e
e
’
oo
s en n e
ee
e
e
e
e
e
e,
o
e,
ee
-
e
s,
o
e e
ue
e
ee
-
s
e
o
:
e
,
.
e
e
,
e,
e
u
e
e a-
-
e e
e
e
a
e
e
’
,
e
,
’
roc
e
oo
re
ee
e
n
,
e
e
‘
n
s s
o
e
e
o
e
or
e se a
e
’
.
23
,
one,
FIVE CEN TURIES OF EN GLISH VERSE
3 10 3
5 6 7
pl g
E i
o
ue
L e ssin
to
T he L as t W
o
rd
g
’
s
L ao
c
oon
en
n es a
a
u
n
on
ens n
s
,
a
en s
o
13
14 15
as
an
Hi Gr v A Pict r at N wst M yc i ’
9
1 9
e
a
an
e
e
1 °
u
1’
ea
e
e
e .
.
e
e ad
.
.
.
.
e
,
o e
e u se
a
e
e
e r n us
o
.
.
S hr b o
.
o
a
u
o
as
e
ou,
n
ea
an
o
e
o
an n
e
17
n
u
e
e
o
a
e ne s
.
,
.
an n
e
.
.
.
e a
Old
.
s an
,
n
o
.
i W ritt i K i gt G rd P ll d i m t z a 2 3 6 I b id Phi l m l St z fr m t h Gr d Ch rtr O c M r Ob rm T h Ch rch f Br 3 T h T mb Ob rm O c M r B ld r D d St z fr m t h Gr d Ch t R gby Ch p l D v r B ch
L
G r wi g
4
an
e
ar r e u s e , s t
.
71
.
23
15
a
an
d
Ru stu m
.
.
T he
T he
Sch l G ip y F k M rm o ar -
o rsa
en
s
e
.
an
.
R O B E RT B R O W N I N G — 8 1 1 889 1 2
LI T E R AR Y histo ry fu rnis he s m any e xa mpl e s o f pr o s e write rs who h ave e mp l o ye d the i r wits an d p e ns in d e ciphe r ing t he i r o wn t ho ugh t s an d e m o ti o ns S o m e a m o ng m any Cic e r o Marcus Aure l i u s St Augu stine Mo nt aigne ar e Pasc al R o uss e au Ste rn e pe rh aps Ce rvante s W e h ave t o s e arch be fo r e fin ding c l e ar p ar alle l s in p o e t ry I d o n o t m e an th at p o e ts d o n o t h abitu all y l ight up the ir o wn minds Th at is o f fo r t he de ligh t an d instructi o n o f t he publ ic B u t the y st art by l o o ki ng a he a d by t he e ss e nc e o f p o e try t rying t o p e ne tr ate into o the r min ds an d t e ll ing the m w h at t he y witho ut kn o wi ng it thin k The i r disc o ve ri e s o u tsid e the y c arry within At the ir l e isure the y t ake t he ir spo i l t o pi e c e s re p air ad d e mbe ll ish r e c o nstru ct an d give fo rth t r an sfo r m e d Matthe w Ar n o ld an d R o b e rt B r o w nin g ar e pro mine nt a m o ng t he G re at in Eng l ish ve rs e fo r b e g inning an d e n di ng Like all the y we re r e a dy t o g athe r o n the ir o wn gr o u n d sugge sti o ns fr o m e l s e whe re T he y v al ue d the m as m e re m at e r i al fo r the ir pe rs o n al use an d e n l ighte nm e nt So far t he t w o ar e al i ke an d y e t n o n e c o ul d di ffe r m o re in t he m anne r o f t he ir s e lf r e ve aling T he o n e is s o m e thing be twe e n hi sto ri an an d ad vo c ate t he o the r an inspir e d di arist T he o n e p assi o n ate l y n arr ate s an d c o mme nts p assi o n ate l y ap o l o gize s ple a ds an d de fe nds T he o the r re m e mbe rs c o mp are s fo r e s e e s s o li lo qui ze s an d is at o nce wh o ll y p e rs o n al an d as abs o l u te l y i mpe rs o n al A c o mple te .
.
,
,
,
.
,
,
,
,
.
.
.
,
,
.
,
,
.
,
,
,
,
,
.
.
.
.
-
.
,
.
,
,
,
,
,
.
,
,
,
.
FIVE CE N TURIES OF E N GLISH VERSE
312
di agr am
wo r k ing o f Bro wning s m in d might b e drawn fro m hi s m any succ e ssive vo l um e s Po e ts in ge ne r al re g ard the ms e l ve s as ap o stl e s c o m missi o ne d t o go o u t an d t e ac h Be ing distinctive l y a p o e t with a p o e t s i d io sy n He he did n o t r e fu s e t o le t his v o ic e b e he ard c r a sie s wo u l d n o t h ave de n i e d th at he r ath e r p re fe rr e d i t as i t s o un de d t o an audi e nc e B u t fo r t he p u rp o s e discipl e s had The y had t o l iste n as with t o b e at h o m e w ith him e nti re disp assi o n ate n e ss he c o nve r s e d with hims e lf al o ud His p ri m a ry o bj e ct w as t o te ll hi ms e lf wh at fr o m d ay t o d ay he th o ught If re ade rs in ge ne r al did n o t fo ll o w he might re gr e t it o r n o t T he accid e nt di d n o t l e a d hi m t o c hang e t he fo r m o f his m e m o r and a W ith this c o nc e pti o n anyb o dy w ho is sinc e re l y anx io us t o pr o fit by him has t o b e gin His w ay w as t o b e fo r e ve r ch asing o ve rt aking c atchi ng at t he sh ad o w o f an i de a flitting aro un d o utsi de it might b e by ch o ic e within H aving gr asp e d it he wo ul d o r d e r f re que nt l y t o rt ure it Whe n t he thing un accust o m e d t o de c l ar e its subst anc e t o b e thus ru d e l y c ate chiz e d st o o d mut e he s e t t o w o r k i mag ining all p o ssibl e be ings it mi gh t b e On e by o n e he he l d the m up b e f o r e it t o se e whe th e r the y re c o gniz e d k insm anship Ofte n he w as l e ft c l aspin g sti ll an in v e t e r at e l y u nsubst anti a l sh a d o w H e had t o c l o th e it with fle sh an d b l o o d f ro m his o wn l arge w arm b re athing ve r y hum an s o u l F o r t he pub l ic w h e n at a l o ng l ast it c a m e t o b e inquisi t ive ab o ut him fo r stud e nts an d discip le s fro m t he first an d a lw ays th at w as t he su m o f t he w h o l e T he ve ry dive rs e c l ass e s o f his u lt im ate re ad e rs we re c o nte nt if at tim e s be wi l d e re d th at it sh o u ld b e so The y wan de re d in t he g ard e ns o f hi s sp aci o u s n ature sur ve ying it thro ugh wh at we re b ars fo r m o st o f th e m afte r t he m anne r o f ’
t he
of
.
’
,
.
.
,
.
.
,
,
.
,
,
.
.
.
.
,
,
,
.
,
,
,
,
,
.
,
,
,
.
,
.
.
,
,
,
.
,
,
,
.
,
.
,
,
,
FIVE CE N TURIES OF E N GLISH VERSE
3 14
s ake o f a rhym e o r rhythm T he y h ave b e e n s ai d t o b e c ap ab l e o f l e tting a rhym e intr o duc e a th o u gh t B r o wning wo ul d h ave sc o rne d t o give up t he l e ast p artic l e o f an id e a H e n e ve r sc ru p l e d t o m anu at t he d e m and o f di cti o n f acture te r ms an d phras e s as c l o t he s fo r an id e a R athe r t h an suffe r rhyme t o l e a d th o ught he c o ine d rhym e s al s o H e m ay s e e m t o b e pr o l ix Ag ain i t is tho ught w hich is t o b l ame ; s o m e i de a wi ll h ave had t o dis e nt ang l e its e l f p ainfu ll y fr o m e ncumb e ring m atte r o r it is gr o wing an d ne e ds a d di tio n al rai m e nt in t he s hape o f sp e e ch Its p are nt ne ve r d re a mt o f re fusin g so n atu ral n e c e ss ary e ve n l au d abl e an d d e c e nt a de m and T he Ring an d t he B o o k r e p o rts in fo ur v o l um e s a c ri min al tri al Th at is t he p o e m s o u tw ard gui se T he re al ity is a mic r o sc o pic an a l ysis o f t he l ife be ats o f a gr o up o f h e arts Me asur e its right t o t he sp ac e n o t by t he c rim e n o t by t he he ar t s b u t by t he pu l s ati o ns o f t he re p o rt e r s b rain an d t he r e is n o t a p age t o o m any Vo l umino u s if n o t d iffu s e r u gge d a n d h arsh n o t c are fu l t o re nd e r t he id e as he — e u e i e s pre m e l y p riz d nt lligibl much l e ss p al at abl e — t o t he o r di n ar y Eng l ishm an he st ands in t he m a ss o f hi s w o r k al t o g e t he r ap art b o t h fr o m his c o nt e mp o r ari e s an d hi s p re d e c e ss o rs With all the ir vari anc e s an d c o ntr arie ti e s t he s e ve r al sc ho o l s o f p o e t r y m ay b e s aid at l e ast t o h ave a gre e d as a ru l e up o n a m e a sur e o f c o mp l im e nt ary re sp e ct fo r t he un de rst an di ng o f the i r p u b l ic Fo re m o st a m o ng t he fe w di ssid e nts st ands t he au th o r o f S o r d e ll o Cal ib an u p o n Se t e b o s Princ e H o he n st ie l Schwang au R e d Co tto n N ight c ap C o un t r y F ifin e at t he F ai r The I n n Al bum J o c o se r i a P ar le y i n gs with Ce rt ain Pe o p l e La Saisi az t he t w o Po e ts o f Cr o isic an d As o l and o N o c harg e c an b e l o dge d against hi m o f havi ng p an de re d t o t he p o pul ar t aste o r i gno rance .
.
.
.
,
.
.
,
,
.
,
,
.
,
’
.
.
-
.
,
’
,
.
,
,
,
,
,
,
,
.
,
.
,
-
,
,
-
,
,
,
,
,
,
,
.
.
,
RO B ERT B RO W N I N G
315
c o mpl ac e ncy with whic h he l au nc he d up o n l ite r at ur e t hi s rapid succ e ssi o n o f c o nun drums e nr age d t he c o nte mp o r ari e s o f t w o thi rds o f his c are e r H e ne ve r appe are d t o b e aw ar e o f t he s ho c k s he w as a d mi n ist e ring Hi s g e n e r al unc o uthn e ss s e e m e d t he m o re aud aci o us in t he f ace o f a s t o r e o f m o st tun e f u l o cc a si o n a l p o e ms with w hich he inte rsp e rs e d his h abitu al e xp e rim e nts up o n t he e nduranc e At wi ll he sh o w e d that w he n he ch o s e n o ne o f r e a d e rs c o u l d b e m o re m e l o di o us th an he B y t urns he w as ge ntl e an d fie ry able t o uns e al t he fo u nt ain o f l au ghte r an d t he f o unt ain o f t e ars H e w as m aj e stic te rrib l e simp le — — o e te nd e r e ve n t i mp o stur if hungry c o nte nt wi th a pro fo und tho ught be ne ath t o b e j u st gr ace fu l With t he s e ns e up o n us o f t he wo r k s by whi ch app are nt l y he m e an t his n am e t o l ive w e ask n o t s o much w hy us u all y he c l ashe s t he harp stri ngs as w hy t he psych o l o gist t he m e t a physici an has sud de nl y str aye d int o abs o lu te singing W as he m o ve d by c o mp assi o n fo r t he b e wi l d e re d an d d az e d M ay cri t ic 2 W as he hims e lf we ary o f un tune fu l ne ss it n o t h ave b e e n th at t he m u sic always un de rl ay t he phi l o s o phy th at t he phi l o s o phy w as always re ady in — f avo uring circumst an c e s t o bre ak int o s o ng th at l ife s sc o wl o f c l o ud hi d e s b e hind it sple ndi d a st ar 2 I h ave be e n g l ancin g thr o ugh t he lyri cs sc atte re d o ve r m any vo lu m e s I t wo ul d b e h ard t o s ay wh e re e l s e c an b e f o und a m o re abs o l ute c o m bin ati o n o f th o ught s e ntim e nt rhyth m — o r whe re m o re vari e ty In The Lo st Le ade r I re ad re pr o ach a m aze m e nt r e vo lt h o p e th at he t he r e ne gade in fighting t he a dmi r a t i o n fo llo we rs he has de se rte d will ke e p all t he p ro we ss w hich had w o n the ir wo rshi p — th at he wi ll re pe n t in de ath— b e — o the ir s o nc e m r e in He ave n fo r the y l o ve hi m T he
-
.
.
.
,
,
.
,
.
,
,
,
,
,
.
,
,
,
-
,
,
.
‘
,
,
’
,
‘
2
,
.
,
.
,
,
,
,
,
,
,
FIVE CEN TURIES OF EN GLISH VERSE
3 16
n v r c m b ac k t o The r wo ld b d bt h si t ti n d p ai F r c d p rai e p rt — t h g limm r f twilight N v r g l ad c fi d nt m r i g ag ain — h f h i m B st fight w ll strik g alla tly w ta g t h rt w m t r hi M nac w Th n l t him r c iv t h w kn wl e d g a d wai t Pard o d i h v t h fir t by t h thro n Bi t te r hu m o ur in T he S o l i l o qu y o f a Sp anish Cl o iste r b l as t s T he s o l i l o quy is a m icr o hyp o crisy hiding u nd e r a c o wl It is an e n t i r e p l ay w hich s u ms up t he p assi o ns o f co s m r a ving in a pe tty m o n aste ry insid e u n i ve rs a l hum anity T he j o y o f s e tting a tr ap t o c atch s ain tl y a p e tti e r br e ast Bro the r L awr e nc e T h r a g r t t xt i G al at ians Onc y tri p i t ntails Tw nty nin distinct d amnatio ns su r if ano th r f ails O I f I t ri p him j s t a dyi g S r f he av e n as su r a b e Spin him r o d a d s nd him flying Off t o h ll a Mani c h In ano th e r spirit we ari ne ss o f t he yo ke o f l ibe rty be c o m e s be n d me lo w l i ke a hymn t o a Gu a r di an Ang e l t o G u e r c in o s pictur e d chi ld at F an o hi m y hands to g t h r a d lay lik And lift th m p t p ray a d g ently te th r M as T hy l am b t h r wi th t hy g arm e nt s sp r ad Or d e fi anc e is hur l e d at D e ath — F e ar d ath I t o f e l t he fo g in m y t hro at T h mis t i m y f ac Whe n t h sno ws b gin a d t h bl asts d no t I m n ring t h p l ac e T he p o w r o f t h nig ht t h p re ss o f t he s to rm T he p o st o f t he fo e W h re h t d t h Ar ch F ar i a visibl e f o rm Y e t t h s t r o g m a m st g Le t him
e
o
u
e
s
o n o ur
e
e
e
on
e
ne
ea
n
,
an
n
e
o
,
u
e
as e
e
e ne
s o
o
n
,
n
e
s
e
,
,
n n
e
en
o
e
o
e
us
a
a
ere
e
e
e
,
or
,
ea
e
e
o
e
e
e our
e
ou
on
e
e
e
n
u s,
e
3
e
'
.
.
,
,
,
.
e
e
’
ea
s
ou
e
ne
n
on
e
,
e
-
e
e
,
e
e
-
u
n
,
e c
u e o
un
e
,
e
n
,
n
4
ee
,
,
’
n
u
e
e
,
o
s,
e
n
,
‘
e
’
e
a
e
e
e s an
s,
e
e
n
,
e
ea
e
e
.
e,
e
e
5
,
n
e
,
e
e e,
e,
e
,
e
,
e
,
e
e
n
e
n
n
u
,
o :
fl
FIVE CE N T URIES OF E N GLISH VERSE
318
husb an d s g l ad ch o ic e — whe n bi d fix his o wn re ward fo r t he re sc u e o f Fr anc e s s o l e sur vi ving e e t— o f o n e d ay s c o mp any o f his wife as suffici e nt gue rd o n A
’
’
A b e am o f f o tb r k O t h b ard e d m o t h t hat s p o k As t he ho st h art l a gh d thr gh Tho s f ran k y s f Bre to n b l S inc I n ds m st ay m y y Si c b rd t h d ty d n An d f ro m Mal R ds t C r isi c P i t wh t i i t b t S inc t i a k d hav I m ay S i c t he th rs g asho r C m A g o o d wh l e h liday L av t g m y wif wh m I c ll t h B ll A ro r d That h ask d a d that h g t — n thing mo re un
e
n
u
u
ne
e
e
u
e
ue
u
oa
n
o
an
s
s
e
o
e
e
o , an
o
e
e
A Parting
w
,
e,
o n
o
a
,
u
s
a r un
,
e
o
e,
se e
o
e
n
,
,
o
o
o
e
s
o
e
e
’
u
e
o
e
sa
s
oa
e on
ou
e
o
ee
’
e,
e
e
n
e
o
e
’
i t h s e as
to
R o u nd t he c ap e
o
e
e
a
divi d
e
8
o
,
u
e
.
— e
an
d,
p e rh aps
fo r
,
e
ve r
s dd n c m t h se a im th un l o k d v r t h m nt i str i ght wa a p ath f g ld fo hi m t h n d o f a wo rld o f m e fo m
An d
e s
An d
of a
o
e
a
An d
e
u
o
e
e
e
o
a n s r
r
o
ee
,
’
ou
e
s
e
a
,
e
r
n
9
.
A pro te st in t he pre s e nce o f d e ath ag ainst a m e asur e m e nt o f t he right t o l o ve by Ti m e s j e alo us mi le st o ne s ,
,
’
l v dy
ve lyn all t he while M y h art se e m e d f u ll as i t c o ul d ho ld The re w as pl ac e a d t o spare fo t he f ran k y o u g smile An d t he r e d y o u ng m o u th a d t h hair s y o u g g o ld — h h s I will giv e y o u this l e af t o k e p So S e e I shu t i t i sid t h sw t c o ld ha d Th re that is o u se c r t — go t o sle e p Y o u will w ak e an d re m e m b e r a d u nd e rs t and
I
o
e
ou,
E
,
;
e
n
r
e
u
’
e
n
,
,
n
n
, .
e
,
,
n
,
r
,
e
e
ee
n
e
,
10
n
.
— ps alm o f m ar ri age B y t he
And l ast l y a l o ve l y Fire si de — w he r e p assi o n an d t e nd e rn e ss b l e nd int o o n e an d tr ans mute t he still aching ago ny o f unce rt ainty in t he wo o ing ,
,
,
RO B ERT B RO W N I N G
3 19
d h w m c h it i littl m r A d t h l itt l l ss a d w hat wo rlds w y H w a s o nd s h ll q ui c k n c o t nt t b liss b r ath s sp nd t h b l o d s b st p l y O — 1 p r f f this A d l if b h appy p rid T t hi n k h w li tt l e I dr am e d i t l d b le t that by it id T o a ag Y o th ms t h w t inst d Eve ry l yric e ve ry idyll has its pro b le m t ho u gh m e rge d in an und e rcurre nt o f m e l o d y so be witching th at n o ne ar e Abt Vo g le r o f music al re no wn o b lig e d t o e xp l o re b e l o w d e fie s p o e t an d p ainte r o n l y hu m an wo r ke rs n o b le as ar e the ir arts t o rival hi s w he re i t h fing r o f G o d a fl a h f t h will t h t a E xist nt b e hi d ll l w t h t m ad t h m d 1 th y a A d I kno w o t if s av i t his s c h g ift b all w d t o m Th t t f thr s ds h f ram o t a f o rth s und b t a st r C sid r it w ll ac h to o f sc al i i ts lf i n ght — h It i h i t v r yw r w rld lo d s ft a d all i said G iv it t o m t I mix i t wi th t w i m y t ho g ht d s c nsid r a d b w t h h ad An d t he re ! Y e hav h ard An d at t he he ight o f his e xul t ati o n t h pa l a c f m si c I r ar d I t i go Oh, t he
e
e
n
e
e
r a
a
e
n
e
a
o
’
o
e
e
oo
e a
e
n
s
n
,
u
e
u
o
a
u
o
e , an
o
,
a
e
,
1
o
e
o
e
o
e so
n
u
e
s
as e
e
se e
s s
,
12
ea
.
,
,
,
e,
.
,
,
,
,
,
s
e
e
e
n
on
ou
ee
e
e
n
e
o ur
u
o
o
,
o
e
,
ne,
s
re
an
s
,
,
a
u
.
ou
n
s
u
o
e
,
e
o
e
,
n
e
n
een :
an
e
o
n
c
0,
,
u
e
o u se
e
an
e, n
ne
e e
e
e
a
e
u
,
o un
e
:
e
n
e
e
a
s,
e
,
o
e
s e
a
o
s
,
a
n
n
a
,
e
e o
e
o
n
u
e
e
e
W ll it i arth wi th m sil c r s m s h r ig I will b p ti nt d pr d d s b rl y cq i s c Giv m t h k ys I f l f t h c o mm n c ho rd g in S lidi g by s mi t ne s till I sink t t h min r — y A d I b l un t it i t a i nth d I s t and o li gr d S rv yi g awhil t h h ights I r ll d f r m into t h d p W hi ch h rk I have d r d a d do n f my r sting pl c i f nd T h C Maj r f thi l if sl p o w I will t ry t T o t he g l o ry o f his l ife t he Musici an s e e s an e n d ; whi l e d e at h th re e c e ntur ie s e arl i e r l e ads t he triumph o f t he Gr a m m ari an I k no w fe w p o e ms in whic h t he r e ad e r e
a
e
e
e
e
o
n
e
,
e
ee
.
e
n
n
a
ou
an
e
e
n
u
en
e
s e
,
or
e
s
,
e
e :
e
a
e
u e
o
n a
e
e,
n
e
a
,
en
or
.
a
,
e s,
oun e
o
,
ee
e
so , n
o
,
.
e
o
o
n
er
e
an
e
a e
o
o
o
,
e
,
o
an
,
n
o
,
e u
e
a e
ee
13
.
s
ou
,
E N G LI S H VERSE
FIVE CE N T URIES OF
3 20
p re s e nt with t he p o e t in t he acce ss o f inspi r a ti o n W e fe e l hi s succ e ssive thr i ll s o f jo y as he c l imbs s t e p by ste p with t he ad o ring sch o l ars u p t hr o ugh t he d ust o f burie d l e arni ng int o t he pur e e the r o f r e b o rn He lle ni s m L e t s b g in a d c rry u p t his c r p S inging t o g th r Le av w t h nl tt re d pl ain it h rd a d c r p S k w s p l t re O a t all m o nt ai c iti d t t he t o p C r wd d wi th c l tur All t h p k s o ar b t o n t h re st xc ls Cl ds v r c o m it y nd r sp rkl i t h c it ad l s N Cir c ling it s mmit T hi ther p th li w ind w p t h he ights W i t y t h war ing 7 t h l v e l s a d t he ni g ht s Ou l w l if w f t h m rning H Ste p t o a t n s q ar c h st re ct e ac h h ad War t h b h lde rs T his i o m st r f am o s c lm a d d e ad B o rne o u h ld rs H e was a ma b rn wi th t hy f ac e a d thro at Lyri c Ap o llo L ng he liv d nam l ss h w sh ld spring tak no t W inte r w l d f ll w Till lo t h l ittl t o ch a d y o th w as g o n C ram p d a d di mi nish d M ane d h N w m as r s th r f e t an n My danc i finish d 2 that s t h w rld s way (k p t h m ntain id N M k f t he city H kne w t h s i gn al a d st pp d n wi t h p rid Ov r m n s pity L ft pl y f w rk a d g rappl d wi th t he w o rld B nt e sc ping W hat s i t h s c ro ll qu th he tho u k e e pe st fu rle d S ho w m th ir shaping
c an
b e m o re .
,
u
a
n
e
e
e
e u
e
e
e
u
n
n
ea
o,
o
u
e
,
o
e
a
r
s
as
’
e
u
s
e
e
a
e
o
e
or
a
or
e
’
n
o
,
,
.
e
o
u
n
u e
,
e
’
o
e
e
n
e
e
e
e
o
e
n
e
o
,
‘
’
,
e
,
ee
’
e
e
a
on
e
o
s
,
,
ou
e
,
e
e
e
o
:
e
e
e
n
n
e
,
a
ou
r s
u
e
o
,
n
e
’
e
o
e
e,
s, e
u
ou
o
.
o
e e
e
n
e
,
o
’
o
e
e
,
’
e
e
n
e
n
u
n
o
.
e
e
e
’
e u
e
or
a
ur
s
e
e
u
e,
’
e
e
e
e
e
o
e
es
a
o
e
s
o ur
n
,
e
e
a
e
o
u
,
e
u
u
s
ou
.
s
e
o
e
e
e
e
ee
se ,
o
o
,
,
ou
-
e
s
e,
FIVE CE N TURIES OF E N GLISH VERSE
322
d si gns m s t cl o s i l ik e ff ct s L ftily lying L av him— still lo fti r than t h wo rld su sp cts Li ving a d dy ing Lo fty
e
u
e
o
e
e
n
e
,
e
e
e
e
,
0
14
n
.
Wh o l e l ibr ari e s o f t he r e sul ts o f G e rm an re s e arch p ati e nt as t he Gra m m ari an s o w n — c o u l d n o t re fle ct t he e cst a sy o f t he R e n aiss anc e t he m agic o f Go l d e n Age s Pe ric l e an Augu st an c o m e b ac k t o an a m az e d ro ugh he w n G o t hic wo r ld— c o ul d n o t re pre s e nt t hat wo rl d s de bt t o t he h e a r l y m ar t r s o f l e a rning a ns o i r s a u b o w e h a l s C t e c S y g i m m o l ate d l yric yo u th g o wn e d m anho o d b al d hydr o ptic o ld age d e a d fr o m t he waist do wn b attl ing with t he e xpiring r att l e o ve r a d u e s e tt l e m e nt o f t he e nc l i t ic de a t e nth p art a s inte ll igib l y as t he hun dr e d an d fif ty tr u mp e t ing l in e s o f this fune ral c hant An i de a is always s o m e whe r e in e ve ryt hing B r o wn ing wr o te T he vari e ty o f fran kne ss o r t he r e ve rs e with which it r e ve al s o r diss e mbl e s its e lf is inc al c u l abl e S o m e t im e s as in a Lo st Le a d e r Abt Vo g le r a Gr a m m ari an s Fu ne r al he m o r e o r l e ss full y u nf o l ds it Fre que nt l y t he e xp l an ati o n is at h and a l itt l e be l o w t he s u rf ac e ; just b e l o w as t he accum u l ati o n t o Martin R e lp h s re m o rs e fo r his d ast a rd l y tr e ach e ry th a t t he s e cr e t o f his crim e — w ith — its pric e is s afe a t o rtu ring He ll in his o w n b o s o m Y w r t ak n ab ack po r b y th y rg t o r g ain o t im y r wi t s B id s i t had m ayb c s t y l if Ay t h r i t h ap that ’
,
,
-
,
,
,
’
,
,
,
,
,
,
,
,
,
,
.
,
,
,
.
,
’
,
,
,
,
,
.
,
,
’
,
,
,
ou
e e
e
o
,
o
’
e
,
u
e,
e
n
e
ou
es
e
e
fits ;
o
ou
e
’
.
,
e e
s
e
c
15
j u st b e l o w as t he c o mf o rt t o Hos e yn fo r t he l o ss o f his in v incible m are Mu lé y k e h th at he al o ne h o lds t he c l u e t o he r l as t vict o r y ; th at n o n e b u t hims e l f und e rst ands ho w pri de in he r pe e r l e ssn e ss c o u l d l e ave he r t he r o bbe r s r athe r t han ke e p he r sh a m e d ,
,
,
’
RO B ERT B RO W N I N G
323
ll And t h y j r d him P r Hos y i c r z d p s t h p a d g ht hims lf hi r i i f rt n s spi t 2 H w ls h d h w w r a t sk fo a b o y girl T h v sim p l y h ld t h t ng y d lik a an t lo pe An d h r w r M léy k h ag ain t h f hi b r as t by ni g ht T h c hild f hi h r t by d ay t h wi f Y w pt H os y n v r hav l v d A d t h b te n i s p d m y P rl Equ ally o fte n w e ar e l e ft t o gr o p e ab o u t fo r an ans we r as 17 in Cl ive W e c an b u t i m agine p o ssibi l itie s w ith a s e l f t o rm e nting te mp e ra m e nt l i ke his He r e he w as aft e r thi r t y ye ars o f g l o ry br o o ding sti ll with a shu dd e r o n dis gr ace which mi ght h ave b u t had n o t be f alle n hi m in Such a n atu re wo u l d find t he p ro spe ct o bsc u r e b o yho o d o f o b l ivi o n l e ss int o l e r ab l e t han an o ld age o f e a s e an d I be l i e ve a thr o ng o f t hat a n d o t he r a s r an kl ing m e m o ri e s that t he g allo p fr o m Ghe n t t o Ai x n e ve r had an y sp e cific hist o ric al fo u nd ati o n t hat it is a p ar abl e o f t he e ss e n t i al gr an de ur o f hu m an e ffo rt hum an s a crific e with o ut re g ar d t o t he o bj e ct ; o f t he tr u t h t hat u nsp aring e n d ur anc e is n e ve r w aste d tho u gh the re b e n o g o o d n e ws n o ne ws at all t o b e g o o d o r b ad Whe t he r B r o wning ind u l ge d o r b aulke d t he c ur i o sity o f his a d mire rs o ve r a puzz l e had n o thi ng t o d o wi t h the i r c o nve ni e nce It d e p e nd e d who ll y upo n his o wn A c o m n s at io n is th a t he r e g a rd e d th e m s o l it tl e a s t o h a ve n o e p s hyn e ss in t hinki ng in publ ic H e wo u l d h ave mind e d as l i ttle had he kn o wn th at t aking t he s a m e l ibe r t y wi t h his wo r k t he y pre s u m e d t o c o mp le te an u nfinishe d pictu r e ; t o i m agine fo r e x a mp l e t he Pi e d Pip e r k indly t o t he c hi l dre n as he had b e e n ve nge fu l t o t he ir sh arp d e al ing e l d e rs p l aying e te rn al w o nd e rf u l m u sic t o t he tr o o p in g ard e ns o f F airyl and W h r w t rs g sh d a d f r i t tr s g r w A d fl w rs p t f r th fair r h A d v rythi g w str g d w e
a
o
a
e
e
o
one
ee e
e
e
e
e
e
e
e
u
e
o
n
e
ro u
e
e
ea
s
u n
e
a
e e
e
a e
s
n
n
u
o
e
e
a
’
n
o
e
o
e
‘
e
or
r
e
e
ee
,
e o
e
,
n
’
e
,
ea
s
ea
e
ue
o
e
oo
a
n
,
e
,
e
s
ou
n
e
e
e
1“
.
,
.
.
,
,
,
,
,
‘
.
.
,
,
,
,
,
.
.
.
.
,
,
,
,
,
-
,
,
e e
n n
a e
o
e
e
e
u
u
n
e
o
as
n
a
an
X 2
u
e
e an
-
ee
e
ue ,
ne
.
,
FIVE CE N T URIES OF E N GLISH VERSE
3 24
It is t he s a m e thr o ugh o u t B r o wning w hi l e he might b e s u pp o s e d t o inte nd n o thing but a s o ng w as thin k ing In r e turn w h e n m e dit ating he an d o ft e n p r o f o u nd l y sti ll s ang It w o u l d b e i dle fo r m e t o ass e rt th at in his wo r k o u tsid e his idyll s an d l yrics m e l o dy is t he prim ary a ttr ib u t e w hich a r e a d e r o bs e rve s N e ith e r is it s e nti m e n t T he e ar d o e s n o t in S o r d e ll o in P ar ac e l sus give by d rin king in t he m u sic t he sign al fo r t he h e art t o g l o w B ut wh ate ve r he wr o te w as p o e try N o ne c o u l d e ve r mist ake a d o z e n l ine s o f his fo r pr o s e I w o u l d e ve n go s o far a s t o s ay if a c o mp a ris o n had t o b e a tt e mpt e d th at whe n he is n o t m aking e xpe rim e nts in m e tr e o r o n t he fo r b e ar anc e o f his a d mire rs hi s ve rs e fo r inst ance in Christm as E v e an d E aste r D ay La Sai siaz o r P ar le y i n gs c o u l d b e s ho wn t o b e m o r e abs o lu te l y distingu ish ab l e r hythmic all y fr o m pr o s e th an In a Ye ar o r H o m e T ho u ghts fr o m Abr o a d an d F r o m t he Se a H o w v a ri o u s t he b l an k ve rs e is an d ho w str o ng H o w it s e e ms t o h ave spr u ng rip e an d fu ll fr o m t he b rain o f p o we r ! T he th o u ght st ands o u t fr o m it as t he m u sc l e s in a st atu e by Miche l Ange l o Int o a s e nt e nc e it c an c o nd e ns e m o r e t han c o u l d b e e xpr e ss e d in a p age o f pr o s e It c an t ak e a s e nte nce o f pr o s e an d dr aw fr o m it a h u nd re dfo l d t he m e aning Singul ar m e rits ; an d as singul ar d e fe cts ; t he d e fe cts an d w it h gr e atn e ss in b o th T he o f t he wr it e r s qu al iti e s s e lf c o m m un ing in p artic u l ar which l i e s at t he b asis o f H e wo u l d h ave re j o ic e d all hi s w o r k ha s its d r aw b a c k s T he re t he h abit o f e sp e ci all y t o s hin e a s a d r a m atist di al o gu e u n ce asm g might h ave be e n e xp e cte d t o b e p e cu liar ly v alu ab l e o n t he c o ntr ar y it m ars t he an d t he re e ffe ct o f his m o st pr o mising e nte r pris e s It re n de rs the m fu ll o f inte re st as p o e ms it pu she s f at ally int o t he b ac k gro u nd t he acti o n w hich is e ss e nti al t o a pl ay s s u cce ss .
,
,
,
,
,
.
.
,
,
.
.
,
,
,
-
.
,
.
.
,
,
,
,
,
,
,
,
,
,
,
.
,
,
,
.
.
,
.
’
.
-
,
.
,
.
,
,
.
’
.
FIVE CE N TURIES OF E N GLISH VERSE
326
l r k l i ke s o ngs— n o t t he l e ss h appy fo r he r r ags— b y t he vi ll a which h ar b o u rs squ al id a d u l te ry an d murd e r w i t h r e m o rs e as squ al id ! N o whe re i n t he s o ci e ty o f hi s ve rs e is th e r e r o o m fo r te di u m W e fe e l hi s m e dit ati o ns t o b e b e tte r c o mp any t han t alk On e w h o s e fri e nds hip I h ave priz e d fo r m o r e t han f o rty ye ars as I h o p e an d be l ie ve he has mine l o ng sinc e o bs e rve d t o m e t h at r e ading B r o wn ing is l i ke dr am drink ing It e ns l ave s an d I am wi ll ing t o be l i e ve that it m ight sc arc e l y b e fo r t he g o o d e ithe r o f p o e ts o r o f the ir r e a d e rs th at m any s o urc e s o f simi l ar int o xic ants s ho u l d b e se t r u nning W he the r f o rtu n at e l y o r n o t h o we ve r t he d ange r o f te mp t ati o n at an y rate is r e m o t e Such a p o e t s o u l as B r o wning s is re are d n o t o f t e n o r e asi l y W e m ay we ll appl y t o hims e l f his o wn a cc o unt o f a p o e t s birth a
-
,
‘
.
.
,
,
.
,
,
.
’
'
.
’
R o ck
s ng s il rath r su rfac hard a d b are d d w th ir mild ss s t rm d f r s t th ir r ag e S Vainl y b th xp nd — f w fl w rs wak n th r — i Q i t i t c l ft b ro ds what t h ft r ag Kn ws a d nam s a p i a natio n s h r itag ’
t he
s
u n an
o
e
e
e
o
u e
n
o
s
e
e a
o
e
R o be rt
e
e
-
?0
e
e
Br w i g Si v l S m ith E ld r ti Ad v t r 1 8 7 1 P r i c H h t i l 1 868 — B l C t th Sc hw g 1 87 1 F ifi F ir 1 872 R d C tt N ight p C try 1 87 3 T h I Al b m 1 87 5 Ari t ph Ap l gy 1 875 P 1 87 7 L & hi tt 1 876 T h Ag m m f A c hyl 1 87 8 T h Tw P t D r m t i c I d y l 1 87 9 f Cr i i c 1 8 7 8 S i i i F i ht h Dr m tic I d yl S c d S i 1 880 J 1 883 F c i 1 884 P l y ing with C rt i P pl 1 887 A l d 1 890 P pl iii W ith Chri t ph r S m rt pp P l y i g wit h C rt i T he o
oe
.
a
au ,
1
f
e
.
,
ar o
c
o,
.
e
.
s,
a
e s,
ar e
7 9 —9 5 7 T he T w o
.
e
e
non
e
o s
e r e s,
eo
e,
.
s o
,
.
3 5
5 5
C r i ic P r l d T h L t L d r (Dr m t ic L yric ) P t W rk S l il q y f t h Sp i h Cl i t r i bid t 7 Th G rd i A g ls Pict r t F i b id P p ic P t W k e
o
P t
oe s of
os
o
e
ros
ea
u
an
ua e
,
a
e
oe
n
.
,
e
or
e
.
.
s
o s e
a
s
e u
a
an s
e
o
o s
u
,
e a
oe
,
,
s
o
.
.
an o ,
.
.
-c a
on
o o
s
.
.
,
a
.
s,
a
.
e,
eo
e
en s
u s,
a
.
o
’
es
o c o s e r a,
a n
e
o
an e s
o
,
.
e
a n
s o
e
,
.
n
e
.
.
a
o s
.
,
,
s
x
.
u e,
a
oe s o
on
s
n
e
a
o
e
en
u
ar e
.
on s
nn
,
n n
o
’
ne
.
a s az ,
an
s o
a au s
o un
a
o
,
an
acc
W
rk
e
’
ne,
e
e
a
e
o
e
o
an
o
,
e
,
n
e
,
ne
e
n
P t ic l
e
o
-
.
er s
s o an
o,
e
a
a
’
s .
,
.
RO B ERT B RO W N I N G
327
Fl w N m t z 3 d 5 (G d F ci Dr matic Lyric ) P t W rk hi tt t 10 H é Ri l (P P rti g t M r i g (Dr m tic Ly ic ) P t W rk E v ly H p t 7 (Dr m ti c Ly ic ) i bid By t h Fir id t 3 9 (Dr m tic Lyric ) i bid I b id t 2 5 (Dr m t ic Lyric ) i b id Ab t V gl r (Af t r h h b pl yi g p t h I trum t f hi I v ti d 1 2 (Dr m t i P r ) P t W rk ) t z 7 8 A Gr mm ri n F r l S h rtly ft r t h R viv l f L r i g m E r p (Dr m ti c R m c ) P t W rk M rti R lph (Dr m tic I d yl M léy k h (Dr m tic I d yl S c d S ri Oli v T h P i d Pip r f H m li t 1 3 (Dram tic R ma c e ) P t W rk D G t ib t 2 (Dram atic Lyric ) P t W rk s Dr m tic I d yl S c d S ri E pil g T he
7
s
5
’
er s
o
oe
,
erv
9
1 °
o
n
e
o
a
e
77
.
,
s
13
n
es
on
en
14
,
s an
a
u o
15
a
e
a
15
a
n
u
as a
s
,
a
a
r
s
,
as
,
e s,
an
a
o
a
a
e
a
a
e
e
o
a
e en
an
es
a
n
e
ns
so n ae
e
o
.
on
e
a
oe
,
s
.
.
,
u
s
a
o
,
o
.
,
a
a
.
.
s
an
un e
oe
a
s
e
s
e
r
a
,
’
en
.
a
a
e
e
.
a
.
a
.
o
.
e, s
s
o,
ar o
n n
e, s
ar
an
as
.
ac c
e
n
a
s
o
.
s an
e,
a
e
s
oe
,
a
e
.
en
o
o
s
s
.
ea n n
o
.
s,
s,
e
e
n,
e
on
e s,
e
19
o
1 5
7 5
e
s
a
s
o
a
.
.
us
e
a
a
u s, s
s
.
s,
e
on
e
e s,
,
o
oe
ue .
.
o
.
n
s
,
oe
.
A L FR E D T E N N Y S O N — 1 809 1 89 2
p o e ts— n o t o n l y t he gre at but all t he tru e — ho w Se arch t he wh o le Cal e nd ar o f Inspir a e a ch st ands a l o n e ti o n n o p air wi ll b e fo un d fo r him with w ho m t he re giste r fo r t he nin e t e e nt h c e nt u ry c l o s e s ; n o re al fe ll o w fo r Al fre d T e nnys o n ! T he c har act e r o f his ge ni u s w as so u ne xp e cte d t hat t he ge n e r a l pub l ic t o o k l o ng t o appr e ci at e it T he d e l ay w as a t ribu te t o its o rigin al ity T o a fe w I e nvy the ir j o yo us an d e l e ct i t w as c e rt ain an d h e a ve n l y surp ris e d r e c o gniti o n Mighty W o rds wo r t h in t he o pini o n o f a y o un g e r g e n e r ati o n ha d d e c l in e d t o p r o sing h o we ve r wis e l y He lle nic Land o r ra ve d R o ge rs w as ante di lu vi an an d p o o r Le igh Hunt had n e ve r c o u n t e d T he gi ants o f t he p ast we re b u ri e d in the ir p ast whe n a c hant as e xquisite r o s e int o t he an d a t l e ast a s n e w an d str ange as th e irs d e ad air T o a b ri ll i ant yo u thf u l br o the rh o o d it m u st have be e n a s w he n Chr ist a be l o r C hi l d e H a r o l d s o ar e d a b o ve t he st agn ant mists h a lf a c e ntury e ar l i e r T he initi a te d we r e e nr aptu r e d w ith a ll T he pr e s e nt ge n e r ati o n discri min ate s T o a c e rt ain e x t e nt it has l o st t o u ch with m u ch o f t he p hi l o s o phy o f T he T w o Vo i ce s It has o u tgro wn t he T he Pa l ac e o f Art T he Visi o n o f Sin g l adn e ss t he s we e t l impid s o rr o w o f t he May Qu e e n an d its s e qu e l s t he E ar l y Vict o ri an e l e g anc e o f t he Mi ll e r s an d G ard e n e r s D aught e rs e v e n L o c ks l e y H all t he First w ith its p l ay o f p an o r a mic he art u t t e r in gs Tho ugh sc a rc e l y o n e disc ard e d favo uri te but has l ine s wo rd t o TH E
,
.
.
.
.
,
,
,
.
.
.
,
,
,
.
,
.
.
.
,
.
,
,
,
,
’
-
fl
’
,
.
s
,
,
fl
FIVE CE N TURIES OF E N GLISH VERSE
3 30
And t h wav w o rn h rns f t h e ch ing b a k A d t h s il v e ry m rish w s that thr ng T h d s o l t c r ks a d p ls am o ng W r fl d d v r wi th ddyi g s ng e
n
e-
o
e
e
a
e
a e
e e
oo
e
-
e
,
o
oo
e
n
o
er
o
n
ee
o
o
,
n
e
o
.
l and o f t he L o to s e at e rs b as k s sti ll in abi d ing m e ll o w aft e rn o o n suns hin e H o w sw e t i t w e re he aring t he d o wnward s t re am Wi th half sh t e ye s e ve r t o s e m F alli g asle e p in a half dr am T dre am a d dr am lik e y o nd e r am b e r lig ht Whi ch will o t l e av t he myrrh b u sh o t he he ight T o he ar e ac h o the r s w hi p e d s p e e ch E at ing t h Lo t o s d ay by d ay T o watc h t he c risping ri ppl e s o n t he b e ac h An d te nd r c u rving lin s o f c re amy s p r ay T l e nd o u r he ar t s a d s piri t s who ll y T o t he infl u e nc e o f mild mind e d m e l anc ho ly T o m u se an d b ro o d a d liv ag ain i m e m o ry Wi th tho se o ld f ac s o f o u r i fancy H e ap d o v e r wi th a m o nd o f g rass T wo hand f u ls o f whi te d u s t shu t i a u r n o f b rass T he
-
e
,
,
u
-
e
n
-
o
n
e
e
,
,
n
e
n
-
’
s
r
e
’
,
,
e
e
o
n
-
n
e
e
n
,
n
’
u
,
n
,
3
n
h a ve c e as e d t o w and e r ar o u n d sp e ll b o un d s l e e ping p al ace — spe ll b o un d o urs e l ve s — an d its g ard e ns Wh r r sts t h ap wi thin t h l f W h r st y s t he b l d al o ng t h v ins Fai t shad ws v ap o rs lig htly l d F aint m rm rs f ro m t h m ad ws c m Lik hint s d cho s f t h w rld T s p iri t s f ld d i t h w m b W
e
t he
not
-
-
e
e
e
e
e s
e
oo
a
e
n
o
o
e
e
o
e
o
e
e
e
n
e
e
cu r
u
an
,
e
u
,
u
e
ea
.
’
o
o
o
o
iting ti ll t he f airy princ e has kiss e d b ac k d e s t ine d b rid e A d t h hills a d fa aw ay B y nd th ir tm st p rp l im B yo nd t h n i ght ac r ss t h d y Thr ll t he wo rld h f ll w d him
wa
’
n
o er
e
e
e
o
e
e
o
,
’
a
u
,
n
r
o
u
e r
a
e
o
s
e
e
o
o
,
,
4
’
.
to
l ife
hi s
ALFRED TE N N Y S ON
33 1
nci e nt wo o d has n o t l o st fo r u s its c o mp any o f sto ri e d wo m e n A d a ghte r f t h g ds divin ly t ll A d m s t di vin l y f air fo r wh o s e be au ty m an y d re w s wo rds an d di e d A Q e n wi th sw rthy c h ks a d b ld bl ack y s Bro w b nd wi th b rning g ld w ho by M a r k An t o ny s sid e s at as go d by go d mur de red Iphige ni a an d R o s a m o nd wh o m me n c all f air t he l ight o f anci e nt Fr ance an d he r w ho t o a cry o f indign ant pi t y fo r t he vi ctim o f t he Gi l e adi t e s wi l d o ath d d answ r hi g h nc al o n a th sand tim s N t o o I w o ld b b rn a d di My G d m y l and my f ath r— t h s d id m o v M f r m m y b liss f li f th t N t r g v L w d s ftly wi t h a t hr f ld c rd f l v D o wn t a sil nt g rav I t c mf r t s m i t his th g ht t o dw ll That I s b d d m t my f ath r s will B c a s t h kiss h g v m I f ll S w t ns t h spiri t still M r v r it i wri tt n that m y r ac H w d Amm hi p a d t hi g h f ro m Ar o r O Arn n ntil M i H r he f c th G l w d a I l k d at h h l ft m w h r I st o o d S h l k d h li p s Gl ry t G d h s ng a d p st f r T hriddi g t h s mb r b k ag f t h w d T w rds t h m rning star L si g h c ar l I st o d p nsiv ly As that f r m a c s m nt l ns hi h ad W h n m id ight b lls c a ri g i g s dd ly A d th ld y r i d d T he
a
u
o
n
u
e
o
o
a
,
e
e
a
-
e
,
ee
ou
n
u
e
o
o
’
,
,
,
’
,
ren
o
s
n
,
u
e
o
e
o
’
e
e
e
o
oc
e
o
o
n
a
n
e o
e
.
s
s
e
e
a
e
,
e
r
e
a e
e e
a
n
,
e o
os
a a
e
,
oo
,
s
e
.
e
o
e
a e
e
e
ea
e
.
e
o
o
n
’
er
o
one
e
,
o
e
er
’
o
e
n
e
,
e
oo
o
,
’
e , e re
n
er
o
e
e
nne
s
’
o
e
e
e
,
u
,
o
e,
ou
e
on
’
o
a
.
s
o
e
a u e
o
a
e
.
e
’
n
e
e
e
e
a
one
n
e
ee e
eo
e
ue
u
o
e
ee o
o
u
.
e,
o
o
e
e
o
o
e
e
,
o
er
ou
n
o
,
e
e
e
r o
er
’
s
ea
ea
e
se
n
5
.
,
n
u
en
,
,
e
,
FIVE CE N TURIES OF E N GLISH VERSE
332
T e nnys o n s im agin ati o n fo und its the m e s any w he r e an d S o m e ti me s hist o ry supp l i e d the m as in e v e ryw he r e t he Dre a m o f F air W o m e n ; s o m e tim e s l e g e n d an d tr ad i t i o n Sc e ne s incid e nts m e n an d wo m e n t o u che d by him h ave b e c o m e his an d re al be c au s e his W e se e the m as he s aw th e m an d al m o st f o rg e t th at th e y h a ve had o th e r an d e a r l i e r o wn e rs T hr o u gh him an d fo r him t he L ad y o f Shalo t t is an a ct u a l b e ing w ho wi s t fu ll y imp ati e n t fe a rfu l o f s he kn o w s n o t w h a t still i h w b d lights T w av t h mirr r s m g i c sig ht s F ft n thr t he sil nt i ghts A f n ral wi th pl m s d light s And m si c we nt t C ame l t It is in his vo ic e that pur e Sir G al ah ad te ll s ho w S m tim e s o l n ly m ntain m r s I fi d a m gi c b rk h lmsm a I l ap b ard t rs I fl at t ill ll i d ark A g ntl e s nd a awf l lig ht Thr e ang ls b r t h H o l y G rail With f ld d f t i s to l s f whi t O sl p i g wi g s t h y sail Ah b l sse d visi n bl d f G d My spiri t b a t s h m o rt al b ars As d wn d rk tide s t he gl ry slid s An d s t arl ik ming l s wi th t he s t rs In a kin dr e d e cst asy t he c l o iste r e d m ai de n o f his inspir e d cr e ati o n ke e ps he r vi gi l be sid e e ve n Ke ats s o n St Agn e s E ve T he L a mb lifts m t o t h g ld n d r T h fl ash s c m e a d g All h av n b rsts h starry fl rs A d s t ro ws h lights b l o w A d d p s o a d p t h g at s R ll b ck a d f wi thin ’
,
.
.
,
,
,
,
.
,
,
.
,
,
,
,
,
,
n
o
e
or o u
e
e
e
e
o
e
n s ee
u
e
n
,
e
n
n
e
,
e e
.
ea
ee
ee
n
.
-
e
n
,
e
o
5
o
ou
e
s
ou
e
n
an
e
no
a
e
,
a
o
o
a
o
a
on
e
e
,
n
n
’
u
e
e
’
,
u
o
o
o
e
er
o
e,
e
o
.
oo
e
o
o
er
,
“
o
a
o
e
e
e
,
7
a
,
’
,
’
,
.
‘
e
e
e
e
e
e
o
en
a
n
,
e
oo
n
oo
e
n
ar
u
s
o
er
er
ee
o
n
u
n
n
o
,
,
e
e
.
334
FIVE CE N TURIES OF E N GLISH VERSE
d ifficu l t t o supp o s e th at e ve n he hims e l f c an h ave l ab o ur e d up o n the m E ach pie ce s e e ms t o h ave flo ate d i mpul sive l y f o rth in t he s hape it k e e ps fo r u s al th o ugh w e kn o w th at in f act e ve ry o n e has be e n l ab o ri o u s l y fi le d an d burnishe d W he n a the m e is m anife st l y o f a n ature t o d e m and a s e ve r e e xp e nditu r e o f th o ught y e t at his t o uch it s e e ms un ab l e t o r e sist b u rsting sud de n l y int o m e l o dy an d simpl e sw e e tn e ss Ag ainst t he c o uns e l s o f de sp air in T he T wo Vo ic e s bursts t he pr o te st T ho I sho ld d i I k o w That all ab o u t t he tho rn will b l o w I t ft s o f r o sy t inte d sno w .
,
.
,
.
’
n
a
g ainst
u
n
e,
’
-
u
l u ri d p o mp
t he
Pal ace
T he
of
11
of
Art
An E nglish h m g r y twilight p o d O d wy p t r s d wy t r s S o ft r th n sl p— ll thi g s i o rd r st r d A h nt f a ci t P ac — e
o
n
as u e
e
a
e
o
ee
e
,
a
ee
au
ur
a
n
n
en
’
,
e
n
a
n
o
ea
e
u
e
-
u e
a
a
n
un n
o
-
-
n
,
a
,
a
o
e
,
,
e
e
m aid mo th r by a C r cifix I t r ct s f p st r s y w rm B n th b r nc h w rk o f c stly s rd o nyx S i ts smili g b ab i a m Or t he
e
o
,
12
r
.
Fr o m be yo nd t he s ard o nic h arshn e ss o f T he Visi o n a divin e g l o ry be c o m e s visib l e E v ry m r ing fa wi t hdrawn B y nd t h d arkn s a d t h c t r ct G d m ad him lf wf l r s f d wn e
e
o
e
o
o
es
e
,
n
an a
se
n
e
u
o
r
a a a
e o
,
13
a
.
Of t e n t he r e is n o t e xt n o m o tive e xc e pt an irre pr e ssibl e i mpu l s e t o sing Br k b r k b r k O t hy c ld g r y t n s 0 S A d I w ld th t m y t g c ld tt r T h t h g ht t h t ri i m ,
ea
,
ea
n
,
ea
,
a
o
n
ou
e
ou
,
s o
a
s
e
on
a
a
se
ea
,
ue
ou
n
e.
u
e
ALFRED
335
T E N N Y SON
w ll fo t h fi h ma b o y That h sh ts wi th hi siste r t pl y 0 w ll f t h s ail r lad That h sing s i hi b o at t he b ay A d t h s t ate l y shi p s go o T t h ir hav n nd r t h hill B t Of t h to c h o f a a i h d hand d f a v ic e that is still A d t h so Bre ak b r ak b r k A t t h f o o t o f t hy c rag s 0 S a f a d y that i s d ad B t t he t nd r g rac Will n v r c o m e b ck t m T e nnys o n had d o n e a l ife s wo r k by t he tim e he w as t hi rty F o r an o the r h al f c e ntury he we nt o n writing Sc arc e l y did he c e as e singin g be fo r e in e xtre m e age he c e as e d t o bre athe H e e ve n c o ntinue d t o e xe rcis e as in t he t w o N o rth e r n F arm e rs t he gif t o f hum o ur w hich he had e ar l y m anife st e d in t he gay Mo n o l o gu e o f t he C o c k an d m o r e gr i m l y in St Si m e o n s t hi r sti l y m e e k a cc e pt anc e o f b l asph e m o us id o l atry It is d ange r o us t o o pp o s e a critic o f t he intuiti o n o f O l d Fitz w ho d e pre c ate d his c o ll e ge fri e nd s pe rsiste nt p o e tic di li ge nce I m u s t h o w e ve r dis agre e If t he l ate r s e ri o u s p o e ms miss t he d e lic ate fr agr ance t he r e al o r app ar e nt sp o nt ane i t y t he au d aci t y o f t h e i r yo u thfu l pr e d e c e ss o rs t he w ant is n o s u ffici e nt gr o un d fo r i mp ati e nce at t he c o ntinu anc e o n t he st age o f t he d o e r o f gre at things in t he p ast H ad t he s u bs e qu e nt v o l um e s by t he cre at o r o f O e n o ne an d T he Dre a m be e n fai l ur e s all I sh o u l d n o t mys e l f h ave ve ntu r e d t o qu arr e l wi t h him fo r pur s ui ng his vo c ati o n an y m o r e t h an w i t h a l a st s e a s o n s b l ac k bird fo r w a rb l ing a s s o o n a s he f e e l s t he Sp ring in his thr o at B u t in t ruth l ite r a ture w o u l d its e lf h ave s u ffe re d a gri e vo u s l o ss had Te nn ys o n re ste d o n his g a the re d l au re l s F o r t he Plays a l o n e I s ay n o thing 0
n s
ou
e
or
e
er
s
e
r
e
’
,
s
e
o
on
s
n
e
n
e
o
u
e
n
,
e
e
u
e
or
v
u
e
un
e
,
o
ea
n s
e
e
,
,
e
,
e
’
o
e
u
a
,
n
e
a
o
a
e
e
a
e o
e
“
.
’
-
.
.
.
,
,
,
,
’
,
.
,
.
’
.
,
,
.
,
,
,
,
.
,
’
.
.
.
FIVE CE N T URIES OF E N GLISH VERSE
336
Dive rsi o ns I w ill h o pe t o t he wr ite r th e y had n o busine ss — t o sur vive him Le t the m b e d e c e nt l y bur i e d n o t in hi s gr ave ; tho ugh s o m e l ate vi o l e ts m ay b l o o m e ve n f ro m the ir u nm o nu m e nt al m o unds E l s e w h e r e w e sho u l d h ave l o st we al th o f f ancy had he b e e n frighte ne d l iving int o si l e nc e by t he shad o w o f his o wn f a m e H e wo u l d n e ve r h ave sung in t he G ard e n at S wainst o n N i g hting l s warb l d wi tho t Wi thi n w as w pin g fo th S hado ws o f thre e d ad m e W alk d i t h walks wi th m S had o ws o f thre d ad m a d tho wast o n e o f t he thre ,
,
,
.
.
,
,
.
e
a e
u
ee
r
e
’
n
,
ee
n
e
e,
e
e
en
e.
u
n
sang i hi w o ds T h Mas te r w as fa away N i g ht i g l s warb l d a d s ng Of p assio n t h t l as t s b u t a d ay Still i t he ho s i his c ffin t h Prin c N ight in gale s
n
e
o
s
r
a e
n
a
a
n
e
a
’
u e
n
n
o
e
d ad m h v I kn wn I c o rt sy lik t o t h e T w d ad m e h v I l v e d With a l o v that v r will b T hr d ad m hav I l v d a Two
e
u
n
o
a
en
e
e
e
e
ee
o
e
en
e
.
e
a
n
c o u rte sy lay
o
e
e
e of
e
e
e
o
e
nd
tho
last o f t h thr
u ar t
e
ee
15 .
w o ul d n o t have wr o ught that inc o mp ar ab l e c o nce it T he P rinc e ss o r be e n te mpt e d t o in l ay it w ith undyi n g ly r ics W e s ho u ld h ave b e e n o r p han e d o f t he music in ho w t hi n a d c l r O hark O h ar And thi r c l ar r f rth r g ing 0 sw e t a d f r f r m c li ff a d s a T h h rns f E l a d f aintl y b l wi g Bl w l t h ar t he p rpl gl s r plying Bl w b gl answ r cho dying dyi g dying He
,
,
'
fl
.
nn e
n
e
e
o
,
o
,
e
o
us
u
e
,
e
,
e
a
n
o
a
e
e
,
u
e
e
e s,
en
,
o
e
r
o
n
o
e
ea
n
e
,
n
e
:
,
n
H o m th y b ro ght he warrio r d e ad e
e
u
r
,
FI VE CE N TURIES OF E N GLISH VERSE
3 38
S o m e tim e s I h ave m ys e l f f e l t inc l ine d t o c o nd e mn t he Idyll s o f t he King fo r unre al ity an d pr o l ixity ; as if o n e had a right t o re quir e t al e s o f chiva l ry t o b e r ati o n al t e rs e ood s e nte nti o us pithy Whe n in a j u s t e r m I a d mit th at he must b e a f o rtun at e stud e nt o f r o m anc e who is c o n ve rs ant wi t h an y m o re f ascin ating th an Ge r aint an d Eni d L aunc e l o t an d E l ain e t he L ast T o urn a m e n t fo r all the ir diffus e n e ss ; with aught m o re di vin e th an Gui ne ve re wh e r e T e nnys o n fo und at l e ngth a wo rthy m atch fo r t he e l s e p e e r l e ss cr e atur e o f his y o uthfu l i m aginings kingl y Mo rte d Ar t hur Wh at stre a m l e t ag ain in a d e ll o f Parn assus e ve r l au ghe d m o re g ai l y than t he B r o o k e sc ap e d fr o m its 7 e ncumbe ring Wh e r e is th e r e a m o r e h appi l y fr a m e i nsp ire d Pr o th al ami o n th an t he W e l c o m e t o A l e x an d r a Bride o f t h he ir f t he king s o f t he s a 7 Whe re a b att l e s o ng t o be at t he Ch arge o f t he Six Hun dre d Into t he v all y o f D e ath W h e re a mo re triump hant fun e r al hymn th an t hat o n t he — e a h Gr t Duke wi th t e gr an d bre ak t he cry o f t he mighty Se aman fro m his t o mb W h i h that c m t h lik h d g e st With b an r a d wi th m si c wi th s ldi r a d wi th pri t Wi th a nati o n w ping a d b r aking o my r st If imp at i e nc e b e fe l t at t he re suscit ati o n o n t he gr ave s brink o f Lo c ks l e y H all le t it b e r e m e mbe r e d th at thre e ye ars l at e r t he wo rn br ain de m o nstr ate d its vi cto ry o ve r age in Cr o ssing t he B ar L o ng in de e d be fo r e th at y e t m any ye ars aft e r F it z Ge r ald wo ul d h ave si l e nce d hi s frie nd t he singe r had trie d t ri u m h I we ll r e c o ll e ct t he de pth o f t he p an t ly a n e w str a in i mpre ssi o n pro duce d by t he app e ar ance o f In Me m o ri a m ,
,
,
,
,
,
,
,
’
.
,
,
,
,
o
e
e
19
-
2°
e
,
o
s
e
n e
o
e
u
n
ee
on our
e an
,
o
,
n
,
e
’
u
e
,
n
n
es
e
,
21
’
,
,
,
,
,
.
.
ALFRED TE N N YSO N
339
fin e r t ribu t e i t was ac k no wl e dge d had e ve r be e n o ffe re d High as alr e ady t o t he de ad e ve n by M i lt o n o r by She ll e y w as T e nnys o n s r an k a m o ng p o e ts th e re had be e n d o ubte rs sti ll In Me m o ri am si l e nc e d the m It has n e ve r re l axe d its h o ld o n p o p u l ar symp athy Li ke his i llustri o us p r e d e c e sso r s In t im ati o ns o f Im m o r t al ity it w as fe l t —an d with a m o re attachin g m e l o dy— to c o mbine Inqu iry an d Po e try t o b e o f t he rare c l ass o f ve rs e w h e re All t he b r z f F ncy bl o ws A d v ry t ho u g ht b r aks t a r s Line s in it h ave be c o m e p art o f o urs e l ve s F o r m any it is a m an u al o f F aith W h t am I An i nfant c ryi g i t h nig ht An in fant c ryi ng f t h light And wi th l gu ag b t c ry No
,
,
.
,
,
’
,
.
.
.
’
,
,
ee
n
e
e
a
e o
ou
e
,
e
o
22
.
.
a
n
n
e
or
no
an
e
e
a
u
.
f al te r whe re I fi rml y tro d And f alling wi th my we ig ht o f c are s Upo n t he gre at wo rld s altar stairs That slo p e thro darkne ss u p t o Go d I stre tch l ame hands o f f ai t h an d g ro pe A d g athe r d u s t a d c haff a d c all T o what I f e e l i s Lo rd o f all And f aintly tru st t he larg r ho pe many it is e vi de nc e fo r t he Co m mun io n W he n su mme r s ho u rly me ll o wi n g cha g M ay b re at he wi t h m any r o se s sw e t Upo n t he tho u sand wav e s o f wh at That rippl e ro und t he lo ne l y g ra g e C o me n o t in watc he s o f t he ni ght B u t whe re t he s nb e am b o o d e t h warm C o m e b e a te o s in thine afte r f o rm And like a fin e r light i light I
,
’
-
’
,
,
,
n
n
n
,
,
?3
e
’
-
n
e
,
e
o
e
,
,
n
,
u
,
u
r
u
,
n
.
,
f
3 40
FIVE CE N TURIES
E N GLISH VERSE
or
shall o t the D ar I ay N spiri t v r b rak t h b and T h t stay s him f r m t h tiv l d W h r fi rst h w lk d wh n cl aspt i c l ay 2 I
n
se e
o
e
e
e
e
e
e na
’
a
e
s
e
o
a
e
e
.
an
e
,
‘
n
e
visu al shad e o f s o m e o e l o st B u t h t he Spiri t him s lf m ay c o m e W he re all t he e rv e o f s e nse i s nu m b Spirit t o Spiri t G ho st t o G ho st
No
n
e
e,
,
,
n
.
,
t re f o re f ro m t hy sightl e ss rang e Wi th g o ds in un c o n j e ct re d b lis O f ro m t h dist anc e f t he aby s Of t e nf ld c o m pli c at e d c ha g O he
u
e
,
o
s,
o
s
n
-
e,
D e sc nd a d t u c h a d e nt r ; he ar T he wish t o o s t ro ng fo w o rds t nam e That i this bli ndn ss o f t h f ram My gho st m ay f e e l that thine i s ne ar e
,
n
o
n
,
e
r
e
n
o
e
e
24
.
N atur e had
nd o we d T e nnys o n with c e rt ain qu al itie s w hich d e fie d t he t e n de ncy o f ye ars t o p ar al ys e o r d u ll His e ar pre s e rve d its al m o st inimit ab l e re fin e m e nt an d instinct o f h a rm o ny His he art ke pt fir e t o k ind le The R e ve nge an d T he Victim B r ain an d it m aint ain e d th e ir a ll i anc e In e ve ry l ine he sti ll p ainte d a pictur e H e n e ve r de scribe d witho ut h aving m a d e hims e l f se e t he sc e ne an d he m ake s t he r e a d e r se e it thr o u gh his min d s With t he s e in e stim ab l e gifts w as c o nj o ine d in an eye incre asing rathe r than a diminis hing d e gre e by e xp e ri e nc e a judg e m e nt w hi ch w ait e d b e f o r e int e rve ning fo r inspir a t i o n t o p l ay its prim ary p a rt Fin all y b o rn o f unf ail ing s e l f r e sp e ct first an d d u e r e g ard fo r his pu b l ic n e xt the re w as g e nius s infin it e c ap a city fo r t aking tr o u b l e Wh at a st e rn Dr a c o ni an c ri tic he w a s o f his o wn w o r k is m an i f e s t fr o m a g l ance in t he Life at t he pi e ce s he l ai d asid e T hink o f t he e xube r anc e o f f ancy which c o ul d affo rd t o e
.
,
,
.
.
,
.
.
’
.
,
,
,
,
,
.
,
-
,
,
’
.
,
,
.
FIVE CE N TURIES OF E N GLISH VERSE
3 42
pp e nd ed H e c o ul d n o t p ass a c o nte mp o rary pr o b l e m by with o ut a dve ntu ring an ans we r Mo r e than o n e c o e val at h o m e an d a cr o ss t he Atl antic had as I h ave s ho wn t he s a m e cr aving His sp e ci al a dvant age w as t he p o ss e ssi o n o f t he s e cr e t o ve r an d a b o v e gif t s he sh a r e d wit h o th e rs Whe n o nc e t he str ange n e ss o f his o f irr e sistib l e m e l o dy m e th o d w as s u rm o u nte d th at acte d l i ke a sp e ll up o n Angl o S axo n inte ll ige nc e Lo ng be fo r e t he e n d he had ste e p e d t he re al m o f Eng l ish ve rs e in an atm o sphe re all his o wn Exce pt fr o m within o n e t e nt in t he wi l d e rn e ss n o l yr e s o u nd e d w hich had n o t be e n tun e d o r re tun e d in u nis o n w ith his Und e r t he str e ss o f t he u nch alle nge d a bs o l u te n e ss o f his u l ti m at e s u pr e m a cy an e ff o rt is n e e d e d th at he hims e l f t o r e c all th at he had t o fight fo r hi s thr o n e had o fte n d e sp ai r e d c o mp l aining th at O c e i a g o ld n h r ar t h a s d I c ast t Up the re c m a fl o w r T h p p l s id a w d H ave I o ve rpr ais e d ? I d o n o t m e an in vi e w o f t he ve ry p o ssibl e hint that I o u ght first t o h ave c o nsid e re d what m y e u l o gie s we r e w o rth T o th at t aunt I kn o w I have b e e n e xp o sing mys e l f thr o ugh o u t my s e ve nty t w o c o m m e nts B u t witho u t r e g ard t o my tit l e t o an o pini o n at all is t he p an e gyric h e r e o u t o f just pr o p o rti o n t o t he c l aims o f o the r p o e ts 2 At an y r ate I h ave n e ve r c o nc e al e d fr o m mys e l f my the m e s d e fic ie nci e s I pe rc e ive th at t he l iqu id s we e tn e ss is t o o invari abl e T he c ar pin e s fo r a l ittl e harshne ss a s e ns e o f o p e n air fo r an o cc asi o n al u n in t e n T he m e lli u o u s styl e t e mpts t io n ally br o ke n b ac ke d l in e in t he r e s t as t o ve rb o s e n e ss p articu l a r l y in t he Idyll s we ll as th o s e o f T he King wh e r e ind e e d it is m o r e e x c u s ab l e At tim e s i t l ab o ri o us l y e mb al ms a fly in am be r T o o a
.
.
,
,
,
,
,
.
,
.
,
-
.
.
,
.
,
,
n
ou
e
n
o e a
e
e
e
eo
ee
e
a
.
,
ee
,
27
.
,
.
-
.
,
,
’
.
.
,
-
.
fl
,
,
,
.
,
,
.
ALFRED TE N N YSO N
343
m any kno tty q u e stio ns ar e l ight l y pro p o u nd e d The r e is a pr o p e nsity t o mist ak e si t tin g up o n t he p u zz l e s o f e xiste nc e No t fo r th e ir inve s t ig ati o n if n o t fo r th e ir s e tt l e m e nt r ar e l y t he ar t by w hich Gr ay in t he E l e gy pr o d u c e d Th o ugh t he e ffe c t o f e nti re si mp l ici t y f ai l s T e nn ys o n ve ry s e l d o m e ve n his t aste is n o w an d th e n at f au l t In bri e f his t he o l o gy m o r al phi l o s o phy sc ie nc e an d s ki ll in t he c o nstructi o n o f a p l o t ar e t ho s e o f a p o e t a D ar w in o r a Wi lkie Co ll ins n o t o f a B ish o p B ut l e r Th e re is t he fe mini ne H e sings d ar kling n o t s o a ring n o te in his music H e is n o t quite t he mag ici an o r pr o ph e t s o m e o f hi s discip l e s pro cl aim e d hi m Scrutiniz e d c l o s e l y his ar t b e tr ays fl aw s which t he d e l ic ate fin i sh had c o ve r e d — an d his Mu s e is t he m o r e a d o r ab l e fo r .
.
,
.
.
,
,
,
,
,
,
,
‘
,
.
,
.
,
.
.
t he m
‘
all
Within i t s pr o p e r b o un da ri e s his s o ve r e ignty is in n o h o sti l e rival ry with th at o f his re igning pre d e c e ss o rs On t he c o ntr a ry l o ya l a d mir e rs m ay fr e e l y a d mit t hat t he With o ut anci e nt e nt hr o n e m e nts we r e a c o n di ti o n o f his Chauc e r Sp e ns e r Milt o n W o rds wo rth an d Co l e ri d ge She ll e y an d Ke ats with o ut Dryd e n an d Po p e t o o Co wpe r an d B yr o n he w o ul d n o t h ave b e e n t ha t he w as Fr o m th e m all he l e arnt t o ch o o s e t he g o o d an d as pro fit abl y His p o e tic s o u l c o ul d its e l e m e nts b e t o r e fus e t he e vi l wo u l d re nd e r g l ad a cc o u nt o f t he b o untifu l an a l ys e d pr o p o rti o n o f the ir e sse nc e it o we s t o its fo re runne rs Y e t he r e m ains hims e l f a d i stinct an d gr a ci o us be ing T he l yrics in T he Prince ss an d in Maud wi t h all the i r E liz a f be th an d aintine ss ar e as s e l f e vid e ntl y his in the ir fir e an d fe e l ing as ar e t he wit an d wi sd o m o f hi s N o rthe rn F a rm e rs pr o ve rbi al phi l o s o phy It w as as I h ave alre ad y intim ate d a g l o ry an d a b l e ssing fo r t he nin e t e e nth c e ntury t hat j u s t whe n t he p e al o f inspir at i o n which str u c k u p at its o pe ning .
,
.
,
,
,
,
,
,
,
.
,
,
.
,
,
,
,
.
.
,
-
,
’
.
,
,
,
,
FIVE CE N TURIES OF E N GLISH VERSE
3 44
s ee me d t o h ave rung all c o nce ivab l e ch ange s o f p o e tic th o ught an d fe e l ing he ar o s e t o de m o nst rate th at give n t he m an t he p o ss ib l e v a ri ati o ns had in n o wis e b e e n e xh aust e d S o m ay it b e — so will i t b e — in t he futur e as in t he p ast th o u gh had t he sun o f g re at B ritish singe rs actu all y be e n e xtinguish e d w ith A lfr e d T e nnys o n its s e tting w o u ld n o t h ave dish o n o ure d its d awn -
,
,
,
.
,
,
,
rk f Alfr d L rd T y P t L r t 1 884 Al H S M c mill W rk S ix v l E d iti f t h Ar b i N ight R c ll cti t 1 T h Dyi g Sw E t r C h ri c S g t 5 Th L t t 1 d T h D p rt r T h S l pi g P lac A D r m f F ir W m t z 2 2 3 2 5 1 —62 T h L d y f S h l t t P rt I I st 4 Si G l h d t 4 St Ag E t 3 T he W
o
e
1
e
o
e
4
an
n
ee
e
a
o
s :
o s
s, s
an
au e a e
oe
.
C ll ct d o
e
e
1 87 7
.
.
.
.
.
.
a e s,
o s-
o
so ,
e
so n ,
enn
.
on s o
n
o
,
an ,
e
5
e
a
on ,
1
o
s
on
o
e, s
a
.
s
,
an
,
.
.
e
a
e
u e
.
g
5
ea
5
a
e
7
5
a
n es
.
Oe n o n e
r
a o
s
,
’
.
T he 11
a
,
.
,
,
.
,
.
.
ve , s
.
.
S th t 1 t z 20 2 4 T w o V ic P lac f Art t z a 2 2 2 4
M a ian a in t he T he
as
e n , s an
o
o
a a
r
a
o
e o
.
Sin ,
st
.
.
as
3
.
,
s an
,
of
T he Vis i o n
s
,
e s, s an
o
a
ou
s
,
.
.
Br k b k br k t Sw i t I t h G rd A M d l y 6 S g Pr l d t Bk T h P ri c S g P l d t Bk VI t z 1 4 2 1 —5 I b id 4 M d AM d m V t 1 d 3 A W lc m t Al x d r f t h Light Brig d T h Ch rg f W lli gt t h D th f t h D k t 6 Od I M m ri m 1 22 t 5 I bid 5 4 t 5 d 55 t 4—5 I b id 9 1 t z d 93 t z 1 —4 1 —4 Li f fL d T y by hi S l i pp 1 2 4—5 Th P t t 14 T h Fl w r (T h Pri c d Oth r P m ) 14
ea
1 5
n
e
re u
,
1 7
.
1 5
au
e
7 °
e
“1
e
a
e o
a
73
.
,
.
2“
17
,
e o
oe
e
o
e
e u
,
e
o
.
.
,
,
.
,
a
e
s
.
an
as
enn
.
,
s an z as
an
.
.
a
,
s an
s
as
.
an
o
,
,
e
ea
s
or
e
on
.
,
e
,
11
a
ra
o
e
o
.
.
.
o
e
e
s an
,
on o
e on
n
75
.
:
1 9
a ns on
e
o
vv
,
,
.
ess :
n
e
ea
,
en a
a
e
1 “
on
re a
,
e
.
e o
u
e
n
on , s
,
,
so n
n
.
.
s an z as
an
,
s
.
s an
as
on , vo
.
.
.
,
.
e
.
e ss an
e
oe
s
.
.
IV
st
.
2 ;
an d
FIVE CE N TURIES OF E N GLISH VERSE
3 46
kn o w at it s birth m o ve d p e rh aps tr ansfo rm e d t he auth o r No W e f e e l th at fo r t he m o m e nt it has tr ansfo rm e d us cr e de ntial s ar e want e d n o i llu stri o u s n a m e S u d de n l y t he wo r d s c atch fir e an d o ur s o u l s wi th the m T he s e ns e o f m ast e ry o f tr ansp o rt o f a k ind o f m agic is a lways t he s a m e T he o cc asi o n t he circumst ance s t he p at e rnity an d affiniti e s o f t he V isit ant wh e n w e try t o its pr e s e nce diffe r as w i de l y as Sp e ns e r s a cc o u nt fo r inspir ati o n fr o m Po p e s o r W o r ds wo rth s fr o m B yro n s S o m e tim e s t he p o e t had c o nst ant l y be e n within t he b u t as l e e p t o rpi d A sh o c k had a uth o r o f suc h v e rs e an d he s an k b a c k int o aw ak e n e d hi m it sp e nt its f o rc e l e thargy o r re p o s e S o m e tim e s t he pi e ce re pr e s e nts t he spring ti de o f m o de st p o we rs a sp asm o f c o nce ntrati o n o f the ir e ss e nc e uninte lligib l e t o th e ir o wn e r T he wri te r s d o min ant i mpu l s e m ay h ave be e n o th e r al to ge th e r than th at o f f ancy It m ay h ave be e n w o r l d l y a mbiti o n in dign ati o n at tyr anny o r cru e l ty wo nd e r l o ve t he A l e ve r has be e n s o ught t o ae c o m e nthusi asm o f pi e ty h h l h cr a v i ng o t e r u l ing p assi o n an d fo r t he in st r u i s t e f p m e nt ve rs e has be e n r e quisiti o n e d Pu re i m agin ati o n s rival rh e t o ri c its e l f wi ll e ve r an d an o n fo r c e o p e n in its flo o d a spring o f p ath o s r aptur e Str aight w ay w e fe e l o ur s e l ve s r ap t fr o m c hi ll a d mir ati o n int o g l o w ing sy m p athy S o m e tim e s it is all an a ccid e nt A visi o n a gh o st has stu mb l e d u p o n a str ange r l o dge d in t he h aun te d ro o m ; S o m e t i m e s it simp l y is t hat insp irati o n has be e n wan de ring afte r its m ann e r in s e arch o f a h o m e Lo o ki ng ab o ut fo r r e st t o t he s o l e s o f its f e e t it has t ak e n re f u g e with n o b e tt e r th an a v e r sifi e r Po e try fr o m t he tim e o f its E l iz ab e th an re vival fo r s o m e t hre e qu arte rs o f a c e ntu ry o nw ar d s w as in t he British air A l arge r l ife had o p e n e d fo r o u r is l and e rs fre e d o m o f s o u l ,
,
.
,
,
,
.
,
.
,
.
,
,
,
.
,
,
,
,
’
,
’
’
’
.
,
.
,
,
.
-
,
’
.
,
.
,
,
,
,
.
,
’
.
'
,
,
.
,
.
.
,
,
.
,
.
,
-
.
,
,
,
UN CLASSED
3 47
mbiti o ns an e xp ans e o f ar t l e arn ing l uxury The y had gr o wn int o l o r d s t o g o v e rn a l arg e r wo r l d A l angu age an d m any sc a rc e l y c o mpr e fo r such a p e ri o d w as w anting h e n di ng t he ch ange in th e ir utte r ance fo und t he mse l ve s p o e ts T he y s ang b e c ause the y c o u l d n o t he l p i t an d we re inc l ine d t o b e ash a m e d o f t he i mpul s e I t s e l d o m o ccur re d N e ve r th o u gh t o th e m t o c l aim p ro p e rty in th e ir str a ins the y might c o urt p o pu l a r favo u r fro m t he st age did it e nt e r th e i r mi n ds t o a d o pt minstre l sy a s th e ir v o c ati o n In such a pe ri o d o n e w ho had he ch o s e n t o ab and o n o th e r pursuits c o u l d c o nc e iv ab l y h ave qu al ifie d fo r f u t u r e g e n e r ati o ns as a p o e t pr o fe ss e d might wr ite Occ asi o n al Ve rs e c o mp ar ab l e with th at by re c o gniz e d m aste rs o f t he cr aft T he Li e c o m m o n l y th o u gh n o t un iv e rs all y attribut e d t o R al e gh is a succ e ssi o n o f l ightn ing fl ash e s S y t t h Co r t i t g l ws And shin s lik ro tt n wo o d S ay t t h C h r c h it sh ws W h t g o d d d th g d I f C h rch d C rt r pl y Th g iv th m b o th t h li N o c o nte mp o r ary e u l o gy o n Si d n e y s u rp ass e s his e pit aph W h t hath he l o st th t s ch g r at g r c h th wo Y o ng y ars f dl ss y ars a d h p un s r s g ifts f w al th that still sh ll d re Of f o rt O h ppy r ac wi t h g r at p rais s ! H i s s o nn e t M t ho g ht I aw t h g rav wh r L ra lay w o rthi l y intr o d u ce d t he Fae ri e Que e ne His app e al in t he Pi l grim age fr o m his p e rs e cu t o rs t o He ave n is inspire d if e ve r ve rs e w a s Bl o d m st b my b dy s b lm r N t h r b alm will t h r b e g iv W hil t m y s o l lik q i t p lm r Tr v ll th t wards t h l and o f h av n new a
,
,
.
,
.
,
,
.
,
.
.
,
,
.
,
,
,
,
.
,
,
,
,
a
e
o
u
e
o
a
o
s
u
en
e
un e
o r en
’
or
a
,
e,
e
o
an
o
ou
e
no
e
u
e
e
e
oo
,
e
e
a
u
e
,
an
a
o
u
e
’
,
e
1
.
a e
n
,
a
o
e
e
u e
a
so
e
u
2
r un
e
n
,
u
e
e
s
e
e
au
e
,
.
,
o
u
o o
o
e
e
u
s
a
e
e
e
’
o
,
e
u e
e
a
e
e
en
a
e
,
e
e
3 48
FIVE CE N TURIES OF EN GLISH VERSE
O ve r t h silv e r m o unt ains W h re spring t he ne ctar f unt ains Th r will I kiss T h b o wl f b liss And drink mi v rl sting fill Up n v ry milke n hill Th n by that happy blissf l d y M r p ac f l pil g rims I shall Th t h v e c ast ff th ir r ag s o f cl y And w lk app ar ll d f re sh lik e m I ll t ak th m fi rs t T q nc h th ir thirs t A t th s cl ar w lls W h r sw tn ss dw lls F r m th nc t o h av n s b ri b l ss h ll Wh r c rr pte d v i c s b rawl N c ns c i nc e m l te n int g ld ght o s o ld N f r g d a cc u s r b v ain s pe nt j rn y N c a s d f rr d F o t h r C hris t i t h king s A tt rn y all wi tho t d g r s W h p l ds f f s An d H h t h ang ls b t And wh n t h g r and tw lv millio n j u ry sins wi th dir f l f ry Of Agains t s ls b l ck v rdi cts g iv C hrist pl ads hi d ath a d th n w liv F o r s we e t c o urt l in e ss if n o t fo r astr o n o mic a l a ccur acy a l m o st as much mig ht b e s a i d o f W o tt o n s add r e ss t o t he h ap l e ss Wint e r Que e n Y m n r b a ti s f t h night That p rly s ti fy y s M re by y o u r nu mb r than y u r light Y o c o mm n p o p l f t h ski s ; W hat a y o wh n t h m n shall ris Z Y vi o l ts th t firs t app ar By y r p r p rpl m antl s kn w Lik t h p r d virgi s f t h y ar As if t h sp ri g w r ll y r w W hat a y wh t h ro i s bl w e
,
e
o
e
e
e
o
ne e
o
e
a
e
e
.
e
a
u
o
a
se e ,
e u
e
e
a
o
e
e
o
e
e
e
o
o
o
e
r
u
u
,
e
e
o ur
e u
o ur e
e
s
ee
no
,
,
.
e-
u
,
e,
n
e
e
e
,
e
ea
e
u
e
a
oo
e
o
,
o ur e
s
e
e
o
u
u
re
ou
u
e o
e
e
e
u
e
n
ou
en
,
e
e
oo
e
ou
e
re
o
a
e
ou
e
e
o
3
.
,
’
ou
,
,
e
a
ou
ee
e
e
o
e
e
,
ou
’
or
e
,
-
e
s
,
r
no
,
a
e
o
ou
e
e e
ea
o
e
o
e
a
e e
o
e
e
e
o
e
e
.
’
u
o
e
u
o
e
e
e
e no
o
e
ee
e
o
e
e
e
e
e
,
e
ue
o
a
e
a
’
,
e
,
e
e
n
o
e
e a e
e
ou
se
o
e
n
,
n
o
o
n
‘
FIVE CE N TURIES OF E N GLISH VERSE
35 0
whil s t with s o rr w h r w liv pp t W hat life i b s t 2 C o rt s a e b t o l y s p rfic ial s c h ls T o d andl f o ls d int a d T h ru r al p ar t i t Of s v ag m And whe n a city f r m f o l vi c s o f r e B t m ay b e t e m d t h w rs t o f all t h thr e Yet
’
u
r
urn
s
e
’
re s
e o
,
e
oo
’
en
o
en
o
s
u
e
o
e
a
u
n
e
e
‘
e
s
u
e
o
’
r
u
e
e
e
,
e
o
e
D o me sti c c are s affli ct t he hu sb and s b e d Or p ain hi he ad Tho se that li ve s ingle tak e it fo r a cu rse Or d o thing s w o rse The se wo ul d have c hildre n tho s that hav e Or wish th m g o ne What i s it the n t o hav e o hav e o wif e B u t sing l e thrald o m o a d o u b l e s trife 2 ’
,
s
,
n o ne
e
,
e
,
,
,
,
r
n
,
‘
r
ctio ns s till at ho m e to ple ase I s a dise as e T o c ro ss t he s e a s to an y f o re i gn s o il Pe ril an d t o il Wars wi th the ir no ise affright u whe n the y c e as W e ar e w o rs e i n p e ac e What the n re m ains b u t that w e still sho ld c ry F o b e ing b o rn an d b e ing b o rn t o d ie Ou r
o wn affe
,
s
e,
u
,
5
r
,
,
rigin o f a l arge b o dy o f l yri c ve rs e t o b e fo un d in t he E l iz a be than an d e a r l y Stu art dr a m a is n o t ve ry diffe r en t Wits w ho tr u st e d fo r m o n e y an d f a m e t o th e i r d e ve l o pm e nt o f ch aracte r o n t he st ag e sur vive by rhym e s t he y u n g in t o e mp l o y s o m e b o y s tun e fu l vo ic e Th o m as D e kke r w ho y e t had dr a m atic g e nius is sure o f survi ving t hro ugh t he simp l e gr ace o f T he
.
fl o
,
’
-
.
,
,
tho p o o r y e t hast tho u g o ld e n slu m b e rs 0 sw e e t c o n te nt Ar t tho u ri ch y t i s t hy mind pe rpl e x d O p un i shm n t
Ar t
u
,
,
e
e
e
U N CLASSED
35 1
Do s t tho u l a g h t o se e ho w f o ls a e v xe d T o ad d t o g o ld e n nu m b e rs g o ld e n nu m b e rs 0 sw e e t c o nte nt ! 0 swe e t 0 swe e t c o n te nt C anst drink t he wate rs o f t he c ris ped sp ring 2 0 swe e t c o n te nt Swimm s t tho u i n w e al th y e t sink s t i n thine o wn te ars 2 O p unishm e nt The n he that p atie ntly want s b u rde n b e ars N o b u rd e n b e ars b u t i s a king a ki g 0 swe e t c o n te nt ! 0 swe e t 0 sw ee t c o n te nt Wo rk ap ac e ap ac e ap ac e ap ac e H o ne st lab o u r b e ars a lo v e ly f ac e T he s a m e c a su al qu al ity c ann o t in de e d b e assign e d t o t he gr e at s o ng w hich chill s as w ith t he d a mp o f de ath in W e bste r s Duche ss o f M alfy Int o th at t he who l e s o u l o f t he t e rrib l e p l ay is c o nd e ns e d H ark n o w e ve rythi n g i s still T he s c re e c h o wl an d t he whistl e r s hrill C all u p o n o u r d ame al o u d A d b id he r qu i c kl y d o he r shr o u d Mu ch y o u had o f land an d re nt ; Y o u r l e n gth i n cl ay s n o w c o m p e te nt A l o ng wa distu rb e d y o u r mi nd H e re yo u r p e rfe ct p ac e i s signe d Of what i s t f o o ls m ak e s c h v ain k e e ping Sin the ir c o nc e pti o n the ir b ir th w e e pi g The ir life a g ne ral mist o f e rro r The ir d e ath a hid e o u s sto rm o f te rr o r Stre w y o u r hair wi th p o wd e rs swe e t D o n c l e an line n b at he yo u r f e t — And t he fo ul fi nd m o re t o che c k A c ru c ifix le t b l e ss y o u r ne c k Ti s o w f u ll t id e twe e n ni g ht an d d ay E n d y o u r g ro an an d c o m e away “ B ut t he ru le o f t he s le n de r n e ss o f t he c o nne xio n be t we e n a d r a m a an d its s o ngs h o l ds tr u e o f t he t win l yri cs o f Shirl e y s w ho th o ugh b o rn l at e is as a sing e r E l iz a be than Bo t h u
r
o
e
,
‘
’
’
‘
,
’
n
,
,
,
,
,
,
7
,
,
’
.
,
,
-
,
,
n
n
’
r
e
’
.
u
n
,
e
,
,
,
.
,
e
,
,
e
’
n
’
-
,
.
’
,
,
,
,
,
.
,
35 2
FIVE CE N TURIES OF E N GLISH VERSE — ho rro r
as W e bste r s fu ll with n o thing might h ave b e e n c o mp o s e d with o ut r e l ati o n t o t he m asque an d t he e nt e rt ainm e nt th e y o nc e g l o rifi e d Cupid an d D e ath has c e ase d fo r c e nturi e s t o lay an y c l aim t o t he Od e Vi ct rio s m o f ar th o m o r Pro cl im ho w wid y o r m pir s a Th gh y o bind i e v e ry sho r And y r triu m phs r e ac h a fa As night d ay Y et y o p r d m o nar c hs m s t b y A d ming l wi th f rg o tte n ash s w he n D ath c alls y e t t h c ro wd o f c mm n m D v o u ring F amin Pl gu a d W a E ac h ab l t o nd o m ankind D ath s s r vil miss ari s a N o t t h s a l o n c o fin d H hath t will M r q aint a d s btl way s t o kill A smi l kiss a h will u t h a t S hall hav t he c nning skill t b r ak he ar t Eve n m o r e ind e p e n de nt if p o ssib le mus t t he siste r hymn ha ve a lw ays b e e n o f its o bscur e s e mi d r a m atic att e n d ant T h g l ri s f o b l o d d s t at A shad ws o t s b st ntial thi g s ; T h re i arm o r ag ains t f at D e ath l y s hi i y hand king s Sc ptr a d c r wn m s t t m ble d o wn And i t h d s t b q al m ad Wi th t h p r c r o o k d s cyth a d spade T h g arl ands wi th r o y r br w Th b st m r y u r mighty d e ds Up n D th s pu r pl al tar w S wh r t h vi ct o r vi ctim b le e ds Y r h ads mu s t c m T o t h c ld t o m b Only t h acti ns f t h j t S m ll sw e t a d b l s m i th ir d st as
— o f aw e
o f t he
’
,
.
o
u
en
e
u
e
a
ou
u
e
n
,
e,
n
ou
or
n
,
ou
e
o
e
a
u
e
e
r
e
e
e
u
e
r,
e
re
n
e
,
a
e
o
.
,
e e
o
en
o
n
e,
,
,
o
e,
e
o
e
o
e
e
u
,
e
’
r
s
u,
re
e
e
u
n
e or
u
e
e
se
e
s
,
e
r
9
a
e
o
,
.
,
,
-
e
o
e
o
re
ur
o
e
a
s
e
e
c
oo
oa
ee,
e
no
e
ou
e
.
o
e
no
-
o
e
o
e
o
e
,
n
o
e
e
e
e
n
o
u
e
e
e
ou
u
e
’
ea
u
o
e
o
n
on
e e
e
en
a
e
n
u
e
e
e
u
s no
n
u
n
,
an
o
,
o
n
e
os o
us
n
e
u
10
.
35 4
FIVE CE N TURIES OF E N GLISH VERSE Wi thin mi n y e s h m ake s hi n t H i s b e d amids t m y t nd r b r a t My kis s a hi d il y f a t And y t h r b s m f m y r e s t ; Ah w ant o n will y e 2 And if I sl e p the n p ch t h he Wi th p r tty flight And m ak s hi s pillo w f m y kne e T he l if l o g ni ght Strik I m y lu te h t ne s t h stri g H m si c p l ay s if I sing H l nds m v e ry l o v ly thing Y t c r l h m y h ar t d o th s t ing Whist want n s till y E ls I wi th r o s s v r y d y Will whi p y u h nc And b ind y o whe n y o u l o ng t o pl ay yo r ff nc F I ll sh t m y e y s t o k p y i I ll m ak y o u f s t i t f y r si I ll c nt y o u r p w r o t w r th a p i — Al as w hat h r by shall I w i I f h g ains ay m W hat if I b at t he wanto n b o y Wi th m ny a o d 2 H will r p ay m wi th ann y B c a se g d Th n it tho s af l y o m y kn Th n l t t hy b w r my b o s m b L rk i min y s I lik f th O Cu pid s o th pi ty m Sp re n o t b t pl ay th ! e e
e
s
e
re
se
e
a
o
e
e
s
e
e
s
es
,
s
,
e o
‘
,
e
er
,
e
,
o
e
n
e
.
e
e
u
e
,
u
e
e
n
so
e e
e
ue
e
e
e
e
,
e
o
,
e
e
,
e
e
e
a
e
o
e,
u,
u
or
’
o
u
e
.
e
’
ou
ou
ee
or
a
e
’
e
e
o
n
ou
n
o
n
n
.
n
e e
e
,
e
e
a
e
r
e
e
e
u
a
o
e
o
n
e e
a
,
ee
n
o
e
e
e
ee
e o
,
ou
,
,
.
u
e
u
o
e
s
e
‘
e,
u
ee
12
If Lo ve s music is t he m o st au dibl e in t he Occ asi o n al sixt e e nth s e ve nt e e nth c e ntur y ve rs e th at w as t o b e e xp e ct e d ; an d it is in all ke ys It is as n atur all y e mb o d i e d d aintin e ss in C ar e w s m o r a l izing ’
-
-
,
,
, ’
.
U N CLASSED
35 5
that l v s a ro sy c h e k Or a c o r l lip admir s O f r m s t a r l ik e y e s d t h s e e k Fu e l to maintain hi s fi re s As o ld Ti me m ake s the se de c ay S o hi s fl am e s mu s t w as te away He
o
e
e
e
a
r
-
o
,
,
o
e
,
13
.
To
gr ac e
it
dd s
a
sunny g l o w in Fo r d s o n mb r Ca y o p ain t a t ho g ht E ve ry f ancy i a sl m b r t s ro ving Ca y o u c o un t s ft m i F ro m a dial s p in t by m o vi g l a tl y C y o g ras p a si g h R b a virgin s h no r c has te ly ? ’
a
,
u
u
n
u
n
’
n
or,
’
o
s
,
u
o
y e t y o u may d o o h ha
oh n o
e
e
o
u
an
u
nu e
o
n
No ,
r
S o o ne r b t t t a d this T his a d that a d n v e r miss T han by a y praise display B e au ty s b e au ty su c h a glo ry As b yo nd all f ate all sto ry All arm s all ar ts Al l l o ve s all he ar ts G re ate r than tho se o r th y D o shall an d m u s t o b e y ; n
n
n
,
,
e
,
n
’
,
e
,
,
,
,
,
,
e
,
,
14
,
,
an d
in
th at pre tty fo und l ing— if n o t Tho m as Campio n s T h r i s a gard n i h fac W h r r se s d whi te lili s blo w A h av nly p radise i that plac Whe r in all pl asant f r i ts d o g ro w T h re c h rri s g r w that n n m ay b y Till Che y R ipe th ms lv s d c ry ’
e e
e
e
e
e
er
e
a
e
s
e
rr
e,
u
e
e
e
an
o
e
e
n
o
o
e
o
u
e
e
e
o
It gro ws tumul tuo us in ano the r str ay Lo ve Y o m ay s t m hi m A child fo hi might O y o m ay d m hi m A c o ward f hi flight ,
u
r
e
ee
r
s
u
ee
or
Z 2
s
,
15
.
t he
A d ve nture r
356
FIVE CE N TURIES OF E N GLISH VERSE wh m l v d o th ho n r B al d f r m t h d y th and g rd p h S t L v will fi d t t h w ay B u t if she
o
’
e co n ce
e
o
e
o
ou
ua
s u
ou
n
a
e
o us
a
e
o
,
er,
on
?“
e
It us e s an d i de al iz e s D ave n ant s Aub ade a de l ightful if — m ann e re d e xtr avag anc e wo rth all his l e a d e n G o n d ib e r t T he l ark w l e av e s his w at r y n t And c lim bing shak s hi d wy wing s H e t ak s this wind w fo t h E as t And t im pl r y r light he sing s Awak awak t h m o m will n v r ris Till sh a dr ss h b e a ty at y u r y s ’
,
,
,
’
no
e
e
o
o
o
e c
at o
e
e
r
.
e
,
e
n
,
ou
e
e,
It is
s
es
e
er
e
u
e
e
e
o
e
.
nc e de fi ant an d te nd e r in G e o rge With e r s G r at g d o kind f air r t h m r d sp air ; I will n I f h l v m t his b li v h s hall g ri v I will d i I f sh sli g ht m wh n I w d l t h I a sco r g ’
e
or
,
oo
’
e
o
e
e
e
n
e
W hat c ar
e
er
e
F o r , i f she b e
not
I fo r
e
oo,
e
an
,
,
e,
e
e
e
n
or
e
e,
e
e e re s
c
,
o
e
e e
s
r
,
o
fo r m e ,
wh m she b o
!
e
1“
— a an d a i t i e e o h n it k w s ts l f s f e w ll th r t n h ct r n o i e e W e a d o re Lik e Al x and r I will r ign And I will r ign al o n My tho ghts d id ve rm o r disdain A riv al o m y thr n i th r f ars his f at t o m ch H rts a sm ll O hi d T hat d ar s t p t it t t he t o u ch l o s e it all T o g ain B u t if tho u wil t p r o v f ai thf l th n And c nst a t f t hy wo rd gl o ri s by my p e I ll m ak th An d f am u s by m y swo rd ,
,
e
e
e
e
e
e
e
u
o
n
e e
e
r
s
e
a
u
no
n
ee
o
,
,
.
e
e
,
o
or
’
u
o
re
e se
o
.
e
e
e
,
o
u
e
,
ou
n,
,
FIVE CE N TURIES OF E N G LISH VER SE
358
B ut fo r n ati ve Sc o ttish i m agin ati o n o f t he h igh e st w e must l o o k t o t he wi ld g ar d e n o f Bo r de r Minstre l sy T h at whi l e singu la rl y unl i ke at its b e st t o t he c o ars e ne ss o f Engl ish br o a dsh e e t ve rs e an d t he p o l ish o f E l iz abe th an d r a m atic l yrics m atch e s t he l atte r in fir e o f inspir ati o n Thus the Eng l ish ve rs io n o ffe rs n o c o unte rp art t o t he h aunting dr e am o f E ar l D o ugl as in t he Sc o ttish t al e o f t he B attl e o f Otte r b o urn e I hav e dre am e d a dre ary dre am B e yo nd t he Isle o f S ky I saw a d e ad man win a fight And I think that m an w as I ? Eve ryb o d y again must h ave fe l t b o th t he w o e an d t he di gnity o f t he gr an d o ld b all ad o f Sir P at r ic k Spe ns N o te t he C apt ain s kn o wl e d g e th at he w as be ing s e nt t o his d o o m an d his si mp l e o be d i e nc e ; t he instinct w ith w hich t he fe w m aritim e d e t ai l s h a ve be e n s o ch o s e n as t o ad d a s i mp re ssive r e al ity t o t he i mpe ndi ng d is aste r as t he m any in t he f a m o u s s hip wr e c k in D o n J u an ; t he narr at o r s sp l e ndi d in d i ffe r e nc e t o t he f ate o f T he Kin g s d au ght e r 0 N o o w ay in c o mp ari s o n with t he l o ss o f gu de S i Pat ri c k Sp e ns t he b s t sail o r That e v e r s aile d t he s as — a o The n t he l a m e nt fo r Wi ll i e Dr o wn e d in Y rr w ho w t o u chi ng l y wan dering l y wistfu l D o un i y o n g ard e n swe t an d gay W he re b o nn ie g ro ws t he lilie I he ard a f air m aid si g hi g s ay My wish b e w i swe e t Willie O Willie s r are a d Willie s f air A d Willi e s w o ndro u s b o nny And Willi he cht t o m arry m e G in e r he m arrie d o n y -
.
,
,
,
,
.
,
,
,
3
,
,
.
,
’
,
’
’
’
r
r
,
e
,
24
e
,
n
e
,
,
,
n
,
’
.
.
’
,
’
n
,
’
n
e
’
e
,
.
UN CLASSED
35 9
g e ntle wind that b lo we th s o u th F ro m whe re m y l o ve r e pai t h C o nve y a kiss f rae his d ar mo u th And te ll m ho w he far e t h
Oh,
,
,
re
,
e
,
e
Willi go n who m I th u ght An d d o e s n o t h ar m w ping D raws m ny a te ar f ra tr u l v s c Wh n th r m aids a sle ping 0 c am y by y o wa te r sid P d y o t h r o se lili 2 O am y by y m ado w g r e n O saw y m y sw e t Willi 2 Sh s o g ht him p he s o g ht him d n S h s o ght t h b r id a d n arr w i t h c l aving o a c rai g Sy n S he f und him dr o w e d i Y arr w It an d t he D o wi e H o u ms o f Y arro w ar e in the ir acc e ptance o f b e r e a ve m e nt an d de s o l ate n e ss as ad mir ab le as t he c o nc e rt o f gre at l ate r m e l o di e s t o which the y h ave g ive n bi rth In t he s e c o nd t he fin al acqu i e sc e nce if re l uct ant an d pri de o f t he gir l in t he o b lig ati o n u p o n he r b ri de gr o o m t o f ac e t he c e rt ainty o f de ath at t he h an ds o f he r j e al o us br e thr e n a d d a fi n e t o uch H e has b e e n ch all e nge d an d kn o w s— an d she kn o ws— he m ay n o t h o ld b ac k F o I m aun gae t ho I ne e r re tu rn Fr a t h D o wi b anks Yarr w Sh ki d his c h k she k aim d hi s hair As h h d d n b f o r 0 S h b l t d him wi th hi n b l b r and An h s aw a t Yarro w B ut
’
e
s
e, e
e
a
e
e
ou
e
u
’
u
’
r c
e
u
e
u
c,
,
n
e
e
e
‘
ou
u
s
a
e
‘
e
e
u
c,
.
e
e
e
’
’
e
or
on
o
e
-
e
e
r
e
re
e
,
ee
e
o
on
o
,
o
n
’
e
,
o
o
n
n
.
.
,
,
.
,
’
r
’
,
e
e
e
’
e
ss
s
e
’
ee
a
e
e
e
o
e
e
’
0
’
o
.
’
,
,
e
e,
s
o
e
,
?“
o
brave in l e tting hi m go as He l e n o f Kir c o n n e ll in inte rp o s ing be twe e n t he f at al sh o t an d t he l o ve r she l e ft d e sp airi ng She w as
as
,
FIVE CE N TURIES OF EN GLISH VERSE
3 60
H e le n f air b e yo nd c o m p are I ll m ak e a g arl an d o t hy hair S hall b ind m y he ar t fo e mair Until t he d ay I d ie 0 H e l e n f air ! 0 H l n c has te I f I w e re wi th t h e I w re b l e s t W h re tho lie s lo w an d t ak e s t hy re st On f air Ki co n n e ll le a I wish I w e r e whe r e H l n li s N i ght an d d ay o m e she c ri e s A d I am w e ary o f t he skie s F or he r s ak e t hat die d fo r me 0
,
’
’
,
r
ver
,
e e
e
e
e
,
u
r
,
.
e e
e
n
n
,
.
l ame nt atio n fo r bur d H e l e n is pure t e n de rn e ss Mo re c o m m o n l y in th e s e B o r de r st o ri e s t he s e ns e o f he l p l e ssn e ss d e e p e ns t o d e sp air In Cl e r k S au n de rs fo r a s in Ke ats s P o t o f B a si l e x a mp l e t he affe cti o n o f t he b e re ave d bri d e is ag o ny n o t gri e f T he l o ve r s p e rs o n al i nn o c e nc e d o e s n o t a ll e vi at e his mis e ry in t he t rage d y o f t he f o r l o rn re pu l s e d L ass o f Lo c hr o y an W he r e r e m o rs e an d p ath o s go h and in h and gui l t fr e qu e nt l y f o rbids e v e n t he s o l a c e o f a t e ar as in t he l o nging o f f air L ad y Ann e It is t o c l asp t o he r b o s o m t he sn aw whit e d r e a m b o y he r b abe gr o wn u p in Parad is e w h o m she had m ur der e d t o s ave he r h o n o ur T i s I w ad c l ad the e in silk a d g o wd And no u ric e the e o n my kne e mi the r wh n I w as thine O mi the r S ic kindne ss I c o ldna se e Gl o o m is t he f avo urite hu e as w as c o ng e n ial p e rh aps in an age an d l and o f D o ug l as T r ag e d i e s B o nni e E ar l s 0 Mu rr ay an d Jo hni e Ar mst r an gs whe re e ve ry m an c arri e d his o wn l ife an d his o ve r t he B o rde r n e ighb o ur s in his hand T ho ugh s e ldo m with o ut g l e a ms o f fin e r fancy t he f av o urit e subj e cts ar e cri m in al w ant o nn e ss as in E ar l T he
.
.
,
’
,
,
’
.
,
.
,
,
-
-
.
-
,
n
e
,
’
.
e
,
’
u
2“
.
,
’
,
,
,
’
-
-
,
,
.
,
,
3 62
FIVE CE N TURIES OF E N G LISH VERSE kill d m y f ath r d ar Mi th r mi th r ; O I ha kill d m y f ath r d ar Al s a d wae i s m f that A d whatte n p nanc will y dr E dward E dward 7 And whatte n pe nanc will y dr e fo that My d e ar so n o w te ll m 7 I ll se t m y f e t i y nd r b o at Mi the r mi th r ; I ll se t m y f e e t i n y o nd e r b o at And I ll fare o v r t he se And what will y e d wi y o r t w s a d yo r h E dward E dward 7 And what will y d o w i yo r t o w s a d yo u r ha That w r a fair t s e 7 I ll l t the m s t and t ill th y d o un f Mi th r mi th r I ll l t th m s t and t ill th y d o n fa F h r ne v r m air m aun I b e And what will y l e av t o yo u r b air s a d yo u r wif E dward E dward 7 And what wi ll y e l v t o yo r b airns a d y o r wif W he n y g ang v i t h s a 7 The w a ld r o m le t t he m b g thr o w l if Mi th r mi th r ; T h w a ld r m l t th m b g t hr o w l if F th m n v r m air will I An d what will y l av t y o r i mi th r d ar E dward E dward 7 And what will y l av t o y o u r i mi th r d ar My d ar w te ll m T h c rs o f h ll f r a m s all y b r ; Mi th r mi th r ; T h c rs f h ll f rae m s all y b ar ; S i c o un ls y g av t o me t he shu dd e ring gh o st all al o ng o f t he m o th e r s O, I hae
e
e
e
,
a
e
,
e
e
,
e
,
e
e
n
,
e
e
e
n
e
ee
or
,
,
e
n
’
e
e
r
,
e
,
e
n
o
e
,
e
,
’
,
’
a.
e
’
o
’
u
’
o
r
’
u
n
a
,
,
’
e
e s
e
’
e
u
o
e
e
e
e
a
e
e
n
,
’
,
e
,
e
or
r
’
e
e
’
’
’
u
,
’
e
.
e
e
n
n
e,
,
e
ea
e
r
s
r
e
or
s
e
e
n
e
e,
e,
e
,
e
oo e
u
e
o
e
’
r
o
’
u
e
e
e
se e
e
e
e
e
u
o
’
.
e
a n
e
,
,
e
e
u
e
so n
,
e
u
e
c
e o
se
e
a n
e.
no
e
e
e
e
,
e
,
’
e
ea
e
e
e
e
e
e
e
e
35
e
’
,
,
UN CLASSED
3 63
kn o wl e d ge th at t he p arrici de w as inspire d by he r ; t he c o mpul si o n up o n he r s o u l t o fo rc e he r s o n t o c o nfe ss i t ; his re l uctance t o d amn he r with t he avo w al ; an d t he curs e up o n h e rs e l f which she e xt o r ts fr o m his un l o c ke d l ips an d he art W e ar e s e nsib l e al m o st o f r e l i e f wh e n fre e zing cyn i c ism a s it s e e ms r ath e r th an re m o rs e is vo iced n o t by m an but by r i ve rs Twe e d s aid t o Till W hat gars y e r in sae s till 7 Till s aid t o Tw e e d Tho u gh y e r in wi sp e e d And I in sl aw Y t whe r e y dro wn ae m a I dro wn t w a ; ,
,
,
,
,
’
r
,
e
e
n
3“
h o ars e a cce nts o f c arri o n birds As I wa walking ll alane I he ard t wa c o rb i s m aking a m an ; T h t an nt o t h t t h r y W h r sall w gang a d din t o d ay 7 I b hint y a ld f ail d yk I w t th r li s a w sl in kni g ht A d a b d y k ns that h li s th re B t hi hawk hi h nd a d l ad y f ir H i h und i t t h h ting g an H i hawk t o f tc h t h ildf wl ham H i l ad y s t n ano th r m ate S w m ay m ak di n r sw t Y ll s it o hi whi te ha s b an An d I ll pi c k t hi b nny b l u hi g wd n hair W i a l ck W ll th k o ne s t wh n i t g r ws b ar M ny a o e fo him m k s m an B t n n s ll k wh r h i g n O hi whi te b an s wh n th y a b ar T he wind s all b l aw f v e mai s
a
e
e
e
e u
e
e
e
n
e
e
e
n
u
o
’
s
o
’
a e
n
’
’
e
e
o
’
’
er
n
a
e
s
s
s
o
e
ee
e-
e een
o
e
a
en
o
e
e e
e
.
e,
e
r
a
e,
,
n
ur
ee
o
u
0
’
o
u
ou
.
e,
e
s
,
a
n
,
e W
o ur
’
e
un
e
e
e
ou
s
e
,
e
e
o
s
s
a
-
e
,
-
e,
ne
o
,
e
u
e
s
s
n
on
o
sa
e
o
e
e
n
’
.
e,
e
e
or e
e
s
a
e
e
r
re
r
’
.
“7
e,
FIVE CE N T URIES OF E N G LISH VERSE
3 64
witty airy m instre l sy this o f t he Sc o ttish h e aths wh e n at its highe st So d o ur it is as t o sugge st that t he u n k n o w n b a r d s n e e de d a murd e r o r a br o k e n he art to tun e the i r h arp strings B ut t he inspi rati o n is u n mist ak ab l e And r e m e mb e r — I h ave b e e n ab l e t o give but shr e ds o f a vast flo ating c l o ud o f s o ng with n e ve r a p o e t t o c l aim fo r hi s o wn t he g e ni u s an d t he g l o r y ! T he — — p e o p l e s p o e try t he b all ad s in ni ne te nths o f Eng l an d by t he e n d o f t he sixte e nth c e ntury whi ch r e vis e d an d Che vy Ch as e had l o st all n ative g l am o ur v u l g ariz e d ind e p e n de nt vit al ity Me an w hi l e in Sc o tl an d at l e ast o n t he fr o nti e r t he w h o l e survi ve d an d m atur e d T he Engl ish B o r de r th o ugh as m ay we ll b e h o pe d an d be l i e ve d it p art o o k in t he e nj o ym e nt c o ntribute d l itt l e e xc e pt p o ssib l y t he d i al o gue be t we e n t he Tw e e d an d t he Ti ll F o r s o me thr e e hun dr e d ye a rs m o r e o r l e ss t he p o pu l a r l ite r ature o n t he n o rthe rn si de w as ve rs e A ll w as h an de d d o wn fr o m m e m o ry t o m e mo ry with a r e c o gniz e d right in within t he int e rpr e t e rs at e ach st ag e t o m o di fy an d n arr o w l i mits m o de rniz e H o w th e s e wan de re rs t o l d a t al e an d wi th a varie ty ho w rich H o w m ade t o suit all t aste s an d c l ass e s T he musici an m ight b e e arning fo o d an d sh e l t e r in a rustic inn o r symp athy an d l arg e ss in t he h all s o f high B ucc l e uch Li ke t he si ll y b lin d Lo chm abe n he had st o r e o f t al e s tr agic a l an d p ath e t ic as h arp e r we ll as gro ss an d g ris l y T he m e rit w as as d ive rs e Fr o m a lo w de pth it r o s e t o p o ints o f sub l imity h o rr o r t e n de r n e ss s e l f sacr ifi ce which e d uc ate d inspir ati o n m ay m atch but rar e l y has e xc e ll e d In Eng l and if d o ubtl e ss m ain l y fo r t he e d uc ate d c l ass e s an aft e rg l o w o f t he c u l tur e d E l iz ab e th an sp l e n d o u r e n d ur e d t o an d thr o ugh o ut t he p e ri o d o f t he R e st o r at io n It m ay b e a me r e c o inci d e nc e but it fade d away with t he ad ve nt No
,
,
.
,
,
-
.
.
,
,
’
-
,
,
,
,
.
,
,
.
,
,
,
,
,
,
,
.
,
,
,
.
,
,
,
.
,
,
,
.
,
,
.
.
,
,
,
-
,
,
.
,
,
.
FIVE CE N T URIES OF E N GLISH VERSE
3 66
Is aa c W at t s s Cr adl e Hymn I r e c o gniz e trac e s o f n a tive inspir ati o n b u t inspirati o n pr e s se d into d o ing suit an d s e r vic e t o r e l igi o us e nthus ia s m H sh my d ar li s till a d sl mb r H o ly ang ls g rd t hy b d H av l y bl ssing s wi th t nu m b r G ntly falling t hy h ad H w m c h b e tte r t h t a tte nd e d Than t h S f Go d c o ld b W he n f ro m h av n he d e s c nd e d And b e c am e a c hild lik th e W a th r n thing b t a m ang r C rsed sinne rs c o ld aff rd T o r c i v t h h av nl y s trang r 7 D id the y th s affr nt th ir Lo rd 7 S ft my c hild I d id o t c hid th T h gh m y s ng might s nd t o hard T i t hy m th r s it s b s id t h And h rms shall b t hy gu ard Y t t o re ad t h sham f l s t o ry H o w t h J ws ab d th ir King H o w th y s d t he L rd o f G l ry Mak s m angry whil I si g S t h l o v l y b ab e a dre ssi g Lo v ly i fant ho w he mil d W h n h we pt t h m th r s b l e ss ing S o t h d a d hu h d t h ho l y c hild L h sl m b rs i hi m ang r W h r t h h rned o x n f d P ac my darling h r o d ng r H r r t hy b d x a n M y st tho l iv t kno w a d f ar him Tr s t a d l v him all t hy d ay s ; Th n go dw ll f v r n ar him S hi f ac a d s i g h s p ra s e I
’
n
,
u
e
e
en
e
ua
ou
on
.
’
ou r
e
on o e
u
e
e,
e
e
e e
e
e
e
e
o
ou
o
e
o
e
e
e
e
ee
e
e
e
e
e
e
e
e
a
e
s
e
e
n
n
e
ee
-
e
o
e
s
’
’
.
e
s
,
e
e
’
a
s n
e
ea
n
o
e
n
e
n
e
e
,
,
i
,
.
e
or e
e,
.
e
e
s no o u
e
’
o
,
n
o
e
u
n
s
n
’
o
-
e,
’
,
o
,
e
e
,
u
e
’
’
n
’
o,
,
e
e
o
us
e
erv
.
e u
e
e
o
ee,
e
er a
e
ee,
e
n
s
e
,
e
,
ou
’
o
e
u
o
e
u
e
e
u
o
u
e
,
e
e
u
s
e
e
e
e
o
u
n
e
,
i
41
U N CLASSE D
3 67
S ke tc he s in bl ac k an d wh ite by She nsto ne in T he S c ho o l mis tre ss ap pe a l t o o ur s e nse o f t he pictur e sq ue Fo u r l in e s in his s o c alle d Le vi t ie s p l u mb d e pths o f hu man sic kne ss at hum ani ty has t a e l d l if s d ll r und e W h Wh r r his stag s may hav b n May si gh t o t hink he s till has f o un d H i s warm s t w l c o m at a i N o w an d t he n a gust o f pity o r s e l f pity b l o ws rh e t o ric a sid e — rh e t o ric sti ll th o ugh o f a n o b l e s o rt a s in L o nd o n a n d T he V anity o f Hum an Wish e s F o r an inst ant s o m e thi ng true r t ake s it s p l ac e an d Jo hns o n m ar k s with te ars inste ad o f antith e s e s what ills t he s ch l ar s lif ass il T il e nvy want t h patro n a d t h ga l m o urning with affe cti o n at e si mpl ici t y al m o st wi t h or k ind l y e nvy t he o bscur e l y wis e an d c o ars e l y kin d pr actis e r in p hy sio he s e e s L ve t t o t he g rav d s c nd O i i o s inn c nt sinc r Of v e ry f ri ndle ss nam t h f ri nd Pi e c e s l i ke t he s e ar e inte re sting as p all i ative s o f a pr e vai l ing ste ril ity in r e spe ct o f Occ asi o n al in s p irati o n fo r s o m e hundr e d ye ars Othe rs l i ke Mic kle s Cu mn o r H all ar e e nd e are d by h abi t an d tr ad iti o n m o re th an by intrinsic m e rit B ut fo r a c e ntury afte r t he c l o s e o f t he Eng lis h p o e tic al re n aiss ance t he di stincti o n I h ave d r awn be twe e n p o e try an d wri te rs o f p o e try has l ittle pr actic al a pp l ic ati o n During this te di o us inte r re gnum such ve rs e a s d e s e r ve s t he n a m e o f p o e try w as t he w o r k o f its p o e ts Ve ry se l d o m di d t he ph e n o m e n o n o ccur o f a sp ar k o f ge nui ne inspir ati o n l ighting up o n a p o e t aste r o f a di vine e m o ti o n visiting unc o nse cr ate d l ips an d insisting o n .
-
oe
’
v
r
r
’
’
e
’
u
o
e
e e e
e
e
e
e
ee
nn
n
,
,
,
“2
.
-
,
,
.
,
,
,
’
o
o
,
,
e
,
n
,
e
,
fl u
e
,
o
43
o
,
e
c
,
,
,
,
a
e
e
e
e
e
,
e e,
,
e
e
e
e
“
.
’
.
,
,
.
,
.
,
.
,
,
3 68
FIVE CE N TURIES OF E N GLISH VERSE
be c o ming vo c al F o r p o sitive p o e tic al insight I d o n o t kno w th at I c o u ld inst anc e m o r e th an a tri o o f l yrics th u s quali fie d A mbr o s e Phi l ips fo r o nc e c a r o ll e d as a s o ngste r o f t he gr o ve fo r its n e st l ings t o his Li ttl g ssi p bli th a d h l Tattli ng m any a b ro k n t al S inging m any a t n l ss s g L vish f h dl ss t o ng S im pl m aid n v id f t B bb ling t t h v ry h ar t S l ping waki g s till at as Pl asing wi tho t skill t pl as Y t b d d t o t hy will ill Y t im ag ini g Y t t inn c nt t b l sh Lik t h linn t i t h b sh T t h m th r linn t s n t M o d li g h sl nd r thro at C hirping f rth t hy p tty j y s W ant n i t h ch g f t y s ; Lik t h linn t g r n i M ay F li tting t ac h b l my sp ray W ari d th n a d gl ad f r st Like t h l inn t i t h n st The n th e r e is He nry Care y s S all y Of all t he g irls that a sm ar t Th r s n n lik p r tty S ally S h i t h d arling f m y h art An d sh li v s i all y Th r i o l ady i t h l d I half sw t a S ally S h i t h d rli g f m y h ar t And sh liv s i o r ll y Of all t h d y s t hat i th w k I d arl y l v b t o d y And that t h d y that c m e s b twixt A S at rd ay an d Mo nd ay .
.
,
,
e
o
e
,
n
a e,
e
u
a
ee
a
o
e
n
ar
o
e
,
on
e
a
e
an
on
e
oo
e
o
u
o
no
e
e
-
e
an
e
o
,
o
e o
ee
o e
e
e
o
e
e
e
e
’
,
e
n
e
u
e
o
o
.
u
o
n
er
n
e
e
,
e
e
e
o
e,
e
,
,
o
e
,
’
n
e
,
e
u
e
,
ue ,
o
ou
ee
e e
e
e
a
e,
n
oo
e
n
,
e
e
e
o
n
45
e
e
,
.
’
r e so
e e
e
s
’
o
e
ee
a
e
e
o
’
s
.
an
e
o
n
u ’
a
e
,
s
n
e
e
e
n
e
u
e
n o ur
e
so
s
e
o
s n
s
e
e
e
e
e
e
e
u
e
a
s
a
e
.
e
n
ne
,
ee
a
o
e
FIVE CE N T URIES OF E N GLISH VERSE
3 70
inspi ratio n— the n— ye ars o f s anity but uni nspir e d— n o t e ve n sing o r f e ign t o sing d ie but l i ve ,
to
‘
,
,
How
c am e
S u b s id e
to
rs m
i t y o u e u e t he 4“ i n sign ifi c an c e 7
v o id an d nu ll
,
C o nve nti o n al is m had all but sti fle d t he l ife o f Occ asio n al Ve rs e an d w as th re ate ning t he m ain c u rr e nt o f n ati o n al p o e tic s e ns ibi l ity wh e n a t e mp e r o f re be llio us n e ss m ani T he m al c o nt e nts l o o ke d at o nc e b a c k an d fe st e d i ts e l f f o rw ard s Th o m as W arto n an d sti ll m o r e p ractic ally Bish o p Pe rcy had t he c o ur ag e t o re mind o f t he o ld p o pul ar — o minstre l sy The y ch alle nge d c ntinuing l ife a twi l ight l ife p e rh aps— fo r it in re n o v atio ns o f di ve rs fin e fr agm e nts Co ll ins Gr ay an d Co w pe r th re w d o wn t he g aunt l e t t o t he sch o o l o f Po p e Much m o r e re vo l uti o n ary e l e m e nts we re s o o n t o b e at w o rk A fre sh l ite r ary re n aiss ance g ave Sc o tl an d B urns In Eng l and it w as p re p aring fo r t he a d ve nt o f W o r d s w o rth Co l e ri dge Sc o tt B yro n She lle y an d K e ats Po e try whe n thus it r o us e d its e l f fr o m its t o rp o r t o war d s t he o p e ning o f t he nin e te e nth c e ntury wo ke into a n e w wo r ld Mo ve m e nt w as in it with a s e ns e o f a b un d anc e o f air T he p o e tic atm o sph e r e l o ng sinc e burnt up w as fe l t t o h ave be e n re ne we d fo r re a d e rs as we ll as auth o rs On b o th si de s o f t he T we e d o n e ch ar ac t e r ist i c o f t he re vi va l w as t he s a m e as had di sting u ish e d t he E l iz ab e th an Tru e an d de l ightfu l p o e try w o u ld n o w an d ag ain o w f ro m t he p e ns o f writ e rs h ard l y t o b e d e sc ri be d as p o e ts T he f act in Sc o t l and is l e ss surp rising The r e t he p o e tic spirit w ith o r w ith o ut p o e ts had n e ve r c e as e d t o stir if int e rmitt e nt l y i n t he indig e n o us mi nstr e l sy which r e m in de d B u rns th at he t o o might b e inspir e d N o w n o l o nge r with t he o r igin al grim an d tr agic acc e nt tho ugh s o me time s with t he o ld si mp l e c are l e ssne ss o f fa m e ,
,
.
.
,
,
,
,
.
.
,
,
,
.
.
.
,
.
,
,
,
,
,
,
.
,
.
,
,
fl
,
.
.
.
.
,
,
,
,
.
,
,
,
UN CLASSED many
37 1
sudde n m e l o d y wi ll b e fo un d t o h ave spr ung up l i ke a r ar e flo we r in t he w aste Ve rs e the re w as tho u gh o f r e al me rit with n o d istinct l y in dige n o us pr o pe rti e s ; s u ch as Lo gan s w e l c o me t o t he Cuc k o o whi c h w arm e d t he he art o f Ed m u n d B u rk e H il b t o u s stra g r o f t he g ro ve Th m ss ng r f sp rin g N w h av n re p airs t hy r r l s e at And w ds t hy w l c o m si g S w t bird t hy b w r i s e v r g r n v r c l ar T hy k y i Th h t o s o rr w i t hy s g N wint r i t hy y r a
,
.
,
,
’
,
a
e au e
,
ou
e
e
e
o
o
e
e
u a
e
oo
ee
o
,
as
o
n
.
ee
.
o
n
on
4“
ea
n
,
e
e
n
e
e
e
e
s e
s
ou
e
n
B ut in o the r s o m e wh at l ate r l yrics o f t he e ight e e nth nin e te e nth c e ntury t he Spirit o f t he o ld mi nstr e l sy in its if s o fte n e d an d m o r e t e nd e r t o n e s is c l e arl y au d ible s ad It br e athe s in t he l a m e nt fo r F l o d d e n We ll he ar ae m air lil ting at o u r e w e milking W o me n an d b airns ar e he ar tl e ss a d w ae ; S ighing an d m o aning o ilk a g re e n l o an in g T he F l o we rs o f t he F o re s t ar e a w e d aw ae ; ,
,
,
,
.
,
,
’
n
-
,
n
n
.
’
5“
e
music al w ai l s o f l o nging re gr e t fo r Pri nc e Ch arl ie an d 51 in rustic m e l anch o l y as o f Aul d R o bin Gr ay p assing n ow int o an inte rj e cti o n o f pr o te st ag ainst m an s lo t o n e a rt h Wha ll b y my c all r h rrin 7 Y m ay a th m v l g r f i i Wiv s a d m ith rs m is t d pai in Ca t h m li v s me n ;
in
,
,
’
,
’
u
e
c
e
’
e
’
e
n
e
fare we ll
e
to
e
u
e
0
’
a
a r n
a
,
’
’
r
es
E arth ’
e
,
-
e
,
52
me rging
w aring awa J a Lik e snaw wr aths i thaw J an I m ’
’
e
n
A a 2
in
n,
,
e
,
a
visi o n
3 72
FIVE CE N TURIES OF E N GLISH VERSE we ari g aw a T t h l and t h l al Th r s rr w th r J a a Th r s n i th r c a ld c ar J e an T h d ay i s ay f air I t h l and t he l al I m ’
’
n
o
e
e
’
e
0
e
s n
’
e e
’
e
o
e
.
e
o
u
e
e
e
e,
e
n
nor
,
e,
.
e
n
e
0
’
53
e
.
A lth o ugh n o t t he e qu al o f such str ains an o th e r pl aintive Sc o ttish Occ asi o n al lay — a cry o f e xi le s in Can ad a fo r the i r — d ol l o ve d h o me app e ars t o me n o t al to ge th e r unwo rthy o f a ss o c i ati o n w i th th e m List t m a wh n y h ard f ath r S ing l ng g t he s ng o f th r sh r s Li te t o m a d th n i c h ru s g ath r Al l y r d p v o i c s as y o u p u ll y o u r c a s F r m t h l n shi li g o f t h misty isl and M ntains divid s a d t he was te o f s as Y t s t ill t h b l o o d i s tr o ng t he h ar t i H i g hl nd And w e i dr ams b e ho ld t he H e b rid e s ne r shall t r ad t h f ancy ha nte d v all y W W he re tw t h dark hills c re e p s t he small cl ar s tre am I arms ar u nd t h p at ri ar c hal b anne r rally No r o yal to m b sto ne s gle am ee t he m o o n o Wh n t h b o ld kindre d i t he tim l o ng vanished Co nq re d t h s il a d f rtifi d t h k e p N O s e e r f o r t ld t h c hi ldr n w o ld b b a i shed That a d ge n rate l o rd might b ast hi s she p C m f o re i gn rag — le t Disc o rd bu rs t in slau ghte r 0 t he n fo c l ansme n t r e a d s te m c l aym o re T h he ar t s that w o u ld hav g iv n the ir b l o o d lik e wate r B e at he avily b y nd t h At lanti c ro ar ,
en
e,
o
a
o
n
s
s
e,
ou e
o
o
n
e
ou
e u
e
e
e
een
s
a
,
e
u
-
e
,
e
o
e
e
n
.
e
e
n
ue
e
e
o
o
e
,
n
o
e
e
e
e
,
,
r s
o
e
,
e
n
e
n
,
e
e
’
e
e
s
n
’
r
,
n
e
e
e
o
n
e
o
e
o
e
e
o ur
e
o
ee
o
ou
e
,
e
e
u
e
e
,
n
,
e
o
.
e
u
r
e
,
e
e
n
e
,
e
o
.
Fair the se b ro ad me ads the se ho ary wo o ds ar e g rand B t w e a e e xil e s f r o m o u f athe rs l an d ,
u
r
54
’
r
.
Eng l ish write rs w ho if b o rn t we nty ye ars e arl ie r might — e e a i m i a e e n v r h ve affe cte d t o b e p o e ts s l rl y yi ld d fo r t u ,
,
,
,
374
FIVE CE N TURIES OF E N GLISH VERSE
which w as jo y I am o n l y afr aid he w o u ld h ave miss e d t he t e nd e r hum o ur in t he s o rr o w My s p rightly ne ighb o u r ! g o n e b e fo re T o t hat u nkno wn an d sil e n t sho re S hall w e n o t m e e t as he re t o f o re S o m e su mm e r m o rning W he n f r o m t hy che e rf u l e y e s a r ay H ath s tru ck a b liss u p o n t he d ay A blis s that wo u ld n o t go away A swe e t f o re warni ng 7 .
,
,
,
,
,
.
56
Ag ain
qu ive rs w ith gh o st l y sighs as we re ad I hav e had p l ay m ate s I hav had c m p anio ns I m y d y s o f c hild h o d i m y j yf l s ch l d ay s All all a g o n t he ld f amiliar f ac s I hav b e e n l a g hing I hav e b n c aro sing D rin king l ate si tting l ate wi th my b s m c ro nie s All all a g n t he ld f mili ar f ac e s I l o v d a l v e o nc f air s t am o ng w o m n C l se d a h d o rs o m I m st t e h r All all a e g o ne t he o ld f am iliar f ac s I hav a f ri nd a kind e r f ri e nd ha o ma Lik a ing rate I l ft my f ri nd ab r ptly L ft him t o m se o t h o ld f amiliar f ac e s G ho stlik e I p ac e d r o nd t he haunt s o f m y child ho o d E ar th s m d a d e s r t I was b o nd t o t r av rs S e king t o fi d t h o ld f amili r f ac e s F ri nd o f m y b so m th u mr th n a b r th r t th u b o rn i m y f ath r s dw lli g 7 W hy w r t S mig ht w t alk f t he ld f amili ar f c s v l e ft m H o w s m th y hav di d a d s m th y ha tak n f ro m m all a e d p art d A d so m a All all a g n t he ld f miliar f ac s ,
ho w t he
air
e
,
a
n
o
e,
re
,
,
re
e
e,
o
er
e
n
e
e,
u
no e
se
n
e
u
e
n
e
.
s n
,
,
o
e
o
,
.
,
e
e
u
a
e,
r
,
e
o
-
oo
.
,
o
re
u
ee
,
o
o
o
,
e
,
,
n
O
u
e
o
n
u
e
.
u
ee
e
e
o
e
e
o
o
e
e
n
,
re
o
,
o
e,
a
e
’
e
,
n
e
o
e
o
e
,
n
a e
e
o
e
o
e
e
e,
.
n
o
re
e
a
o
no
e
u
e
n
e
,
a
o
e
e
e
r
e
e
e,
e
57
.
Pro ximi t y t o ve rs e l i ke this pr o vo ke s d ange ro us c o m p aris o ns fo r an y o n e Ce rtain l y Jam e s Mo ntgo m e ry— wh o se .
UN CLASSED
37 5
W o rld Be fo r e t he Fl o o d Gr e e nl and an d Pe l ic an Is l and — I re ad in bo yh o o d I c o nfe ss with ad mir ati o n c ann o t o fte n s t and it Y e t Lamb himse l f w o u ld n o t h ave sc o rn e d t he m e l anch o l y gr ac e o f a Fall ing Le af ,
.
,
,
,
,
.
fl
W r I a tr mb lin g l af O y nd r s t ate ly t r Aft r a s aso n gay a d b ri f C d m d t o f ad a d I s ho ld b l t h t f ll B sid t h c o mm n w ay W l t ri g i mir a d p n d by all Till tr dd n d o wn t cl ay N o w u ld I lik t o s p r ad My thin a d wi th r d f ac si cc s p al an d d ad I ho t A m mm y f m y r ac e — t h wing s f ai No Mi g ht I b l e ft t fl y t a d I h d I kn w t w he r A waif o f e arth a d k y W h that hath v r b e e n C l d b ar t o b mo r 7 Y t who w o ld t r ad ag in t h s c n H t r d thr o g h li f b f re 7 wi th inte ns d sir O M n s spiri t will m o v I t s e e ms t d i y t lik e h av n s fi It i nche d b u t g o ne ot q e
e
e
n
o
e
on
e
e
ee,
e
n
n
’
e
r
e
e
u
u
e
e
,
e
o
,
n
ee
n
e
o
ou
e
n
u
e
,
e
e
e
e
’
e
e
e o
e,
e on
o
s n
e
a
e
,
e,
s
u
o
a
no
e no
e
,
r
o
no
o
e
.
e
e
e
o
on
,
.
e
us
’
ur
s
o
n
r
n
e,
n
o
n
,
e
o
ee
o
n
e
,
a
o
e
e
e
o
e
n
e
u
e
e
e
,
e
e
,
e
’
re ,
58
ue
.
,
Sti ll l e ss wo ul d E l i a have di s d aine d c o mp anio nship with an Eng l is h if a humb l e r B u rns I am al m o st afr ai d t o pr ais e j u st l y t he D o rs e ts hi r e p o e t s T he Wife a l o st l e st it sh o uld b e t he br o a d s we e t D o ric which has r o c ke d t he critic al facu l ty as le e p ,
,
.
’
-
,
3 76
FIVE CE N TURIES OF E N GLISH VERSE Sinc e
I
fl
yo r fe d o wn b e l o w
mwo r e d o
noo
U p ste air s ,
or
zee
u
ac e ,
,
I ll z i t m e i n t he lwo n e so m e ple ac e , ’ he e at -b o u gh d e e h d o o ’
W r b c gr w B l o w t h b ch s b gh my l o v W h r y d id n v r c o m An I d n t l o k t o m t y o w As I d o l o k at hwo m S inc y o b e at m y z id mw I w alks i s mm e r h t lw o wh r mist d rid I ll g D o gh t r s a d ip pe w t B l w t he ai w t b o u gh my l o v W h re y o di d n v r c m An I do n t g ri v t o miss y o w As I d g ri v at hwo m ’
ou
e
e
e
ee
e
e
’
e
’
o
ou e
o
e,
ee
e n
o
ne
u
ee
r
e o
r
’
-
I do
pr aye
o
r
e,
,
e
o
e,
e
e n
e
e
miss y o r r at v ntid u
e
e,
e
n
e
o
e
e
,
e e
e
’
o
In
e
u
e
S inc e
n
.
e,
u
oo a
,
o re
n
n
’
e
u noo
e
e,
,
.
‘’
v ar c e an
e
,
’
fe ac e
e,
vai e e v o g e ace w r b id e Ab o ve t he tre e an b o gh m y l o ve W he re y o u b e g o ne avo r An b e a w ai ten v o r m e o w
r i n w o o n e s ad I ll p r aj he e y o u d o T o go o ’
’
’
r
u
,
r
,
,
e,
’
To
-
n
c o me v o r e v e r mw o r e .
,
59 .
I h ave he sit at e d w h e the r t o l e av e am o ng t he Unc l ass e d Th o m as Lo ve ll B e dd o e s H appi l y fo r t he cr e d it o f lit e r atur e t he t hink e r o f D e ath s Je st B o o k has alw ays b e e n ap p r e c iat e d th o ugh t he r e is iro ny in t he ad mi r ati o n c o nfine d as it is t o a minu t e circl e o f stu d e nts R e ad e rs in g e n e r al sti ll ar e n o t li k e l y t o try t o s o l v e a s e ri e s o f pr o b l e ms th e r e se t an d c o m m o n l y mu ch k n o tti e r e v e n th an th at gr an d an d pr o f o u n d Dirge .
’
-
,
,
.
,
tho u ght a f e ar i s t o m o rro w And ye ste rday i s o u r s i a d o u r s o rro w
T o -d ay i s
a
-
,
n
n
,
3 78
FIVE CE N TURIES
E N GLI SH VERSE
OF
R av e lsto n , R av e lst o n ,
stil b n ath t h tr T h m aid that k pt h m th r s ki T h s ng that s a g he T he
e
e
e
e
e
e
ee,
e
o
er
o
s
1
n
’
e
ne,
s a g he s ng she k pt h kin Sh sat b ne ath t he th rn W h n Andr w K ith o f R av l t R o d thro t h M nd ay m o rn She
r
n
e
o
e
,
e
e,
o
e
e
er
e
’
e
e s on
e
o
,
nchm n s ing hi hawk b lls ri g H i b l te d j w ls shin l t Oh K e i th o f R T h s o rro ws o f t hy lin
H i s he
e
,
e
e
s
s
e
n
,
e
av e s o n
,
e
-
,
e
e
Y e ar afte r y e ar
whe re Andre w c am C m s v ning d wn t h glad And stil l th r Si ts m o o nshin g h st W he re sat t h s nshin m aid e
o
e
e,
,
e
o
e
e
e,
a
e
e
u
e
e
.
misty hair i faint a d f ir S h k p s t h shad o wy kin Oh K i th f R a l t T he s o rro ws o f t hy line
Her
s
ee
e
n
a
e
e
,
o
,
e
ve s on
o
,
m y hand p n t h stil stil i l n a d c ld T h b rni t hat g o s b abb li g by S ay s n ght that c a b to ld I lay T he
u
u
e
s
e
o
o
e
n
e
e,
o
,
n
e
e
ou
e
n
.
stra g r h r f r m y ar t y ar Sh k p s h r s h d wy ki Oh K i t h f R a l t T he s rro ws f t hy lin
Yet,
n
e
,
e e,
e
e
ee
e
o
a
ve s o n
o
o
e
o
o
e
,
ne
,
e
o
thre e s te p s wh re A dre w st o o d W hy b l anc h t hy c he e ks fo f e ar 7 T he anc i e nt s til i s n o t al o T i s o t t h b u rn I he ar Ste p
out
,
e
n
r
e
’
n
e
ne,
U N CLASSED
3 79
m k s h imm m o ri l m S he k p s h shad wy kin Oh K i th o f R av l t o T he s rr ws f t hy l in
S he
e
a
er
ee
,
a
e
er
e s
o
o
,
e
o
e
o an
n
o
,
e
“2
B y thi s tim e al m o s t unc o nsci o us l y I h ave ad vanc e d far int o t he nin e t e e nth c e ntu ry B u t I h ave p ass e d o ve r m any d istingui she d n a m e s s o m e in th e ir d ay e ve n fa m o us an d a fe w sti ll T he r o ll w o ul d b e l e ngt hy w e r e it c o nfin e d strictl y t o t he c e ntury an d it has t o c o mp ris e h al f a d o z e n o r m o r e b o rn in t he pr e vi o us o n e I n o t e Ch arl e s D ib d in auth o r o f T o m B o wl ing an d m u ch o f m arin e r e n o w n b e si de s ; R e gin ald H e b e r o f P al e stin e an d o n e i m m o rt al hymn Jo ann a B ai lli e o f dr am as o nc e i ll ustri o u s Kir k e Whit e fo r hi s fa m e h appy in an e ar l y d e ath ; Jo hn Wi l s o n o f t he Isl e o f Pal ms an d arbite r o f lit e r at u r e Chr i st o phe r N o rth R o b e rt P o ll o k with t he s e ve r e as an d s e ri o u s Co u rs e o f Ti m e ; J o hn C l ar e with P o e ms o f R ur al Life an d R o b e rt Bl o o mfi e ld o f t he Farm e r s B o y t win Victi m s o f a p o e tic g e rm n e v e r matu r e d ; Bryan — a e r l W ll r Pro cte r B ar y Co r nwa l b e st r e m e mb e r e d fo r br e e zy s o ngs ; A l ari c W atts with Lyrics o f t he He art ; Jo hn Mo u l tri e o f My B r o the r s Gr ave an d G o diva ; Sir Th o m as N o o n T alfo u r d o f I o n ; Charl e s W e ll s w h o s e d r a m a J o s e ph an d hi s B r e thr e n w as disc o ve r e d thr e e ye ars b e fo r e his d e ath by S winbur ne ; W L B o wl e s w h o s e S o nn e ts Co l e ridge in his sch o o l d ays as he c o u l d n o t affo r d t o b u y c o pi e d o u t ; A ll an Cu nningh am singe r o f A we t she e t an d a flo wi n g se a ,
,
.
,
.
,
.
,
,
,
,
,
,
,
,
,
,
’
,
,
,
,
’
,
,
,
,
,
.
,
,
.
,
,
,
h pl ss L E a d m i r e d o f dr awing r o o ms fo r T he Impr o vis atric e Mrs B ar b au ld w h o s e Li fe it was tho ught must e ve r b e r e m e mb e r e d a
e
.
.
t he .
-
,
FIVE CE N TURIES OF E N GLISH VERSE
3 80
Lif w v b e e n l ng t o g the r Thr gh p l a ant a d thro u gh c l dy we ath r T i hard t o p art wh n fri nds a de ar P rhaps twill c o st a sigh a te ar Th n st al away g iv littl warning C ho se thin wn t im S y n t G o d night b t i s o m b ri ght r c lim Go o d m o rning B id m F e li cia He m ans w ho s e Ho m e s o f Engl an d an d G r ave s o f a H o us e h o ld n o t withst and i ng all the i r h o n e ye d s we e tn e ss will n o t b e fo rg o tt e n He nry St e bbing with po e try as in Je sus an d A Lo ng R ai lway Jo u rne y ch ar acte riz e d if a so n “4 m ay t e stify by m e l o d y an d hi gh tho ught Ar chbish o p Tre nch o f a rich f ancy as d ispl aye d in ve rs e li ke Ju stin Martyr an d t he b all ad o f H ar m o san E mi l y Bro nt e— o n e o f an e xtr ao r d in ary tri o o f sist e r s — o u w h o s e v e rs e inspir a ti o n s e e ms — as in T he Visio n ary— always t o b e w aiting t o d e sce n d ; Ay t o u n c hr o ni c ling with pictur e squ e s o l e mnity t he B u ri al M arch o f Dun d e e an d t he Ex e cuti o n o f M o ntro s e Lo rd Lytto n tho u gh d r a m atist r athe r th an po e t an d hi s so n E ar l o f Lytto n autho r o f F ab l e s in S o ng an d King Po ppy Mrs N o rt o n sc arc e l y l e ss b ri lliant with he r pe n a s in The L a d y o f La G ar aye — th an s o ci all y t he t w o d e Ve r e s Si r A u br e y an d A u b re y Th o m as b o th r o m antic spirits c o n t e nt t o h ave b e e n b o rn t o o lat e o r t o o e ar l y ; Ho rn e fl ing ing his Or io n at an u nr e gar d ing p u bl ic R o be r t B u chan an wh o s e Lo n d o n P o e m s an d B al d e r t he Be autifu l S ho w p o e tic i nsight ; P hi l ip Ja m e s B ai l e y w ith Fe stu s a p o we rf u l c o nc e pti o n su ff o c at e d by sti ll b o rn acc r e t io ns ; A l e xan d e r Smith w ith p o pul arity o f t he Jo n ab g o u rd k in d t he br o th e rs Fr e d e ric k T e nnys o n o f D ays an d H o urs an d Ch ar l e s T e nnys o n T u rn e r o f t he S o nn e ts e ach r e c o gniz e d bu t n o t a s y e t j u stl y appr e ci ated Wi ll i am A ll ingh am p o ss e ss e d o f a d e l ic ate to u ch fo r a b all ad o r st o ry e
e
ou
e
’
’
e
o
s
n
,
e
ou
s
e
re
e
’
e
,
e
e
o
e
,
e
e o
o
a
e
o
e,
u
-
e
,
n
e
e
e
“3
-
,
,
,
,
,
,
,
,
,
,
-
,
,
,
,
,
.
,
,
,
,
,
,
,
,
,
-
,
,
,
,
,
,
,
,
,
FIVE CE N TURIES OF E N GLISH VERSE
3 82
Tr e asury o f S o ngs an d Si r Arth r Q i ll r C o uch s Oxf o r d B o o k o f Engl ish Ve rs e — e a ch ad mi rab l e S o m e tim e s t he vo l ume s h ave br o ught o n e o r an o the r l yr ic fo r t he fir st tim e Oft e n the y have re c alle d e xce ll e nc e t o m y t o my n o tic e r e co lle cti o n an d r e fle cti o n A ll stu de nts b o t h p ast an d p re s e nt o f p o e try wi ll agr e e th at t he r ight t o t he tit l e o f p o e t an d p o e try d e p e n d s On l y o n t he p o ss e ss io n by t he c andid ate s o f inspir ati o n t he st an d ar d fo r th at 7 N at u r all y it is a pr o p e rty which In t he e asi l y e vad e s o r di n a ry an al ysis fo r g e n e r al u se first pl ac e it is wo nd e rf u l ho w g o o d m ay b e ve rs e with ho w sinc e r e l y o n e ge ne r ati o n m ay an d o u t b e in g inspir e d r e c o gniz e its pr e s e nc e A w r it e r m ay him an o th e r f ai l t o s e l f c o nsci e ntio u s l y be l i e ve in it s d e sc e nt up o n his s o u l t b e un ab l e t i n f u s e it int o his l in s A ng h e e o m o t e y vari o us circ u mst anc e s o r acci d e nts m ay b e fo un d an It is t he e xp l an at i o n o f a c o m m o n l it e r a ry ph e n o m e n o n fr e que nt he a d ing o f ch apte rs w ith l in e s n o t in t he l e ast p o e try an d the ir i mp o rt atio n in t o t he t e xt o f int e ll ige nt pr o s e B e yo n d d o u bt it is o n e o f t he r e as o ns why true p o e ts m ake b ad j u dge s o f t he m e rits o f t he ir o wn wo r k A l s o fr o m this o n t he o th e r h and? an d fr o m an al o go u s c au s e s a de ni al o f inspir ati o n t o p articu l ar pi e c e s is o p e n A l ate r ge ne ratio n may a l m o st t o a s m u ch qu e sti o n ing p o ssib l y r e h abi l it at e as p o e ts n o t a fe w d e ad n in e te e nth c e ntury c e l e briti e s Me anwhi l e I r e j o ic e t o thin k p o e m s a t all e v e nts in f a ir n u mb e rs h ave s u rvive d t he l ast c e ntury an d s u rvive sti ll T hu s th o ugh t he p e rm an e nt p l ace o f Christin a R o ss e tti — D ant e G abrie l s sist e r— is n o t e t d e ci d e d l ist e n t o Ech o y an d w e m a b s it w i ll h n ur b l e ur e b a e o o e y C o m t o m i t h sil nc e f t h nig ht C m i t he spe aking sil nc e o f a dre am u
,
u
e
’
-
.
.
.
,
,
,
.
,
.
,
,
.
,
,
.
,
,
.
,
.
.
,
,
,
.
.
,
,
,
,
.
,
’
,
e
o
e
e
n
n
e
e
o
e
e
U N CLASSED
3 83
C o m e wi th s o ft ro nd d c he e ks an d e y e s as b ri g ht As sun li g ht o a s tre am C o me b ac k i te ars 0 me m o ry ho p e l o v e o f fi n ishe d y e ars Po n de r t he c o ld c al m bitte r s we e t o f W h n I am d e ad m y d e are st S ing o sad s o ng s fo me Pl ant tho u o r o se s at my he ad N o s had y cyp r ss t re B e t h g r e n g rass ab o v m Wi th Sh we rs an d d wdr p s w t A d if t ho u wil t r m e m b e r An d if t h u wil t f rg t I s hall o t se e t h s had o ws I S hall o t f l t he r ain I hall o t h a r t he nig hting al a s if i Si g p ain A d dr ami g t hro u g h t h twili g ht That d o th t ri e o se t H aply I m ay r e me m b e r And haply m ay f o rg e t R e ad fu rthe r ; an d an inclin ati o n t o fix f o rthwith w rite r s r an k wi ll h ave gr o wn D o e s t he ro ad wind phill all t he w ay 7 Y t o t he v e ry e n d Will t h day s j o u rne y tak e t he who l e l o ng d ay 7 F ro m m o rn t o night my frie nd B u t i s the r e fo r t he ig ht a r e s t in g pl ac e 7 A ro o f fo r whe n t he sl w d ark ho u rs b e gin M ay o t t h d arkne ss hid i t f ro m m y f ac e 7 Y o c anno t miss that i S hall I m e t o the r wayfar rs at ni ght 7 T ho se who have g o ne b e fo re Th m st I kno ck o r c all whe n j u st in sight 7 T h y will n o t ke e p y o u standing at that d o o r e
u
n
n
,
“7
.
,
,
-
,
e
,
,
r
n
n
,
e
r
e.
e
e
e
e
o
n
o
on
,
e
n
e
.
ee
n
n
e
e
n
n
,
o
,
e
o
e
,
s
e
e
n
,
n
e
no
s
n
r
,
,
“8
.
’
u
e s,
.
’
e
.
,
n
-
o
n
e
.
,
e
u
nn
e
.
e
.
en
u
e
,
.
3 84
FIVE CE N TURIES OF E N GLISH VERSE
S hall I fi d c o mf o rt trave l so re an d we ak 7 Of l ab o u r y o u Shall find t he su m Will the r b b e ds fo r m e an d all who se k 7 Y e a b e ds fo all w ho c o m e Pat h o s p e rhaps an d p atho s is insidi o u s Y e t t he r e is p at h o s whi ch is j u st t he b l o o m u p o n str e ngth— a p atho s th an o t he r th an L e titi a B ar b au ld s th o ugh she wr o t e L ife Fe l ici a H e m an s s th o u gh she wr o t e Gr ave s o f a H o u s e h o l d whe n he s ang o f Lucy a p ath o s ak in t o W o r d s w o rth s I S t hi s Christ in a R o ss e tti s ? S o m e ti m e s wh e n t he inspir atio n is far fr o m t he r u l e w e w o n de r why it wa it e d o n this o r th at p ar ticul ar p ie c e ho w fr o m t he pi l e o f W hitt ie r s we ll inte nti o n e d t u n e ful st a r l e ss ve rs e l e aps f o rth J o hn B right s fav o urite S k ipp e r I r e so n s awak ing t o r e m o rs e fo r t he d e s e rti o n o f his br o the r fish e rm e n in a t e mp e st ! H e ar m e ne ighb o u rs at l ast he c ri d What t o me i s this no isy rid e 7 W hat i s t he shame that cl o the s t he skin T o t he nam e l e ss ho rro r that l iv s wi thin 7 W aking o r sle e pin g I se e a wre ck And he ar a c ry f ro m a ree lin g d e ck H at m a d c u rse me — I o nl y dre ad T h hand o f G o d a d t he f ac e o f t he d e ad S aid F l d Oi so f hi ho d ho r r t n
-
,
.
e
e
e
“9
r
,
.
.
’
,
’
,
,
’
,
’
,
,
,
’
-
,
,
’
,
’
e
,
,
e
,
,
e
e
n
,
n
e
u
’
To rr d
an
r
’
n
ur
,
’
fu t he r r d
rr
s
an
’
co r r
’
,
d in
a co r r t
B y t h w me n M o b l ad T he o d e ag ain t o a W at e rf o wl— w as it b o rn in B ryant s c ap ab l e so u l o r di d it fl o at t o hi s p e n fr o m t he air aro un d a s far o n hi g h t he bir d t o hi s sight 7 W hith r midst f alli g d w W hil gl w t h h av s wi th t he l as t s te p s f d ay F thr gh th ir r o sy d pths d o s t tho u p rs T hy !s o li tary w ay 7 e
o
0
’
r
e
’
e
7°
’
,
,
,
,
,
,
e
e
ar
’
n
,
o
ou
e
e
e
e
o
en
e
u
,
ue
3 86
FIVE CE N TURIES OF E N GLISH VERSE
s ld h who shri ki g g o Wi t mi li ns f r m a w rld f w s R unio n s k wi th i t o tho s 7 Al n wi th G o d wh re wi d b l w A d D th hi shad w— d m d h g That G d i th r t h sh d o w sh w Oh Sho r l ss D p wh re o wind b l w A d th kno ws o h Land w hi c h n T h t Go d i All H i Sh d w sh w Eve ry r e ad e r o f The L ays o f Anci e nt R o m e m u st fe e l th at Mac au l ay l o nge d t o b e a p o e t Y e t th o s e r u shing chr o nic l e s o f his whi l e the y p o ss e ss a ho s t o f o the r m e rits h ave n o t t he o n e he c o ve t e d mo st It is t he m o r e gr aci o u s o f t he M u s e t o h ave o nc e piti e d an d r e w a rd e d t he w o rship l e arning an d ye arni ng with a ch ange o f w at e r into win e o f s o n o r o u s r h e t o r i c in t o h aun t ing p o e try Th at ch ar act e r c ann o t b e d e ni e d t o t he pictu r e o f f al s e S e xtu s at t he B attl e o f L ak e R e gillu s : s id h saw s tr g visi M W hi c h n n b sid might ar A d that s t r ng s nds w r i hi W hi ch n mi ght h r b t h A w m an f ir d stat ly B t p l t h d ad a Oft thr g h t h w tc h f th i g ht S t p i i g b y hi b d A d h p li d t h d i t ff I sw t v ic d l w S h s g f g r t o ld h s s A d fig ht s f g ht l g g h a d S p g h U til t h ast w g ray T h p i t d t h b l di ng b r t A d hri k d :a d d aw y Y e t why ho u h l o , e
e
e
o
o
o
e
ea
,
s
o
s
ou,
n
e
,
e
o
s.
n
oes
o
s
o one
,
a
s,
’
a
,
,
o
oo
e
ee
e e
,
e
oe
n
o
e
es
e
no
e
,
n
o
r
ee
n
s
a
s
,
o
s
o
72
.
.
,
,
.
,
,
,
.
‘
a
en
an
e
e
e
e
a
e
ou
o
n
se e
u
re
a e as
ou
e
a e s
n a
e
e
o s
un s
n
n
o n
s
e
e
o
e
,
e
,
a
o
s o s an
s
e
as
e e
n
en
e,
,
on
ou
n
,
o
ou
ea
o
.
s a
e an
o
ee
an
e
e
er
n
.
e n
e
s
e
,
es o
a
s e
,
e
e
nn n
as s
n
e
an
,
n
u
ea
a
e
e
one
o
on s
e
fl .
,
,
e as
ee
e
a
73
.
’
s,
UN CLASSED
3 87
E ngl ish
l ite rary his t o ry c o n t ai ns a fe w c as e s in w hich a c o nsid e r ab l e mind has b e c o m e inspir e d an d b e e n c o n t e nt wi th t he sin g l e e ffo rt So it w a s w ith Sp anis h Bl anc o W hi t e in t he a d dre ss t o N ight a thin g o f tr u e p e nsive dignity tho u gh o ve rpr ais e d by n o l e ss than in his m atur ity Co l e r idg e as t he fin e st an d m o st gran dl y c o nc e ive d s o nn e t in ,
.
,
,
,
,
o ur
,
lan gu age
My ste ri s N ig ht wh n fi rst p ar nt kn w Th f ro m r p o r t divi e a d h ard t hy nam D id h this l o v ly f ram o t t re m b l fo This gl ri s c an py f light a d b l 7 Y t ne ath a c rt ain o f transl c nt d e w B athe d i t he r ay s f t h g r t s tting flame H spe r s wi th t h h st o f H v n c am And 1 C r ati n wid n d i m an s i w W h o c o l d hav th ght s c h d ark ss lay c o nc e al d w ho c ld find Wi thin t hy b ams 0 S W hilst fly a d l f d i s ct st d e l d Th t t o s c h c ntl s Orb s th u m ad st s b lind 7 W hy d o w the n sh n D ath wi th a xi s s trif I f Li ght th s d c iv w h r f r t Li f ou
ee
n
e
e
ou
o
’
e
n
,
u
o
u
e
e
n
,
u
a
,
an
u
e
e
V e
ne
e
ou
or
r ev
oo
e
es
,
n
e,
e
,
u
e
e
’
a
o
u
,
c an
n
,
e ’
un
ou
e,
e
u
,
ea
,
n
e
ou
_
e
ea
e
e
u
ue
ea
e
o
o
e
0
e,
n
u
e
e,
e
o
n
e
e
r
e
e n
o
o ur
e
e 7
ou
74 7 e
e no
e o
A m o r e o r di n ary e xp e ri e nc e is fo r a s u bj e ct o f in spir ati o n t o r e l ax t he spiritu al t e nsi o n w hich pr o d u c e d it th an t o sto p ve rsifying P r ae d s f ancy c o nc e ive d in t he R e d Fishe rm an m u ch m o r e th an a happy je u d e sprit It is a fi n e s t r ain in w hi ch S at an is d e scrib e d as ang li ng wi t h b ait o f St at e intrigu e s fo r a s ain tly Chu rchm an T he br illiant write r o f ve rs d e s o ci été m ight have d e ve lo p e d i n t o a t r u e p o e t had t he n e xt twe l ve ye ars o f his l ife n o t b e e n w aste d u p o n Par li am e n t T ho u gh s ho r t he v e r sifi e d sti ll he c arri e d t he ho o k o f p o l i t ics t o his gr ave T h r w a t u rnin g f k y s a d c r ki g f l ck As h st lk d aw y wi th hi ir n b x ’
.
’
.
,
.
.
,
e
e
e
s
a
o
e
e
a
s
B
ea
n
,
b z
o
o
n
.
o
o
s.
FIVE CE N TURIES OF E N GLISH VERSE
3 88
Oho
Oho
c o c k d o th c r o w I t i s t im e fo r t he F ishe r t o ris e an d go F air l c k t o t he Abb o t fair lu c k t o t he shrine H hath gnaw e d i n t wain m y c ho i c e s t li e Le t hi m swim t o t he no r th le t him swim t o t he s u th T he A bb o t will c arry m y ho o k i hi s m o u th H artl e y Co l e ri dg e with a true p o e tic instinct had al s o a m o rtg ag e d inh e rit anc e t o r e d e e m a s it w e r e B u t fo r l ac k o f wi ll he had e ar an d im agin ati o n t o b e c o m e wh at m e t aphysic al the o l o gy had ind u c e d his m arve ll o us f ath e r As it is it m ay b e ho p e d that he will b e t o c e as e t o b e r e m e mb e r e d fo r mo r e than o n e o r t w o ch arm ing s o ngs t f air t o o u tward vi e w She i s AS m any m aid e ns b e H e r l o v e lin e ss I ne v e r kne w Until she smil d o n m e Oh the I s aw he e y e w as b ri g ht A we ll o f l o v e a spring o f l ig ht B u t n o w he r l o o ks a c o y a d c o ld T o m ine the y ne e r r p l y A d y e t I c ase n o t t o b e ho ld T he l o v e li g ht i n he r e y e H e r v e ry f ro wns a e f ai r e r far Than smil e s o f o the r m aid e ns a I Sh o ul d gri e ve t o thi n k th at n o thi ng e l se is l e ft fr o m t he w o r k o f t he g e n e r o u s s o u l o f Mo nc kt o n Mi ln e s ; but a sh ad o w m ust r e m ain T he y s e e me d t o tho se w ho saw the m m e e t T he w o rldl y f ri e nds o f e v e ry d ay H e r smil e w as u ndistu rb e d a d swe e t H i s c o u rte sy w as f re e a d gay B u t y e t if o n e t he o the r s nam e I s o m e u ngu ard e d m o me nt he ard T he he ar t y o tho u ght s o c alm a d t am W o u ld stru ggl lik e a c apt iv bird T he
.
u
,
e
n
o
,
75
n
,
,
,
.
,
,
,
.
no
.
,
’
n
r
,
,
.
re
’
n
n
e
,
,
e
-
r
,
re
75
.
-
_
n
,
n
.
’
n
,
u
n
e
e
e,
FIVE CE N TURIES OF E N GLISH VERSE
3 90
Fro m y o r c l o ve rs lift t he he ad C o me u pp e J e tty f o llo w fo ll o w J e tty t o t he milkin g she d Po e try is n o t always s e ri o u s It c an pl ay D u ring t he n in e t e e nth c e nt u ry as e ar l i e r it w as u s e d fo r p o l itic al s atir e an d p astim e — fr e qu e nt l y by w rit e rs o f dis tin cti o n in o th e r fi e l ds E ar l y e x amp le s ar e Cl assic Canning s Fri e n d o f Hu manity which o nc e an y sch o o l b o y wo u l d h a ve b e e n a sh a m e d t o b e un ab l e t o r e p e at N e e d y k n if e g rind r w hit he r ar e y o u g o ing 7 u
,
,
,
”
,
7“
.
.
.
,
,
’
.
,
-
e
R e j e ct e d A ddr e ss e s t he n o l e ss f a m o us Ingo ld sby L e ge nds H o o d s v e rs e as hu mo rist an d l at e r a wr e ath o f b all a ds fr o m t he he r o ic o n e o n Litt l e B i ll e e t o t he — a o o a a a d e scripti n f Me dit e r r n e n g l e Apri l l aughte r n o t w itho ut a t e ar h e r e an d the r e — b y Th acke r ay A d wh n i t f r c xp d d nd d T h har ml ss s to rm w a And as t he sunris spl ndid th a C am bl shing t he
,
’
,
,
,
,
,
,
,
e
n
en
e e
o
s
,
s e
e
e
’
e
,
e se
o er
u
,
e
e
,
e
e
tho u ght as d ay w as b re aking My li ttl e g irls we re waking An d s miling a d m aki g A p ray e r at ho m e fo r m e I
,
,
,
,
n
n
.
Oth e rs by Shi r l e y B r k s P nch s p t l aur e at e o f Wit an d Hum o u r ; by Ch ar l e s Stu art Cal ve r l e y t he bri l l i ant fl ash e s o f a s u bt l e wit w hi ch he styl e d Ve rs e s an d Tr ans l ati o ns an d by L e wi s Carr o ll in t he fant asi a T he Hu nting o f t he Sn ar k Ab o ut mi dway in t he numb e r o f w rit e rs b o th in birth an d d e ath c o m e s D e an M ans e l with th at pr o digy o f bitin g sat ir e sc ho lar ly vir u l e nc e an d m e l o d y t o o Phr o nti st e ri o n H e r e is its Hymn t o t he Infinit e by t he fu ll Cho r u s o f Cl o u dy Pr o fe ss o rs ar e
oo
’
u
,
oe
-
,
’
‘
,
’
.
,
,
'
,
,
.
,
UN CL ASSED
39 1
v o i c e Of y o r W hi ch t he b r e z s b o re W ailin g al o u d f ro m P ax o s s ho re I s c hang e d to a gl add e r a d liv e li r st rain F o r g re at G o d P a i s ali v e ag ain H e l iv e s a d he re ig n s o nc e m o re Wi th d e e p i tui tio n an d mysti c ri te wo r hip t h Ab so l te I fi ite W T h Un i v e rs e — E go t he Pl e nary— Vo id T he su bj e ct O bj e ct id e nti fi d T h gre at N o thi g S o m e thin g t he B e ing T ho u g ht That mo ld e t h t he m ass o f C hao ti c N o u g ht W ho s b ginn ing un nd e d an d e d u nb e gu n I s t h O e t hat i s All a d t h All t hat i On e H ail Li ght wi th D arkne ss j o ine d 1 Tho u Po te nt Im po te nc e Tho u Q u a ti tative P o int Of all Indi ff e re nc e G re at N o n E xiste nc e p assin g into B e in g T ho u t wo f o ld Po l e f t he E le ctri c O e Tho u Lawl e ss Law tho u S e e r all Unse e ing Tho u Pro c e ss e ve r d o ing ne v e r d o ne T ho u Po sitiv e N e g atio n N e g at iv A ffi rm ati o n Tho g r at To tali ty o f e v e ry thi g That n e v e r i s b t e v e r d o th b c o m e T h d o w sin g T he Pan th is t Ki g Wi th c ase l ss b u g b u g b g a d e ndl e ss T he
e,
e
e
’
,
n
e
n
,
n
,
,
.
n
e
u
e
s
e
n
n
-
,
,
,
-
e
e
n
,
-
-
,
,
u
e
e
,
e
e
n
n
n
e
s
.
n
-
,
,
o
-
n
,
,
,
,
,
e
u
‘
e
u
,
e
ee
,
e
e
e
n
e
s
’
,
fl ,
hu m , hu m
n
u
,
hu m,
n
,
?“
A wo nd e rfu l t o u r d e fo rc e by a thin ke r n o t an habitual ve rs e wr ite r o ve rp o we r ing an d t o m ahawking Le t me te mpe r it with a d e lightfu l o w o f fancy by o n e w ho li ke a c o nt e mp o r a ry a n o t he r gr e a t m a st e r in r o m anc e might had he s o e l e ct e d h ave b e e n r e n o w ne d c hi e fl y as a p o e t W h n at h m al o n I it And am v ry tire d f it -
,
,
.
,
,
,
e
o
e
e
e
o
s ,
,
392
FIVE CE N TURIES OF E N GLISH VERSE v e j u st t o shu t m y e ye s T o go s ailing thr o u gh t he ski e s T o go s aili g far aw ay T o t he p l e as ant Land o f Pl ay T o t he f airyl an d af ar W he re t h Li ttl Pe o pl e ar e ; Whe re t he c l o v r to p s a e tre e s A d t he r ain p o o ls a e t h s e as A d t he l e av e s l ik e li tt l e s hi p s S ail ab o u t o tiny tri p s An d a b o v t he d aisy t re e T hro u gh t he g rass s High o head t he B u m b l B e Hu ms a d p ass s T hro u gh that f o re st I c an p ass Till as i a l o o king gl ass ; H u mming fl y a d d aisy tre A d m y ti y s e l f I s Paint d v ry c l ar a d n at O t h r ain p o o l at m y f t S ho u ld a l e afl t c o m t o l a d D rifting ne ar t whe re I stand Straigh t I ll b o ard that tiny b o at R o nd t he r ain p o o l s a t o fl o at Li ttl tho ghtf u l c re atu re s sit On t he g rassy c o ast s o f i t Li ttl e thing s wi th l o v ly e ye s S e e m s ailing wi th s rp rise S o me a e c l ad i arm o r g re n Th se hav su re t o b attl b e n S o m e a pie d wi th e v ry hu Bl ack a d c rimso n go ld a d bl u e S o me hav e wi g s a d swift ar e go n e B u t the y all l o k kindl y o n W he n m y e y e s I o c e ag ain O pe n a d se e all thing s pl ain Hig h b ar walls g re at b are fl o o r G r at b ig k o b s n drawe r and d o o r ; I ha
n
,
e
e
-
e
r
r
-
n
,
e
,
n
n
e
e
’
,
er
e
n
e
.
n
,
e
-
n
e
n
n
e
e
e
n
ee,
e
n
e
-
ee
e
e
.
n
o
,
’
-
u
e
.
u
e
e
u
e
u
n
r
e
e
e
e
e
’
re n
n
o
.
n
n
e
,
n
e,
n
,
n
e
.
o
394
FIVE CE N TURIES OF EN GLISH VERSE
f e ars t o sp e ak o f N ine ty e ight 7 W ho b lu she s at t he nam 7 W he n c o wards m o ck t he p atrio t s fate W ho hang s hi s he ad fo r sham e 7 H e s all a knav e o half a sl av e W ho S lig ht s hi s c o u nt ry th s B u t a Tru e m a lik e y o u m a Will fill y o u r glass wi th u s At l e ast as o ft e n in t he p au s e s o f fir e an d ir e is he ar d a no te s o m e tim e s o f p atho s as fr o m T h b e lls o f S hand n That s o nd So g rand o n T he p l as ant w ate rs o f t he riv r Le W ho
-
e
’
,
’
r
,
,
u
n
n
,
,
,
,
e
o
u
e
e
e
’
s o m e tim e s o f gay c asuist ry by a lo ve r arguing th at Tw uld save s so m ch b th r wh n w d b o th b e o an th r S lis te n o w t o r as o n Mo ll y Bri rl y 0 I m o t m y se lf at all o r a r aptur o us d e scr ipti o n o f t he Gr o ve s o f Bl arn e y wh e r e T h r s tat e s g rac i g this n b l plac e i All h a th n go ds d nym phs s f air ; B ld N pt n Pl t rch d N i c d m s All s tandi g nak d i t h pe n ai
’
o
o
u
u
n
e
’
o
e
e
e
,
e
e
’
ne
o
e
.
n
,
e e
’
s
e
o
e
n
u
e
an
e
u
o
e,
u
o
a
e
n
n
,
an
o
e o
n
e
r
u
,
52
It has be e n a m e l ancho l y d u ty if in e vit ab l e t o p ass in r e vi e w wo r k by a c o mp any o f S inge rs whe n the i r turns At l e ast the r e is s o me sat isfac a rrive o n l y aft e r d e at h ti o n in t he l aps e o f a suffici e nt int e rval t o b e e ntitle d t o c o ncl u d e th at s o m e p art o f t he t o t al o utl ive s a grave Of w rit e rs who have de p arte d in t he fe w ye ars o f t he pr e s e nt c e ntury n o m o r e c an with right b e st at e d th an t he e ffe ct th e ir s u cc e ssiv e v o l u m e s pr o d u c e d a s th e y A ll th at He nl e y s an d Lang s ve rs e e v e r s e e m e d a pp e a r e d ,
,
,
.
.
’
.
’
U N CLASSED
395
r e qu ir e w as t he c re ati o n o f a s u ffici e n t pu bl ic e d u cat e d t o r e a d b e t we e n t he lin e s T he pub l ic ati o n o f L ang s XXII B all ad e s in Bl u e Chin a w as I r e m e mbe r an e ve nt fo r ac a d e mic a l circl e s T he y ar e n o t fo rgo tt e n n o w He nl e y s p o e ms had a simi l a r s u cc e ss ; an d n o t a fe w o f the m als o — fo r inst ance Engl an d ! My Engl an d ! an d T he ir d e fe ct w as in Mar gar it as S o r o ri— ar e r e m e mbe r e d in abil ity t o p e ne tr ate an d h o l d a ve r age int e lli ge nce s p o e try as in g e n e r al an d fo r p e rm an e nc e o f impr e ssi o n must Y e t E dwin Arn o ld— wi th T he Light o f Asi a an d L e w is Mo rris— wit h S o ngs o f T w o W o r l ds afid T he Epic — of H ade s if fai lu r e c an b e n a m e d in c o nn e xi o n wi th myri ad s o f a d mir e rs— miss e d t he m o r e r e fin e d an d s e l e ct Gi l b e rt w o n b o t h cl asse s appr e ci ati o n e a ch c o ve t e d m o st with his B ab B all ad s an d his e ve rgr e e n dr a m as A l as fo r t he sp ar k o f g e ni u s in D a vi d s o n w it h his Fl e e t Str e e t Ecl o gu e s an d B all a ds an d S o ngs w hich might h ave b e e n fann e d int o a flam e had it n o t b e e n al m o st l it e r all y st arve d As fo r Alf r e d Lyall t he sp l e n d id ad mi nistr at o r t he s ag a ci o ns c o unse llo r t he e min e nt bi o gr aphe r n o thi ng m ight b e tho ught t o b e wanting t o his c ar e e r b u t fo r a c o nf e ssi o n by hi ms e lf R e ad a pie ce which is inspir e d an d it s e e ms t o sugge st an int e ll e ctu al r e gr e t T o o L at e — p e rh aps fo r s o ngs u ns u ng— e ve n d e e p e r th an at s e qu e str ati o n in t he F ar E ast fo r t he b e st p a rt o f a l ife tim e fr o m Engl ish s o ci e t y air a mbiti o ns an d c ar e s W hat fa re aching N e me sis s tirre d hi m F ro m hi s ho me by t he c o o l o f t he s a 7 W he n he l e ft t he f air c o un try that re are d him W h n h l ft h hi m the r fo the e That r stl e ss dis c o s o late wo rk e r W h s tr ai n ow i v ain at t hy n t O s o m b r e a d s u l tr y N o v r c a 0 La d f R e g re t s to
’
.
,
,
.
.
’
,
.
,
,
,
,
.
—
.
,
.
,
,
,
.
,
,
,
,
.
,
,
,
,
r-
e
,
e
e
e
e
er,
s n
n
n
o
o
,
r
,
n
,
o
s
n
e
e
s,
FIVE CE N TURIES OF E N GLISH VERSE
3 96
le arnt ho w t hy ho no u rs ar rat d 7 H a he c as t hi acc unt s i t hy s cho o l 7 Wi th t h swee ts o f au th ri ty s te d W o ul d h g iv u p his thr n t o b c o o l ? D th h c rs o ri ntal ro m nci g A d wish h had t o il d all hi d y A t t h B a o t h B a ks o financin g A d g t d amne d i a c mm np l c e w ay 7 B u t le t m e ha st e n t o c l o s e t he n e cr o l o gy o f t he Unc l ass e d — al r e a dy o v e rcr o w d e d — with a n a m e i llu stri o us as m any in my surve y in an o the r d e p artm e nt o f l e tte rs Ge o rge Me r e di th fo r t he wo r ld at l arge w he n it di sc o ve re d hi m a ft e r t w o t hi rds o f an en e rg e tic c a r e e r a s t e ach e r an d pr e ache r w as a n o ve list n o t u nd e rst o o d but priz e d B e fo r e he d i e d it had b e e n b ar e l y awar e th at he w r o t e ve rs e It tr e at e d t he l ittle it r e a d as an e cc e ntric dive r si o n o f hi s l e is u r e Eve n n o w t o m o st o f hi s pub li c it is a s u rpris e th at he ha s l e ft b e hi nd him a c o ll e cti o n o f p o e ms Y e t an y st u d e nt o f hi s pr o s e writin gs th o ugh witho ut kn o wl e dge o f hi s bi o gr aphy m u st fe e l he c o n s id e r e d i t hi s s o u l s v o c ati o n t o b e a p o e t s H e is n o t t o b e j u d g e d by pi e c e s l i k e th at o u tb u rst Jump t o G lo ry Jan e The y we r e a ccid e nts o f s u dd e n imp u l s e R e all y he is a p o e t think e r o f N atu r e at o nc e he r stu d e nt pri e st an d pr o ph e t H e w as e ve r watching l o vingl y he r m o ve m e nts an d tho s e o f he r wi l d childr e n with ke e n e r e ye s e v e n th an th o s e he b e n t o n M an fo r t he purp o s e s o f ficti o n It might b e t he l ar k at d awn b e ginn i ng t o r o un d an d dr o pping d T h S ilv r c hain f br k Of m ny l i ks wi th t I chirr p whis tl sl r a d shake or aft e r s u ns e t t h c u rv f t h w hit wl sw pi g W vy i t h d k lit by l rg star H a s he
e
s
o
s
n
o
o
e
u
e
e
r,
e
e
n
e
r
e
n
,
a
s
,
r
,
n
o
,
e
a
e
e
n
n
a
o
e
e
e
,
o
83
a
o
,
.
,
“
,
-
.
,
,
,
,
.
.
.
.
,
,
’
’
.
‘
'
,
,
.
-
,
,
,
.
,
,
.
,
e
a
u
ou
e
,
so u n
o
e
n
n
,
u
,
ea
a
,
,
54
n
,
e
a
n
es o
e
us
e
ee
e o
one
a
e
n
85
FIVE CE N TURIES OF E N GLISH VERSE
39 8
p o ssible t o b o rr o w as ve hic l e s fo r m e r e c o unte rfe its o f p o e tic s e ns ibi l ity an d insight T e sts by which such tr appin gs m ay b e d istin gu ish e d fr o m r e al fl e sh an d b l o o d an d s o u l o ught t o b e we l c o m e T w o I b e l i e ve fe w pr e t e n de rs c an p ass s u cc e ssfu ll y ; an d t he app l ic ati o n o f t he p air is n o t so d i i cu lt as might b e s u pp o s e d T he first is th at t he wo r k its e lf b e r e quir e d t o ans we r w he the r it h ave insist e d o n b e ing wr itt e n This m ay app e a r t o b e an att e mpt t o e xto rt e vi d e nc e o f g u i l t by t o rt u r e It might b e if ve rs e r e s e mb le d sp e e ch in o th e r c o ll o c ati o ns R e all y it is as h ard t o c o mp e l wo rds t o sim u l at e inspir ati o n as t o h ave it T he s e c o nd r e qu isiti o n S ho u l d b e simp l e e n o u gh tho u gh t o j u dge by o rdin a ry criticis m t he imp e di m e nts t o c o m p l i anc e wi th it ar e e n o r m o u s F o r pr o o f o f p o e tic a l m e rit r e g ard t he highe st an d b e st in a w rit e r s a c hi e v e m e nt W e a dv anc e n o t o n e st e p t o war d s kn o wl e d ge whe the r a m an h ave p o e try withi n him by d we l ling o n hi s f ai l ur e s f o lli e s o r du lln e ss e s His av e r ag e p e rfo rm anc e its e l f d e m o nstr a t e s l itt l e o r n o thing On l y t he e xtr e m e r e ach Of his th o ught i de as an d fir e t e ll s u s au ght Find V e rs e t o hav e pr o d u c e d o n c o mp e t e n t r e ad e r s a fe e l in g t hat t ho u ght an d e m o ti o n h av e e n f o rc e d ve nti l at i o n o f t he m s e l ve s in wo rds th at t he y ar e r e s o l ve d al s o th at a m o ng an y a m o u nt o f t o br e ath e t o b e su ng infe ri o r m att e r the r e is an inspir e d p artic l e — an d d ar e t o d e ny th at in t he au th o r t he r e is t he m ak ing o f a p o e t
fl
.
,
.
,
,
,
'
.
.
.
.
.
,
,
,
.
’
.
.
,
,
.
,
,
.
,
,
,
,
1
R ale gh
,
7 3
4
Id
.
,
Id
.
,
W
o
T he Lie ,
T he
R e liq u iae e
5
N i ho es
.
W
on
Sir
o t t o n i an ae ,
as
e
or
,
tr
B a c o n , T he B u
e s s,
1 685
.
e
.
o
oe
.
,
,
s
.
.
s
)
vol
.
vi ii
.
.
.
t he
Q
ue e n
o
f
B
i
St z
o he m a
an
.
as
l
,
3, 4
.
.
ee
.
s,
ne
A S w t L ( d A B G bbl R liq
on e
b
rk Oxf rd 1 820 (P m Phili p Sid y t 1 1 I bid o
I id
.
T o H is M is
c l Br t D vic ks W 5
u
e
on ,
W
a
.
2
.
p t ph p Pilgrim ag
An E i
tt
st
u llab i e
r o s ar t ,
.
e
u i ae
)
,
t z
s an
1 87 9
W
as
2, 4,
.
o t t o n i an ae
.
Ab r r
o
of
Am r
o o us
U NCLASSED
399
D kk r H Ch ttl a d W H ght T h Pl a t C m d y f P ti t G i il S h k p re S ci ty 1 84 1 l S g Act i Sc 2 W rk f J h f M lfy B T h D ch W b t r d Al x Dyc C pi d d D t h M q J am S hi l y Dr m tic 1 65 3 Od d P m d W G iff rd d A Dy r W rk d Uly f Aj x Dr m tic E t rt i m t T h C t ti S g J m S hi l y i bid Al x d r d C m p p J h Lyly Dr m tic W rk d F W T
7
a
7
e
s e
e 7
e
,
e
.
1 °
on
on
e
11
an
e
F a ir ho lt 17
on
v,
,
e,
.
.
an
e
.
an
a
e
o
s o
o
.
o
n
sse s
es
r e
a
n
a
,
a
.
a
.
a n
e
en
,
.
as
a
e
n
o
.
a
,
a
s, e
o
.
.
.
.
G ld
p
R o s aly n d e , E u hu e s
Di d c t s
en
o
n
.
,
.
o
,
an
ue
.
o
r e
e
as
.
on
es
a
.
en
e as
e
.
,
s, e
oe
s an
o
ea
an
u
e
os o a s
,
e
.
o
on,
au
.
’
a
e ss o
n
ea
es
a
.
u
e,
e
.
,
r ss
en
in
e
e
.
Re tu rn e d
ain
st
,
o
1
.
Le gac ie
en
P
T he
.
(T he M u se s Li brary )
oe
T ho m as L o d ge
.
ms
of
.
C rw
T ho mas
a e
ed
,
.
Art h
ur
’
.
.
H rt S g B y d t h r c h f Art J h F rd d W Giff rd d A Dy r lV k C m pi F rth B k f Air 1 6 1 7 Ric h rd Th m t 1 Ali Allis R cr ti i M ik 1 606 (A A H wr T h G ld Tr ry F T P lgr v N (7 C m d y b y T B ) t 3 A t A b d S i W illi m D v G W it h r t 5 S l ct Lyric P m f I ll A E xc ll t N w B ll d — t t h t v rl v t h m r M m i f M tr by J m M rq i f M tr b y M rk N pi r Syr C li S I B k i 4 R liq f A c i t E gl is h P t ry by Bi h p (T h m ) P rcy I b id S I B k i 1 T h A c i t B ll d f C h vy C h S g II P m E d W illi m Dr mm d f H wt h r d W C W rd (T h M Li b r ry ) T h B ttl f Ott rb r (T h Sc tt i h V r i ) t 1 9 W lt r Sc tt Min tr l y f t h Sc tti h B d r I b id Si P trick Sp Dr w d i Y r w t z s 1 2 3 8 1 0 1 1 pp 2 5 —7 W illi Sc tti h S g d M ry C rlyl Ai tk Th D wi H m f Y r w Sc tt B d r M i tr l y t z F i Hl t z 6 8 10 Ib d L dy A t 8 I b id E rl R ic h rd I bid Th D m L v r I bi d J ll G r m I b id Y gB j I b id T h Cr l Sist r (B i I b id i o i O Bi 1 4
Br k
T he
o
s, e
or
15
as
e
o
e as u
.
r
e
1 9
n
e
es
a
o
21
e
.
a
.
e
o
2‘
’
s
s
r
e s
s
on
77
e
e
o
e,
n on
.
a r
e en
’
ne
o
e
ee
o se ,
on
ue s o
e
n
o
a
en
e
e
a
n
oe
.
n
e
a ro
n
.
en
o
or
,
e
,
er
,
.
on
.
oo
,
oe
.
.
,
s
.
.
e s on
s
,
s
.
a
.
e
.
s an en
e
a
s
.
i
s an
a
a
3 °
e
e
ae
on
e
.
a ro
o
a
,
,
,
,
,
.
,
.
.
o
.
’
s
or
ns
e
e s
e
as
,
,
.
.
.
.
on
a
ue
.
o
e
.
.
37
.
.
e
.
.
ou
nne, s
,
.
s
o
e
a
.
.
e
o
ou n e
a
.
us
a
.
as
79
31
,
,
.
un e o
.
a
.
ne
o
s,
n
o rs o
a
’
e
o
en s
’
7“
s an
e s
s
ase
o
e
a
25
o
e o
a
o
.
e
o
u se s
e
n
o
.
.
e
,
o
on
o
e
.
oo
o
.
on
.
e
o
oo
a
u
a
a
u
o se
e
a
en
n
n on
a
,
.
e,
oe
a
as
o
a
,
,
ea
e
a
.
on
er
e s
e e
,
e
n e,
s
.
u s o
au
s
.
en
a
7 “
s
,
’
.
e n an
a
a
.
.
ea
.
ou
.
o
,
e
o
.
n
.
e
e
on
e
,
.
s
on ,
on
en
15
an
a
or
on
.
o
.
.
o
so n ,
ea
en
nn
r e,
nn or e
o un .
en
ie
.
.
,
FIVE CEN TURIES
4 00
E N GLISH VERSE
OF
Q Sc tt B rd Mi tr l y t 1 8 s M ri E d ward E d w rd A Sc ttis h B ll d Fr m MS c py t a m itt d fr m Sc tl d I B k i 5 P rcy R l iq S (I h v glic iz d t h p lli g i P rcy c py ) m wh t A Sc tti h Riv S i T h m Dick L d r T h T w C rbi (Sc tt B rd r M i tr l y ) W M t h w ll v r i M i tr l y A ci t d M d r v ri T h L chm b n H rp r (Sc tt B rd r Mi tr l y ) l xxx ) J ph Add i P t (J hn Dr T h m P ll S g (J h P t l ) A Cr d l Hym Dr I c W tt M r l S g (J h l l i t P t z l 3 6 7 8 10 1 1 s t l y t 5 Sh t W ritt I L vit i at H (J h P t) T h V ity f H m Wish Practi r i Phy ic t 2 O t h D th f M R b rt Le v t Am br Phili p — T Mi s Ch rl tt P lt y i h M t h r Arm M y 1 1 7 24 (J h P t ) S lly i All y t z 1 d 4 H ry C r y P m Chri t ph r S m rt A S g t D vi d t 5 W rk d Lif 1 7 9 1 R Br w i g P l y i g wit h C rt i P pl (Chri t ph r S m rt ) 3 i J h Lg t z 1 6 Sc tti h S g d Od t t h C ck M ry C rlyl Aitk T h Fl w E lli t (Sc tt B d r M i t l y ) f th F r t J A ld R b i G r y L d y A B r rd (Li d y ) Liv s f t h l ii Li d y Call r H rri P m with M m i d Ch l L d y N ir R g rs 1 869 th L l I b id Th L d C d i B t S g ( l tt r fr m G M Fra r T i m Lit r ry S ppl m t D 2 3 1 904 wh r it i m ti d th t t h gh b ly t P f r W ils L ckh rt J h G lt d L rd att rib t d vari E glin t ) O a I f t Dyin g S B r Ch l L m b P t Bo h 1 84 1 W rk I b id H t r I b id T h Old F m ili r F c T h F lli g L f M tg m ry T h P o tic l W rks f J m T h W if l t t za 1 2 4 P ms f R ral Lif — i t h D r t — i D l ct b y W illi m B r S c d c ll cti A Di g T h m L v ll Bed d P tic al W rk E d E d m d G 1 89 0 T he
’
ueen
a
35
a
,
e
o
e
so
3“
n on
37
a
38
e
o se
o
.
a
o e s, v o
e
v
.
47
n
s an
,
en a
s
oe
an
nn
o
u
e
an
e
n
ea
s,
a
4“
o
s
ues
ns
a
.
e
.
e s
e
.
er
o
.
.
e
ns
.
.
’
n so n s
e s
o e s, v o
s.
’
e
s
a
o
.
x xv n
.
.
s
on
’
n so n s
o
.
,
,
s
,
e
r
o
.
es.
a
,
a
s
au
o e s, v o
,
,
,
s o
r
en s o n e,
.
.
e
es
’
n so n
o
a
,
49
o
a
v
,
o
e
an
e
.
en
o
a
,
o
sa
s, v o
e
a
n
.
o
e
oo
u
es
o
an e
.
e
nne
a
.
’
n
an
en
a
.
oa
a
55
n
s
5“
ne
o
ro
e
e
,
,
o us
s an
eo
a n
.
e
e,
.
s o
.
e
as
s
o
.
,
on
,
e
n
n
an
’
o
s
e
or
sa
n
a n a
ns re s
e
,
e
e
o
’
e
se
.
.
e
o
ar e s
.
ea
.
.
es
e a
e so n
o
,
e
,
a
a
o
,
o
on e
en
on
an
.
s
e
o r,
e
s,
oe
.
e sso
as
n,
.
e
.
a
n
a
as
e en
o
an
,
a
ar e s
.
oe
.
.
e
ea
n
e a- o s
a e
o n
as
oon
.
e
a
,
e
e
.
s an
s
a nes
.
,
,
e
o
a
oe
.
on
o
a
a
o
a
on
.
.
on
es
e
o
e
n
e
u
o
e
a es
.
o
se
.
7
6“
o ss e
r
.
.
.
es e
58
se e
on
ec.
,
u e
on
s
e
o
s
oe
,
o
.
o
.
,
an a
a e
.
s an
,
5“
54
’
.
e
e
e
s
e
s
n
.
.
er
n
,
s
,
.
e rs o
u
“2
en
.
o
en e
u
s
n
.
an
on
ar e
s
oe
as
.
.
e
a
n so n s
e
o
a
se
a
,
.
n
5“
a
n n
o
.
s
s an
,
e
’
o
.
e
o
.
o
e
e
es
an
.
n o ur
‘7
o
’
s aa
,
s
,
a
u
e n
o
en e
o
o se
o
o
.
.
4“
n
,
e
.
.
o
ns
o
so n s
,
e
s
.
a
’
as
o
on
’
s
,
o
,
e
’
,
as
s
e s
.
,
o
.
o
.
arn e
as
e
a
so n
1 °
n
an
en
e
oo
r
o
a
a
n
’
ns
er
o
,
e
.
n
,
a
.
e r s,
es
e s
o
er
.
e S
o
ns
,
’
s
o
s
o
e
.
e
s on
e
an
o
.
.
an
o
a
e
’
e
o
.
.
as
o
e
o es
.
oe
o
s
.
.
un
.
C O N C LU S I ON S 7
FR OM my fir st t o my l at e st wo rds o n V e rs e which is p o e try tho u gh it m ay b e witho u t a p o e t I h ave had in my m ind t w o q u e sti o ns Co nsci o u s l y o r u nc o nscio u s ly I h ave b e e n ask ing m ys e lf : Wh at th e n is Po e try ? an d What m ak e s a Po e t ? I am un ab l e t o ans we r the m y e t t o my o wn e ntir e S at isf a cti o n I c an e nu m e r at e t he qu al itie s w hich singl e o r s e ve r al n e ve r all t o ge the r u nl e ss p e r haps in o n e s u p e rh u m an c as e I mys e lf fin d in Eng lish ve rs e Fancy an d I m agin ati o n F o rm — o r Styl e St ate lin e ss Passi o n Ch arm Myst e ry Path o s Atm o sphe r e an d Sp o nt an e ity sh ar e a m o ng the m wh ate ve r p o e try is in my j u dge m e nt e n t it l e d t o b e c all e d gr e at Im agin ati o n an d F ancy st and f o r e m o st Im agin a t i o n c o n d ucting t he pr o c e ss e s o f r e c o nstr u ctin g an t icip at ing pr o ph e sying ; s e tting F ancy in m o ti o n ; F ancy whe th e r in de p e n de nt l y o r aft e r I m agin ati o n has d o n e i t s wo r k an d s om e tim e s b e fo r e s e e ing thi ngs u nd e r a ch ange d asp e ct t he o ld as if th e y w e r e n e w T he abs e nc e o f F o r m 1 s m o r e r e a di l y no t e d th an its pr e s e nc e Whe n t he distingu ishi ng ch ar act e ristic as o f B e n J o ns o n as p o e t o f H e rric k W all e r Suc kling an d Lo ve l ac e it is almo st id e ntic al wi th Styl e It imp lie s S e lf r e str aint an d R e s e rve Fr e que nt ly it has t he h appin e ss t o b e ass o ci at e d with t o o m u ch o f gr and e ur fo r it t o b e singl ed o u t as t he wr i t e r s b a dge Y e t a p o e t m ay b e i llu stri o us with o u t it fo r W o rds wo rth is State lin e ss an d Passi o n n e c e ssiti e s s o m e tim e s ar e o fte n o u t o f p l ac e W e w ant n o fin e r e x amp l e o f t he f o rm e r th an Par adis e Lo st an d n o w o rs e th an N ight Tho ughts ,
,
,
,
.
‘
’
,
,
.
,
,
,
,
,
.
,
,
,
,
,
,
,
,
.
,
,
,
,
,
,
,
,
,
.
,
.
,
,
,
,
.
,
,
.
’
.
.
,
,
.
,
.
CO N CLUSIO N S 7
403
Pas sio n take She lle y S wi n b urn e At t he ir be st th e y e xe mp lify t o p e rfe c t i o n t he se lf a b an do nm e nt t he e cst asy whi ch is t he triu mph o f p o e tic ar t Char m in p o e try e ve ry o n e fe e ls n o n e c an e xp l ain It al t e rs its hu e s t o e a ch r e ad e r s e y e s An alys e it an d t he h an d gr asps air It c o m e s at n o b o dy s be c k an d c all n o t e v e n Mi l to n s o r Sh e ll e y s Co m mo nl y by n o means always it turns its b ac k u p o n W o r d s wo rth I t wi ll n o t b e p art e d fr o m He rric k an d Ke ats Myste ry is a r ar e Vis it ant an d we l c o me o nl y whe n r ar e It is a m o ng t he distincti o ns o f Christ ab e l It is t he glo ry o f W e bst er s we ir d e x e cuti o n di rge o f Sc o ttish Ed war d o f Sy dn e y D o b e ll s K e ith o f R av e lst o n Ed ward It is E dgar A ll an Po e s prim e e ng in e an d hi s Evi l Ge ni u s N o n e c an sp e ak o f P atho s as an y l o nge r S hy an d r e t iring Of o ld it w as litt le use d N o t unkn o wn a m o ng t he Eli z abe thans it w as wi th the m far fr o m habitu al In l ate r d ays it is its abs e nc e whi ch wo u ld b e r e mar k ab l e B o th wr it e r an d critic ar e ap t t o fin d it a dange r o u s sn ar e The y ar e li ab l e t o b e bribe d by it t o acce pt the ir o wn he art be ats fo r m u sic o f t he sphe r e s I h o p e I h ave alr e ad y s u ffici e nt l y w arn e d my r e ade r s th at th e y ar e fr e e t o disc o unt my pr ais e s o f ve rs e w h e n e ve r t h e y th e m s e l ve s a r e inc l in e d t o sh e d a t e a r o ve r it In a p o e t t o aim at p atho s sche m e fo r it is cri min al Whe n it c o m e s it sh o u l d c o m e as an incid e nt n o t as t he m o tive o r c al c u l a te d r e s u lt In gr e at p o e try as W o rdsw o rth s it st e als fo rth a lm o st as it w e r e ag a inst t he p o e t s wi ll I h ave l e ft t o t he e n d a c o u p l e o f qu alitie s whi ch ar e n o t so m u ch s e p ar at e pr o p e rti e s o f p o e try as c o ndi ti o ns o r state s o f it E a ch I r e gar d as e xc e e dingl y pr e cio u s Whe n w e ar e n o t s ur e that w e h ave l e a rnt fr o m a p o e m all which is t o b e l e arnt that w e have fe lt all which is t o b e fe l t C c 2 Fo r
.
,
-
,
,
.
.
,
’
.
,
’
.
’
’
,
,
.
.
.
.
,
.
’
-
,
’
,
’
.
,
.
.
.
,
.
.
-
.
.
,
.
,
,
,
’
.
,
,
’
,
,
.
.
.
,
,
FIVE CE N TURIES OF E N GLISH VERSE
4 04
w he n w e susp e ct th at it h o ld s in r e s e rve fo r us d e li ghtful p o ssibili ti e s that it has e nte r e d into us an d th at w e ar e in sp iritu al uni s o n with i t— the n an d the r e I r e c o gn iz e Atmo sphe r e It is n o t a be ginni ng o r b asis b u t a r e s ul t Whe n t he fe as t is o ve r a b o x o f spik e n ar d is br o ke n an d a fr agr ant v ap o ur e nve l o ps all Bl ake s ve rs e fl o ats in Atm o sphe re So d o e s Ke ats s E v e o f St Agn e s S o Christ ab e l T h e r e is At mo sphe r e in H o gg s Ki lme n y I fin d n o n e in C a mpb e ll an d litt l e in S co tt s o wn ve rs e tho u gh abund ance in hi s B o rd e r Minstr e lsy Aki n t o it I supp o s e tho ugh t he st at e is as h ar d t o d e scribe as Atm o sph e r e is e ve ry supr e m e p o e t s an d p o e m s str ange p o we r s u d de n l y t o Op e n fr e sh s o ur c e s in br ain an d h e art F o rthwi th issue s a fl o o d o f fe e li ng as m agi c all y s w e e t t o r e ad e r as t o writ e r A m e r e v e r sifi e r m ay go up an d d o wn s inking we ll s e ve ryw he r e H e to r tu r e s t he d e pths o f t he s o i l The e ntir e r e gi o n r e m ains fo r hi m a d e s e rt a S ah ar a T he p o e t c o m e s with hi s wi ll o w bo u gh an d springs g u sh fr o m t he s o lid ro c k t o m e e t t he divi ning r o d as it be nds It is a r e al gift l ik e t he sp e ll t he to uch o n hum an e y e s w hi ch us e d t o r e ve al t he c c e xist e nc e wi th t hi s e a rthy w o r l d o f o urs o f a ctu a l F a iry l and I h ave n am e d t he c o ndi ti o n fo r want o f a b e tt e r wo rd Sp o nt an e ity fo r its e ffe cts h ave n o man ife st c au s e R e ally sp o ntane o u s ge n e r ati o n is as un kn o wn in p o e try as in physics F ancy s o ws t he ge rms an d fo rge ts whe r e The y whe n spr u ng u p re me mb e r an d afte r w and e ring aw ay r e turn as bir ds t o the ir n e sting p lace s N o b o d y c an t e ll t he pr e c is e n at ur e o f t he ag e nt wh e the r it b e a thi ng o r a p o we r a m o d e o f a cti o n an asp e ct Of s o me thi ng e ls e It r o am s ab o ut t he r e al m o f p o e try l e ndi ng i ts e l f o u t t o t hi s o r th at s e p ar at e qu ality Po mp at its t o uch b e c o m e s maj e s ty Char m ris e s e ve ryw h e re lik e ,
,
.
.
.
,
’
.
’
.
.
.
’
.
.
’
,
,
.
,
,
’
,
’
.
.
.
,
.
,
.
.
,
,
,
.
.
,
.
.
,
-
,
,
,
,
-
,
,
.
,
,
,
,
.
,
.
.
,
FIVE CEN T U RIES OF E N GLISH VERSE
406
b o rn
th at t im e T he t as t e an d fashi o n o f t he p e ri o d m ay h ave ch ange d an d b e e n f o rg o tt e n T he spirit if e ve r it we r e r e al an d sinc e r e w i ll th o u gh tinge d with t he c o lo u rs o f its age c o nt in u e t o li v e in l it e r at u r e It m ay e ve n burst an e w int o fl am e I f t he p e ri o d as a w h o l e o r an y di stin ct str atu m in it a cc e pt e d as its vo ic e a p o e t it had fo r m e d he w i ll r e m ain a v o ic e th o ugh e ch o ing fr o m a w i l d e rn e ss In an y e ve nt he an d t he pub l ic which o nc e l ist e n e d t o his m u sic wi ll h ave had t o a l a rg e e xt e nt a c o mm un i ty o f s o u l B ac o n has b e e n a rg u m e nt ative ly f ab l e d t o b e t he actu al Sh ake sp e ar e T he f ancy wo u l d h ave b e e n m o r e p l ausib l e if he had be e n d e scri b e d as a c o ll ab o r at o r Th e n the r e w o u l d b e tr u th i n it b u t o n l y a fr acti o n o f t he tr u th H e m u st S h ar e t he fe llo wship with R ale gh an d Dr ake Ess e x t he C e ci l s t he w i t s o f t he M e rm aid Sidn e y Sp e ns e r t he b u cc an e e r m ar in e rs o f D e vo n— w i t h t he e ntir e awake n e d n ati o n All we r e t o ge th e r j o int au tho rs with Sh ake spe ar e o f t he P l ays an d o f m any a f a m o u s p o e m fo r a h al f c e n t u ry b e sid e s Eve ry au th o r m o r e o r l e ss a p o e t m o st o f all r e pr e s e nts his e n vir o ni n gs T he char act e r o f p o e try always d e p e n d s l arge l y u p o n t he p e rs o n al e l e m e nt o n t he n at u r e s W arm e d by o f t he r e ad e rs a s w e ll a s o n t h at o f t he p o e t t he s a m e sunshin e an d b u ff e t e d by t he s a m e st o r ms as t h e y he give s b ac k t o the m the i r o wn in s o ng W he n w e a dmi r e t he a ntiq u e wi t h o u t be ing ab l e t o giv e a r e as o n fo r it Oft e n is th at ins e nsib l y w e h av e l ive d o u r a d mir ati o n b ack int o an o the r age by virtu e o f c o m m u ni o n wi t h o n e o f its cr e atu r e s an d cr e at o rs T he bl o o d o f a dist ant e r a is stirring in us It is n o t always dir e ct symp athy w ith a p e ri o d which s e ts n atu r e s po e tic ally e n do we d s inging t o the ir ge n e r a ti o n S o m e tim e s it is an an al o g o u s e m o ti o n in a c o n t r ast e d g u is e — a t e mpe r o f r e vo lt t he at t r acti o n o f antip a t hy of
.
.
,
,
,
.
,
.
,
,
,
,
.
.
.
,
.
,
.
,
,
,
,
,
,
-
.
-
,
.
,
,
.
,
.
,
,
.
,
,
\
.
.
.
,
.
CO N CLUSIO N S 7
407
A mino rity has p e rs u ad e d its e lf th at t he sc e n e o ught t o b e shifte d He rbe rt an d Vau ghan we r e inspir e d t o pr o te st ag ainst t he m ann e rs o f th e ir tim e o n b e h alf o f H e ave n L ate r o n fr o m t he s a m e di sgust at t he pr e s e nt Co w l e y au g ur e d tri u mphs fo r sci e nc e sti ll u nb o rn b u t in t he air S a m u e l B u tl e r m o c ke d d e sp o t ic Pu ri t an Maj o r G e n e r al s Dryd e n ch a mpi o n e d r e ac t i o n p o l i t ic al an d the o lo gic al S wift w as j au ndic e d ag ainst a wo r l d as p e tt y as Li llip u t an d as c o ars e as B r o bdingn ag Po p e s sp it fi r e cyn ic al indi ff e r e ntism inspir e d its e lf wi t h t he s o ci al mi asm a i t affe ct e d t o l o ath e B ur n s s Mus e w ave r e d b e t we e n j o y in Ar c adi an simp l icity an d an u n e asy a r e m o rs e f u l r e b e lli o us — o n e ss against Kir k S e ssi ns p e rh aps ag ainst f ami ly S atur d ay N ights t he ms e l v e s B yr o n s d e fi anc e o f his fe ll o w m e n B r o wning s di squ isiti o ns t o s o ci e ty o n t he m e aning it had f o rg o tt e n o f its o w n v ag ari e s an d T e nnys o n s e ffo rts t o t e mpt it into b e c o ming t he id e al o f its d ist o rt e d distr acte d s e l f ar e all al ik e st e e p e d in t he tim e s circu mst anc e s T he ir pu b l ic r e c o gniz e d its e lf— d e no unc e d c o mp assi o n ate d — a m o r aliz e d e the r e liz e d as the ir t h e m e E ach p o p u lar sin ge r in turn has b e l i e v e d hims e lf a l e a d e r an d a pr o phe t So he has b e e n ; b u t a l e ad e r be c au s e m o st o b e di e nt l y r e pr e s e nt ativ e o f hi s f o ll o we rs a pr o phe t b e c au s e b e st tr ans lat ing t he in cli n ati o ns o f hi s di scip le s by hi s o wn E l iz ab e than gr ande ur an d sp aci o u sne ss r e fle ct the ms e l ve s in t he gi ants o f c o nt e mp o r ary p o e tic al l it e r atu r e It is t he s a m e w i t h t he e a rt hi ne ss t he int e lle ctu al an d spiritu a l p o ve r t y o f thr e e fo u rths o f t he e ighte e nth c e ntury Eve ry p e ri o d cr ave s t o have its e lf po e tic ally int e rpr e te d t ho u gh Whe n it is w it ho u t J o n so n s t he lyr e r asps an d cr e ak s an d He rb e rts an d c ann o t c o m mi ssi o n e n o ugh Grays an d G o l dsmiths i t m u st p e rfo rc e p u t u p w i t h Y o ungs an d In an y c as e i t l o ngs t o fe e l ak in t o t he Ak e n sid e s .
.
,
,
,
.
-
.
,
.
,
’
.
,
’
.
,
,
,
’
.
,
’
’
,
,
’
,
.
,
,
,
.
.
,
.
,
,
.
.
,
-
.
,
,
'
.
,
,
.
4 08
FIVE CENT URIES OF E N GLISH VERSE
min str e l sy
A p o e t bo w s t o t he s a m e instinct His s o ng wh e the r in d e fi anc e o r r e spo ns e w as nur s e d in an d wo ul d r e turn t o t he h e art s t o w hich he S ings Gr e at p o e try has ch ar a cte ristics its ve ry o wn N o l e ss i t in d ic at e s t he sp e ci al circ u mst anc e s o f its o rigin The S o m e ve rs e e xe rts au th o rs disg u is e th e ms e l ve s a s l i t t l e a di stinctive p o we r — a m o unt ing t o c o mpul si o n— Of r e fe r ring its e l f b ac k t o t he wr it e r s p e rs o n al ity W e c ann o t re ad Clo u gh w ith o u t c u ri o sity as t o t he m o tive t he l ight w hich a pi e c e thr o ws up o n t he m e nt al st age t he p o e t had r e ach e d t he n e arn e ss t o t he g o al Evid e ntl y he wr o t e t o t e ll hims e l f H e r e I am n o t allu ding t o s u ch de l ib e r ate in t r o sp e c t i o n I am thin king o f t he sun p o rtr aits in spira ti o n t ake s ho w it brings a who l e b e ing wi th it s r e sp e ctive t e n d e ncie s an d e n e rgi e s o f all s o rt s t o mirr o r its e lf Str o ngl y m ar ke d an d vigo r o u s in t he m ain fe atur e s usually with f ail in gs as s e lf e vi d e nt t h at b e ing is b o und t o b e The Mu s e d o e s n o t an o int he r kings at r and o m In t he e xp e ct t he s e ns e o f a n atur al e l e c t w e h a ve a rig ht t o titl e t o t he cr o wns p l ace d o n the ir h e ad s T he assu r anc e T h o ugh p o st e rity m ay is supe ri o r t o S i l e nc e t o n e gl e ct h ave fo rgo tt e n th e ir r o yalt y is in de fe asibl e T he su b st anc e m at e r i al an d S piritu al a d o pt e d by t he p o e tic sp a r k It fo r its l o d ging o r h o m e o u ght t o b e s e l f su i cin g sh o uld b e ab l e t o e nt e rt ain t he gue st an d survi ve w ith d i gnity its d e p artu r e S u rve y t he dy n asty o f s o ve r e ign B ri t ish p o e ts t o wh o m succe ssive g e n e r at io ns h ave p aid h o m age Be yo n d d isput e n in e t e nths will b e ad mitte d t o h ave be e n n o t l e ss r e m ark abl e as m e n than as p o e ts t o r e m a in r e m ar k ab l e wh e n th e y h ave c e as e d t o sin g Ge ni al Ch au c e r ris e s at my invo c ati o n so ldi e r a mb ass a d o r an d c o u rti e r c he e r fu y c ar e l e ss o f pr e l at e s o r fr i ar s o l a a e a c w s I se Sp e ns e r w ith o F ry l nd st t s e t h k e t a i e s y .
.
,
,
,
,
.
,
,
.
.
.
’
.
,
.
,
.
-
.
,
.
,
,
-
.
,
.
fl
.
.
,
.
,
,
,
-
.
,
,
,
,
.
fl -
.
,
,
.
.
,
,
’
'
,
’
FIVE CE N TURIES OF E N GLISH VERSE
4 10
n e ve r t o all s e e ming o r gu e ssing susc e ptib l e o f a j e al o u s suspici o n N at u r e w o u l d h ave b e e n cr u e l had s he n o t e qui pp e d w ith m anif o l d stu rdi n e ss tho s e s e l e cte d t o h and t he t o rch o f i nspir ati o n fr o m o n e g e n e r ati o n t o an o the r T he p o e t ic spirit is we ll a dvis e d in pr e fe rr ing t o ho u s e in a big n atur e The v o c at i o n o f p o e t is a m o ng t he m o st unc e rt ain t he tho rni e st With s o m e ve rs e it is tr u e w e fin d it di ffi c u l t t o ass o ci ate t he th o u ght o f t o i l T he writ e r might h av e ,
,
.
.
,
.
,
fl
,
.
lispe d i
m b rs
n nu
e
,
an
d t he
nu
mb rs c m a
e
e
.
kn o w ho w La mb s spirit whi ch l o ve d t o o w l ik e t he Mo l e u nd e rgr o u nd d istill e d his fe w an d l o ve l y str ain s In ge n e r al h o we ve r t he ard u o us ch ar acte r o f t he p u rs u it i s in di sp u t ab l e N e v e r c o u l d f ancy app ar e nt l y h ave be e n m o r e spo nt ane o us than G o lds mi th s an d he wo r k e d o n a p o e m fo r ye ars T he st art fo r an y write r m ay h ave be e n e asy a s u pp l y o f im agin ati o n an d fancy b e ing pr e s u pp o s e d Ve ry s o o n b as king in t he sun has t o turn in t o d e l ving an d di gging T he r aw m at e ri al s with whi ch t he p o e t d e als o ft e n ar e w aiting in re adi n e ss fo r The th o ughts him ; b u t he has t o m an uf ac tur e th e m an d fe e l ings he has t o e xpr e ss ar e c o m m o n t o h u m an n atur e ; the y ar e in artic ul ate unti l he has e du cate d l angu age w i t ho u t e xte rn al e vi de nc e o f c o mp u l si o n t o disc o ve r u n kn o wn c ap aciti e s in i t s e lf fo r c o nstitu ting i t t he ir v o ice Dur in g t he pr o c e ss an d as a c o nditi o n o f its s u cc e ss all his e n e rgi e s ar e in a stat e o f e ff e rve sc e nc e Me anwhi l e he has t o l o o k fo r t he Spirit t o d e sc e n d and c all a s o u l int o b e ing F o r lo ng pr o b ab l y the r e is n o r e s u l t At l e ngth n o t app ar e nt l y o u t o f t he ste a m an d bubb l ing a sh ap e b e c o m e s vi sib l e A p e c u li arity o f an y p o e try w o r t hy o f t he n a m e d o u btle ss is th at t he w o r k as t he W
e
do
’
not
,
,
,
,
.
,
,
.
’
.
,
.
.
,
.
,
,
,
.
.
,
,
,
.
.
,
,
.
,
CO N CLUSIO N S 7
411
r e ad e r p e rh aps as t he w o r k e r s e e s i t s hall be a r u p o n its fac e n o e vid e nc e o f t he p ains it has c o st N o t t he l e ss is it t he fruit o f a pr o tr ac t e d an d ve he m e nt c o u rs e o f spiritu al gymn astics fr e qu e nt l y o f ago ny Co u r age curi o sity p ati e nc e o bstin acy e go tism s e lf r e l i anc e p e rh aps a spice t o o o f s e lf c o nce it all ar e want e d fo r t he struggl e ag ainst ad ve rs a ri e s at h o m e an d abr o ad T he p o e t m u s t h av e a wi ll H e mus t insist o n b e in g b li nd an d d e af t o t he c l aims o f riv a l f a c u l ti e s o f his o wn w he n inspir ati o n is o n hi m The y m u st e ve n le t the ms e l ve s b e h arn e ss e d t o its ch ari o t L ac k o f d o gge dn e ss in br e aking in c o u nt e r in t e ll e ct u a l an d spirit u al i mp u ls e s in o b ligin g t he m t o s e rve has o fte n sm o the r e d t he p o e t u nd e r t he p hi l o s o phe r o r critic A tri al y e t m o r e affli cting is t he du t y o f b e ing m ast e r in hi s o wn h o u s e t o t he s e lf to rtu rin g — o n o n o e xt e nt f s e tti g b u d s t t he fl ights o f his Q u e e n hi s G e ni u s his Inspir ati o n its e lf o f i mp o sing si l e nc e o f s e ating r e as o n ab o ve e cst asy All t he tim e t he wo r ld o u tsi d e m ay a c t a s th o u gh r e s e ntful o f hi s m e r e e xiste nc e H avi ng suffe r e d hi s Mu s e Me d e a li ke t o to ss him int o t he b o ili ng c au l dr o n he iss u e s fo rth b e lie vin g hi ms e lf a d o r ab le H e s alli e s o u t in t he c o ld r ain st o rm an d d a r kn e ss t o w o o t he p u b li c with gui t ar an d s e r e n ade as if it we r e a l o vi ng m istr e ss H e fin d s hims e lf a b u tt fo r ins o l e nt ridic ul e wh e n abs o rbe d in hi s i d e as c arri e d away by a pr Op he t ic r aptu r e he d anc e s li ke D avi d be fo r e t he Ark H e m u st st e e l him s e lf t o be ar p e rs e c u ti o n b e c au s e he is ho n e s t chill s u rpris e w he n he is s u b li m e c o nt e mpt whe n he an n o u nc e s t o hi s age n o ve l ti e s whi ch wi ll b e tru is m s fo r t he n e xt In t he l o ng an d i llustri o u s l in e sc arce ly a S ingl e m e mbe r has n o t had t o gr o p e hi s w ay t o r e no wn thr o u gh stifling f o gs o f pr e j u dice N atu r e s e ldo m mo d e l s an y fo r po e ts wi tho u t a dding e x t r e m e s e nsi t ive n e ss t o o u t sid e o pini o n ,
,
,
.
.
,
,
,
,
,
-
,
,
.
.
,
.
.
,
,
.
-
,
,
,
.
.
-
,
,
,
,
,
.
,
,
,
.
,
,
,
,
,
,
.
,
,
.
.
FIVE CE N TURIES OF E N GLISH VERSE
41 2
The y h ave t o pr e t e n d n o t t o c ar e o n t he c o u rs e Th e r e h ave b e e n
.
S o m e stu mb le o utrigh t
.
mighty Po ts i th ir mis ry d ad e
n
e
e
e
.
im m e di at e pr iz e s at b e st ar e fe w w ith hu n d r e d s t o c o mpe t e Many ar e t he e ar l y f ai lu r e s o f u lti mate winn e rs A l m o st mo re dish e art e nin g ar e t he h alf succ e ss e s l ike t he fall o f t he fr in g e Of a r a in c l o u d in a d r o ught Mo o re m ay h ave fe l t t he ache whe n he f o u nd th at his Me lo di e s we r e n o t t he f o r e r u nn e rs o f a gr e at p o e m Abs o l u t e tri u mphs the m s e l ve s have th e ir dr aw b ac k s in mis appr e he nsi o ns by p o pu l ar Ve ri l y as I t ak e e nthusi asm o f t he r e a l p o int an d m o tive a b i r d s e y e vi e w o f t he p o e tic al hi e r a rchy wi th its p e ril s an d t e mpt ati o ns I a m n o t sur pris e d at t he g e n e r al c o in c i d e nc e o f t o u ghn e ss physic al an d m e ntal with insp irati o n in t he fe w o f i t s m e mb e rs w ho in an y age st ay o u t t he r ac e t o t he e n d A ge n e r al n o t uni ve rs al c o incid e nc e I r e p e at— an d t he s a m e q u alific a ti o n m u st b e intr o d u c e d w h e n e ve r an att e mpt is m ad e t o im pris o n p o e try an d p o e ts insid e an abs o l u t e d e fin i ti o n I h ave tri e d t he e xp e ri m e nt with an e n u m e r ati o n o f e ss e nti al pr o p e rti e s a s th e y m ight s e e m b e lo nging t o w h at e ve r p o e try is ge nu in e It has always f ai le d e ve n d o wn t o t he sp e cific ati o n o f me tr e its e lf as indisp e ns ab l e N o n e w i ll d e ny t h at R u s kin c o nst ant l y S ings in pr o s e an d D e Q u inc e y fr e qu e nt ly Sh e lle y c o u l d b e as m u sic al in an e ss ay as w ith hi s S k yl ar k I kn o w o f a s e nt e nc e whi ch is p o e try in H all a m an auth o r as habitu all y u npictur e squ e as hi s o wn Wimp o l e Str e e t I have my d o u bts ab o u t a pi e c e o f Pl antage n e t p o rtr aitur e in t o u gh B ish o p Stu bbs Tho ugh I c lin g t o t he b e li e f th at im agin ati o n an d f ancy ar e o n e o r b o th n e ce ss ary t o t r u e p o e try I s ho u l d n o t c ar e t o d o gm atiz e o n it Ch arm I am T he
,
.
.
-
-
.
.
,
.
’
-
,
,
,
,
,
,
.
’
,
,
,
.
,
,
.
,
.
.
,
.
,
'
.
.
,
,
,
.
,
414
FIVE CE N TURIES OF E N GLISH VERSE
p e n alty th an n e g l e ct Po e ts u nl e ss the y b e cr o wn e d ar e n e ve r s afe fr o m t he pill o ry T he y e nt e r t he li sts at t he o l a w o d i o h o o a e t o m e h l r l d m th t n d r f r rs in f t e r e e e t e e p Gr e e k St ate In e qu ity the y we ll might p l e ad th at the ir critics o u ght e qu all y t o abid e t he ris k F o r mys e lf I am f u ll y c o nsci o u s ho w f air t he c l ai m wo u ld b e an d sinc e r e l y trust t hat I h ave b e h ave d as if I we r e Thr o u gho u t I c an ass e rt th at in v e nt u ring t o a ss u m e t he critic al ch ar a ct e r I h ave had a c o nst ant s e ns e o f a c o r d r o un d m y o wn n e c k inste a d o f t he p o e t s I h ave e ve n fe lt a l ive l y appr e h e nsi o n th at t he n o o s e mi ght b e tight e n e d by t he thic k finge rs o f s o m e Geo rgi an po e t s gh o st F o r th e ir o wn s ake s n o l e ss t han fo r th at o f t he pu bli c m e mb e rs o f t he o bn o xi o us p r o fe ssio n in whi ch fo r my pr e s e nt purp o s e I h ave e nr o ll e d mys e lf ar e b o und I be li e ve t o b e always o n t he w atch that th e y d o n o t b ar e ntr anc e withi n t he te mp le o f t he Mus e s t o ange l s un aw are s Co ntin u ally th e y sho u ld b e r e m in di ng t he ms e l ve s th at aspir ants vain l y s e e king ad m it t an c e in t he de spis e d gui s e o f Min o r Po e ts h ave b e e n di sc o ve r e d e r e t his t o b e m e dit ating p o e try w hich is Gr e at .
,
,
.
.
.
,
.
,
,
'
’
.
’
.
,
,
,
,
,
,
.
.
I N D E X O F F I R S T WO R D S
A b m ff tb r k Ab B Ad h m— may hi trib i c r a A c as m nt hi g h a d tri pl arch d th r w a l d A c s tl p r c i p i c A c h r b w ho h d l s t hi w ay A c r t r B a tif l t A d a ghte r f t h g ds divi ly t ll A d ad tim s xpl d d dr am A dr amy s nd A d w y f r w zy p m all d t h E xc i A g r t r n m T h list f Gl ry b asts t Ah h w t h t r aml t l a g hs d si g s A h s t f g ld n d aff di ls Ah wh t av ails t h s c pt re d r ac Airly B ac n Airly B c o n A lang ag d ad Al s f t h w f l thing A lig ht that i m r than t h s nli g ht a ai that i brig hte r than m rning s b r ath All a ne e d d by ch All imp l s s f l a d ns All Mo th r w r hi p li ttl f t All t h b li s that lif d rs All t h b r z f F ancy b l w A mi ghty b and A m si c rai e d thro g h t h r m An ag d ma o w te d A d c r wn him m ar ty r ; a d hi am will ri g And H arald r ig d a d we nt his w ay A d if I l au g h at an y m r tal thing ea
un o u
o
ou
en
e
e
e u
o
a
ea u e
o
e
e
e
se
e
s
e
’
s
u
u
e
e
e
e -e n c u r e
e
u
n
’
e-
n
e,
e
s
e
a
e
o
o se e
o
e
o
ne
,
a
e
e
ou
’
ro
o
z
ea e
a
o
o
o
e
u
a
or
re
e
’
n
so u
o
s
e
ee
ea
u
e
r
en
s
oo
’
o
n
ne
r
ee
o
n n
n
e
e
e o
e
n
se
n
s
n
,
one
e en
e
u
e
ea
o
s
e
e
o
e
e
e
oe u
o
u
n
ea
s
e
no
e
e
u
an
e
,
e
o
o
e
o
o
u
e
urs o n
e
o
e
a
e
c
,
e
e
e s
o
,
oe
n
o
s n
e
n
s
I N DEX OF FIRST W ORDS
41 6
qu i c k te ars An d I think o f tho s e l o ng m o rnin g An d lay lik e hi s m y ha ds t o g e the r And o e t he hills a d fa away A d o e r t h p l ain w h r e t he d e ad age And su ch I kne w a fo re st s e r A d th y j e r d him o n e an d all P o o r H ose yn i s c raz e d p ast ho p e A d tho u dre ad s tatu e ! y t e x is te nt i And we ll it is fo r u s o u r G o d sho u ld fe e l And whe n I am t ae n an d han git mi the r a b rittli g my de e r And whe n i t s fo rc e xp e nde d And y e t a yo u g A d warm wi th lif And y e t n o e arthqu ak e c ame t o swall o w m e — hap l e ss t o wn e d f a An o Ism il — An E nglish ho m e g ray twilight p o u d An Idyll wi th B o cc acc io s spiri t warm A Qu e e n wi t h swarthy c he e ks an d b o ld b lac k e y e A qu i ck an d su dde n c ry Art tho u p o o r y e t has t tho g o lde n slu m b e rs 7 As I w as walking all alane Ask if I l o v e the e 7 Oh smile s c anno t te ll A s o le mn mu si c o f t he wi nd A s o ng — n ay a shrie k that r t t he sky A s o ng whe re u t e b re ath silve rs tru m p e t cl ang 7 A s tar t o o s o ve re ign t o o su p e rb A ste rn ro und t o we r o f o the r day s As t he e ve ing shad s de s c e nd e d At fi rst t o t he ar A thing o f b e au ty i s a jo y fo v e r A t larg e amo ng t he d e ad A t nightf all at l ast A v o ic e by t h c e d ar tr A w e t she e t an d a fl o wi ng se a Awf ul c o v e y s o f te rrib l thing s An d if o n e
t wo
or
s
,
’
r
n
,
’
n
n
,
e
r
e
,
.
e
,
n
e
n
e
e
e
,
n
,
n
,
e
,
n
s
n
e
n
r
’
’
s
u
,
fl ,
,
,
en
-
-
,
e
n
e
r e
,
e
ee
e
O
’
I N DEX OF FIRS T
418
W
ORDS
D a g hte r dau ght e r re me mb e r y o u D e ar H arp o f my C o untry i d arkne ss I f o nd th D e ath rid e s u po n t he su l phu ry S ir o c D ath whi c h tak e s m f ro m hi s sid e D o s t he ro ad wind u phi ll all t he way D o o m e d t o go in c o m p any wi th Pain D o u n in y o u g ard e n swe e t an d gay u
,
,
u
n
e
ee
e
,
7
e
rth ha t anything t Sho w m o re f air E I p l ng e d amid t h av ng ing fl am E te r al p assio n ! E th r a l minst r l pilg ri f t he k y E v n at i t b ri g h te s t pl ay E v ry m rning fa wi thdr awn E v ry m o ntain w hath f o nd a t o ng e
Ea
s no
re
o
u
e
m
n
e
e
e
e
e
e
o
.
S
.
s
e
o
e
r
,
u
u
no
u
F aintly as to lls t he e v e ni g c hime F air w as she t o b e ho ld that m aid e n o f se v en te e n su mm e rs F a an d ne ar I n w o o d a d thi ck e t F ar t o t he f air s o u t h wes t ward li g ht e ns F the r a d frie nd F athe r m o the r an d c are ful c hild — a e a h F r d t 7 t o fe e l t he fo g m my thr o at F lake by fl ak F l ids im p acts e sse nc e s F o r c ru e l t i s s aid sh F o r m e I am n o t w o rt hy F o r I m au n gae t ho I ne e r r e tu rn F o r me n m u s t wo rk an d w o m e n m u s t we e p F tho u we r t b o rn o f wo m an tho u didst c o m e F r sh o d o u r s e n t F rie nds d e ar f ri nds whe n it shall b e F ro m t he b l az ing chario t o f t he su F ro m t he f o re sts an d hi ghlan ds n
,
r
n
,
-
n
a
‘
,
,
e
e
u
,
,
’
’
e
,
,
’
’
,
,
or e
,
,
e
,
n
Gliding an d sp ringi g n
I N DE X OF FIRST W ORDS
419
.
G lo o m p ro fo und hard y e ll o w arid c o ld Go ld still g o ld G o — l e ad t he H b re w f o rt h array d Go ne int o t he We st G re at o r go o d o kind o f air — Gre at S o c rate s 7 And tho u D ivin r still G re e n b o u nte o u s E ar th G ree n li ttle vau l te r i n t he sun ny g ras G u e s t o f millio n painte d f o rms .
,
,
,
’
e
r
,
,
,
r
,
e
,
s
H ad
she c o
m
t is
t he w ay fo r h ’ ’ b u t liv d , ho u h s t r ipp d e all
H ad st tho u t g o f po we r H ail b e au te o u s strang e r o f t he g ro ve Hark n o w e v e rything is still H ark thro u gh t he alle y re s o unds H e ard y e t he arro w hu r tle in t he Sky 7 H e ar m ne ighb o u rs at l as t he c ri e d H e e de d t ho sinkin g as if into d e ath H e e t e r d b u t he e n te r d f u ll o f wr ath He H e has cu t his t hr e at at l as t W ho 7 H e igh ho wo u ld she we re min H e kne w w hat p ains m u st p ie rc e a S iste r s h art H e re e v r sinc e y o u we nt ab ro ad H re whe n Ar t w a still r e ligi o n wi th a sim ple re ve re nt he ar t H e s e rv e th t he s e rvan t H e that l o v e s a r o sy c he e k H e who hath b e nt him o e r t he d e ad Hi s j ante Up thr o u t he mi lk y e way e H isto ri an b ard p hil o s o p he r c o mbine d H o me the y b ro u ght he r warrio r d e ad H o me T o t he g l o ry that w as G re e c e H o w b o ldly d o th i t f ro nt u s ho w m aj e sti c all y H o w c am e i t y o u re su m e t he v o id an d nu ll H o w li g ht t he t o u c he s a e that kiss H o w li g ht w e go ho w s o ft w e sk im ’
,
,
e
,
’
,
n
’
’
,
e
,
’
,
e
e
e
s
,
,
’
,
,
,
r
,
D
d 2
,
IN DEX OF FIRST W ORDS
420
w e t it w r h aring t h d o wnward stre am H o w sw t i t w r if wi tho t f b l f ri g ht H w sw e t l y t hat b ll w rb l d t h wate r H w sw t t h ai i s H w f air t h s c e H ng ry a d wild t o c l aim th ir p ro pe rty Hun t G d s c attle u p n G o d s ai hills Hu sh m y b o nny b ab e —hu sh a d b e still H u sh my d ar li still a d sl m b e r How
e
s
e e,
ee
e
e
e
e,
,
u
e
o
e
o
ee
u
e
n
o er
o
’
n
,
n
,
e
,
ne
e
o
e
e
e
,
’
o
e
’
e
a
r
ee
u
n
n are s t nighting al I aris e f r o m dr ams o f th I a k d m y f ir o happy d y I c harm t hy l if I c ld hav l au g he d m y s lf t o S c o rn t o fin d I c rawl d t o y o u I f l t o t who s f ate I f f ate Lo v e s d ar am b i ti n m a I f I had tho g ht tho u c o lds t have di e d 7 h d s o me tim s say P o r C ild I f I w e r d ad y I f t he v e ri s t wo u ld li ck m y hand I f th wo u ld st vi w fair M lr s aright I hav b n h r b f r I hav d am d a dre ary dre am I hav had p l ay m ate s I hav had c o m p ani ns I kn o w a li tt l g ard n c l s I l e an m y c he k t o t he c o ld g r e y p ill o w I l o v e d hi m o t a d y et o w he i g n I l o v e d y o u E v e l yn all t he whi l I l o v th — I l o v e t h I l o v e th t l v th e o t I d ar g I m t a t rav ll e r f r o m a anti q e l and I m we ari g awa J e n I he c ame wi th y e s o f fl am Inse ct l o ve r o f t he s n I t h l o ng sunny afte rno o n I t he r e d ro se l nd n o t a mil am
I
t he
e
e
e
’
s
ee
a
a
ne
e
ou
e
e
e
e
n
e
,
’
e
u
e
u
’
e
e
r
o
ou
,
’
e
o
,
cu r ’
ou e
ee
e
e
re
e
e
e
e
e o
e
e
o
e
e
-
o
e
,
e
o
e
e
n
n
,
e
n
n
e no
,
o
u
n
’
a
,
e
e
n
e
-
a
e
e
u
n
e
e
e
n
o
ee
ee n
’
s
,
ee
e
.
e
o
’
IN DEX OF FIRS T
422
W
ORDS
b e g in an d c arry u p this c o rp se Le ve t t o t he g rav e d e sc e nd Li f e we v e b e e n l o ng t o g e the r Lif ts m e t o t he g o ld e n d o o rs Lik e a dre am thro u gh sl e e p she glid d Lik e a f o rg o tte n l t play d o al o n Lik Al e x a d I will re ign Lik e a si ck child that kno we th n o t his m o the r w hil e bl s s Like t he l e av s o f t he f o re st wh n S u mm r i s g r e n Li pe d i nu m b rs an d t he nu m b rs c am Li t n t o m e as whe n y o u he ard o u f athe Li ttle f e e t ac ro s s t he l awn Li ttle g o ssi p b li the a d hale L o a E nglish m ansi o n f o nd e d Lo a third m an r o s o e t h w av e Lo ne o n t he fi r b ranch his r attl e no te u nvari e d Lo ng I f o llo we d happy g id e s Lo ng p ro c ssio n Still p assing t o a d f o Lo v e d whe n m y l o ve f ro m all b t th e had fl o wn Lo v i m y b o s o m li ke a b e Lo v e lie st m e e k e st b li the st kinde st Lo v strik e s b u t o n e ho u r— Lo v Tho se ne v e r l o v d L o v t hy m o th r li ttl o e Le t
us
’
e
’
u e,
n
e
n
er
se
e
e
e
s
n
e
s e
e
e
,
e
e
r
,
r
n
,
u
n
,
e
’
e
-
r
e
-
,
u
e
n
u
,
e
n
r
e
e
,
,
,
e
e
e
e
e
,
e
n
M ry mine that a t Mary s r o s M g rant d th t hi s sp ch w a wis h v b n b r av e b t w o m n hav b n b r av r M M s aid h aw stra g visi s M t h g h t I s w t h g r v w h r La r a l y M i ghty p o t s i t h ir mis ry d ad Mi r re D o mi n M th r I c anno t mind m y wh l M th r s p rattl m th r s kiss M ch hav I t a ll d i t h r alms o f g ld M i c by t h night wind s e t a
’
r
en
a
en
e
ee
a
e
ee
en
n
ou
a
e
se e
o
o
u
us
e
e
n
s
u
,
e s
e
e
e.
e
e
e e
u
ee
on
a
e
e
e
a
e
e
,
e
ee
e
e,
e
r
e
o ’
ve
-
e
n
’
e
n
e
o
e
I N DE X OF FIRST
ORDS
W
M s ic wh s ft v i c s d i My d y s am ng t h D ad p st d a dro wsy n m bn ss p ains My h r t ac h s My l dy s ms f i vo ry My littl S w h lo k d f r m th g htf l y s My Lo rd ha n d f th s w t s g y My p ar nt s b o w a d l d th m f o rth My s lf wh n y ng did ag rl y f r q nt go n b f r M y p ri ghtl y n ig hb r Mys te ri s N ight whe n firs t p ar nt k w b t this h r b lik i b s t M y y o th w a happy u
en
,
e
ea
e
o
,
e
’
o
ee
s
e
ou
e
e
u
e re
o
e
e
a
e o
e
o ur
e
u
s
e
ue
e
ou
ou
u
e
e
e
e
s
ou
ea
n
e
o
o
,
a
u
o
on
e
fl
ar e
an
,
ee
a
e
e
e
o
a
e
o
o
ou
ne
e
e
s
e
min whil I h ld m y li f dy k f rind r whi th r y o g ing ? N v e r st p s t h s ari g v l t r N ig hting l s warb l d wi th t N ig ht i t h l o n s m O ct o b r inj r d N C i Inj r s— N m o r o f dr ami g c ul d hi li p s a d p drawn sig h r strain N N o swo rd Of wr th h ri g ht a m whi l d N t b r ath c r pt t hr g h t h r o sy ai t f n ral no te N t a dru m w a h ard N t a fl o we r t o b p re s t o f t he f o o t th t f alls o t N t a whisp r s t irs t h g l o m N t f ro m t h g r and o ld m s te rs F he nc h li s N wh i d d N o w sl e p s t h l nd o f ho u s s N ay , y e ar e n i e -g Nee
e
u
a n
o
e
o
or
o
e
un
e
n
r
ou
e
s
o
e
-
er
e
e
e
u e
ee
s
a
,
e
r
u
a
no
o
e
o
e
o
e
e
a
e
o
e
ar
e
e
e
a
e
e
n
a
ea
s
’
r
e
o
o
e
e
a
o
u
ou
o
e
ar e
u
u
n
e
e
e
e
o
e
a e
n
o
e
oo
e
e
Al bi n O my m th r I sl w if 7 O f l will y m ar y t he w o rm fo O G d f o r g iv m h x lai m d OG d l t m b r athe a d l k p at t h sk y h w thin a d c l ar O hark O he ar 0 H l n f ir b y o nd c o m p ar d c all t h c attl ho m 0 Mary go 0
o
oo
,
e
o
e
e,
e
e
r a
’
e e ,
a
e e
,
,
an
e
c
n
oo
u
e
e
e
e
’
n
o
,
e
r
e
,
o
e
o
e
e
e
423
I N DEX OF FIRST W ORDS
4 24
ightingal tho u s re ly a t 0 S he ik I c anno t l e av e the e s 0 te ll m f ri e nds whil e y t y h ar O t h F r nc h a e i t he b ay i that m y s te ri o s shrin 0 Tho 0 what a l o d a d f arf l shri k w a th r Ob s cu r ly s p tte d t o t h d o o r a d th nc R o slin all that dr ary ni ght O Of a lif liv e d s o m wh r I kn w o t Of ll t h g irls that a s o sm ar t Oft i t h s till y ni g ht Of t w o that di e d l as t nig ht Oh b r athe o t hi s nam l t it sl e p i t he shad Oh b t t o b r ath t h b r ath Oh c o ld I f e e l a s I hav f l t t o think M an e v r Oh G o d Oh had I l iv d i t hat g r at d ay Oh t h li tt l e m o r a d ho w m c h it is Oh what a h ar t s b d i ng m l dy Oh w o rld o h li f o h t im Onc i a g o ld e n ho r Onc mo r i m o r than b rid al b a ty stands Onc po n a midnight dr ary whil I p nd r d w ak a d we ary O hav I m rk e d t h happ i s t gu s t O i the r hand Wi th Mil t n an d wi th K ats O E ly si an l awn s O m rni ng all al o n On E tt ri c k s m o u nt ain g r e e n O e w o rd i s t o o o fte n p r o f ane d O this swe t b ank y r h ad thri c e sw t a d d ar he is b u t ne wl y O y o u r li v e s he h ie k d an d c i e d d ad O p n he r I fl g t he shu tte r wh n wi th m any a flirt a d fl tte r O r signal f fig ht that f ro m m o nar chs w e dre w ON
u
e
r
o
,
e,
e
r
e
u,
e
n
u
n
u
e
’
e
e
,
n
e
o
e
u
e
e
,
e
s
n
e
e
e
e
er
e
e
e e,
n
re
e
a
o
e
n
e
n
e,
e
u
e
e
e
n
e
e
e
u
e
e
e
,
n
e
,
e
,
e
e,
e
,
,
e
e o e
,
u
n
e e
u
u
u
-
,
e
n
e
n
e
e
u
ne
e
a
e
e
,
n e
u
e
,
e
e e
o
,
e
n
e
o
e
n
ne
o
e
,
’
n
n
e
ou
n
s
ee
e
s r
’
r
n
e
,
e
e
e
un
u
u
or
,
e
,
n
I N DEX OF FIRST W ORDS
42 6
S lo w sinks m o re l o ve ly e r e his r ac e b e r u n S m all ho pe m y girl f r a he lm t o hid e S o ft t o u c h invisib le S o le Po si tive o f N ight S o le s o vr an o f t h Vale S o me tim e s o l o ne l y m o untain m e re s S o m e time s wo nde ring so l S o o n o l ate s ard o ni c Fate S o rro w said Mahm o u d i s a re ve r nd thing S o sl e e p fo r e v e r sl e p 0 m arb l e p air S o u ls o f p o e ts d e ad a d g o ne S o ul w as like a star a d dw l t ap ar t S o u nd t he l o u d timb re l o e E gypt s d ark se a Sp e ak n o t t hy s pe e ch m y b o u ghs am o ng Spl ndi d a st ar 7 Spre adi n g May s l e afle ss b l o ms i a d am p n o o k Star i s o t e qu al t o star o bl o sso m t he sam e as b lo ss m Stay stay Still in he r we b d li ghts Stran g e i s it n o t 7 that f t he m yr i ads who S u c h a s o ft fl o ating wi tc he ry o f s o u nd S we e t m y child I liv fo r the S we e t nu rslin g s o f t he ve rnal skie s S we e t strang e r who m I c alle d m y wi fe o
,
,
e
n
-
u
r
’
‘
,
e
,
e
,
,
n
e
n
,
’
e
’
r
,
’
o
n
n
,
n
r
o
,
e
o
e
,
e
,
k m away a d i t he l we st d p T ars idl te ars I kno w n o t what th y m an T nd r b ing s ang li c al Thank H av n t h c ri is That fi rst b a ty sho ld b fi S t m i g ht That L rd Ar nd l Th t v ry night whil g ntl sl p h ms Th b ar o d t h b l sso m d vin T h b e e s that s ar f b l o o m T h b lls a ringi g As i m e t T he b lls f S hand n Ta
e
e
e
e
e
u
u
e
on
re
o
e
r
e
un
.
ee
e
o
or
o
e
e
e
,
e
e
e
m
s
u
e
u
o
e
e
e
e
ln
ee
ee
e
e
e
o
,
e
e
n
’
e
,
a
n
,
n
o
.
s
e
e
e
I N DE X OF FIRST WORDS billo ws whi te n a d t h d p se as h av e T he b ri g htne ss o f t he w o rld 0 t ho u o nc f re T he c l e are s t e y e s i n all t he wo rld T he c u rv e s o f t he whi t e o w l swe e p ing T h f aire s t fl o w r T he b r ae s o E ttri c k e v e r saw T he fi e r c e Ju l y whe n fl e e ts w e re s c atte re d as f o am T he fl o at i g c l o d t he ir s ta te Shall l nd T he fl o w e rs o f t he su n t hat is s unk e n T he f o rms o f t h d p ar te d T he f o r b o ards o f t he c o ffin lid T he f r i t lik p rf m e o f t h g o ld n f r z e T h g l o ri e s o f o u r b l o o d an d st at e T he g re e n g re e n g rass t he g li tte ring g ro v e T h hand that r o u nd e d P t r s d o m T h har p that o nc e thro g h T ara s halls T he I sl s o f G r e c t he Isl e s o f G re e c e T h k e n s ancti ty T he ki g l y b ard T h Ki g s d au g ht r 0 N o r o w ay T he l ands c ap e all m ad e shar p a d c l e ar T he l ark n o w l e av e s hi w at r y ne s t s o am I T he l e av s a e f allin g T he li tt l e hands t hat ne v e r s o u g ht T he L o rd f ro m o u t H is cl o u d T he l o s t d ay s o f m y l if u ntil t o d ay e r d ma T he mild s t m a T he m o nth o f Mar c h w o re o n ap ac T he mu l ti tu dino u s Bill o ws T he mu rmu r o f t he m o rni n g g ho s t T he ni ght i s g o n T he no o n o f au tu mn s g l o w The n ro se f ro m se a t o sk y t he wild f are we ll T he n think I o f de e p shad o ws o t he g rass T he o d o ro u s pu r pl e o f a n e w bo rn ro se T he Old y e ar s d e ad hands a e f ll o f the ir d e ad fl o we rs T he p ag e ant o f his b l e e d in g h ar t T he
e
n
ee
e
e
,
e
’
e
n
u
s
e
e
e
u
e
u
u
e
-
e
e
u
e
,
,
e
e
e
e
’
u
e
e
e
’
e
e,
e
n
e
’
n
’
e
n
,
’
s
e
r
e
nn
e
’
-
n
e
u
e
’
n
-
’
r
u
e
e
42 7
I N DEX OF FIRS T W ORDS
28
p e o pl e — ah t he p e o ple T he R ainb o w c o m e s a d g o e s T he R av e n ne v e r fli tting s till i s si tting s till i s s itting The re ar e swe e t fl o we rs that o nly b lo w by night The r e i s a g arde n in he r fac e T h re is a stre am Springi g fa o ff Th re i s n o m si c in t he lif The re i s n o s te rne r m o ralis t than Ple asu r Th re i s o n e Mind o n e o mnipre se t Mind Th re s a g re at te xt in G al ati ans The re sat a Lady all o t he g ro u nd The re s s tatu e s g racing this no b l e pl ac e i The re tho u s itte s t n o w a d the n tho u mo an e st The re w as a l ad y live d in a hall The re w as ne v e r myste ry The re w as tu rning o f ke ys an d c re aking o f l o cks T h R o m an whe n his b u rnin g he ar t T he s e c re ts o f t he win d it s in g s T he s e lf t o rt ri g s o p his t wil d R o u sse au T he shar p s t o rm c u t s he r f o re h ad b are T h sil v e r c hain o f s o u nd T he skie s hav e su k a d hid t he pp e r sno w T he s o ft g re e n will o w s p ring ing T he s o u ndi ng c at ar act T he s p a c i o u s fi r m am e t o hi g h T he s tar o f t he un c o nq u e re d will T he s t arr y G alil e o wi th hi s w o e s T he visi o n o f s c ar c e a m o m e nt T h v o i c e o f f rie nds aro u nd t he b d T he v o i c e o f y o re T he warm g re e n mu ffl e d Cu mno r hills T he w at e r c o m e s d o wn at Lo d o re T he W e dding Mar c h o f Me n d e lss o hn T he wind a e hi gh o H e ll e s w av T he w o rld i s t o o mu c h wi th u s l at e an d s o o n T he W o rld s a b u bb l e a d t he Li f e o f M a T he
,
n
,
,
e
,
u
e
r
n
,
e
e
e
n
,
’
e
n
’
n
n
,
e
,
u
-
n
,
e
e
n
u
n
,
n
n
,
e
e
-
,
s
r
’
n
’
,
n
e
n
IN DE X OF FIRS T
4 30
W
ORDS
wi th King s in t h lo w lu st f sw y T o p l ay at l v T t ll Of t h w o nd r f l d ay s a c o ming Tr sting t o his n bl s t f s Tully w a o t l q nt as tho Twas o t th s s o ls th t d i p ain Twas wh n t h s p s al tim f M ay Tw d said t o Till Tw nty y ars h nc e m y y e s may g ro w Two u ld s av u s so m c h b the r whe n we d b th b e T o m ix
e
o
o
e
,
o
e
n
o
e
-
oe
so e o
s n
’
u
e
u
’
fl
e
e
u
ue
e
u
e
ou
a
o
e
a
n
e o
ee
e
e
e
’
e
e
’
o
u
o
no t h r
a
Unde r t he m ay she st o o p d t o t he r o wn Ung rate fu l Fl o re nc e D ante sl e e p s af ar Unl e ss y o u p ard o n what shall I d o Lo rd Up an d s p ak e t he S wan ne c k hi g h Up o n t he g o ld cl o u ds m e tro po litan ’
,
c
,
,
-
Val i I d a l ve li r V ry tr e t h lin ts sing Vi cto rio u s me f e arth o m o re e
n
,
e
u
,
o
e
e
ne
n o
,
n
Wand rin g b tw e n tw o wo rlds o e d e ad W atc hing t he pu ls f t h c a d i d o wn as wi th th m hav all o f h m an h art W W l c m b d b sid t he r se W e ll h ar a m air lil ting at u r e we milking W r I a tr mb li g l af w at c h d h W b r athi g thro t h ni ght Wha ll b y m y c alle r he rrin 7 W h t am I 7 W hat a s c re am Of ag o ny W hat b ird so si g s y t so d o e s wail 7 W hat r o ho s h ld g ds p ro t ct o f d e ar W hat E lysiu m hav e w kno wn W hate v e r in he r sight I d se e m e
e
e
,
e
o
e
n
rs
e
,
e
e e
o
u
e,
’
e
us one
e
e
n
e
e
e
’
e
e
o
e
-
o
e
’
u
e
n
er
e
’
n
e
’
u
a
n
’
e e
ur
,
u e
e
o
o
e
’
e
o wn
e
I N DEX OF FIRST W ORDS W hat far re achin g N m esis s tirr d him W hat hath h l o st that su c h g r at g rac e hath w o Wh t ills t h sc ho l r s l if assail W hat le af f rin g d l g nd ha nts ab o t t hy Shap e What m a has m ad f ma W hat m ans y bl az o hig h W hat t he so ft S o th W st r 7 W h n at ho m al n I it Whe n half g ds g W h n I m d ad my d ar s t W h n I lo d y I c an t b t all w Whe n N at r Shro ds h rse lf ntranc e d W h n N r pe i h d by t he j ste s t d m W he n o ur wo rld d af d ar Wh n She c m t t he N t he b o w p o r t Whe n su mm e r s ho rly m ll wing c ha g Wh n t h b r z o f a j o yf l d awn b l w f r e W h n t h G o d s will s alli s fre W h n t h l am p i shatte r d W h n t h li ttl w b it h ar t W h n t h w mad Mo the r mil d W he n t hy b e a ty app ars W h re B aly he ld o f ld his awf l re ign Whe r r w tre ad t i ha nt d ho l y g ro nd W he re i s t h g rav f Si Arth r O K lly n 7 d ha nt te r al Vo i c e 7 W h r i s t hy fa W he r r sts t h ap wi thin t h l f W h r w ate rs g sh d d f r i t tr e s g re w W he th r at N ai hap u o B abyl n W hith r midst f alli g d w h W h l d lif s d ll r nd t W ho v r s aw t h arli e s t ro W ho f e ars t o s p ak f N in ty e i g ht 7 W ho i h t hat c o m e th lik a ho o u d g e s t 7 W ho h irs e ar t h hav m ad W ho s s tr iving Parnass s t o c lim b e
e
e
a
’
a
e
-
e
e
n
e
on
u
e
e
-
o
o
a
v
e
’
u
e
ee
u
en
’
o
e
-
u
e
e
e
e
e
e
e ne
-
oo
e
r
e
o
n
u
’
e
e
,
e
e
o
e
e
’
e
u
’
r s
a
e
e
ou,
-
e
e
s
,
’
o
e
e
-
e
u e
e
7
n
o
e
e
u
n
e
s
e
u
e
e o
e
’
e
e
ee
e
e
e
s
e
e
u
o
’
e
vour
e
e
e
on ’
,
’
e
ea
e
’
u
ou
se
o
-
e
e
,
e
e
o
e e
e
-
e
’
r av e
e
n
r
n
,
as
e
u
r
e
s
u
an
e
’
u
’
s
oe er e
r
u
,
e
u
’
e
e s
e e
e
u
s
e o
e
e e
e
e
u
e e
e
e
s
’
n 7
e
e us
u
n
e
n
r
’
u
43 1
IND E X OF FI RS T
4891
W ORDS
mre am e f m e mfi w W hi d be tuve d uf e arth m d sky anfi m be y c n d ai wm n t hat
W
e a the
i
5
m m
e
u
m
1
hl
m m ,
ww
t
fl
fs e t 1 1 1 111 1 1 1 3 in t he musi c al w end m m ur
W he th whiuh mny wn h the d e
W
t
m mm w
b
Ta
m
rm
mr a
Ye a ma
w fima m
n e:
W
et
Ym a m fi m m fi k ‘
w
m f
M
d
t
mme me hmuk ahmluw at tfi W ith the b re w
i
gi t
ar
—m
k hge
or s
m mfi m w m
I N D E X O F P OE T S W IT
ADD I S ON
,
H DATE S
B I RT H
OF
AN D
DE A T H
J O S E P H (1 67 2
MARK M D (1 7 2 1 ALLI N GHAM WI LLI AM (1 82 4 ARN OL D E D W I N Sir (1 832 ARN OL D MAT T H E W (1 82 2 AY T OU N WI LLI AM E M ON ST OU N E Pr o f e ss o r AKE N SID E ,
,
.
,
,
,
,
D
,
,
(1 81 3
BA C ON FRAN CI S Visc o nt St Alb ans (1 5 61 BAI L E Y PHI LI P JAM E S (1 81 6 BAI LLI E JOAN N A (1 762 B AR B AU LD (AI KI N ) AN N A LE TIT I A Mr s (1 7 4 3 B ARHAM RI CHARD HARRI S R (1 7 88 B ARN AR D (LI N DS AY ) AN N E Lady (1 7 5 0 BAR N E S WI LLI AM R v (1 801 B E ATT I E JAM E S LL D (1 7 3 5 B E A UM ON T FRAN CI S (1 5 84—1 6 1 6) B E DD OE S TH OM AS LOVE L (1 803 B LAK E WI LLI AM (1 7 5 7 BL OOM FI E L D R OB E RT (1 7 66 B OW LE S WI LL I AM LI SL E R (1 7 62 B RE T ON NI CHOL A S (1 5 45 —1 626 B RON T E E MI LY JAN E (1 81 8 B ROOKS C HAR LE S WI LLI AM SHI RL E Y (1 81 6 B ROW N TH OM A S E D W AR D Re v (1 830 B ROW N E WI LLI AM (1 5 9 1 1 5 90—1 643 o 1 64 5 BROW N I N G E LI ZAB E T H B ARRE T T M rs (1 806 B ROW NI N G R OB E RT (1 81 2 B RYAN T WI LL I AM C ULL E N (1 7 9 4—1 87 B UCHAN AN R OB E RT (1 841 B URN S ROB E RT (1 7 5 9 B UT L E R SAM U E L (1 61 2 o 1 600 B YR ON G E ORG E G ORD ON N OE L Lo rd (1 7 88 ,
u
,
.
,
,
,
,
,
ev
,
e
,
,
,
.
.
,
,
,
.
.
.
,
L
,
,
,
,
ev
,
.
,
,
,
,
,
,
,
.
or
,
,
,
,
,
,
,
,
,
,
r
,
.
r
I N DE X OF P OETS
43 6
CAL VE RLE Y C HARLE S S T U ART (1 83 1 CAM P B E LL TH OM A S (1 7 7 7 CAM PI ON THOM A S (1 5 67 1 61 9 o r CAN N I N G G E ORG E Right H o n (1 7 70 CARE W TH OM A S (1 5 9 5 1 5 9 8 —l 639 CARE Y H E N RY (1 69 6 C HATT E RT ON THOM A S (1 7 5 2 C HA UC E R G E OFFR E Y (1 3 40 2 C HUR CHI LL C HARL E S Re v (1 7 3 1 CLAR E J OHN (1 7 93 C LOU G H ART HU R H U G H (1 81 9 C OL E RI D GE HART L E Y (1 7 9 6 C OL E RI D G E SAM U E L TAYL OR (1 7 7 2 C OLLI N S WI LLI AM (1 7 2 1 C OW L E Y AB RAH AM (1 6 1 8 C OW P E R WI LLI AM (1 7 3 1 CRABB E G E ORG E Re v (1 7 5 4 CRA SHAW R I CHAR D Cano n Of Lo re tto C UN N I N G HAM ALL AN (1 7 84 ,
,
-
,
,
,
,
.
,
,
,
‘
,
,
,
.
,
,
,
,
,
,
,
,
,
.
,
,
1 1 3 6 (
.
—1 64 9
,
,
DAV E N AN T (o r D AV E N AN T ) WI LL I AM Sir (1 606 DAVI DS ON J OH N (1 85 7 D E KK E R TH OM A S (1 5 7 0 D E N HAM JOHN Sir (1 61 5 DI R D I N C HARLE S (1 745 D OB E LL SYD N E Y THOM P S ON (1 824 D OD G S ON C HAR LE S LU TW I D G E Re v LE W I S CARROLL ’
,
,
,
,
,
,
,
,
.
,
,
— 1 89 8 1 2 8 3 ) (
D ON N E JOHN D r De an Of St Paul s (1 5 7 3—1 63 1 ) DRUM M ON D WI LL I AM Of H awt ho rnde n (1 5 85 DRY D E N JOHN (1 63 1 ’
,
,
.
.
,
,
,
,
B E N E ZE R T H E C ORN LAW R H YM E R E LLI OT T JA N E (JE AN ) (1 7 2 7 E M E R S ON R AL P H W AL D O (1 803 E L LI OT T , E
-
,
,
FI T ZG E RAL D
,
E
D W ARD
(1 809
(1 7 81
I N DEX OF P OE T S
43 8
LOVELA CE RI CHAR D Co lo ne l (1 61 8 LOVE R SAM UE L (1 7 9 7 LOW E LL JAM E S R U SSE LL (1 81 9 LYAL L ALFRE D Sir (1 835 LYL Y (LI LL Y LY LI E ) JOHN (1 5 54 LYT T ON E D W AR D G E ORG E E ARL E LYTT ON B UL W E R (Lo rd LYT T ON ) ,
,
,
,
,
,
,
,
-
,
— 1 1 8 3 87 3 ) 0 (
LYT T ON
E
,
D W AR D R OB E RT B UL W E R (E arl LYTT ON )
1 8 3 1 (
TH OM A S B AB I N GT ON Lo rd (1 800 MA CKAY C HARL E S (1 81 4 MAH ON Y FRAN CI S SYLVE ST E R FAT H E R PR OUT (1 804 M AN S E L H E N R Y LON G U E VILL E D D D an MARVE LL AN D RE W (1 62 1 M A SS E Y G E RAL D (1 82 8 ME RE D I T H G E ORG E (1 82 8 MI CKL E WI LLI AM J UL I US (1 7 35 MI LL I K E N r MI LLI KIN RI CHARD ALF RE D (1 7 67 MI LM A N H E N RY HART D D De an o f St Paul s (1 7 9 1 MI L N E S R I CHAR D MON CK T ON Lo rd H o ght o n (1 809 MI LT ON J OHN (1 608 MON T G OM E RY JAM E S (1 7 7 1 MON T RO S E JAM E S GRA HAM Mar q is f (1 61 2 MO ORE T HOM A S (1 7 7 9 MORRI S LE W I S Sir (1 833 MORRI S WILL I AM (1 834 MOUL T RI E JOHN Re (1 7 99 MA C A UL AY
,
,
,
,
,
,
.
.
e
,
,
,
,
,
o
,
,
’
,
,
.
.
,
u
,
,
,
,
u
,
O
,
,
,
,
,
v
,
.
AN JOHN H E N RY D D Cardinal (1 801 N ORT ON CAR OL I N E E LI ZA B E T H SARAH H o n (1 808 NE W
M
.
,
,
.
,
,
,
.
PAR N E LL TH OM A S D D Ar chde ac o n (1 67 9 PATM ORE C OVE N T RY KE B S E Y DI G HT ON (1 82 3 PE R CY THOM A S Bisho p (1 7 2 9 r 1 7 2 8 PHI LI P S AM B ROS E (1 67 1 r 1 67 5 P O E E D GAR AL L A N (1 8 1 1 P OP E AL E XA N D E R (1 688 ,
,
.
.
,
,
,
,
,
,
,
,
,
o
o
IN DEX OF P OETS
.
WIN T HR OP MA CKW ORT H (1 802 PRI OR MATT HE W (1 664 PR OCT E R B RYAN WAL L E R B ARR Y C ORNW ALL
PB AE D , ,
1 7 7 8 (
,
R OG E RS SAM U E L (1 7 63 R OS SE T T I C HRIS TI N A G E ORGIN A (1 830 R OS S E TTI DAN T E GAB RI E L (1 82 8 ,
,
,
S C OT T WALT E R Sir (1 7 7 1 S HAKE SP E ARE WI LL I AM (1 5 64 S HE LL E Y PE R CY B Y SSHE (1 7 92 S HE N ST ON E WI LLI AM (1 7 1 4 S HI RL E Y JAM E S (1 5 9 6 S I D N E Y PHI LI P Sir (1 5 5 4 SM ART C HRI ST OPH E R (1 7 22—1 SMI T H ALE XAN D E R (1 830 S M IT H H ORAT I O (HORA C E ) (1 7 7 9 SMI T H JAM E S (1 7 7 5 S OUT H E Y R OB ER T D C L (1 7 74 S PE N S E R E DM U N D (1 5 5 2 o 1 5 5 1 ST E BBIN G HE N RY Re v D D (1 79 9 S T E VE N S ON R OB E RT LOUI S (1 850 S UCKLI N G JOHN Sir (1 609 S W I FT JON AT HA N De an Of St Patri c k s (1 667 S W I N BURN E AL G E RN ON CH AR L E S (1 83 7 ,
,
,
,
,
,
,
,
,
,
,
,
,
,
.
.
.
,
r
,
,
.
,
,
.
.
,
,
,
’
.
,
,
,
TH OMA S N OON Si (1 7 9 5 TE N N Y S ON ALFRE D Lo rd (1 809 TE N N Y S ON F RE D E RI CK (1 807 THA CK E RAY WI LLI AM MAKE PE A CE (1 81 1 TH OM S ON JAM E S (1 700 T RE N CH R I CHAR D CH E N E VI K D D Arc hb i T U RN E R C HAR E S T E N N Y S ON (1 808 T AL F OUB D ,
,
r
,
,
,
,
,
,
,
.
L
,
VAU G HAN H E N RY (1 622 VER E AUBR E Y D E Sir (1 7 88 VE RE AUB RE Y THOMA S D E (1 8 1 4 ,
,
,
,
.
,
sho
p
(1 807
43 9
I N DE X OF P OE T S
4 40
WALLE R E D M U N D (1 606 WART ON T H OM A S (1 7 2 8 WAT T S AL ARI C AL E XAN D E R (1 79 7 W ATT S I S AA C D D (1 67 4 W E BST E R J OH N (1 5 80 —1 62 5 W E L S C HARL E S JE R E MI AH (1 7 9 9 WHI T E H E N RY KI RK E (1 7 85 WHI T E JOS E PH B AN C O (1 7 7 5 WI S ON J OH N Pr fe ss r C HRI ST OPH E R N ORT H WI T H E R (o WI T H E RS ) G E OR G E (1 5 88 W OLFE CHAR L E S R (1 7 9 1 W ORDSW ORT H WI LLI AM (1 7 7 0 W OR SL E Y P HILI P S T AN H OP E (1 83 5 W OT T ON H E N RY Sir (1 5 68 ,
,
,
,
,
.
.
,
L
,
,
L
,
L
o
,
,
r
o
(1 7 8 5
’
,
,
ev
,
.
,
,
,
Y O U NG
,
E
,
D W ARD
Re v
,
.
,
D CL .
.
E ND
O
.
(1 683,o r 1 68 1
O F V OL
.
II
xf rd H r c H rt Pri t r o
:
o a e
a
,
n
e
t o t he
U iv r ity n
e
s
View more...
Comments